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Posts Tagged ‘Motion’

Demo: Gudsen adds ‘Mimic Motion Control’ to Moza Air gimbal

22 Aug

Chinese gimbal manufacturer Gudsen has released new firmware update for its Moza Air that offers new ways to control the motion of the head, as well as better timelapse features for long exposures. The Moza Air—which is designed for cameras ranging from CSC bodies to high-end enthusiast DSLRs—now allows operators to control the direction and angle of the head remotely just by moving a small handlebar-mounted control unit.

With the supplied thumb controller attached to a set of handle bars, the Bluetooth-paired head mimics the motion of the bars so that the mounted camera can be moved by small increments without the user even touching the gimbal.

Pitch, Roll and Yaw movements can be controlled while a read-out on the thumb controller’s screen lets you know the exact position of the head.

The second part of the update adds improved timelapse functionality, ensuring the head is still during long exposures. It does this by using a ‘move-stop-shoot-move’ process rather than a continuous moving path across the programmed points. The timelapse interface on the Moza Assistant app has also been updated, allowing more control in a clearer design.

For more information, visit the Gudsen website.

Articles: Digital Photography Review (dpreview.com)

 
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Edelkrone launches SurfaceONE 2-axis smart motion control system

11 Aug

Edelkrone has launched the SurfaceONE 2-axis motion control system which, according to its branding, is “the world’s smartest 2-axis motion control system.” The system is designed to capture straight, curved (targeted) and panning shots, all of which can be combined with a timelapse mode for smooth motion sequences.

The SurfaceONE is controlled through an Android or iOS app, and Apple Watch support will be available soon as well. Subjects can be targeted independent of distance and the system can be used as an endless slider or for automatic pans with angular speed adjustment.

When shooting timelapses with the SurfaceONE, speed, shooting interval and other parameters can be set in the app. Once set up, your camera is supported by a flexible tilting head, which allows for easy fine-tuning of the lens angle and keeps the rig stable. Edelkrone also says the SurfaceONE motor is very silent and should therefore not be audible in video clips.

More information is available on the Edelkrone website, where you can order the SurfaceONE for $ 690.

Articles: Digital Photography Review (dpreview.com)

 
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Sony full-frame CineAlta 4K motion picture camera teased ahead of launch

28 Jul

Sony has teased its video-focused customers with news of an upcoming announcement: it will soon take the wraps off a new CineAlta motion picture camera, one sporting a 36x24mm sensor. There’s still a bunch details forthcoming, but thus far Sony has revealed that the new CineAlta model will be capable of multiple aspect ratios and will be compatible with many existing CineAlta accessories.

Sony has only revealed a handful of details about the camera at this time (below), explaining that it is developing the model ‘through careful research and close collaboration with creative professionals.’ The company doesn’t state when the camera will be available, nor when the full announcement will be made.

Technology highlights and key benefits:

  • Full Frame 36x24mm sensor exclusively designed for this Digital Motion Picture Camera
  • Aspect ratio-agnostic – including Full Frame, Super35 4K 4-perf 4:3 Anamorphic and 4K spherical 3-perf 17:9
  • New image sensor enabling exceptional picture quality
  • Maintains the workflow established with Sony’s 16bit RAW/X-OCN and XAVC
  • Compatible with current and upcoming hardware accessories for CineAlta cameras (DVF-EL200 Full HD OLED Viewfinder, AXS-R7 recorder, AXS-CR1 and AR1 card reader, AXS and SxS memory cards).

Via: DIYPhotography

Articles: Digital Photography Review (dpreview.com)

 
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Google’s Motion Stills app is now available for Android

21 Jul

Last year Google launched Motion Still for iOS, an app that stabilizes the iPhone’s Live Photos and makes them shareable as looping GIFs and videos. Now the software giant has made the app available for Android devices running version 5.1 and later of its own mobile OS.

The app works a little differently on Android to the iOS version. Instead of using an existing Live Photo, the Android version forces you to record video inside the app. Stabilization is then applied using a, compared to the iOS version, redesigned video processing pipeline that processes each frame of a video as it is being recorded. As consequence the results are instant and no waiting is required to share the created GIFs.

Fast Forward is a new feature and builds on the stabilization algorithm to capture longer clips and create stabilized time-lapses or hyperlapses. Playback speed is adjustable from 1x to 8x and GIF output can be created in three sizes.

Motion Stills for Android is now available on Google Play.

Articles: Digital Photography Review (dpreview.com)

 
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Video: mesmerizing stop motion film of raw wood being shaved away layer-by-layer

22 Jun

Photographer and animator Brett Foxwell teamed up with friend and musician Conor Grebel to create something awesome. Together, they painstakingly milled their way through several pieces of wood, layer by layer, capturing one frame of video at a time to create a stop motion film they’re calling WoodSwimmer.

As you can imagine, the process of actually capturing this film was incredibly time-consuming, and at times grueling.

‘[The final video] involved endless hours of shooting, cutting, and prepping for each frame,’ Brett tells DPReview. ‘Which involved either clearing all the wood chips away or keeping them looking consistent and pretty, and finally applying wood oil to the sample for each frame.’

You can see the mess this process created in some behind the scenes images Brett shared with us. Unfortunately, he only captured a couple of these BTS shots, because, in his words, ‘It was just such a grueling process that I never got around to getting proper documentation of the process.’

Regarding gear, Brett tells us he used a Canon EOS 60D with Tamron 90mm macro lens attached. This setup was tethered to DragonFrame, a stop-motion capture software that Brett says is “a great tethering application even if you’re not shooting specifically stop-motion.”

Tons of work and a nightmare to clean up, but well worth it when you get a load of the final product. Here are a couple of stills Brett sent our way:

Several stills from WoodSwimmer are available as prints from Brett’s website, and you can see more of his stop motion, nature photography, and other artistic work by following him on Instagram.

Articles: Digital Photography Review (dpreview.com)

 
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How to Have Fun with Shutter Speed and Added Motion Blur

21 Jun

If you think learning is a boring task, you definitely haven’t studied photography. To make this point, I decided to explain the relationship between shutter speed and movement by spending the day at a theme park.

Image blur – unwanted or not

When you get an unwanted blur in your photograph it can be very frustrating. However, this shouldn’t stop you from experimenting with your camera’s shutter speed. Perfectly sharp images can be great for composition and color but they don’t really reflect everything that’s going on and can fail to convey the atmosphere.

Composition - shutter speed

Shutter speed 1/640th, f/9, ISO 200.

Movement shutter speed

Shutter speed 1/50th, f/22, ISO 200.

Theme parks can be the most fun, but even so, they can appear a bit dull in still images. However, just adding a little movement can do the trick. Don’t you agree?

Still shutter speed

Shutter speed 1/1000th, f/3.5, ISO 200.

Moving shutter speed

Shutter speed 1/15th, f/22, ISO 200.

If you are comfortable using Manual Mode on your camera, then please do so. However, if you are not used to adjusting your settings you can always do these exercises by using Shutter Priority Mode. To do this you have to set the dial of your camera to the S (Nikon, Sony) or Tv (Canon) symbol on your mode dial. This mode gives you the flexibility to choose the shutter speed that you want, and the camera figures out the rest of the settings for you in order to have a well-exposed photo.

However, there is one thing that you do need to know first . . .

What is shutter speed?

The shutter is a curtain inside your camera that opens to allow light to enter the camera and hit the digital sensor (or film) in order to create your photo. Shutter speed refers to how fast or slowly it opens and closes. The longer you leave the shutter open, the more light will come in.

Therefore, as long as it’s opened everything in front of your lens is leaving an imprint. In the case of a moving object, this results as a halo or a ghost and is why you get blurry photos when using slower shutter speeds. The longer the exposure time, the blurrier the subject will be.

Faster shutter speed

Shutter speed 1/60th, f/22, ISO 200.

Slower shutter speed

Shutter speed 1/30th, f/29, ISO 200.

Creative effects of shutter speed

#1 Blurry subject sharp background

Now that you have that clear, let’s dive into the fun part and start doing some creative effects with this knowledge. First, we’ll start with a sharp background and a blurry object/subject, as this is the easiest one to achieve. For this one, you need to be standing still and have something or someone in motion in the scene in front of you. As for your camera, you need to use a slow shutter speed. How slow depends on the speed your subject is moving, so just make a few tries.

Note: All movement gets registered in the image when you are using slow speeds, including your own. So if your subject requires for you to shoot lower than the length of your lens (i.e. slower than 1/50th with a 50mm lens) it’s better if you use a tripod or else your fixed background will look blurry as well.

Cars shutter speed

Shutter speed, 1/6th, f/22, ISO 200 and an 18mm lens.

Twirls shutter speed

Shutter speed, 1/50th, f/29, ISO 200 and a lens focal length of 33mm.

#2 Blurry background sharper subject

For the second effect, let’s do the opposite; a blurry background and a sharper subject. You don’t want the moving subject completely sharp because then you can lose the purpose and it will look dull or worse, fake (as in Photoshopped into the image). So it’s always better for the subject to have a small halo around it that shows its movement, direction, and speed.

This one is a little bit trickier because, on top of choosing the correct shutter speed, you also need to follow the moving subject with your camera, matching its speed (this is called panning). So please don’t get frustrated if you don’t get it right on the first try because the results are worth the effort!

Follow Circular shutter speed

Shutter speed, 1/50th, f/29, ISO 200. The camera was moved in a circular motion to follow the subject.

Follow Vertical shutter speed

Shutter speed, 1/40th, f/32, ISO 200. The camera was moved in a vertical motion to follow the subject.

Follow Horizontal panning shutter speed

Shutter speed, 1/60th, f/22, ISO 200. The camera was moved in a horizontal motion to follow the subject.

#3 Mix it up

When you feel comfortable with the previous techniques, try introducing some mixed movements. In other words, your subject moving one way and you in another.

Mix shutter speed

Shutter speed, 1/50th, f/22, ISO 200.

Mix shutter speed

Shutter speed, 1/40th, f/32, ISO 200.

#4 Still objects

Liking it so far? It gets better! You can even put some movement into photos of still subjects.

Ducks shutter speed

Shutter speed, 1/50th, f/22, ISO 200 with an 18-35mm lens.

To achieve this effect you need to use a zoom lens. What you have to do is to twist (zoom) so that you go from one focal length to another while the shutter is still open. The bigger the zoom, the more intense the effect.

Barrel zooming shutter speed

Shutter speed, ½ a second, f/29, ISO 200, focal length 18-28mm.

Barrell shutter speed

Shutter speed, 1/50th, f/29, ISO 200, focal length 18-45mm.

Barrell shutter speed zoom

Shutter speed, ½ a second, f/29, ISO 200, focal length 18-55mm.

Your turn to go try it

There you go, you are ready to enjoy your day in the park while making some amazing looking shots. Take a ride, have fun, and let all your problems all blur away!

Blur

Shutter speed, 1/15th, f/22, ISO 200.

Please share your comments, questions, and motion blurry images below.

The post How to Have Fun with Shutter Speed and Added Motion Blur by Ana Mireles appeared first on Digital Photography School.


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Camtraptions launches PIR Motion Sensor

14 Jun

Camtraptions has launched a new camera trap sensor that is designed for taking photographs of rare and nocturnal wildlife. The sensor can be deployed and left in place for weeks or even months at a time. It also allows for setup and triggering of flash guns or other light sources.

Camtraptions, founded by wildlife photographer Will Burrard-Lucas, has been creating sensors for DSLR camera trap photography since 2014. Over the last three years, the company has gathered feedback from its users in order to develop a new sensor that is easier to use than previous versions and offers a number of innovative features for both still photography and video shooting.

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The new sensor comes with a weather-proof housing and adjustable ‘blinkers’ that limit the sensor’s field of view to offer better control over composition. It can be either strapped to a tree or mounted on a small tripod next to an animal trail or other focal points for wildlife.The Camtraptions sensor is compatible with Canon, Nikon and Sony cameras, with more camera brands to be supported in the near future. The sensor can be pre-ordered now for £150 ($ 191) at Camtraptions.com where you’ll also find more information and product videos.

Press release

Press Release: Professional Camera Trap Photography Made Easy

12 June 2017, London, UK – Camtraptions has reinvented the camera trap sensor, making it easier than ever before to take high-quality photographs of rare and nocturnal wildlife.

A camera trap can be left out for long periods of time, just waiting for the moment that an animal enters its field of view. The camera trap sensor then detects the animal and automatically triggers the camera. Multiple camera traps can be deployed at once and left in place for weeks or even months at a time in order to capture images of extremely rare or elusive animals. Placing a camera in advance of the animal turning up also gives the photographer time to set up attractive, studiolike lighting in order to take creative images of nocturnal wildlife.

Camtraptions has been creating sensors for DSLR camera trap photography since 2014. The original Camtraptions PIR motion sensor broke new ground by making it easy for anyone to turn an old DSLR camera into a high-quality camera trap for photographing wildlife.

Photographers have used the Camtraptions sensor to win awards in some of the world’s most prestigious competitions. Richard Peters, for example, used the Camtraptions sensor to take his image “Shadow Walker”, which won the Urban category of Wildlife Photographer of the Year and was also the overall winner in the GDT European Wildlife Photographer of the Year competition.

Over the last three years, Camtraptions has gathered feedback from its users and taken the collective experience of camera trappers around the world to develop a new sensor that is easier to use than ever and introduces a number of innovative features for both still photography and video shooting.

The new sensor incorporates a rugged weather-proof housing and adjustable “blinkers” that limit the sensor’s field of view to provide greater control over the composition of the final image. It is very discreet and can be either strapped to a tree or mounted on a small tripod next to an animal trail or some other focal point for wildlife.

Will Burrard-Lucas, founder of Camtraptions and a wildlife photographer himself, said “we launched the new sensors to our existing customers last month and the first batch sold out in a couple of days. Our second batch of sensors will start shipping next week. People are already using the new sensor to photograph polar bears in the Arctic, tigers in India, jaguars in South America, lions in Africa and cougars in the US. Many people are also using the new sensors closer to home, to take creative images of wildlife in their own backyards. For me the most rewarding part is seeing the wonderful images of the natural world that our customers are getting.”

The Camtraptions sensor is compatible with Canon, Nikon and Sony cameras, with more camera brands to be supported in the near future. The sensor can be preordered now for £150 at Camtraptions.com.

Articles: Digital Photography Review (dpreview.com)

 
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A slow motion dive onto a trampoline covered with mouse traps

15 May

You’ve said it to yourself at least 100 times: ‘Hey, if only I had a trampoline, and maybe 1,000 mouse traps, I could have a jolly good time by climbing up a ladder and throwing myself on top of them all.’

We understand this is a bucket list item for an awful lot of people. After all, with trampolines readily available online, and mouse traps that can be ordered in bulk, why the heck not? Of course, if you’re being really honest with yourself, you’ll admit that the only thing holding you back from acting out this all-too-common fantasy is not having a $ 100,000 Phantom Flex 4K camera so that you share the experience in super-slow-motion on social media.

Thankfully, the Slow Mo Guys are around to help. It took them four hours to set everything up, and just a few seconds to take the plunge, but with super-slow-motion we get to see every detail.

Of course, this got us curious. If you had access to a Phantom Flex 4K, what would you shoot in slow motion?

 

Articles: Digital Photography Review (dpreview.com)

 
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Sony releases short film showing off Xperia XZ Premium super-slow motion mode

12 May

Sony Mobile has released the first super-slow-motion short movie that has been completely recorded on a smartphone. All of the movie’s scenes were recorded by 120 amateur videographers from 21 countries on the Tróia peninsula near Lisbon, Portugal. The footage was shot under the direction of award-winning director Chris Cairns and using the new Motion Eye mode of the Sony Xperia XZ Premium smartphone that is capable of capturing moving images at 960 frames per second.

Articles: Digital Photography Review (dpreview.com)

 
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Edelkrone launches SliderPLUS X and Motion Kit 4-axis motion control system

15 Apr

Accessory-maker Edelkrone has launched its latest motion control product for videographers. The SliderPLUS X & Motion Kit is a slider and motion head combo that offers 4 axes of control – slide, pan, tilt and focus, all controllable via a smartphone app. Edelkrone claims its new rig is the ‘world’s smartest and most portable 4-Axis motion control system.’

The system allows you to lock the lens and focus onto a subject for a slide. You can program complex motion by movements the head and slider manually to ‘record’ the motion and it’s possible to create looping sequences as well. Edelkrone is still working on a number of features that will be added at a later stage via app and firmware updates respectively. Eventually users will be able to convert programmed motion paths into time-lapse or stop-motion animations and the camera will be controllable during live recordings. You’ll also be able to program your lenses into the system, so focus calibration can be saved for future use.

The SliderPLUS X & Motion Kit will set you back $ 3,700, $ 1,000 for the slider and $ 2,700 for the Motion head. That’s a serious investment, but given the rig might help set your videography apart from the competition it could well be worth it from a business point of view. More information can be found on the Edelkrone website and in the video below. 

Articles: Digital Photography Review (dpreview.com)

 
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