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Posts Tagged ‘More’

ON1 Photo RAW 2019.5 will drop mid-May with searchable history, nested tags and more

25 Apr

ON1 Photo RAW may not be as well-known compared to the other major brands in the photo editing software space, but that doesn’t mean it should be discounted. It’s the only service that can transfer and displays Lightroom-edited photos in Photo RAW. The software package boasts hundreds of built-in filters, LUTs and presets. It also supports layer masks for creating composite images.

ON1 is offering up a free update of its service with ON1 Photo RAW 2019.5, scheduled to be released mid-May. As a standalone product with photo organizing and editing features, ON1 Photo RAW boasts the tools that photographers use the most in Adobe Photoshop and Lightroom and places them in one program. For users who don’t wish to fully convert, ON1 Photo RAW 2019.5 can also serve as a plug-in for Adobe Lightroom and Photoshop.

ON1 Photo RAW 2019.5 will include new updates to increase productivity, additional organizing benefits, more feature and performance enhancements, and new camera support.

ON1 Photo RAW 2019.5 will also have a fully-reversible history section. Each editing step will be accessible, along with the ability to roll-back and compare prior adjustments.

Photographers will be able to search for photos based on specific adjustments applied such as cropped, retouched, and so on. Crop tool settings will be persistent and information on those adjustments will be retained across all photos.

The master keyword list will now support nesting keywords inside of other keywords. Nested keywords will allow photographers to organize keywords as they see fit. They’ll be easier to search, add, delete, and modify. Importing a list of nested keywords from other apps such as Adobe Lightroom will also be supported.

For photographers new to ON1 Photo RAW, there will be new walkthroughs that teach the basics. These series of short tutorial videos explain how to use each feature and help shorten the learning curve.

The Portland-based company has even more plans beyond the forthcoming release of ON1 Photo RAW 2019.5. These include incorporating solutions into the software for photographers that use mobile devices in their workflow. ‘The next year will be the biggest in our company history. A lot of these internal projects we’ve been working on will finally get introduced to the market. There is a lot to be excited about for our customers and our industry, and it all starts with Photo RAW 2019.5,’ said Craig Keudell, ON1 President & CEO.

Users can start a free 30-day trial of the current version of ON1 Photo RAW today. The software is available as a one-time purchase of $ 99.99 for new users and $ 79.99 for users with past versions who are updating. It includes both macOS and Windows installers, plug-ins for Adobe Photoshop and Lightroom, and can be used on up to five computers. The Photo RAW 2019.5 update will be available mid-May. For a full rundown on all the new features that will be added, visit ON1’s blog.

Articles: Digital Photography Review (dpreview.com)

 
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RawTherapee 5.6 adds new Pseudo-HiDPI mode, ‘unclipped’ processing and more

23 Apr

Cross-platform Raw image processing program RawTherapee has announced its most recent update, version 5.6, which brings along new features and tools to improve the image editing experience.

The flagship feature in RawTherapee 5.6 is new Pseudo-HiDPI support that now makes the interface appear smooth and sharp across various displays regardless of screen size or resolution. The RawTherapee team says Pseudo-HiDPI is enabled by default and uses the font size, DPI and display settings from your computer to to create the best image possible.1

An illustration provided by RawTherapee highlighting the new Pseudo-HiDPI mode.

A new ‘Unclipped’ processing profile has also been added ‘to make it easy to save an image while preserving data across the whole tonal range.’ RawTherapee 5.6 also has a new user-adjustable tiles-per-thread setting ‘for users who want to find optimal values for their system.’ Hundreds of other overall improvements have been made as well behind-the-scenes for improved performance.

RawTherapee is free to download for Linux, macOS and Windows computers. The developers behind RawTherapee have created a helpful Wiki to explain the tools as well as a ‘Getting Started’ article to help kickstart anew users


1 It’s worth noting though that there have been issues with certain macOS display settings interfering with the Pseudo-HiDPI mode though, so if you run into any issues, it might be best to turn this feature off for the meantime.

Articles: Digital Photography Review (dpreview.com)

 
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Manfrotto Super Clamp: More than a Tripod Alternative

11 Apr

The post Manfrotto Super Clamp: More than a Tripod Alternative appeared first on Digital Photography School. It was authored by Joey J.

As a cityscape enthusiast photographer primarily shooting long exposures at blue hour (twilight and dusk), tripods are something I can’t live without. That said, we occasionally come across places where a full-size tripod is prohibited or there is no appropriate space to set one up.

In such situations, I used to rely on a mini tripod like Gorillapod (I own the “5K Stand”, their top end model with a load capacity of 5kg). However, mini tripods are a bit shaky and don’t always hold the camera weight too well. This is especially problematic when using it for long exposures, where the images end up with somewhat “soft” (i.e., not sharp enough).

How to set the Super Clamp up

LEFT: Plug a camera mounting platform adapter into a Super Clamp socket and secure it with a double-lock system. RIGHT: Mount a tripod head with the camera on the mounting platform adapter, just like you do with your regular tripod.

This is where a clamp tripod like Manfrotto Super Clamp comes in very handy. I own the Manfrotto 035 Super Clamp without the Stud and use it with the separately-sold Manfrotto 208HEX 3/8-Inch Camera Mounting Platform Adapter, as described below.

Avoid standard stud

By the way, Manfrotto also has a Super Clamp that comes with a so-called standard stud (Manfrotto 035RL Super Clamp with 2908 Standard Stud), but I recommend avoiding it because the standard stud is a bit too long. Thus, the tripod head sits about an inch out of the clamp, making the setup vulnerable for heavier camera/lens combos.

Besides, the standard stud only comes with 1/4″ screw. If your tripod head uses 3/8″ screw (most tripod heads do), you’ll need a screw adapter to convert 1/4″ screw into 3/8″ in order to screw your tripod head in.

LEFT: The Super Clamp with the standard stud inserted (a silver screw adapter is attached to convert the default 1/4″ screw into 3/8″). RIGHT: Due to the standard stud being too long, a tripod head doesn’t sit flush with the Super Clamp, leaving the camera setup rather unstable.

Reversible Short Stud

Therefore, I recommend photographers get the aforementioned Manfrotto 208HEX 3/8-Inch Camera Mounting Platform Adapter, or opt for Manfrotto 037 Reversible Short Stud (cheaper alternative). In fact, this reversible short stud is handy as it comes with both 1/4″ and 3/8″ screws. Like the mounting platform adapter, this short stud also allows a tripod head to sit flush with the Super Clamp, giving much better stability to mount a camera.

LEFT: The reversible short stud comes with both 3/8″ (top) and 1/4″ (bottom) screws. RIGHT: The reversible short stud fits perfectly into the Super Clamp (3/8″ screw on top).

With the short stud used, a tripod head sits flush with the Super Clamp. This setup can be as strong as the Super Clamp + Manfrotto 208HEX 3/8-Inch Camera Mounting Platform Adapter mentioned earlier.

Super Clamp in action

Note that a clamp tripod cannot be used anywhere you like, as it needs a rail or something similiar to be clamped onto. However, where possible, this setup is rock solid (with a load capacity of whopping 15kg), and the resulting long exposure photos are appreciably sharper than those photographed using a mini tripod or even a regular tripod.

Clamping onto a road railing.

Here we have clamping onto a thick tempered glass (clamping from the top).

You can also clamp onto things like a footbridge railing (by using short stud, instead of camera mounting platform adapter).

In addition, a clamp tripod also comes in handy at crowded photography spots that attract a lot of tourists. Setting a regular tripod up at such locations takes space on the ground and always has a risk of someone accidentally kicking tripod legs. It’ll be a catastrophe if that happens in the midst of a long exposure. With a clamp tripod that takes no space on the ground, there is no such worry.

Conclusion

I hope this post helps you consider a clamp tripod as a tripod alternative. Indeed, Super Clamp is like a game changer and more than just a mere alternative to a mini tripod, etc. Last but not least, be extra vigilant and tighten wherever must be tightened when using a clamp tripod somewhere high up. If the camera or any part is dropped, it could seriously injure people or break your gear.

 

Manfrotto Super Clamp

The post Manfrotto Super Clamp: More than a Tripod Alternative appeared first on Digital Photography School. It was authored by Joey J.


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DaVinci Resolve 16 has new Neural Engine, native Frame.io integration and more

11 Apr

In addition to the new battery grip for the Pocket Cinema Camera 4K, Blackmagic has announced DaVinci Resolve 16, the latest version of its video editor that brings a massive collection of new and updated features.

The standout feature of DaVinci Resolve 16 is a new cut page designed specifically ‘for editors that need to work quickly and on tight deadlines.’ The updated cut page is an alternate edit page that features a streamlined interface and a new toolset that makes it easier to ingest, process and export footage.

In Blackmagic’s own words, ‘The [new] cut page isn’t about simplification, it’s about removing the things customers don’t need and building powerful, professional tools that help customers work more quickly. And, sometimes, it means borrowing the things that were great about the past and bringing them into the future.’

These new and improved tools include source tape, a new feature that brings all of the clips in a users bin into the viewer as a single long tape so it’s easier to scrub though, select the in/out points and bring the needed footage into the timeline. Another updated tool within the interface is a dual timeline arrangement that makes it possible to see both detailed sections of footage, as well as the whole timeline at once. This makes it easier to get both a macro and micro look at the work, rather than having to zoom in and out constantly.

DaVinci Resolve 16’s Neural Engine at work picking out faces from various clips.

Blackmagic Design has also added its new DaVinci Neural Engine, which uses ‘state of the art deep neural networks and learning, along with artificial intelligence to power new features such as speed warp motion estimation for retiming, super scale for up-scaling footage, auto color and color matching, facial recognition and more.’

The DaVinci Neural Engine is cross-platform and uses the latest GPU technologies to provide improved performance when working on footage and help to streamline the editing process. Blackmagic Design specifically references the DaVinci Neural Engine’s ability to use facial recognition to automatically sort through footage and add individual clips to folders based on who is in the shot.

ResolveFX has also been updated in DaVinci Resolve 16. You can now add vignettes, drop shadows, analog noise/damage, chromatic aberration, video stylization and even remove objects. Blackmagic Design says there have also been improvements to the scalene, beauty, face refinement, blanking fill, warper, dead pixel fixer and colorspace transformation plugins.

Additional features added and improved upon in DaVinci Resolve 16 include new adjustment clips to help add effects and grades to clips in the timeline, a new quick export tool for uploading videos to YouTube and Vimeo from anywhere inside the app and GPU-accelerated scopes to help keep an eye on the technical side of things. Blackmagic has also partnered up with remote collaboration tool Frame.io to add native support in DaVinci Resolve 16. Now, Frame.io is baked right into the software, rather than working as an iteration.

Below is a 25-minute video of Blackmagic Design walking through all of the changes found inside DaVinci Resolve 16:

DaVinci Resolve 16 public beta is available to download from the Blackmagic Design website, where you will also find additional details.

Articles: Digital Photography Review (dpreview.com)

 
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Adobe After Effects gets Content-Aware Fill, more in latest Creative Cloud updates

04 Apr

With the annual NAB media show coming up, Adobe has rolled out its spring update for the Creative Cloud video and audio apps, including Premiere Pro, After Effects, Audition, and Character Animator.

After Effects now comes with a new Content-Aware Fill function for video which works pretty much in the same away as the still image version in Photoshop. Users can select an object in the footage that they want removed and Content-Aware Fill does the job automatically, filling in the background.

Premiere Pro now features a new Freeform Project panel that lets you organize clips into select shots, making it easier to build and visualize project ideas. In addition text and graphics alignment is made easier through rulers and guides as well as guide templates that can be shared between After Effects and Premiere Pro. Adobe has also managed to speed up mark tracking. The company says this will make color and effects workflows more efficient. H.264 and HEVC encoding has been optimized for smoother playback in Premiere Pro and After Effects.

In After Effects users have now a an Expressions Editor at their disposal. It was designed with advanced users in mind, for examining code visually and comes with features such as syntax highlighting, line numbers, matching brace highlighting, and code folding.

In Character Animator puppet rigging has been improved to give more personality to characters and new Twitch live-streaming triggers allow for enhanced livestream performances, allowing viewers to engage with characters using real-time costume changes, dance moves, gestures, and poses.

As usual, there are also a range of general bug fixes and performance improvements. All improvements and new features are described in more detail on the Adobe blog. The updates are available now.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm Camera Remote app for iOS gets new UI, additional camera support and more

01 Apr

Fujifilm has released version 4.0 of its Fujifilm Camera Remote iOS app and announced the Android version will be available May 2019.

The update, which was originally announced back in February, features a new interface as well as a number of new features that makes it easier to control settings and capture images remotely with wireless-equipped Fujifilm cameras.

Fujifilm has changed the interface of the app to better use the additional screen real estate of newer iOS devices and has changed the icons and buttons throughout the app to create a more streamlined look. The pairing process is now easier with the updated app and Fujifilm has added an ‘Album’ function that makes it easy to browse through photos and videos that have been imported from the camera. Overall stability of the app and wireless connection has been improved with this update and additional camera support has been added as well.

Fujifilm lists the following features in the app’s description:

  1. Transferring images and movies to a Smartphone
  2. Browsing the Camera from a Smartphone
  3. Downloading Location Data from a Smartphone
  4. Shooting Images by Remote Control(*)
  5. Easily transfer pictures from the cameras that offers Bluetooth capability.
  6. Synchronizing “date and time” and/or “location information” with the cameras that offers Bluetooth capability
  7. Firmware update via a Smartphone to the cameras that offers Bluetooth capability.
  8. Bluetooth wireless remote control camera shutter release is now supported for cameras that offers Bluetooth capability.
    *How to change the setting depends on your camera.

Fujifilm’s X-T30, GFX 50R, X-T3, XF10, X-H1 and X-E3 cameras support all of the above features while the FinePix XP140 supports all but number seven. The X-T100, X-A5 and FinePix XP130 support features one through six and the GFX 50S, X-T20, X100F, X-A10, X-A3, X-T2, X-Pro2, X-E2S, X70, X-T10, X-T1, X30, X100T, X-E2, FinePix XP120, FinePix XP90, FinePix XP80, FinePix S9900W and FinePix S9950W support features one through four. Wrapping up, the X-E2, XQ2, XQ1, X-A2, X-A1, X-M1 and FinePix Z1100EXR support features one through three while the FinePix Z1000EXR only supports the transfer of images and movies.

Fujifilm Camera Remote version 4.0 works with iPhone, iPad and iPod Touch devices running iOS 10 or later. Geotagging functionality only works with iOS devices equipped with LTE connectivity.

You can download the app for free in the iOS App Store. For more information on the app and update, head over to Fujifilm’s documentation page.

Articles: Digital Photography Review (dpreview.com)

 
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Wisconsin videographer sued for more than $14K after court rules he botched eight weddings

29 Mar

Wisconsin videographer Scott Sockett, owner of Say I Do Wedding Services, has been sued for more than $ 14,300 by multiple customers who allege he failed to provide the services they paid for. According to an exposé by local news organization TMJ4, Sockett was sued by nine customers and only one case was dismissed, leaving him with orders to pay back thousands of dollars.

TMJ4 spoke with three of Sockett’s former customers, each of whom alleged the videographer either failed to show up to the wedding or only provided some of the services that were paid for.

A screenshot of the latest complaint shown on Scott Sockett’s BBB profile.

In the case of customer Heather Timm, according to the report, Sockett delivered a wedding video that included clips from a different wedding. Another customer, Alexandra Moiser, claims she paid $ 1,400 for services that included videography, uplighting, a photo booth, and a DJ, but only the DJ made an appearance. And in the case of customer Michelle Heck, Sockett allegedly didn’t even come to the wedding.

Sockett’s business is listed by the Better Business Bureau with an ‘F’ rating alongside a dozen complaints, including the above complaint, alleging failure to provide services paid for, failure to provide refunds, and in some cases, failure to show up for the wedding. Below is a PDF document linked on Sockett’s WeddingWire profile under the business name S2 Wedding Solutions that highlights what the company offers.

Sockett spoke with TMJ4 as part of its report, stating that the company is ‘in the process of trying’ to issue refunds. However, existing complaints from past customers claim Sockett had promised them refunds, photos, and more repeatedly without following through on the claims. In addition, Sockett claimed a competitor is behind the bad online reviews and that those alleged customers ‘were never actually customers or clients of ours.’

Sockett also told TMJ4 ‘he has had people who are happy with his services’ and would email the news team a list of said parties. TMJ4 ends its article saying ‘We have not heard back.’

Articles: Digital Photography Review (dpreview.com)

 
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Review: Langly Alpha Globetrotter Backpack is more style than substance

26 Mar

Langly Alpha Globetrotter backpack
$ 249 | Langly.co

Langly’s Alpha Globetrotter Backpack.

It seems that nostalgia for classic designs continues to be an obsession in the photography world and beyond. Cameras like the Nikon Df and much of Fujifilm’s X Series exemplify this. It’s no surprise that this same retro-ism has found its way to camera accessories – a perfect example of this is Langly’s Alpha Globetrotter backpack (hereafter referred to as “The Alpha”)

The Alpha is a bit like if your average front-loading Lowepro backpack had a baby with a classicly-designed Fjallraven backpack – and this cross-over comes with a high price tag. You can pick Forest Green for $ 249 or Slate Black with either Brown or Black leather trim options for $ 269.

Key specifications:

  • Dimensions: 18 x 14 x 8in /45 x 29.5 x 20cm
  • Weight: 4lbs / 1814g
  • Water resistant, TPU-coated canvas exterior
  • Waterproof zippers
  • 15in Laptop Sleeve
  • Gear storage for DSLR body and 3-5 lenses (lens size dependent)
  • 3 exterior pockets with pin-buckle snap closures
  • Tripod holding straps on bottom of bag

Compared to Other Bags

The Alpha’s price tag puts it in the same bracket as bags like Peak Design’s Everyday Backpack and Mindshift’s Backlight and Firstlight. Both of Mindshift’s bags carry a good deal more gear and have more of an outdoor focus. Despite Langly’s outdoor-focused aesthetic, Mindshift’s bags win in this category due to similar levels of weather-resistant materials and a harness design more akin to hiking backpacks, including padded hip straps. That said, neither of Mindshift’s bags have very solid compartment sections for everyday items.

Alpha’s style is really what’s going to separate it from other bags

The Alpha’s style is really what’s going to separate it from other bags. Classic and retro are the ideas here; if that’s not your thing and you like a more technical/futuristic design, then look to Peak Design’s Everyday Backpack or Tenba’s DNA 15 Backpack. The Peak Design bag is essentially the same price and offers a bit more storage between its side panels and expandable top compartment. Meanwhile the Tenba also has an expandable top compartment, but like the Alpha has a front loading gear compartment and for only $ 199.

Design and Construction

The lower portion of the bag is the gear storage compartment, the upper portion is for personal items. The Alpha’s straps are not as padded as we’d like to see in a premium backpack and hip straps offer no padding.

The Alpha looks a lot like Fjallraven’s bags, featuring a single color with a leather-like insignia. Its shape also resembles old hiking backpacks a bit. Make no mistake, it looks good. I actually got a compliment or two on the bag when I was out wearing it. Again, the style is definitely a huge selling point here.

I normally go for black in almost everything, but I enjoyed having something with a solid earth tone like the Alpha’s forest green.

The TPU-coated canvas exterior feels sturdy and truly weather-resistant. A flap over the top compartment provides an additional barrier to keep water out, though it feels somewhat redundant. The two main zippers (one for the gear compartment and one for the top compartment) are weatherproof, while all the other pockets are enclosed with a pin-buckle system.

The Alpha’s pin-buckles snap and lock into place, securing the flaps they’re attached to.

The weather-proofing is definitely welcome but while Langly advertises itself as an outdoor-oriented brand, I’m a bit disappointed by the relatively simple nature of the Alpha’s harness system. The shoulder straps are only slightly-padded and the hip straps have no padding at all.

Another odd design choice here is the shoulder straps have plastic buckles you can undo, presumably for the purpose of storing them behind the large velcro strap in the middle of the back of the bag. There isn’t really any issue here but it seems weird that the shoulder straps are storable but the hip straps really aren’t.

Straps, everywhere.

The Alpha also features straps on the bottom to use as a tripod holder (or to hold a sleeping bag – though I’d be surprised if anyone was taking this on extended hiking adventures). They’re definitely useful for their intended function, but with all the other straps for the harness, plus the straps used for the pin-buckles, the Alpha feels way too ‘strappy’ for my taste. Some people like to have a lot of stuff dangling from their bags and that’s fine, but I found it to be distracting and annoying more than anything else.

My basic organization for the gear compartment allowed me to fit a DSLR, four lenses and a flash.

The Alpha includes 6 dividers in 3 different sizes. You likely won’t need them all at once.

The gear compartment also feels sturdy and the included dividers do their job. There’s not much to note here other than the fact that the dividers don’t come installed in any way. If you really like a blank slate to start from you might appreciate this but I definitely prefer to have some kind of organization in place that I can build from, mainly because I found getting the dividers to fit was just kind of a hassle. That said, once they were in there they feel snug and secure.

In use

Despite my gripes with the design of the Alpha, I enjoyed using it. Everything felt secure, the zippers were fairly smooth, and I was able to carry a pretty solid kit plus a book, some snacks, an extra sweater, etc. I was convinced I would hate the pin-buckles but actually found them super satisfying to use and had confidence in their staying locked.

I found the weatherproof zipper plus double pin-buckles for the top compartment flap to be a bit confusing. It works just fine and protects everything but the flap just feels unnecessary. It’s made of the same weatherproof material that’s underneath, so other than giving the zipper a bit of added protection it’s just added weight and bulk.

Comfort-wise, I felt good about wearing this bag for a bit, but I doubt it would be all that fun to lug on a hike

The top flap also makes me think that the top compartment would be expandable, but because of the zipper, it isn’t. Granted, it is plenty big for carrying your everyday essentials, so no complaint in terms of size. I’m just hung up on some of these odd design choices that feel counter-intuitive to what Langly seems to be aiming to accomplish with its bags.

The non-expandable side pockets are my least favorite aspect of The Alpha.

Comfort-wise, I felt good about wearing this bag for a bit, but I doubt it would be all that fun to lug on a hike. While Langly is clearly trying to carve out an audience in the outdoor photography community, the Alpha feels pretty lacking when it comes to the sorts of things I’d expect to see in a hiking/shooting backpack.

The only thing about the Alpha I strongly dislike is the design of the side pockets – they’re fine for carrying additional items that might not fit in the other compartments. But the flap flops about when using them to carry a water bottle – they’re also too snug to fit larger containers like a 32oz Nalgene. I definitely would have preferred an expandable mesh pocket or something similar with a breathable bottom.

Bottom line

To sum up the Alpha in a simple phrase, I’d choose: ‘style over substance’. This bag looks great and would feel extremely appropriate in any #PNW #GetOutside #Adventure -tagged Instagram post, but anyone that’s spent a lot of time in the outdoors would know that this bag isn’t really any better-suited for that sort of thing than most other camera bags. It feels like it was designed for people to look like they spend time outdoors, rather than being designed for anyone to actually spend time shooting the outdoors.

With that said, that’s not such a bad thing. If you’re into the style, it feels perfectly at home as an everyday shooting backpack to use in the city as well. It’s probably not applicable to anyone shooting real professional stuff (photojournalism, sports, weddings, etc) but for engagement sessions out in the park? Sure. Actor head-shots downtown? You bet. If you like the style of this bag and your gear-carrying needs are pretty straightforward, then it will probably suit you well.

If you’re into the style, it feels perfectly at home as an everyday shooting backpack for the city

The design flaws here aren’t really deal breakers, they just feel like crossed wires in regards to what’s important in a bag. Assuming you’re okay with ~$ 250 of ‘looks cool’ on your back, get it, but I would at least consider some of the other options listed above if you’re looking for something of a different style.

What we like:

  • Looks stylish
  • Sturdy and made from solid materials that feel truly weather-resistant
  • Lots of space to pack gear, personal items in main compartments

What we don’t:

  • Pricey
  • Minimal padding on shoulder straps
  • No padding on hip straps
  • Redundant design elements lead to bulk
  • No convenient way to carry a water bottle
  • Too many straps dangling about

Articles: Digital Photography Review (dpreview.com)

 
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Photo Mechanic 6 launches with 64-bit support, selectable ingestion and more

26 Mar

As promised earlier this month, Camera Bits has released Photo Mechanic 6, a major update to the company’s image ingestion software. A free trial is available to download for new users on Windows and macOS, while ‘qualified’ existing customers can upgrade for $ 89 USD. A new software license is priced at $ 139 USD. For users who purchased Photo Mechanic 5 in 2018 will receive a license key for Photo Mechanic 6 for free.

Photo Mechanic 6 brings a large number of big and small improvements, including the previously announced 64-bit support, the ability to ingest images from selection, better image caching, full-screen support for Preview and Contact Sheet windows, and reverse geocoding.

As part of the initial release, Photo Mechanic 6 brings new elements including a new render cache and image gallery exporter. In addition to new features, version 6 also adds improvements to existing tools, including crop, slideshow, and the Find and Replace panel, plus new support for Blu-ray disc burning and much more.

The software enables photographers to rapidly ingest images, organize, and manage them at faster speeds than catalogue-based competitors. Users have the ability to cull, tag, view, organize and export their images from a single application. This is the first major update to Photo Mechanic since the release of version 5 in 2012.

Mac users must be running at least Mac OS X 10.10 or higher to use Photo Mechanic 6; Windows users must be running a 64-bit version of either Windows 7, 8, or 10.

In addition to the release of Photo Mechanic 6, Camera Bits has also announced Photo Mechanic Plus, a premium upgrade version of Photo Mechanic that will include the much-anticipated Catalog feature. A limited beta of Photo Mechanic Plus will be launched on April 22nd to Photo Mechanic 6 owners at no extra cost and will be launched alongside a dedicated forum where beta testers can share feedback.

In Camera Bits’ own words, the upcoming Catalog feature ‘is an image database for managing large numbers of image files across multiple locations.’ After the beta period is over Photo Mechanic Plus will be offered as a paid upgrade over Photo Mechanic 6 at a price that’s yet to be announced.

Articles: Digital Photography Review (dpreview.com)

 
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Twitter wants you to tweet more photos, makes its in-camera app easier to access

16 Mar

Twitter has announced a change to its iOS app in an apparent move to encourage the tweeting of photos. The in-app camera has received a redesign and can now be opened by simply swiping left from your Twitter timeline screen.

Once the camera has opened you can tap on the virtual shutter button to capture a still image or hold down to record video. There is also quick access to Twitter’s livestreaming feature. Location information and captions are overlaid onto photos and videos captured within the app and you can choose from a range of overlay colors.

Overall the new feature isn’t a groundbreaking change but it shows that Twitter is aiming to compete more closely with Instagram and other image-focused social media apps, most of which offer equally direct access to the camera app.

Articles: Digital Photography Review (dpreview.com)

 
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