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Posts Tagged ‘More’

Xiaomi provides more information about under-screen front camera technology

05 Jun

Earlier this week smartphone manufacturers OPPO and Xiaomi both teased under-screen front-cameras that would allow for the design of ‘notch-less’ devices with uninterrupted edge-to-edge displays.

Xiaomi Senior VP followed up with several tweeted slides that provided some additional information about the technology. According to the slides the display area covering the front camera is capable of turning transparent when the camera is activated, allowing for light to pass and hit the lens and sensor, but looks and works normally when the front shooter is not in use.

To achieve this, Xiaomi is using a using ‘special-low-reflective glass with high transmittance’. The company claims the technology can capture better images than the pinhole solutions we have seen previously although OPPO VP Brian Shen stated that the technology was still new and ‘there’s bound to be some loss in optical quality.’

The slides also hint at a 20MP camera hidden under the display but at this point we don’t know which new model the technology could be implemented in. Given the current buzz around the subject it likely won’t be too long before we find out, however.

Articles: Digital Photography Review (dpreview.com)

 
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Learning to See Like an Artist – 7 Powerful Techniques to Help You See More Compelling Images

31 May

The post Learning to See Like an Artist – 7 Powerful Techniques to Help You See More Compelling Images appeared first on Digital Photography School. It was authored by Anthony Epes.

Being an artist has nothing to do with your camera, your kit or your photo knowledge.

It has nothing to do with how long you’ve been taking photos or if you shoot on manual or automatic.

Being an artist is totally and completely about the mindset you inhabit when you are out shooting, and what you create from this state.

It’s about looking at the world in a way that is different from how we usually see it. It’s ridding ourselves of the habits to ‘get somewhere,’ to accomplish and tick things off our to-do lists.

It’s all about immersing ourselves, our senses, our beings in this beautiful, wild, chaotic and amazing world.

It’s diving deeper, seeing more and finding new and interesting ways to capture what we discover.

What you get from bringing this artistic approach into your photography are unique images.

Your photos become about expressing who you are, encompassing everything that you have seen and experienced in your life.

This to me is the joy of photography. So I have some simple, but immensely powerful tips that will help you connect to your inner artist.

“There is only you and your camera. The limitations in your photography are in yourself, for what we see is what we are.” – Ernst Haas

7 Powerful Techniques to Help You See More Compelling Images

First – ignore everyone

We spend so much of our lives in contact with other people. At work, our efforts are analyzed by our colleagues, boss or clients.

At home, our children, partner or family will comment on how we live, wash clothes, what we eat etc. We post something on Facebook and someone comments; everyone has an opinion.

As we are in constant contact with other humans, we find ourselves playing a role, fitting into expectations or rules or ways of living. We probably don’t even think about how the constant stream of people in and out of our lives makes us adjust and alter our behavior.

Creating art operates in a very different space – completely outside this interaction with other humans.

Being in the space of creativity is about forgetting what other people might think of our work, what other people are doing, literally everything that connects us to other human beings.

We need to release ourselves from our ‘normal lives’ and the way we live.

Because art can never be created by a committee. And what is completely unique and interesting about you is what will make the most compelling photos.

2. Know that we aren’t seeing the world as it really is

“Vision is the art of seeing what is invisible to others.” – Jonathan Swift

Did you know that your brain processes two billion pieces of visual data per second? And yet we only see about 50 bits of this information.

Of course, our brains are doing us a massive favor. If it didn’t block out most of what was happening around us, we couldn’t focus.

What’s interesting here is what 50 bits of information are you seeing, and what 50 bits am I seeing?

If we are seeing such a small selection of what’s available, then it’s highly unlikely we are all seeing similar things.

Which makes our personal world highly selective.

I find this so exciting because it shows how we are always able to create something new if we only open up our awareness.

This explains why we can all stand in front of the same scene and take different photos (this happens all the time on my workshops.)

Let’s celebrate that there is so much more to discover in the world around us.

3. Take your time to really observe the world around you

One thing I constantly see in my workshops is when people find a subject they love, they shoot it, then move on way too quickly.

I think it’s a natural response to how we live in this modern life. We are very driven by results. We shoot something, then we move on to the next thing. Almost like we are ticking a box.

But the way to be more creative in your photography is to forget about where you want to go next.

In fact, forget about everything that is not totally related to the present moment you are inhabiting, and the subject you are facing.

Take your time. Watch the light. Maybe wait for the light to change to see what would happen to your subject.

Look at the shadows. The people that are passing. What’s happening around your subject? Feel the atmosphere, and maybe how it is changing.

Observe.

As you see more and get to know your subject more, new angles will open up on how to shoot. Maybe the weather will change, making more dramatic images, or the light will soften creating a totally different feel to the mood of the shot.

The more you observe your subject the more it will reveal different qualities to you. You will notice more subtleties.

There is no rush. Allow yourself all the time you need to observe and shoot your subject.

4. It’s all about the light

“I am forever chasing light. Light turns the ordinary into the magical.” – Trent Parke

When people ask me what I photograph, I always say the same thing – light.

My biggest passion and main subject in photography is light. I love light in all of its forms.

The joyful, effervescent light of a spring morning; the deep, brooding, metallic grey light before a storm; the deep, deep blues of twilight in the city; the misty, melancholic light of a winter’s afternoon.

Light is always changing. Each day brings us something different and each part of the day has different qualities. And when you have interesting light it makes your subject so much more compelling.

Your job is to play with light and your subject, seeing what happens when the light changes.

What qualities are revealed in your subject in different light?

“Embrace light. Admire it. Love it. But above all, know light. Know it for all you are worth, and you will know the key to photography.” – George Eastman

5. Photography is all about feeling

When we see a photo we really love it’s rarely only because it’s nice to look at.

Beyond the composition, color, light and all of the things that we can organize, there is a more important element to a photograph that is more elusive and hard to capture.

This element is emotion.

“Photography’s a case of keeping all the pores of the skin open, as well as the eyes. A lot of photographers today think that by putting on the uniform, the fishing vest, and all the Nikons, that that makes them a photographer. But it doesn’t. It’s not just seeing. It’s feeling.” – Don McCullin

When a subject stirs emotion in us – joy, love, fear – it will transfer into our photo. And when the viewer sees that image, we want that emotion to be evoked in them too.

Capturing emotion is an art, and it’s not automatic. But it’s totally worth focusing on. Find subjects that stir your emotion, and try to capture that feeling in your images.

The most iconic photos that we remember for years, or the ones that really speak to us personally, will be communicating a powerful feeling.

6. Be in awe

“Instructions for living a life. Pay attention. Be astonished. Tell about it.” – Mary Oliver

If we think that photography is all about feeling then the most sensible option when deciding what to photograph is to find subjects that fill you with emotion.

I like to ask myself – what fills me with such deep excitement I am in total awe when I see it?

You can probably guess that light is what makes my heart burst with excitement and makes me want to get my camera out.

But there are other things too.

Exploring nature is always something that excites me. Spending days walking through the hills near where I live in Southern Spain, or through the pretty English countryside of my adopted homeland on a beautiful summer’s morning.

Cities too, especially at sunrise when they are empty and beautiful. I like to explore, wander and see what I come across.

It doesn’t matter though what your subject is, the most important part of your decision of what to photograph is that it has to be something that stirs your soul. It has to thrill you. It has to fill you with awe.

Otherwise, what’s the point of taking the photo?

7. Stop thinking

Now, the last step is often the hardest. We are trained from an early age to be in our heads. To be thinking and doing all the time.

However, if you want to hit that artistic mindset where you are present, connected to the world and in total creative flow, you will not be thinking or analyzing what’s happening around you.

“Don’t think. Thinking is the enemy of creativity. It’s self-conscious, and anything self-conscious is lousy. You can’t try to do things. You simply must do things” – Ray Bradbury

Once you have made the choices of when and what to shoot, then you can let yourself go.

Being an artist is losing yourself and becoming part of this magical and amazing world.

It’s daring to lose yourself to see what you can find. It’s being prepared to forget all the things that you have to do or worry about.

For this we have to be a little courageous, we have to experiment and try, we have to make mistakes and trust that we will take good photos (eventually). But –

“What would life be if we had no courage to attempt anything?” – Vincent Van Gogh

I hope you enjoyed these ideas.

I’d love to know if these sparked ideas or inspiration for you. Let me know in the comments below. Thanks!

 

The post Learning to See Like an Artist – 7 Powerful Techniques to Help You See More Compelling Images appeared first on Digital Photography School. It was authored by Anthony Epes.


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Fujifilm Camera Remote app version 4.0.0 for Android is now live with new UI and more

31 May

Fujifilm promised back in April that the Android version of its Fujifilm Camera Remote app would be available in May. Now, with only a few days to spare, it fulfilled its promise, releasing version 4.0.0 on the Google Play Store.

Like the iOS version, the new Android version features an updated user interface and many other features designed to streamline the remote capture process.

The new interface sheds wasted space and is specifically designed to make use of smartphones with larger displays. Additionally, Fujifilm has simplified the pairing process and added a new ‘Album’ feature, making it easier to sort through images transferred to the device. Other improvements include support for new cameras and numerous bug fixes.

Below is a list of features the Fujifilm Camera Remote app provides, according to the app’s description:

  • Transferring images and movies to a Smartphone
  • Browsing the Camera from a Smartphone
  • Downloading Location Data from a Smartphone
  • Shooting Images by Remote Control(*)
  • Easily transfer pictures from the cameras that offer Bluetooth capability.
  • Synchronizing “date and time” and/or “location information” with the cameras that offers Bluetooth capability
  • Firmware update via a Smartphone to the cameras that offers Bluetooth capability.
  • Bluetooth wireless remote control camera shutter release is now supported for cameras that offers Bluetooth capability.
    *How to change the setting depends on your camera.

Fujifilm’s X-T30, GFX 50R, X-T3, XF10, X-H1 and X-E3 cameras support all the above features while the FinePix XP140 supports all but number seven. The X-T100, X-A5 and FinePix XP130 support features one through six and the GFX 50S, X-T20, X100F, X-A10, X-A3, X-T2, X-Pro2, X-E2S, X70, X-T10, X-T1, X30, X100T, X-E2, FinePix XP120, FinePix XP90, FinePix XP80, FinePix S9900W and FinePix S9950W support features one through four. Wrapping up, the X-E2, XQ2, XQ1, X-A2, X-A1, X-M1 and FinePix Z1100EXR support features one through three while the FinePix Z1000EXR only supports the transfer of images and movies.

Fujifilm Camera Remote version 4.0.0 is live in the Google Play Store for free and works with smartphones running Android 5.0 or later. Geotagging functionality only works with devices equipped with LTE connectivity.

Articles: Digital Photography Review (dpreview.com)

 
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X-Rite’s ColorChecker Camera Calibration software gets DNG support, more in 2.0 update

26 May

X-Rite has released an update for its ColorChecker Passport software that adds a few new features to help get the most accurate colors possible in your photography workflow.

ColorChecker Camera Calibration software version 2.0 (updated from version 1.2.0) has added support for X-Rite’s Digital ColorChecker SG target and now offers the ability to produce camera profiles for both the DNG and ICC color management workflows.

The software update is available for macOS and Windows computer systems and is available to download from X-Rite’s support page.

Articles: Digital Photography Review (dpreview.com)

 
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DPReview TV: Our USB ports should do more!

25 May

Chris and Jordan are kicking off a new segment in which they make feature suggestions to manufacturers for the benefit of all photographer-kind. To start things off, they take a look at the humble USB-C port and everything it could be doing for us. If we’re going to live the #donglelife, then we might as well get the most out of it.

Get new episodes of DPReview TV every week by subscribing to our YouTube channel!

Articles: Digital Photography Review (dpreview.com)

 
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ON1 launches faster, more comprehensive LR challenge with Photo RAW 2019.5

17 May

Photo software developer On1 has introduced an update to its Raw photo processing application that it claims is up to 50x faster than the previous version and which includes a host of new features. The company says that every feature added and each improvement made in Photo RAW 2019.5 is a direct result of customer feedback.

The greatest speed increases will be felt when exporting processed images, though preview images taking on the effects of pre-set adjustments and other exporting functions happen in less than half the time they did before, according to On1.

New features include an edit history that can be rolled back, the ability to run the edit and browse windows on different screens, as well as a new keyword system that allows creating keywords inside keywords to separate a collection even more.

The changes make the software quicker to use and easier to archive images so they can be search more thoroughly, making On1 Photo RAW a bit more of an alternative to Adobe’s Lightroom.

Compatibility with 21 additional cameras has also been included in the update with the company promising it is working on bringing support for Canon’s CR3 files to the application as soon as it can. Photo RAW 2019.5 also brings compatibility with 29 additional lenses.

Below is an introduction video from On1 that walks through On1 Photo Raw 2019.5 and its latest features:

On1 Photo Raw 2019.5 is available to download immediately and will cost from $ 63.99 for new users. The update is free for existing users of the current edition.

For more information see the On1 website.

Press release:

{pressrelease}

ON1 Photo RAW 2019.5 – Available Today

In April we announced the upcoming release of ON1 Photo RAW 2019.5 and today we are excited to announce it is officially available for the ON1 community. Since the first release of ON1 Photo RAW, we’ve given our community a say in the features and technologies they want in their photo editor of choice. Every feature and improvement we’ve made in the latest release is a result of community input through the ON1 Photo RAW Project. We want to take this chance to say, thank you. We’ve come a long way and are excited for what the future holds here at ON1.

One of the most significant improvements in the latest release is performance and speed in several areas. Some of these optimizations give customers up to a 50x improvement compared to the previous version. Here are a few of the areas where customers will notice a significant increase in speed.

  • Preset Previews — Up to 3x faster — When navigating through presets and previewing each effect on the photo
  • JPG to JPG Export — Up to 2.5x faster — This is an example of creating “proof” sized JPGs for a client and takes advantage of a new resizing algorithm
  • RAW to JPG Export — Up to 2.5x faster — This is an example of creating JPGs for social media with your watermark
  • Export in Edit — Up to 5x faster — This is an example of saving a full-sized file for sharing or editing in another app
  • Export Edited Photo — Up to 50x faster — This is an example of exporting a large JPG from a previously edited 45MP RAW photo

New Features in Version 2019.5

  • Dual Mode — Easily undock the Browse Module from the Edit Module, use a second display, or make sales or client presentations on a projector or TV. The dual mode allows photographers to customize how they want to work when browsing and editing photos.
  • Edit History — A full edit history is added when working on photos. Each editing step is viewable, along with the ability to roll-back and compare adjustments. Photographers can also revert to the beginning of the editing session.
  • Settings Applied Info — Photographers can now quickly view which modules, tools, and filters are applied to a photo. This non-linear approach also allows photographers to double-click on a setting and jump straight to it for further adjustments.
  • Selective Sync — Enhanced granularity in which settings to apply when syncing your settings (or pasting and saving a preset) has been added. For example, photographers can drill down and only apply a white balance adjustment. The ability to sync cropping, retouching and brush strokes between photos is also be included.
  • Hierarchical Keywords — The master keyword list now supports nesting keywords inside of other keywords. Nested keywords allow photographers to organize keywords as they see fit. Importing a list of nested keywords from other apps like Adobe Lightroom® is also supported.
  • Apple® Photos® Extension Enhancements — Integration with Apple Photos now supports the full raw data, improving adjustments to tone and color. It also supports re-editable non-destructive editing and more native ON1 Photo RAW features like layers, crop, and text.
  • First Launch Experience — If it is your first time using ON1 Photo RAW, there are new walkthroughs to help you learn the basics. This gives photographers a running start and directs them where to learn more.
  • Tool Tips — Tool tip animations are added to improve the usability and shorten the learning curve for each tool.

Additional Enhancements in Version 2019.5

  • Layers Enhancements — Create a new canvas of any size or change the size of the existing canvas.
  • Text Tool Enhancements — Add a background color to a text box and control its opacity. Easily control the character and line spacing. New options also allow photographers to duplicate and change the order of text boxes and automatically insert text from a photo’s metadata.
  • Performance Improvements — Zooming, panning, and brushing are now much faster. A new preview quality option can help increase performance on lower-end and integrated video cards as well. Export is now up to 10x faster when resizing or exporting a photo or photos already edited.
  • Local Adjustments — The Local Adjustments tools are faster to brush and adjust.
  • Windows High-DPI — Support for high-dpi displays on Windows is dramatically improved. The scaling of the fonts and controls work much better, especially on 4k displays and laptops.
  • Keywording — Keywords are now easier to search, add, delete, and modify. Also, keywords are now case sensitive.
  • Soft Proofing in Resize — The soft-proofing feature is also be available in ON1 Resize (Genuine Fractals®).
  • Drag and Drop from Film Strip — Drag and drop photos from the film strip to add them as new layers.
  • Increased Thumbnail Size Range — The range of thumbnail size is increased, so photographers can go all the way up to two giant thumbnails or down to tiny thumbnails to survey an entire folder.
  • Default Photo Location — Now control the default photo location in Browse. This is where ON1 Photo RAW looks to find photos instead of the Pictures folder.
  • Preview the Resize Algorithm — When using the Genuine Fractals algorithm, photographers can preview the resulting quality at 100% zoom to more accurately adjust the options and sharpening.
  • Persistent Crop Preset State — The crop tool settings are persistent and remembered across photos.
  • Search by Adjustments Added — Search for photos based on specific adjustments applied such as cropped, retouched, etc.
  • Update to Lightroom Migration — The Lightroom Migration tool now migrates the pick and reject flags.

Added support for these cameras

Sony SLT-A55V, A33, A6400, RX100VA, Olympus OM-D E-M1X, Panasonic FZ1000 M2, TZ95 (ZS80, TZ96, TZ97), S1, S1R, Ricoh GR III. Note: we are still working on Canon CR3 support and it is a high priority to come in the next free update to ON1 Photo RAW

Added lens profiles for the following lenses or non-interchangeable lens cameras

Canon EF 24mm f/1.4L II USM, Canon EF-M 11-22mm f/4-5.6 IS STM, Canon FD 200mm f/2.8 SSC, Canon PowerShot A1200 & compatibles, Canon PowerShot G1 X Mark III & compatibles, Canon PowerShot G3 X & compatibles, DJI FC2103 & compatibles, Hasselblad L1D-20c & compatibles, Huawei Huawei P10 Lite & compatibles, Huawei Huawei P20 Pro & compatibles, Leica DMC-LX10 & compatibles, Leica X Vario 18.0-46.0 mm f/3.5-6.4, Leica Camera AG Summicron TL 1:2 23 ASPH, Minolta Minolta AF 85mm f/1.4G (D), Nikon AF-P Nikkor 70-300mm f/4.5-5.6E ED VR, Nikon Nikkor AI-S 85mm f/2.0, Nikon Nikkor Z 24-70mm f/4 S, Nikon AF Nikkor 24mm f/2.8D 54, Nikon AF-S Nikkor 18-35mm f/3.5-4.5G ED, Nikon AI 80-200mm f/4.5 Zoom, OLYMPUS M.12-200mm F3.5-6.3, Olympus M.Zuiko Digital ED 14-150mm f/4.0-5.6 II, Opteka 15mm f/4 Wide Macro 1:1, Panasonic DC-ZS200 & compatibles, Pentax smc Pentax-A 50mm f/1.4, Pentax smc Pentax-F 28mm f/2.8, Samyang 10mm f/2.8 ED AS NCS CS, Samyang AF 35mm f/2.8, Sigma 14mm f/1.8 DG HSM | A, Sigma 18-300mm f/3.5-6.3 DC Macro OS HSM, Sony DSC-RX100 VI & compatibles, Sony E 18-135mm f/3.5-5.6 OSS, Sony FE 35mm f/2.8 ZA, Sony 35mm F1.4 G (SAL35F14G), Sony Carl Zeiss Planar T* 50mm F1.4 ZA SSM (SALF0F14Z), Tamron SP 70-300mm f/4-5.6 Di USD, Venus Laowa 60mm f/2.8 2X Ultra-Macro, Venus Laowa 9mm f/2.8 Zero-D, Voigtländer Super Wide-Heliar 15mm f/4.5 III, Zeiss Milvus 1.4/50.

{/pressrelease}

Articles: Digital Photography Review (dpreview.com)

 
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Instagram’s redesigned Explore tab is now live: Stories, shortcuts and more

17 May

Instagram has launched a redesigned Explore tab that adds Stories, topic shortcuts, and direct access to ‘more immersive’ IGTV and Shopping experiences. With the update, Explore now provides users with direct access to Stories, a feature utilized by more than 500 million users daily. Users will now see personalized Stories recommendations in the Explore grid.

Explore recommendations include Stories that are relevant to each user’s interests based on topics they interact with. Users will start seeing these personalized Stories recommendations in Explore in the near future; Instagram says it will be rolling out the addition ‘over the coming weeks.’

Additionally, the redesigned Explore tab features shortcuts in the navigation bar that direct users to topic channels, such as Travel and Art. Users will also now see shortcuts that take them directly to IGTV and ‘Shop,’ the latter of which will produce category filters for specific product types directly in the navigation bar. The IGTV link directs users to the recently updated video home page with a personalized feed of suggested video content.

The redesigned Explore tab is intended to help users find new content they’re interested in viewing, and will likewise help photographers gain exposure to potential new followers interested in the types of content they share.

Articles: Digital Photography Review (dpreview.com)

 
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The Profoto A1X is an upgraded A1 with improved battery life, recycling times and more

15 May

Profoto has announced the A1X, an updated version of its A1 speedlight that’s improved in nearly every way.

The A1X isn’t quite a successor to the A1. Instead, it sits alongside the A1 as a more powerful alternative in the event the A1 just isn’t enough for your needs. In the words of Profoto, it has ‘a little more of everything.’

Specifically, the A1X has a more powerful internal battery that gets 450 full power flashes per charge compared to the 350 of the A1. It also features a 1 second recycling time compared to the 1.2 second recycling time of the A1, 20 wireless channels instead of 8 and a new display interface, similar to the one found on Profoto’s B10 light. The A1X is also available for Sony, whereas the A1 was limited to Canon and Nikon camera systems.

Aside from the above differences, the A1X is effectively identical to the A1. It features the signature round head, AirTTL and HSS, a magnetic click-on mount for Profoto’s optional Light Shaping Tools, an LED modeling light, built-in Air Remote capabilities and firmware update functionality. The device can be used both off-camera and on-camera, features flash durations from 1/800th to 1/20,000th and can work at distances up to 300m (1,000ft).

Below is a hands-on video created and shared by Adorama:

The A1X measures in at 75mm x 108mm x 165mm (3.0in x 4.3in x 6.5in) and weighs 560g (1.23lbs) with the included battery. Included with the flash unit is a Li-Ion battery, a USB Type-A to Micro B, a power cable, a battery charger, a flash stand, a dome diffuser, a bounce card and a dedicated bag for protecting the A1X.

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The A1x is available for Canon (Adorama, B&H), Nikon (Adorama, B&H) and Sony (Adorama, B&H) camera systems for $ 1,095, a full $ 100 more than the A1.

Articles: Digital Photography Review (dpreview.com)

 
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Nissin MG80 Pro flash announced with command/slave modes, modeling light and more

07 May

On May 1, Nissin Digital unveiled its new MG80 Pro hot shoe flash with integrated Nissin Air System (NAS) radio commander and slave modes, support for multiple battery types, and a built-in color LCD. The GN60/83Ws flash packs a Quartz flash tube, heat-resistant head, 8W LED modelling light, removable Fresnel lens, and compatibility with both standard AA NiMH and Lithium-ion (Type 14500) batteries.

When used with four Li-ion Type 14500 batteries, the flash offers a 1.5s recycling time, which increases to 3.8s when used with four rechargeable AA batteries. Users can expect around 280 flashes when using four 650mAh Li-ion batteries, or around 320 flashes when using four 2450mAh rechargeable batteries.

The MG80 Pro supports TTL, manual control, and HSS, has a transmission range up to 100m (328ft), and a zoom mode covering focal length options from 24mm to 200mm. Other specs include a metal shoe with ring lock, tilt/swivel head, support for micro SD and SDHC cards for firmware updates, and a weight, without batteries, of 520g (18oz).

The flash will be available for Canon, Nikon, Sony, Fujifilm, Panasonic and Olympus cameras. According to Flash Havoc, Nissin plans to release the MG80 Pro in ‘late May,’ but a price has not been revealed.

Articles: Digital Photography Review (dpreview.com)

 
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Moment Pro Camera app gets focus peaking, zebra striping and more

02 May

App and mobile lens maker Moment has launched a substantial update to its Pro Camera app for Android and iOS devices.

Both the Android and iOS versions now come with Focus Peaking and the new Zebra Stripes feature. Just like on standalone-cameras with the same features, sharp edges will be highlighted in the preview image when focusing manually. Additionally over or underexposed areas in the preview image are indicated using an overlaid stripe pattern.

The Android app has received a few additional goodies and now comes with Split Focus and Exposure. This offers better control over challenging lighting situations by allowing you to set exposure and focus points to different areas of the scene.

A new live RGB Histogram helps dialing in color, balance, and exposure when shooting video and you can now capture both a RAW and JPG image at the same time. Moment says this also speeds up the image preview in Raw mode.

Other improvements include a redesign of the camera roll and improved support for OnePlus devices as well as the Samsung Galaxy S10.

In terms of pricing the iOS app has been changed from a ‘freemium’ model to a paid download and will set you back $ 5.99 in the App Store. The Android version remains a paid download and is $ 3.99 on Google Play.

Articles: Digital Photography Review (dpreview.com)

 
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