Tag: More

  • GoPro Hero8 Black adds improved stabilization, Media Mod, Digital Lenses and more

    As promised in its teaser a few weeks back, GoPro has unveiled its latest action camera, the Hero8 Black.

    The GoPro Hero8 Black now features Hypersmooth 2.0, GoPro’s second-generation stabilization technology that features a ‘Boost’ mode and an auto horizon leveling mode. TimeWarp (GoPro’s hyperlapse mode) also received a 2.0 update that will automatically adjust the playback of the video to the speed you’re traveling and can slow down to capture prominent moments with a tap of the screen.

    Moving onto the hardware side of things, the Hero8 Black features the leaked ‘Media Mod,’ which adds additional ports and makes it possible to add a number of add-on accessories. When secured inside the Media Mod housing, the Hero8 Black gains a shotgun microphone, a 3.5mm microphone port, a Micro HDMI out port, a USB-C Port and two cold-shoe mounts.

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    In addition to third-party accessories, GoPro has also released its own line of ‘Mods’ including a 1.9in flip-up LCD ‘Display Mod’ and a waterproof LED ‘Lighting Mod.’

    GoPro has also added a new feature called ‘Digital Lenses.’ As its name suggests, this new functionality will effectively crop the image to adjust the framing in four different settings: Narrow, Linear, Wide and SuperView.

    Presets have also been added to the Hero8 Black, which makes it easy for users to switch settings on the fly depending on what they anticipate filming. With the ‘Cinematic’ preset the Hero8 Black will shoot 4K/30p video, in ‘Activity’ it will shoot 2.7K/60p video and in ‘Slo-Mo’ it will shoot 1080/240p video. The exact settings can be further adjusted as with past Hero cameras, but these presets should provide a simple starting point for those who don’t care to dive into the settings too much.

    GoPro has also updated its SuperPhoto and HDR functionality to deliver more ‘detail you never thought possible.’ Other improvements include the ability to livestream Full HD video, a 2x stronger lens and a dedicated Night Lapse Video mode.

    Below is a detailed video of all the new and improved functions of the Hero8 Black:

    The GoPro Hero8 Black is available to pre-order starting today for $ 399.99. The first shipments are expected to go out October 15th with in-store availability starting October 20th. The Media Mod and Display Mod will retail for $ 80 and the Light Mod will retail for $ 50 when they become available to pre-order in December.

    Articles: Digital Photography Review (dpreview.com)

  • Pixelmator Photo gets major v1.1 update with iPadOS 13 support and more

    Photo editing app Pixelmator Photo has received a major update to version 1.1, gaining support for Apple’s newly released iPadOS 13, including its redesigned Files app. As well, the updated app brings ‘deeper integration’ with Apple’s iCloud Photos service, batch photo editing that is ‘enhanced’ via machine learning, and the ability to resize exported images.

    Pixelmator Photo is a version of the Pixelmator desktop software designed specifically for the iPad. Apple released iPadOS 13 earlier this month for its tablets, bringing a version of iOS tailored specifically for the iPad, including an improved Files app.

    The Pixelmator Photo 1.1 update adds support for both iPadOS 13 and that new Files app, enabling users to edit images stored on external devices, including USB drives and SD cards, as well as remote online services including file servers.

    Joining that new capability is ML-enhanced batch photo editing, offering users access to machine learning algorithms trained on what the company says were millions of professional images. Pixelmator includes its own batch editing workflows with Pixelmator Photo 1.1, though users can also create their own with actions like cropping and straightening, as well as custom color adjustment presets.

    Going forward, Pixelmator Photo will now automatically manage photo edits and save the changes to the user’s library thanks to the updated iCloud Photos integration. Users no longer have to create duplicates or manually import images, plus it is now possible to revert images, favorite them, and delete them in the Photos library without exiting Pixelmator Photo.

    Pixelmator Photo is available to purchase for iPad from the Apple App Store for $ 4.99 USD.

    Articles: Digital Photography Review (dpreview.com)

  • GoPro Max: a second-generation 360º action camera with HyperSmooth, 360 Audio and more

    Alongside its new GoPro Hero8 Black action camera, GoPro unveiled the GoPro Max, a successor to its 360-degree GoPro Fusion camera.

    Like the GoPro Fusion, the Max features two cameras on either side of its rounded cuboid design. This time, however, GoPro has added a dedicated LCD touchscreen on the ‘front’ of the device. Additionally, the GoPro Max is smaller than its predecessor and requires just a single microSD card rather than two.

    On the imaging front, the GoPro Max can capture 16.6-megapixel still images (5760 x 2880 pixels) and capture full 360-degree video at up to 5K (4992 x 2496 pixels). Videos are recorded as MP4s via H.264/AVC. Like the Hero8 Black, the Max can livestream Full HD video.

    GoPro has also brought some of its framing, hyperlapse and image stabilization technology to the Max in the form of Max HyperSmooth, Max TimeWarp, and ‘Digital Lenses.’ Like on the Hero8 Black, Max HyperSmooth keeps footage stable over bumpy terrain, TimeWarp allows for easy hyperlapse video and ‘Digital Lenses’ allows you to easily adjust the framing to capture the exact field of view you’re looking for.

    Other new features include 360 Audio thanks to six built-in microphones, PowerPano for distortion-free 270-degree panoramic shots and Reframe, which allows you to capture video in 360-degree video and turn it into standard footage directly on your mobile device.

    What’s interesting about the GoPro Max is its ability to effectively act as three cameras in one: a standard Hero action cam, a vlogging camera (thanks to the front-facing LCD display) and a 360-degree camera. GoPro hasn’t detailed the exact specs for shooting with the individual camera units as of publishing this article.

    The GoPro Max, which measures 6.4 x 6.9 x 4.0 cm (2.5 x 2.7 x 1.6in) is waterproof down to 5m (16ft) and features a ruggedized design that shouldn’t have any problem handling bumps and drops. Onboard connections include a single Micro HDMI port and a USB-C connection that’s used to both transfer data and charge the device. A 1600mAh battery is included with the Max, which is slightly smaller than the battery found inside the GoPro Fusion.

    Below is a full rundown of the GoPro Max and its functionality:

    The GoPro Hero Max is available to pre-order for $ 499.99. It’s expected to ship October 24th with in-store availability starting on the 25th.

    Articles: Digital Photography Review (dpreview.com)

  • Halide 1.14 adds full iPhone 11 support, a ‘Tactile Lens Switcher,’ ‘Lens Guides’ and more

    The team behind iOS camera app Halide has released version 1.14, bringing with it support for Apple’s latest iPhone 11 Pro devices, a new ‘Tactile Lens Switcher’ and more.

    As explained in its announcement blog post, Halide 1.14 brings full support for the iPhone 11, iPhone 11 Pro and iPhone 11 Pro Max. The day the iPhone 11 devices were released, Halide was updated with ‘basic support for the new cameras.’ Now, Halide offers full support for the new hardware within the latest iPhone devices.

    Halide has also added a ‘Tactile Lens Switcher.’ When there were only two cameras on iPhones, it was easy enough to switch between the standard lens and tele lens—with the tap of a button. But now that the iPhone 11 Pro models offer three camera modules, the Halide team had to rethink how to switch from one camera to another in the most efficient way possible.

    Now, in addition to simply tapping on the lens switching button, you can also long-press to bring up a lens switcher, which makes it easy to jump between any of the three cameras on iPhone 11 Pro and iPhone 11 Pro Max devices: .5x, 1x and 2x.

    Another new feature is a Lens Guides. Exclusive to the iPhone 11 Pro and iPhone 11 Pro Max, Lens Guide will overlay frames on the image from the .5x camera to show what the composition would look like if you were to shoot it using the 1x or 2x camera. Tapping the composition of your choice will automatically jump you into that camera mode.

    The Halide team has also noted that it’s working to further improve its ‘Smart RAW’ capabilities. Halide says it’s ‘an area of ongoing research’ and it’s ‘currently building a lot of data to research and improve our Smart RAW for iPhone 11, and we’ll have a blog post soon about how the new iPhone 11 camera processes images in software and how it compares to the RAW shot.’

    Lastly, Halide says it’s managed to make Raw renders in its photo reviewer 3x faster. Halide is available to download in the iOS App Store for $ 5.99.

    Articles: Digital Photography Review (dpreview.com)

  • Canon’s new EOS R, RP firmware updates improve AF accuracy, performance and more

    Today, Canon published the latest firmware updates for its EOS R and EOS RP camera systems. Firmware version 1.4.0 and firmware version 1.3.0 improve the autofocus capabilities fo the EOS R and EOS RP, respectively.

    Below is the changelog for the firmware version 1.4.0 update for the Canon EOS R:

    Firmware Version 1.3.0 incorporates the following enhancement:
    1. Enhances eye detection Auto Focus (AF) for improved face and eye recognition at greater distances.
    2. Improved Auto Focus (AF) performance helps the camera to focus on and track smaller subjects.
    3. Reduces lag time between the actual Auto Focus (AF) and the AF frame display for images in the viewfinder or on the LCD.
    4. Fixes a phenomenon in which the AF frame size cannot be changed in the Servo AF setting.
    5. Fixes PTP communication vulnerability.

    The changelog for the firmware version 1.3.0 update for the Canon EOS RP reads the same with the exception of bullet point number four which instead reads:

    Fixes a phenomenon in which main dial icon may not appear when magnify/reduce button is pressed during the image playback.

    The two updates are currently available to download from Canon USA (EOS R, EOS RP).

    Articles: Digital Photography Review (dpreview.com)

  • How Using Props in Portraits Can Make Your Photos More Interesting

    The post How Using Props in Portraits Can Make Your Photos More Interesting appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.

    There are many ways using props can make portraits more interesting. Often photographing a person can be challenging. This can be so for both the photographer and the person being photographed. Using props can not only add interest to the portrait, but it can also help your subject relax more.

    What are props and how can you use them effectively?

    Image: © Kevin Landwer-Johan

    © Kevin Landwer-Johan

    A prop is any element you add to a photograph which adds interest or meaning to your subject or the concept you’re creating. What you can use is up to your imagination. They can be anything from an ancient tree stump to a melting ice cream cone.

    Image: © Kevin Landwer-Johan

    © Kevin Landwer-Johan

    Props can add humor to photographs. Using a prop well with a nervous subject can help them relax. You can use props effectively to help contextualize your subject. Without a prop, a portrait may not convey much or any concept. With the addition of a prop, a portrait can take on a whole new meaning.

    A prop is often used to add visual information about the person;

    • their occupation
    • hobbies
    • character
    • or location

    Using props to help illustrate a story

    When you’re illustrating a story using a portrait, adding a prop can add depth and meaning. A prop incorporated into a photo will tell more of a person’s story than a caption, or even a whole paragraph.

    Image: © Kevin Landwer-Johan

    © Kevin Landwer-Johan

    Making a series of travel portraits with a visiting friend I asked her to bring along her backpack. She was going to the station to purchase a ticket for a later date and would not have brought her luggage. Having it with her for the photographs helped to create more of a visual story.

    Image: © Kevin Landwer-Johan

    © Kevin Landwer-Johan

    The location and the train tell part of the story. Having her backpack in the pictures lets you know she was traveling, not just there to meet a friend. The more relevant visual information you can include, the more interesting your portraits become. Well-used props help stimulate the viewer’s imagination.

    Image: © Kevin Landwer-Johan

    © Kevin Landwer-Johan

    Isolated studio portraits using props

    Isolating your subject on a plain background is a popular method of taking a portrait. A subject on their own can produce great character portraits. But for many people, it can be somewhat intimidating.

    Image: © Kevin Landwer-Johan

    © Kevin Landwer-Johan

    Using a prop can help them relax and enjoy the experience more. Having something in their hands to concentrate on distracts them from your camera. Feeling less intimidated by it, they are more likely to give you vibrant expressions.

    I took a series of photographs for a small drama school. Using props helped the students feel more at ease. They were confident performers, but many of them were not so comfortable in front of the camera. Including props allowed their tutor, who was assisting me, to encourage them into character.

    Image: © Kevin Landwer-Johan

    © Kevin Landwer-Johan

    A single prop keeps a studio portrait simple and adds meaning that would not be evident without it. Creating concepts for stock photography in this manner it’s possible to facilitate a whole series of photos.

    Including props will add depth and interest to a series of photos of the same person. It can be challenging to take more than one or two different portraits of a person on an isolated background. Using props will give you more diverse options for what you can achieve.

    Image: © Kevin Landwer-Johan

    © Kevin Landwer-Johan

    Bring your own props or use what’s available

    Often asking a person to bring along their own props can help create a meaningful portrait. Using items that they relate to and tell something about themselves will add genuine feeling to the portraits.

    I asked this friend if I could photograph her and also what she’d like to use as a prop. Immediately she replied, “ice cream.” She loves ice cream so it was appropriate and meant she’d enjoy the photo session. The weather was so hot that even with the air conditioning blasting the ice cream melted quickly. We went with the flow and used the prop for additional makeup as well. It was a fun session.

    Image: © Kevin Landwer-Johan

    © Kevin Landwer-Johan

    Any well-established portrait studio has a diverse selection of props. Your subject doesn’t have to own a prop. If they can choose from a selection you have, they might find something that lights up their imagination.

    Even simple things that are common can work as props. Having someone read a book or make a phone call can help them focus on what they are doing and not on your camera.

    Image: © Kevin Landwer-Johan

    © Kevin Landwer-Johan

    Finding props on location helps to incorporate your subject in the place. Having them pick up some produce at the market, or interact with some part of the environment can make for a more illustrative portrait.

    Conclusion

    Working with props definitely adds diversity to photographing people. Use the props to support your subject. Having the prop and subject in the same frame is not enough. Encourage them to interact with the props in different ways. The way your subject relates to the prop is important. This will influence the feel of the photo.

    Image: © Kevin Landwer-Johan

    © Kevin Landwer-Johan

    Work to develop a healthy relationship between your subject and their props. This is part of your job as a photographer. Doing this, you’ll create more entertaining portraits.

    Have you tried using props for a portrait session? Let me know in the comments below the props you have found helpful during the session. Also, what type of props help make the most interesting portraits?

     

    using-props-in-portraits

    The post How Using Props in Portraits Can Make Your Photos More Interesting appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.


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  • Sony a9 firmware update adds Animal Eye AF, interval shooting and more

    Sony has officially released the latest firmware for its a9 full-frame mirrorless camera, bringing with it Real-Time Eye AF for animals, interval shooting and more.

    Firmware version 6.00 makes good on Sony’s promise to bring Real-Time Eye AF for animals to its flagship mirrorless camera. As detailed previously when Sony launched Animal Eye AF on its a7R III and a7 III, the new mode will be available to select alongside Human Eye AF in the autofocus menu.

    Only one of the modes can be selected at once and the Animal Eye AF will be slightly slower than Human Eye AF due to the increased processing power required, but the a9 shouldn’t have any problem keeping up. Sony has a detailed documentation page to read up on all of the intricacies of the Animal Eye AF mode.

    The firmware update also includes built-in Interval Shooting, a feature we previously detailed with the a7R III and a7 III update:

    Now, it’s easy to capture between 1 and 9999 photographs in 1 to 60 second intervals. The new feature also includes an auto exposure (AE) sensitivity setting that can be adjusted between High, Mid or Low to account for changing exposures throughout the set capture time. The resulting images can also be put together into a full video using Sony’s Imaging Edge app, which will process the Raw photographs and output the final video to YouTube, PlayMemories Online and other online video services.

    Another addition is the ability to select the Focus Frame Color so it’s easier to see it in various environments, as well as the ability to make the ‘My Menu’ appear when the menu button is pressed on the camera. Bugs have also been addressed to smooth out the overall stability of the a9.

    Firmware version 6.0 for the a9 is available for free on Sony’s support page for macOS (direct download) and Windows (direct download).

    Articles: Digital Photography Review (dpreview.com)

  • Canon 1D X Mark III: Includes IBIS, Increased Resolution, and More

    The post Canon 1D X Mark III: Includes IBIS, Increased Resolution, and More appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

    Canon 1D X Mark III: Includes IBIS, Increased Resolution, and More

    The Canon 1D X Mark III may be the last of its kind, but it won’t go down without a fight.

    Information has leaked regarding the Canon flagship camera, predicting a 2020 release. This follows on the heels of Nikon’s D6 announcement and its claim that the D6 will be Nikon’s “most advanced DSLR to date.”

    The Canon 1D X series and the Nikon D6 series have been longtime competitors, aimed at professional photographers in need of rugged, high-performing camera bodies. Hence, it’s no surprise that the 1D X Mark III should come out in 2020, most likely in time for the Summer Olympics in Tokyo.

    The leak also suggests that the Canon 1D X Mark III will have in-body image stabilization (IBIS), a feature traditionally offered by mirrorless models but kept out of DSLRs. This will be appreciated by low-light shooters who need to eke out every bit of stability they can get.

    The Canon 1D X Mark III is also said to feature significantly increased resolution “for an EOS-1 series camera.” Note that Canon’s EOS-1 line is short on resolution but high on autofocus capabilities and shooting speed, which explains why the 1D X Mark II tops out at 20.2 megapixels, despite its ‘flagship’ label.

    What would count as significant?

    My guess would be a jump in the 4-megapixel range, to put the 1D X Mark III at 24 megapixels. But it could be less, considering the low bar for 1D X resolution.

    Apparently, the Canon flagship will also include 6K video (without a crop) and an upgraded DIGIC processor, as well as dual CFExpress card slots.

    As of now, the 1D X Mark III is looking on par with the Nikon D6, which is rumored to drop in 2020.

    Both cameras will undoubtedly be pricey; the Canon 1D X Mark II retails at $ 5500 USD, and the Nikon D5 sits at nearly $ 6000.

    But for the professional action photographer, the cameras will undoubtedly be worth the cost.

    Are you looking forward to the Canon 1D X Mark III announcement? What specs are you hoping to see? Share your thoughts in the comments!

    The post Canon 1D X Mark III: Includes IBIS, Increased Resolution, and More appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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  • Fujifilm teases development of X-Pro3 with titanium body, mini rear LCD, hidden display and more

    At its Fujifilm X Summit in Tokyo, Japan today, Fujifilm announced the development of its forthcoming X-Pro3 and teased several new and intriguing features the rangefinder-like mirrorless camera will have.

    The first detail Fujifilm noted in its presentation is that the X-Pro3 will be built with a titanium body, which will come in three colors: Black, DURA Black and DURA Silver. The standard ‘Black’ version appears to be painted, while the ‘DURA’ versions are coated in some manner. Titanium is a challenging metal to work with, but more durable and lighter than other metal alloys traditionally used in camera bodies.

    Fujifilm also talked about the improved hybrid viewfinder in the X-Pro3. Inside the viewfinder is a new electronic viewfinder (EVF) that will offer higher resolution, higher contrast, wider-gamut color space, improved brightness and a higher refresh rate. Fujifilm also says it’s managed to decrease distortion and improve the angle of view inside the viewfinder.

    Note the ‘Provia’ film stock icon shown on the compact LCD on the rear of the camera. This film stock icon will stay there and is dynamic in that the ISO rating in the icon changes as you change it on the camera.

    Further switching things up, Fujifilm announced that it will be repositioning the standard rear LCD in favor of a compact LCD that is comparable to the top LCD on the GFX cameras, except on the back of the camera. In a neat little trick that nostalgia-seeking photographers will love, this compact LCD can also be used to show the film simulation in use, a nod to the days where you’d rip off part of the film package and place it in the mount on film cameras.

    You’ll note we said reposition because, as Fujifilm demonstrated, the display is still there, it’s just hidden. Now, the main rear display sits on the back of a hinged panel, meaning you have to flip it down to navigate the menu or review images/video. Fujifilm says the repositioning of the LCD was done to ‘keep photographers looking through the viewfinder’ rather than ‘chimping’ at the back of the camera.

    It’s an unusual approach and, while we can see it appealing to waist-level street shooters, we’ll have to wait to see what it’s like for other types of photography. There have been a lot of calls for an articulated screen on the X-Pro and X-100 series cameras, but we’re not sure this solution will satisfy everyone, either. It will, at least, create a more obvious distinction between the X-Pro and X-T series: with the rangefinder-shaped model being the one you shoot through the viewfinder.

    ‘Classic Negative’ will be the 10th film simulation Fujifilm has released.

    Lastly, as has been rumored, Fujifilm its 10th film simulation called ‘Classic Negative’ that will resemble the look of Fujicolor Superia.

    Despite being billed as a ‘development’ presentation, Fujifilm spilled quite a few details about its upcoming X-Pro3 camera system. The camera will officially be announced on October 23rd. To get to all of the details regarding the new X-Pro3 system, skip to roughly the 1:10:00 mark in the above video.

    Articles: Digital Photography Review (dpreview.com)

  • 9 Ways to use Reflections more Creatively for Stunning Photography

    The post 9 Ways to use Reflections more Creatively for Stunning Photography appeared first on Digital Photography School. It was authored by Ana Mireles.

    Mirrors or windows, ponds or lakes, it really doesn’t matter where you find them, reflections are eye-catching. In this tutorial, I’ll give you some ideas and inspiration on how to use reflections more creatively for stunning photography.

    Creative use of reflections for stunning photography tutorial

    We’re fascinated by reflections ever since we discover ourselves in a mirror, it’s no wonder we remain captivated by them. If you want to know about the technical aspect of reflections check out Rick Ohnsman’s article Understand Light and Color to Improve your Photography. Here, I’ll tell you nine ways to use them in your photographs.

    1. Avoid a dull sky

    The first tip to use reflections more creatively is to photograph them during bad weather. After the rain we usually find the sky to be grey and dull. Luckily the rain creates puddles, and water is a great reflector. Next time you find yourself shooting during a rainy day try looking down to the ground instead of up to the sky.

    Look for water reflection for bad weather conditions

    If you want to take this idea to the next level, you can add a flash to your photo-shoot. To learn how to do it check this article: Using Rain Puddles to Create Unique Reflection Photos.

    2. Fill empty spaces

    Similar to the dull sky problem, you can have an area that lacks detail or any visual interest. If it’s made of a reflective material the answer is easy, just find the right angle to capture it. What may have been a boring object, is suddenly filled with details that complement your composition.

    Search for the right angle to add reflections

    3. Create texture

    Reflections don’t necessarily have to be mirrored images of reality. The texture of the material or surface will distort the image and you can use that to capture color and shapes. For example, the ripples of water reflecting buildings.

    Reflections create textures

    Remember that you can also zoom-in and photograph the reflection as a texture to use later in other images.

    4. Abstract photography

    Speaking of photographing a texture alone, this can give you some inspiration for doing abstract photography. There are many different angles to approach this subject and reflections are definitely a good one. Here’s an example, but if you feel interested in going deeper into it, check out some Abstract Photos to Inspire You.

    Textures alone are great for abstract photography

    5. Change perspective

    Shooting common places or subjects that are not interesting enough is always a challenge. Photographing its reflection can be a great alternative to capture it creatively. This forces you to move, crouch, and generally change your point of view. Also, you’ll be looking at the subject backward, and sometimes just a little shift can make the difference.

    Look for the reflection to change perspective

    6. Creates symmetric shapes

    Symmetry is beautiful and pleasing. On a subconscious level, it gives us a soothing feeling. I don’t mean just placing your subject in the center and make it identical on both sides. Of course, this is an option, but it’s not the only way. Reflections can create symmetric shapes that can help the overall image become more interesting.

    Symmetry helps your composition

    7. Frame your subject

    You can also use reflections as a way to direct the viewer’s attention to your subject. For example, placing your subject as a reflection in a mirror or a window literally frames it. If you want to get more creative you can also use a pair of eyeglasses or a spoon.

    Frame your subject

    8. Overlapping planes

    One of my favorite qualities of reflections is that they show you two, or more scenes on the same plane. When you look at a mirror you are also seeing what is behind you. With a window, you can even add a third plane when you also add the scene from inside the room, and so on. If you compose the subjects from each scene in a harmonic way you can create a surreal or dream-like image.

    Compose different scenes in one

    9. The reflection IS the subject

    Last but not least, a reflection can be a subject in itself. You can make a project or a series just about reflections, it’s just a matter of finding a concept to build upon. If you need some inspiration, I highly advise you to read this Guide to Creating Unique Conceptual Photography.

    Use reflections as the main subject

    Come up with an idea and just run with it. I hope this article sparked some inspiration so you can use reflections more creatively! Share your reflection photos in the comments section below and, most of all, have fun!

     

    use-reflections-more-creatively

    The post 9 Ways to use Reflections more Creatively for Stunning Photography appeared first on Digital Photography School. It was authored by Ana Mireles.


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