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3 Legged Thing’s new tripods feature leveling base, video heads, table-top option and more

26 Nov

Tripod manufacturer 3 Legged Thing has announced a new range of premium tripods that are designed to suit both stills and movie photographers. Inspired by the skateboarding world, the Legends range will offer video heads for the first time as well as new leg locks, a leveling base as well as three detachable legs that can become monopods or booms arms for lights and microphones. The company has launched two models, Mike and Jay, and promises more for the future.

The 8-layer carbon fiber legs offer a lightweight tripod without compromising stability and rigidity according to the company, and new Rapid Latch locks on the tops of the legs make them quick and easy to open for those with disabilities.

Mike is the taller of the two, measuring 66.7cm (26.26in) when closed, but extending to a maximum height of 147.5cm (58.07in). Mike weighs 1.65kg (3.64lbs) and can support kit of up to 14kg (30lbs). Jay is designed to be travel-friendly and measures 40.5cm / 15.94″ when folded and extends to a maximum height of 111.2cm (43.78in). He weighs 1.41kg (3.1lbs) and can hold the same weight as Mike – up to 14kg (30lbs).

Jay has a minimum height of 10.0cm / 3.94″ and Mike of 13.5cm / 5.31″, but both models can have their legs removed and optional ‘footwear’ mini-legs attached so that they can be used very close to the ground or on a tabletop. With the mini-legs attached the leveling base can double as a 3-legged stabilizer for one of the main legs when used as a monopod.

The company has also released its first video heads, which offer left or right panning arm placement, fluid movement and adjustable tilt motion. The AirHed Cine comes with either an Arca-Swiss clamp and plate or a standard version, and both have a mounting thread for attaching accessories.

Mike will cost $ 549.99 / £499.99 on his own, or $ 849.99 / £729.99 with the AirHed Cine, while Jay costs $ 479.99 / £449.99 on his own, or $ 779.99 / £679.99 with the AirHed Cine. The AirHed Cine costs $ 349.99 / £299.99 by itself. The company says there will be more to come for the Legends system in the next few months.
For more information see the 3 Legged Thing website.

Press release:

3 Legged Thing Announces New Legends Tripod Range

The award-winning British tripod manufacturer introduces a new ultra-premium tripod range and the first three products.

Following the phenomenal growth in popularity of its Pro and Punks tripods, 3 Legged Thing is excited to announce Legends – the most radical departure from conventional tripod design ever developed. Designed and engineered in Stagsden, England, the new products deliver unbelievable strength, maximum versatility, and incredible build quality. It is the first time 3 Legged Thing has introduced products designed for both photo and video.

Taking its inspiration from skateboarder, musician, photographer and 3LT Pro Team member, Ray Barbee, the ethos of the Legends range is innovation, outstanding performance, and creativity.

3 Legged Thing’s CEO and Founder Danny Lenihan explains: “With every incarnation of tripods, we bring new and exciting technological advances, and upgrades to existing design and engineering. Legends is a back-to-the-drawing-board look at how we use and need tripods in modern photography and videography, with ideas dating back five years that we had previously left undeveloped. With emphasis on workflow and user-friendliness, we’ve simultaneously lowered the weight, and increased the load-to-weight ratio, without compromising stability or rigidity. We’ve added advanced functionality, the likes of which have never been seen before, and made major aesthetic changes for our most incredible tripod range to date.

Danny continues: “When I first saw Ray Barbee, as a teenager, making his Bones Brigade debut in the Powell-Peralta film, Public Domain, my perception of skateboarding instantly changed. Here was this kid, who had defied normal conventions of neon and garish 80s fashion, and replaced them with a tee, jeans, Vans and a baseball cap. His style was smooth, inimitable, flowing and utterly effortless, and it was this that inspired me most. The parallels between Ray Barbee’s ethos and creativity, and the ideas forming in my head were tangible and quantifiable. I wanted to bring this new range to life, with fluid workflow, effortless movements, and unbounded style. When I mentioned to Ray that we’d like to name a tripod as a tribute to him, he was incredibly modest and humble. I knew then that it was exactly the right thing to do. Whilst the Ray tripod isn’t the first in the range to launch, it is important to understand that the influence and inspiration for the rest of the range, and the three debut products, all stem from Ray Barbee’s commitment to the arts, and I look forward to launching his signature product in 2020.”

The first two tripods in the range are Mike and Jay, 3 Legged Thing’s first levelling-base, hybrid photo/video tripods. Equally useful for video makers or landscape photographers, levelling base systems enable smooth and fast set-ups on challenging terrain. Mike is a full size carbon fibre tripod, designed for incredible stability in any conditions, whilst Jay features shorter carbon fibre legs with more sections, creating a travel-friendly video option, the first of its kind.

Mike is named after one of the original Bones Brigade skateboarders, Mike McGill. Inventor of the McTwist (arguably the most iconic trick ever invented), Mike is one of the most famous skateboarders in the world, and a professional for over 30 years. Jay is named for the late Jay Adams, the Dogtown skateboarder, whose style was inspired by surfing, influencing a whole new generation of skaters.

Similarly, the tripods in the Legends range share this DNA of innovation. These tripods have not one but three detachable legs, adding a level of versatility rarely seen in a tripod system. The legs can be used as a monopod; as boom arms for lights or microphones, or both!

With the legs removed the tripod can be used on table-tops or at ground level by joining a set of 3LT’s tripod footwear to the leg hinges. This enables both Mike and Jay to be used for macro work, bringing photographers a varied range of perspectives from which to shoot. With the addition of 3LT footwear, the levelling base can also be used as a foot stabiliser for a monopod leg, adding an extra level of versatility to the products.

The tripods are constructed from 8 layers of 100% pure Japanese carbon fibre, and aerospace-grade, anodised magnesium alloy, providing incredible strength, rigidity, and durability.

The new tripods have 3 Legged Thing’s new Rapid Latch, a hardwearing anodised mag-alloy latch with auto-engage lock, which is used to open and position the legs. The Rapid Latch has been specifically designed to make adjusting the legs quick and simple, even if the user is wearing thick gloves. Rapid Latch is also designed to be friendly to those with disabilities or hand injuries, enabling them to easily change the leg angles without complication or fuss.

Each of the legs can be used at three optimal angles creating different shooting heights, and can be positioned independently for use on uneven ground. The tripods come with removable rubber Bootz, which can be replaced with one of four varieties of alternative footwear, to increase stability on even the most challenging surfaces.

The Legends range tripod leg locks have new external designs with raised O-Pads for improved, grip, leverage and water displacement. Internally, the locks have been engineered with a new design of Chicken Lips (shims) which give the locks greater strength and grip, and formidable anti-rotation.

Mike and Jay’s levelling base has a friction control that enables users to finely-adjust the positioning. Both tripods are also available in kits with 3 Legged Thing’s stunning new video head, the AirHed Cine.

Precision milled from aerospace-grade magnesium alloy, and featuring a distinctive spiderweb design, the AirHed Cine has an adjustable, fluid-motion, tilt mechanism that offers smooth movement and can be controlled directly, or with the included panning arm. The arm can be fitted to either side of the head for right or left-handed operation. The AirHed Cine is available with a choice of standard video clamp and plate, or an Arca-Swiss compatible clamp and plate, and features a ¼”-20 thread for externally mounted devices such as articulated arms.

The first two tripods in the Legends range are available for pre-order starting today. Mike’s suggested retail price is £499.99 / $ 549.99 for tripod only, with tripod kit including AirHed Cine SRP of £729.99 / $ 849.99. Jay’s SRP is £449.99 / $ 479.99 tripod only, and £679.99 / $ 779.99 for Jay Kit with AirHed Cine. The AirHed Cine is available separately with a suggested retail price of £299.99 / $ 349.99.

Articles: Digital Photography Review (dpreview.com)

 
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News: Sigma Will Produce Canon RF Lenses (With More to Be Revealed in 2020)

25 Nov

The post News: Sigma Will Produce Canon RF Lenses (With More to Be Revealed in 2020) appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

 

News: Sigma Will Produce Canon RF Lenses (With More to Be Revealed in 2020)Earlier this week, Canon Rumors reported that Sigma has created a roadmap for Canon RF lenses and that this roadmap will be unveiled in “early 2020.”

According to Canon Rumors, “distributors have received some early information about Sigma’s plans,” though nothing has been released to the public.

While Sigma’s plans have not yet been confirmed, this is excellent news for full-frame mirrorless Canon shooters, Canon DSLR shooters who may be making the switch to mirrorless, and just mirrorless fans in particular. The more RF-mount lenses available, the better (and the more attractive Canon’s full-frame mirrorless system becomes).

Of course, Canon produces its own RF line, and there are always debates about Sigma’s quality versus Canon’s quality. But it’s nice to have additional options, and Sigma has proven itself quite capable over the last few years.

Furthermore, this addresses one of the biggest complaints regarding new mirrorless systems: the number of lenses available. For Canon RF shooters, it’s frustrating to have to wait for a robust lens lineup to materialize, so Sigma’s participation will undoubtedly help things along. Plus, there are plenty of Canon DSLR photographers who have held back due to the limited number of lenses in the RF line. Sure, Canon offers EF to EOS R adapters, but most photographers want lenses that are designed to take advantage of their camera system’s features.

Not to mention another great thing about Sigma glass: It’s cheaper than Canon glass. Much cheaper.

This has become especially relevant given the high price points of several Canon RF lenses. The Canon RF 50mm f/1.2L USM currently goes for $ 2000+ USD, and the Canon RF 28-70mm f/2L USM is just shy of $ 3000 USD.

While there are no rumors regarding a Nikon roadmap, this certainly makes you wonder if and when one will be coming. So Nikon shooters, stay tuned. And Canon shooters, you’ll hopefully have some great lens options coming your way!

The post News: Sigma Will Produce Canon RF Lenses (With More to Be Revealed in 2020) appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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FiLMiC launches Firstlight, a stills camera app with Raw capture, live analytics and more

21 Nov

FiLMiC, the company best known for its FiLMiC Pro video camera app with features for professionals, has branched in the still photography market with the launch of Firstlight. With FiLMiC Firstlight, iPhone owners get access to more features than offered on the stock camera app, including support for TIF and DNG Raw formats, anamorphic adapter support, the ability to embed copyright info and more.

FiLMiC announced the availability of Firstlight v1.0 on November 12. The company has included the live analytics feature from FiLMiC Pro in its new still photography app, as well as adaptive film grain, custom film simulations, an RGB Histogram, an Auto Exposure (AE) mode, tap/swipe-based focus and exposure controls, a lens selector and vignette.

FiLMiC boasts a number of ‘professional camera tools,’ including grid overlays, a burst mode, flash and timer, expanded shadow details, the ability to select either HEIC or JPG formats, multiple aspect ratios (4:3, 16:9, 3:2, 1:1, 5:4), HDR controls on the latest iPhone models, and Bluetooth support for ‘most’ camera shutter remote controls.

In addition to the free version of the app, FiLMiC gives users the option of paying for access to premium features, making it possible to configure the burst mode, adjust the vignette, apply film grain, use an anamorphic adapter, use a custom function button, configure the exposure and focus controls, and more.

The app is free to download from the iOS App Store now. The premium features can be unlocked via either a $ 0.99 monthly subscription or a $ 7.99 annual subscription.

Articles: Digital Photography Review (dpreview.com)

 
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Adobe teases new Sensei-powered Object Selection Tool for easy masks and more

31 Oct

Adobe has shared a new sneak peek of its new Sensei-powered Object Selection Tool that will soon be available inside Adobe Photoshop CC.

As demonstrated in the video, the new tool uses Adobe Sensei AI to automatically select an object within the frame when a selection is made via the Marquee or Lasso selection modes. It’s also possible to add or remove individual elements within the image using the same Object Selection Tool for more precise edits.

This new feature appears to be a more refined version of the Select Subject Tool Adobe revealed in early 2018. It’s unknown when this new feature will make its way into Adobe Photoshop CC, but it seems as though teaser videos like this are released no more than a month or two before the feature makes it into the public version of the app.

Articles: Digital Photography Review (dpreview.com)

 
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LumaFusion 2.1 video editing app adds external drive support, new aspect ratios and more

24 Oct

Mobile video editing app LumaFusion has been updated to version 2.1 to take advantage of new iOS 13 and iPadOS features. With LumaFusion 2.1, users can import and export media from external drives, including SD cards, flash drives, and portable HDDs/SSDs. In addition, the updated app also adds support for the iOS 13 system font selector, 27 new blend modes, aspect ratios and resolutions for the latest iPad and iPhone models, and an improved iOS 13 Dark Mode.

In addition to the new features, LumaFusion 2.1 brings a number of improvements, including dozens of UI ‘refinements,’ the ability play and pause previews with a single tap, rapid clip previewing using two-finger swipes, default ‘recommended’ export settings, improved project package format and exporting process, and the ability to long-press to quickly remove Network Drive servers.

Users can also expect general stability and performance improvements, as well as fixes for the level meters and the addition of text and color markers in library search. LumaFusion is available for iPad and iPhone from the App Store now for $ 29.99.

Articles: Digital Photography Review (dpreview.com)

 
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4 Ideas for More Creative Shots when Photographing from One Position

24 Oct

The post 4 Ideas for More Creative Shots when Photographing from One Position appeared first on Digital Photography School. It was authored by Lily Sawyer.

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This year, as has been the case in the past few years, as a family, we take a few days in the summer to go camping. I’m not going to lie; I find camping really tough. I don’t like the inconveniences camping requires but I do love the campfires and stargazing. This year has been particularly difficult as we went during a heatwave. The heat was relentless, and during the day we couldn’t even stay in our tents. We had to seek shelter in the forest for hours when not going on a long walk.

This article came to me on one of those mornings finding respite from the heat in the forest. My kids were drawing, sitting on the swings, hacking a path through some bushes, and I sat on a picnic blanket with my camera. I gave myself the maximum space of the mat to move around in, approximately 1.5m square. All I had with me was my Nikon D610 and a 60mm micro prime lens, so I gave myself a challenge. What can I photograph creatively whilst glued to this picnic mat?

4 ideas to get more creative shots when restricted in space and position

1. Direction and perspective

To get more creative shots, look at different perspectives. Here I lay down and looked upwards at the branches and leaves above me against the sky.

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I tried to find more interesting compositions given the limited subject matter. Also, I tried to find layers of branches to achieve some bokeh and depth of field and focused on the nearest branches above me.

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I moved around the mat while still on my back, and took shots with the tree trunks as leading lines reaching up to the sky for interest whilst still looking upwards as pictured above. Then I looked down and took some close up of twigs on the forest floor as pictured on the right below.

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Look both directions: left and right.

To my left was this tree (pictured above left). I used the forest floor to create foreground interest, some greenery as the middle ground (which was focused), and the big tree in the distance as the background. To my left was a big tree trunk covered in moss and knots, both of which I found an interesting subject to take close-ups of.

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This is what I love about this micro/macro lens. When you shoot close up, even at small apertures, you still get really pretty bokeh. So, I leveraged this and used the distant leaves and the sky to achieve bokeh behind the mossy trunk.

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2. Distance

For more creative shots, take your gaze further and see what’s on the horizon. Below is the furthest view I could see.

4 Ideas for More Creative Shots when Photographing from One Position

To the left of this tree trunk is the tall spindly white tree that dominated my distant scenery. I thought this was a rather unusual tree and made for a good, strong subject. It stood out from the lush greenery as if constantly growing its way into the sky.

4 Ideas for More Creative Shots when Photographing from One Position

Also, don’t forget to check what’s right in front of you – especially anything that could be close-up material too. Below-right is a cut off tree shot at normal eye-view distance. I put a little leaf on top, so I had some close-up material to play with.

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This trunk below was too far for me to reach or do a close-up of so this was my “midway” subject to photograph. Again, I used the foreground and background to create some interesting bokeh.

4 Ideas for More Creative Shots when Photographing from One Position

3. Create a new subject matter

Whilst it’s good to use our observational skills to find interesting things to photograph, we mustn’t solely rely on what’s already there! Get creative and think of unusual out-of-the-box ideas you can put together as your subject matter.

Here I happened to see heart-shaped leaf just outside the blanket I was sitting on, so I created a ring of seeds around it. I liked the way the colored leaf pops out of the brown earth.

4 Ideas for More Creative Shots when Photographing from One Position

Our picnic was laid out on the blanket and wondered what I could do with an empty water bottle. I photographed it looking through the hole at the top into the bottom of the bottle.

4 Ideas for More Creative Shots when Photographing from One Position

4. Experiment with effects

We had some plastic from our picnic stash and I used it to create a soft-focus effect on this landscape shot of the tree. I achieved this by wrapping the plastic around my lens, so it covered a little bit of the lens around the edges. Doing so, rendered those areas soft whilst the rest of the tree is still in focus.

4 Ideas for More Creative Shots when Photographing from One Position

I played around with how much or how little of the plastic I wanted to obscure the image. This one below had more soft-focus leaving only the strip of horizon sharp and clear.

4 Ideas for More Creative Shots when Photographing from One Position

I tried recreating a tilt-shift effect.

Tilt-shift lenses are called so because you can rotate, tilt and shift the lens optics in order to blur parts of the image whilst leaving other parts sharp if you wish. This is a neat trick when trying to photograph miniatures. I asked my daughter to create a little miniature teepee for me. These are my attempts whilst shifting the positional angles of my lens as I was still using the 60mm micro and not a tilt-shift lens.

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This was a fun little challenge for me and got me out of boredom and into thinking creatively! I hope you enjoyed this and will try it sometime!

If you have any other ideas for more creative shots, share them in the comments below!

4 Ideas for More Creative Shots when Photographing from One Position

The post 4 Ideas for More Creative Shots when Photographing from One Position appeared first on Digital Photography School. It was authored by Lily Sawyer.


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ON1 Photo RAW 2020 comes with new AI features, SmugMug integration and more

19 Oct

ON1 has released the latest version of its Raw processing and image editing and organization application Photo RAW. Photo RAW 2020 comes with new AI features, new filters, SmugMug sharing, X-Rite integration and more improvements.

The list of improvements is very long and includes the following:

  • AI Match automatically detects when you shoot in black and white or custom film looks in your camera and matches the look of your Raw output files..
  • AI Auto Tone uses a machine learning trained algorithm for improved results over the previous version.
  • Overall performance has been improved, including faster file opening and brush action.
  • Decoding of Fujifilm X-Trans Raw files has been improved to reduce scalloping and other artifacts.
  • There are more than 100 new looks and styles available as well as a series of new skies, backgrounds, and textures.
  • SmugMug Integration lets you select photos and videos and publish them to your SmugMug galleries.
  • Custom camera profiles can be created by photographing an X-Rite target with your camera, then import it into ON1 Photo RAW, then send it to the X-Rite Camera Profiler software to build a custom camera profile.
  • Noise reduction can now reduce noise, both color and luminance independently and maintain better detail than the previous version.

Additional features, including Raw editing on the new ON1 Photo Mobile 2020 app, syncing across devices, more AI-powered functions and video integration are in the development pipeline and will be released to users in the nearer future.

ON1 Photo RAW 2020 is available for download from the ON1 website from today. The full version will set you back $ 99.99, previous ON1 users will be able to purchase an update version for $ 79.99. A free 30-day trial is available for those who are interested in trying the software out.

Articles: Digital Photography Review (dpreview.com)

 
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Pixelmator Pro ‘Avalon’ update brings macOS Catalina support and more

12 Oct

The latest Pixelmator Pro version 1.5 Avalon comes with a number of updates, including support for macOS Catalina, the Mac Pro, Pro Display XDR, machine-learning powered noise reduction and improved performance.

The Mac image editing package is now fully compatible with macOS 10.15 Catalina, including support for Sidecar and Apple Pencil. Pixelmator Pro users running Apple’s latest OS can now extend their desktop workspace with an iPad and use the Apple Pencil for painting, retouching and illustration tasks. This includes the Pencil’s double-tap gesture for undoing and redoing, switching between Paint and Erase tools, or showing the Apple Colors window.

In addition the software’s editing engine has been optimized to take full advantage of the new Mac Pro’s power reserves. Pixalmator says that thanks to multi-GPU processing, the new Core ML-powered ML Denoise is applied up to 2.5 times faster on a Mac Pro with 2 GPUs compared to and iMac Pro.

The Apple Pro Display XDR’s 10-bit color depth and P3 wide color gamut are supported as well and the Pixelmator claims the new Extended Dynamic Range Mode lets you see previously invisible detail when editing RAW image files.

ML Denoise is a new noise reduction tools based on machine-learning. It is designed to remove luminance and color noise and can reduce compression artifacts. Pixelmator says the tool has been trained to intelligently preserve details, avoiding the blurring effect of simpler denoising tools.

Performance improvements include 10 times faster zooming and scrolling, up to 2.4 times faster painting and up to 2.7 times faster effect rendering.

Pixelmator Pro 1.5 Avalon is available today on the Mac App Store as a free update for existing users. New customers will have to invest $ 39.99 and am upgrade discount is available for users of the original Pixelmator app. More information is available on the Pixelmator website.

Articles: Digital Photography Review (dpreview.com)

 
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Adobe launches redesigned Creative Cloud desktop app with search, libraries and more

12 Oct

Adobe has launched a redesigned Creative Cloud desktop app offering what it says is a more intuitive way to access and update applications, browse and install new apps, manage and share assets, and more. In addition, the new desktop client makes it easier to browse Adobe’s products across different platforms and categories, including mobile, web, and photography.

As demonstrated in Adobe’s newly published video, the new Creative Cloud desktop client provides direct access to the company’s tutorials and other helpful resources, a full-screen Library view and the ability to directly manage and share assets, and a new search tool for finding stock images, fonts, and other ‘creative resources.’

According to Adobe, its new Creative Cloud desktop app will replace the existing client. The software is currently rolling out in Germany and France; it is scheduled to arrive in Japan on Friday followed by the US and other regions next week.

Articles: Digital Photography Review (dpreview.com)

 
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