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Posts Tagged ‘Media’

Apple’s new Mac Pro and 32″ 6K Retina display are a match made in media heaven

04 Jun

Apple unveiled more than software at its World Wide Developers Conference (WWDC) 2019 today. In addition to iOS 13, iPadOS and macOS Catalina, the Cupertino-based company also announced the Mac Pro and the Pro Display XDR.

Mac Pro

Six years after Apple announced its barely-upgradeable cylindrical Mac Pro, aptly dubbed the ‘trash can,’ Apple took WWDC 2019 as an opportunity to unveil its most powerful, modular Mac Pro to date.

While undoubtedly new, the overall design is reminiscent of Apple’s original Mac Pro, complete with the ‘cheese grater’ vents, which are specifically machined to allow maximum airflow through the tower. However, unlike the original Mac Pro, this modular monster can shed its shell to offer complete 360-degree access to the internals, which are mounted on what Apple calls a ‘stainless steel space frame’ that serves not only as the skeletal structure of the computer but also as the handles and feet when the aluminum enclosure is slipped over it.

At the core of the Mac Pro is Intel’s new Xeon processor with up to 28 cores, a dedicated 300W power supply and robust cooling that keeps to the computer running ‘unconstrained at full power at all times’ when required to do so. Apple has included eight PCI Express slots (four double-wide and four single-wide), twelve six-channel memory slots for a maximum 1.5TB of RAM and a slew of various USB ports, including two USB-A ports and two USB-C/Thunderbolt 3 ports on the rear of the tower with two addition USB-C ports on the top of the case for easier access.

In addition to the tower itself, Apple has also created three modules that are specifically designed to interface with the Mac Pro: the MPX Module, the ‘Afterburner’ video card and an I/O module.

The MPX Module is a quad-wide PCIx card that houses two AMD Radeon Pro Vega 2 or Radeon Pro Vega 2 Duo GPUS, its own heat sink and a Thunderbolt 3 connector that plugs directly into the motherboard for maximum speed. If maxed out with the two Radeon Pro Vega 2 Duo cards, the MPX Module alone could provide up to 128GB of High Bandwidth Memory (HBM2) from the GPUs inside.

Apple’s ‘Afterburner’ module

Apple’s new ‘Afterburner’ is a hardware accelerator card with a field-programmable gate array (FPGA) or a Programmable Application Specific Integrated Circuit (ASIC). Apple claims the ‘Afterburner’ card can process up to 6.3 billion pixels per second and is capable of handling up to three streams of 8K ProRes RAW or 12 streams of 4K ProRes RAW at 30fps. As Apple puts it, ‘Proxy workflows, RIP.’ The last one is an I/O module that adds two additional USB-C / Thunderbolt 3 ports, two USB-A ports and a 3.5mm audio jack.

Apple has fitted the Mac Pro with a 1.4kW power supply and a specialized fan arrangement that actively cools the components using three fans at the front of the tower and a blower at the rear to push up to 300 cubic feet of air per minute through the 3D lattice grills on the front and rear of the tower.

The updated Mac Pro is set to launch this fall starting at $ 5,999, which will get you the eight core Intel Xeon CPU, Radeon Pro 580X GPU, 32GB of RAM and a 256GB SSD. Apple hasn’t specified what a fully maxed-out Mac Pro would cost, but based on a brief analysis from The Verge, it’s looking like it could top out at around $ 50,000 going by the current market price of the various components.

Pro Display XDR

Of course, what would a powerful desktop computer be without a beautiful screen to compose, create and review your work on it with? Years after leaving the display market, Apple is back—and it’s created a display that’s just as (if not more) crazy than its Mac Pro counterpart.

It’s called the Pro Display XDR and it’s a 32in 6K Retina (6016px x 3384px, 218ppi) HDR display that brings the best features of high-end reference monitors and manages to pack said features into a more compact, affordable (comparatively speaking) frame that offers the convenience of more traditional monitors.

The Pro Display XDR features 10-bit color depth, P3 wide color gamut, 576 zones of full-array local dimming and 1,000,000:1 contrast ratio on a screen that has sustained 1000-nits brightness (with the ability to achieve 1600-nits at its peak). This is done with the help of an in-factory calibration that custom defines algorithms to achieve the most accurate color rendering possible.

An illustration from Apple’s keynote showing the layers that go into making the Pro Display XDR.

To keep the monitor cool, Apple took the same 3D grill from the Mac Pro and effectively turned the entire rear of the display into a giant heat sink for maximum heat dissipation.

Every Pro Display XDR comes with an ‘extremely low reflectivity’ screen, but Apple has also created a new matte option that uses ‘nano-texture glass’ to further scatter and light and reduce glare. In Apple’s own words:

‘Typical matte displays have a coating added to their surface that scatters light. However, these coatings lower contrast while producing unwanted haze and sparkle. The nano-texture on Pro Display XDR is actually etched into the glass at the nanometer level.’

Other features of the display include integrated reference modes—HDR video (P3-ST 2084), Digital Cinema (P3-DCI) and Photography (P3-D65)—and Apple’s True Tone technology to adjust the monitor depending on the ambient lighting conditions.

Apple has paired the Pro Display XDR with the optional Pro Stand, a dedicated stand for the display that uses a specialized hinge mechanism to make raising, lowering, tilting and rotating the screen easy enough to do with one hand. The monitor snaps on using a magnetic connection on the back and can easily be swapped out with a VESA mount adapter for more customized mounting options.

In case that new house wasn’t looking as enticing as you would hope, you could go ahead and drop what was going to be your downpayment on six Pro Display XDR monitors.

The Pro Display XDR relies on a Thunderbolt 3 cable to connect with the new Mac Pro, which can drive up to six of these things for a mind-numbing 120 million combined pixels.

The standard Pro Display XDR is expected to ship this fall for $ 4,999, with the nano-glass version costing $ 1,000 more at $ 5,999. The optional Pro Stand will set you back another $ 1,000, while the VESA mount adapter will be a slightly more reasonable $ 199.

While the pricing seems ridiculous, the display itself is on par—if not more capable—than many professional reference monitors that retail for five times the price. The stand feels like a bit of a money grab at $ 1,000, but the $ 199 VESA mount is a much more reasonable option and should yield more flexibility in the long run anyway.

For more information on the Pro Display XDR visit Apple’s product page.

Articles: Digital Photography Review (dpreview.com)

 
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Twitter now supports adding images and other media to retweets

08 May
Image by Twitter via The Verge

Twitter has announced support for adding images, as well as videos and GIFs, to retweets and quoted tweets. Users had requested this feature for years, but Twitter explained to The Verge that it was tricky enabling media comments on retweets and quotes while maintaining a logical design that viewers could readily parse.

The new support, which is currently rolling out Twitter’s mobile apps and mobile website, allows users to add an image, video, or GIF after tapping the ‘Retweet with comment’ option on an existing tweet.

The company has chosen a design that nestles the original tweet with a timestamp and thumbnail under the full-width media published by the user who responded to the original tweet. This design only appears on mobile at this time, however, and The Verge points out that GIF comments on retweets look clunky on desktop.

It’s unclear when the feature and mobile-like nesting design will arrive for desktop users. The new option is rolling out on Android and iOS now.

Articles: Digital Photography Review (dpreview.com)

 
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The word ‘Leica’ is now banned on Chinese social media after controversial ‘Tank Man’ video

20 Apr

Leica is facing backlash in China following the publication of a video called ‘The Hunt’ set in 1989 during, among other things, the Tiananmen Square pro-democracy protests. In response to the video, Chinese social media website Weibo has banned the use of the word ‘Leica’ — attempts to search for content in English and Chinese using that keyword returns zero results.

‘The Hunt’ is a fictionalized video that primarily follows a Western photojournalist who attempts to capture the Tiananmen Square protests using a Leica camera1. Though the video never explicitly mentions the protests, it features the text ‘Beijing, 1989,’ and concludes with the iconic ‘Tank Man’ image as a reflection in a Leica camera’s lens.

The video went viral on social media in China, where a number of users have lambasted the dramatic reenactment. Soon after, Weibo banned posts containing the word ‘Leica’ due to the video’s ‘violation of relevant laws and regulations or the Weibo Community Convention,’ according to the South China Morning Post (SCMP).

SCMP claims Leica didn’t commission and does not sanction the video, which was reportedly produced by Brazillian marketing company F/Nazca Saatchi Saatchi. The news source published a statement from Leica, which expressed regret over ‘any misunderstandings or false conclusions that may have been drawn’ regarding the video.

The controversy hits Leica amid its partnership with Chinese company Huawei and its plan to launch 20 to 30 new stores in China. Likewise, the video arrives during a particularly tense time for the Chinese government — June 4 is the 30th anniversary of the government’s deadly suppression of the pro-democracy protests.

For its part, Leica has been criticized for distancing itself from the video, which has been praised by some as a poignant reminder of the pro-democracy movement and the Chinese government’s bloody response. The Communist Party of China censors the Tiananmen Square Massacre and related protests and as such is not expected to make a public statement on the video.

The video has also drawn criticism across social media for its ‘stereotypical, aggrandizing depiction of the white saviour vs the dangerous, dark, unintellegible “other,”‘ as seen in the above tweet from photographer and filmmaker David Jazay.


1It’s worth noting the iconic ‘Tank Man’ image was captured on a Nikon FE2 camera through a Nikkor 400mm 5.6 ED-IF lens and TC-301 teleconverter with a roll of Fuji 100 ASA color negative film, not any Leica camera.

Articles: Digital Photography Review (dpreview.com)

 
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Apple Final Cut Pro X 10.4.6 update brings detect and convert feature for older media files

26 Mar

Apple has pushed out Final Cut Pro X update (version 10.4.6), that adds the ability to automatically detect and convert any legacy media files that will not be compatible with future versions of macOS, as well as numerous bug fixes and improved features.

Last year, Apple began warning its users that older video formats and codecs relying on QuickTime 7 would no longer be supported by future macOS releases due to the 64-bit transition. Though legacy media files remain compatible with macOS Mojave, updating a Mac system beyond Mojave in the future could prove problematic for filmmakers who have content in older formats.

In a note about this potential issue on its website, Apple warns users to convert their incompatible media files before upgrading to the next major macOS version after Mojave. The newly released Final Cut Pro X 10.4.6 simplifies this requirement by detecting and converting these files into a format that will remain compatible with macOS in the future.

In version 10.4.6, Final Cut Pro users who open a library or import content will see a window listing any incompatible media files the software found. Users can immediately convert these files by clicking ‘Convert’ in the window. Copies of the converted content are created in Apple ProRes format and stored in the library’s media storage location. Existing clips in the library are then relinked to the converted files.

There’s an exception for Motion projects, however, with Apple warning that Final Cut Pro won’t detect incompatible media files in these projects. Instead, users will need to open the project in Motion, after which point a message will appear warning if any incompatible media is present. In that case, the user would need to convert it using QuickTime Player or Compressor.

Media conversion aside, Final Cut Pro X version 10.4.6 brings several relatively minor bug fixes and improved reliability when sharing videos directly to YouTube.

Articles: Digital Photography Review (dpreview.com)

 
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Photography project ‘Selfie Harm’ tasked teens with editing their portraits for social media

09 Feb

Photography project ‘Selfie Harm’ tasked teens with editing their portraits for social media

Photographs by Rankin used with permission.

A new photography project called ‘Selfie Harm‘ from British photographer Rankin tasked 15 teenagers with editing portraits of themselves until they believed the images were ‘social media ready,’ highlighting their internal ideas of ‘perfection.’ The image editing and filtering was performed with a readily available photo app, one of thousands of similar products offered through popular app stores.

‘Today, more so than ever, people are mimicking their idols, making their eyes bigger, their nose smaller and their skin brighter,’Rankin explained, ‘and all for social media likes.’

Rankin points toward the media and advertising industries’ heavy use of image editing tools, something Rankin has both been involved with as part of his job and has criticized with projects like ‘Flawless Girls’ and ‘Ageless Beauty.’

Though these industries have shifted their editing practices in light of public discussions and backlash, the average person has more access than ever to tools for transforming their own digital appearance. The technology is, among other things, ‘encouraging a disturbing culture of homogeneity,’ the photographer notes.

Speaking about these apps, Rankin said:

They are free, accessible, easy to use, game-like and (I think) much more dangerous. When doing research for this project, I played with these apps a lot to understand the appeal. They’re addictive, very impressive and you can have a lot of fun warping, changing and reimagining your appearance. But it’s when people are making an alternative or ‘better’ social media identity that this becomes a mental health problem.

Rankin has called for public discussion over the growing trend of using the apps to alter one’s appearance for social media:

Instead of simply telling people to stop, we need to accept that this is a complex issue; the technology is here and it’s here to stay. But we need to challenge the way image manipulation is being used and abused in the wider world. Selfie Harm is my attempt to get people to talk about the issues threatening mental health today.


Photographs by Rankin used with permission. You can find more of Rankin’s work on the social media platforms below:

Twitter: @rankinphoto
Facebook: @RankinPhotographyLtd
Instagram: @rankinarchive
Vero: @rankin

Photography project ‘Selfie Harm’ tasked teens with editing their portraits for social media

Photographs by Rankin used with permission.

Photography project ‘Selfie Harm’ tasked teens with editing their portraits for social media

Photographs by Rankin used with permission.

Photography project ‘Selfie Harm’ tasked teens with editing their portraits for social media

Photographs by Rankin used with permission.

Photography project ‘Selfie Harm’ tasked teens with editing their portraits for social media

Photographs by Rankin used with permission.

Photography project ‘Selfie Harm’ tasked teens with editing their portraits for social media

Photographs by Rankin used with permission.

Photography project ‘Selfie Harm’ tasked teens with editing their portraits for social media

Photographs by Rankin used with permission.

Photography project ‘Selfie Harm’ tasked teens with editing their portraits for social media

Photographs by Rankin used with permission.

Articles: Digital Photography Review (dpreview.com)

 
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DJI shares open letter regarding corruption allegations, asks media to ‘pay close attention to the facts’

04 Feb

Three weeks ago, DJI released a statement regarding its ongoing investigation into an alleged corruption scandal that could ultimately cost the Chinese drone manufacturer upwards of more than $ 150 million. Now, DJI has published an open letter on its website detailing more information and urging ‘the media to pay close attention to the facts [DJI has] presented.’

In its initial statement, DJI said that during its internal investigation regarding the alleged corruption, ‘DJI itself found some employees inflated the cost of parts and materials for certain products for personal financial gain […] DJI took swift action to address this issue, dismissed a number of employees who violated company policies, and contacted law enforcement officials.

Since the initial statement, DJI has published an open letter on its website that provides more details on the investigation, the events that led up to it and what it plans to do going forward.

As DJI embarked on a management reform effort last year, we discovered problems that had evolved during our period of high growth,‘ reads the letter. It later goes on to say ‘DJI has discovered instances of cost inefficiency, purchasing manipulations and outright theft. We cannot ignore these issues. Indeed, for the sake of the vast majority of our employees who work hard and honestly, we need to uncover and eliminate these problems.

Although it’s not a full-fledged apology to consumers and investors, DJI does accept blame for letting the corruption getting as bad as it did, saying ‘in the past emphasized corporate growth over new internal processes.

DJI says fostering better management will be the key to eliminating such corruption in the future and says ‘will now take a leading role in developing clear policies, procedures and expectations to address corner-cutting and employee theft‘ and calls upon other companies to implement similar processes.

The letter also implores the media to ‘pay close attention to the facts we have presented.’

DJI has been expected to file for IPO in 2019, so these statements and open letters appear to be a part of an intense effort to suppress the fallout from the corruption and its financial implications.

Articles: Digital Photography Review (dpreview.com)

 
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Smartphone Food Photography For Social Media

11 Dec

The post Smartphone Food Photography For Social Media appeared first on Digital Photography School. It was authored by Darina Kopcok.

Smartphone Food Photography For Social Media-Darina Kopcok-DPS

Search Instagram for #foodphotography today and you’ll find almost 30 million posts.

Blogs and social media have turned what was once a weird little niche in photography into a worldwide phenomenon. From Baltimore to Beijing, there is no doubt that people love to take pictures of food.

However, as appetizing as your filet mignon may look to your eye, it may not to the camera. Throw in some bad restaurant lighting and a wide angle smartphone lens into the mix, and the potential for ugly food photography is high.

Here are my top five tips for great smartphone food photography for social media that will make your Instagram and other social channel images stand out.

Smartphone Food Photography For Social Media-Darina Kopcok-DPS

Use Natural Lighting Whenever Possible

When it comes to food photography lighting is everything. The knowledge of how to use light is what separates the amateurs from the pros.

Although flat lighting has been a trend in food photography lately, food looks best when the light is natural and directional.

The reason a lot of food images taken in restaurants looks so bad is the fluorescent lighting, which is hard and unflattering. It is also often tinged with a green or yellow color cast.

When shooting food indoors on your smartphone, try to get beside a window.

Natural window light is what every professional photographer tries to mimic with complicated and expensive flash systems.

It is very flattering for food.

Just be sure that the sun is not too bright, as it can also cast harsh shadows that are unflattering to your dish.

When shooting food with a smartphone, notice where the light is coming from. It should be from the side or the back of your plate or set-up.

While front light is beautiful in portraiture, it will make food look flat and also can cast unwanted shadows.

Smartphone Food Photography For Social Media-Darina Kopcok-DPS

Choose the Right Angle

Does your plate ever look like it’s sliding off the table whenever you shoot with your smartphone?

This is because the camera has a wide angle lens, so certain angles make your food look distorted.

To achieve the best results, shoot your scene at 90-degrees or straight-on. A 3/4 angle rarely works.

An overhead angle gives a graphic pop to an image because it flattens depth. You can also get a lot more into the frame than you would if you were shooting at 45-degrees.

It’s a perfect angle for tablescapes, but also more minimalistic compositions.

90-degrees is not a good angle for tall foods, like burgers or stacks of pancakes. You want to see those layers, so shoot these kinds of subjects straight-on.

Smartphone Food Photography For Social Media-Darina Kopcok-DPS

Take a Minimalist Approach

Tablescapes are fun and look appealing, but they are oftentimes difficult to do.

It can take a lot of moving the various elements around to make a pleasing composition and by the time you get it right, the food will no longer look appetizing.

A minimalist approach usually works best, especially if you’re a beginner. After all, the focus should be on the food!

Look at it this way: if your food is nicely plated and styled, then you’re already more than halfway there!

All you need is an additional prop or two, like a utensil or a piece of linen tucked under the plate.

How you approach your propping will really depend on the food. In the image of the poke bowls below, the food is already bright, colorful, and full of texture. Adding more than a set of chopsticks would have distracted the viewer’s attention from the dish.

Smartphone Food Photography For Social Media-Darina Kopcok-DPS

Heed the Rules of Good Composition

One problem you often see in food pictures on Instagram is that they look messy. Sometimes the food looks messy but also the environment in which the food is captured in.

The background is cluttered, or there are too many props that are distracting and don’t add anything to the shot.

Some of this can be solved with tighter shots and by taking some unnecessary elements away.

But you should also be aware of some of the basic principles of composition.

Try to have some negative space in the image. That is a clean area where the eye can rest for a brief moment as it moves through the image.

Resist the urge to fill every part of your image.

Smartphone Food Photography For Social Media-Darina Kopcok-DPS

If every area of your surface is covered with ingredients or a prop, it confuses the viewer and gives a claustrophobic feeling. Negative space provides a bit of breathing room and helps us focus on the main subject.

You should also be familiar with the rule-of-thirds. This is a compositional guideline that divides an image into nine equal parts, using two horizontal lines and two vertical lines, like a tic-tac-toe board.

Rule of Thirds

The important elements in your scene should fall along these lines, or at the points where they intersect.

Smartphones already have a grid like this as an overlay when you turn on your camera. Use it to help you place your focal point. That is the area where you want to create emphasis and draw the viewer’s eye.

A focal point can be created with color, an area of contrast, or isolation. A garnish can serve as a focal point.

Tell a Story

Smartphone Food Photography For Social Media-Darina Kopcok-DPS

I have stated that a minimalist approach is often best, however, be mindful that adding a narrative quality to your images can also be very powerful.

Everyone loves a good story. Give your viewer an idea of a wider story taking place beyond the confines of the frame.

For example, you can do this by partially cropping out some of the elements in an overhead table shot, or show someone’s hand serving food or holding a cup of steaming coffee.

This human touch has become wildly popular in food photography, and this lifestyle element has spilled over from Instagram into the world of commercial food photography because it creates a sense of atmosphere and relatability.

Smartphone Food Photography For Social Media-Darina Kopcok-DPS

In Conclusion

Hopefully, this article has given you some tips to improve your smartphone food photography for social media.

Whichever approach you choose, be conscious of consistency and developing your style.

If you look at the most successful accounts on Instagram and other social media, you will find that they have a specific look in terms of color treatment or palette.

Take a good look at your images for the consistencies in your style and work on developing them. This may mean you take a lot of bright and airy images, or maybe you do mostly close-ups of your food.

The more you hone your style, the tighter your feed will look and draw an audience that loves what you do.

I’d love to see some of your smartphone food photography, so please share in the comments below.

 

 

The post Smartphone Food Photography For Social Media appeared first on Digital Photography School. It was authored by Darina Kopcok.


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Ibis Switzerland hotels offer social media pros to manage guests’ Instagram accounts

05 Dec

Ibis hotels in Switzerland are offering guests a new service called Social Media Sitter. With this, customers can use “Instagram professionals” provided by the hotel to manage their Instagram profile while on vacation, enabling guests to “enjoy the city without a smartphone in front of the face,” the company explains on its website.

The Social Media Sitter service is now available at Ibis hotels in Zurich and Geneva. The company lists several “Instagram professionals” on its site who specialize in categories that include fashion, travel, beauty, culture, art, and more.

The Instagram sitter shares “the best posts” on the guest’s profile, though it’s unclear how the service works. Presumably the Social Media Sitter is provided with the customer’s username and password; the company’s video suggests the sitter will follow the guests to capture candid shots and will manage the account’s comments and likes on the user’s behalf.

It’s unclear whether Ibis plans to launch its Social Media Sitter option at its other hotels. The new service appears popular, though, as Ibis’s Geneva and Zurich locations both show their Instagram professionals having been fully booked each weekend throughout November.

Articles: Digital Photography Review (dpreview.com)

 
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Kodak Digitizing Box service breathes life into old media with minimal effort

14 Oct

There’s no shortage of ways to digitize your old film photos, videos, taps, and audio recordings on mediums long extinct. But Kodak is hoping you’ll eschew other methods in favor of its new Kodak Digitizing Box.

As the name suggests, the Kodak Digitizing Box is a simple solution to bringing analogue content into the digital world through the careful hands of professionals. In Kodaks own words, “The Kodak Digitizing Box brings a modern version of Kodak’s yellow envelope back to customer door steps and aims to make the daunting task of digitizing aging media easy,”

The boxes, which arrived with a pre-paid shipping label for easy returns, are available in four sizes: 3 piece, 10 piece, 20 piece, and 40 piece, and are priced at $ 59.99, $ 169.99, $ 289.99, and $ 559.99, respectively. One “piece” can consist of an audio tape, video tape, roll of film, or 25 photos. The below image details what type of media is able to be digitized.

After the box is shipped off, you will begin to receive email notifications throughout the digitization process. Kodak says to allow up to five to six weeks for everything to be digitized.

Once the digitization is finished, the resulting content — and the original media sent in — is returned on DVDs, a USB thumb drive, or via digital downloads, depending on your preference.

To find out more, head on over to the Kodak Digitizing Box website.

Articles: Digital Photography Review (dpreview.com)

 
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Why You Should Find Your Own Photography Style and Not Conform to Social Media Trends

23 May

Everyone is a photographer. We all love to use our phones, tablets, or cameras to take photos. What’s more, we all share them and publish them for the world to see. This phenomenon has changed photography and photographers.

Not so long ago you needed to have a camera to be able to take a photo, there was no other way. Before the explosion of social media sites hit the internet is was decidedly more difficult to get your pictures published.

Street portrait of an Asian woman in red - Why You Should Find Your Own Photography Style and Not Conform to Social Media Trends

Go Beyond Social Media Norms

With the rise of Instagram, Facebook, Twitter and the proliferation of other media sharing websites, we are seeing and sharing more and more photographs every day. Standing out in such an enormous global crowd is not easy.

So how do you create a unique photography style which does not look the same as most of what’s already out there? Because, let’s face it, so much of it is so similar (and dull.) There are tons of pictures of pets, sunsets, selfies, kids and food, food, food.

Most successful photographers concentrate on one style. This can take years to develop. Dedication and experimentation are keys to attaining a photographic look and feel that is uniquely yours and will be recognized as such. Mastering any form of creative expression does not happen easily or without a lot of practice.

Step Outside Your Comfort Zone, Get Into a New Zone

You need to be willing to step outside your comfort zone. Don’t just keep photographing the same things, in the same way, that you are comfortable with already. Push yourself to do things with your camera that you’ve not experimented with before. Step out and photograph subjects you’ve wanted to but not have been bold enough to do so. You never know what you will discover by trying something different.

Man selling kebabs in Istanbul - Why You Should Find Your Own Photography Style and Not Conform to Social Media Trends

Don’t give up easily either. Giving up will not get you anywhere if you haven’t first shown some commitment to producing some photographs you are content with.

My Story

As a young man, I was painfully shy. I loved photography, but could never bring myself to photograph people. My sister encouraged me. She told me my photos were excellent, but really lacked the inclusion of people.

She was not so happy when she became my subject. I also started photographing friends as we hung out together and became somewhat comfortable photographing people that I knew.

Karen woman hand sewing - Why You Should Find Your Own Photography Style and Not Conform to Social Media Trends

Shortly after I landed a job in the photography department of a daily newspaper, I quickly realized that if I wanted to keep my job I would have to overcome my fear (yes, it was a real fear) of photographing strangers. Everything in me wanted to keep the job at the paper and to succeed as a photographer, so I pressed on and challenged myself to break through.

Now my main love in photography is taking pictures of people. Often they are people I do not know.

Hmong man with one leg sitting against a wall -Why You Should Find Your Own Photography Style and Not Conform to Social Media Trends

Most people will not face the same test to develop their photography abilities as I was confronted with. But I hope my story can inspire you to press on trying new things with your photography and to persevere in going beyond your comfort zone.

Experience and Experiment

As you experiment, keep in mind that your worldview is unique. No one else sees or experiences the world quite the same way you do.

Think about how you can express this through your photography. What do you see that someone else might not? Why do you feel a certain way about the subjects you are photographing? No one else will feel just the same.

Connect with your subject, whether it’s a person, a pet, a landscape or your lunch, and photograph it with feeling. More often than not you will create a strong, more unique image than if you just take a quick snapshot.

Go Beyond Your Gear

As you seek to develop your own unique personal photography style try not to concentrate too much on your equipment. Pouring all your attention into what you’re doing with your camera will not help you connect with your subject and you will produce less dynamic photographs. No matter how technically correct your images are, they will often be rather dull if you are not connecting with your subject.

Ballet dancer practicing - Why You Should Find Your Own Photography Style and Not Conform to Social Media Trends

However, the more comfortable you are with your camera, and the more proficient in knowing what it’s capable of and the best settings to use will help you immensely.

Loving your camera and knowing it well, so you can use it as an integral part of your creative process, will assist you in developing your photography style. The more focused you are on trying to figure out which lens to attach and what shutter speed will be needed, the more likely you are to disconnect with your subject. The more familiar and comfortable you are with your camera the better.

Close up portrait of a young man - Why You Should Find Your Own Photography Style and Not Conform to Social Media Trends

Have Precise Control

Anyone who’s read my articles watched my videos or taken my workshops or online courses will know I always encourage the use of a camera in Manual Mode. Being in precise control of the equipment you are using will definitely facilitate your unique creative growth.

Using settings which give your camera control of the exposure (auto modes) will give you results like everyone else who relies on these settings. In Manual Mode you have the choice to expose your photos as you like, not always as your camera dictates.

You are Unique – Create Unique Photographs

Experiment! Take time and work with a purpose and a goal in mind. Be inspired to step beyond creating just another snapshot for your social media posts and make a point of producing strong photographs expressing your unique perspective of the world you live in.

It’s not easy to do. But press on and don’t give up. Make a start with your first ideas and keep at it. Be flexible and adapt as you develop.

At first, you might love the topic or photography style you’re working on and later find you are drawn to a something a bit different. Go with the flow, so long as you are continuing to produce photographs you are happy with and you can see a progression in what you are doing.

Kayan girl portrait - Why You Should Find Your Own Photography Style and Not Conform to Social Media Trends

To learn the story behind some of these photographs please check out this video:

I’d love to know how you are developing your photography style, whether you are inspired by this article and just starting out, or if you’ve been working on your own particular style for some time. Please share your thoughts and photos in the comments section below.

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