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Posts Tagged ‘Mark’

Olympus OM-D E-M5 Mark III sample gallery

17 Oct

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We recently joined Olympus in Moab, Utah for some preliminary shooting with the OM-D E-M5 III. That’s why you’ll find plenty of classic American Southwest scenery among our first sample images taken with the newest Digital OM camera – see for yourself. We threw in a few shots from the Olympia, Washington area for good measure.

See our Olympus OM-D E-M5 Mark III sample gallery

Articles: Digital Photography Review (dpreview.com)

 
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A Photography Shootout: the iPhone 11 Pro vs the Canon 5D Mark IV

28 Sep

The post A Photography Shootout: the iPhone 11 Pro vs the Canon 5D Mark IV appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

The iPhone 11 Pro has just been released, with a triple-camera setup (including a telephoto lens, a wide-angle lens, and an ultra-wide lens), a new Night Mode, and an upgraded front-facing camera.

A Photography Shootout: the iPhone 11 Pro vs the Canon 5D Mark IV

But despite all the new bells and whistles, iPhone image quality continues to lag far behind that of full-frame DSLRs and mirrorless bodies. And professional photographers simply don’t find iPhone photos up to their standards.

Right?

That’s what wedding photographers, Lauren and Jamie Eichar set out to test. They did a photoshoot with their new iPhone 11 Pro and their top-of-the-line Canon 5D Mark IV, then compared the images.

And the results are surprising.

In fact, this is relevant to anyone wondering about the future of smartphone photography.

So I suggest you watch the video to see the images, side by side. As you look at the images, see if you can tell the difference. Ask yourself:

  • How would I feel about my images if I were only shooting with an iPhone 11 Pro?
  • How would I feel if I had my wedding photographed by an iPhone 11 Pro?

?

I’ll admit:

I’ve never been a fan of iPhone image quality. Low light performance is, frankly, terrible, and even the noise levels in good light leave a lot to be desired. Plus, the tiny sensor makes good bokeh practically impossible to achieve, and Apple’s attempt to rectify that (Portrait mode) is frustrating and unpredictable.

That said, these photos left me pleasantly surprised.

For one thing, Apple seems to have given Portrait mode a significant upgrade. Portrait mode on the iPhone XS frequently failed to find the edges of the main subject, which resulted in strange spots of blur and other image inconsistencies. But in the hands of these professional wedding photographers, the iPhone 11 Plus Portrait mode performs well. Certainly better than on the iPhone XS – though you’ll notice that zooming in on the Portrait mode shots does reveal frequent problems along the subject’s edges.

Also, the Portrait mode blur looks more authentic. While the bokeh produced by the Canon 5D Mark IV setup is clearly superior, the iPhone blur isn’t as far behind as it once was.

As for noise and sharpness, I don’t notice any issues when viewing the photos at a normal viewing size. But viewing the images large (which can be done here) shows significant noise and lack of clarity in all of the iPhone images. While this might not seem like a problem when posting small files on the internet, it becomes more serious if you decide to print your photos, especially if you’re looking to print large.

Also, note that Lauren and Jamie tested the iPhone in good light. My guess is that noise levels would increase significantly if doing photography indoors.

So again, ask yourself the questions I posed earlier. How would you feel about your images if you were only shooting with an iPhone 11 Pro? How would you feel about the results if you had your wedding photographed by an iPhone 11 Pro?

And share your response in the comments!

The post A Photography Shootout: the iPhone 11 Pro vs the Canon 5D Mark IV appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Canon 1D X Mark III: Includes IBIS, Increased Resolution, and More

23 Sep

The post Canon 1D X Mark III: Includes IBIS, Increased Resolution, and More appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Canon 1D X Mark III: Includes IBIS, Increased Resolution, and More

The Canon 1D X Mark III may be the last of its kind, but it won’t go down without a fight.

Information has leaked regarding the Canon flagship camera, predicting a 2020 release. This follows on the heels of Nikon’s D6 announcement and its claim that the D6 will be Nikon’s “most advanced DSLR to date.”

The Canon 1D X series and the Nikon D6 series have been longtime competitors, aimed at professional photographers in need of rugged, high-performing camera bodies. Hence, it’s no surprise that the 1D X Mark III should come out in 2020, most likely in time for the Summer Olympics in Tokyo.

The leak also suggests that the Canon 1D X Mark III will have in-body image stabilization (IBIS), a feature traditionally offered by mirrorless models but kept out of DSLRs. This will be appreciated by low-light shooters who need to eke out every bit of stability they can get.

The Canon 1D X Mark III is also said to feature significantly increased resolution “for an EOS-1 series camera.” Note that Canon’s EOS-1 line is short on resolution but high on autofocus capabilities and shooting speed, which explains why the 1D X Mark II tops out at 20.2 megapixels, despite its ‘flagship’ label.

What would count as significant?

My guess would be a jump in the 4-megapixel range, to put the 1D X Mark III at 24 megapixels. But it could be less, considering the low bar for 1D X resolution.

Apparently, the Canon flagship will also include 6K video (without a crop) and an upgraded DIGIC processor, as well as dual CFExpress card slots.

As of now, the 1D X Mark III is looking on par with the Nikon D6, which is rumored to drop in 2020.

Both cameras will undoubtedly be pricey; the Canon 1D X Mark II retails at $ 5500 USD, and the Nikon D5 sits at nearly $ 6000.

But for the professional action photographer, the cameras will undoubtedly be worth the cost.

Are you looking forward to the Canon 1D X Mark III announcement? What specs are you hoping to see? Share your thoughts in the comments!

The post Canon 1D X Mark III: Includes IBIS, Increased Resolution, and More appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Canon EOS M6 Mark II sample gallery (DPReview TV)

14 Sep

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A new gallery from the Canon EOS M6 II, shot by Chris and Jordan while filming this week’s episode of DPReview TV. As usual, it comes complete with reflected images in puddles.

Articles: Digital Photography Review (dpreview.com)

 
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DPReview TV: Canon EOS M6 Mark II review

14 Sep

This week Chris and Jordan review the new Canon EOS M6 II mirrorless camera. Even if you’re not interested in the camera, you should probably watch just to see Jordan sing a Dire Straits cover.

Also, subscribe to our YouTube channel to get new episodes of DPReview TV every week.

  • Introduction
  • Design
  • Sensor
  • Burst speeds
  • Custom settings
  • USB charging challenges
  • Buffer
  • Rolling shutter
  • Video capabilities
  • Wrap-up

Sample gallery from this week’s episode

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Articles: Digital Photography Review (dpreview.com)

 
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Canon PowerShot G5 X Mark II review

12 Sep

Introduction

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Sample photoSample photoSample photoSample photoSample photo
Silver Award

82%
Overall score

Canon’s PowerShot G5 X Mark II is a high-end compact camera with a versatile lens, great controls and a modern 1″-type sensor. For a small camera, we find the grip to be generous and secure, and the updated processor combines with the new sensor for some seriously responsive performance. The pop-up electronic viewfinder is a nice touch and the camera also comes with fast burst shooting as well as good-quality 4K video.

In creating the G5 X Mark II, Canon has clearly taken more design inspiration from the G7 X lineup than the original G5 X. Gone from the old camera is the centrally mounted viewfinder and fully articulating screen, but the new camera is more svelte and pocketable as a result. Plus, Canon has extended the lens’ zoom reach while maintaining a fast aperture range, which is a nice bonus. On the not-so-good side of things, for some reason Canon has decided that 24p video recording is unnecessary, there’s no microphone jack, some customization options are limited, and the small battery means you’ll likely want to carry a spare if you’re a heavy shooter.

Key specifications:

  • 20MP 1″-type stacked CMOS sensor
  • 24-120mm equiv. F1.8-2.8 lens
  • Pop-up electronic viewfinder and flash
  • Touchscreen tilts up 180° and down 90°
  • 8fps burst shooting with autofocus, 30fps Raw burst mode
  • 4K/30p, 1080/60p video recording with IS (no 24p options)
  • 1080/120p slow motion video with no audio or autofocus
  • Wi-Fi + Bluetooth wireless connectivity
  • USB 3.1 (with USB-C connector) for data transfer and charging
  • 230-shot battery life (180 using the EVF) per CIPA standard
Out-of-camera JPEG
ISO 125 | 1/1000 sec | F4
Photo by Jeff Keller

The G5 X Mark II looks, in many ways, to be a near-ideal travel or family camera for enthusiast photographers that like having a dedicated camera with them at all times – does it live up to this promise? Time to dig in and find out in our full review.


What’s new and how it compares

The G5 X II looks a lot like a cross between Canon’s own G7 X III and Sony’s RX100-series – here’s how it compares inside and out.

Read more

Body, controls and handling

On the G5 X II, Canon’s fitted one of the nicest grips we’ve ever used on such a small camera – but there’s more to it.

Read more

Image quality

Take a deep-dive into the G5 X II’s image quality, including how its lens performs.

Read more

Autofocus, Raw burst and video performance

Autofocus and video performance from the G5 X II are pretty good – but are they enough to stand out among strong competition?

Read more

Conclusion

Canon’s PowerShot G5 X Mark II earns a solid silver award – here’s the full story.

Read more

Sample gallery

From camping to cats and the occasional dog, we’ve got a full sample gallery from the G5 X II for your perusal.

See the gallery

Articles: Digital Photography Review (dpreview.com)

 
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DPReview TV: Canon G5 X Mark II vs. G7 X Mark III

07 Sep

Canon’s newest compact cameras, the G5 X II and G7 X III, have a lot in common, but with some very important differences. This week, Chris and Jordan do a side-by-side comparison to help you choose the one that’s right for you.

Also, subscribe to our YouTube channel to get new episodes of DPReview TV every week.

  • Introduction
  • Picture-in-picture commentary
  • Design and handling
  • ND filter
  • Displays
  • Lenses
  • USB power
  • Autofocus
  • Sensor
  • Video performance
  • Live streaming (G7 X III)
  • Video autofocus
  • Which should you buy?

G5 X Mark II sample gallery

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G7 X Mark III sample gallery

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Articles: Digital Photography Review (dpreview.com)

 
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Canon announces C500 Mark II camera with 5.9K Cinema RAW Light recording

06 Sep

More than seven years after releasing the EOS C500, Canon has released its next-generation Cinema EOS System camera, the EOS C500 Mark II. The new camera builds upon its predecessors with an extensive list of new and improved features and technology.

At the heart of the EOS C500 Mark II is the same sensor found inside Canon’s EOS C700 camera, a5.9K full-frame 17:9 sensor, which Canon says offers more than 15 stops of dynamic range. Powered by Canon’s new Digic DV7 processor, the EOS C500 Mark II offers 5.9K internal Cinema RAW Light and 4K 4:2:2 10-bit XF-AVC recording. In addition to shooting 60 frames per second (fps) at 5.9K and 4K resolution, the EOS C500 Mark II can shoot up to 120 fps when dropped down to a cropped 2K resolution.

The EOS C500 Mark II also features Canon’s Dual Pixel autofocus technology, which covers roughly 80-percent of the image area on the sensors, and features user-changeable lens mounts with options for EF, PL and Cine EF mount. By unscrewing four hex screws located on the outside of the lens mount, it’s now possible to (comparatively quickly) switch from one mount to another without the need to send it in or make it a massive operation.

The camera, which weighs in at 1750g (3.86lbs), features built-in motorized ND filters at two, four and six-stop measurements that can be combined to achieve eight and ten stop levels as well. Media can be recorded to the two CFExpress card slots as well as an SD card slot for proxy media. Also new to a Canon EOS Cinema camera is a five-axis electronic image stabilizer.

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The EOS C500 Mark II comes with the LCD LM-V2, a 4.3in touchscreen, as well as a user-removable 0.46in 1.77-megapixel OLED electronic viewfinder (EVF). Canon is also offering two extension units that add additional connections and ports for added versatility.

In addition to its new full-frame cinema camera, Canon also announced the DP-V3120, a 4K HDR reference monitor. The massive machine delivers 2000-nit HDR output and 0.001-nit full-screen black levels with a 2,000,000:1 contrast ratio. It features four 12G-SDI inputs for both 4K and 8K workflows and features a 17:9 aspect ratio, matching that of the EOS C500 Mark II.

The Canon EOS C500 Mark II is scheduled to be avaialble in December 2019 for an estimated retail price of $ 15,999. The DP-V3120 is scheduled to be available in November 2019 for a wallet-busting price of $ 39,000. You can find out more information on both products by visiting Canon’s EOS Cinema site.

OWN, OPERATE, DOMINATE: EOS C500 MARK II 5.9K FULL FRAME CINEMA CAMERA DELIVERS VERSATILE, AFFORDABLE SOLUTIONS

New Cinema EOS Camera Features a User-Changeable Mount, Internal Cinema RAW Light Recording and the Newly Developed DIGIC DV 7 Image Processor

MELVILLE, N.Y., Sept. 5, 2019 – Contrary to popular belief, sometimes a sequel is better than the original. That is the case with the all-new Canon EOS C500 Mark II cinema camera today announced by Canon U.S.A. Inc., a leader in digital imaging solutions. With its modular design, competitive price point and new features such as a 5.9K Full Frame CMOS sensor, user-changeable lens mounts, electronic image stabilization, internal cinema RAW light recordingand the new DIGIC DV 7 Image Processor, the EOS C500 Mark II represents a bold leap forward for Canon’s Cinema EOS system line. The variety of assembly and lensing options help to make this camera ideal for a broad range of applications, from run-and-gun documentary shooting to live television broadcasts and big-budget films.

“As Canon’s position in the production industry has grown, we have sought to deliver new solutions that can perform at an elite level, while also maintaining competitive pricing to help continue to remove the barriers of great content creation,” said Kazuto Ogawa, president and COO, Canon U.S.A., Inc. “The EOS C500 Mark II encompasses the latest Canon technologies and, when teamed with the recently announced Sumire Prime Cinema Lenses and DP-V3120 4K Reference Display, forms an incredible input-to-output solution.”

The EOS C500 Mark II features a 5.9K full-frame sensor with 60p recording 5.9K and 4K (2K recording at 120p) and 15 stops of dynamic range. In addition, the newly introduced DIGIC DV 7 image processor allows for more fluid and efficient recording of 4K and HDR. Cinema Raw Light, first introduced in the popular EOS C200 cinema camera, helps to cut data size to about one-third to one-fifth of a Cinema RAW file, without losing grading flexibility.

For the first time ever with a Canon camera, users are able to change the lens mount themselves without the assistance from a Canon service center. Customers can purchase the EOS C500 Mark II with a standard EF mount and then have the option to purchase either EF-lock or PL mounts. This feature provides users with the creative freedom to pair the camera with the lenses that will provide the desired look for each project they work on.

In addition to the changeable mounts, the new camera’s body is quite modular. Included are 13 accessories, such as a 4.3-inch LCD monitor and the GR-V1 grip, and users can choose from a wide range of additional accessories that allow them to configure the EOS C500 Mark II to their preferences. Optional accessories include the EVF-V70 electronic viewfinder, SU-15 shoulder support unit and EU-V1 and EU-V2 expansion units. The EU-V1 expansion unit allows for gen-lock, sync out, remote use and ethernet connection, while EU-V2 expansion unit features those functions plus a V-mount battery connection, two analog XLR audio ports and 24v DC Out.

Additional features of the Canon EOS C500 Mark II include:

  • 4K and 2K 4:2:2 10-bit XF-AVC recording and 5.9k oversampling for 4K
  • 2 CFexpress media card slots
  • Compatibility with EF and PL lenses as well as anamorphic and spherical lenses
  • Dual Pixel CMOS AF with the ability for Touch and Face detection AF
  • First Canon cinema camera with 5-axis electronic image stabilization, which can be utilized even without the use of lens with IS functionally
  • Support for Canon Log 2 and 3 Gamma
  • 4 channel recording that supports 4 XLR inputs with the use of the EU-V2 expansion unit
  • User LUT allowing users to upload and apply custom LUTs

Pricing and Availability

The Canon Cinema EOS C500 Mark II is scheduled to be available in December 2019 for an estimated retail price of $ 15,999.00*. For more information, including accessory prices and availability, please visit, cinemaeos.usa.canon.com.

Articles: Digital Photography Review (dpreview.com)

 
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Video: Cinema5D goes hands-on with the Canon EOS C500 Mark II

06 Sep

We’ve already shared the basic specs and details of Canon’s new EOS C500 Mark II cinema camera, but our friends over at Cinema5D have gotten their hands on a unit and shared a ten-minute overview of the new full-frame cinema system.

Throughout the 11-minute video, Cinema5D takes a look at the overall unit, as well as the extension units, which make the camera even more modular and capable without the need for third-party solutions. Other details not given in Canon’s original press release are also mentioned and we even get a closer look at how the user-changeable mount system works.

Articles: Digital Photography Review (dpreview.com)

 
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Canon EOS M6 Mark II and 90D sample galleries from DPReview TV

01 Sep

Our DPReview TV team had a chance to shoot the new EOS M6 II and EOS 90D for a couple days at Canon’s launch event in Atlanta. Take a look – their sample galleries include Raw files from both cameras.

Get new episodes of DPReview TV every week by subscribing to our YouTube channel!

EOS M6 Mark II sample gallery from DPReview TV

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Canon 90D sample gallery from DPReview TV

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Articles: Digital Photography Review (dpreview.com)

 
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