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Panasonic Lumix DC-G95/G90 features a 20MP sensor, weather-resistant body and built-in V-LogL

06 Apr

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Panasonic has introduced the Lumix DC-G95 (known as the G90 in some regions), which sits just above the G85 (G80) that was introduced in 2016. The G95 offers mostly minor updates to its predecessor, including a higher resolution 20MP LiveMOS sensor, updated design, built-in V-LogL and a headphone socket.

The G95 is a larger camera than the G85, with a beefier grip and dedicated ISO, white balance and exposure compensation buttons. It has the same OLED EVF as the G85, and its fully articulating 3″ LCD has received a bump in resolution to 1.24M dots.

The other changes of note related to video. The G95 is the first non-GH Panasonic camera to have V-LogL built-in. The company has also added a headphone socket to go alongside the mic socket. The mic socket has been moved further up on the side of the camera, to keep it out of the way of the rotating LCD.

Video capture specs are similar. The G95 captures 4K UHD video at 30p or 24p, albeit with a 1.25x crop. A Full HD high speed mode has been added, with a top frame rate of 120 fps.

The G95 (G90) will include the Lumix G 12-60mm F3.5-5.6 Power OIS lens for $ 1199/£1079. In some regions, body-only and bundles with the 14-140mm lens will be available. Shipments will begin in May.

Press Release

Panasonic Announces New Rugged-Design Hybrid Mirrorless Camera Built for High Picture Quality

LUMIX G95 Featuring 5-Axis Dual I.S. 2 and 4K Video Technology

Newark, NJ (April 5, 2019) – Panasonic is pleased to introduce a rugged-design Digital Single Lens Mirrorless camera, the LUMIX G95, that features high mobility for field use and a host of functions and technologies for both photo and video.

The camera’s high-picture quality and 20.3-megapixel Digital Live MOS Sensor without low-pass filter attain maximum performance with both lens and Venus Engine to render natural, high-precision images. The 5-axis Dual I.S. (Image Stabilizer) 2 effectively suppresses blurring to enable a 5-stop slower shutter speed*1 by combining the O.I.S. (Optical Image Stabilizer, 2-axis) and B.I.S. (Body Image Stabilizer, 5-axis) to take full advantage of both stabilization systems. Users will enjoy blur-free photo and video shooting in both wide angle and telephoto, even in low-light situations.

The Contrast AF System features DFD (Depth From Defocus) technology and excels in both speed and accuracy by exchanging digital signals between camera and lens at a maximum of 240 fps*2, resulting in ultra-fast auto-focusing of approximately 0.07 sec*3. Burst shooting performance is also improved to achieve 9 fps (AFS/MF) / 6 fps (AFC) up to 600 (JPEG) / 30 (RAW) images or more. A variety of AF functions, including Face/Eye Detection AF, Pinpoint AF, One-shot AF and advanced Low Light AF enhance usability to comply with wide-ranging shooting situations.

External components of the LUMIX G95 have additionally been redesigned to enhance intuitive one-hand operation and quickly responds to the photographer’s intention. It integrates an OLED LVF (Live View Finder) with 2360K-dot high resolution in approximately 1.48x / 0.74x (35mm camera equivalent) magnification capability. The free-angle large 3.0-inch LCD rear monitor with approximately 1240K-dot resolution provides a touch control system, making shooting at high and low angles easier.

A host of advanced video functions make the LUMIX G95 a true hybrid camera. In addition to 4K video recording capability in 3840×2160 at 30p or 24p in MP4, it handles real-time image output to an external monitor/recorder via HDMI, while also recording video. High Speed Video lets users record slow motion video in Full HD at 120 fps (1/4x), 90 fps (1/3x) and 60 fps (1/2x). What’s more, 4:2:0 / 8-bit log recording is available with the pre-installed V-Log L. The 3.5mm microphone jack and newly added headphone socket accommodate sophisticated sound recording needs.

With LUMIX 4K PHOTO users can capture fleeting photo opportunities at 30 fps in 8-megapixel equivalent resolution to save as high-resolution images. Auto Marking and Sequence Composition are included in addition to Post Focus, Focus Stacking, Light Composition and 4K Live Cropping to help make 4K PHOTO more creative and easier to use.

The LUMIX G95 includes Bluetooth and Wi-Fi® connectivity to offer a more flexible shooting experience and easily share images instantly. Bluetooth 4.2 (called BLE: Bluetooth Low Energy) compatibility enables constant connection with a smartphone or tablet with minimum power consumption.

The camera’s battery can be recharged either via AC or USB according to the users’ convenience. The Battery Grip DMW-BGG1 (sold separately) empowers comfortable, longer-time shooting.

*1 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=140mm (35mm film camera equivalent f=280mm), when H-FSA14140 is used.]

*2 Contrast AF with DFD Technology works only with Panasonic Micro Four Thirds lenses.

*3 In AFS, at wide-end with H-FSA14140 (CIPA).

  1. High image quality with real-life detail and Dual I.S. 2

The LUMIX G95 lets users shoot vibrant, true-to-life high-quality images with excellent resolution, high contrast and impressive color reproduction. The 20.3-megapixel Digital Live MOS Sensor without low-pass filter enables maximum lens performance, and the Venus Engine renders natural, high-precision images. An optimum gradation setting, according to the characteristics of the sensor, provides a wide dynamic range for smoother gradation. Tuned Three-dimensional Color Control detects hue, saturation and brightness, and applies optimal control according to the value of each factor. This achieves rich color reproduction from dark to bright parts of the image, which especially improves the expression of skies, human skin and more. A Tuned Multi Process NR boasts high noise identification accuracy and preserves details even after the noise reduction process. This results in natural textures and precise detail, especially in middle-to-high sensitivity image recording. The combination of Digital Live MOS Sensor and the Venus Engine achieves clear image rendering with minimum noise, even in low-lit situations and at max. ISO 25600.

The LUMIX G95 incorporates 5-axis Dual I.S. (Image Stabilizer) 2 which boasts even more powerful and effective blurring suppression to allow the use of a 5-stop slower shutter speed. The combination an O.I.S. (Optical Image Stabilizer, 2-axis) and B.I.S. (Body Image Stabilizer, 5-axis) compensates for larger movements which were conventionally uncontrollable. Both O.I.S. and B.I.S. are finely controlled based on information detected by a high-precision gyrosensor, and are highly beneficial in wide angle, telephoto, and adverse situations, such as night or one-handed shooting.

The 5-axis Dual I.S. 2 works for both photo and motion picture recording, including 4K video. Panasonic LUMIX G series DSLM (Digital Single Lens Mirrorless) Cameras offer a wide variety of digital, interchangeable lenses, most of which will comply with the 5-axis Dual I.S. in the LUMIX G95.*2 The B.I.S. compensates for camera movement even when a lens without O.I.S. is used.

*1 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=140mm (35mm film camera equivalent f=280mm), when H-FS14140 is used.

*2 5-Axis Dual I.S. 2 works when attaching the lens that complies with it.

  1. High-speed AF to capture those unmissable moments

The DFD (Depth From Defocus) technology*1 in LUMIX G95 calculates distance to the subject by evaluating several images with different sharpness levels while consulting the data of optical characteristics of the current lens in a moment. As a result, the LUMIX G95 achieves high-speed AF of approximately 0.07 sec*2 and high-speed burst shooting at 9 fps (AFS) / 6 fps (AFC) to capture fast-moving subjects just in-focus.

Furthermore, the Venus Engine in the LUMIX G95 is more capable of tracking moving subjects, and it prevents out-of-focus shots even when the subject is moving quickly, or when an obstacle cuts in front of the subject. Newly added AF Sensitivity mode lets the user set the tracking sensitivity according to the shooting situation.

The LUMIX G95 incorporates Face / Eye Detection AF to automatically set focus on the eye of a human face to capture stunning portraits with crisp focus.. With Pinpoint AF, users can magnify the target area for more precise focus. The Low Light AF enables focusing on the subject more precisely, even without an AF assist lamp, thanks to the newly adopted algorithm optimized for low-light, low-contrast situations. It is effective in extremely low-lit situations down to -4EV, as dark as under moon light. A total of 49 focus detection areas enable more flexible composition, together with the Custom Multi AF mode, with which users can freely select the blocks to focus on. Focus peaking is also available for precision manual focusing.

*1 Contrast AF with DFD Technology works only with Panasonic Micro Four Thirds lenses.

*2 In AFS, at wide-end with H-FSA14140 (CIPA).

  1. Perfect mobility with careful design and control – optimized for handheld field use

The LUMIX G95 has been redesigned externally for intuitive one-hand operation that quickly responds to the photographer’s intention. Three newly-added buttons located in line on the top let the user adjust exposure, ISO and white balance. Buttons on the back are positioned centering on the wheel dial to provide quick access to the target item in both shooting and playback. The front/rear dual dial system with dial operation switch enables direct setting. The grip is also redesigned for a more stable and comfortable hold.

To withstand heavy field use, the LUMIX G95 boasts a rugged design with a front structure composed of a magnesium alloy full die-cast front frame. Seals at every joint, dial and button also make the camera splash/dust-resistant*.

The LUMIX G95 has a large LVF (Live View Finder) with a high-magnification ratio of approximately 1.48x / 0.74x (35mm camera equivalent). The high-precision, high-speed OLED (Organic Light-Emitting Diode) display features 2,360K-dot high resolution and 100% field of view. Adoption of OLED for the LVF achieves high-speed response with a minimum time lag of less than 0.01 second, as well as 10,000:1 high contrast for exceptional visibility. With an eyepoint of approximately 20mm, it offers high visibility with comfort for users wearing glasses. It is always sharp and clear from the center all the way to the corners.

Adopting a static-type touch control system, the large 3.0-inch LCD rear monitor with 1240K-dot high resolution features free-angle shooting. It tilts up and down by approximately 250-degrees, which makes shooting at either high or low angles even easier.

The LUMIX G95 features an electromagnetic drive in the shutter unit. The shock caused by shutter diaphragm movement is dramatically reduced and the shutter sound is minimized. This enables users to release the mechanical shutter even in situations where they previously had to use the electronic shutter.

*Dust and Splash Resistant does not guarantee that damage will not occur if this lens is subjected to direct contact with dust and water.

  1. 4K capability brings evolution to videography

Taking advantage of the high-speed signal readout capability of the sensor and high-speed signal processing, the LUMIX G95 is capable of recording 4K video*1*2. Despite its high performance, it boasts superior energy efficiency and size remains compact for high mobility. The LUMIX G95 records stunningly smooth, high-resolution 4K video in 3840×2160 at 30p or 24p in addition to the full-HD 1,920 x 1,080 60p videos with practical full-time AF.

As a camera from Panasonic that has continually exceeded the limits of video performance in digital cameras, a host of functions are available on the LUMIX G95. The High Speed Video lets users record slow motion video in Full HD at 120 fps (1/4x), 90 fps(1/3x) and 60 fps (1/2x).

The LUMIX G95 is also capable of real-time image output to the external monitor in 4:2:2 / 8-bit*3 via an optional micro HDMI cable while simultaneously recording video. Users can choose to output only recording content or content with the setting menus individually, depending on the display.

The V-Log L is pre-installed in the LUMIX G95. Log recording offers exceptional flexibility as well as a wider dynamic range for color grading in the post-production process, and V-LogL features log characteristics with 12 stops of dynamic range.

In addition to the 3.5mm microphone jack for high-quality audio recording using an external microphone, such as Panasonic External Stereo/Shotgun Microphone DMW-MS2, a headphone socket is newly added for sound output.

Thanks to 4K technology, users can engage 4K PHOTO to capture fleeting photo opportunities at 30 fps by extracting the frame with the best timing from a 4K burst file to save as a 8-megapixel equivalent photo. Choosing the best shot out of hundreds of frames recorded in 4K PHOTO is now easier with the newly added Auto Marking function. Auto Marking lets you jump to the nearest frame where differences are obvious between consecutive frames to minimize the time it would otherwise take to choose the best shot. Sequence Composition makes it possible to create a stromotion image by synthesizing multiple images shot at a fixed frame with 4K PHOTO. A unique image reflecting the subject’s motion can easily be produced in-camera without needing a special retouching process. Plus, the LUMIX G95 enables 4K Live Cropping in video recording that realizes stable panning or zooming in video recording. In panning shots, the user can simply set the viewing angle to start and end for smooth panning without using any special equipment, such as a slider. In zooming, you can set the after-zoomed viewing angle first, so that the subject is perfectly framed. Thanks to digital operation, zooming imagery is smooth because it does not physically move the zoom lens.

*1 About motion picture recording / 4K Photo recording

– Use a card with SD Speed Class with “Class 4” or higher when recording motion pictures.

– Use a card with SD Speed Class with “UHS-I UHS Speed Class 3 (U3)” when recording motion pictures with [MP4] in [4K] or [4K PHOTO].

(SD speed class is the speed standard regarding continuous writing.)

– MP4 motion pictures with [MP4] in [FHD/30p] [FHD] [HD]: You can continue recording without interruption even if the file size exceeds 4 GB or 30 minutes in length, but the motion picture file will be divided and recorded/played back separately.

– MP4 motion pictures with [MP4] in [4K]:

Motion picture file will be recorded and played back in separate files in the following cases.(You can continue recording without interruption.)

– When using an SDHC memory card: If the file exceeds 4 GB

– When using an SDXC memory card: If the continuous recording time exceeds 3 hours and 4 minutes or If the file exceeds 96 GB

  • The maximum available continuous recording- When the ambient temperature is high or continuous recording is performed, the camera may stop the recording to protect itself. Wait until the camera cools down.

*2 For [4K] video output, use an HDMI cable that has the HDMI logo on it, and that is described as”4K compatible”.

*3 4:2:0 8-bit recording on an SD Memory Card.

  1. A variety of features to enhance photographic experience

?Post Focus / Focus Stacking

The LUMIX G95 also comes with a Post Focus function to select the in-focus area even after shooting. This is helpful in situations like macro shooting where strict focusing is required or for changing expressions by changing the focused subject. This function was developed by combining the high-speed, high-precision DFD (Depth From Defocus) auto focus technology and 4K technology. The Focus Stacking function enables users to adjust the depth of field after shooting by combining multiple images shot with the Post Focus function in the camera. Users do not need to focus strictly while shooting as they can obtain the image with the defocus level that they want or pan-focus the image by simply selecting the focus area after shooting. This is beneficial when shooting macro shots of insects, small accessories, and more.

?L.Monochrome D in Photo Style

L.Monochrome D mode is newly added to Photo Style, making it possible to shoot dynamic monochrome photos with emphasized highlights and shadows while preserving the details. All three monochrome modes – Monochrome, L.Monochrome and L.Monochrome D – allow the user to adjust the grain effect between High/Standard/Low for more creative monochrome photo shooting.

?Exposure / WB / Focus / Aperture Bracket

In LUMIX G95, Focus Bracket and Aperture Bracket are additions to conventional Exposure Bracket and WB Brackets for users to choose their best shots later. In Focus Bracket, a maximum of 999 images can be shot with different focus points. The Aperture Bracket lets users have multiple shots with different depth of field.

?Live View Composite Recording

The camera releases the shutter at designated intervals of exposure time and synthesizes the parts with high luminosity to produce a single picture. While the total brightness of each consecutive image is accumulated in bulb shooting, only the target subject and the bright parts of an image are detected, and the user can synthesize them carefully while seeing the photo in live view. This is useful for capturing shots of fireworks or stars in the night sky where the background needs no gain-increase.

  1. Other features

?Bluetooth 4.2 and Wi-Fi 2.4GHz (IEEE802.11b/g/n)

The LUMIX G95 integrates Bluetooth and Wi-Fi® connectivity to offer a more flexible shooting experience and easily share images instantly. Once the camera is connected to a smartphone or tablet installed with Panasonic’s dedicated application software the Panasonic Image App for iOS / Android, users can shoot, browse and share images remotely. Compatibility with Bluetooth 4.2 (called BLE: Bluetooth Low Energy) enables constant connection with a smartphone/tablet with minimum power consumption. This enables the camera to activate by simply using a smartphone/tablet or to add a GPS geotag on the photos automatically.

?AC/USB Power Charging

The camera’s battery can be recharged either via AC or USB according to the user’s convenience.

?Power Saving LVF

The LUMIX G95 newly incorporates a power-saving function. To preserve power, the camera automatically enters sleep mode in designated time (selectable among 1/2/3/5/10 seconds) after detecting the eye is off the eye sensor. Users can quickly go back into shooting mode with a half-press of the shutter button. A long battery life of approximately 900* images per battery charge is achieved by this Power Saving LVF.

* Under the test conditions specified by Panasonic based on CIPA standard. When the time to get in the sleep mode is set to 3 sec.

?Battery Grip DMW-BGG1 (sold separately)

The LUMIX G95 is compatible with the newly introduced Battery Grip DMW-BGG1.*1 By using two batteries, one in the camera and the other in the grip, the DMW-BGG1 extends battery life for longer-time shooting. It also makes gripping more comfortable even in vertical angle shooting. The DMW-BGG1 perfectly matches the camera, boasting a rugged, splash/dust-resistant*2 design.

*1 A battery pack is included in DMW-BGG1.

*2 Dust and Splash Resistant does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water.

The Lumix G95 will be available at valued channel partners in May for $ 1199.99

Panasonic Lumix G95 (G90) specifications

Price
MSRP £899 (body only), $ 1199/£899 (w/12-60 lens), £1259 (w/14-140 lens)
Body type
Body type SLR-style mirrorless
Body material Magnesium alloy
Sensor
Max resolution 5184 x 3888
Image ratio w:h 1:1, 4:3, 3:2, 16:9
Effective pixels 20 megapixels
Sensor photo detectors 22 megapixels
Sensor size Four Thirds (17.3 x 13 mm)
Sensor type CMOS
Processor Venus Engine
Color space Primary color space
Color filter array Primary color filter
Image
ISO Auto, 200-25600 (expands down to ISO 100)
Boosted ISO (minimum) 100
White balance presets 5
Custom white balance Yes (4 slots)
Image stabilization Sensor-shift
Image stabilization notes IS system works together with stabilized lenses to improve shake reduction
CIPA image stabilization rating 5 stop(s)
Uncompressed format RAW
JPEG quality levels Fine, normal
File format
  • JPEG (Exif 2.31)
  • Raw (Panasonic RW2)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Number of focus points 49
Lens mount Micro Four Thirds
Focal length multiplier 2×
Screen / viewfinder
Articulated LCD Fully articulated
Screen size 3
Screen dots 1,240,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 1.48× (0.74× 35mm equiv.)
Viewfinder resolution 2,360,000
Photography features
Minimum shutter speed 60 sec
Maximum shutter speed 1/4000 sec
Maximum shutter speed (electronic) 1/16000 sec
Exposure modes
  • Program
  • Shutter Priority
  • Aperture Priority
  • Manual
Built-in flash Yes
Flash range 6.40 m (at ISO 100)
External flash Yes (via hot shoe)
Flash modes Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off
Flash X sync speed 1/200 sec
Drive modes
  • Single
  • Continuous
  • 4K Photo
  • Post Focus
  • Interval
  • Self-timer
Continuous drive 9.0 fps
Self-timer Yes (2 or 10 secs, 10 secs x 3 shots)
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation ±5 (at 1/3 EV steps)
AE Bracketing ±3 (3, 5, 7 frames at 1/3 EV, 2/3 EV, 1 EV steps)
WB Bracketing Yes
Videography features
Format MPEG-4, AVCHD
Modes
  • 3840 x 2160 @ 30p / 100 Mbps, MP4, H.264, AAC
  • 3840 x 2160 @ 24p / 100 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 120p / 20 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 60p / 28 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 60i / 17 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 30p / 24 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 30p / 20 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 24p / 24 Mbps, AVCHD, MTS, H.264, Dolby Digital
Microphone Stereo
Speaker Mono
Storage
Storage types SD/SDHC/SDXC card (UHS-II supported)
Connectivity
USB USB 2.0 (480 Mbit/sec)
USB charging Yes (can be charged from external power banks)
HDMI Yes (micro-HDMI)
Microphone port Yes
Headphone port Yes
Wireless Built-In
Wireless notes 802.11b/g/n + Bluetooth 4.2
Remote control Yes (via wired remote or smartphone)
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description Lithium-ion battery & charger
Battery Life (CIPA) 290
Weight (inc. batteries) 536 g (1.18 lb / 18.91 oz)
Dimensions 130 x 94 x 77 mm (5.12 x 3.7 x 3.03)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic Lumix DC-G95/G90 pre-production sample gallery

06 Apr

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We’ve spent some time shooting with a pre-production Panasonic Lumix DC-G95 (G90) in a variety of situations, and we’ve put together a gallery so you can evaluate its image quality.

We’ll have a gallery with a production-level camera online as soon as we get one, but in the meantime, take a look at our initial samples!

View our Panasonic G95 pre-production sample gallery

Read our Panasonic G95 Review in Progress

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic Lumix DC-G95/G90 Review in Progress

05 Apr

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The Panasonic Lumix DC-G95 (also known as the G90 and G91 outside North America) is a mid-range 20MP Micro Four Thirds mirrorless camera. Panasonic says it’s designed to be equally adept at both stills and video, though we don’t wholly agree.

It offers an extensive degree of direct control, a flip-out touchscreen and in-body stabilization: a combination that’s unusual at this point in the market. This is enough to make it an attractive enthusiast stills camera but a significant video crop undermines its video-making credentials.

Key Specifications:

  • 20MP Four Thirds CMOS sensor
  • 9 fps shooting with AF-S, 6 fps with AF-C
  • UHD 4K at 30 and 24p (25p for the G90)
  • Unlimited video capture (up to capacity of card)
  • Headphone and Mic sockets
  • V-LogL gamma profile (8-bit only)
  • L. Monochrome D (high-contrast mono mode)
  • 4K Photo mode with auto marking and sequence composition
  • Live View Composite mode for multi-shot long exposure images

The G95 is only being offered in North America as a kit with the 12-60mm F3.5-5.6 ASPH Power OIS zoom. This combination will set you back around $ 1199, which is a $ 200 premium over the comparable G85 kit.


What’s new and how it compares

The DC-G95 is a mid-level camera for both stills and video.

Read more

Body, handling & controls

The G95 has an extensive array of direct controls and a good degree of customization.

Read more

Initial impressions

The G95 builds on one of our favorite cameras but faces much more serious competition.

Read more

Sample gallery

We’ve shot a gallery with a near-final G95.

Read more

Specifications

See the camera’s full specifications.

Read more

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic Lumix DC-G95/G90: What you need to know

05 Apr

Meet the Panasonic Lumix DC-G95 (G90)

The Panasonic Lumix DC-G95 – which will be known as the G90 outside of North America – is a modest step up from the G85 that was introduced in the fall of 2016. It’s received some cosmetic updates inspired by the high-end Lumix G9, a few new video features and, of course, a higher resolution sensor.

The G95 will be available in May for $ 1199, which includes a Lumix G 12-60mm F3.5-5.6 ASPH Power OIS lens.

More pixels (of course)

It shouldn’t be a huge surprise that the G95 has a higher resolutions sensor than the G85. The new 20MP LiveMOS sensor is very similar to the one found on the enthusiast-grade G9. That’s a good thing, as we found that image quality on that camera was very good, though best-in-class APS-C cameras will produce better results.

As with the G85 that came before it, the G95 has 5-axis in-body image stabilization. The camera’s Dual IS 2 feature combines in-body and lens-based stabilization (with compatible lenses) to reduce shake by up to five stops.

The G95 continues to use Panasonic’s Depth from Defocus AF system. Panasonic says that the system has been improved on the G95, without getting in to specifics.

Refined design

Panasonic tells us that some users of the G85 thought it was too small, while others thought that the G9 was too big. Enter the G95, which sits right in the middle. The G95 has a beefier grip that makes it more comfortable to hold, and the extra space allowed Panasonic to add dedicated buttons for white balance, ISO and exposure compensation. The two control dials shown above are joined by a third on the rear of the camera.

LCD

The only thing new about the G95’s LCD is the resolution, which has increased from 1.04M dots on the G85 to 1.24M dots here. As you can see, it’s a fully articulating screen, ideal for vlogging and low/high-angle shooting.

Panasonic’s touch interface remains one of the better implementations on the market. It does everything you’d expect, which includes being capable of moving the AF point when your eye is to the finder.

Electronic viewfinder

The G95’s EVF has the same specs as the one on the G85. The OLED panel has 2.36 million dots, an equivalent magnification of 0.74x and an eyepoint of 20mm. Panasonic has changed the material used to make the eyecup and tweaked the shape, as well.

Built-in flash

As with the G85, the G95 has a built-in pop-up flash. One thing has changed, though, and that’s the X-Sync speed. The top speed on the G85 was 1/160 sec, and it’s 1/200 sec here.

Ports, ports and more ports

Videophiles will be pleased to see that Panasonic added a 3.5mm headphone socket to the G95. The input for the external mic was move upward, keeping it out of the way of the rotating LCD.

We were hoping to see a USB-C socket on the G95, but alas, it’s still micro-USB. The camera can be charged over USB, including from a portable power bank. It can also be directly powered over USB, so long as you have a battery in the camera.

Over on the other side of the camera is a single SD card slot, which supports high-speed UHS-II media.

Battery and battery grip

The G95 uses the familiar DMW-BLC12 8.7Wh lithium-ion battery. Battery life is rated at a so-so 290 shots per charge (per the CIPA standard), regardless of whether you’re using the LCD or EVF. A ‘Power Save LVF’ mode increases that number to 900 images per charge.

If you need more juice, or just want a more substantial grip, you can screw the DMW-BGG1 battery grip ($ 350) to the bottom of the camera. The grip holds an additional battery (which is included) for double the battery life. The grip has two control dials, the shutter release and an AE/AF lock button.

Welcome, V-LogL

The DC-G95 is the first Panasonic camera that doesn’t say ‘GH’ on the front to have the V-LogL gamma curve built in. For those who want a flat tone curve ideal for color grading, the G95 has it, though it is only 8-bit, which limits how far you can then push it. As with the G85, the G95 captures UHD 4K video at 30p and 24p, with a bit rate of 100Mbps.

The G95 also has a new high speed video mode, which can capture Full HD footage at up to 120 fps.

While that’s nice and all, overall the G95 is a step down in terms of video compared to its predecessor. That’s because the camera isn’t using the full width of the sensor, resulting in a substantial 1.25x crop, severely limiting wide-angle videography.

In fact, the camera uses a chunk of its sensor little larger than a 1″-type chip, which is likely to make a major dent in the quality of the footage, especially when shooting Log or working in lower light.

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic Lumix S1/S1R added to buying guides

22 Mar

We’ve added Panasonic’s new Lumix DC-S1 / DC-S1R to three of our buying guides. Both are listed in our ‘Best Cameras over $ 2000’ guide, with the S1 being considered for video and the S1R for landscapes. While we’ll have more detail when our reviews are published, these guides provide quick overviews of both models.

Best Cameras over $ 2000

Best Cameras for Video

Best Cameras for Landscapes


View all buying guides

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic Lumix S1 sample gallery

19 Mar

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We’ve been getting a feel for Panasonic’s full-frame mirrorless cameras for a little while now, but only recently received final production firmware for the S1 and its high-resolution sibling, the S1R. Take a look through our first images shot with final firmware and see how it handles a variety of scenarios.

See our Panasonic S1 sample gallery

See our Panasonic S1 pre-production sample gallery

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic Lumix S1R sample galleries updated

18 Mar

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Now that our Panasonic Lumix S1R has final firmware, we’re pressing ahead with our full review – but not before getting in some shooting time. Take a look at how the S1R deals with a variety of situations in our sample gallery, and we have to admit, we’re kind of smitten with the out-of-camera JPEGs (there are some Raw conversions too, of course). Head to the end of the gallery to see some samples of the S1R’s incredible 187MP multi-shot mode.

You can also click below to check out our pre-production sample gallery from the launch event in Barcelona last month.

See our Panasonic Lumix S1R
sample gallery

See our pre-production Panasonic
Lumix S1R sample gallery

Articles: Digital Photography Review (dpreview.com)

 
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The New Panasonic Lumix S1 and S1R – Could these Full-frame Mirrorless Cameras be Cameras of the Year? [video]

08 Mar

The post The New Panasonic Lumix S1 and S1R – Could these Full-frame Mirrorless Cameras be Cameras of the Year? appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

In this video by Art of Photography, he gives us a first look at the testing of the new Panasonic Lumix S1 and S1R full-frame mirrorless cameras.

This is a preproduction look at the camera, so all images are jpegs coming straight out of the camera with no editing done at all. All noise reduction features were switched off in the camera to show how good the noise reduction features of these cameras are too.

?

S1: 24mp, S1R: 47mp big still images
If you are a fan of Panasonic Lumix cameras, you’ll feel at home using both these cameras. Dual IS

The video focuses on:

Image quality

outstanding. Color rendition and contrast are great. Worked well with portraits, still life, low light.

Autofocus

Autofocus is an area Panasonic has struggled with over the years, but this is one of their best autofocus systems. Uses contrast detection autofocus. Very usable in most situations. Additional processing layer for Autofocus. This is the technology that drives or defines what they call AI Autofocus. Defines object recognition, animal recognition, face recognition etc. detection. So while the Autofocus is not perfect, the way the technology works means that Panasonic can work on improving Autofocus and update them as Firmware.

Shooting video

Low light performance and Panasonic dual IS image stabilisation

Best image stabilisation used on any camera. Great for low light situations – Low light performance is one of the best features of this camera. It performs beautifully right up to 12800 ISO. Low noise even with the noise reduction features switched off.

Pixel Shifting

Pixel Shifting feature takes 8 images and shifts the sensor around so you end up with a really high resolution image of up to 180mp. In reality, this feature is only limited to still life shooting. If anything moves around in the image it doesn’t work well. So may not work well for landscapes where there is any wind or trees moving. This may be something that Panasonic can work on to fine-tune.

Ergonomics

The cameras are quite large but very easy to use. They are lighter than the Leica SL. When using all day it does become heavy. This can work well when hand-holding for video because the camera doesn’t shake as much. If you are a photographer who wants to travel light, these cameras may not be for you.

It is a very quiet camera, even using the mechanical shutter.

Is this the perfect Panasonic camera?

While this camera is amazing it still has a couple of weak points, mainly the Autofocus system and the Pixel Shift technology.

Also, the fast continuous shooting mode uses 6K film shooting that you can then take stills from. This means you can only use jpegs, which for many photographers is not ideal.

However, overall, both the Panasonic Lumix S1 and S1R are are very exciting cameras.

 

Pixel Shift High Resolution images of the Panasonic S1R at work

In this video by Adorama, see the Pixel Shift technology of these cameras at work.

 

You may also find the following articles interesting:

Gear Review: The Lumix G9 Mirrorless Camera

Canon EOS RP Full-frame Camera – Why Some People Won’t be Buying this Camera

Fujifilm X-T3 versus Fujifilm X-H1: The Best Mirrorless Camera for You?

The 19 Most Popular Compact System and Mirrorless Cameras with Our Readers

Sony a6300 Mirrorless Camera – Thoughts and Field Test

DSLR vs Mirrorless: Guide to help you decide which is right for you?

The (Almost) Perfect Autofocus of the Sony a7R III: a Hands-On Review

The post The New Panasonic Lumix S1 and S1R – Could these Full-frame Mirrorless Cameras be Cameras of the Year? appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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Panasonic announces new Lumix ZS80 (TZ95) compact, FZ1000 II superzoom camera

19 Feb

Panasonic has announced it’s adding two new zoom cameras to its Lumix lineup: the Lumix ZS80 (TZ95 outside of North America) compact camera and the Lumix FZ1000 II superzoom camera.

Lumix ZS80/TZ95

First up is the Lumix Z80, the latest camera in Panasonic’s travel zoom series. At the heart of the ZS80 is a 20.3-megapixel 1/2.3-inch sensor. Beyond stills, the ZS80 can capture 4K/30p video. In front of the sensor is an optically stabilized 24mm (35mm equivalent) Leica lens with 30x optical zoom, giving it a maximum focal length of 720mm (35mm equivalent).

The ZS80 can capture Raw photos and features a maximum burst rate of 10 frames per second (fps). On the rear of the camera is a three-inch 1040K-dot tilting touchscreen and a 2,330K-dot equivalent Live View Finder (LVF).

Panasonic’s signature 4K Photo mode makes an appearance in the ZS80 and adds a new Auto Marking feature that makes it easy to pick out individual frames within a 4K video file.

TheZS80 includes both Bluetooth and Wi-Fi for connecting to and transferring images to smartphones or tablets and tagging the GPS location information within images.

Panasonic says theZS80 can capture approximately 380 shots per charge and in the event the battery does die, USB charging is possible.

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The Panasonic Lumix ZS80/TZ95 will be available at the end of April 2019 in black and silver for $ 449 / £399 / €449.

Lumix FZ1000

The new Lumix FZ1000 II features a 1-inch 20.1-megapixel sensor behind a 16x optical zoom Leica lens with a 25-400mm (35mm equivalent) focal length range and F2.8-4.0 aperture range. The lens features Panasonic’s 5-axis hybrid Optical Image Stabilizer (O.I.S.+) with a Level Shot function that automatically detects horizontal lines within an image and keeps it level while shooting.

In addition to stills at up to 12 fps, the FZ1000 II can capture 4K/30p video in the MP4 format at 100Mbps with the option for 120 fps recording at 1080p. Like the TZ95, the FZ1000 II features Panasonic’s 4K Photo mode with the new Auto Marking feature.

The rear of the camera features an articulating three-inch 1.24M-dot touchscreen as well as an OLED 0.39-inch 2.36M-dot EVF.

The FZ1000 II includes built-in Bluetooth and Wi-Fi for wireless connection to mobile devices. The rechargeable lithium-ion battery is rated for 440 shots per charge when working with the rear LCD and 290 shots when using the EVF (430 shots per charge when using the EVF in the ‘eco’ setting, which limited it to 30 fps).

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The Panasonic Lumix FZ1000 II will be available at the end of March 2019 for $ 899 / £769 / €849.

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic announces new Lumix TZ95, FZ1000 II cameras

18 Feb

Panasonic has announced it’s adding two new zoom cameras to its Lumix lineup: the Lumix TZ95 compact camera and the Lumix FZ1000 II bridge camera.

Lumix TZ95

First up is the Lumix TZ95, the latest camera in Panasonic’s Travel Zoom (TZ) series. At the heart of the TZ95 is a 20.3-megapixel 1/2.3-inch sensor. Beyond stills, the TZ95 can capture 4K30p video. In front of the sensor is an optically stabilized 24mm (35mm equivalent) Leica lens with 30x optical zoom, giving it a maximum focal length of 720mm (35mm equivalent).

The TZ95 can capture Raw photos and features a maximum burst rate of 10 frames per second (fps). On the rear of the camera is a three-inch 1040k-dot tilting touchscreen and a 2,330k-dot equivalent Live View Finder (LVF).

Panasonic’s signature 4K Photo mode makes an appearance in the TZ95 and adds a new Auto Marking feature that makes it easy to pick out individual frames within a 4K video file.

The TZ95 includes both Bluetooth and Wi-Fi for connecting to and transferring images to smartphones or tablets and tagging the GPS location information within images.

Panasonic says the TZ95 can capture approximately 380 shots per charge and in the event the battery does die, USB charging is possible.

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The Panasonic Lumix TZ95 will be available at the end of April 2019 in black and silver for £399.99 (UK) / €449.99 (Ireland).

Lumix FZ1000

The new Lumix FZ1000 II features a 1-inch 20.1-megapixel sensor behind a 16x optical zoom Leica lens with a 25-400mm (35mm equivalent) focal length range and F/2.8-4.0 aperture range. The lens features Panasonic’s 5-axis hybrid Optical Image Stabilizer (O.I.S.+) with a Level Shot function that automatically detects horizontal lines within an image and keeps it level while shooting.

In addition to stills at up to 12fps, the FZ1000 II can capture 4K30p video in the MP4 format at 100Mb/s with the option for 120fps recording at 1080p. Like the TZ95, the FZ1000 II features Panasonic’s 4K Photo mode with the new Auto Marking feature.

The rear of the camera features an articulating three-inch 1.24m-dot touchscreen as well as an OLED 0.39-inch 2.36m-dot EVF.

The FZ1000 II includes built-in Bluetooth and Wi-Fi for wireless connection to mobile devices. The rechargeable lithium-ion battery is rated for 440 shots per charge when working with the rear LCD and 290 shots when using the EVF (430 shots per charge when using the EVF in the ‘eco’ setting, which limited it to 30fps).

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The Panasonic Lumix FZ1000 II will be available at the end of March 2019 for £769.99 (UK) / €849.99 (Ireland) / $ 897.99 USD.

Articles: Digital Photography Review (dpreview.com)

 
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