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Posts Tagged ‘LUMIX’

Panasonic Lumix S 24-105mm F4 Macro OIS sample gallery

28 Jun

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The Lumix S 24-105mm F4 Macro OIS is Panasonic’s standard zoom and kit lens for L-mount cameras including the Lumix DC-S1R and Lumix DC-S1. We’ve been using this lens a lot lately, and though it doesn’t carry the ‘Pro’ designation like Panasonic’s other two L-mount lenses, it’s still a solid performer. Let us know if you feel the same in the comments below.

See our Panasonic S 24-105mm F4 gallery

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic Lumix DC-S1R review in progress

27 Jun

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The Panasonic Lumix DC-S1R is the company’s high-end, high-resolution full-frame mirrorless camera. It uses a 47MP sensor and is built around the ‘L’ lens mount developed by Leica and now adopted by both Panasonic and Sigma.

The S1R shares a body with the 24 Megapixel S1, whose size and level of dedicated controls sets it apart from its other full-frame mirrorless rivals. The S1R boasts a very high resolution (5.7M-dot) viewfinder, top plate LCD panel, twin card slots and pro-level build-quality that promises to be weather resistant.

The S1R has a multi-shot high resolution mode, which delivers 187MP Raw files. In addition, it can shoot UHD 4K video at up to 60p. However, this video has a slight crop and is achieved by pixel-binning. Until the video-centric S1H sister model arrives, the less expensive S1 is the stronger video camera.

Panasonic Lumix S1R Key Specifications

  • 47MP full-frame CMOS sensor
  • Depth from Defocus contrast-detect AF system
  • 5-axis in-body ‘Dual IS’ system
  • Fully weather-sealed
  • 187MP ‘High Res’ mode
  • 6 fps bursts with continuous AF
  • 5.76M-dot EVF
  • Dual-hinged 2.1M-dot touchscreen LCD
  • UHD 4K/60p video capture with 1.09x crop and pixel-binning
  • One XQD and one SD card slot
  • 360 shots/charge using LCD
  • USB charging, including from laptop/tablet chargers and portable power banks

The S1R has a list price of $ 3699. Alongside the camera, Panasonic announced 50mm F1.4, 24-105mm F4 and 70-200mm F4 lenses for the L system. They are priced at $ 2299, $ 1299 and $ 1699, respectively. There’s also the option to use existing Leica’s SL lenses, its APS-C ‘TL’ series and a range of Sigma’s ‘Art’ lenses that it has announced for the L mount.

A battery grip (DMW-BGS1) is available for around $ 350.


What’s new and how it compares

The S1R has a range of features, including a multi-shot high resolution mode, an HLG-compatible HDR mode and a 6K Photo system to grab stills from video footage.

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Body and handling

The S1R has a comparatively large body, which provides plenty of room for direct control points.

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Operation and control

In addition to the direct controls, the S1R has a revised menu system and user interface.

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Video specifications

The S1R is the least video centric of its S-series peers, but it’s still capable of capturing some nice clips.

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Studio scene

The Panasonic S1R renders resolution well in its standard mode, but its eight-shot high-res mode extends this into medium format territory (for appropriate subject)

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Sample gallery

We’ve been shooting with the S1R in a variety of situations, to show what the Panasonic flagship can do.

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Articles: Digital Photography Review (dpreview.com)

 
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Panasonic Lumix DC-S1 review

26 Jun

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Silver Award

88%
Overall score

The Panasonic Lumix DC-S1 is the company’s mid-level full-frame mirrorless camera, built around the L-mount developed by Leica and now supported by Sigma and Panasonic. It features an image-stabilized 24MP sensor and is capable of shooting at up to 9 frames per second. The S1 can also shoot 4K/60p video from an APS-C region of its sensor or oversampled 4K/30p from its full sensor width. A multi-shot high-res mode lets it create 96MP Raw files and a paid upgrade enables 10-bit V-Log shooting.

The S1, along its sibling the S1R, also features one of the highest-resolution electronic viewfinders on the market: a 5.7M-dot OLED panel that runs at 120Hz and promises very little lag.

Panasonic Lumix S1 Key Specifications

  • 24MP full-frame CMOS sensor
  • Depth from Defocus contrast-detect AF system
  • 5-axis in-body ‘Dual IS’ system
  • Fully weather-sealed
  • Multi-shot 96MP ‘High Res’ mode
  • 6 fps bursts with continuous AF
  • 5.76M-dot electronic viewfinder
  • Dual-hinged 2.1M-dot touchscreen LCD
  • UHD 4K/60p video capture (1.5x crop); Oversampled 4K/30p with no crop
  • 10-bit HLG built-in, optional 4:2:2 V-Log
  • One XQD and one SD card slot
  • 380 shots/charge using LCD
  • USB charging, including from laptop/tablet chargers and portable power banks

The complete Lumix S system at launch

The S1, with its large, magnesium alloy body, is being pitched at a higher price than the 24MP models from Nikon and Sony, with a list price of $ 2499.

Alongside the S1 and its higher-resolution sibling, the S1R, Panasonic also announced 50mm F1.4, 24-105mm F4 and 70-200mm F4 lenses for the L system. They’re priced at $ 2299, $ 1299 and $ 1699, respectively. Both cameras are also compatible with existing Leica SL lenses as well as APS-C ‘TL’ glass.

A battery grip (DMW-BGS1) is available for around $ 350.


What’s new and how it compares

The S1 inherits (and improves upon) many of the features from Panasonic’s Micro Four Thirds cameras, while adding new full-frame sensors, a High Res mode, HLG photos and more.

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Body and handling

The S1/S1R have rugged bodies which can hold their own in the elements. The cameras have an incredibly high resolution EVF as well as a dual axis LCD.

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Operation and controls

The S1 and S1R have redesigned menus, plenty of customizable controls and a cool ‘image stabilization scope’.

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Is it right for you?

Find out what kinds of shooting the Lumix DC-S1 is best suited for.

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Shooting experience

Gothic streets and cured meats – check out DPR writer Dan Bracaglia’s experience of shooting the S1R at Panasonic’s launch event in Barcelona.

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Image quality

The S1 competes with the likes of the Canon EOS R, Nikon Z6 and Sony a7 III. See how its image quality stacks up.

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Autofocus

The S1 uses Panasonic’s familiar Depth from Defocus autofocus system. Can it keep up with the hybrid AF systems of its peers?

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Video performance

The S1 can capture 4K/60p video with a 1.5x crop as well as oversampled 4K/30p footage.

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DMW-SFU2 video upgrade

If you want pro-level features like 10-bit capture, V-Log and waveforms, then you’ll want this paid-for upgrade.

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Conclusion

How does the Panasonic S1 stack up against the competition, like the Sony a7 III, Nikon Z6 and Canon EOS R?

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Sample Galleries

View hundreds of photos taken with both pre- and final production Panasonic S1s.

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Articles: Digital Photography Review (dpreview.com)

 
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Panasonic’s upcoming Lumix DC-S1H cinema camera can capture 6K video

01 Jun

Panasonic has announced the development of its video-focused, full-frame Lumix DC-S1H mirrorless camera, which will be available in the third quarter of 2019 for $ 4000.

The S1H will be able to capture 6K/24p video from the 3:2 region of its sensor and 5.9K from the 16:9 area. The camera will also be capable of 10-bit 4K/60p recording. In addition, it will support multi-aspect recording, such as anamorphic 4:3. Regardless of what video setting you’re using, the S1H will be able to keep recording until the battery dies or your card fills up.

The S1H has been designed to produce video virtually identical to that of Panasonic’s pro-level VariCam cinema camera, through the use of V-Log and V-Gamut. The company claims that the S1H will match the VariCam in terms of both dynamic range (14+ stops) and color reproduction.

Panasonic Lumix S1R, S1H and S1

Panasonic says it plans to have ten L-mount lenses by the end of 2020 and, via EF and PL adapters, S1H users will be have access to more than 50 cinema lenses from its L-mount partners Sigma and Leica.

And that’s all we know about the S1H at this point. A prototype will be shown at the CineGear expo this weekend, and we have no doubt that Panasonic will drip out more information in the months to come.

Press release:

Panasonic Announces the New LUMIX S1H Full-Frame Mirrorless Camera

With Cinema-Quality Video and the World’s First 6K/24p*1 Recording Capability

Newark, NJ (May 31, 2019) – Panasonic Corporation is proud to announce the newest addition to the LUMIX S series, the LUMIX S1H, a new Digital Single Lens Mirrorless camera equipped with a full-frame image sensor. As the world’s first camera capable of video recording at 6K/24p *1 (3:2 aspect ratio), 5.9K/30p (16:9 aspect ratio), and 10-bit 60p 4K/C4K.*2 *3, it combines the video quality of a professional camera and the high mobility of a mirrorless camera. The LUMIX S1H will be released to world markets in fall 2019.

The main features of the new LUMIX S1H are as follows:

  1. High resolution up to 6K for multiple formats.

Maximizing the use of the pixels in the full-frame image sensor, the LUMIX S1H, as a digital camera, has achieved 6K/24p (3:2 aspect ratio) or 5.9K/30p (16:9 aspect ratio) video recording for the first time in the world.*1 It is also the world’s first full-frame digital interchangeable lens system camera*1 to enable 10-bit 60p 4K/C4K *2*3 video recording. It accommodates a variety of recording formats like 4:3 Anamorphic mode, to meet professional needs. Its high-resolution data can also be used to create 4K videos with higher image quality or to crop images in 4K.

  1. Rich gradation and a wide color space virtually equal to those of cinema cameras.

The LUMIX S1H features V-Log/V-Gamut with a wide dynamic range of 14+ stops, which are virtually the same as those of the Panasonic Cinema VariCam, allowing it to precisely capture everything from dark to bright areas. So much so, that the color and even the texture of human skin are faithfully reproduced. Designed under consistent color management, the S1H’s recorded footage is compatible with V-Log footage recorded by VariCam or the LUMIX GH5/GH5S.

  1. High product reliability that allows unlimited video recording. *7

In every S1H recording mode, video can be recorded non-stop under the certified operating temperature so the user can concentrate on shooting.

Since the 1990s, Panasonic has been a leader in the development of video recording technologies for digital cinema, and has produced a host of innovative technologies for impressive cinematic imagery, such as 24p video recording, slow motion video using a variable frame rate, and the wide dynamic range and color space of V-Log/V-Gamut. By working with film creators for more than 25 years, Panasonic has successfully designed a number of cinema cameras that exhibit stunningly high video performance. The LUMIX GH1 made its debut in 2009 as the world’s first Digital Single Lens Mirrorless camera capable of full-HD AVCHD video recording. *4 The LUMIX GH4 was launched in 2014 as the world’s first Digital Single Lens Mirrorless camera*5 capable of 4K video recording. Next, the LUMIX GH5 was released in 2017 with the world’s first 4K/60p, 4:2:2 10-bit 4K/30p recording capability.*6 The LUMIX GH5 is highly acclaimed by film creators for its high performance, excellent mobility, and superb versatility in film production. And now, in 2019, the LUMIX S1H joins as Panasonic’s newest cinema camera.

Panasonic now offers three innovative models in the LUMIX S Series of full-frame Digital Single Lens Mirrorless cameras – the S1R, the S1, and the new S1H. The LUMIX S1R is ideal for capturing high-resolution images, while the LUMIX S1 is an advanced hybrid camera for high-quality photos and videos, and the LUMIX S1H is designed especially for film production. With this lineup, Panasonic is committed to meet the demands of every imaging professional by challenging the constant evolution of the photo/video culture in today’s new digital era.

The LUMIX S1H prototype will be exhibited at the 2019 Cine Gear Expo.*8?

*1 As a digital interchangeable lens system camera, as of May 31, 2019 (U.S.). Panasonic research.

*2 As a full-frame digital interchangeable lens system camera, as of May 31 May, 2019 (U.S.). Panasonic research. In Super 35mm-equivalent size.

*3 Corresponding to 4K (4096×2160) as defined by Digital Cinema Initiatives (DCI).

*4 As of March 25, 2009, as a digital interchangeable lens system camera. Panasonic research.

*5 As of March 25, 2014, as a Digital Single Lens Mirrorless camera. Panasonic research.

*6 As of January 25, 2017, as a digital interchangeable lens system camera. Panasonic research.

*7 Recording time varies depending on the battery capacity and memory card capacity. When the camera’s temperature rises above the specified operation temperature, the camera may automatically stop video recording to protect it from heat damage.

*8 Cine Gear Expo 2019 is the premier annual event for professionals engaged in the technology, entertainment and media industry to be held at Paramount Studios in Los Angles, U.S., through May 30 to June 2.

?Design and specifications are subject to change without notice.

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic Lumix DC-FZ1000 II sample gallery

10 May

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Panasonic’s Lumix DC-FZ1000 II is a modest update to one of our favorite enthusiast long zoom cameras, with a touchscreen, additional controls, a larger EVF and Bluetooth being the main changes. Check out how the image quality looks in our initial sample gallery.

See our Panasonic FZ1000 II gallery

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic Lumix S Pro 70-200mm F4 OIS sample gallery

24 Apr

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Panasonic’s S Pro 70-200mm F4 is one of three lenses to launch with the full-frame S system, covering a popular focal range with a claimed 6 stops of stabilization to boot. We took it along on a few shooting excursions recently to get a feel for its performance shooting sports, planes and general springtime scenery around town.

See our Panasonic Lumix S Pro 70-200mm F4 OIS sample gallery

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic Lumix S1/S1R studio scenes with high-res mode published

24 Apr

We’ve been working through our full review of Panasonic’s high-megapixel, full-frame flagship, the Lumix S1R and its lower-resolution S1 sibling, and have published our studio test scene images from them – including the 187MP high-res mode. It’s, well, quite something. Take a look for yourself and prepare to get well acquainted with every detail of our studio test scene.

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Articles: Digital Photography Review (dpreview.com)

 
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Panasonic Lumix S1R studio scene with high-res mode published

23 Apr

We’ve been working through our full review of Panasonic’s high-megapixel, full-frame flagship, the Lumix S1R, and have published our studio test scene images from it – including the 187MP high-res mode. It’s, well, quite something. Take a look for yourself and prepare to get well acquainted with every detail of our studio test scene.

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Articles: Digital Photography Review (dpreview.com)

 
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Thinking about the Panasonic Lumix DC-G95 for video? Read this first

06 Apr
The G95 is being promoted as a video and stills camera, yet its video is more heavily cropped than the G85’s was.

Thanks to its groundbreaking GH series of cameras, Panasonic has developed a reputation for being one of the strongest brands for consumer video. But the release of the Lumix DC-G95 (known as the G90 outside North America) just draws attention to the fact that brand perception doesn’t necessarily convey those qualities across the lineup.

We’ve got used to Panasonic cameras delivering 4K capture from crops of their sensors but it’s beginning to look especially egregious on the G95 for a number of reasons. For a start, we know that Panasonic can do better: the G9 proves that the company is able to provide full-width video. Secondly, Panasonic is explicitly pitching this camera for video as well as stills (the addition of headphone socket and V-LogL speak just as loudly as the press release, in this respect).

But, most pressingly, the standard of the competition has risen: the Fujifilm X-T30 can shoot 4K/30p from a much larger sensor region with no crop (and none of the rolling shutter that holds back Sony’s offering in the class).

The challenges/balances of 4K video

This isn’t easy, of course. Every manufacturer faces a series of challenges (mainly in terms of processing power, battery consumption, heat generation and rolling shutter), and there are various solutions to this problem.

We’ve tried to summarize the trade-offs that each possible solution brings:

Detail level Noise performance Angle of view Processing demand
Full-width Oversampling High High Minimal crop Highest
Pixel Binning Moderate High Minimal crop Moderate
Line Skipping Low (risks moiré) Low Minimal crop Low
Cropped Oversampling High Moderate Some crop High
1:1 Capture Moderate Low Some crop Low

The G95 essentially takes the fifth option here: using a central chunk of its sensor to capture roughly the number of pixels required to produce its 3840 x 2160 video. This isn’t very demanding in terms of processing, so its rolling shutter performance is good and you’ll very rarely need to worry about overheating. But there are significant drawbacks, too.

The G95 / G90 already has a sensor that’s smaller than its APS-C peers, using less than half of it in 4K video mode (area indicated in blue) puts it at a further disadvantage.

The first is angle of view. The roughly 4100 x 2300 pixel region of its 20MP sensor that is used for 4K is pretty small: imposing a significant 1.25x crop. This means that the 12mm ‘wide’ end of the kit zoom ends up giving an angle of view closer to a 30mm lens on full frame, rather than the usefully wide 24mm equiv. it’ll give you in stills mode. That’s likely to be a major creative restriction.

Worse still is the effect on image quality and noise performance. Only using a crop of a sensor is, in essence, the same as using a smaller-sensored camera. The G95 uses a sensor region nearer that of a 1″-type sensor, which means you get noise performance comparable to a smaller (and probably cheaper) camera.

Reality ? reputation

Panasonic is far from alone in offering cameras with disappointing video, despite being well thought-of in this regard. Canon built a reputation for video with its EOS 5D II, but appears to have struggled to live up to it (in its consumer cameras at least). Even Sony, which was first to provide video features such as Log capture seems stuck with 8-bit capture at a time when other brands are providing 10-bit and is still introducing cameras with significant rolling shutter. And, though Fujifilm is beginning to build a reputation for great video, it’s still happy to promote some models as having ‘4K’ when they can only shoot a pitiful 15 frame per second.

Why is this suddenly a big deal?

There are still plenty of people who are adamant that they don’t want video, and perhaps there’s something inherently unfair about expecting every aspect of a new model to exceed the best performance we’ve seen in its class (rather than just showing strengths and weaknesses relative to each specific rival). But to our eyes, the increased crop of the G95’s video doesn’t fit with our expectations of a contemporary camera being pitched as a stills / video tool. Especially not compared to a camera it nominally sits above, and from a company that trades to a degree on its video expertise.

Articles: Digital Photography Review (dpreview.com)

 
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Updated Panasonic Lumix G 14-140mm F3.5-5.6 lens is splash and dust resistant

06 Apr

Panasonic has updated its versatile 14-140mm F3.5-5.6 lens, adding a degree of splash and dust resistance. The Lumix G Vario 14-140mm F3.5-5.6 II ASPH Power OIS, which is equivalent to 28-280mm on a Micro Four Thirds body, has the same optics as its predecessor, with 14 elements, a seven-blade aperture and 240 fps AF control. The lens is remarkably compact given its focal range, with a length of 75mm (2.95″) and weight of 265g (9.4 oz).

The new 14-140mm F3.5-5.6 II will ship in May for $ 599.

Press Release

The LUMIX G 14-140mm* Telephoto Zoom Lens for Micro Four Thirds System Undergoes Update

LUMIX G VARIO 14-140mm* / F3.5-5.6 II ASPH. / POWER O.I.S. (H-FSA14140)
Featuring a Splash/Dust-Resistant Rugged Design
*35mm camera equivalent: 28-280mm

Newark, NJ (April 5, 2019) – Panasonic announced today that it has updated the LUMIX G telephoto zoom lens based on the Micro Four Thirds system standard. In addition to the versatile zoom range from wide-angle to telephoto, the new LUMIX G VARIO 14-140mm / F3.5-5.6 II ASPH. / POWER O.I.S. (H-FSA14140) features a splash/dust-resistant* construction for heavy field use yet retains its stylishly compact profile remains lightweight.

The Practical zoom range of 14-140mm (35mm camera equivalent: 28-280mm) suits a wide range of shooting situations. It can capture dynamic landscapes, bring subjects up close, or shoot impressive portraits with beautifully defocused backgrounds.

Comprised of 14 elements in 12 groups, the lens system features three aspherical lenses and two ED (Extra-low Dispersion) lenses to achieve dramatic downsizing of the powerful 10x optical zoom lens, while minimizing distortion and chromatic aberration.

The POWER O.I.S. (Optical Image Stabilizer) effectively compensates for not only small, fast movements, but also large, slow movements, making it easy to shoot super clear shots even in low-lit situations at nighttime or indoors.

Incorporating an inner focus drive system and stepping motor, the new LUMIX G VARIO 14-140mm / F3.5-5.6 II ASPH. / POWER O.I.S. is capable of smooth, silent operation to work with the camera’s high-speed, high-precision contrast AF system for both photo and video recording. It is also compatible with the sensor drive at max.240 fps to take maximum advantage of cameras with high-speed AF.

The LUMIX G VARIO 14-140mm / F3.5-5.6 II ASPH. / POWER O.I.S. (H-FSA14140) is built with a highly reliable metal mount, and uses multi-coated lens elements that minimize ghosts and flare. Seven blades give the aperture a rounded shape that produces an attractively smooth defocus effect in out-of-focus areas when shooting at larger aperture settings.

* Dust and Splash Resistant does not guarantee that damage will not occur if this lens is subjected to direct contact with dust and water.

* Design and specifications are subject to change without notice.

The LUMIX G VARIO 14-140mm will be available at valued channel partners in May for $ 599.99.

Panasonic Lumix G Vario 14-140mm F3.5-5.6 II ASPH Power OIS specifications

Principal specifications
Lens type Zoom lens
Max Format size FourThirds
Focal length 14–140 mm
Image stabilization Yes
Lens mount Micro Four Thirds
Aperture
Maximum aperture F3.5–5.6
Minimum aperture F22
Aperture ring No
Number of diaphragm blades 7
Optics
Elements 14
Groups 12
Special elements / coatings 2 ED, 3 aspherical elements
Focus
Minimum focus 0.30 m (11.81)
Maximum magnification 0.5×
Autofocus Yes
Motor type Stepper motor
Full time manual No
Focus method Internal
Distance scale No
DoF scale No
Physical
Weight 265 g (0.58 lb)
Diameter 67 mm (2.64)
Length 75 mm (2.95)
Sealing Yes
Zoom method Rotary (extending)
Power zoom No
Zoom lock No
Filter thread 58 mm
Hood supplied Yes
Tripod collar No

Articles: Digital Photography Review (dpreview.com)

 
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