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Posts Tagged ‘LIVE’

PIX 2015: Live stage demos & talks posted, mini film festival added

22 Sep

Hard to believe, but PIX 2015 is fast approaching! Whether you’re planning on tuning in live October 6th and 7th or joining us in person at Seattle Center, there are more reasons than ever to get excited about PIX – our expo and interactive photo playground. Read more

Articles: Digital Photography Review (dpreview.com)

 
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Picture this: Our revamped galleries system is now live

11 Aug

Love our galleries of real-world sample images but hate our galleries interface? You’re not alone. We’ve been working on an improved system for uploading and displaying camera and lens samples for some time, and it’s finally ready for you to try out. Our new gallery viewer fixes several of the most frustrating problems with the old one, and introduces many new features including a loupe and one-click 100% view. Click through for a quick walkthrough

Articles: Digital Photography Review (dpreview.com)

 
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Night Life: Tips for Photographing Live Events at Night

03 Jul

Event photography can be a lot of fun. If you love taking photos, and you enjoy attending social events, then it would only seem natural that you’d enjoy taking photos at social gatherings, such as parties, concerts and night clubs. There are plenty of opportunities for intrepid young photographers (and photographers of other ages, as well) to make some money Continue Reading

The post Night Life: Tips for Photographing Live Events at Night appeared first on Photodoto.


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Fujifilm X-T10 shooting experience is now live

02 Jul

Though it has much in common with the X-T1 in terms of image quality, starting with its 16MP X-Trans APS-C sensor and EXR Processor II, the X-T10 presents a very different shooting experience. We’ve updated our Fujifilm X-T10 first impressions with some thoughts on using the camera in the field. Read more

Articles: Digital Photography Review (dpreview.com)

 
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4 Tips to Learn to Live Through Photography

28 Jun

The magic of an instant

What is photography anyway? It is a fraction of a second of eternity that you try to capture, with better or worse technique, with deeper or shallower depth of field. But, in short, that’s all about photography, and it is this magic what makes photography an art. The essence of why many of us like photography, goes beyond what we can capture with our DSLR and show to others. It is the experience of the moment, and how one learns through the years to be aware of the present. It was just a few months ago when I learned what mindfulness was about, and I immediately noticed the similitude with how I experience photography. It is all about being present in the moment that one is trying to capture.

The journey back home

The journey back home – something so magnificent like ephemeral cloud formations could pass right away if you are immersed in past or future thoughts instead of being present.

1) Be there

To be present involves being aware of oneself in the present moment. The fact that one is observing and capturing a situation is not enough to take a great picture. I am a visual person. There is large chance that since you like photography, you are as well. That means that you learn better by watching a film than by reading a book. You then may prefer a figure or infographic, rather than its explanation. In my case, long before I got my first serious camera, and committed myself to learn the techniques and nuances to show other people the way I see the world, I already enjoyed looking at other people’s pictures. However, it was seldom that I actually observed the world around me.

Photography teaches us that those amazing pictures we love viewing from other photographers, are actually out there if you dare to look. I don’t remember a particular moment when I realized I was alive. There was no such an experience. But I somehow learned through photography that the best camera obscura that I can count with is my eyes. The best film is my memory. And it is awesome because it also comes along with many other senses. Once you realize that, you discover that the difference between a snapshot and a great picture is that: for the latter you acknowledge all the angles of the scene, you walk your picture before you take it, you breathe it, you feel it, and then compose it. You ARE in the picture as the one capturing it. And you want somebody else to BE there with you seeing the same scene.

2) Chase the moments

Daddy when will it stop

Daddy, when will it stop?: This is my daughter’s frustration for not being able to go outside on a long, boring summer Sunday. It wasn’t until I realized her feelings that I knew what to photograph.

You have to be quick if you are for example, a street photographer, but that’s how life is in cities, right? However, there is not much difference than, let’s say, a fashion production in the sense that it is a fraction of a second, just a moment that you are able to transmit into a picture. We have to learn to chase the moments… to do so we have to BE in the scene.

If you run out of battery, or you find yourself without your bulky DSLR with you, then simply capture it in your mind. I literally make the sound “click” in my mind. You don’t need to, that is my own mental issue. But whatever it is that you like to chase and capture, whether it is your cat, a pint of beer, or the garbage on a street – be there. Paraphrasing Henri Cartier-Bresson, most of the situations that you see around you will repeat if you wait long enough. Yes, even those pictures that you missed because you didn’t bring your camera with you. Be present to know what you are after. Learn about your subject, revisit the site and you will get the shot you want.

3) Know what you feel

Xmas eve in Oslo

Christmas eve in Oslo – This time, it was my feeling of confinement on a cold Christmas eve that I tried to capture. Me and my friend (in the picture) are used to warm and sunny Christmas festivities. Not this time.

If the scene you are watching makes you angry, then be angry and capture angriness. Be aware of the weight of the camera in your hands. Be aware of your finger pressing the shutter in the moment you do. Reflect about why did you choose to press it just then, and not before. Watch the object’s geometry, its beauty. Do you really want to be there? Does the marriage of that couple you are photographing make you happy? What is it that makes you happy? Their smiles? All the people celebrating together? You don’t need to do anything else with those feelings. Let them be in you, and let them go away. But just when you realize them, capture that moment in a picture. Capture with the camera the pictures you would like to share, but capture for yourself every fraction of a second of your life. BE there where you are.

4) Use your other senses

Smelly shoes

Smelly shoes – When I see this picture I can’t stop feeling the heat coming from these shoes that have walked who knows how long under the sun.

To some extent, you can also transmit with a picture, what your other senses were capturing. This is one of the biggest challenges of photography. Smell, listen, feel, taste. To me, the perfect picture is one that transmits all those other sensations, smells, noises, emotions, and temperature apart from what you are just watching. That takes a level of mastery that not everyone achieves. But if you are still there like me, on your long way to becoming a great photographer (even if we may never become a renown one), learning photography in its broader sense is an excellent way to learn to be present in that short lapse of time that our lives are meant to last.

Rotten fly

Rotten fly – What are your feelings about this dead fly?

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The post 4 Tips to Learn to Live Through Photography by Alejandro Ruete appeared first on Digital Photography School.


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Tamron and Sigma offer firmware update service for Canon EOS 5DS/5DS R live view issues

26 Jun

Tamron and Sigma have both announced updates for their lenses to provide full compatibility with Canon’s EOS 5DS and 5DS R models. Both firmware updates refer to behavior in live view shooting, something that has also caused problems in the Rebel T6s and T6i. This suggests that Canon’s latest models feature a change in the way they drive lenses. Read more

Articles: Digital Photography Review (dpreview.com)

 
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Leica M Monochrom Type 246 offers live view and boosted ISO range

01 May

Leica has introduced an updated version of its black-and-white-only digital rangefinder. The M-Monochrom Typ 246 uses a full frame 24MP CMOS sensor that, like its predecessor, has no color filter array. The model that came before it used an 18MP CCD sensor, so the upgrade to a CMOS chip provides several improvements such as live view and video recording capabilities. Read more

Articles: Digital Photography Review (dpreview.com)

 
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Sigma service notice advises of Canon 750D and 760D Live View issue

23 Apr

Sigma has issued a service notice advising that some of its Canon mount interchangeable lenses cannot be used with Live Mode on the Canon EOS Rebel T6s (760D) and the Canon EOS Rebel T6i (750D). Lens owners will receive a free firmware update to fix the problem, though the company has not provided a timeframe for when the update is expected. Both current and discontinued lens models are affected by this issue. Read more

Articles: Digital Photography Review (dpreview.com)

 
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Livestream’s new Broadcaster mini dongle broadcasts live video

06 Mar

Livestream has introduced its new Broadcaster mini device for live-streaming video directly from a camera. The dongle is compatible with any camera that offers a mini HDMI port, and works wirelessly in conjunction with Android/iOS devices and Livestream’s Studio software. The Broadcaster mini will be joined by the Broadcaster Pro next month, which will offer longer battery life, more connectivity options and higher-quality streaming. Read more

Articles: Digital Photography Review (dpreview.com)

 
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Pixel Performers: Digital Projection Mapping on Live Dancers

25 Jan

[ By WebUrbanist in Art & Installation & Sound. ]

pixel stage dangers performers

Combining choreographed movement and projected abstractions, these works of performed art are visually stunning, creating effects and illusions far beyond the sum of their parts.

pixelated performance art

From its creators, Pixel, shown above, “is a dance show for 11 dancers in a virtual and living visual environement. A work on illusion combining energy and poetry, fiction and technical achievement, hip hop and circus. A show at the crossroads of arts and at the crossroads of Adrien M / Claire B’s and Mourad Merzouki’s universes.”

klaus obermaeier performance art

The idea of projecting onto moving performers is, however, not new – indeed, Klaus Obermaier has been using low-tech projectors and equipment to create equally amazing work for decades. Indeed, while speaking at INST-INT recently in Minneapolis, he joked that he would carry on using his decade-old laptop until it broke down.

klaus horizontal vertical dangers

Indeed, the lower-tech approach he takes relies heavily on the ability of each dancer to have complete control of their own movements, making their skill a critical part of each and every exhausting performance.

projection interactive art

projection map art

projection building pixels

Obermaier has also engaged in other forms of public interactive projection art over the years, taking his productions off the stage and allowing passers by to interact with his work.

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[ By WebUrbanist in Art & Installation & Sound. ]

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