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Posts Tagged ‘Line’

Adobe Stock Apparel line celebrates the worst of stock photography

17 Sep

Adobe is promoting its stock photo service with a ‘limited edition clothing line’ celebrating such stock photo atrocities as ‘laughing woman eating healthy vegetable salad’ and ‘smiling seniors using laptop.’ The campaign pokes fun at famously bad images that services like Shutterstock are rife with, and commemorates the images by putting them on t-shirts and sweatshirts. Fortunately, or unfortunately depending on your views on ironic t-shirts, none if it is actually for sale, but you can view the whole collection in a mock lookbook. 

The promotion rests on the premise that Adobe Stock weeds out the so-called low quality images found in other stock websites, saving creatives from spending time sifting through the cheesiest of photos. It’s also worth noting this comes just after the news that Shutterstock is now offering a Photoshop plugin, making it possible for designers to access their extensive collections within Adobe’s own software. 

Articles: Digital Photography Review (dpreview.com)

 
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Zeiss adds 85mm F2.4 to Loxia line for full-frame E-mount

16 Sep

Zeiss has just added an 85mm F2.4 to its Loxia range for full-frame Sony E-mount cameras. The 85mm brings a traditional portrait option to the 35mm F2, 50mm F2 and 21mm F2.8 existing models in the lineup. The manual focus lens offers the aperture de-click feature found on its siblings and promises ‘virtually distortion-free’ optics. The Zeiss Loxia 85mm F2.4 will go on sale in mid-December for $ 1399/€1399.

Press release:

Telephoto lens for the ZEISS Loxia family

With the ZEISS Loxia 2.4/85, the optics company expands its compact lens family for mirrorless Sony full-frame cameras with E mount

OBERKOCHEN/Germany, 15/09/2016.

The newest member of the ZEISS Loxia family is a short telephoto lens called the ZEISS Loxia 2.4/85. It supplements three focal lengths that are already available for this lens family, namely the ZEISS Loxia 2.8/21, Loxia 2/35 and Loxia 2/50, and was specially designed for mirrorless full-frame cameras with E mount. The compact ZEISS Loxia lenses are the ideal choice for travel and street photographers who value light and compact camera equipment. “In terms of its technology and the feel of its surface, the ZEISS Loxia 2.4/85 fits perfectly with the existing focal lengths, and is particularly well suited for portrait photography,” said Christophe Casenave, product manager with ZEISS Camera Lenses. The ZEISS Loxia 2.4/85 will be available in stores starting mid of December 2016.

Optimized ZEISS Sonnar® design

The new ZEISS Loxia 2.4/85 has been designed for digital sensors. Based on an optimized ZEISS Sonnar design, it has seven lens elements in seven groups. “With the ZEISS Loxia 2.4/85, we have managed to develop a well-rounded and new interpretation of the original ZEISS Sonnar optical design that meets all the requirements of digital photography and videography,” continued Casenave. The lens has a minimum object distance of 0.80 meters and a manual focus ring with a rotation angle of 220 degrees, enabling the subtlest variations of focusing. The large aperture of f/2.4 combined with the high-quality optical design ensures an appealing bokeh. The electronic interface transfers both lens data (EXIF) and focus movements, and activates the magnification function of the camera if desired by the user. “Precise manual focusing with hard stop and the mechanical setting of the aperture (working aperture priority mode) provide sophisticated photographers who don’t want to leave everything to the camera abundant possibilities for composition,” said Casenave.

Also suitable for cine applications

With the well-known De-Click function of the ZEISS Loxia lenses, the optics company is also targeting videographers. The De-Click function allows to mechanically deactivate the click stops on the aperture ring — a condition for silent and smooth adjustments of the aperture. As a result, the ZEISS Loxia 2.4/85 is also an attractive lens for video cameras that have an E mount, such as the Sony PXW-FS7 and PXW-FS5. A robust metal barrel, the filter diameter of M52 (which is identical across all focal lengths) and protection against penetration of dust and spray onto the lens mount complete the entire package. In addition, the external diameter, which is uniform across all ZEISS Loxia lenses, simplifies film shoots.

ZEISS Lens Gears

ZEISS Loxia lenses can also be used with a follow focus system. Made of high-quality aluminum with a hardened surface coating, the ZEISS Lens Gears are slid onto each respective lens and, through simple mounting, attached to the focus ring of the lens by turning two rings that each go in the opposite direction. Supplemented by a follow focus system, precise focusing is therefore possible and ZEISS Loxia lenses become endowed with similar features as a full-scale cine lens. The ZEISS Lens Gear Rings in the sizes mini (62 – 69mm, 60 – 67mm with GumGum) fit the ZEISS Loxia lenses.

Price and availability

Global delivery of the ZEISS Loxia 2.4/85 will begin mid of December 2016. The lens shade is included with delivery. The recommended retail sales price is 1,399 euros (including 19% VAT in Germany) or 1,399 US$ .

Articles: Digital Photography Review (dpreview.com)

 
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Zeiss adds super-wide and tele- options to Milvus line

11 Sep

Zeiss has announced it’s adding 15mm F2.8, 18mm F2.8 and 135mm F2 options to its manual focus Milvus line. Counting these three, there are now nine lenses in the Milvus range. Zeiss puts an emphasis on robust construction with their full metal barrels, video-friendly features and optical designs that minimize chromatic aberration and distortion. 

The new lenses will be available in October. The 15mm F2.8 will cost $ 2699/€2699, the 18mm F2.8 will cost $ 2299/€2299 and the 135mm F2 will cost $ 2199/€2199.

Press release

Three new lenses for the ZEISS Milvus family

The lens family with manual focusing for DSLR cameras is now also available with focal lengths of 15, 18 and 135 millimeters

Oberkochen, September 8, 2016

Two super-wide angle lenses, the ZEISS Milvus 2.8/15 and ZEISS Milvus 2.8/18, and the telephoto lens ZEISS Milvus 2/135 have expanded this family of manual focus lenses for DSLR cameras, bringing the total number of ZEISS Milvus focal lengths to nine. “The ZEISS Milvus family of lenses is an invaluable investment for the future due to its excellent imaging quality and its large range, which now covers 15 to 135 millimeters,” says Christophe Casenave, product manager at ZEISS Camera Lenses. Delivery of the new ZEISS Milvus lenses begins at the end of October 2016.

For high-end DSLR cameras

“The ZEISS Milvus lenses have been designed in particular to fulfill the requirements of today’s powerful digital cameras and those of the future thanks to their high imaging performance, even in difficult lighting situations,” says Casenave. The new lenses are characterized by a harmonious bokeh and very high degree of flare control due to the T*® anti-reflective coating from ZEISS. Further optimization of the lens coating has also ensured less likelihood than ever of ghosting, flare or shading effects, even in critical lighting situations. And all ZEISS Milvus lenses come with a floating elements design, which compensates imaging errors at different distance settings.

ZEISS Milvus for video

The new ZEISS Milvus lenses also allow the user to create high-quality film shoots with a pleasing cinematic bokeh. “Due to their extremely high contrast rendition, the lenses fulfill the most modern video standards of 6K and higher, and have uniform color characteristics,” said Casenave. All ZEISS Milvus lenses have a focus ring with a very large rotation angle to enable precise focusing, and are made of comfortable rubber to ensure a good grip while focusing. The De-Click function on lenses with a ZF.2 mount lets cinematographers set the aperture in a soft and infinitely variable way so they can work professionally in changing lighting conditions. The ZEISS Milvus lenses’ robust full-metal barrel ensures long and reliable usage. In addition, the lenses are protected against dust and spray water. The robust metal lens shade is an integral part of the overall product design and included with all ZEISS Milvus lenses.

The new focal lengths of the ZEISS Milvus family are also compatible with the ZEISS Lens Gears, providing filmmakers with additional value-add. The ZEISS Lens Gears, which are made of high-quality aluminum with a hardened surface coating, slide into the respective lens and are attached to the focus ring by turning two counter-rotating rings through a simple mounting procedure.

The new ZEISS Milvus lenses in summary:

ZEISS Milvus 2.8/15:

This super wide-angle lens with a field of view of 110 degrees allows every photographer to consciously compose using extreme perspectives. The lens has excellent imaging performance – even with an open aperture – thanks to the correction of color errors. Color fringing and distortion are minimal. This is all thanks to a ZEISS Distagon® lens design with 15 lens elements in 12 groups, including two aspheric lenses, special glass with anomalous partial dispersion, and the floating elements design. A removable lens shade and the 95-millimeter filter thread also make this lens the ideal companion for special applications with additional slide-in filter holders.

ZEISS Milvus 2.8/18:

This compact super-wide angle lens with a newly calculated ZEISS Distagon optical design has 14 lens elements in 12 groups, including two aspheric elements. The ZEISS Milvus 2.8/18 has a short close-up distance of 0.25 meters and internal focusing. With an angular field of 99.9 degrees, this lens is the ideal companion for landscape and architectural photography, as it allows creative shots to be taken using unusual perspectives. The filter thread has a diameter of 77 millimeters. The ZEISS Milvus 2.8/18 delivers outstanding imaging performance and very good distortion correction.

ZEISS Milvus 2/135:

This fast telephoto lens delivers excellent correction of all color errors. Thanks to a large aperture and pleasing bokeh, it is the perfect lens for portrait photography from a medium distance. The angular field is 18.7 degrees. The short minimum object distance of 0.80 meters makes this lens even more versatile. It has an optical design with 11 lens elements in eight groups and, like the ZEISS Milvus 2.8/18, a filter diameter of 77 millimeters.

Price and availability

The delivery worldwide of the three new lenses will begin at the end of October 2016. The lens shade is included with the corresponding lens. Sales prices are EUR 2,699 (including 19% German VAT) or 2.699US$ for the ZEISS Milvus 2.8/15; EUR 2,299 (including 19% VAT ) or 2.299US$ for the ZEISS Milvus 2.8/18; and EUR 2,199 Euro (including 19% German VAT) or 2.199US$ for the ZEISS Milvus 2/135. For ambitious cinematographers and photographers, a set solution is also available for up to six ZEISS Milvus lenses. A discount of 8% is available with the purchase of three to four lenses. Purchasing more than five lenses gives the user a 10% discount.

Articles: Digital Photography Review (dpreview.com)

 
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Canon updates Pixma printer line with more compact models

07 Sep

Canon has announced four new inkjet home printers that it claims are much better looking than its previous models, as well as 40% more compact. The new models are the Pixma TS5050, TS6050, TS8050 and TS9050, each of which offers both printing and scanning functions. Canon has enabled wireless printing on all four models allowing users to connect smartphones and tablets via the Canon PRINT app through Wi-Fi Direct and Access Point Mode. The two top models, the TS8050 and TS9050, allow NFC connection as well, while the TS9050 features an Ethernet port for networking the machine to multiple PCs.

The LCD screen of the printers differ between models with the TS5050 offering a 3in panel with no touch function. The TS6050 has the same size screen but with touch control, while the touch screen of the TS8050 measures 4.3in and that of the TS9050 measures 5in.

Printer resolution differs too, from 4800x1200dpi in the TS5050 and TS6050 to 9600x2400dpi in the TS8050 and TS9050. The lower end models use a five-ink ChromaLife 100 system while the higher end models use 6 inks.

For more information visit the Canon website.

* PIXMA TS5050 Series – RRP £119.99
* PIXMA TS6050 Series – RRP £159.99
* PIXMA TS8050 Series – RRP £199.99
* PIXMA TS9050 Series – RRP £279.99

Press release

Enjoy high-quality prints with one of Canon’s stylishly compact three-in-one home printers

United Kingdom, Republic of Ireland, 6 September 2016 – Canon today unveils a newly designed PIXMA inkjet line-up with design, connectivity and creativity at their centre. No matter your needs, Canon offers something for everyone with its entry-level PIXMA TS5050 series, mid-range PIXMA TS6050 series, PIXMA TS8050 series and its top-of-the-range PIXMA TS9050 series – all of which are up to 40% more compact.

Seamless connectivity
Thanks to integrated Wi-Fi connectivity, each PIXMA offers wireless printing from PCs, smartphones and tablets via the improved Canon PRINT app for Android and iOS. Features such as Wi-Fi Directi and ‘Access Point Mode’ let you connect directly to the printer without needing a router or Wi-Fi password, making it easy to share your printer with visiting friends and family.

The PIXMA TS9050 series and PIXMA TS8050 series’ PIXMA Touch & Print feature, accessed via the Canon PRINT app on Android devices, allows you to simply connect your NFC-enabled smartphone or tablet and create a print or scan. The PIXMA TS9050 series’ Ethernet connection gives you the freedom to share the connection between multiple PCs on a network.

With the PIXMA TS9050 series, PIXMA TS8050 series and PIXMA TS6050 series, the LCD touch screens provide access to the PIXMA Cloud link, which connects to your favourite cloud services, so you can quickly print a photo or upload a document to read on the goii. If you love social media, the selected printersiii can connect to Instagram™, bringing your favourite photographs to life – even as 13x13cm (5×5”) prints on Canon’s new square glossy photo paper.

Modern, compact designs for stylish and connected homes
The compact, sleek designs are the most distinct and eye-catching yet, making your PIXMA a piece of art in the home. The contrasting mirror and matte finish of the PIXMA TS8050 series and PIXMA TS6050 series add instant shine in any room, while those wanting to make an artistic statement can with the PIXMA TS9050 series cutting-edge box aesthetic. The front tilt panel and large LCD screens, provide quick access to the all-new intuitive single screen home menu, mirroring the Canon PRINT app’s simple navigation and functionality.

Quick and easy quality home printing
The PIXMA TS5050 series and PIXMA TS6050 series’ five individual ink tanks provide fast, high-quality printing on both plain and photo paper. Using an additional grey ink tank and enhanced photo black ink, the PIXMA TS9050 series and PIXMA TS8050 series both improve photo print quality, with richer details in dark and shaded areas, making them ideal for photography enthusiasts. Optional XL cartridges across all models allow you to print more pages, whilst the single ink cartridges minimise waste, with each colour individually replaceable.

Get creative from the comfort of your home
From photos, to double-sided documents, or personalised birthday cards and a child’s artwork, the new PIXMA models are compatible with a wide range of paper types and sizes, thanks to the new rear paper feed. In addition to this a front cassette on the TS9050 series, TS8050 series and TS6050 series, mean users can simultaneously have plain paper for documents in the front cassette whilst having photo paper loaded in the rear tray making light work of printing both document and photos without having to switch paper between prints. Both the PIXMA TS9050 series and the PIXMA TS8050 series feature direct disc printing via the Canon PRINT app.

The PIXMA TS9050 series, PIXMA TS8050 series and PIXMA TS5050 series can also print your photos straight from an SD memory card, without the need for a PC. With SD card printing on the PIXMA TS9050 series, you can even add creative filters directly onto your photos from the large 12.6cm (5”) printer touchscreen itself, for inspiration at the touch of a button.

PIXMA TS5050 series key features:
* All-In-One printer that’s compact, elegant and affordable
* Print over Wi-Fi, from an SD card, or from the cloud
* 7.5 cm (3”) LCD display and simple user interface
* Print 10×15 cm (4”x6”) borderless photos at home in under 40 seconds
* Smartphone- and tablet-ready with the Canon PRINT app

PIXMA TS6050 series key features:
* Fast All-In-One document and photo printer
* Wi-Fi for cable-free printing, copying and scanning around the house
* Intuitive user interface with 7.5 cm (3”) touchscreen
* Access cloud features from the printer’s touchscreen
* Smartphone and tablet ready using the Canon PRINT app

PIXMA TS8050 series key features:
* Print your photos at home in stunning quality
* Compact design Wi-Fi printer with copy and scan functions
* Large 10.8 cm (4.3”) touchscreen and auto-tilting front panel
* Wi-Fi, NFC and SD card connectivity options
* Smartphone- and tablet-ready with the Canon PRINT app

PIXMA TS9050 series key features:
* Specialist printer that delivers stunning lab-quality photos
* Creative filters for SD card images using the large 12.6 cm (5”) touchscreen
* Compact form factor with elegant contrasting textures
* Smartphone-ready All-In-One with Wi-Fi and cloud connectivity
* Wi-Fi, NFC, Ethernet and SD card connectivity options

Articles: Digital Photography Review (dpreview.com)

 
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SLIK introduces SLIK LITE tripod line

21 Jul

Tripod maker SLIK has introduced its new LITE series. The new models feature a ball head and come in a variety of sizes. Both aluminum and carbon fiber versions are available. All models feature a detachable LED flashlight in the bottom of the center column which should make it easier to find and setup your equipment in the dark.

The Rapid Flip Mechanism (RFM) comes with a newly designed lever which makes locking and unlocking of the tripod legs faster and easier than on previous models. It also allows for flipping of the legs by 180 degrees, offering easier storage and improved portability.

“We are extremely excited about the design of the LITE series […] SLIK’s long history allows it to spot trends in camera support and improve on those trends, bringing better designed tripods to photographers. The new easier to use Rapid Flip Mechanism and LED Flashlight in the center column make the LITE series the best travel tripods available.”

Michael Burnham – SLIK Marketing Manager.

The SLIK LITE tripods are available now at slikusa.com and at photographic retailers. Pricing ranges from $ 99.95 for the 40-inch aluminum model LITE-AL-420S to $ 329.95 for the 70-inch carbon fiber model LITE CF-422.

SLIK USA Introduces New Tripod Line: The SLIK LITE Series

HUNTINGTON BEACH, Calif., July 20, 2016 /PRNewswire/ — SLIK USA, manufacturer of tripods for various uses, is launching its latest line of tripods for photographers: The SLIK LITE Series. This new line of tripods, which is available now at slikusa.com and other retailers, brings to the table a variety of innovations,

The LITE Series features a detachable LED light, which is an industry first. It was designed to help photographers find their gear in darker settings. No more fumbling around for a flashlight or your iPhone. The Rapid Flip Mechanism (RFM)

SLIK USA, Inc. is a leading manufacturer of high performance tripods for all levels of photographers. SLIK Tripods was founded in Japan in 1948 and for the past 68 years has been an industry leader in camera support innovation. Over that time, SLIK products have received numerous design awards. The USA imprint of SLIK has brought this technology to the US and begun to expand its brand.

Articles: Digital Photography Review (dpreview.com)

 
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Minimalist Tattoos: Elegant Body Art Drawn With Just One Line

27 May

single line art

Tattoos are generally lauded for their intricacy and complexity, but these bold, beautiful and simple alternatives become artfully different thanks to a simple trick: the use of a single continuous line.

one line lips

single line tattoo

Made by Mo Ganji, a Berlin tattoo artist, each of these works (if you look closely) starts and ends at a single pair of points, no matter how they appear at first glance.

one line koi fish

one line hands together

The zigs and zags required to make this approach work are what signal the viewer to make such a closer inspection in the first place.

one line face

one line bike

Despite the simplicity and consistency of the method, the results are surprisingly varied, from very geometric shapes of human-made objects to organic curves of human and other natural forms.

one line tree

one line conifer

In some cases, pointillist patterns are added to add texture, creating leaves, shadows or other details, but kept intentionally non-linear so as not to detract from the primary lone-line drawing. (via Colossal)


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Flagship Canon imagePROGRAF PRO-1000 gets the L-series ‘red line’ treatment

21 Oct

Canon has introduced a new flagship professional photo printer, the 17″ imagePROGRAF PRO-1000. Offering a new print head, ink set and image processor, it boasts an L-series-esque red line to reflect is top-end specification. Read more

Articles: Digital Photography Review (dpreview.com)

 
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The Fine Line Between Travel Photography and Having a family Vacation

15 Oct

A simple Google search for travel inspiration yields thousands of beautiful images and motivational quotes. Words like, “The Best University is to travel”, “We must take adventures in order to know where we truly belong” and “To travel is to live a full life” flash across your computer screen amidst jaw-dropping travel photography imagery. It brings forth such great feelings of wanderlust and longing to hit the road.

However, for those of us who travel with families and/or young kids there is a nagging voice somewhere in the back of our heads that speaks up and says, “Be practical, can you really make this journey with the kids?”. Then if you add to this mix, a parent who is very emotionally attached to his or her camera, you have just stirred up a pot full of trouble for yourself.

Landscape Image Near Bombay Memorable Jaunts for DPS

Being my family’s designated photographer, and having spent the past two months traveling across my home country of India, I experienced much of these same emotions on a day to day basis. India is a country like no other, where every part of the country has such a strong impact to the senses. It is big, busy, loud, and colorful – and is a photographer’s delight. The parent in me wanted to experience this magical journey with my family, and see my beautiful country through their eyes. Whereas the photographer in me was on a creative high and I wanted to document each and every thing I was seeing through my mind’s eye, and my camera’s viewfinder. I constantly struggled to find the right balance between being a mom, and being a professional photographer. 4000+ pictures later, I feel like I finally figured out what worked for me!

Memorable Jaunts Finding Balance as a photographer Article for DPS-1-2

A quick detour on our road trip led to an ancient temple where I was able to take some amazing and interesting pictures inside the inner sanctum.

Research locations for photo opportunities ahead of time

Just like kids, we adults too crave structure and routine, especially when it comes to photography assignments. Just like you would carry a shot list for a wedding photography gig or a commercial assignment, knowing what to expect with every place you visit gives you a certain peace of mind. This is particularly true if you are visiting famous locations and monuments. I found that often in such places photography was not allowed, or you needed special permission, or had to pay a fee.

Research your travel destination as much as you can. Look for information online, or even ask in photography forums specific to your needs. I learned early on in my trip, that most religious monuments and places of worship don’t allow any type of photography. Even cell phones are not permitted. So I would often leave my gear at home, or in the car, and just enjoy the location with my family.

Minimum gear for maximum effect

Packing for months on the road is never easy, especially when you have a ton of equipment, and suffer from an acute case of separation anxiety with your gear. Once you have researched your travel destination and know what types of imagery to expect, only pack the appropriate gear. Maybe even challenge yourself to only use certain types of lenses and cameras. The more practical you are about your gear, the less frustrated you will be for taking stuff you don’t end up using. My goto setup was my Canon EOS 5D MK III and Canon 24-70mmL lens. I used that combination 75% of the time when I was traveling. I found that I could switch easily from photographing wide angle landscape shots, to narrowing in on my kids playing effortlessly with my zoom lens. I also carried my Canon 70-200mmL lens, but found it was very impractical in terms of its weight. Additionally, professional DSLRs and multitude of lenses tend to get heavy and uncomfortable to lug around for a 20 day road trip, and several flight journeys. If you are going off the grid, or visiting remote places, err on the side of caution, and perhaps travel with minimal gear like a small point and shoot camera.

Set aside some “me” time with just with your camera

Memorable Jaunts Finding Balance as a photographer Article for DPS-1

During a ‘me’ time photowalk close to my home in Chennai, I spent 30 minutes photographing these birds without any interruptions or disruptions!

The deal I stuck with my family is that at every new place we visited, I would get one hour just to be with my camera. Any photography assignment specific pictures would be taken at that time. The rest of the day was time spent with my family, and capturing those moments on camera sparingly. There were times when the camera was completely banned because I really wanted to treasure the moments, and not just focus on documenting the experience. And guess what, I found I was a much happier, and nicer person, at the end of the day!

Engage your family in your photo trips

Do you have old outdated gear sitting in your gear cabinet? You know those old first generation DSLRs that you will probably have to pay someone to take off your hands? Use them to get your family engaged in photography. My kids share my old DSLR with a kit lens, and they love it. They love playing photographer, and some of the images they capture are so adorable. I always make it a big deal to praise their budding photography skills, and in turn, they are generally more tolerant when mom wants to spend an extra 10 minutes photographing the waves crashing against the rocks at sunset (because it is the most magical sunset ever!)

Memorable Jaunts Finding Balance as a photographer Article for DPS-1-3

A rare image of me as taken by my daughter! – this was during a four day hike in the mountains, and it’s the only picture I have to prove that I was there too!

Memorable Jaunts Finding Balance as a photographer Article for DPS-2

But 10 days later, this was the best I could get of them! – No amount of negotiation could get them to turn around and face me.

Make memories and not pictures

Give yourself permission to not take any pictures occasionally. Put the camera away and just enjoy the experience of being on vacation. After all, you have probably spent a lot of money, and precious time, to get to your destination. Soak in the essence of the space and place, and make memories that will last a lifetime.

After my long summer break, I still felt that I never really had any time off. To me, every minute was a working one, whether was I being a full-time mom, or a travel photographer. While I did walk away with some amazing imagery, a part of me regretted not spending more time with my family. What are some of your strategies for finding a good balance?

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The post The Fine Line Between Travel Photography and Having a family Vacation by Karthika Gupta appeared first on Digital Photography School.


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Rainbow Rail: 5,000 Neon Lights to Line Underside of Chicago “L”

31 Jul

[ By WebUrbanist in Art & Installation & Sound. ]

wabash lights large

Designed to be suspended below Chicago’s elevated rail system, hovering above cars and pedestrians, this 5,000-tube neon lighting installation aims to bring bright colors to drab railway tracks, using illumination to bridge the dark gap formed by overhead infrastructure.

wabash lights rendering

A set of elevated rails forming a rounded rectangle in the heart of the city, the Chicago Loop defines the downtown experience. Physically, visually and audibly, this nexus of sometimes-subway lines creates a circuit of transit over and under which vast numbers of people travel each and every day. Despite its centrality and functionality, the Loop has little presence in terms of the city’s public image, at least it until The Wabash Lights came along.

wabash lights neon art

The main aim is to activate this shady pseudo-circular zone, turning it from an ignored void into a enjoyed space. The first phase of the project has already been successfully funded on Kickstarter and the next step will be a limited-scale test implementation of the technology. The lights are highly programmable and infinitely customizable, able to cycle through sets of colors and form complex patterns.

skys the limit art

It is hard to avoid drawing a comparison with another highly-visible and quite popular neon project in Chicago, namely: the neon light tunnel (Sky’s the Limit by Michael Hayden) connecting Concourses B and C at Terminal 1 in the O’Hare International Aiport, “a mile-long kinetic light sculpture composed of 466 neon tubes [reflected from above by] 23,600 square feet of mirror.”

wabash street

The duo behind the idea, Seth Unger and Jack C. Newell, are well-suited to the endeavor, with backgrounds in design, branding and creative strategy on the one hand, filmmaking and public art on the other. Together, they are looking to involve citizens from start to finish, looking to them for feedback as well as funding.

wabash lights technology

More on the project from its creators, using “LED light tubes to transform an iconic piece of Chicago infrastructure into a canvas for a dynamic, interactive experience, serving as a catalyst for a re-energized Wabash Avenue. Working with the Chicago Transit Authority, Chicago Department of Transportation, and City Government, we have received approval to install a small section of lights on the Wabash Ave tracks to troubleshoot design, interactivity, and test how vibration from the “L”, temperature changes, and the wear and tear of the city affect our hardware.” (Hat tip to Chris B and James B).

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[ By WebUrbanist in Art & Installation & Sound. ]

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Toshiba expands its Exceria Pro SD card line to include 64GB and 128GB models

27 May

Electronics giant Toshiba has announced higher capacity models of its high-speed Exceria Pro SD cards, increasing the maximum storage available to 128GB. The 16GB and 32GB Exceria Pro cards have existed for some time in European markets. Toshiba claims they achieve read speeds of 260MB/s and write speeds of 240MB/s, and the new 64GB card is said to follow suit. The highest capacity 128GB card offers a read speed of 260MB/s but a write speed of 150MB/s. Read more

Articles: Digital Photography Review (dpreview.com)

 
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