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Posts Tagged ‘Lens’

Sigma demos WR Ceramic lens filter strength with impact test

26 Jan

In a newly released video, Sigma tests the strength of its protective ceramic lens filters in an impact test. Putting claims of toughness to the test, the video shows a 49g / 1.7oz metal ball dropped from a height of about 1.3m / 4ft onto the WR Ceramic Protector as well as three competing lens filters. While the ceramic protector survives unscathed, the competition isn’t so lucky.

In addition to its WR Ceramic Protector, the video features a ‘conventional protector,’ ‘Brand A Chemically Strengthened Glass Protector,’ and a ‘Brand B Chemically Strengthened Glass UV Filter.’ According to Sigma, the WR Ceramic Protector is 1000% stronger than a conventional protector and 300% stronger than a chemically strengthened glass filter. The ceramic filters are also scratch-resistant with a water-repellant coating.

Sigma has a half dozen new WR Ceramic Protectors available now:

  • 67mm for $ 93 USD
  • 72mm for $ 108 USD
  • 77mm for $ 118 USD
  • 86mm for $ 202 USD
  • 95mm for $ 247 USD
  • 105mm for $ 315 USD

Via: Sigma Blog

Articles: Digital Photography Review (dpreview.com)

 
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Otherworldly? Lomography introduces Jupiter 3+ lens

21 Jan

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Lomography has resurrected another classic Russian lens to sit next to its Petzval 85mm and 58mm lenses. This time, the company has revived one of the Jupiter designs that are so popular in our Adapted Lens Talk forum. The 50mm F1.7 lens is offered in L39 mount with an included M-mount adapter. See the press release below for all of the details.

Press Release:

NEW JUPITER 3+ LENS (1.5/50 L39/M)

A BOLD, BEAUTIFUL & BRIMMING-WITH-BOKEH RESURRECTION FROM
THE ZENITH OF RUSSIAN OPTICAL DESIGN

  • A Resurrection of Planetary Proportions from the glory days of rangefinder photography
  • Unsurpassed Character with super-fast performance and incredible low light ability
  • Handcrafted Construction of solid chrome-plated brass and Russian glass optics
  • Rich Russian Heritage based on the iconic Jupiter lens

A RESURRECTION OF PLANETARY PROPORTIONS

Designed by the highly experienced Lomography team and manufactured by the expert technicians at the exact same Zenit factory in Russia as the original lens, the New Jupiter 3+ Art Lens retains the strong character and Soviet spirit of its forbearer — crisp sharpness, smooth, natural colors and lush, dreamy bokeh — while transcending it in many ways. With substantial improvements on design and compatibility, Lomography is extremely proud to introduce the New Jupiter 3+ Art Lens to their line of exquisitely handcrafted Lomography Art Lenses over half a century since the original Jupiter 3 lens was released.

UNSURPASSED CHARACTER

Equipped with a versatile 50mm focal length and fast f/1.5 maximum aperture, the New Jupiter 3+ Art Lens allows you to effortlessly capture every moment from portraits to everyday life. It has an outstandingly shallow depth of field at large apertures and yields stunning results in all kinds of settings, whether you’re shooting in low light or bright sunshine. Subjects will pop out from the frame while the defocused areas will be drenched in beautiful bokeh, resulting in an extremely unique image quality that makes this lens incredibly special and gives a character entirely its own!

HANDCRAFTED CONSTRUCTION

With years of knowledge and experience, the skilled and dedicated team of technicians at the Zenit Factory in Russia has produced the lens to the highest quality. In addition to having a modified 0.7m closest focusing distance (an improvement from 1m on the original lens), the New Jupiter 3+ Art Lens is directly compatible with L39 and M mount rangefinder and mirrorless digital cameras, as well as many more using adapter mounts.

Constructed from chrome-plated solid brass, the New Jupiter 3+ Art Lens is much more durable than the original Jupiter 3 lens, which was made out of aluminum, so it will last for many, many years to come.

RICH RUSSIAN HERITAGE

First developed in Soviet Russia in the late 1940’s, the original Jupiter lens was crafted by the optical pioneers at the Zenit factory in the suburbs of Moscow and came to be loved for the incredible character it gave to
the images captured with it. Since then, it’s been used to capture millions of photographs around the world. But
production of the Jupiter 3 was halted in 1988 and the option to find one has become more difficult as time goes on. Lomography is proud to bring this lens back into the spotlight and make it available once again to
a new generation of photographers. The New Jupiter 3+ Art Lens is being produced in small batches and thus will be available on a very limited first-come, first-
served basis in the Lomography Online Shop.

TECHNICAL INFORMATION

  • Focal Length: 50mm
  • Aperture: f/1.5 – 1/22
  • Lens Mount: L39, includes Leica M-mount adapter
  • M-mount Adapter Frame Line 
  • Triggering: 50mm frame line
  • Rangefinder Coupling: Yes
  • Minimum image circle: 44mm
  • Field of view : 46 degrees
  • Flange distance: 28.8mm (L39 mount) 27.8mm (M mount)
  • Closest Focusing Distance: 0.7m
  • Filter Thread Requirement: 40.5mm
  • Lens Construction: 7 elements in 3 groups

Order the New Jupiter 3+ Art Lens

http://shop.lomography.com/jupiter-3-plus

Visit the New Jupiter 3+ Art Lens Microsite

http://www.lomography.com/jupiter

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm XF 100-400mm F4.5-5.6 OIS WR lens moves from roadmap to reality

18 Jan

Fujifilm has officially announced its Fujinon XF 100-400mm F4.5-5.6 R LM OIS WR lens, which has been on the company’s roadmap since early 2015.

This weather-sealed lens, equivalent to 152-609mm (F6.8-8.4 equivalent) when mounted on an X-series body, has nine rounded aperture blades, 5 ED and 1 Super ED elements, and a fluorine coating. It also features a 5-stop image stabilization system and twin linear motors for fast, responsive focusing performance.

The lens is compatible with Fujifilm’s 1.4X teleconverter, giving users an equivalent focal length of 213-853mm.

You’ll be able to pick up the 100-400mm F4.5-5.6 lens in February for $ 1899.95.

FUJIFILM ANNOUNCES NEW ADDITIONS TO THE X-SERIES LINE OF CAMERAS AND LENSES

X-Pro2, X-E2S, X70 and XF100-400mmF4.5-5.6 R LM OIS WR join the X-Series; all-weather FinePix XP90 gets the shot from sand to slopes

Valhalla, N.Y., January 14, 2016 FUJIFILM North America Corporation, a leader in digital imaging, today announced new additions to the award-winning X-Series line of premium fixed and mirrorless cameras, and ultra-high quality lenses, including: the FUJIFILM X-Pro2, FUJIFILM X-E2S, FUJIFILM X70 and FUJINON XF100-400mmF4.5-5.6 R LM OIS WR.  Fujifilm also introduced the new rugged and waterproof FinePix XP90, perfect for capturing amazing images everywhere, from underwater to mountain tops.

FUJINON XF100-400mmF4.5-5.6 R LM OIS WR

The new FUJINON XF100-400mmF4.5-5.6 R LM OIS WR is a weather-sealed, superior telephoto lens that gives photographers exceptionally sharp images with a 152mm-609mm equivalent in 35mm format. The high-performance XF100-400mmF4.5-5.6 R LM OIS WR has an optical construction of 21 elements in 14 groups, and includes five ED lenses and one Super ED lens to help reduce chromatic aberration that often occurs in telephoto lenses. As a result, it delivers the highest image quality in its class.

The XF100-400mmF4.5-5.6 R LM OIS WR has been designed for handheld shooting with a 5.0-stop image stabilization system and twin linear motors for speedy autofocus that makes it perfect for shooting fast-moving subjects. The lens is also water and dust resistant and can operate in temperatures as low as 14°F, making it suitable for use in a wide range of outdoor shooting conditions. A fluorine coating has also been applied to the front lens element to repel water and dirt, further improving the toughness and functionality of the lens.

FUJINON XF100-400mmF4.5-5.6 R LM OIS WR key features:

  • Uses  21 elements in 14 groups, and 5 extra-low dispersion elements and 1 super extra low dispersion elements
    • Rounded 9 blade aperture
    • 1/3 EV (15 steps)
    • Water-repellent fluorine coating
  • Weather-sealed with 13 water and dust resistant seals at 12 points
  • Included lens hoods features a sliding window for accessing a polarizing filter and locking mechanism
  • Compatible the XF1.4X TC WR teleconverter (140-560mm F6.3-8 or 213-853mm in 35mm equivalent)
  •  Compatible with optional lens plate (MLP-75XF) and optional ARCA SWISS tripods

 

The FUJINON XF100-400mmF4.5-5.6 R LM OIS WR will be available in February 2016 for USD $ 1,899.95 and CAD $ 2,149.99.

FinePix XF 100-400mm F4.5-5.6 R LM OIS WR lens specifications

Principal specifications
Lens type Zoom lens
Max Format size APS-C / DX
Focal length 100–400 mm
Image stabilisation Yes (5 stops)
Lens mount Fujifilm X
Aperture
Maximum aperture F4.5 – F5.6
Aperture ring No
Number of diaphragm blades 9
Optics
Elements 21
Groups 14
Special elements / coatings Five ED and 1 Super ED element + fluorine coating
Focus
Minimum focus 1.75 m (68.9)
Maximum magnification 0.19×
Autofocus Yes
Motor type Linear Motor
Full time manual Yes
Focus method Extending front
Distance scale No
DoF scale No
Focus distance limiter Yes
Physical
Weight 1375 g (3.03 lb)
Diameter 95 mm (3.73)
Length 211 mm (8.29)
Sealing Yes
Zoom method Rotary (extending)
Power zoom No
Zoom lock Yes
Filter thread 82.0 mm
Hood supplied Yes
Tripod collar Yes

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm X70 puts 28mm equivalent F2.8 lens into compact X100-style body

17 Jan

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Fujifilm has announced the X70, a fixed-lens compact camera designed in the spirit of the company’s X100-series.

The X70 takes the design of the X100, shrinks it down, and adds a 28mm equivalent F2.8 lens (compared to the 35mm equiv. F2 optics on the X100). The cool hybrid viewfinder from the X100 is gone, but in exchange users get Fujifilm’s first touchscreen LCD (3″ in size), which can also tilt 180 degrees. The X70 has direct controls for aperture, shutter speed and exposure compensation, just like its big brother.

The guts of the camera are similar to that of the X-T10, meaning that the X70 has a 16.3MP X-Trans CMOS II sensor and Hybrid AF system. The AF system offers 49 points in single-point mode and 77 in zone and wide/tracking modes. The lens itself has nine rounded aperture blades and a minimum focus distance of 10cm. The mechanical shutter stops at 1/4000 sec but the electronic shutter goes all the way to 1/32000 sec.

The X70 has a standard ISO range of 200-6400, which expands to 100-51200. It can shoot continuously at 8 frames per second, though only for ten photos. Naturally, it has the full set of Film Simulation Modes, save for the new ACROS mode on the X-Pro2. Video can be recorded at 1080/60p, with a maximum bitrate of 36Mbps. As one would expect, the X70 also has built-in Wi-Fi with remote control from your smartphone.

The X70 will be available in all-black or silver and black in February at a price of $ 699.95.

Online resellers are selling the X70 for $ 799 – Fujifilm tells us that the $ 699 price in the press release is indeed correct.

FUJIFILM ANNOUNCES NEW ADDITIONS TO THE X-SERIES LINE OF CAMERAS AND LENSES

X-Pro2, X-E2S, X70 and XF100-400mmF4.5-5.6 R LM OIS WR join the X-Series; all-weather FinePix XP90 gets the shot from sand to slopes

Valhalla, N.Y., January 14, 2016 FUJIFILM North America Corporation, a leader in digital imaging, today announced new additions to the award-winning X-Series line of premium fixed and mirrorless cameras, and ultra-high quality lenses, including: the FUJIFILM X-Pro2, FUJIFILM X-E2S, FUJIFILM X70 and FUJINON XF100-400mmF4.5-5.6 R LM OIS WR.  Fujifilm also introduced the new rugged and waterproof FinePix XP90, perfect for capturing amazing images everywhere, from underwater to mountain tops.

FUJIFILM X70

The FUJIFILM X70 is a newly designed premium fixed lens digital camera that features a FUJINON 18.5mmF2.8 lens (28mm in 35mm format equivalent), suitable for a range of applications from landscapes to everyday snapshots. The new X70 elegantly combines simple manual operation with superior image quality and versatile picture-taking functions, and is the first X-Series camera to offer a touchscreen display that rotates 180 degrees, enabling users to shoot from up high, down low and capture selfies.

The compact FUJIFILM X70 uses a 16.3MP APS-C X-Trans CMOS II Sensor for extraordinary image resolution, and gives photographers milled aluminum dial controls, as well as aperture settings in 1/3 stop increments, and the new Auto Mode Switch lever for selecting its fully automatic Advanced SR Auto mode. In this mode, the camera automatically chooses the optimum settings for great results on any scene.

The new FUJIFILM X70 features a responsive touchscreen – a first for the X-Series. Now, photo enthusiasts can use the Touch Panel for operations during shooting and playback modes. For shooting, users can select their focus area and touch-to-shoot. During playback, users can swipe their finger to scroll through images, double-tab to enlarge images, and drag to view different points on the picture, and pinch-out and pinch-in to enlarge and reduce the image view.
Users can also disable the touchscreen functions at any time by turning the Touch Panel Settings to “off.”

FUJIFILM X70 key features:

  • 16.3MP APS-C X-Trans CMOS II Sensor
    • Fast AF of up to 0.06 seconds
    • Start-up time of 0.5 seconds
    • Shutter time lag of 0.05 seconds
    • Shooting interval of 0.5 seconds
  • Uses the FUJINON 18.5mm F2.8 lens with 7 elements in 5 groups, and  2 high-performance aspherical elements
    • 9 blade aperture
    • FUJINON’s unique HT-EBC coating
  • High-definition, touchscreen 3” tilting (180o) LCD display with 1.04 million dots
  • Maximum ISO performance up to 51200 sensitivity
  • New  AF system offers the 49-point Single Point mode for fast, precise focusing, and a  new Zone and Wide/Tracking modes with a 77-point area to capture moving subjects
  • Up to ±3 stops of exposure compensation on the top-plate dial
  • 8 function buttons (1 customizable)
  • Latest CLASSIC CHROME Film Simulation mode that delivers muted tones and deep colors
  • Interval timer for shooting time-lapse sequences of one second to 24 hours, up to 999 frames
  • Completely silent electronic shutter capable of exposures up to 1/32,000 second
  • Digital teleconverter offers additional focal ranges of 35mm and 50mm
  • Full HD video 1080p at 60fps; bit rate of 36Mbps for clear capture of delicate movements; frame rates of 60 fps, 50fps, 30fps, 25fps and 24fps, supporting worldwide motion picture formats
  • Free FUJIFILM Camera Remote application and Wireless Communication function allows users to remotely shoot images from smartphones and tablets via WiFi
  • Photos can be sent to the INSTAX Share Printer using the free INSTAX Share App (iOS and Android) SHARE Smartphone Printer
  • Advanced creative filters

 

The FUJIFILM X70 will be available in February 2016 for USD $ 699.95 and CAD $ 899.99.

Fujifilm X70 specifications

Price
MSRP $ 799/£549
Body type
Body type Large sensor compact
Sensor
Max resolution 4896 x 3264
Other resolutions 3:2 (3456 x 2304, 2496 x 1664), 16:9 (4896 x 2760, 3456 x 1944, 2496 x 1408), 1:1 (3264 x 3264, 2304 x 2304, 1664 x 1664)
Image ratio w:h 1:1, 3:2, 16:9
Effective pixels 16 megapixels
Sensor photo detectors 17 megapixels
Sensor size APS-C (23.6 x 15.6 mm)
Sensor type CMOS
Processor EXR Processor II
Color space sRGB
Color filter array X-Trans
Image
ISO Auto, 200-6400 (expandable to 100-51200)
Boosted ISO (minimum) 100
Boosted ISO (maximum) 51200
White balance presets 7
Custom white balance Yes
Image stabilization Unknown
Uncompressed format RAW
JPEG quality levels Fine, standard
File format
  • JPEG (Exif v2.3)
  • Raw (RAF format, 14-bit lossless compressed or uncompressed)
Optics & Focus
Maximum aperture F2.8 – F16.0
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Digital zoom Yes (35mm, 50mm digital teleconverter)
Manual focus Yes
Normal focus range 10 cm (3.94)
Number of focus points 77
Screen / viewfinder
Articulated LCD Tilting
Screen size 3
Screen dots 1,040,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type None
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/4000 sec
Maximum shutter speed (electronic) 1/32000 sec
Exposure modes
  • Program
  • Shutter priority
  • Aperture priority
  • Manual
Built-in flash Yes
Flash range 7.90 m (at ISO 1600 (5.5m at ISO 100))
External flash Yes
Flash modes Auto, Forced Flash, Slow Synchro , Suppressed Flash, Commander
Drive modes
  • Single
  • Continuous (hi/lo)
  • Self-timer
  • Interval
Continuous drive 8.0 fps
Self-timer Yes (2 or 10 secs)
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation ±3 (at 1/3 EV steps)
AE Bracketing ±1 (at 1/3 EV, 2/3 EV, 1 EV steps)
WB Bracketing Yes
Videography features
Resolutions 1920 x 1080 (60p, 50p, 30p, 25p, 24p), 1280 x 720 (60p, 50p, 30p, 25p, 24p)
Format MPEG-4, H.264
Microphone None
Speaker None
Storage
Storage types SD/SDHC/SDXC
Connectivity
USB USB 2.0 (480 Mbit/sec)
HDMI Yes (micro-HDMI)
Microphone port No
Headphone port No
Wireless Built-In
Wireless notes 802.11b/g/n
Remote control Yes (Wired or via smartphone)
Physical
Environmentally sealed No
Battery Battery Pack
Battery description NP-95 lithium-ion battery & charger
Battery Life (CIPA) 330
Weight (inc. batteries) 340 g (0.75 lb / 11.99 oz)
Dimensions 113 x 64 x 44 mm (4.45 x 2.52 x 1.73)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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ZY Optics unveils new Lens Turbo adapters for Micro Four Thirds cameras

13 Jan

Chinese lens maker Zhongyi Optics has added M42, Canon FD and Minolta MD lens adapters to its second-generation Lens Turbo lineup for Micro Four Thirds cameras. Like Metabones’ Speedboosters, the adapters shorten the effective focal length, increasing the F-number by one stop and partially negating the crop factor. The 0.726x focal length reduction combines to give a net 1.45x focal length crop, rather than the 2x crop that you’d usually experience on a Micro Four Thirds camera.

These three adapters join ZY Optics’ existing Lens Turbo Version II adapters for Canon EF and Nikon G lenses. Among the adapters’ four optical elements is an extra-low dispersion element, and all three offer stainless steel mounts and metal bodies.

All three adapters are available directly from ZY Optics for $ 149 USD.

Articles: Digital Photography Review (dpreview.com)

 
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Do This Before You Upgrade a Lens for Your New Camera

13 Jan

new-camera-tips-5

So, you just got a new camera! Congratulations! You’re in the right place, DPS is absolutely full of amazing tutorials that will help get you started, and point you in the right direction. As for me, if there’s one thing that I could say to someone who has just purchased, or received a new camera, this is it:

If this is your first DSRL or mirrorless camera with interchangeable lenses, don’t buy any new lenses or gear for at least a month.

I know, I know. You’ve probably heard that the kit lens is terrible. You’ve probably already been given a list of things that are “must-buys” in order to take amazing photos. You may have even tested out your brand new camera, and been disappointed that your images don’t quite look like you’d hoped they would after you upgraded.

I understand, because I’ve been there. However, waiting to upgrade for at least a few months (get that you need like batteries and memory cards, but hold off on any major purchases like lenses) may actually benefit your photography in the long run. To explain why, let me tell you a little about me and my story.

New-Camera-Tips-1

I received my first DSLR, a Canon Rebel XS, in 2009. I’d done black and white film photography for years, so photography itself wasn’t new to me, but my old fully manual Pentax camera didn’t have things like white balance, or the ability to choose metering modes, and neither did my point-and-shoot digital camera at the time (at least not that I knew of), so there was definitely a big learning curve for me as I transitioned to a digital SLR.

The image above was one of the first that I took with my new camera, and I remember being so frustrated. I hated how yellow it was. I hated the fact that it didn’t really look any better than the images I took with my point-and-shoot camera, and it might have even looked worse! It didn’t take much complaining on my end before well-meaning friends and family members started suggesting different lenses, flashes, and other gear that would help me achieve the look that I was hoping to achieve.

Although I was confident that I’d need to upgrade lenses if I wanted to take my photography to a new level, my husband and I were still pretty newly married and money was tight, so I just kept on with my Rebel XS and Kit lens. I was really frustrated about not being able to upgrade at the time, but the truth was that I didn’t need a lot of new gear, I really just needed to learn how to utilize the gear that I already had.

new-Camera-Tips3

I was pretty sure that I was more interested in photographing landscapes and abstract items than I was photographing people. So, I’d take my camera to work with me and go on photo walks during lunch breaks, taking photos of whatever was around. I discovered how white balance worked, and started to chip away at learning a little more about how my camera functioned. The images still weren’t perfect, as you can see by the examples above and below, but I felt like I was making progress in terms of the overall aesthetic of the photos, and I was really starting to have fun. I was still itching to upgrade, but am forever grateful that we just couldn’t afford it at the time, because it turned out that the type of photography that I thought I was interested in, wasn’t actually my passion after all.

New-Camera-Tips-2

Over the course of the next year, I started taking photos of my nieces and nephew just for fun, and much to my surprise, discovered that I loved taking candid photos of kids. I had experience with portrait photography in high school and college, but thought I didn’t like it. As it turns out, most of my portrait experience had been in a studio setting with a professor who was very, very passionate about Rembrandt Lighting. I didn’t enjoy that kind of photography, but I discovered that I loved sitting in the grass in the backyard, and taking photos as my nieces and nephew played. I loved taking pictures while singing funny songs, and telling little jokes to see if I could make them laugh. Around the same time, I took a few senior portraits for some family friends, and discovered that it wasn’t just kids I enjoyed photographing. I loved taking pictures of people, and I especially loved taking portraits of people.

I also really loved portraits that had a nice blurry background, which was hard (but not impossible) to achieve with my kit lens. I began to look into how I could achieve that effect more easily, and quickly came across Canon’s Nifty Fifty Lens (50mm f/1.8). I purchased that lens shortly before my first daughter was born. It stayed pretty permanently attached to my camera body for the next several years.

New-Camera-Tips-4

My love for portraits has only intensified, and though I have made a number of upgrades to my gear since 2010, I’m glad that it took me about a year to make my first purchase. Being forced to wait allowed me time to discover which type of photography I was really interested in. Had I upgraded right away, I probably would have purchased a lens that would be collecting dust in the back of my closet, because I would have gotten something targeted towards landscapes or macro, rather than something more appropriate for portraits. It’s not the end of the world to own a lens that you don’t use all that often, but it’s also something that can be avoided with just a little patience!

new-camera-tips-6

Waiting to upgrade also forced me to really learn to use the camera that I had, which was actually a great camera, kit lens and all! Still need a little extra convincing that the kit lens isn’t terrible? Check out this Flickr Group called Kit Lens Losers. There are some incredible images in there, all taken with the standard kit lens. You CAN take great images, right out of the box. I promise.

When it did finally come time to upgrade to a new lens, I did so knowing that the upgrade was necessary in order to achieve something (better bokeh and the ability to shoot wide open), that my previous setup limited. The lens was important in helping me achieve the aesthetic that I like in photography, but it was only one piece of the puzzle. Learning about white balance, metering modes, shooting in RAW, and a whole slew of other camera settings were just as important as a new lens in terms of the overall affect on my photography.

I’m not saying that you need to have a perfect understanding of your camera before you upgrade, but I firmly believe that we’re never done learning when it comes to photography. What I am suggesting is that if you spend some time really getting to know your camera and what it is capable of before you upgrade, you’ll be able to ensure that you’re spending your money intentionally, in ways that will allow you to continue to grow in your photography – and that’s always a good thing.

new-camera-tips-7

Have you upgraded you gear? If so, what was your first purchase? If you haven’t, please share what has made you decide to wait.

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The post Do This Before You Upgrade a Lens for Your New Camera by Meredith Clark appeared first on Digital Photography School.


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Panasonic adds Leica 100-400mm F4-6.3 tele-zoom to Micro Four Thirds lens lineup

09 Jan

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Panasonic is adding a high-end super telephoto zoom lens to the Micro Four Thirds lineup: the Leica DG Vario-Elmar 100-400mm F4-6.3 ASPH. This lens has the longest focal length of any MFT lens, and Panasonic promises fast autofocus thanks to its 240 fps AF drive speed.

This lens is equivalent to a whopping 200-800mm when attached to a Micro Four Thirds body and features much-needed ‘Power’ optical image stabilization to keep things steady. It has has one aspherical, one UED, and two ‘regular’ ED elements, as well as a nine-bladed circular aperture. The minimum focus distance is 1.3m, with a magnification of 0.25x. 

A cool feature of this lens is its compact tripod collar which rotates with the camera body, taking the buttons with it. The collar has a tripod screw mount built into it, into which a longer (included) ‘foot’ can be added if additional clearance is need. The zoom lock is built into the lens barrel, as is a small pull-out lens hood (a full-sized hood is available as an optional accessory). The 100-400mm is also sealed against dust and moisture.

The Leica DG Vario-Elmar 100-400 F4-6.3 will be available in early April at a price of $ 1799.99.


Press release:

Panasonic Launches LUMIX G 100-400mm Telephoto-Zoom, LEICA DG VARIO-ELMAR Lens

Las Vegas, NV (January 5, 2016) – Panasonic has today introduced a new telephoto lens for its LUMIX G range of Micro Four Thirds System cameras – the LEICA DG VARIO-ELMAR 100-400mm F4.0-6.3 ASPH. Telephoto-Zoom (H-RS100400) with Power Optical Image Stabilization (O.I.S.).

Small, light and highly durable, the latest addition to Panasonic’s range of interchangeable lenses is perfectly suited for photographing birds and other wildlife in all types of environments.

The lens is constructed of 20 elements in 13 groups and incorporates a number of aspherical and extra low dispersion elements to assure best quality and avoid flaring. The advanced construction of the new Telephoto-Zoom leads to highest quality standard earning the LEICA Logo for a LUMIX Lens once again.

Outstanding image quality and Telephoto-Zoom performance

Elegantly designed with a metallic black finish, the new 100mm-400mm LEICA DG VARIO-ELMAR lens from Panasonic provides superb image rendering across the entire zoom range. The lens’ 200-800mm focal length (35mm equivalent) and 0.5x Magnification capability provide highly detailed shots from distance, as well as stunning close up capability– ideal for subject matter regardless of shape and size.

In order to capture steady, vibration free images across the entire zoom range, the lens also incorporates Power O.I.S. to keep unwanted shaking under control and ensure pictures look crisp and clear. 

The 100mm-400mm lens is also suited to a variety of photographic styles – with nine diaphragm blades providing a circular aperture to produce a smooth and beautiful bokeh.
 
Smaller and lighter than other Telephoto-Zoom lenses

When compared with conventional super telephoto DSLR lenses, the latest addition the LUMIX G line up offers outstanding mobility – perfect if you’re travelling and don’t want to pack too much. Similarly, the lens also boasts a durable, gapless construction so you no longer have to worry about unwanted dust or light rain damaging your equipment.

In addition to the lens’ practical size and weight, a compact, two-part tripod mount has also been incorporated to enable faster conversion between landscape and portrait orientation. While conveniently and speedily turning to the 90° angle, the levers for Focus Limiting, Power O.I.S. and the manual focus switch remain right at your fingertips as they do not move when you turn the lens. 

The lens also incorporates an integrated, hide-away hood to help you capture that perfect shot, without having to worry about sun glare.

Stunning 4K video capability

Panasonic’s new LEICA Telephoto-Zoom lens is perfectly suited for 4K video recording with its construction assuring the best contrast and colors. Furthermore the Telephoto-Zoom incorporates Panasonic’s high speed and precise 240 fps AF-motor. Due to the modern design, filming can also be conducted silently, so you can get up close to the subject without drawing attention.

As well as high resolution video, the lens’ 4K capability also enables you to take photos like never before. Panasonic’s 4K Photo function – found on LUMIX G cameras including the LUMIX DMC-G7 – lets you extract an 8-megapixel still from 4K video (30fps) easily right on the camera’s screen with a simple fingertip touch.

Key features:

  • Longest focal length for Micro Four Thirds
  • Compatible with Dual Image Stabilization
  • 240fps AF Drive
  • Zoom ring lock
  • Weather Sealing
  • Integrated Quick Shifting Tripod Mount
  • Integrated shift-away lens-hood

Panasonic Leica DG 100-400mm F4.0-6.3 ASPH specifications

Principal specifications
Lens type Zoom lens
Max Format size FourThirds
Focal length 100–400 mm
Image stabilisation Yes
Lens mount Micro Four Thirds
Aperture
Maximum aperture F4.0 – F6.3
Minimum aperture F22.0
Aperture ring No
Number of diaphragm blades 9
Aperture notes Circular blades
Optics
Elements 20
Groups 13
Special elements / coatings 1 aspherical ED, 1 UED, 2 ED elements
Focus
Minimum focus 1.30 m (51.18)
Maximum magnification 0.25×
Autofocus Yes
Motor type Micromotor
Full time manual Yes
Focus method Extending front
Distance scale No
DoF scale No
Focus distance limiter Yes
Physical
Weight 985 g (2.17 lb)
Diameter 83 mm (3.27)
Length 172 mm (6.75)
Sealing Yes
Colour Black
Zoom method Rotary (extending)
Power zoom No
Zoom lock Yes
Filter thread 72.0 mm
Hood supplied Yes
Tripod collar Yes

Articles: Digital Photography Review (dpreview.com)

 
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Hands-on with the Panasonic Leica DG Vario-Elmar 100-400mm F4-6.3 lens

08 Jan

Hands-on with the Panasonic Leica DG Vario-Elmar 100-400mm F4-6.3 lens

Panasonic has just announced the Leica DG Vario-Elmar 100-400mm F4-6.3 Leica DG Vario-Elmar lens for its LUMIX G range of Micro Four Thirds System cameras. We’ve gone hands-on with the high-end, super-telephoto zoom that sports the longest focal length available for the MFT system. 

Hands-on with the Panasonic Leica DG Vario-Elmar 100-400mm F4-6.3 lens

With a whopping 35mm-equivalent focal length range of 200-800mm, the Leica DG Vario-Elmar 100-400mm affords the longest focal length available for the MFT system. This should make it a boon for photographing birds, wildlife, and landscapes – without breaking your back due to weight and size.

Hands-on with the Panasonic Leica DG Vario-Elmar 100-400mm F4-6.3 lens

In fact, as you can see here, the 100-400mm Leica lens is quite hand-holdable, which is remarkable for the 800mm equivalent reach the lens provides. Naturally, the small size and weight do come at a cost: with an equivalent maximum aperture of F8 and F12.6 on the 200mm and 800mm equivalent ends, respectively, subject isolation and noise performance on a MFT camera won’t be the same as what you might get with a full-frame 800mm F5.6 lens. Which, by the way, would run you $ 13k and weigh your pack down an extra 10 pounds. This lens weighs a modest 985g, or ~2.2 lbs in ‘Merican.

Hands-on with the Panasonic Leica DG Vario-Elmar 100-400mm F4-6.3 lens

Can you spot the difference from the last image? It’s subtle, but in this shot we’ve extended the integrated shift-away lens hood that reduces sun glare. The hood just snaps back and forth, which makes it quite convenient – no need to take the hood off, flip it around, and reattach it.

Additionally pictured here is the Unlock <–> Lock ring which allows you to lock the zoom, so the barrel doesn’t extend inadvertently.

Hands-on with the Panasonic Leica DG Vario-Elmar 100-400mm F4-6.3 lens

Here’s the lens at its shortest, zoomed out to 100mm. Focal length demarcations are provided for 100, 150, 200, 250, 300, 350, and 400mm.

There’s a focus range limiter which allows you to limit focus to subjects only beyond 5m. A direct AF/MF switch allows you to shut off AF, and a Power O.I.S. switch allows you to engage or disengage the the image stabilization system. If you’re using a DMC-GX8 you can use both the optical image stabilization in the lens and the built-in sensor-shift stabilization to provide incredibly effective vibration reduction.

Hands-on with the Panasonic Leica DG Vario-Elmar 100-400mm F4-6.3 lens

Here we’ve extended the lens to its maximum telephoto setting: 400mm. While the lens extends quite a bit at this setting, it still remains very hand-holdable. Impressively, the lens sports a durable, gapless construction so unwanted dust or light rain shouldn’t damage it. As such, the lens is described as weather sealed.

Hands-on with the Panasonic Leica DG Vario-Elmar 100-400mm F4-6.3 lens

A convenient, two-part tripod mount is integrated into the lens. It’s a rotatable mount that allows for quick and easy swapping between landscape and portrait orientations. Unlock the tripod mount screw with your left hand and…

Hands-on with the Panasonic Leica DG Vario-Elmar 100-400mm F4-6.3 lens

… speedily turn the mount 90º for portrait orientation shooting.

Hands-on with the Panasonic Leica DG Vario-Elmar 100-400mm F4-6.3 lens

Under the hood, this lens packs some impressive features. Among them: a 9-blade aperture for smooth out-of-focus highlights, and a 240 fps drive AF linear motor with high speed and precision for fast focus. With the correct lens profiles, we hope Panasonic cameras with Depth from Defocus (DFD) technology will be able to focus this lens quickly for fast-paced shooting.

Focus is also silent, which means you can use autofocus during filming without the focus drive ruining your soundtrack.

Hands-on with the Panasonic Leica DG Vario-Elmar 100-400mm F4-6.3 lens

And that’s not all. The lens is constructed of 20 elements in 13 groups, with one aspherical and a number of extra low dispersion elements to ensure minimal flaring and other optical artifacts. The lens also boasts an impressive minimum focus distance of 1.3m, yielding 0.25x magnification (0.5x equivalent).

The lens, which is made in Japan, will be available in mid-April for $ 1799.99.

Articles: Digital Photography Review (dpreview.com)

 
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Olympus launches M.Zuiko Digital ED 300mm F4 IS Pro as sharpest-ever lens

06 Jan

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Olympus has launched the M.Zuiko Digital ED 300mm F4 IS Pro, which it claims it the sharpest lens in its lineup. The 600mm equivalent prime lens features built-in IS that also works in conjunction with the OM-D E-M1 and E-M5 II bodies to offer 6 stops of stabilization, measured to CIPA standards – the best we’ve yet encountered. Olympus says it expects the lens to be used for bird photography, landscape and sports. The lens is now available for around $ 2500.

The 300mm F4 IS Pro includes the pull-back manual focus clutch system used on recent high-end Olympus lenses to give a traditional manual focusing experience. It also includes a retractable hood like the one found on the M.Zuiko Digital 50-150 F2.8 IS Pro. There’s also a rotating tripod collar but, since Olympus believes the stabilization and relative light weight of the lens allows it, it also comes bundled with a cosmetic ring that replaces the tripod mount for handheld use.

Jump to:

  • Press Release
  • Specifications

Press Release:

A NEW WORLD OF HANDHELD NATURE PHOTOGRAPHY: THE OLYMPUS M.ZUIKO® DIGITAL™ ED 300MM F4.0 IS PRO ARRIVES

Super Telephoto Lens with Powerful 5-Axis Sync Image Stabilization and Olympus’s Highest Resolution Ever in a Compact, Dustproof and Splashproof Body

CENTER VALLEY, Pa., January 5, 2016 —Olympus is pleased to announce the Olympus M.ZUIKO Digital ED 300mm f4.0 IS PRO, a compact supertelephoto lens that expands the capability of the M.ZUIKO PRO series of professional, splashproof and dustproof lenses that deliver outstanding image quality under any circumstance. The M.ZUIKODigital ED 300mm f4.0 IS PRO is the first Olympus interchangeable lens with a built-in image stabilization mechanism, and when paired with the Olympus OM-D E-M1 (firmware version 4.0) or E-M5 Mark II (firmware version 2.0), in-body and in-lens image stabilization work in perfect harmony, resulting in the new 5-Axis Sync IS technology to produce the world’s most powerful image stabilization performance of up to six shutter speed steps of compensation*. The lens can also be used effectively with other camera bodies, as the in-lens stabilization mechanism alone provides four shutter speed steps of compensation.

With a length of 8.9 inches (227mm) and weight of a mere 2.8 pounds (1,270g), at one third of the size and weight of most DSLR 600mm equivalents, the M.ZUIKO Digital ED 300mm f4.0 IS PRO is designed to slip into an airplane carry-on bag or backpack and go anywhere to help users easily capture handheld images in once-challenging photo destinations. Despite its compact size, the lens is hermetically sealed in 17 places and features freezeproof performance down to 14?F (-10°C). Together with the same splashproof, dustproof and freezeproof performance as the OM-D E-M1 and E-M5 Mark II, this ensures you can capture high-quality images in the harshest environments.

The M.ZUIKO Digital ED 300mm f4.0 IS PRO debuts Olympus’s highest-ever resolution by combining three Super ED lenses, one Extra-High Refractive index lens and three High Refractive index lenses to reduce the color bleeding and chromatic aberrations that tend to occur on typical super telephoto lenses. In addition to Olympus’s renowned ZERO Coating (ZUIKO Extra-low Reflective Optical Coating), a brand-new lens coating technology called ZERO Coating Nano suppresses reflected light to minimize ghosts and flares for extremely sharp details of images, including car headlights. A layer of nanosized particles and a layer of air from the center to the surface of the lens achieves a refractive index similar to air and significantly reduces surface reflection.

The M.ZUIKO Digital ED 300mm f4.0 IS PRO also gets up close to explore the beautiful, minute world of telemacro photography with maximum image magnification of 0.48x (35mm equivalent), with a minimum focusing distance of 46 inches (1.15m) from the end of the lens. When combined with the M.ZUIKO Digital 1.4x Teleconverter MC-14, the user can capture all of nature’s beauty in high resolution at 840mm (35mm equivalent) and an increased image magnification of 0.67x (35mm equivalent) in a handheld compact body while maintaining the same minimum focus distance.

The OM-D’s silent mode combines with the lens’ Movie & Still Compatible mechanism for silent AF and shooting, giving the user the ability to blend into the background of any situation, whether that be the refinement of a symphony performance or the dusty plains of a lion’s hunting grounds.

The lens also features a Manual Focus Clutch mechanism that makes switching to manual focus possible by pulling the focusing ring toward you. The side of the lens barrelfeatures a Focus Limit switch (4m to infinity, all range, 1.4 to 4m), an IS switch (On/Off), and an L-Fn button, which can all be operated without ever taking your eye off the viewfinder. The built-in sliding lens hood can be locked into place when extended, and the tripod base plate with a quick shoecompatible rail is removable.

U.S. Pricing and Availability

The M.ZUIKO Digital ED 300mm f4.0 IS PRO lens is available now for an estimated street price of $ 2,499.99 (U.S.) and $ 3,199.99 (Canada).

To find out more about the Olympus M.ZUIKO Digital ED 300mm f4.0 IS and for a complete list of specifications, visit the Olympus website at http://www.getolympus.com/us/en/lenses/pen-omd/fixed-focal-lengths/m-zuiko-ed-300mm-f4-0-is-pro.html.

*As of December 2015. CIPA guideline compliant, when correction is carried out on two axes (yaw and pitch) and when halfway release image stabilization is off.

Olympus M.Zuiko Digital ED 300mm F4 IS PRO specifications

Principal specifications
Lens type Prime lens
Max Format size FourThirds
Focal length 300 mm
Image stabilisation Yes (4 stops (6 stops with E-M1 and E-M5 II))
Lens mount Micro Four Thirds
Aperture
Maximum aperture F4.0
Minimum aperture F22.0
Aperture ring No
Number of diaphragm blades 9
Optics
Elements 17
Groups 10
Special elements / coatings Three super ED, one extra-high refractive, three high refractive elements + ZERO nano coating
Focus
Minimum focus 1.40 m (55.12)
Maximum magnification 0.24×
Autofocus Yes
Motor type Micro-type ultrasonic
Full time manual Yes
Focus method Internal
Distance scale No
DoF scale No
Focus distance limiter Yes
Physical
Weight 1270 g (2.80 lb)
Diameter 93 mm (3.64)
Length 227 mm (8.94)
Sealing Yes
Colour Black
Zoom method Rotary (extending)
Power zoom No
Filter thread 77.0 mm
Hood supplied Yes
Tripod collar Yes

Articles: Digital Photography Review (dpreview.com)

 
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Tokina announces ultra-wide 14-20mm F2 lens for Canon and Nikon crop sensor DSLRs

01 Jan

Kenko Tokina has launched the Tokina AT-X 14-20mm F2 Pro DX lens for Canon and Nikon DSLRs with APS-C sensors. That’s equivalent to 21-30mm on Nikon bodies and 22-32mm on Canons.

This ultra-wide zoom has a pair of super low dispersion elements in the back and a plastic aperhical element in the second group that promise to reduce flare and ghosting. It also sports nine aperture blades, a one-touch focus clutch mechanism and internal focusing.

Pricing and availability have yet to be announced.


Press release:

Kenko Tokina Co., Ltd. is pleased to announce the new AT-X 14-20 F2 PRO DX

Characteristics 

The fast F2.0 Zoom lens of Tokina
Since the maximum aperture of F2.0 is given this lens, it’s possible to support the low sensitivity photography used ISO64 and ISO100 setting. The maximum aperture of F2.0 shows its power for the photography using the blur feeling and photography with the low brightness (In the room, In the night). 

Adopt highly precise Plastic Aspherical lens
The 2nd lens group in this lens is adopted the plastic aspherical lens which improved surface accuracy, and is given antireflection coat. This lens is designed tough against ghost flare. 

Arrange highly precise Glass molded Aspherical lens
2 pieces of super low dispersion glass molded aspherical lens is located in the back goup of the lens, and various aberration are corrected by these lenses. 

Compact Body and Excellent Operability
Tokina’s exclusive One-touch Focus Clutch Mechanism allows the photographer to switch between AF/MF simply by sliding the focus ring, forward side for AF and back toward the camera for MF. This lens is designed as the fast aperture F2.0 in all focal range, but it is a compact body. This lens has a thread in the front frame, so it’s possible to attach filters of 82mm size. 

The new Tokina AT-X 14-20 F2 PRO DX is an ultra-wide-angle zoom lens for the DX(APS-C) size, and has the maximum aperture of F2.0. 

In low brightness situation, use it demonstrates its preeminent power. 

Specifications 

  • Focus distance: 14 – 20 mm 
  • Brightness: F2.0 Canon 
  • Format : APS-C 
  • Minimum aperture: F22 
  • Lens configuration: 13 elements in 11 group 
  • Coating: Multilayer film coating 
  • Angle of view: 91.68° ~ 71.78° 
  • Filter size: 82mm 
  • Shortest Object Distance: 0.28m 
  • Macro maximum magnification: 1:8.36 
  • Focus method: Internal focus 
  • Number of Aperture blades: 9 
  • Maximum diameter: 89.0 mm 
  • Full length: 106.0 mm 
  • Weight: 725 g 
  • Hood (Attached) : BH-823 

Above mentioned specifications are for a Nikon mount. 


Tokina AT-X 14-20mm F2 Pro DX specifications

Principal specifications
Lens type Zoom lens
Max Format size APS-C / DX
Focal length 14–20 mm
Image stabilisation No
Lens mount Canon EF, Nikon F (DX)
Aperture
Maximum aperture F2.0
Minimum aperture F22.0
Aperture ring No
Number of diaphragm blades 9
Optics
Elements 13
Groups 11
Special elements / coatings 2 super low dispersion + multilayer film coating
Focus
Minimum focus 0.28 m (11.02)
Maximum magnification 0.12×
Autofocus Yes
Full time manual Yes
Focus method Internal
Distance scale Yes
DoF scale No
Physical
Weight 725 g (1.60 lb)
Diameter 89 mm (3.5)
Length 106 mm (4.17)
Sealing No
Colour Black
Zoom method Rotary (internal)
Zoom lock No
Filter thread 82.0 mm
Hood supplied Yes
Hood product code BH-823
Tripod collar No

Articles: Digital Photography Review (dpreview.com)

 
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