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Posts Tagged ‘Lens’
iZugar launches 220-degree super fisheye lens for Micro Four Thirds
23
Sep
 |
Hong Kong-based company iZugar has just launched a pretty quirky, intense little lens.Called the MKX22, it’s a 3.25mm F2.5 super fisheye lens for Micro Four Thirds cameras that offers a whopping 220-degree angle of view.
This fisheye lens is said to offer “edge-to-edge sharpness” with suitability for 4K video recording, a 0.6m minimum focusing distance, fully circular 10mm design, and extra-slim build for better parallax control, according to iZugar. All of that in addition to that 220-degree angle of view that can more-or-less see behind itself.
The lens recently appeared for sale on iZugar’s website, where the company explains that the MKX22 can be used with the ZCam E1 – iZugar Custom Edition, Blackmagic Micro Studio 4K, Sony A7R2, Panasonic GX80, and similar cameras. For reference, the company offers a full reference guide showing FOV for these cameras at various resolutions.
The lens is available from iZugar now for $ 500.
Lens Specifications:
- Model: iZugar MKX-22
- Format: 10mm full circular
- Mount: Micro Four Thirds mount (MFT)
- 35mm Equivalent Focal Length: 3.25mm
- Aperture: f/2.5 (fixed)
- Minimum Focusing Distance: 0.6m
- Lens Groups/Elements: 10/11
- Angle of View (MFT-4k): 220 x 150
Articles: Digital Photography Review (dpreview.com)
Oprema Jena revives Biotar 58mm F2 lens with record-setting 17 aperture blades
21
Sep
 |
After successfully funding the ‘legendary’ Biotar 78mm F1.5 lens through Kickstarter, newly-minted company Oprema Jena is trying to pull off yet another resurrection. This time the crowdfunding platform is Indiegogo, and the lens they’re bringing back is the Biotar 58mm F2: the world’s only lens with a ‘historic’ 17-blade aperture.
Oprema isn’t holding back when it comes to describing this lens in the most epic of terms:
Reengineered to its true historic 17 aperture blade version it will change how you feel about photography. With its unique design the Biotar 58 balances the need for sharpness and bokeh in one lens like no other. It is truly an enchanting miracle bokeh wonder lens for all your photographic situations.
“Miracle bokeh wonder lens” …. there’s a tagline for you. And if that’s not enough, here’s an overly-dramatic introduction to this lens complete with inspiring music and over-zealous presenter voice:
Joking aside, people seem very excited about this old lens coming back. The original design dates back to 1927, and it was introduced to the public around 1937. Unfortunately, due to the war, the original Biotar 58 was only produced in small numbers, and later versions never quite recaptured the original’s flare for dramatic bokeh.
Until (at least according to Oprema Jena) now.
Oprema identified the models that were “most outstanding” from the Biotar’s history, and recreated those while adding in some modern conveniences like rangefinder coupling for Leica users, and modern-day lens mounts for everyone else. Here are some web resolution sample photos so you can judge for yourself if they succeeded in creating a lens worth dropping a grand on:
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Already over 150% funded, it looks like the Biotar 58mm F2 will come to be whether or not anybody else decides to pledge their money and pick one up. But if you want to learn more about this lens and/or drop the $ 950 it’ll take to buy one in either Silver or Black (Super Early Bird level, still 180 available), head over to the Indiegogo campaign by clicking here.
Articles: Digital Photography Review (dpreview.com)
Lens Rentals test shows all circular polarizing filters work great, price doesn’t matter
20
Sep
 |
| Photo: Roger Cicala/Lens Rentals |
Our friend Roger Cicala over at Lens Rentals is at it again: buying up super expensive optical testing equipment because someone asked him why LR carries the circular polarizing filters they do. The answer, until now, was simple: make the expensive one on the market their high-end rental, and the cheapest one their “basic.” But is there really any difference?
That’s what Roger set out to figure out, and the answer might save you a little bit of cash.
You can read the full post and see all of the detailed results on the Lens Rentals blog, but the most surprising and positive conclusion was this:
All circular polarizers, regardless of price, are 99.9% effective at polarizing light.
Translation: if you’re looking for a circular polarizer because … well … you want to polarize light then save your money because the cheaper ones work just as well as the more expensive ones.
In addition to their ability to do what they say they do, Cicala and LR team tested CP filters for overall transmission (how much light to they let through) and transmission by wavelength so you can see what effect each filter has on the colors your camera sees. Check out the results here.
Articles: Digital Photography Review (dpreview.com)
Review: Nikon D7500 with 18-140mm Kit Lens
20
Sep
The 7000 series of cameras from Nikon have been very popular since they were first introduced in 2010. It is a mid-range camera in their lineup but sits at the top end of the amateur level cameras. As with many of these cameras the new one in this series, the Nikon D7500 can also be purchased with a kit lens, this one came with the 18-140mm lens.
The Nikon D7500 with the 18-140mm kit lens. Image courtesy Nikon Australia.
The new D7500 is in the DX format or crop sensor camera. It has a 20.9 megapixel CMOS sensor and is said to be “equipped with a high-performance EXPEED 5 image-processing engine.” Nikon also claims that it is a good camera for video and that it supports 4K UHD. For more technical information please go to the Nikon website.
Nikon D7500 out of the box
When you first get the camera out you’ll notice it’s surprisingly light. I use a D800, so most cameras are light compared to that. However, the D7500 is a good size and feels nice in the hands. There is some weight to it, but it’s comfortable. When you have the camera, with the kit lens attached, hanging around your neck the weight doesn’t hurt you.
They have made the grip deeper so it is easier to hold onto, and also more comfortable to hold. With some models, it feels like you are digging your nails into the camera, but that hasn’t happened with this one.
Holding the Nikon D7500. Image courtesy Nikon Australia.
Easy to use
When it comes down to it, what you really want from a camera is one that is easy to understand and use. There is no doubt that you will find both of those with the Nikon D7500. In previous models you had to go into the menu to change some settings, a lot of them are now buttons on the camera. ISO is changed with one up near the shutter button. You can change aperture with the scroll wheel at the front and the shutter with the one at the back. It is easy for your fingers to find everything you need.
ISO
It has a high range and will go up to 51200 and the slowest speed is 100. It has enough of a range that would suit most people who want to take photos in both low light and on sunny days.
With images taken at 12800 during a night show at Sovereign Hill you can see noise in the images, which is to be expected, but the amount isn’t that bad that the images are not useable. When compared with what older cameras did at ISO 3200, this camera takes a good image at the higher ISOs with much less noise as on other models. It fits in with many of Nikon’s cameras for using in low light.
The Winter Wonderland at Sovereign Hill was dark and to get images the ISO was put up to 12800.
Autofocus
Nikon has worked on the autofocus features with the D7500 and it is fast. You can track subjects and get fast focusing to get sharp images of whatever you are trying to capture. It doesn’t take long to get any subject in focus. It means you can work quickly, especially if you like doing street photography or something else where fast autofocus is needed.
Touch screen
Like most new cameras it does come with a touch screen which makes accessing sections in the menu easier and faster. You can just click on what you need. You can also use your fingers to scroll through the images you have taken. It turns the menu into a series of buttons, so you can move around it much faster and find what you need to make any necessary adjustments.
Another night image that was hand held and taken with ISO 128000.
LCD screen
The screen at the back is tiltable (it’s not full articulating) so you can change it when you want to use Live View. This is especially good for places where you have strange camera angle, for example, when you are photographing something that is close to the ground. You can put the camera in Live View mode, and then tilt the screen so you can see what you are shooting without having to get down on the ground as well.
Live View is really good, though you always need to be careful with how quickly it can drain the battery. Without a doubt, you will use the battery faster if you use this mode all the time. If you use the viewfinder instead the battery will last a lot longer and you will get plenty of photos.
This image was taken at Abbotsford Convent.
DoF preview button
It has been pointed out that the current model, the D7500, does not have a depth of field preview button (shows you what your image will look like with your selected aperture). Though it seems that many cameras are now removing this feature. It is not something that I either use or have looked for in a camera, but if it is an important aspect in your photography then it may be a problem for you.
Long exposure photography
You can use any DSLR camera for long exposures, and this one is no different. The images come out very sharp and you get the great effects that you would normally expect. One part that was surprising to me was using Live View with an ND filter on the camera, I could still see the scene. Many Nikon cameras do not do that. When the filter is on you can’t see anything, and you need to remove it to refocus and recompose. This is a great added advantage and makes taking long exposure images that much easier.
Long exposure taken at Banyule Flats using the D7500 and the 18-140mm kit lens.
Snapbridge
The camera has wifi, Bluetooth and Snapbridge. You can now connect your camera to your phone and get photos to instantly publish on social media. In other cameras the Snapbridge hasn’t worked well with Android phones, but with the D7500 I had no trouble getting my phone to find it and download images. It worked really well, and so far the best experience I’ve had with this app.
The 18-140mm kit lens
This is an interesting lens to include in a kit and many people would be really interested in it. The usual 18-55mm has been replaced with this one. It is a good choice for most people who are starting out with photography.
It has an aperture of f/3.5 at 18mm and when you zoom to 140mm the aperture range starts at f/5.6. It is much the same as other lenses of this type. For most photography, you are not going to want to go wider than those. It is a kit lens and you aren’t going to get something really amazing. If you want higher quality you need to buy the body separately and then get a lens separately.
The kit lens takes pretty good images of flowers up close. Not quite as close a macro lens, but fairly good.
Most lenses for cropped sensors are of a similar quality. The images from this lens appear sharp and the quality is good. While testing this camera and lens the combination was used for night photography, long exposures, walking around, and some macro. It performed well in all circumstances.
The lens does have Nikon’s Vibration Reduction or VR, which a lot of users now want. Though you can choose to turn it off, which you should do if you are using the camera on a tripod. You also don’t have to use this function.
I tend to turn VR off on my lenses so I don’t leave it turned on when using my tripod. I haven’t found it a problem, but if find that your images have some movement, or you have trouble holding the camera very still then you may find it easier to keep it turned on.
This image was taken as walking around the city.
Who would buy this camera and lens?
The Nikon D7500 is the top level amateur or non-professional camera that Nikon makes. It is for serious amateurs who want to get the best out of their photography, but can’t quite justify the extra expense of a full frame camera.
It would suit someone looking for a second camera after learning how to take photos with one of the entry level Nikon cameras, like one of the D3000 series models. It is a good step up and there are many features that the D7500 is capable of that the others aren’t.
There is no reason why someone who is new to photography shouldn’t purchase it either. It would be an ideal camera to learn and experiment with as you grow into the camera. The kit lens will also give you a lot of room to advance as well.
Another long exposure that was taken with the D7500 and the 18-140mm lens
Price
Amazon has the Nikon D7500 body listed at $ 1246.95, and if you want to buy the kit with the 18-140mm you can get it for $ 1546.95.
Conclusion
Overall, the Nikon D7500 would suit someone who is fairly serious about their photography and wants to get the most out of their camera. Someone who wants to take a lot of photos and also wants a model that is capable of doing many different types of photography. It is a camera that will do everything you want it to and you won’t be disappointed.
The post Review: Nikon D7500 with 18-140mm Kit Lens by Leanne Cole appeared first on Digital Photography School.
Tamron developing lightweight, compact 100-400mm F4.5-6.3 lens
18
Sep
 |
Third-party lens maker Tamron has officially announced that it is working on a new tele-zoom lens for full-frame cameras: the 100-400mm F/4.5-6.3 Di VC USD (Model A035).
Thanks to the use of magnesium in key areas of the barrel, Tamron claims the lens is both durable and, weighing in at just 1.12kg, the lightest in its class. The optical design incorporates three low dispersion elements to control chromatic aberration and Tamron’s eBAND (Extended Bandwidth & Angular-Dependency) coating to minimize reflections and flare.
Tamron also included a high-speed Dual MPU (Micro-Processing Unit) control system, which works in conjunction with Tamron’s Ultrasonic Silent Drive focusing motor to deliver AF speed and precision.
The lens will be compatible with Tamron’s 1.4X teleconverter and the Tamron TAP-in Console that lets you fine-tune and adjust focus and stabilization, among other parameters. An Arca Swiss compatible tripod mount will be available as an optional accessory.
If everything goes to plan, the 100-400mm F/4.5-6.3 Di VC USD will be available by the end of 2017 in Canon and Nikon mount versions.
Press Release
Tamron announces the development of a new ultra-telephoto
zoom lens with superior image quality, advanced features
and lightweight, compact design
100-400mm F/4.5-6.3 Di VC USD (Model A035)
September 15, 2017 – Commack, New York – Tamron USA, Inc. announces the development of a new ultra-telephoto 100-400mm F/4.5-6.3 Di VC USD zoom lens (Model A035) for full-frame DSLR cameras. The advanced optical design of Model A035 includes 3 LD (Low Dispersion) lens elements for greater aberration reduction and Tamron’s original eBAND Coating for superior anti-reflection performance.
At 39.3 oz., the new lens is the lightest weight in its class[1] and features magnesium material in key areas of the lens barrel to improve weight reduction, strength and portability.
The Model A035 delivers fast and precise autofocus performance and consistently powerful VC (Vibration Compensation) benefits thanks to the high-speed Dual MPU (Micro-Processing Unit) control system that is found in the latest Tamron lens models.
Model A035 is fully compatible with Tamron’s 1.4X teleconverter and the Tamron TAP-in ConsoleTM that enables lens customizations for focus adjustments, VC mechanism adjustments and more. Additionally, an Arca Swiss compatible tripod mount is available as an optional accessory.
This combination of features and optional accessories join to create a lens that photographers everywhere will enjoy using in various shooting situations, including low-light conditions that require handheld operation as well as those where convenient attachment to a tripod is preferred.
[1] Among 100-400mm F/4.5-6.3 lenses for 35mm full-frame DSLR cameras (As of September 15, 2017; Tamron)
PRODUCT HIGHLIGHTS
- 3 LD (Low Dispersion) lens elements effectively compensate for axial chromatic aberrations, a potential issue for ultra-telephoto lenses, and other various aberrations.
- eBAND (Extended Bandwidth & Angular-Dependency) Coating, with superior anti-reflection performance to eliminate flare and ghosting, provides flawless, crystal clear images.
- High-speed Dual MPU (Micro-Processing Unit) control system delivers quick and highly responsive autofocus performance and outstanding vibration compensation.
- Lightest weight (39.3 oz.) lens in the ultra-telephoto zoom lens category.
- Optional accessory tripod mount is Arca Swiss-compatible.
- MOD (Minimum Object Distance) of 59″ and maximum magnification ratio of 1:3.6
- Moisture-Resistant Construction and Fluorine Coating for weather protection
- Fully compatible with 1.4X teleconverter and TAP-in ConsoleTM
Articles: Digital Photography Review (dpreview.com)
SLR Magic announces CINE 18mm F2.8 lens for Sony E-Mount
14
Sep
 |
SLR Magic has released a new model in its series of manual-focus lenses for full-frame Sony E-Mount cameras: the SLR Magic CINE 18mm F2.8 wide angle. The optical design of the lens incorporates 10 elements in 8 groups and allows for a minimum focus distance of just 20cm (~7.9 inches).
The new lens features a black anodized body, a low weight of only 445 grams and compact dimensions, making it an interesting option for use on gimbals and other video-centric camera supports. It also comes with a 62mm filter thread. The aperture features a manually controlled diaphragm and 9 blades, and allows you to stop down from F2.8 to F16.
The SLR Magic line-up now covers a range from 18 to 75mm, with the latest addition looking like a good option for landscape and architectural photographers, in addition to video-shooters.
The SLR Magic CINE 18mm F2.8 will be available through authorized retailers starting in October, and will set you back $ 500.
Articles: Digital Photography Review (dpreview.com)
How to Use a Tilt-Shift Lens Creatively and for Perspective Control
14
Sep
When you hear tilt-shift lens or tilt-shift photography, there is a probability that an image looking like a miniature model crossed your mind. That is because, over the years, tilt-shift lenses have become synonymous with this style. The miniature look is interchangeably referred to as the tilt-shift effect and you can even recreate it in post-processing. These lenses though have quite a few other strengths that are worth considering.
The miniature look that is affiliated with tilt-shift lenses.
So why use a tilt-shift lens?
The simple answer here is for perspective control. If you compare your regular lenses to a tilt-shift lens, you will notice they are built differently. The latter is designed to physically move (tilt, shift and rotate) independent of the camera and each other. This design feature gives you remarkable control over perspective and depth of field. In fact, a tilt-shift lens is also known as a perspective control lens.
Left: Shot with the camera pointing up to capture the entire scene. Right: Lens shifted to minimize distortion.
Tilt Versus Shift
The tilt function gives you the ability to keep different elements of focus on different planes. Thus you can shoot two subjects at two different distances. With a regular lens if you want to shoot at a wide aperture, you usually have to make a focus choice of either the foreground or background. A tilt-shift lens allows you to have both your subjects in focus.
The shift function allows you to minimize distortion (common when using wide angle lenses) when you are shooting from a high or low angle. It also helps correct vertical line convergence (tilting buildings).
Tilt-Shift Lens Uses
Architecture
When photographing architecture, the shift function helps you maintain proper perspective. Ordinarily, when you want an entire building in your frame, you tilt your camera up. If you have ever tried this, you will be familiar with images where the buildings appear to be leaning backwards.
Church shot at 24mm with a standard lens.
This skew is caused by the sensor plane of the camera being titled in relation to the building. Ideally, you want the sensor perpendicular to the ground and pointing straight ahead/centered. With a tilt-shift lens, instead of angling your camera upward, you “shift” the lens. Since the camera stays put and only the lens physically shifts, your building will be straight. This technique is very helpful when shooting interiors with high ceilings.
Church shot at 24mm with a tilt-shift lens.
Landscapes
In landscape photography, one of the primary uses of a tilt-shift lens is to minimize wide angle lens distortion. Another great way to use this lens is for panoramic shots. A common challenge with panoramas is after the shots are stitched together there is still some distortion to be corrected. When this distortion is corrected in post-production, you may lose part of your scene. By using the shift function of the lens, you can create high resolution distortion free panoramas with negligible post-processing work.
Creative uses of tilt-shift lenses
Miniatures
The tilt function of the lens is responsible for that miniature look you are likely familiar with. A miniature effect is when you take a life-sized scene and make it appear as if it’s on a miniature scale. The lens here is used to add blur to the photo which simulates shallow depth of field. This mimics the look you get when you use a macro lens to shoot a miniature scale model.
The blur above and below creates a perception that your camera is only inches away from the scene.
To create this type of look, you need to be elevated at least 10 feet /3 meters (recommended higher if possible). Elevation gives you that same perspective as if you were looking down on a miniature model. So other than the subject, a high vantage point is key for these types of photos.
The tilt function allows you to creatively add blur (in this image the blur is on the right side).
Note: Shooting wider gives you a better sense of place.
Portraits
Shooting portraits with a tilt-shift lens can be quite creative. At the very basic level, you are now able to capture in focus two subjects (or a group), even though they may be at different distances from the lens.
Another creative use is capturing someone walking towards or away from you. As you know, a moving person can quickly be out of focus. But with a tilt-shift lens, you have the ability to extend your plane of focus to the front and back of your walking subject so they stay sharp even at different distances.
Bonus: The Scheimpflug Principle
The Scheimpflug Principle is where more of your subject plane is in focus (from near to far) and refers to what looks like a near-infinite depth of field. To achieve this great “depth of field”, you tilt the plane of focus in the same direction as the plane of the subject – which puts the image in focus at various points along the subject plane.
By Fil Hunter at English Wikipedia – Transferred from en.wikipedia to Commons by Jacopo Werther., Public Domain
For example, if you are shooting a field of flowers going off into the distance and you want to have all of the flowers in focus. Shooting at a small aperture will work, but may (based on your lighting) increase your shutter speed – which reduces your chance of sharp flowers. By changing the plane of focus, your tilt-shift lens allows you to shoot at a wider aperture and still get all your flowers in focus.
Conclusion
The perspective control that tilt-shift lenses offer will save you a lot of time in post-processing and is also a great way to correct for depth of field limitations of most lenses. These lenses also give you a lot of depth without the need to use smaller apertures. So besides straightening tall buildings, what have you used, or hope to use tilt-shift lenses for?
Here are some other creative ideas for you. Please share your tilt-shift images in the comments below.
The post How to Use a Tilt-Shift Lens Creatively and for Perspective Control by Nisha Ramroop appeared first on Digital Photography School.
Sigma can install a rear-mounted filter holder on your Canon 14mm F1.8 Art lens
12
Sep
 |
Lens manufacturer Sigma has announced an interesting new service: users of the company’s Canon mount 14mm F1.8 DG HSM Art lens can now pay the company to fit a rear mount filter holder onto their lens. The FHR-11 filter holder is designed to allow gel filters to be held over the rear element of the lens so photographers can enjoy “more freedom of expression.”
Those who want to fit the holder themselves can buy it without the installation service, but keep in mind that damage caused by erroneous fitting will not be covered by the lens’ warranty. Sigma says the time the fitting will take depends on local services, but in Japan users are being told to expect the lens to be away for a week.
In the UK, the FHR-11 on its own costs £35 (~$ 45 USD), while the filter+install service costs £60 (~$ 80 USD). Sigma USA has yet to release official US pricing. For more information see the Sigma website.
Press Release
Chargeable service for installing the Rear Filter Holder FHR-11 on SIGMA 14mm F1.8 DG HSM | Art for Canon
The Sigma Corporation is pleased to announce a chargeable service for installing the Rear Filter Holder FHR-11 on the SIGMA 14mm F1.8 DG HSM | Art for Canon.
From September onwards, Sigma will be able to install the Rear Filter Holder FHR-11 on SIGMA 14mm F1.8 DG HSM | Art for Canon.
The Rear Filter Holder FHR-11 is an accessory exclusively designed for the SIGMA 14mm F1.8 DG HSM | Art for Canon, and it enables photographers to use a filter sheet with the lens.
By attaching it to the rear of the lens, it will allow more freedom of expression.
The Rear Filter Holder FHR-11 will be available in the UK towards the end of September for a Suggested Retail Price of £34.99 including VAT. The Rear Filter Holder FHR-11 and installation service by Sigma Imaging UK Ltd is £59.99 including VAT.
Please contact Sigma Imaging (UK) Ltd for further information. Customers who do not own the appropriate tools or who do not feel confident in attaching the filter holder themselves may take advantage of the chargeable installation service.
PACKAGE CONTENTS
1. Rear Filter Holder FHR-11
2. Guide template
3. Fixing screws (3 pieces)
UPC Code: 0085126 934866
- Any damage or faults caused by attaching the filter holder on your own will not be covered by the warranty.
- This product is exclusive to the SIGMA 14mm F1.8 DG HSM | Art 017 (CANON Mount).
- Please do not attempt to attach it to any other lens or mount. There is a risk that it may cause damage to the lens and camera.
- Please be careful to avoid scratches to the lens or the electrical contacts when attaching the filter holder.
- Please ensure not to drop the small fixing screws inside the lens.
Articles: Digital Photography Review (dpreview.com)
Fujifilm announces new X-series firmware and updated lens roadmap
11
Sep
 |
| The X-Pro2 is one of the four cameras that gains new functionality in an imminent firmware update. |
Alongside the new X-E3 and XF 80mm F2.8 prime, Fujifilm also announced firmware updates for several of its current X-series models, and an updated lens roadmap. Two new lenses have been added to the roadmap: the XF8-16mmF2.8 R LM WR and a telephoto prime lens, the XF200mmF2 R LM OIS WR. No further details on the lenses (or their likely cost or announcement date) have yet been released.
 |
New firmware is closer to hand, and major updates are on the way for the X-Pro2, X-T2, X100F and X-T20 later this year, which will bring several additional capabilities.
Fujifilm X-Pro2: Firmware V.4.0 key features
- Addition of 4K video mode using Film Simulation modes.
- Adds support for tethered shooting via USB or Wi-Fi.
- Updated AF tracking algorithm with enhanced subject tracking.
- Support for FUJIFILM X RAW STUDIO which enables users to convert RAW files with X Processor Pro.
- Improved radio flash controller usability, allowing users to shoot with compatible third party studio flash in high speed sync or TTL mode via their radio controllers.
- Adds support for backup and restore of camera settings from one camera to another via FUJIFILM X Acquire.
Fujifilm X-T2: Firmware V.3.0 key features
- Updated AF tracking algorithm with enhanced subject tracking.
- Support for FUJIFILM X RAW STUDIO which enables users to convert RAW files with X Processor Pro.
- Improved radio flash controller usability, allowing users to shoot with compatible third party studio flash in high speed sync or TTL mode via their radio controllers.
- Adds support for backup and restore of camera settings from one camera to another via FUJIFILM X Acquire.
Fujifilm X100F: Firmware V.2.0 key features
- Adds support for backup and restore of camera settings from one camera to another via FUJIFILM X Acquire.
- Support for FUJIFILM X RAW STUDIO which enables users to convert RAW files with X Processor Pro.
- Improved radio flash controller usability, allowing users to shoot with compatible third party studio flash in high speed sync or TTL mode via their radio controllers.
Fujifilm X-T20: Firmware V.1.1 Key features
- Adds support for touch panel operation while looking into the electronic viewfinder.
Press Release:
FUJIFILM ANNOUNCES NEW ULTRA-COMPACT X-E3 WITH 4K VIDEO, TOUCHSCREEN, UPGRADED AF TRACKING AND BLUETOOTH CONNECTIVITY; NEW FUJINON XF80MMF2.8 R LM OIS WR MACRO LENS
Latest development of the X Mount Lens Roadmap unveiled; new Firmware Updates for FUJIFILM X-Pro2, X-T2, X100F and X-T20 coming soon
Valhalla, N.Y., September 7, 2017 – As a leader in advanced digital camera technology, FUJIFILM North America Corporation today announced the new FUJIFILM X-E3 rangefinder style mirrorless digital camera with outstanding image quality and enhanced handling. The X-E3 features the latest 24.3MP X-Trans CMOS III image sensor and the X-Processor Pro high-speed image processing engine, along with a new image recognition algorithm in an ultra-compact body.
Also announced today is the new XF80mmF2.8 R LM OIS WR Macro Lens, the first 1.0x magnification mid-telephoto macro lens in the X Series lineup of interchangeable lenses. The lens features a focal length equivalent to 122mm (in the 35mm format) and a maximum aperture of F2.8 for beautiful bokeh.
Exceptional Autofocus Tracking and High-Speed Response
The FUJIFILM X-E3 features a large phase detection autofocus (AF) area and provides photographers with enhanced tracking performance for moving subjects. Equipped with a newly developed image recognition algorithm, the X-E3 is able to track moving subjects half the size, or moving twice as fast as previous models.
The X-E3 supports both Full HD and 4K video recording. Videos can be shot with Film Simulations in-camera to easily produce creative high-resolution footage.
The compact and lightweight X-E3 is perfect for quick snapshots, boasting high-speed response times including a start-up time of just 0.4 seconds, shooting interval of 0.25 seconds, shutter time lag of 0.05 seconds and autofocus speed as fast as 0.06 seconds.
Enhanced Connectivity and Intuitive Touchscreen Control
The X-E3 is the first X Series model to feature Bluetooth® low energy wireless communication. Providing photographers with enhanced connectivity, this feature offers the ability to pair the camera with a smartphone or tablet for easy transfer of pictures via the free FUJIFILM Camera Remote application.
The X-E3 features a high-resolution 3.0 inch 1.04M-dot static touchscreen LCD monitor to provide users with easy, intuitive operations in a variety of shooting and playback modes. When shooting with the X-E3, the touchscreen can be used to select the focus area, or focus on a specific point before taking a picture. For playback, users can enjoy the ability to swipe or scroll through images, double-tap to enlarge, drag an image once enlarged, along with pinch-out and pinch-in sizing. A new Touch Function feature will also be available on the X-E3, enabling users to create customized camera functions by swiping left, right, up and down on the touchscreen panel.
Ultra-Compact and Lightweight Body for Portability and Practicality
Making it the perfect companion for everyday shooting and travel photography, the new FUJIFILM X-E3 is the most compact and lightweight model with a viewfinder within the X Series interchangeable lens camera range. The X-E3 also features a Focus Lever positioned on the rear side of the camera that allows photographers to use joystick-type operations in eight directions to easily select a focus area.
The top plate features two precision-milled aluminum dials, giving the camera a premium feel and allowing users to easily adjust the shutter speed and exposure compensation while maintaining focus on taking a picture. The Exposure Compensation Dial now has the C position for exposure compensation up to ±5 stops. The new X-E3 is also equipped with an Auto mode selector lever for selecting the fully-automatic Advanced SR Auto mode where the camera can automatically select the optimum settings for a given scene.
FUJIFILM X-E3 Key Features:
- 24.3MP APS-C X-Trans CMOS III sensor
- X-Processor Pro
- Start-up time of 0.4sec
- Ultra-fast AF speed of 0.06sec
- Offers 5.0fps live-view shooting
- Shutter time lag of 0.050sec
- Shooting interval of 0.25sec
- 3.0 inch 1.04M-dot static TFT color LCD touchscreen monitor
- Upgraded AF tracking performance
- Newly developed image recognition algorithm to track moving subjects up to half the size, or moving twice as fast as previous models.
- 4K video can be recorded at [3840 x 2160] 29.97p, 25p, 24p, 23.98P, 100Mbps
- Continuous recording: up to approximately 10min
- Full HD video can be recorded at 59.94 fps, 50 fps, 29.97 fps, 25 fps, 24 fps and 23.98 fps, and with Film Simulation effects
- Video can be outputted to external monitor via the HDMI port and input audio from an external microphone
- Easily connect to external HDMI monitor and turn on HDMI Rec Control to automatically enable a clean HDMI output when the camera’s shutter release button is pressed
- Touch AF to change the focus area and refocusing according to subject movement functions in video recording
- 25 high-performance FUJINON X Mount lenses for ultimate versatility
- Bluetooth® low energy wireless communication to pair the camera with a smartphone or tablet device for easy transfer of pictures
- Free FUJIFILM Camera Remote app for Remote Control function
FUJIFILM X-E3 Accessories:
- X-E3 Metal Hand Grip (MHG-XE3)
- X-E3 Bottom Leather Case (BLC-XE3)
FUJINON XF80mmF2.8 R LM OIS WR Macro Lens
The new XF80mmF2.8 R LM OIS WR is a lightweight, mid-telephoto macro lens designed to deliver the very best results from Fujifilm’s unique X-Trans CMOS sensor. Capable of achieving high quality macro shots, the XF80mmF2.8 R LM OIS WR features an optical construction of 16 elements in 12 groups, including one aspherical lens, one Super ED lens and three ED lenses. As the first in the X Series interchangeable lens series to have a 1.0x magnification factor, the XF80mmF2.8 achieves high resolving power and beautiful bokeh, making it a perfect lens for capturing stunning macro images.
The XF80mmF2.8 R LM OIS WR has enhanced AF capabilities utilizing a Floating Focus System that suppresses aberration. The lens also supports handheld shooting with Optical Image Stabilization. A fluorine coating has been applied to the front lens element, making it less susceptible to smudges, water and dirt, further improving its durability. The lens is also designed to be weather and dust resistant, and operates in temperatures as low as 14°F/-10°C.
FUJINON XF80mmF2.8 R LM OIS WR Lens Key Features:
- FUJIFILM X Mount is compatible with all FUJIFILM X Series interchangeable system cameras
- Weather-sealed at eleven points around the barrel for weather and dust resistance; operates as low as 14 degrees Fahrenheit / -10 degrees Celsius
- 16 lens elements in 12 groups including one aspherical ED lens, one Super ED lens and three ED lenses
- Uses Floating Focus System for improved AF
- Optical Image Stabilization system achieves 5-stop image stabilization
- Focus lens driven by a linear motor for fast and near-silent autofocus performance
- Fluorine coating applied to front lens elements for improved durability
- Compatible with XF1.4x and XF2.0x teleconverters
Updated X Mount Lens Roadmap Unveiled
Also announced is the latest development of the X Mount Lens Roadmap for developing interchangeable lenses for the X Series line of mirrorless digital cameras. The latest roadmap adds two new lenses: the ultra-wide angle zoom lens XF8-16mmF2.8 R LM WR and the telephoto prime lens XF200mmF2 R LM OIS WR. With the expansion of the high performance X Mount lens lineup, Fujifilm covers more focal lengths from ultra-wide to telephoto to support a wide range of photography styles and shooting scenarios.
New Firmware Updates Coming Soon
Fujifilm will release new firmware updates for the FUJIFILM X-Pro2, X-T2, X100F and X-T20 X Series cameras in November and December 2017 to add new functionality and improve operability. These updates will include new support for FUJIFILM X RAW STUDIO, dramatic improvements to the AF-C tracking algorithm in zone and tracking AF mode, addition of 4K video support and computer tethering functions and enhancements to touch panel operations.
FUJIFILM X-Pro2: V.4.0 Key Features
- Addition of 4K video mode using Film Simulation modes (excluding HDMI output for recording).
- Supports tether shooting via USB or Wi-Fi using compatible software* to enable transfer of images to a computer, or to control camera from the computer.
*Requires FUJIFILM X Acquire and Tether Shooting Plug-in PRO/ Tether Shooting Plug-in (Adobe® Photoshop® Lightroom® 6 or CC is required).
- New AF tracking algorithm enhances AF-C to track moving subjects half the size, or moving twice as fast as previous models.
- Supports FUJIFILM X RAW STUDIO which enables users to convert RAW files with X Processor Pro.
- Improves radio flash controller usability allowing users to shoot with compatible third party studio flash in high speed sync or TTL mode via their radio controllers.
- Supports backup and restore of camera settings from one camera to another via FUJIFILM X Acquire.
FUJIFILM X-T2: V.3.0 Key Features
- New AF tracking algorithm enhances AF-C to track moving subjects half the size, or moving twice as fast as previous models.
- Supports FUJIFILM X RAW STUDIO which enables users to convert RAW files with X Processor Pro.
- Improves radio flash controller usability allowing users to shoot with compatible third party studio flash in high speed sync or TTL mode via their radio controllers.
- Supports backup and restore of camera settings from one camera to another via FUJIFILM X Acquire.
FUJIFILM X100F: V.2.0 Key Features
- Supports backup and restore of camera settings from one camera to another via FUJIFILM X Acquire.
- Supports FUJIFILM X RAW STUDIO which enables users to convert RAW files with X Processor Pro.
- Improves radio flash controller usability allowing users to shoot with compatible third party studio flash in high speed sync or TTL mode via their radio controllers.
FUJIFILM X-T20: V.1.1 Key Features
- Touch panel operation while looking into the electronic viewfinder.
Availability and Pricing
The new FUJIFILM X-E3 will be available in three versions in late September 2017.
The X-E3 Body, Black or Silver will be available for USD $ 899.95.
The X-E3 Body with XF18-55mm Lens Kit, Black or Silver will be available for USD $ 1,299.95.
The X-E3 Body with XF23mmF2 R WR Lens Kit, Black or Silver will be available for USD $ 1,149.95.
The new FUJINON XF80mmF2.8 R LM OIS WR lens will be available in November 2017 for USD $ 1,199.95.
Articles: Digital Photography Review (dpreview.com)
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