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Posts Tagged ‘launches’

Tiffen launches ND/PL filter kits for DJI Osmo Pocket camera

10 Apr

Tiffen has introduced a pair of filter kits for videographers using the DJI Osmo Pocket that the company says help to create a more cinematic look to the footage recorded with the device. The kits consist of neutral density filters to control the shutter speed of the Osmo and polarisers to assist with color saturation.

A three-filter kit has ND4, ND8 and ND16 filters, each with a polariser built in, while the six-filter kit offers the same three ND/PL filters minus the polarising element.

Tiffen says the filters are coated to prevent moisture sticking to the surface and to protect against reflections and scratches. The optical glass has a 10-year warranty, and a metal case is provided to store them in.

The 3-filter Osmo Pocket Filter Kit costs $ 49.99 while the 6-filter kit is $ 79.99. For more information see the Tiffen website.

Press release:

Tiffen Filter Kits Now Available for the New DJI Osmo Pocket

Tiffen Filters, a division of The Tiffen Company, introduces their exclusive new line of filters for the DJI™ Osmo Pocket. The filter kits will consist of a three-filter kit of neutral density polarizer filters and a six-filter kit of neutral density and neutral density polarizers available for DJI™’s latest 3-axis stabilized handheld camera.

The filters feature a multilayer and hydrophobic coating, waterproof surface and scratch prevention technology. They guarantee ultra-low reflection rates and have unmatched color fidelity. Its 4K high definition optical glass has a ten-year warranty.

“We’re excited to announce the launch of these filter kits for the popular DJI™ Osmo Pocket,” said Andrew Tiffen, SVP of Marketing, The Tiffen Company. “Matching our exclusive line of filters with the latest pocket-sized handheld gimble from DJI gives content creators the tools they need to enhance the cinematic footage they create with the device.”

Each filter kit includes a compact metal carrying case to safely pack and store the filters until ready for use, making it easy to take these filters on any video-worthy adventure with the DJI Osmo Pocket.

With Tiffen’s exclusive kit of filters for the DJI™ Osmo Pocket, imagemakers can create more professional content by having greater control in camera. When used in conjunction with the award-winning filter technology engineered by Tiffen, the high-quality performance of the DJI™ Osmo Pocket camera system is taken to the next level.

Articles: Digital Photography Review (dpreview.com)

 
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Lexar launches trio of ultra-compact SSD drives

08 Apr

Lexar has announced the SL100 Pro Portable SSD lineup, a trio of compact solid state drives that offer USB 3.1 speeds in a tiny, durable form factor.

The SSD, which weighs just 70.5g / 0.155lbs and measures in at a 73.4mm x 55mm / 2.89in x 2.17in, features a USB-C connection that offers read speeds up to 950MBps and write speeds up to 900MBps. Although the SSD isn’t ruggedized, it is protected against rough vibrations and has temperatures, with an operating temperature range of 0°C to 70°C and a storage temperature range of -40°C to 85°C.

Lexar includes its DataVault Lite software to keep files onboard the SSD safe throws in a three-year limited warranty for good measure.

The Lexar SL100 Pro Portable SSD comes in 250GB, 500GB and 1TB capacities and is available for purchase at B&H for $ 87.99, $ 134.99 and $ 239.99, respectively.

Articles: Digital Photography Review (dpreview.com)

 
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Mastin Labs’ Kodak Everyday Original Styles Pack launches for Capture One

05 Apr

Mastin Labs, the company behind a number of film emulation style packs and the Filmborn smartphone app, has launched its Kodak Everyday Original Styles Pack on Capture One. Until now, Mastin Labs’ film emulation was only available for Adobe programs; this is the first time Mastin Labs has made its emulation presets available for Capture One, the photo editing software from Phase One.

The Kodak Everyday Original Styles Pack supports Capture One 11 and later. Customers get access to three styles in this pack: Kodak Ektar 100, Gold 200, and Tri-X 400. A number of tone profiles and custom white balance options join the styles, as well as 35mm and medium format grain settings. The company claims its style pack can recreate the ‘micro-contrast’ appearance of real film.

Kirk Mastin, photographer and founder of Mastin Labs, introduced the new Capture One pack in an announcement video that provides customers with a quick look at the emulations. Capture One customers can purchase the Kodak Everyday Original from Mastin Labs now for $ 99.

Articles: Digital Photography Review (dpreview.com)

 
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Canon launches its Sumire Prime collection with seven PL-mount cinema lenses

04 Apr

Canon has announced the Sumire Prime collection, a set of seven Canon cinema lenses that use the PL-mount — a first for Canon, who has previously only ever offered its cinema primes in its own EF-mount.

The Sumire Prime lens collection includes the 14mm T3.1 FP X, 20mm T1.5 FP X, 24mm T1.5 FP X, 35mm T1.5 FP X, 50mm T1.3 FP X, 85mm T1.3 FP X and 135mm T2.2 FP X. All of the lenses in the collection feature an 11-bladed iris, are color balanced across the lineup and have the same minimized focus breathing as Canon’s EF-mount cinema prime lenses.

Sumire — pronounced ‘soo-mee-ray’ — is a word of Japanese origin that is most often associated with ‘a floral gentleness and beauty,’ a characteristic Canon sees in its new lens collection.

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Beyond a whole host of third-party full-frame and Super 35mm PL-mount cameras, the Sumire Prime lenses will work with Canon’s entire lineup of Cinema EOS full-frame and Super 35mm 4K cameras as well. In the event an EF-mount is needed, Canon is offering the option to swap the PL-mount for an EF-mount at its Canon Factory Service and Repair center, a process that can be reversed if needed.

The Canon CN-E24mm T1.5 FP X, CN-E35mm T1.5 FP X, CN-E50mm T1.3 FP X and CN-E85mm T1.3 FP X lenses are scheduled to be available in Summer 2019; the Canon CN-E14mm T3.1 FP X lens in Fall 2019; and the Canon CN-E20mm T1.5 FP X and CN-E135mm T2.2 FP X lenses in Winter 2019/Spring 2020.

Press release:

CINEMATIC IMAGING REIMAGINED: INTRODUCING SUMIRE PRIME LENSES FROM CANON

The Company’s First Set of PL-Mount Cinema Prime Lenses Merge the Art and Science of Cinematography

MELVILLE, N.Y., April 3, 2019 – Covering the core range of focal lengths that cinema professionals desire, Canon U.S.A. Inc., a leader in digital imaging solutions, is excited to announce the company’s first set of seven cinema prime PL-Mount lenses, aptly named Sumire Prime. Pronounced“Soo-mee-ray,” the word is of Japanese origin and is associated with a floral gentleness and beauty. Sumire Prime Lenses offer a unique artistically pleasing look with gentle and beautiful skin tones and smooth bokeh, designed for use with large-sensor cinema cameras, including 35mm full-frame cameras such as the EOS C700FF Cinema Camera.

In addition to bright T-stops and Canon’s renowned warm-color imagery, a unique optical design introduces a nuanced look as the lens aperture approaches its maximum setting – subtly modifying the textural renderings of the human face closeup. It also smooths the transition to the fall-off portions of the scene resulting in a pleasing bokeh. This combination adds emotional expressiveness and provides creative flexibility to create a memorable scene.

“Sumire in Japan is the name of a flower, and like the petals of a flower, our lenses are most beautiful when fully opened. This is the inspiration behind the Sumire look,” said Kazuto Ogawa, president and COO, Canon U.S.A., Inc. “The feedback from cinematographers is crucial and their voices have beenheard loud and clear – they asked Canon to introduce a set of PL-mount cinema prime lenses. We went a step further and our new Sumire Prime Lenses produce the beautifully cinematic and unique images professionals desire. We can’t wait to see how the lenses will contribute to the art of filmmaking.”

The new set of seven Canon Sumire Prime Cinema Lenses include the following:

  • CN-E14mm T3.1 FP X
  • CN-E20mm T1.5 FP X
  • CN-E24mm T1.5 FP X
  • CN-E35mm T1.5 FP X
  • CN-E50mm T1.3 FP X
  • CN-E85mm T1.3 FP X
  • CN-E135mm T2.2 FP X

All Sumire Prime lenses feature an 11-bladed iris and bright T-stops that allow users to capture images that feature a more natural circular-like bokeh from both maximum to minimum aperture. The use of an odd number of iris blades also helps to diffuse light rays and produce what is generally considered a more sought after, artistically pleasing and cinematic look with warmer colors. The lenses also achieve uniform color balance throughout the lineup, helping to reduce the need for post grading, even when a production is frequently changing lenses.

The highly durable Sumire Prime lenses feature the same outstanding operability and reduced focus breathing as Canon’s well-established EF-Mount Cinema Prime Lenses. Manual operation provides users with the resistance they desire to make precise changes in focus. A 300-degree focus rotation angle and gear position is consistent across the entire Sumire Prime series of lenses – eliminating the need to adjust gear positions when changing lenses.

“The new Sumire Prime lenses are the perfect blend of science and art,” says cinematographer Matt Porwoll, who shot the first U.S. footage with the lenses. “The bokeh comes alive in ways that weren’t occurring with other lenses I’ve used. Lens flares have a dynamic feel to them, rather than behaving in a formulaic manner. I wish I had these on my last project!”

The Sumire Prime Lenses are compatible with the complete lineup of Canon Cinema EOS full-frame and Super 35mm 4K cameras, including the EOS C700 FF, EOS C300 Mark II and EOS C200. In addition to Canon cameras, the new lenses are also compatible with the latest full-frame and Super 35mm PL-mount cameras from leading manufacturers. Additionally, the mount on the Sumire Prime Lenses is interchangeable and can be converted from PL-Mount to EF-Mount at a Canon Factory Service & Repair center. A Canon representative will be able to perform the service or even revert back to original PL-mount upon request at an additional cost*.

Availability

The Canon CN-E24mm T1.5 FP X, CN-E35mm T1.5 FP X, CN-E50mm T1.3 FP X and CN-E85mm T1.3 FP X lenses are scheduled to be available in Summer 2019. The Canon CN-E14mm T3.1 FP X lens is scheduled to be available in Fall 2019. The Canon CN-E20mm T1.5 FP X and CN-E135mm T2.2 FP X lenses are scheduled to be available in Winter 2019/Spring 2020.

For more information, please visit: usa.canon.com/cinemalenses.

Articles: Digital Photography Review (dpreview.com)

 
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Canon launches four new 4K / 30p professional camcorders in XA range

03 Apr
Canon XA55

Canon has added four new models to its XA range of professional camcorders updating the series to include its first models capable of 4K / 30p recording: the XA55, XA50, XA45 and XA40.

All four of the cameras are aimed at professional news, broadcast and corporate videographers. They providing 5-axis OIS support for their wide ranging zoom lenses and feature dual XLR sockets built-in to the handle for linear PCM audio recording.

The XA55 and XA50 are essentially the same camera just with the addition of an HD-SDI (3G-SDI in Europe) terminal in the XA55. Both use 1″-type sensors and use Canon’s Dual Pixel AF system. They have a 15x zoom that covers the angle of view we’d expect from a 25.5-382.5mm lens on a full frame system, and both offer a Wide Dynamic Range Gamma mode that Canon says increases the DR by 800% to improve detail in highlight areas and to produce more accurate color.

The XA45 and XA40 use smaller 1/2.84-inch sensors and have 20x zoom lenses (29.3-601mm). As well as offering 4K / 30p recording each of the new models provides an over-sampled HD footage mode.

A fifth model launched at the same time has many of the features of the XA55 according to Canon, but is aimed at the budget/student market and doesn’t feature an overhead handle. The Canon VIXIA/LEGRIA HF G60 4K UHD uses a 1″-type sensor, has Dual Pixel AF and a 15x zoom with a variable maximum aperture.

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Some existing Canon camcorders will also benefit from new firmware:

  • XF705: Firmware Version 1.0.1.1 now features improved zoom response when using the zoom ring or zoom rocker, improved focus following speed during zooming, and improved image quality of interlaced recording.
  • XF405/XF400: Firmware Version 1.0.3.0 now features IP streaming, the ability to set custom white balance, support for the reset function that resets the clip number when the reel number is set and improved image quality of interlaced recording.
  • XF405 only: Firmware Version 1.0.3.0 now features 3G-SDI mapping at level A and level B.
  • VIXIA GX10: Firmware Version 1.0.3.0 now features the ability to set custom white balance.

The new XA55 and XA50 models are due to ship in June this year and will cost $ 2699 and $ 2199. The budget VIXIA/LEGRIA HF G60 will arrive at the same time and will cost $ 1699. Those interested in the XA45 and XA40 should see their cameras later this month, at a cost of $ 2199 and $ 1699.

For more information see the Canon website.

Press release:

Four New Canon XA Professional Camcorders Feature 4K 30p High-Quality Recording
XA55, XA50, XA45 and XA40 Camcorders Deliver Crisp 4K Imagery in Compact Bodies at Affordable Price Points

Meeting videographer needs for a variety of applications, Canon U.S.A. Inc., a leader in digital imaging solutions, today announced four new additions to the lineup of XA Series professional camcorders, the XA55, XA50, XA45 and XA40. These four camcorders are the first in the series to feature 4K 30p recording. They also include a detachable XLR handle and the XA55 and XA45 each feature an HD-SDI terminal. In addition, the company has announced the Canon VIXIA HF G60 4K UHD camcorder, a budget-friendly, compact-and-lightweight camcorder.

“Often spending their days and nights working in fast-paced environments, videographers need a camcorder that is affordable, reliable, and delivers great images,” said Kazuto Ogawa, president and COO, Canon U.S.A., Inc. “These new camcorders meet the needs of a variety of users, including those capturing news, shooting influential documentaries, educating young filmmakers or developing content for their companies.”

All of the camcorders feature Canon’s five-axis Intelligent Optical Image Stabilization system, providing users with powerful image stabilization via a Dynamic mode, which helps reduce image distortion, even when shooting while moving. The ergonomically designed and highly portable camcorders have a three-inch LCD touch panel screen and user-friendly, tilting, high-resolution Electronic View Finder (EVF).

The XA55 and XA45 are excellent options for news reporting and documentary shooting, while the XA50 and XA40 are geared more towards broadcasting schools, government agencies and corporate-video production companies. The affordable VIXIA HF G60 caters to advanced amateur videographers who need a 4K UHD camcorder to shoot a wedding or a student film project.

The XA55 and XA50 camcorders both feature a 1.0-inch sensor, nine-bladed circular aperture and Dual-Pixel CMOS AF with a 15x (25.5-382.5mm) genuine wide-angle Canon optical zoom lens. For natural and realistic life-like imagery the XA55 and XA50 camcorders feature a Wide Dynamic Range (DR) Gamma mode. This lowers the barrier for focusing, especially when shooting in 4K, which requires strict focus accuracy. By suppressing overexposure in high- brightness areas of the composition, this mode helps achieve a wide dynamic range of 800 percent to help produce seamless tone gradations, resulting in smooth detail, accurate color and virtually no blown-out highlights. The camera’s Dual Pixel Focus Guide takes advantage of Dual Pixel CMOS AF data to display focus-assist information on the screen. The camcorders also record 4K UHD/30p (4:2:0 8 bit) and 1080p Full HD (4:2:2 10 bit) via SDI/HDMI Output in XF-AVC and MP4 format to dual-card SD card slots with dual and relay recording.

The XA45 and XA40 camcorders both feature an eight-bladed circular aperture with the ability to record 4K UHD/30p (4:2:0 8 bit) and 1080p Full HD (4:2:2 10 bit) via SDI/HDMI Output) in MP4 or XF-AVC format to dual-card SD card slots with dual and relay recording. To help provide enhanced image quality over its predecessor, over sample HD processing can be utilized with information obtained from the 4K 1/2.84-inch sensor and the DIGIC DV 6 image processor. Both camcorders boast a 20x (29.3-601mm) genuine wide-angle Canon optical zoom lens.

The Canon VIXIA HF G60 4K UHD camcorder is packed with many of the same great features found in the XA55 and XA50, like a nine-bladed circular aperture, Dual Pixel Focus Guide and Wide DR, but with the budget- conscious user in mind. The affordable camcorder is an ideal tool for young videographers taking their first steps in the craft and will be sure to please due to its compact-and-lightweight form factor in addition to ease of use.

Additionally, Canon today announced firmware updates for the XF705, XF405/XF400 and VIXIA GX10 camcorders. New features by model include:

  • XF705: Firmware Version 1.0.1.1 now features improved zoom response when using the zoom ring or zoom rocker, improved focus following speed during zooming, and improved image quality of interlaced recording.
  • XF405/XF400: Firmware Version 1.0.3.0 now features IP streaming, the ability to set custom white balance, support for the reset function that resets the clip number when the reel number is set and improved image quality of interlaced recording.
  • XF405 only: Firmware Version 1.0.3.0 now features 3G-SDI mapping at level A and level B.
  • VIXIA GX10: Firmware Version 1.0.3.0 now features the ability to set custom white balance.

Pricing and Availability
The Canon XA55, XA50 and VIXIA HF G60 are scheduled to be available in June 2019 for estimated retail prices of $ 2699.00, $ 2199.00 and $ 1699.00, respectively. The XA45 and XA40 4K UHD video camcorders are all scheduled to be available in April 2019 for estimated retails prices of $ 2199.00 and $ 1699.00, respectively*. For more information, please visit, usa.canon.com.

Articles: Digital Photography Review (dpreview.com)

 
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Tiffen launches Steadicam Steadimate-S vest adapter for single handled gimbals

02 Apr

Tiffen has introduced a device aimed at owners of single handled gimbals like the DJI Ronin-S that allows them to connect their device to a Steadicam vest and arm to add extra stability. The Steadicam Steadimate-S is said to make holding single handle gimbals much easier too, so operators will be able to use them for longer without tiring.

Tiffen already markets the Steadicam Steadimate, which is designed for dual handled gimbals such as the DJI Ronin, and this new model works on the same principles but for single handled devices. The Steadimate-S consists of a bracket and a pair of counter weights. The bracket attaches the gimbal to the arm of the Steadicam vest and the weights ensure the gimbal remains upright. The gimbal then becomes part of the vest and benefits from the z-axis stabilization of the Steadicam arm as well as the x/y-axis stabilization of the gimbal’s own gyro head. The company says this arrangement helps to eliminate the ‘bounce’ often seen in footage shot with single handed gimbals in walking shots.

Users have a choice of two kits to suit the weight of their set-up. The Steadicam Steadimate-S 15 System comes with the A-15 Steadicam Arm and Scout Vest and can be used with up to 6.8kg / 15lbs of kit, while those with camera/gimbal combinations that weigh up to 13.6kg / 30lbs will need the Steadimate-S 30 System that uses the A-30 Arm and Zephyr Vest. The Steadimate-S will also be available on its own for those who already have a vest and arm.

No prices have been released yet, but the existing Steadicam Steadimate for twin handled gimbals costs from just under $ 1700 with a vest and arm, or $ 500 on its own. For more information see the Tiffen website.

Press release:

THE TIFFEN COMPANY DEMONSTRATES NEW STEADICAM STEADIMATE-S AT NAB 2019

Newest Camera Stabilizer Designed for Seamless Use with the DJI Ronin-S®

The Tiffen Company, the leading manufacturer of imaging accessories for the consumer/professional imaging and the motion picture and broadcast television industries, announces today the addition of the Steadimate-S to its Steadicam line of camera stabilizers.

Presented for the first time at NAB 2019, the Steadicam Steadimate-S offers camera operators increased freedom, endurance, and creative opportunity when working with single-handed motorized stabilizers like the DJI Ronin-S®. By pairing a single-handed stabilizer with a body- worn stabilizer the DJI Ronin-S can be operated for hours with minimal physical fatigue while maintaining a wide range of vertical movement and adding full panning ability and “low-mode” operation.

Users can minimize or completely eliminate the bouncing image effect that often occurs when using single-handled stabilizers as the Steadimate-S provides x-axis and y-axis stabilization while the Steadicam arm provides z-axis stabilization. The addition of the Steadimate-S easily and affordably transforms single-handed motorized gimbals into professional video stabilization systems.

“The Steadicam Steadimate-S is a new, elegant solution designed to add stability, operational comfort, and panning ability to single-handed stabilizers that are popular with camera operators,” said Andrew Tiffen, SVP of Marketing, The Tiffen Company. “We look forward to debuting and demonstrating this latest camera stabilizer in our booth at the NAB Show next month.”

The Steadimate-S comes standard with a post block and balance pin that fits arms with 1/2″ posts. The weight capacity varies depending on the single-handed stabilizer, arm, and vest being used. The Steadimate-S adapter can be purchased on its own for use with existing arms and vests, or as a complete kit available in two weight classes. The Steadimate-S 15 System comes with the A-15 Arm & Scout Vest and offers a 15 lbs./6.8 kg weight capacity, while the Steadimate-S 30 System comes with the A-30 Arm & Zephyr Vest and boasts a 30 lbs./13.6 kg capacity.

Articles: Digital Photography Review (dpreview.com)

 
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Prism Lens FX launches three lens filters with built-in prism and flare effects

02 Apr

Prism Lens FX has launched a new line of lens filters that have built-in prism effects. The Variable Prism Filters are being sold as a three-filter bundle and individually with three different filter options: Prism, Chromatic Flare, and Split Glass. Each product is offered as a 77mm rotating filter alongside an optional 82mm to 77mm step down ring.

The Variable Prism Filters offer unique effects without the need to hold items in front of the lens. All three products are recommended for use with 50mm or greater telephoto lenses and a 1.4 / 2 / 2.8 aperture. The Prism filter is designed to add bokeh and flares to images, while the Chromatic Flare filter adds streak / anamorphic flares and the Split filter adds fractal / light leak effects. Below is a gallery of sample images captured with the filters:

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Preorders are now available with each filter priced at $ 75 and the three-filter bundle at $ 195. Shipments are expected to start in mid to late April.

Articles: Digital Photography Review (dpreview.com)

 
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Photo Mechanic 6 launches with 64-bit support, selectable ingestion and more

26 Mar

As promised earlier this month, Camera Bits has released Photo Mechanic 6, a major update to the company’s image ingestion software. A free trial is available to download for new users on Windows and macOS, while ‘qualified’ existing customers can upgrade for $ 89 USD. A new software license is priced at $ 139 USD. For users who purchased Photo Mechanic 5 in 2018 will receive a license key for Photo Mechanic 6 for free.

Photo Mechanic 6 brings a large number of big and small improvements, including the previously announced 64-bit support, the ability to ingest images from selection, better image caching, full-screen support for Preview and Contact Sheet windows, and reverse geocoding.

As part of the initial release, Photo Mechanic 6 brings new elements including a new render cache and image gallery exporter. In addition to new features, version 6 also adds improvements to existing tools, including crop, slideshow, and the Find and Replace panel, plus new support for Blu-ray disc burning and much more.

The software enables photographers to rapidly ingest images, organize, and manage them at faster speeds than catalogue-based competitors. Users have the ability to cull, tag, view, organize and export their images from a single application. This is the first major update to Photo Mechanic since the release of version 5 in 2012.

Mac users must be running at least Mac OS X 10.10 or higher to use Photo Mechanic 6; Windows users must be running a 64-bit version of either Windows 7, 8, or 10.

In addition to the release of Photo Mechanic 6, Camera Bits has also announced Photo Mechanic Plus, a premium upgrade version of Photo Mechanic that will include the much-anticipated Catalog feature. A limited beta of Photo Mechanic Plus will be launched on April 22nd to Photo Mechanic 6 owners at no extra cost and will be launched alongside a dedicated forum where beta testers can share feedback.

In Camera Bits’ own words, the upcoming Catalog feature ‘is an image database for managing large numbers of image files across multiple locations.’ After the beta period is over Photo Mechanic Plus will be offered as a paid upgrade over Photo Mechanic 6 at a price that’s yet to be announced.

Articles: Digital Photography Review (dpreview.com)

 
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Hasselblad launches new cable release, battery charging hub for X1D

16 Mar

Hasselblad has introduced a cable release for its X1D medium format rangefinder-style camera alongside a new USB double battery charger. The Release Cord X is 90cm/36in long and triggers the shutter in single shot and continuous modes, and controls the camera via its microphone socket.

Dual slots on the Battery Charging Hub allow for two batteries to be charged simultaneously and for the camera to be powered via the USB C connector. The hub can be plugged into the AC power supply to charge batteries and the camera, or it can be fed from a portable power bank. The hub is compatible with both battery varieties the camera takes, but charges the newer 3400mAh models 25% more quickly – in 2 hours 18 minutes for one and 2 hours 48 minutes for two. The older 3200mAh model takes 3 hours.

Batteries can be checked via the LED panel that monitors the charging process as well as providing a quick levels readout for partially charged units.

The Hasselblad Release Cord X will cost €69 / $ 80 / £64 / JPY¥9360 excl. VAT. / CNY¥629 incl. VAT, and the Battery Charging Hub will be €129 / $ 155 / £115 / JPY¥17460 excl. VAT / CNY¥1199 incl. VAT. For more information see the Hasselblad website.

Press release:

{pressrelease}

Hasselblad X system expands with Release Cord X and Battery Charging Hub

Hasselblad proudly expands its photographic tool kit for the X System with the introduction of the new Release Cord X and Battery Charging Hub. With Hasselblad’s full commitment to the development of the X System, these two new accessories alongside the introduction of the newest XCD Lenses greatly expand the creative capabilities of the revolutionary mirrorless medium format X1D-50c.

The Hasselblad Release Cord X allows for remote shutter actuation, an invaluable tool when eliminating shake or vibration is paramount. A durable cloth-wrapped 90cm (36 in.) cable connects to the X1D-50c’s microphone input port and the remote’s simple single button operation allows photographers to keep vibration to a minimum. When autofocus is enabled on the camera, a single action swiftly starts autofocus and then releases the shutter. Holding the button down when in Continuous Capture mode allows for multiple frames to be captured, whilst setting the camera in Manual Focus mode allows for Release Cord X to fire the shutter without delay. Its durable metal construction matches the adventurous endeavours of Hasselblad’s X System users and its slim, ergonomic design fits comfortably in the hand. For seamless functionality, the X1D should be updated to the latest 1.22 firmware available at My Hasselblad.

The Hasselblad Battery Charging Hub makes it possible for a Hasselblad photographer to streamline the battery charging process, allowing X1D photographers to go further with their creative pursuits. Its dual slots support the simultaneous charging of two batteries while an integrated USB Type-C connector supports mains power via an included power supply or from common external USB battery banks (sold separately). Front-facing LEDs indicate status and capacity when charging, or users can use the Battery Charging Hub to check battery levels simply by inserting a battery and pressing a single button. The Battery Charging Hub supports both first-generation 3200mAh X System batteries and current 3400mAh batteries, the latter of which support quick-charging up to 25% faster than the former. This equates to a completely replenished single battery in 2 hours 18 minutes, or dual batteries in 2 hours 48 minutes. First-generation 3200mAh batteries recharge completely in approximately 3 hours and completed charging cycles are indicated by an audible chime in either situation. With a durable metal construction and compact design, the Battery Charging Hub is posed to simplify a critical aspect of photography and ensure that maximum creative vision can be achieved.

The Hasselblad Release Cord X is available to purchase with an MSRP of €69 / $ 80 / £64 / JPY¥9360 excl. VAT. / CNY¥629 incl. VAT.

The Hasselblad Battery Charging Hub is available to purchase with an MSRP of €129 / $ 155 / £115 / JPY¥17460 excl. VAT / CNY¥1199 incl. VAT.

{/pressrelease}

Articles: Digital Photography Review (dpreview.com)

 
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Think Tank Photo launches Vision shoulder bags for DSLR and mirrorless gear

14 Mar

Think Tank Photo has unveiled its new Vision series of shoulder bags, including the Vision 10, Vision 13 and Vision 15. The new line is designed to accommodate mirrorless and DSLR cameras alongside ‘pro-sized’ lenses and lens hoods, according to the company. The bags feature a padded divider system that can be customized to meet individual needs, as well as pockets for tablets and laptops.

The Vision 10 bag is the smallest of the series, offering enough interior space for a single standard-size camera body with either a short zoom or wide lens attached alongside another lens or two and a 10-inch tablet; there’s also space for a detached 24-70mm lens. Alternatively, this bag can hold a mirrorless camera kit that includes three or four lenses.

Vision 10 Insert

The Vision 13 offers a bit more space, including enough room for both a 10-inch tablet and a 13-inch laptop, as well as up to a 70-200mm detached lens. The Vision 15 offers the most space with room for a standard size camera body with an attached 24-70mm lens, up to four extra lenses, and a flash, as well as a 10-inch tablet and up to a 15-inch laptop. There’s also room for a 70-200mm detached lens.

All three bags feature exterior fabric with a water-repellent DWR coating and polyurethane underside coating, as well as YKK RC Fuse zippers, 420D velocity nylon, 350G 3D air mesh, 3-ply bonded nylon thread, 500D 2-tone polytech weave nylon tarpaulin, and antique-plated metal hardware. The bags’ interior includes a 200D liner and PU-backed Nylex liner, 3-ply bonded nylon thread, a rain cover, and removable foam dividers.

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Other features include padded non-slip shoulder straps, dedicated phone pocket, luggage handle pass-through, water bottle pocket, and a reinforced top handle.

The Vision bags are available through Think Tank Photo now at the following prices:

  • Vision 10: $ 109.75
  • Vision 13: $ 129.75
  • Vision 15: $ 139.75

Articles: Digital Photography Review (dpreview.com)

 
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