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Posts Tagged ‘just’

Just posted: Canon EOS 6D test data and further impressions

18 Jan

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We’ve just posted an extra six pages to our Canon EOS 6D coverage including data and analysis from all our key tests. We’re working towards completing our review and wanted to publish this information as we know a lot of readers are interested in this camera. We’ve had the camera in the office for a couple of weeks and have used this time to expand our impressions of the camera. This will be the last update before the full review is published very soon.

News: Digital Photography Review (dpreview.com)

 
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Just Posted: Canon PowerShot SX50 HS Review

16 Jan

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Just Posted: Our review of the Canon PowerShot SX50 HS. Canon’s latest superzoom, the SX50, features a 24-1200mm (equivalent) lens and a feature set that compares well to its competition, in what is now one of the most competitive segments of the compact camera market. Specifications include a 12MP CMOS sensor, 2.8in fully-articulated LCD screen, Raw capture and full manual control. Is this the travel camera enthusiasts have been waiting for? Read our review – created in collaboration with Jeff Keller of The Digital Camera Resource Page – to find out. 

News: Digital Photography Review (dpreview.com)

 
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JUST GOT MY NEW CANON D7 TEST VIDEO

12 Jan

I SOLD MY D300 THAT I LOVE AND I MISS ALREADY 2 BUY THE CANON D7

 
 

Just posted: Fujifilm X20 hands-on preview

08 Jan

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Just posted: our hands-on preview of the Fujifilm’s updated enthusiast zoom compact, the X20. Using the same basic design as X10, including its fast 28-112mm equivalent F2-2.8 zoom lens, the X20 uses a completely new sensor, a 2/3″-type version of the X-Trans CMOS design used in the company’s X-system cameras but with adde3d on-chip phase detection AF. It also gains an ‘Advanced Optical Viewfinder’ that’s capable of displaying overlaid exposure information, and a couple of design tweaks to take best advantage of this. In our preview we take a closer look at what the X20 has to offer the enthusiast photographer.   

News: Digital Photography Review (dpreview.com)

 
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Just Posted: Fujifilm X100S first-look preview

08 Jan

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Just posted: Our hands-on first look at the Fujifilm X100S. Fujifilm’s update of its large sensor, fixed lens X100 adds significant upgrades, including a 16MP X-Trans CMOS sensor with on-chip phase detection AF, a higher resolution LCD display in its unique Hybrid optical/electronic viewfinder, and the company’s latest user interface. But there’s a whole host of smaller improvements to, which promise to iron out many of the X100’s particular quirks. In our first look preview, we take a detailed look through what’s changed compared to its predecessor.

News: Digital Photography Review (dpreview.com)

 
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Just Posted: Canon Powershot N first impressions

07 Jan

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Canon’s Powershot N, with its ‘either way up’ design and Creative Shot processing filters, is one of the most unusual cameras we’ve seen for some time. Canon’s talking about it as a companion to a smartphone, and to this end it includes Wi-Fi connectivity and the ability to upload photos and videos to social media. We’ve had the chance to handle one briefly, and have prepared a quick first impressions article to give an idea of how it works.

News: Digital Photography Review (dpreview.com)

 
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Just Posted: Pentax MX-1 hands-on preview

07 Jan

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Just Posted: Our hands-on preview of the Pentax MX-1. The enthusiast sector has become so vibrant that our pre-Christmas roundup included nine cameras. Not wanting to be left out of the action, Pentax-Ricoh has launched its own 12MP camera with a 1/1.7″ sensor – the MX-1. As well as a slightly familiar-looking 28-112mm equivalent, F1.8-2.5 zoom lens, the MX-1 takes the unusual step of including brass top- and base-plates – meaning its classic looks should become even more pronounced as it ages. Read on to find out more.

News: Digital Photography Review (dpreview.com)

 
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Just Posted: Nikon 1 V2 Preview Samples

03 Jan

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We’ve just posted a gallery of real-world samples from the new Nikon 1 V2, with its bundled kit zoom, the 1 NIKKOR VR 10-30mm f/3.5-5.6. The V2 is a significantly different camera from its predecessor, offering much more enthusiast-friendly ergonomics and a new 14MP sensor, among other refinements. As well as 25 JPEG images we’ve also included four Raw conversions, to give a better idea of the camera’s potential. Click through for a link to the full gallery.

News: Digital Photography Review (dpreview.com)

 
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Just a Day in Zurich – Panasonic GH2

30 Dec

Bought 2 months ago a GH2 and just filmed some moments in zurich. It’s my first time i filmed and cut a film so i know it’s not perfect 😉 Font is from the Movie “Drive” 😉 Would be happy if you give a thumb up 🙂 Thanks! All clips are the original file from the GH2, just the dayclips (till 1:53) are a bit colorgraded. Filmed with the Panasonic GH2 – some unhacked Clips and some at 44Mbit/s GOP3. Lenses were most the Sigma 50mm f/1.4. Some scenes with the Nikkor 18-200mm and Panasonic Pancake 20mm f/1.7. Cut in Adobe Premiere CS5. If you have Questions ask 🙂 Music: Biggi Hilmars – Ponds Copyright 2011 Biggi Music Biggi Hilmars – Future Prospect Copyright 2011 Biggi Music Arno Elias – Osmyo Copyright The Orchard Music I do not own any rights to this Music! All rights to the Label!
Video Rating: 5 / 5

 
 

Why the Instagram Debacle Just Taught Every Tech Company to Take Your Photos More Seriously

22 Dec

Why the Instagram Debacle Just Taught Every Tech Company to Take Your Photos More Seriously

“Whatever kind of victory all those protests achieved, it wasn’t one for consumer rights — if anything, Instagram is the real winner here. The company just managed to score a round of positive press for retracting an unpopular change and give itself the ability to actually use photos in ads.” — Nilay Patel, The Verge

Over at the Verge Nilay Patel makes a case that the backlash earlier this week against Instagram’s unpopular TOS update was actually a loss for consumers not a gain. He argues that Instagram’s current TOS is broader than their more explicit proposed one and so consumers are worse off, not better off. Because Instagram technically still holds the rights to sell your photos under their current TOS, and even more broadly, the consumer backlash was misguided and really did more harm than good.

I disagree with Nilay and feel that actually this week’s backlash was one of the more significant movements yet for photo sharing on the web.

It’s not that Facebook (whose TOS is equally broad) and Instagram couldn’t legally sell your photos on the web under their broad TOS in the past or in the future, it’s more that *politically* it is now far more difficult for them to begin selling your photos out from under you on the web using their broader TOS.

Who cares what the TOS says, the message that Facebook got loud and clear this week is not to f*** with your photos. Your photos are important. You care about them. They are much more personal to you than Facebook may have previously considered. They have emotional importance and significance and collectively your users will rise up and bash you in the face if you try to exercise terms of your TOS that your lawyers have allowed you to screw around with photos. Whatever your future monetization strategies might be, they will not be based on a loss of control over OUR creative efforts — even our duckface creative efforts.

No, there is no question about it. Instagram lost this week and they lost big. This is in no way a positive for Instagram. People trust them less and they had to turn around and eat crow, they gained nothing.

Flickr won big at Instagram’s expense and Google+ won a little. Flickr won more because like Instagram their site is 100% about photography. They also just released a pretty awesome new iPhone app that is in fact even slickr than what Instagram currently offers.

Flickr also went out of their way last year to really drive home the ownership rights of your photos. This old forgotten post was revived with new life as a stark contrast to what it felt like Instagram was trying to pull. Kevin Systrom eventually even had to parrot back some of that “yes, we know your photos are your photos” stuff in his awkward non-apology apology.

Dan Lyons wrote a post that talked about Google+ winning some here too. Google+ smartly has a provision in their TOS that specifically limits their rights to your photos to basic operational use. Google+ is probably the most active community of photographers on the web today and are a natural beneficiary from what Lyons’ refers to as “Facebook Greedheads.”

The biggest winner or all though was you, the photographer. Whatever Instagram’s original intention was in being more specific in their TOS, it backfired on them. The idea that they could/would profit off your emotionally significant photos without your consent, authorization or most important, sharing the dough, hit a nerve with photographers and likely won’t be tried again by anyone in a long, long time.

The thing is, this didn’t have to be such a painful learning experience for Instagram. There was/is in fact a HUGE opportunity for some smart social media property make a ton of money off of your photos, Instagram just went about it wrong.

As much as Flickr’s deal with Getty sucks (photographers get a miserly 20% payout) photographers on Flickr still went bonkers for it when Flickr released it. The idea that you could actually get PAID to post your photos on a social network, paid ANYTHING, had most users on Flickr clamoring to get into the program, not out of the site.

Even though Flickr/Getty’s call for artists group is now closed (due to overwhelming demand) almost 90,000 photographers joined this group hoping to get selected by Getty for the right to sell their photos for the paltry 20% payout.

The difference with Flickr’s deal though was that 1. you CHOOSE to opt in and 2. at least you got paid something.

What if instead of Instagram saying, “hey, we might sell your photos without your consent and pay you NOTHING,” they said, “hey, do you want to sell your Instagram photos and if we sell them for you split the money 50/50″? Instead of losing accounts and becoming the scourge of the internet for three days, they would have had photographers rushing to sign up and begin marketing their images on their site.

Although there are sites out there like 500px and SmugMug that let you sell your photos now, Flickr is the only larger social network that has a selling program. Google+, Instagram, Facebook, even Twitter, all have a major opportunity to become the first large social network to allow us to license our images through their service and share in the revenue with them. This is a multi-BILLION dollar industry dominated at present by Getty who is not paying creatives enough for their work. What the internet does best is get rid of middlemen when they are being unreasonable, and an 80/20 split with photographers is unreasonable.

Instead of stealing our work and paying us zero, how about using your significant reach in reputation, marketing and search to partner with us and empower us to sell our work together. I guarantee you that whoever comes up with the best program first has some of the best photography on the web flooding your network. Even if 99% of us never sell a single photo, simply giving us the feeling that we have the opportunity to sell a photo would be a powerful incentive to get us active and humming on your network.


Thomas Hawk Digital Connection

 
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