In a world that can feel visually oversaturated with images, some photographers are seeking solutions that draw viewers’ attention and ask them to linger a little longer. Model Coco Rocha recently shared her take on the dynamic image trend, exploring how animated GIFs, Cinemagraphs, Lytro images and interactive 360-degree panoramas are helping photographers stand out. We take a longer look at connect.dpreview.com.
News: Digital Photography Review (dpreview.com)
In the second, concluding article of his 2-part tutorial explaining Photoshop’s Gradient tool, Jean Miele explains how to use linear, reflected and radial gradients in layer masks to improve your digital photographs. In this article Jean takes us through four clear, easy steps, and also includes more tips for making the most out of gradients in both Photoshop and Lightroom. Click through for links to the article.
News: Digital Photography Review (dpreview.com)
DSLR or point-and-shoot? Digital SLR cameras are excellent, but they are geared for expert-level photographers, whether amateur or professional. That hasn’t stopped their mainstream appeal, however—I’m sure you’ve seen people who lug along their DSLRs, and the only lens they have is the one it came with, and all of the settings are default. You may have also seen that Continue Reading
The post Size Doesn’t Matter: Capture DSLR-Quality Images with your Point-and-Shoot appeared first on Photodoto.
How do you balance the demands of aesthetics and documentary truth? Image manipulation of documentary photographs is nothing new, but it is certainly much easier now than ever before. DW Akadamie has published a feature examining the challenges faced by photojournalists and picture editors in creating attractive and atmospheric images, without compromising their authenticity. Click through for extracts from the article, images and a link to the full feature at www.dw.de.com.
News: Digital Photography Review (dpreview.com)
Image by Sippanont Samchai
Roads… they’re all around us but I’ve never really considered them to be in my most photogenic subjects list. But maybe I need to rethink that!
Image by Ben Fredericson
Image by fatboyke
Image by Berenice Decados
Image by Paolo Margari
Image by Tambako the Jaguar
Image by ecstaticist
Image by Tricky
Image by Etrusia UK
Image by joiseyshowaa
Image by Pörrö
Image by Bartek Kuzia
Image by Matthew Fang
Image by gari.baldi
Image by eir@si
Image by Shahram Sharif
Image by Martino’s doodles
Image by purplemattfish
Image by MSH*
Share a link to your favorite ‘road’ photo in comments below.
Post originally from: Digital Photography Tips.
Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.
Road Trip! 19 Remarkable ‘Road’ Images
A few nice visual art images I found:
Student Art Publication – Visual Spread
Image by kylethale
Visual-based spread (for photography, illustrations, and photos of student work)
Under Construction is an annual college publication featuring student art and literature over the year. It is designed by one of the graphic design classes, which I am a part of. This is a concept. The centered line indicates the spine.
Korean website lcap.tistory.com has published what it claims are sample images from the new Sigma 18-35mm f/1.8 DC HSM lens, purporting to show its performance in a range of different shooting situations, on both a Canon EOS 600D and 5D Mark III. We doubt very much that the site had Sigma’s permission to publish the images from what is almost certain to be a pre-production lens, but if you’re curious, you can click through for a link to the original ‘preview’ at lcap.tistory.com.
News: Digital Photography Review (dpreview.com)
[ By Steph in Design & Graphics & Branding. ]
Many of the people who end up with your business cards will use them to jot down notes or grocery lists, but this creative twist on the conventional lets them leave their mark in a much more fun and memorable way. Austrian graphic design studio Bureau Rabenstein created a set of heat-sensitive, white-bordered business cards that look like developing Polaroids for photo producer Natalie Daniels.
The thermo-sensitive black ink under the surface takes on the imprint of whatever is placed upon it – be it fingers, lips or objects – for just a few moments before they fade.
While they’re are certainly nowhere near as cheap to produce as plain old paper ones, they’re also nowhere near as disposable. Creative business cards like these will not only make a (literal) impression, they’re likely to stick around as fun keepsakes instead of ending up in the trash.
Other cool, way-out-of-the-box business card designs include razor blades, lock picking kits, pop-up cards, Legos and x-rays. Check out 15 examples.
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Last week photographer Remi Thornton penned a post about why he quit working with Getty Images. Remi alerted photographers to a new scheme by Getty Images whereby they were “loaning” photographer images (without pay) to Cafe Press for marketing purposes. The idea is that Cafe Press could use photographers’ images without paying, unless a sale was made, then a photographer might receive a royalty.
Allowing Cafe Press free use of photographers’ images for marketing did not sit right with Remi or other photographers, Remi felt that Cafe Press should have to pay a royalty for using the image at all and not get to use the images to market Cafe Press for free.
On March 25th, I submitted my own resignation to Getty Images. Shortly thereafter on March 27th I received acknowledgement from Getty along with the following:
“As per your recent request where you expressed your desire to terminate your outstanding contract with Getty Images, this is your official notice of termination of the Agreement between yourself and Getty Images, which had a Commencement Date of 3/11/2009.”
A few days later my images disappeared from Getty’s website for sale.
One would think that upon termination with Getty Images, the pilfering of images by Cafe Press would cease, but not so. Not only are my images still up for sale with Cafe Press (being marketed in a large font as “Thomas Hawk Gifts”), Cafe Press is additionally ADVERTISING them to me to buy on Facebook (again without pay — see image above).
Even though I no longer have a relationship with Getty and have NEVER had a relationship with Cafe Press, they want to sell me a dry erase board of a dog image of mine. I can also buy a wine charm thing or a beer coaster if I want.
I’m sure in the super fine print of my contract with Getty there is some loophole that is allowing this, but frankly it’s bad enough that Getty is allowing Cafe Press to market our images without pay. To further allow our images to be marketed in Facebook ads (again, without pay) seems a bit far fetched — especially when my relationship with Getty is supposed to be terminated. And why is Cafe Press specifically targeting me on Facebook trying to sell me my own images?
I have no idea how long my images must remain for sale at Cafe Press, but this just serves as an example of how a photographer can lose control over their images with Getty.
I wonder how much money Getty was paid to allow Cafe Press to use our images for free on Facebook?
I’d ask Getty what the deal is in the Contributor forum, but alas, I’ve been permanently banned from the Contributor forum for daring to criticize Getty’s paltry 20% payout.
Thomas Hawk Digital Connection
News: Digital Photography Review (dpreview.com)
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