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Posts Tagged ‘Images’

5 Macro Photography Tricks to Make Your Images Stand Out

27 May

Editor’s Note: This is the first article in a series on macro photography this week. Look for a new one each day for the next 7 days. The next newsletter will have them all if you miss any! 

In the world of macro photography, most of discussions seem to surround the technical aspects of this photographic art form. Amongst my colleagues, lens choice comes up a lot, along with the use of a flash, extension rings, and bellows.

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Dynamic and creative macro photographs.

I’d like to switch gears away from the technical, and share some of my tricks to help you creatively enhance your macro shots for added impact and emotive value. If you’re a photographic purist, (not that there is anything wrong with that!) you may not want to keep reading. These tricks provide definite enhancements to the natural environment – so if real is what are shooting for, this article may not be for you.

However, if you are looking to inject more creativity into your macro images, you may appreciate these easy, but high-impact, techniques and tricks.

 Creative Backgrounds

1) Macro Blues

Most macro shots seem to be of natural subjects, such as; flowers, plants, insects, webs, etc., that live under the blue sky of planet Earth. To enhance the point of view for these kinds of shots, try a using an old blue J-Cloth (it must have been washed many times to work well) as a background. You can drape it across nearby branches or rocks to provide a soft blue background that will make your flowers and spiderwebs pop.

Use a shallow depth of field (f/2.8 or less, depending on your lens) and keep the background at least 12 inches from your subject for best results. I use a Sigma 105mm for my macro work, and these settings work well for this lens. You may need to experiment a bit with your lens and subject.

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A macro background made from an old well-washed J-Cloth.

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Creatively draped J-Cloth background.

I like J-Cloths because I always have one handy at home, to grab and put in my pocket when I go on spontaneous photo walks and drives, and it fits easily in my camera bag or my pocket.  An old well-washed J-Cloth is the perfect shade of blue for my type of macro art. Newer ones that are out of the box, or that haven’t been used, are okay too but I find the blue is a little too dark. But try one for yourself and see which you prefer.

2) Better with Bokeh

If you really want to get really creative, go for big bokeh, those soft round(ish) blurred shapes in the background. I like the following technique because it emulates tiny light sources and adds a bit of mystery to your photos. Using this technique, you can create ethereal micro landscapes that look like they are from another planet!

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Mysterious Macro

Again this involves using a background material, in this case holiday wrapping paper. Look for plastic foil with a metallic coating. It costs a bit more than paper but it works great for creating macro bokeh, and you’ll have lots left over for actually wrapping gifts (of your amazing macro photos).

wrapping-paper

Crinkled metallic gift wrap.

First crinkle the wrapping paper – scrunch it into a ball. If it’s the plastic type it will instantly “un-ball” itself, and you’ll have a wrinkled many faceted metallic backdrop. With this set up, you may also need a light source to bounce off the reflective metallic wrap, depending on where the sun is when you’re shooting. If I need light I usually use my iPhone flashlight, but if you have any other flashlight in your gadget bag it will work just as well. Just aim your light at about a 45 degree angle to the background, out of view of your subject, compose, use Live View if you have it, and your preview button to check the depth of field and bokeh effect. Adjust as needed. Make sure you have no big hot spots of light. Try using different colors of wrap as well. I always keep this gold colored stuff in my bag because I also use it as a reflector – which brings me to trick number three.

3) Reflectors

Just as in regular photography, there are times when you’ll need some additional brightness to light up parts of your macro subject. Once you’re up close and personal, you’ll often find shadows you didn’t see from your higher vantage point. In macro photography you may find a flash is often too much light, and the close quarters between your camera and the subject make soft lighting tricky. So try using a reflector.

I often use the gold side of the wrapping paper to reflect sunlight into shadows or dark spaces in my subject. I also have (but seem to have misplaced) a 12″ square of copper foil sheeting (you can find this in craft shops or stained glass shops). It’s thicker than aluminum foil so it stands up on its own, and can be bent into angles to suit your needs each time. The copper color gives a nice warm tone to your subject, and again it’s light weight, cheap, and tucks nicely into your bag. I duct taped the edges to avoid getting cut – copper edges are sharp!

Dew Drop In

Nature photographers either love or hate these last two tricks.

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4) The Spray Bottle

There’s nothing more crushing than getting up at 4:30 am in the summer to capture the sunrise and the morning dew, only to arrive at your destination to find things dry as a bone. Fear not Grasshopper. With your handy spray bottle of water, you can create dew drops for spiderwebs, leaves, flowers, and everything else you choose to photograph.

With a good soaking of water from your bottle, colors become more rich and saturated (is this where the term came from?), making for more vibrant and rich-looking photos.

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Water drops add interest, and a sense of a moment.

5) The Ultimate Droplet

Finally, if you need large drops, drips, or tears, nothing beats glycerine and an eye dropper.

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Micro macro landscapes with bokeh and glycerine drops

Glycerine is thick and viscous, and stays on your leaves and petals giving you a longer time to compose and shoot. The drips are syrupy and seem to stretch slower, so again you have more time to shoot. I don’t use glycerine in the natural environment though, only in my indoor macro studio. If you need thick drops for work in nature use white corn syrup, and use it sparingly. It’s super sweet and you don’t want the critters getting addicted.

sprayW

The creative macro photographer’s tool kit.

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Color contrast with a creative background and a spray of water.

Let’s wrap this up (excuse the pun).

To keep in your bag for your macro photography:

  • J-Cloths
  • Glittery plastic gift wrap
  • A sheet of Copper foil
  • Small spray bottle for water
  • Eye dropper and small container of white corn syrup (for outdoor shots) or glycerine for indoor macro work.

I’d love to know what other creative macro shots you can take using some or all of these tools and techniques. How do you feel about enhancing the environment for your macro shots?


macro-coverWant to learn more about macro photography? Check out Ed Versosky’s Introduction to Close-Up & Macro Photography ebook – just $ 10 (over 30% off) this week with coupon code: DPS. You will need to enter the code to apply the discount.

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Things to Know About Protecting Your Images Online

25 May

It is the digital age and therefore vitally important to have a presence on the internet. Photographers, both professional and novice, are using the internet more than ever to showcase their skill. This is imperative from a business and marketing standpoint, but with every great tool comes those who exploit it. Photographers are stuck between marketing themselves in the most Continue Reading

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It’s a Bug’s Life – 27 Super Macro Photography Images

22 May

Editor’s Note: This is part a series on macro photography this week. Look for a new one each day. The next newsletter will have them all if you miss any!

Macro photography is all about getting close and photographing small things. The tiny world of bugs and insects is perfect for macro photographers as there are always an abundance of them no matter where you live.

Let’s see some examples of images by photographers who have delved into the micro world of bugs:

Photograph ngeblues by Alfian Ismail on 500px

ngeblues by Alfian Ismail on 500px

Photograph hey, it's my reflection by Abidin M Faiz Nur on 500px

hey, it's my reflection by Abidin M Faiz Nur on 500px

Photograph Share by Miki Asai on 500px

Share by Miki Asai on 500px

Photograph Kungfu Mantis by Boim Wahyudi on 500px

Kungfu Mantis by Boim Wahyudi on 500px

Photograph The eye by bug eye :) on 500px

The eye by bug eye :) on 500px

Photograph hi ! by bug eye :) on 500px

hi ! by bug eye :) on 500px

Photograph Red by Ondrej Pakan on 500px

Red by Ondrej Pakan on 500px

Photograph Sup Peeps! by Jay Capilo on 500px

Sup Peeps! by Jay Capilo on 500px

Photograph The Katydid by Steve Passlow on 500px

The Katydid by Steve Passlow on 500px

Photograph Bumble Bee 2 by Gustavo Restrepo on 500px

Bumble Bee 2 by Gustavo Restrepo on 500px

Photograph BIG HEAD by Yudy Sauw on 500px

BIG HEAD by Yudy Sauw on 500px

Photograph It's Me by Uda Dennie on 500px

It's Me by Uda Dennie on 500px

Photograph Big Drops by Mostafa Ghroz on 500px

Big Drops by Mostafa Ghroz on 500px

Photograph 4 vs 1 by Uda Dennie on 500px

4 vs 1 by Uda Dennie on 500px

Photograph Lantern Fly by Richard Nurse on 500px

Lantern Fly by Richard Nurse on 500px

Photograph Moth by Carlos Esteban Solís Fallas on 500px

Moth by Carlos Esteban Solís Fallas on 500px

Photograph Twilight Assassin by Chad  on 500px

Twilight Assassin by Chad on 500px

Photograph Sigmund, the Jumping Spider by Amine Fassi on 500px

Sigmund, the Jumping Spider by Amine Fassi on 500px

Photograph Green bug on white flower by Steen Rasmussen on 500px

Green bug on white flower by Steen Rasmussen on 500px

Photograph Taeniopoda maxima by Carlos Esteban Solís Fallas on 500px

Taeniopoda maxima by Carlos Esteban Solís Fallas on 500px

Photograph Portrait of An Alien 1 by Nhut Pham on 500px

Portrait of An Alien 1 by Nhut Pham on 500px

Photograph Le tre sorelline by Roberto Aldrovandi on 500px

Le tre sorelline by Roberto Aldrovandi on 500px

Photograph A dragonfly by Fabio Giarrizzo on 500px

A dragonfly by Fabio Giarrizzo on 500px

Photograph The predator by shikhei goh on 500px

The predator by shikhei goh on 500px

Photograph Next to you... by Yvonne Späne on 500px

Next to you… by Yvonne Späne on 500px

Photograph the dancing ants by Rhonny Dayusasono on 500px

the dancing ants by Rhonny Dayusasono on 500px

Photograph Nass erwischt by Leo Pöcksteiner on 500px

Nass erwischt by Leo Pöcksteiner on 500px


macro-coverWant to learn more about macro photography? Check out Ed Versosky’s Introduction to Close-Up & Macro Photography ebook – just $ 10 (over 30% off) this week with coupon code: DPS. You will need to enter the code to apply the discount.

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28 Wondrous Images of Long and Winding Roads

15 May

Leading lines are a powerful element in composition. Nothing makes better lines in photos than roads and pathways. leading

Let’s take a look at a few images using these to create strong compositions. Keep in mind light is also important so it all comes together.

Photograph A ribbon of light by Dino Marsango on 500px

A ribbon of light by Dino Marsango on 500px

Photograph The road of kings by Jorge Maia on 500px
The road of kings by Jorge Maia on 500px

Photograph Road To The Heavens by Tristan O'Tierney on 500px

Road To The Heavens by Tristan O’Tierney on 500px

Photograph VIP Bridge #2 by Marek Kijevský on 500px
VIP Bridge #2 by Marek Kijevský on 500px

Photograph Road to... by Aydin Palabiyikoglu on 500px

Road to… by Aydin Palabiyikoglu on 500px

Photograph Fairy Castle Walkway by Paul O' Hanlon on 500px
Fairy Castle Walkway by Paul O’ Hanlon on 500px

Photograph Wooden catwalk by Roberto D'Antoni on 500px

Wooden catwalk by Roberto D’Antoni on 500px

Photograph Road to Cave Point by Scott Norris on 500px
Road to Cave Point by Scott Norris on 500px

Photograph Aurora Road by Christopher Waddell on 500px

Aurora Road by Christopher Waddell on 500px

Photograph Leading lines by Simon Roppel on 500px
Leading lines by Simon Roppel on 500px

Photograph The Way by Pablo Belastegui on 500px

The Way by Pablo Belastegui on 500px

Photograph Senbon Torii, Kyoto by Zachary Voo on 500px
Senbon Torii, Kyoto by Zachary Voo on 500px

Photograph Pathway by Mikko Lagerstedt on 500px

Pathway by Mikko Lagerstedt on 500px

Photograph Never Crossings by Philip Avellana on 500px
Never Crossings by Philip Avellana on 500px

Photograph The pathway by Jorge Maia on 500px

The pathway by Jorge Maia on 500px

Photograph Path to Serenity by Eva Lima on 500px
Path to Serenity by Eva Lima on 500px

Photograph magic autumn landscape in park by Sergiy Trofimov on 500px

magic autumn landscape in park by Sergiy Trofimov on 500px

Photograph Rise & Shine by Philip Escott on 500px
Rise & Shine by Philip Escott on 500px

Photograph The Way by Pat Teglia on 500px

The Way by Pat Teglia on 500px

Photograph Tree on a Path by Carlos Gotay on 500px
Tree on a Path by Carlos Gotay on 500px

Photograph Wood & water II by Ramón Menéndez Covelo on 500px

Wood & water II by Ramón Menéndez Covelo on 500px

Photograph Boshar's golden curves by Randy Legaspi on 500px
Boshar’s golden curves by Randy Legaspi on 500px

Photograph Zigzag by Gerald Macua on 500px

Zigzag by Gerald Macua on 500px

Photograph Zig Zag by Jeff Wallace on 500px
Zig Zag by Jeff Wallace on 500px

Photograph Dark Tube by Thiemo Hesse on 500px

Dark Tube by Thiemo Hesse on 500px

Photograph Route to Exit by Pete Lebow on 500px
Route to Exit by Pete Lebow on 500px

Photograph Red and white snakes by Kristian D. Hansen on 500px

Red and white snakes by Kristian D. Hansen on 500px

Photograph Out Of Sight by Ivor Sheehan on 500px
Out Of Sight by Ivor Sheehan on 500px

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Getty Images announces Instagram Grant

09 May

Getty Images has announced a new grant offered in collaboration with Instagram. There are a total of three grants available, each for $ 10,000 USD, and will be awarded to photographers using Instagram to document underrepresented communities. Recipients will also be given a mentorship opportunity with Getty Images’ photographers. Read more

Articles: Digital Photography Review (dpreview.com)

 
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Ethereal Images of Places of Worship

08 May

A while ago I shared a collection of architectural images, now let’s get a little more specific. Churches and places of worship are often well design, finely crafted, masterpieces of architecture.

Let’s take a look at some great, ethereal images of churches, mosques, and other places of religious practice:

Photograph Cathedral by Andrew Vasiliev on 500px

Cathedral by Andrew Vasiliev on 500px

Photograph Notre Dame Cathedral Basilica (Ottawa) Vertorama by Roland Shainidze on 500px

Notre Dame Cathedral Basilica (Ottawa) Vertorama by Roland Shainidze on 500px

Photograph Tamway Orléans by Nicolas Wecandoit on 500px

Tamway Orléans by Nicolas Wecandoit on 500px

Photograph St. Peter Basilic (Vatican, Rome) by Domingo Leiva on 500px

St. Peter Basilic (Vatican, Rome) by Domingo Leiva on 500px

Photograph Lights by Mauro Tandoi on 500px

Lights by Mauro Tandoi on 500px

Photograph Cologne Cathedral by Aaron Choi on 500px

Cologne Cathedral by Aaron Choi on 500px

Photograph Basilique Notre Dame by Naibank Eng on 500px

Basilique Notre Dame by Naibank Eng on 500px

Photograph El Pilar (II) by Carlos Luque on 500px

El Pilar (II) by Carlos Luque on 500px

Photograph The Cloister's Cat by Albert Vàzquez on 500px

The Cloister's Cat by Albert Vàzquez on 500px

Photograph Cloisters by Ann  on 500px

Cloisters by Ann on 500px

Photograph In the Morning Light by Teguh S on 500px

In the Morning Light by Teguh S on 500px

Photograph Good Night... by Ahmet Kizilhan on 500px

Good Night… by Ahmet Kizilhan on 500px

Photograph Wonderland by Achim Thomae on 500px

Wonderland by Achim Thomae on 500px

Photograph Mosque at Sharjah Cornish by Utsav Verma on 500px

Mosque at Sharjah Cornish by Utsav Verma on 500px

Photograph sheikh zayed mosque by Ronny Behnert on 500px

sheikh zayed mosque by Ronny Behnert on 500px

Photograph Bandaraya in the evening by Nelson Michael Jr on 500px

Bandaraya in the evening by Nelson Michael Jr on 500px

Photograph Sharjah - Buhaira by Mostafa Ajjawi on 500px

Sharjah – Buhaira by Mostafa Ajjawi on 500px

Photograph Good morning from ?stanbul by Gürkan Gündo?du on 500px

Good morning from ?stanbul by Gürkan Gündo?du on 500px

Photograph Dark Skies by Fabien Bardelli on 500px

Dark Skies by Fabien Bardelli on 500px

Photograph God's light.. by Samet Güler on 500px

God's light.. by Samet Güler on 500px

This is my own image - by Darlene Hildebrandt. Hagia Sophia in Istanbul. A fascinating history this place has had!

This is my own image – by Darlene Hildebrandt. Hagia Sophia in Istanbul. A fascinating history this place has had!

Photograph 444 B.C. by George Papapostolou on 500px

444 B.C. by George Papapostolou on 500px

Photograph Big Buddha by Chaluntorn Preeyasombat on 500px

Big Buddha by Chaluntorn Preeyasombat on 500px

Photograph Bahai Temple - Night View by Natasha Pnini on 500px

Bahai Temple – Night View by Natasha Pnini on 500px

Photograph BHUTAN TAKTSANG by Santanu Banerjee on 500px

BHUTAN TAKTSANG by Santanu Banerjee on 500px

Photograph St. Basil Cathedral, Moscow by Moritz Königsbüscher on 500px

St. Basil Cathedral, Moscow by Moritz Königsbüscher on 500px

Photograph The Marble Temple by Daniel Cheong on 500px

The Marble Temple by Daniel Cheong on 500px

Photograph The Light of Angkor Wat Temple ! by Mardy Suong Photography on 500px

The Light of Angkor Wat Temple ! by Mardy Suong Photography on 500px

Photograph Wat Sampov 5! by Mardy Suong Photography on 500px

Wat Sampov 5! by Mardy Suong Photography on 500px

Photograph Temple of the God's by Spiros Lioris on 500px

Temple of the God's by Spiros Lioris on 500px

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The Power of the Sea in 24 Breathtaking Images

01 May

Nature provides a sense of its power in many ways – few with the same effect as the sea. It can be calm and peaceful, or powerful and frightening.

Enjoy these breathtaking images of the sea and think about how you can capture shots like this too:

Photograph Storm Rage by Matthew Jones on 500px

Storm Rage by Matthew Jones on 500px

Photograph New Beginning by Bobby Bong on 500px

New Beginning by Bobby Bong on 500px

Photograph Audience of One by Marc  Adamus on 500px

Audience of One by Marc Adamus on 500px

Photograph Abandoned by Ted Gore on 500px

Abandoned by Ted Gore on 500px

Photograph Rough sea n12 by Giovanni Allievi on 500px

Rough sea n12 by Giovanni Allievi on 500px

Photograph Beat of the Ocean by Hugh-Daniel Grobler on 500px

Beat of the Ocean by Hugh-Daniel Grobler on 500px

Photograph Bending waves by Paolo Lazzarotti on 500px

Bending waves by Paolo Lazzarotti on 500px

Photograph Porthleven Storm by Lloyd W.A. Cosway [DEVONshots.com] on 500px

Porthleven Storm by Lloyd W.A. Cosway [DEVONshots.com] on 500px

Photograph Rising by Andre Luu on 500px

Rising by Andre Luu on 500px

Photograph Waves Hunter by Bobby Bong on 500px

Waves Hunter by Bobby Bong on 500px

Photograph A T T A C K by Thomas Roux on 500px

A T T A C K by Thomas Roux on 500px

Photograph Tropical paradise with turtles by Vitaliy Sokol on 500px

Tropical paradise with turtles by Vitaliy Sokol on 500px

Photograph wave by Vitaliy Sokol on 500px

wave by Vitaliy Sokol on 500px

Photograph beyond the waves by Tu Geo on 500px

beyond the waves by Tu Geo on 500px

Photograph The Modern Force by Toby Harriman on 500px

The Modern Force by Toby Harriman on 500px

Photograph m a u i  .  j a w s  I V by s e n s o r p i x e l on 500px

m a u i . j a w s I V by s e n s o r p i x e l on 500px

Photograph Iceland Through The Lens by Skarpi Thrainsson on 500px

Iceland Through The Lens by Skarpi Thrainsson on 500px

Photograph tracing by Dragan Todorovi? on 500px

tracing by Dragan Todorovi? on 500px

Photograph Gold On The Sea by Sergio Valverde Pérez on 500px

Gold On The Sea by Sergio Valverde Pérez on 500px

Photograph Cool!!  by Emrah Erduran on 500px

Cool!! by Emrah Erduran on 500px

Photograph Coming Back by Plamen Valchev on 500px

Coming Back by Plamen Valchev on 500px

Photograph Morjim beach, Goa, India by Pavel Sokolov on 500px

Morjim beach, Goa, India by Pavel Sokolov on 500px

Photograph Mighty Sea, color version by Joao Brites Moita on 500px

Mighty Sea, color version by Joao Brites Moita on 500px

Photograph Rugged Cliffs and Stormy Seas by Rosie Schneider on 500px

Rugged Cliffs and Stormy Seas by Rosie Schneider on 500px

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5 Tips for Geting Sharper Images When Doing Long Exposures

29 Apr

Long exposure photography makes it possible to show the passage of time in a still photograph. It does this by blurring moving elements and sharpening the static parts. But there is a downside to long exposures – any camera movement blurs the static elements. Here are four simple ways you can prevent unwanted blurring.

Salt Lake Sunset at Mandurah

1. Use a Good Tripod

For very short exposures there are ways to hold yourself and your camera steady, like: How to Reduce Camera Shake – 6 Techniques. However, when you’re taking an exposure of a few seconds, you need something steadier than your hands to hold your camera. You may set the camera on a table, or a rock but risk dropping the camera or accidental movement that can ruin your shoot.

The most common way is to put it on a sturdy tripod. You have to get at least a decent tripod as El Cheapo tripods are going to give you camera shake too.

Light Trail Central

2. Use a Remote Shutter Release

Even with a tripod the act of snapping the shutter can cause the camera to shake. There are a couple of ways to combat this problem.

One is to set the delay on the camera (2-sec timer) so any movement is done by the time the shutter snaps. The other is to get a remote shutter release.

Remotes can be connected to the camera by a cable or wireless – either one snaps the shutter without shaking the camera. They are also called remote cable releases. This is a small and cheap accessory which can help you get rid of camera shake.

Rockingham Sunset

3. Use Manual Focus

Autofocus is a wonderful thing. Most of the time it does exactly what you want, making it easier to take great photos. But there are times, especially when shooting long exposure, that it can have the opposite effect.

In low light situations autofocus has trouble finding something to focus on. Even when it seems focused it can readjust when the shutter is snapped. Using ND filters can cause the same problem.

Light Trail IFC

Fortunately, there is a simple solution. When shooting in low light you can use manual focus, or use a flashlight for focusing and once the focus is set, turn autofocus off so it won’t change once the light is off.

For ND filters set the focus manually (either before or after mounting the filter) or autofocus first, turn it off and mount the filter. The shot will stay focused, the picture sharp.

Moving Cloud Sunrise at Kings Park

4. Lock the Mirror Up

If you are using a DSLR camera – and you probably are since you are shooting long exposure – it has a mirror that reflects the image from the lens to the viewfinder. It is between the lens and the camera sensor, so it has to move before the shutter snaps.

That small movement causes vibration. When you turn on the mirror lockup it turns the shutter button into a two stage button. The first click lifts the mirror and the shutter doesn’t open until the second click. The time between the two clicks allows the vibration of the moving mirror to stop.

Light Trail Hong Hum

5. Use Your Aperture Sweet Spot

Closing down the aperture can make you shoot longer. However, when your aperture is too small, it will start to have a diffraction effect which lowers the sharpness.

In most lenses, the sweet spot of the lens aperture is between f/5.6 to f/8. In other words, you will get the sharpest images when using this range.

When you step down to f/16 or smaller, you will get images like that seem out of focus. You can learn the physics about diffraction in the below video by Steve Perry:

Conclusion

Taking long exposure photographs is a science and an art. Like any art, taking long exposure pictures with the right balance of sharpness and blur takes both skill and intuition. These five tools will help you use your skills to turn intuition into great photographs.

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Why You Should Make Dark Images

27 Apr

Street scene

One of the most unexplored aspects in digital photography is the dark image.

With digital, we have built-in light meters, histograms, incredible ISO capabilities, and processing programs, which make it much easier to expose our images brightly in all different lighting situations. This can have the effect of making photographers feel that they need to expose all of their images with a neutral histogram, where you can see the image perfectly well, with some information in the highlights, mid-tones, and shadows.

This is often what you want to do, but not always.

When you are using Aperture Priority, Shutter Priority, or the Automatic modes, your camera’s light meter has the aim of making whatever it is focusing on a neutral grey. Thus, it has the tendency to overly darken scenes with a lot of bright highlights or to overly brighten scenes with lots of dark tones.

The Lake, Central Park – NYC

Because of this, when you photograph in dark situations your exposures can end up being bright as if they were taken during the day. It’s easy to think that this is okay, and often it is, but it also makes it easy to forget that sometimes a dark image is a good thing too. There is nothing wrong with making an image look like it was taken at night. There is nothing wrong with making the image tougher to see, like the scene was to your eye as you captured it.

For me, it was an experience when I started to look at older photography books and came across images that I couldn’t quite make out. ‘They should have been brighter”, I immediately thought, but then I realized that I liked them. I realized how natural and moody it made the images feel. I had to put in more effort to make out what was going on, and I liked that. It felt moody and real.

This image could have been made brighter and still worked.

Technically, to achieve this on Aperture or Shutter Priority, you need to lower your exposure compensation (+/-) setting when you are photographing subjects or areas with a lot of darker tones. I usually default to -2/3 or -1 stop, then tweak from there depending on the situation. You can even take it further by going into full Manual mode to override the camera’s light meter. Since the lighting is fairly consistent in many dark situations, this is often a great way to shoot.  I do this when shooting at night, in train stations, alleyways and many indoor situations. You can even shoot like this during the day by strongly underexposing your image.

If you notice, in the images in the article, the highlights are represented as middle grey tones. This is called exposing for the highlights and that is a key for making a dark image. Get used to seeing lots of deep blacks and mid greys. It can help to take a file into Lightroom and play around with the exposure to get a feel for how an image can look at different exposures. When shooting in dark situations, which means you will probably be using a very high ISO, you will want to make sure to get the image as close as possible to the prime exposure in the camera. But when you are learning it can only help to experiment in Lightroom to find the exposure that you like the best.

Nightlife Street Scene, East Village, NYC.

But what is the purpose of making an image dark? There are a few reasons. The first is that in many situations it can feel more realistic. Night images that look dark feel more like the viewer is actually there. They feel accurate and that can go along way for the viewer. Dark images can feel moody, eerie, dangerous, quiet, romantic, scary, weird, or contemplative. Many backgrounds look more beautiful with the dark shadows and moody lighting at night.

In addition, dark images draw the viewer in. Often with photography, the devil is in the details and sometimes it can be hard to draw viewers in to really look around an image. Dark images do that. As the viewer tries to make out the details, they inadvertently start exploring the image in more depth.

So next time you are shooting at night or in a dark area, think about making that image a bit darker.

Nightlife Street Scene, NYC.

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24 Architecture Images with Graphic Powerful Lines

25 Apr

Architecture photographers strive to get the lines all perfectly straight and up and down. But sometimes converging lines, or bending ones can create more powerful images.

Note: Check out our Using Lines in Your Photography series for more on this topic.

Let’s have a look at some architecture images that have graphic, powerful lines which are not always straight:

Photograph blackbox by markus studtmann on 500px

blackbox by markus studtmann on 500px

Photograph The Haunting by Michael Woloszynowicz on 500px

The Haunting by Michael Woloszynowicz on 500px

Photograph Manhattan Tower in Paris La Défense by Julien Batard on 500px

Manhattan Tower in Paris La Défense by Julien Batard on 500px

Photograph The Lightscraper by  M. Rafiee on 500px

The Lightscraper by M. Rafiee on 500px

Photograph Curvation by Aaron Yeoman on 500px

Curvation by Aaron Yeoman on 500px

Photograph Illumination XXV by Roland Shainidze on 500px

Illumination XXV by Roland Shainidze on 500px

Photograph Symphony of Lines by Roland Shainidze on 500px

Symphony of Lines by Roland Shainidze on 500px

Photograph Curve II by Roland Shainidze on 500px

Curve II by Roland Shainidze on 500px

Photograph SPACE WARP by SEPEHR GHASSEMI on 500px

SPACE WARP by SEPEHR GHASSEMI on 500px

Photograph Time's up by Julien Delaval on 500px

Time's up by Julien Delaval on 500px

Photograph Butterflies by Alfon No on 500px

Butterflies by Alfon No on 500px

Photograph From the 80th Floor (2) by PhotonPhotography -Viktor Lakics on 500px

From the 80th Floor (2) by PhotonPhotography -Viktor Lakics on 500px

Photograph *Telepathy* by Manita Goh on 500px

*Telepathy* by Manita Goh on 500px

Photograph Real world Tetris by Beboy Photographies on 500px

Real world Tetris by Beboy Photographies on 500px

Photograph Staircase by Sus Bogaerts on 500px

Staircase by Sus Bogaerts on 500px

Photograph *Visual Resonance #3* by Manita Goh on 500px

*Visual Resonance #3* by Manita Goh on 500px

Photograph Vertiginous by Daniel Cheong on 500px

Vertiginous by Daniel Cheong on 500px

Photograph Pure by Sébastien DEL GROSSO on 500px

Pure by Sébastien DEL GROSSO on 500px

Photograph The Stanley by Benjamin van der Spek on 500px

The Stanley by Benjamin van der Spek on 500px

Photograph Lines by Mason Noteboom on 500px

Lines by Mason Noteboom on 500px

Photograph Let there be light! by PK  on 500px

Let there be light! by PK on 500px

Photograph shell by Christian Richter on 500px

shell by Christian Richter on 500px

Photograph Sexy by Grant Orbeta on 500px

Sexy by Grant Orbeta on 500px

Photograph Black and White by Mike Orso on 500px

Black and White by Mike Orso on 500px

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