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Posts Tagged ‘Images’

How to Customize Your Images With In-Camera Picture Styles

31 Mar

I’ve written before about how your images are being processed. This is true regardless of whether you shoot RAW and process in software such as Lightroom or Photoshop, or JPEG and allow the camera to make color and contrast decisions for you. Personally, I’ve never been a fan of the canned in-camera picture styles the camera manufacturers prepackage in their cameras. Some are too contrasty, while others don’t offer enough color saturation for my taste.

Customizing Your Images With In-Camera Picture Styles

A landscape image using a picture style I created in Canon Picture Style Editor.

 

While all of today’s digital cameras have some ability to adjust the processing decisions being made by selecting and adjusting Picture Styles (in Canon-speak) or Picture Controls (in Nikonian terms), many people aren’t aware that you can be even more creative and create your own styles using desktop software provided by Canon and Nikon.

There are two reasons why you would do this. First, if you do not like processing RAW files, or just prefer “getting it right in camera”, but would still like to be able to create your own look to your images, creating a custom picture style is an easy way to do so. Second, if you’re undertaking a project which would require processing large numbers of files, having the camera use a custom look for these images takes away a lot of processing grunt work.

Canon’s Picture Style Editor is available on the Canon EOS Solutions disc which is packaged with the camera and is also available for download via the various Canon websites, under Drivers and Downloads for your specific camera. Nikon’s Picture Control Utility 2 is available via Nikon’s Download Center.

Canon’s Picture Style Editor

Customizing Your Images With In-Camera Picture Styles

Canon Picture Style Editor

Canon Picture Style Editor offers a tremendous amount of control over the final look of an image. Once inside the application, you’ll be prompted to open a Canon CR2 file you’ve taken. A popup will appear advising of the best way to adjust the picture style. First, make the basic adjustments. Next, you should make adjustments to the six color axis. Finally, make adjustments to specific colors.

Make the adjustments you want

In the Basic Adjustments, you select the Base Picture Style to start with, and then you can adjust Sharpness, Contrast, Color Saturation, and Color Tone using the labeled sliders. You can also create a custom tone curve here.

The three adjustment panels found in Canon Picture Style Editor - Customizing Your Images With In-Camera Picture Styles

The three adjustment panels found in Canon Picture Style Editor

Once the Basic adjustments are done, you can move to the six color axis. Here you can adjust Red, Green, Blue, Cyan, Magenta, and Yellow values including Hue, Saturation, and Luminosity. For further color adjustments, you then click on the Specific Colors tab and again make adjustments there including Hue, Saturation, and Luminosity, as well as Tone Curve.

The number of adjustments available within the Canon software allows for a wide variety of styles for your images. Canon has several downloadable picture styles available so you can see what’s possible, but the ability to create your own really make this utility a great addition to your workflow, especially if you dislike post-processing. Effects such as selective color, muted color, highly saturated color, and more, can be created in-camera.

Selective Color Picture Style

On the left is an image using Canon’s Portrait picture style. On the right, is a selective color picture style I created in Canon’s Picture Style Editor. You have to know which color you want to show through before the shot is taken, but conceivably, you could create several selective color styles and upload them to the camera.

Adding the styles to your camera

Custom Picture Styles - Canon

To upload your new custom picture style to your Canon EOS camera, you need to connect the camera to your computer with a USB cable. You also need Canon’s EOS Utility Software, which is provided on your EOS Solutions CD, or is available on Canon’s website.

Once inside EOS Utility, select Control Camera, then Camera Settings/Remote Shooting. You’ll see a window open up that displays the camera settings. Beneath that will be a shooting menu, where you’ll see the heading for Picture Styles. Click on Register User Defined style. A window will open up where you can select from three slots to register a user-defined style. Select one and then click on the Open Folder button to select the picture style file you created and upload it to your camera. Once it’s in the camera, you can select it the same way you would with the pre-loaded picture styles.

Nikon Picture Control Utility

Nikon Picture Control Utility - Customizing Your Images With In-Camera Picture Styles

Nikon Picture Control Utility

Nikon Picture Control Utility Adjustments - Customizing Your Images With In-Camera Picture Styles

The adjustment panel for Nikon Picture Control Utility

Nikon’s Picture Control Utility is a bit more limited in its adjustments than is the Canon application, but you still have a fair amount of control to create new image styles. When you open the application, you’ll see a listing of the Nikon Picture Controls on the left. These are the same as you see in-camera when you select the Picture Control menu on your Nikon. On the right hand side, you’ll see the adjustments you can make, which include Sharpening, Clarity, Contrast, Brightness, Saturation, and Hue. You also have the ability to create a custom tone curve if you prefer, rather than using the Brightness and Contrast sliders.

While I prefer the greater control over color that Canon provides, Nikon’s Picture Control Editor allows you good options to create your own look for your images.

Uploading to the camera

Uploading them into your camera is even easier than Canon’s method. Simply connect a Nikon formatted memory card to your computer, and at the bottom of the application window, click Use In Camera. You’ll want to use a descriptive name for your picture control so that you’ll know what you’re choosing when selecting it in camera. This will automatically save the picture style to your memory card.  Insert the memory card into your Nikon camera and in the Camera menu, select Manage Picture Control. Select Load/Save and you’ll see any Picture Control files you’ve saved to the card and be prompted to add them to the camera.

That’s all there is to it. In addition to saving the picture control to a memory card, you can save it to a file on your computer, and also use it in Nikon’s Capture NX or View NX software.

Gritty Portrait Picture Control - Customizing Your Images With In-Camera Picture Styles

The image on the left is shown using Nikon’s Portrait Picture Control. On the right, is a custom Portrait Picture Control created in Nikon Picture Control Editor.

Summary

In the digital age, it’s sometimes difficult to differentiate your images from the millions of others out there. One way to do so is in post-processing. But that’s not something every photographer, be they professional or enthusiast, wants to deal with.

Creating custom picture styles takes a few minutes on the computer, but allows you to create a look that is distinctly yours. By uploading it to your camera you can then apply it to images you make from that point on. Have you created any custom picture styles for your work? Share samples in the comments below!

Custom Landscape Picture Control - Customizing Your Images With In-Camera Picture Styles

On the top is the image using Nikon’s Landscape picture control. On the bottom is the same image with a custom picture control I created. I adjusted to tone curve to reduce contrast and increased color saturation to provide better color in my landscape images.

Customizing Your Images With In-Camera Picture Styles

On the left is Nikon’s Standard picture control, while on the right is a custom picture control I created.

Canon Muted Color Picture Style - Customizing Your Images With In-Camera Picture Styles

The left image was shot using Canon’s Portrait Picture Style. On the right is the same image where I created a more muted look.

Canon Picture Style - Customizing Your Images With In-Camera Picture Styles

On the left is Canon’s Landscape picture style, on the right is a custom picture style I created for landscape images.

The post How to Customize Your Images With In-Camera Picture Styles by Rick Berk appeared first on Digital Photography School.


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Rim Light – A Simple Way to Create Powerful Images with a Single Flash

22 Mar

In this article, I will introduce you to creating a rim light using a single flash. While not so common, it is extremely easy to put in place and will allow you to get very interesting and powerful images. To do this kind of photography you just need a flash with the ability to place it off camera. A welcome accessory, the only one you may need, is a light stand or tripod to easily keep the flash in place.

Rim Light - A Simple Way to Create Powerful Images with a Single Flash

Learning flash doesn’t have to be hard

If you are just getting started in portraiture, chances are you have been faced with the “flash versus natural light” dilemma, and you probably went with natural light. I find many amateur and beginning photographers are intimidated by lighting equipment because they think that in order to get something good, they have to use complicated setups where many pieces of equipment are required.

In my opinion, the problem with learning to use flash is that the easiest possible setup, i.e., a single flash used off-camera, is often presented only as a way to create a basic image that needs to be improved by adding more gear and by creating more complicated lighting setups. As if nobody would seriously use just one light. So, I can see why flash photography is intimidating.

If you are a beginner, you probably want to know how to use your single, entry level, flash and how to create images that will stand out from the gazillion of portraits out there.

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Keep it simple

My solution was to forget about the magazine and fashion style portraits. I wanted to take advantage of the limitations of my single light setup to create strong and moody portraits by combining the hard light from the bare flash with a low-key style. Note; this style will better suit male models.

Rim lighting 01

Self-portrait using a single flash on my right, without any light modifiers.

By changing the output power and the zoom setting of the flash, you can get a more gentle and intimate portrait, like the one below.

Rim lighting 02

A single light setup can produce less punchy and contrasty images by changing the flash output power and the zoom settings.

Creating a rim light

This is all nice and good, but you can get a very different look by using a rim light. This kind of light highlights only the contours of the subject, and I love it.

Rim lighting 03

Rim light and low-key style; a powerful combination.

The setup is extremely simple. Just hide the flash right behind the model or the object, and point it back directly at the subject.

In practice, we could see the rim light as the opposite of a silhouette, where the subject is seen as a black shape against a brighter, often white, background. In the studio, the light setup for a silhouette is, in fact, the same of as that used to create a rim light, except that the flash is pointing at the background instead of at the subject.

Rim lighting 04

Self-portrait in silhouette.

Ideally, you want to have only the rim light in the scene and not record any ambient light. But this does not mean you have to work in a dark room. The only thing you need to be careful about with rim light setup is to ensure that the flash output power is such that the light does not spill over and around the subject edges. You want to have only the light running along the subject contour.

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Rim Light - A Simple Way to Create Powerful Images with a Single Flash

It is all about that thin light running along the subject’s edges.

Refine it a little

If possible, the editing is even easier. Make sure that the blacks in your image are deep and the highlights are bright. Do this and you have pretty much done with the editing.

What I like about this technique is that the resulting photo has a mysterious look that captures the viewer’s imagination. I guess it has all to do with the “see/not see”.

If you like props, you can also use them with a rim light to better convey a message, like in the photo below.

Rim Light - A Simple Way to Create Powerful Images with a Single Flash

Addiction. Here I have allowed the light to spill a bit more, so as to light my hands and the mobile screen.

We all live, most of the time, with our noses inside a smartphone screen, somewhat unaware of the reality around us. That and a feeling of addiction is the message I tried to attach to the photo.

Adding emotion

Emotions can also be easily conveyed in an interesting way by using rim light. We had a new baby girl a few months ago, and a few weeks before the due date, I experimented with a rim light in the living room when my pregnant partner passed by. I decided to take the usual very cliché photo of the father kissing the belly of the mother. While kissing her baby bump, I had the vision of the sun rising from behind the Earth, seen from space and thought, “Use a rim light!”. This is the result:

Rim Light - A Simple Way to Create Powerful Images with a Single Flash

Rim light can change a cliché image into a very moody and interesting one.

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I think this simple light setup transformed the same old same old photographic cliché into a much more powerful and interesting image.

Special effects

Finally, because the scene is backlit, an easy way to add interest is to include in the shot smoke or aerosols. Both will capture and scatter the light around, creating some interesting effects.

Rim Light - A Simple Way to Create Powerful Images with a Single FlashSince I do not smoke, I sprayed water around to make this self-portrait shot more interesting.

Finally, try to turn the model towards the light and allow the flash to light them a bit more for some interesting variations.

Rim Light - A Simple Way to Create Powerful Images with a Single FlashTurning the model to face the light can be an interesting variation on the theme.

To conclude, I hope I have given you some ideas to start playing with a single off-camera flash in a simple and non-intimidating way using a rim light. The bonus is creating some particular and interesting photos in the process.

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The post Rim Light – A Simple Way to Create Powerful Images with a Single Flash by Andrea Minoia appeared first on Digital Photography School.


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21 Images That Sing – Photos of all Things Musical

22 Mar

Music fills the soul – it also makes for a great subject for photographers.

Singers, concerts, musicians, bands, instruments, and more. See if you can hear the music in thees images!

By John Finn

By Ronald Rugenbrink

By Brian Tomlinson

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By Mike Morbeck

By Bill Couch

By David

By dion gillard

By Eleonora Albasi

By Nate

By Mats Edenius

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By Micha? Koralewski

By Sam Cox

By Arnold Manillier

By Marco Evangelisti Crespo

By Flavio~

By Brandon Giesbrecht

By Susanne Nilsson

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By Machrouh Med Sami

By Grodenaue

By Alex de Haas

By ericzim

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Real 3D images of Mars make up this video of a simulated flight over the red planet

21 Mar

It took photographer and self-proclaimed space enthusiast Jan Fröjdman three months to produce a video turning NASA anaglyph images of Mars into a simulated flight over the planet. NASA’s high-resolution imagery offers depth information and comes from HiRISE, a camera on board the Mars Reconnaissance Orbiter. 

Fröjdman converted the still images into panning video clips using reference points – 33,000 of them – and color-graded the images. He describes it as an effort to visualize the planet in his own way, rather than as a strictly scientific endeavor. It’s certainly a mesmerizing way to spend 4 minutes.

Articles: Digital Photography Review (dpreview.com)

 
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Sony Digital Filter camera app merges parts of three images into one

19 Mar

Sony has announced the release of a new camera app called Digital Filter, giving photographers a way to merge parts from two or three different images into a single photo. It adds greater flexibility to a similar existing app called Sky HDR. Digital Filter is priced at $ 29.99 or $ 19.99 as an upgrade to Sky HDR.

Though they offer similar functionality, the biggest feature difference between Sky HDR and Digital Filter is that the new app supports merging sections of up to three different images, whereas Sky HDR only allows for two exposures. Sony merely states that, ‘The Digital Filter application offers functionality, ease of use and image quality that go beyond the features of Sky HDR.’

Digital Filter supports the following camera models:

  • Alpha a7
  • Alpha a7 II
  • Alpha a7R
  • Alpha a7R II
  • Alpha a7s
  • Alpha a7s II
  • Alpha a6000
  • Alpha a6300
  • Alpha a6500
  • RX100 III
  • RX100 IV
  • RX100 V
  • RX10 II
  • RX10 III
  • RX1R II

Sky HDR supports certain camera models Digital Filter doesn’t, including the a5100 and three NEX models.

Via: SonyAlphaRumors

Articles: Digital Photography Review (dpreview.com)

 
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How to Enhance your Black and White images with Infrared Photography

09 Mar

This article will give you some tips on how you can enhance your black and white images by using infrared photography.

Enhancing your Black and White images with Infrared Photography

Infrared photography for something different

Are you a fan of black and white photography? Like many, I love a good black and white image. The mood you can exude from the shadows and light always fascinates me.

When I was new to photography, I mostly avoided black and white landscapes. I used it mainly a handy way to hide the sporadically bizarre white balance my old Olympus EPL1 used to occasionally surprise me with.

Infrared photography (IR) also took a while to attract my attention. I wasn’t a huge fan of the typical false colour images, but quite liked the black and white IR photos, particularly the work of Simon Marsden. If you haven’t explored his portfolio of dark and atmospheric infrared film photography, you are missing something unique.

Anyway, after a while, I started doing more black and white landscape images, and eventually followed the urge to get into IR images purely for their unique monochrome potential.

Enhancing your Black and White images with Infrared Photography

I went down the path of buying a modified camera off Ebay. You can buy anything from a point and shoot to a full frame DSLR, and everything in between. If you have an old body you can always get it converted, but it’s worth checking the cost against buying one that’s already been modified.

I picked up an Olympus EPM1 for around AUD $ 300 ($ 230 USD). The advantage for me was being able use the same lenses and batteries I already had for the EPL1.

Why buy a modified camera rather than use IR filters?

Filters are a great and relatively inexpensive way to get into IR photography, but they have their limitations.

The main attraction of a modified camera is that you are not limited to the long exposures needed for an IR filter. You can capture sharp images in any conditions, and can be more creative with your exposures (e.g. pick the perfect shutter speed for moving water). You can shoot handheld from any point of view without being limited by a tripod.

Enhancing your Black and White images with Infrared Photography

It is also much quicker. When using filters, you need set your focus before attaching the filter which can become tiresome.

I used to take my IR camera with me for a run along the river. Without the need for a tripod, I could travel light and take quick photos whenever an interesting composition presented itself.

Enhancing your Black and White images with Infrared Photography

What can infrared photography bring do for a landscape photographer?

Perhaps the most striking characteristics of infrared photography are the typical white vegetation, black water, and dark skies. You can create punchy, high contrast images. The middle of the day works best for these type of shots. Perfect for those landscape photographers that hate early mornings!

If you like capturing the complex patterns in clouds, you’ll find that the black skies really allow the clouds to stand out.

Enhancing your Black and White images with Infrared Photography

IR also gives you clarity. Any haze visible to the eye tends to disappear in infrared photography. So you can achieve a very crisp and contrasty look.

Enhancing your Black and White images with Infrared Photography

The deciding factor for me was tone. I found the infrared monos gave me a wonderful palette of greys and blacks to work with, particularly for trees and vegetation. The balance between light and dark just seems easier to manage in infrared and really lets you produce some unique images.

Enhancing your Black and White images with Infrared Photography Enhancing your Black and White images with Infrared Photography

Processing

So what processing should you use for infrared photography? The short answer is not much really. Experiment to find out what works for you.

Myself, I don’t normally use Lightroom or Photoshop, so my workflow may be a little different than yours. But the principles will be the same.

I import my raw images into Corel’s AfterShot Pro, which is a handy little raw file editor. Here I’ll straighten the image, adjust the exposure, and maybe increase the contrast if required. My infrared raw files come into AfterShot Pro displaying blue-grey hues, which is a good starting point for me. From here I export them as TIFFs into PaintShop Pro.

PaintShop Pro has a “Black and White Film” effect that lets you apply a colour filter to your image. Changing your filter between blue, red, and green gives a different result.

From here it is a matter of personal taste adjusting the light and dark of your image, the white and black points to suite the image, and maybe applying curves as appropriate.

Enhancing your Black and White images with Infrared Photography Enhancing your Black and White images with Infrared Photography

What is the Secret Sauce?

Infrared photography is wonderfully clean and crisp. But what if you love that IR film look with a ghostly flare?
Don’t worry. PaintShop Pro has it in the bag. They have an “Infrared Film” effect that was probably created to make ordinary images look a bit infrared-ish.

But when you apply it to a proper infrared image as a starting point, you get a wonderful controlled flare effect. It doesn’t quite match the often spooky and surreal results Simon Marsden achieved with IR film, but it does get you a lot closer than anything else.

Enhancing your Black and White images with Infrared Photography

Enhancing your Black and White images with Infrared Photography

The flare can be applied to give a sense of mystery, mood, and surrealness that is hard to replicate any other way.
Enhancing your Black and White images with Infrared Photography

Are there any downsides to infrared photography?

Not really. The only big drawback you’ll find is that you cannot use your favourite filters. Standard neutral density and polarizers do not work in the IR spectrum. If you sky is very bright and your subject is dark, you’ll just have to blend a few different exposures. Shooting in RAW of course gives you more leeway, but my Olympus files are not as forgiving as my Nikon files when recovering blown highlights.

Enhancing your Black and White images with Infrared Photography

The only other thing I notice is that some people get so enamoured by the white leaves and black sky effect that they forget to put their attention on the composition. Yes, everything looks cool in IR, but don’t take pictures of everything. Aim for strong compositions and uncluttered images. IR really shines with a minimalist approach.

Enhancing your Black and White images with Infrared Photography

Many dismiss infrared photography as an oddity; a strange niche that is a bit too left of centre for them. Others just think it is too hard and expensive to get into.

But if you like creating black and white images that stand out from the crowd, I’d suggest you have a crack at it. You’ll find it a challenge but also quite rewarding.

Enhancing your Black and White images with Infrared Photography

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The Power of a Photograph – Iconic Moments Captured as Images

09 Mar

As photographers, we have a great power. We can capture moments in time that are unique, iconic, emotional and powerful. Photography has the power to change things.

By Bronson ABbott

See some of the ways that photographs have this power:

  • We have the power to capture human moments
  • Moments of loss the desperation
  • Of Defiance
  • Moments of bravery
  • Those of love and respect
  • And moments of triumph

How do you use your photography in powerful ways? What are you favorite iconic photographs from history and why? Please share in the comments below about how you feel photography is powerful in our lives.

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9 Ways to Ensure You Get Sharp Images When Photographing People

09 Mar

If you are struggling with soft or blurry images, you are not alone. Many photographers have difficulty with getting crisp, clear, in-focus images. This is especially true when taking pictures of people. It can be done, though, if you take the right steps. Try out these nine tips to make sure you get sharp images when you are photographing people. With a little practice, you should start seeing results right away.

9 Ways to Ensure You Get Sharp Images When Photographing People

1. Shutter Speed

If you set your shutter speed too slow, chances are that your images are not going to be as sharp as you want them to be. Make sure to set your shutter speed at least the same speed as the focal length of your lens. To be extra sure, you could even double it.

For example, if you are shooting with a 35mm lens, make sure your shutter speed is set to 1/35th (doubled – 1/70th) or faster. If you are shooting with an 85mm lens, set the shutter speed to 1/90th (double to 1/170th) or faster.

9 Ways to Ensure You Get Sharp Images When Photographing People

Shutter speed 1/1640th of a second.

2. Steady Hands

To hold your camera steady, firmly plant your hands on your camera and make sure that you are not shaking, even slightly. Ideally, a tripod could eliminate the possibility of this, but if you are shooting handheld, make sure to keep things as steady as you can. Even the slightest movement could cause your photo to become out of focus.

9 Ways to Ensure You Get Sharp Images When Photographing People - Shot hand held

Shot handheld.

3. Set Your Focal Point

There are a few ways to set your focus, but one great way is to set your focal point to the center focal point on your camera and focus in on the person you want to photograph. You can change the points around, but generally, the center one will give you the clearest focus.

9 Ways to Ensure You Get Sharp Images When Photographing People - Shot with center focal point

Shot with the camera set to the center focal point.

4. Look at the Eyes

If you are taking a photo of just one person, set your focus on their eyes. The eyes are generally what will stand out in a great portrait, so making sure that they are in focus is key. Remember those focal points? Make sure that center one is lined up right on their eye.

9 Ways to Ensure You Get Sharp Images When Photographing People - Focus on the eyes

Note: if the person is posed slightly sideways, always focus on the eye closest to the camera.

5. Pose Them

If you are taking a photo with more than one person or a family, the way you pose them can affect the sharpness and focus. An easy pose which helps to make sure the focus will stay sharp is lining them up. Keep everyone on the same plane (equidistant from the lens). This will be helpful especially if you are still learning manual shooting mode, and working with your aperture. When you pose a group of people for a picture and they are in multiple lines, or if you have some closer to the camera, while others are farther away, this could make it more difficult to get everyone in sharp focus.

9 Ways to Ensure You Get Sharp Images When Photographing People - Posed in a line

6. Setting Your Aperture

The wider you set your aperture, the greater the chance there may be some parts of the image that are out of focus. Remember how you’re going to pose them? When you pose the people in a line on the same plane, you can keep your aperture wider and lower the risk for a blurry photo. It is also easier to shoot with a wider aperture if you are just photographing one individual.

9 Ways to Ensure You Get Sharp Images When Photographing People - Aperture 2.2

Shot at aperture f/2.2

7. Focus on the Person Closest to You

If there are many people in your photo, set the focal point on the person closest to you. Ideally, this person will also be in the center of the group. This will help to make sure that they are in focus as well as any people in the photo that are behind them. Then, adjust your aperture to make sure all group members will be in focus.

8. Choose Your Lens

Not all lenses are created the same and some are better at capturing sharp images than others. It’s not necessarily always the most expensive lenses either. A good starter lens that has great focus and won’t break your bank account is the 50mm f/1.8. A few other great lenses that generally produce sharp photos and aren’t as pricey are the 85mm f/1.8 or the 50mm f/1.4.

9 Ways to Ensure You Get Sharp Images When Photographing People - Shot with 50mm f/1.4

Shot with a 50mm f/1.4 lens.

9. Clean Your Gear

If you’ve tried all these steps and you are still experiencing soft, blurry pictures, it may be time to clean your equipment. If it’s been awhile (or if you’ve never had it cleaned), take your camera and lenses into a local camera shop you trust and have them clean your gear for you. Hopefully, that will make a big different in the sharpness of your images.

Now you try it. Next time you go out to photo shoot, think about these steps and carefully plan to get sharp images. Don’t just assume it’s automatically going to happen. With practice you will get it, so keep trying.

The post 9 Ways to Ensure You Get Sharp Images When Photographing People by Emily Supiot appeared first on Digital Photography School.


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18 Furry Images of Man’s Best Friends – Pets

01 Mar

Man’s best friend is said to be the dog. But in reality, many furry, feathered, scaled, and finned critters make loving pets in many family households.

Who better to photograph than these little guys. Here are a few photos of our furry friends.

By Nuwandalice

By Allen Skyy

By John Clare

By A_Peach

By Virginia State Parks

By akamarpreet

By sualk61

By Philip Watts

By Harald Henkel

By fine_plan

By Torrey Wiley

By Roberto Taddeo

By Scottie Mew

By laurence lallemand

By Nicholas Blumhardt

By Ian Livesey

By Ref54

By myri_bonnie

The post 18 Furry Images of Man’s Best Friends – Pets by Darlene Hildebrandt appeared first on Digital Photography School.


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OPPO 5x smartphone zoom system sample images

01 Mar

Yesterday smartphone maker OPPO announced an innovative 5x zoom system for smartphone cameras that uses a dual-camera in combination with a prism and periscope-style lens design. It’s only 5.7mm tall, and therefore could fit into even the thinnest smartphones. Unfortunately, OPPO did not release too much technical information but there are a few prototype devices available to shoot with at the OPPO both at the Mobile World Congress. We gave the camera a quick try, and had a closer look at the sample images and embedded EXIF to find out more.

The camera app on the prototype phones is kept very simple, with the main feature being a big zoom button. One tap on the latter makes the camera jump from wide-angle to a 2x zoom factor; a second tap jumps to the full 5x magnification. There are no intermediate zoom settings. The sample images below were taken at those respective lens settings and show a well-illuminated test scene at the OPPO booth.

 Wide-angle, ISO 189, 1/189 sec
 2x zoom, ISO 115, 1/100 sec
 5x zoom, ISO 111, 1/50 sec

The camera produces 12MP images and in the EXIF data aperture at all zoom settings is reported as F2.0. At ISO 189, sensor sensitivity is the highest at the wide-angle setting. It decreases to ISO 115 at the 2x zoom setting and ISO 111 at the 5x setting. Shutter speed is reported at 1/100 sec at the wide-angle and 2x setting and 1/50 sec at the tele setting.

There is no way of knowing if the reported EXIF is accurate but, looking at the scene and considering the tele-portion of the lens construction is optically stabilized, it could well be the case that at the tele settings the light fall-off on the OPPO system is much less significant than on a conventional zoom with changing apertures. The image quality of the samples seems to support the ISO data, with the zoomed images not showing noticeably more image noise or less detail than the wide-angle shot.

Of course, we are looking at a prototype device here and the image output of an eventual production phone might look very different. Nonetheless, the sample images out of the prototype do look promising and we hope to see an OPPO device with the 5x zoom system being launched soon.

Articles: Digital Photography Review (dpreview.com)

 
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