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Posts Tagged ‘fullframe’

Rumor: Canon full-frame mirrorless already ‘being used by select pro photographers’

24 Mar
So far, the EOS M5 is the nearest thing Canon has made to a high-end mirrorless camera.

Rumors of a Canon mirrorless full-frame camera are heating up. Just days after our own Canon interview from CP+ 2018 seemed to hint, quite strongly, that a “high-end mirrorless” from Canon is in the works, Canon Rumors is reporting that they have “confirmed from a couple of good sources” that a full-frame mirrorless Canon is indeed being tested by select pros.

The Canon Rumors report, published earlier today, claims that “a full frame mirrorless camera is well into its development cycle,” and is in fact being used by “select Canon pro photographers” in the field. This matches up with what Canon told us during our interview at CP+ 2018. Specifically, the Canon executives we spoke to said:

In accordance with the full lineup strategy, we will be tackling [the mid-range and high-end mirrorless market] going forward.

And when we asked if it was “realistic” to expect a Canon full-frame mirrorless camera within a year, their tongue-in-cheek response was:

That would be nice, wouldn’t it?

Read our full Canon interview from CP+ 2018

Canon Rumors is “very confident we’re going to see something announced before the end of Q1 in 2019,” while other outlets have predicted something for Photokina in September. Either way, as rumors and reports heat up, it seems more and more likely the industry will be getting a major shake-up in early 2019 or late 2018.

The major unanswered question is: what about lenses? Will Canon release a new lens mount with this rumored full-frame mirrorless camera—thereby taking advantage of the shorter flange distance offered by mirrorless—will the new camera be compatible with EF lenses out of the box, or will it be some sort of hybrid arrangement?

When we spoke to Canon, the company said it “can’t simply ignore the [130 million EF lenses] in the market,” but that “we’re considering the technical advancements that are possible” with a new mount. In the end, they didn’t give us anything definitive, encouraging us instead to “let your imagination suggest some possibilities.”

Articles: Digital Photography Review (dpreview.com)

 
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Sony executive predicts Nikon and Canon will go full-frame mirrorless within a year

13 Mar
Kenji Tanaka, Sony Senior General Manager of the Digital Imaging Business Group | Photo by Carey Rose

Earlier this month at CP+, we sat down with several camera company executives for in-depth interviews about the photo industry, trying to tease out what the future holds for the cameras and lenses of tomorrow. One of the people we spoke with was Sony’s Senior General Manager of the Digital Imaging Business Group, Kenji Tanaka, and he had an interesting prediction. He told us to look for Nikon and Canon full-frame mirrorless “by next year’s CP+.”

We’re still working on finalizing the full interview for you, but we wanted to share this tidbit right away:

One of the reasons that companies like Sigma and Tamron are creating native Sony FE lenses is that they’re looking forward to a future where full-frame mirrorless is the norm. How long will that be?

This is just my personal opinion, but I think that maybe by next year’s CP+ you’ll see full-frame mirrorless cameras from Canon and Nikon. I think [by then] they will be participating in this market.

Just look at our technologies, like eye focus. All of that data comes from the imaging sensor. In DSLRs, the data comes from separate sensors. The main imaging sensor is blanked out, 90% of the time by the mirror. The sensor is turned off. But the imaging sensor is very important. So if cameras are going to develop, and be more able to capture the moment, manufacturers have to develop mirrorless technologies. So within one year, I think.

Rumors of Nikon and Canon full-frame mirrorless cameras have been swirling for years, but no official confirmation has ever come down the pike. The best we’ve managed to get so far is this somewhat vague statement from Nikon, and confirmation that Canon is now willing to cannibalize its DSLR sales to invest in mirrorless cameras.

Obviously Kenji Tanaka does not speak for Canon or Nikon—he even made sure to mention this was his “personal opinion”—but he has a much better high-level understanding of the camera industry’s ins and outs that most of us. In other words: we take his ‘personal opinions’ quite seriously.

The latest whispers on the rumor mill claim there’s a Canon full-frame mirrorless prototype in the wild, and up until CP+ came and went, many were hoping to see a full-frame mirrorless from Nikon at the show. As we move further into 2018 and look ahead to Photokina, Photo Plus Expo, and next year’s CP+ show, maybe all of those rumors will finally start paying off.

Articles: Digital Photography Review (dpreview.com)

 
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New Novoflex adapters let you use full-frame lenses with the Hasselblad X1D

08 Mar

Owners of the mirrorless medium format Hasselblad X1D will soon be able to mount a series of full-frame lenses to their medium format body, in some cases with minimal vignetting, thanks to a new range of adapters launched by Novoflex. The company has produced a set of adapters that allow you to mount Nikon F, Canon FD, Leica R, and Leica M lenses, as well as one for Hasselblad’s own V range of legacy optics, to the newer, sleeker X1D.

Novoflex says that many older lenses have such wide covering circles that vignetting will be marginal on the 43.8×32.9mm sensor of the X1D, and of course, tilt and shift lenses will cover comfortably.

The Nikon model features a mechanical iris lever so modern G lenses can be used, while adapters for Contax/Yashica and Minolta MD/MC will be introduced next month. The adapters cost between €139 and €229 (approx. $ 160-285 USD), and can be viewed and bought from the Novoflex website.

For more info, check out the full press release below.

Press Release

NOVOFLEX announces lens adapters for Hasselblad X1D

NOVOFLEX announces lens adapters for Hasselblad X1D – Greater lens variety formedium format cameras

The mirrorless medium format camera Hasselblad X1D is one of the most advanced cameras in the HighEnd sector. The sensor size of 43.8 mm x 32.9 mm with a resolution of 50 megapixel is the best choice for both – professional photographers and prosumers. The only disadvantage is that Hasselblad offers only a small number of lenses.

Since the firmware update 1.17.2, however, the camera incorporates an electronic shutter, allowing the use of lenses from other manufactures. That is why NOVOFLEX is now announcing a series of lens adapters allowing 35mm and medium format lenses to be used on the Hasselblad X1D camera. The first adapters are available now for Leica R-, Leica M-, Nikon F- as well as Hasselblad V-type lenses. The adapter for Nikon lenses comes with a built-in mechanical aperture control to also allow the use with G-type Nikkor lenses. Fading in and out can be done infinitely. The introduction of adapters for Canon FD, Contax/Yashica, Minolta MD/MC and for the universal bellows of the NOVOFLEX BALPRO series is planned for early April, 2018.

Especially interesting are the lens adapters for 35mm-format mount for tilt-/shift lenses, as their image circle is always big enough, to fully illuminate the larger sensor format of the X1D. However, many 35mm-format lenses have an image circle which is bigger than the actual 35mm-format itself, this results into only marginal vignettings. In additon, many old or classic 35mm-format lenses are based on lens calculations of large or medium format lenses. Potential vignetting could be used creatively or cases later corrected through software.

None of the adapters will transfer information between camera and lens

NOVOFLEX adapters are available for almost any camera/lens combination. For more details please refer to the adapter finder on the NOVOFLEX home page www.novoflex.de.

Articles: Digital Photography Review (dpreview.com)

 
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Sigma announces nine full-frame E-mount Art primes

28 Feb

Sigma has announced plans to bring seven of its existing full-frame Art-series primes, plus two newly-announced lenses, to E-mount. Sigma says that the E-mount versions will offer “a newly developed control algorithm that optimizes the autofocus drive and maximizes the data transmission speed.” The lenses will work with Sony’s AF-C mode, and as with existing lenses adapted via MC-11, will work with in-camera stabilization and in-camera lens corrections.

Below are the lenses Sigma plans to offer in E-mount:

  • 14mm F1.8 DG HSM | Art
  • 20mm F1.4 DG HSM | Art
  • 24mm F1.4 DG HSM | Art
  • 35mm F1.4 DG HSM | Art
  • 50mm F1.4 DG HSM | Art
  • 70mm F2.8 DG Macro | Art
  • Sigma 85mm F1.4 DG HSM | Art
  • Sigma 105mm F1.4 DG HSM | Art
  • Sigma 135mm F1.8 DG HSM | Art

Sigma says that launch dates for all models are yet to be determined.

SIGMA launches seven interchangeable Art prime lenses for Sony E-mount cameras with full-frame sensors

SIGMA Corporation is pleased to announce the upcoming launch of interchangeable lenses for the Sony E-mount digital camera series with full-frame image sensors. SIGMA will gradually introduce the lenses as members of the Art line, which offers photographers the highest level of optical performance.

While offering the same high-performance optical design as other lenses in the Art line, the new Sony E-mount models will feature a newly developed control algorithm that optimizes the autofocus drive and maximizes the data transmission speed. In addition, these lenses will be compatible with Sony’s Continuous AF (AF-C) and high-speed autofocus, which are not addressed by SIGMA MOUNT CONVERTER MC-11. Like the converter MC-11, the lenses will be compatible with in-camera image stabilization and in-camera lens aberration correction, which includes corrections for peripheral illumination, chromatic aberrations, and distortion.

The lineup will include the Art line set of seven prime lenses covering 14mm to 135mm. It will also include two models that SIGMA will be exhibiting at CP+ 2018: 70mm F2.8 DG MACRO | Art and 105mm F1.4 DG HSM | Art (launch date TBD). Further, SIGMA plans to introduce additional Sony E-mount models in the Art line going forward.

Note: This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.

Key features

1. Autofocus tuned for each lens
Thanks to an autofocus drive control program tuned for each lens and high-speed data transmission, the lenses will offer high-speed autofocus at the same performance level as that of a lens designed exclusively for mirrorless cameras. In particular, in E-mount cameras offering Sony’s Fast Hybrid AF, AF-C mode will deliver exceptional subject following performance. Moreover, autofocus will remain extremely precise even in those E-mount cameras offering only contrast AF.

2. Compatible with in-camera image stabilization
The lenses will be compatible with in-camera image stabilization. The Sony E-mount camera senses the focal length of the lens and automatically optimizes image stabilization performance.

3. Data loaded for compatibility with in-camera aberration correction The lenses will be fully compatible with in-camera aberration correction, which includes corrections for peripheral illumination, chromatic aberrations, and distortion. By matching corrections to the optical characteristics of the lens, this function takes image quality to an even higher level.

4. Native mount for a more rigid and stable feel Making the mount native to the lens makes possible a more rigid and stable feel to the lens. Featuring a special surface treatment to enhance strength, the brass bayonet mount offers a high-precision fit and exceptional durability. The mount connection area incorporates rubber sealing for dust- and splash-proof construction.

5. Available Mount Conversion Service This service converts the mount of SIGMA lenses to that of a different camera body, allowing photographers to continue using their favorite lenses over the long term regardless of camera system.

Note 1: The Mount Conversion Service is different from a normal repair. In order to apply for the service, please contact your nearest authorized SIGMA subsidiary or distributor. http://www.sigma-global.com/en/about/world-network/

Note 2: This service is performed exclusively by SIGMA.

Product lineup

SIGMA 14mm F1.8 DG HSM | Art
Launch date: TBD. Includes case

SIGMA 20mm F1.4 DG HSM | Art
Launch date: TBD. Includes case

SIGMA 24mm F1.4 DG HSM | Art
Launch date: TBD. Includes case and hood

SIGMA 35mm F1.4 DG HSM | Art
Launch date: TBD. Includes case and hood

SIGMA 50mm F1.4 DG HSM | Art
Launch date: TBD. Includes case and hood

SIGMA 70mm F2.8DG MACRO | Art (CP+ 2018 exhibit)
Launch date: TBD. Includes case and hood

SIGMA 85mm F1.4 DG HSM | Art
Launch date: TBD. Includes case and hood

SIGMA 105mm F1.4 DG HSM | Art (CP+ 2018 exhibit)
Launch date: TBD. Include case, hood, and tripod socket

SIGMA 135mm F1.8 DG HSM | Art
Launch date: TBD. Includes case and hood

Articles: Digital Photography Review (dpreview.com)

 
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Tamron is working on a 28-75mm F2.8 lens for full-frame Sony mirrorless cameras

22 Feb

Tamron is working on a fast standard zoom lens for full-frame Sony E-mount cameras. Details are thin at this point, but the 28-75mm F2.8 Di III RXD will offer a minimum focus distance of 19cm/7.5in at wide-angle, will measure 11.7cm/4.6in long and weigh in at 19.4oz/1.2lb. Tamron claims the lens will offer excellent optical performance and high-quality bokeh. An ‘RXD’ stepping motor autofocus unit provides quiet operation for video applications, and the whole thing will be moisture-resistant.

Press Release

Tamron announces the development of a high-speed standard zoom lens for Sony full-frame mirrorless cameras

28-75mm F/2.8 Di III RXD (Model A036)

February 22, 2018, Commack, New York – Tamron announces the development of a new high-speed standard zoom lens for Sony full-frame mirrorless cameras, the 28-75mm F/2.8 Di III RXD (Model A036). This signals Tamron’s plans to further expand and improve its lens lineup for full-frame mirrorless cameras, in addition to its lenses for DSLR and other mirrorless camera formats.

Model A036 delivers superb optical performance, including both outstanding image quality and beautiful background blur effects (bokeh). Photographers may enjoy dynamic wide-angle expressions like never before thanks to a minimum object distance of 7.5 in at the wideangle zoom setting. Usefulness and versatility are enhanced by its compact size and light weight, measuring only 4.6 in and weighing 19.4 oz. Model A036 incorporates an all-new high-speed and precise AF driving system. The RXD (Rapid eXtra-silent stepping Drive) stepping motor unit operates with remarkable quietness, making it perfect for video use. The lens also features Moisture-Resistant Construction that is helpful in outdoor photography, plus hydrophobic Fluorine Coating that is highly resistant to fingerprints and debris. In addition, A036 is compatible with the “Direct Manual Focus (DMF)” system feature of Sony cameras, enabling this new zoom to take full advantage of the advanced functions that ensure comfortable user experiences.

PRODUCT HIGHLIGHTS

1. Superb optical performance, including both outstanding image quality and beautiful background blur effects (bokeh), provided by fast F/2.8 aperture.

2. Comfortably light weight (19.4 oz.) and compact (4.6 in).

3. Close-focusing; Minimum Object Distance: 7.5 in at wide-angle setting and 15.3 in at the telephoto position.

4. All-new “RXD” stepping motor AF unit is extremely quiet and therefore perfect for video capture.

5. Exciting next-generation design keeping the brand consistency that is ergonomically superb.

6. Moisture-Resistant Construction and Fluorine Coating for weather protection.

7. Compatible with the “Direct Manual Focus (DMF)” feature that enables Sony cameras to instantly switch between autofocus and manual focus.

* Specifications, appearance, functionality, etc. are subject to change without prior notice.

Tamron 28-75mm F2.8 Di III RXD specifications

Principal specifications
Lens type Zoom lens
Max Format size 35mm FF
Focal length 28–75 mm
Image stabilization No
Lens mount Sony FE
Aperture
Maximum aperture F2.8
Aperture ring No
Optics
Special elements / coatings Fluorine coating
Focus
Minimum focus 0.19 m (7.48″)
Autofocus Yes
Motor type Stepper motor
Full time manual Yes
Focus method Internal
Distance scale No
DoF scale No
Physical
Weight 550 g (1.21 lb)
Length 117 mm (4.61″)
Sealing Yes
Colour Black
Zoom method Rotary (extending)
Power zoom No
Zoom lock No

Articles: Digital Photography Review (dpreview.com)

 
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Tamron announces 70-210mm F4 Di VC USD for full-frame DSLRs

22 Feb

Tamron is introducing a stabilized 70-210mm F4 tele-zoom for full-frame Canon and Nikon DSLRs. The lens uses an internal zoom mechanism so that the overall length never changes as it’s operated and a ring-type ultrasonic motor. It also offers moisture-resistance, up to 5 stops of stabilization and a close focusing distance of 0.95m/37.4in. The 70-210mm F4 includes 20 optical elements in 14 groups, including 3 low-dispersion elements to reduce chromatic aberration.

The 70-210mm F4 is compatible with Tamron’s 1.4x and 2.0x teleconverters, as well as the company’s Tap-in Console for easy firmware updates. Arriving this April in Canon and Nikon mounts, the 70-210mm F4 will sell for $ 800 – quite a bit cheaper than the offerings from those two manufacturers.

New F/4 telephoto zoom lens featuring superb optical performance and a lightweight and compact body for easy portability

70-210mm F/4 Di VC USD (Model A034)

February 22,2018, Commack, New York— Tamron announces the launch of the 70-210mm F/4 Di VC USD (Model A034), a compact telephoto zoom lens for full-frame DSLR cameras. Model A034 provides superb optical performance throughout the entire zoom range and features a maximum magnification ratio of 1:3.1, the highest in its class.* The design includes an internal zoom mechanism that provides solid mechanical construction and stable, reliable operation. Model A034 also employs a Dual MPU (Micro-Processing Unit) design, which enables high-speed and high-accuracy AF performance as well as powerful VC (Vibration Compensation) image stabilization for flexible and versatile use in various situations. For dependable outdoor use, the new telephoto zoom is equipped with Fluorine Coating and Moisture-Resistant Construction. The lens will be available in Canon and Nikon mounts in April at $ 799.00.

*Among 70-200mm F/4 class interchangeable lenses for full-frame DSLR cameras (as of January 2018: Tamron)

PRODUCT HIGHLIGHTS

1. High-performance telephoto zoom lens with a constant maximum aperture of F/4
Leveraging Tamron’s years of knowhow developing telephoto zoom lenses, Model A034 achieves superb optical performance with high contrast and resolution. The optical construction (20 elements in 14 groups) uses three LD (Low Dispersion) lens elements to effectively compensate for axial and transverse chromatic aberrations, thereby ensuring crisp and crystal-clear image quality across the entire frame. Furthermore, Model A034 features a constant maximum aperture of F/4 throughout the entire zoom range, thus providing superior control over depth-of-field and excellent bokeh. Compared to large aperture telephoto zoom lenses, the new A034 is lighter with a weight of just 30.3 oz. and is more compact with a total length of only 6.8 in. for excellent portability. The lighter weight and smaller size make this new lens easier to carry and instantly spring into action.

2. Class-leading magnification ratio and MOD (Minimum Object Distance)
Model A034 boasts the highest-in-class maximum magnification ratio of 1:3.1 and the shortest-in-class* MOD of 37.4 in. The shorter working distance enables photographers to capture close-up images of small objects like flowers while using a telephoto zoom.

*Among 70-200mm F/4 class interchangeable lenses for full-frame DSLR cameras (as of January 2018: Tamron)

3. Highly reliable internal zoom mechanism
Thanks to an internal zoom mechanism, the physical length of the A034 does not change during zooming, thereby minimizing changes in the center of gravity and providing more stable use and operation. In addition, it’s not necessary for the photographer to move backwards even when shooting space is limited, for instance, when photographing through a wire mesh fence at a zoo. So-called “zoom creep” is impossible because the overall length never extends. Furthermore, the design provides a very robust and sturdy feeling, and the non-rotating front element makes the use of polarizing filters much easier.

4. High-speed Dual MPU (Micro-Processing Unit) control system delivers responsive autofocus performance plus outstanding VC (Vibration Compensation) image stabilization
The Dual MPU system includes two high-performance MPUs (micro-processor units) dedicated to VC processing and lens system control. Both MPUs have a DSP (Digital Signal Processing) block that provides high-speed digital signal processing, improving the computing power of the entire system. This new control system achieves high-speed and precise AF performance as well as assured VC effects.

Excellent autofocus performance
Model A034’s AF drive system uses a USD (Ultrasonic Silent Drive) ring-type ultrasonic motor for outstanding responsiveness and to ensure fast, precise focusing. Plus, the new zoom is equipped with a Full-time Manual Focus override mechanism that enables a photographer shooting with AF to instantly make fine manual focusing adjustments without switching the AF-MF mode switch.

Outstanding vibration compensation effects
The new A034 is equipped with Tamron’s proprietary VC system and achieves the CIPA image stabilization performance level of 4 stops.* Even in low light or with slow shutter speeds, photographers can enjoy shake-free handheld shooting with ease and comfort.

*CIPA Standard Compliant. For Canon: EOS-5D MKIII is used; for Nikon: D810 is used.

5. Fluorine Coating
The surface of the front element is coated with a protective fluorine compound that has excellent water-and oil-repellant qualities. The front surface is easier to wipe clean and is less vulnerable to the damaging effects of dirt, dust, moisture or oily fingerprints, allowing for much easier maintenance. The coating also provides an enhanced level of durability, and will sustain its effectiveness for years.

6. Moisture-Resistant Construction
Seals are located at the lens mount area and other critical locations to prevent infiltration of moisture and/or rain drops to provide Moisture-Resistant Construction. This feature affords an additional layer of protection when shooting outdoors under adverse weather conditions.

7. Compatible with Tamron teleconverter
The new lens is also compatible with the TELECONVERTER 1.4x (Model TC-X14) and TELECONVERTER 2.0x (Model TC-X20), which increase the focal length of the lens to 1.4 times and 2 times the original, respectively. Both teleconverters are carefully designed and constructed to provide outstanding high image quality.

Note: For more detailed information about teleconverters, please refer to the Tamron website.

8. Compatible with TAMRON TAP-in ConsoleTM, an optional accessory
The new A034 is compatible with the optional TAMRON TAP-in Console, an optional accessory product that provides a USB connection to a personal computer, enabling users to easily update a lens’s firmware as well as customize features including fine adjustments to the AF and VC.

9. Optional tripod mount compatible with Arca-Swiss style quick release plates
For rapid attachment to a tripod, an Arca-Swiss style tripod mount is available as an optional accessory. Featuring a hinge-type ring section, connection is easy even when the lens is mounted on a camera. To maximize the advantages of the small and lightweight F/4 zoom lens, the tripod mount is made of lightweight, sturdy magnesium alloy.

10. Electromagnetic diaphragm system now used also for Nikon-mount lenses
An electromagnetic diaphragm system, which has been a standard feature for Canon-mount lenses, is now employed in Nikon-mount lenses.* More precise diaphragm and aperture control is possible because the diaphragm blades are driven and controlled by a built-in motor through electronic pulse signals.

*Available only with cameras compatible with the electromagnetic diaphragm (D5, D4s, D4, D3X, Df, D850, D810, D810A ,D800, D800E, D750, D600, D610, D300S, D500, D7500, D7200, D7100, D7000, D5600, D5500, D5300, D5200, D5100, D5000, D3400, D3300, D3200, D3100). (As of January 2018; Tamron)

Tamron 70-210mm F4 Di VC USD specifications

Principal specifications
Lens type Zoom lens
Max Format size 35mm FF
Focal length 70–210 mm
Image stabilization Yes
CIPA Image stabilization rating 4 stop(s)
Lens mount Canon EF, Nikon F (FX)
Aperture
Maximum aperture F4
Minimum aperture F32
Aperture ring No
Number of diaphragm blades 9
Optics
Elements 20
Groups 14
Special elements / coatings 3 low-dispersion elements + fluorine coating
Focus
Minimum focus 0.95 m (37.4″)
Maximum magnification 0.32×
Autofocus Yes
Motor type Ring-type ultrasonic
Full time manual Yes
Focus method Internal
Distance scale Yes
DoF scale No
Physical
Weight 859 g (1.89 lb)
Diameter 76 mm (2.99″)
Length 175 mm (6.89″)
Sealing Yes
Colour Black
Zoom method Rotary (internal)
Power zoom No
Zoom lock No
Filter thread 67 mm
Hood supplied Yes
Tripod collar No

Articles: Digital Photography Review (dpreview.com)

 
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Sigma announces full-frame 14-24mm F2.8 DG HSM Art lens

09 Feb

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Sigma has announced a new 14-24mm F2.8 HSM Art lens for full-frame Canon, Nikon and Sigma DSLRs. This ultra-wide zoom has three FLD and three SLD glass elements, plus an 80mm ‘high precision molded’ aspherical element. The lens is sealed against dust and moisture and has a nine-blade aperture, minimum focus distance of 26cm (10″) and a weight of around 1.2 kg (2.5 lb).

While the 14-24 comes with a petal-shaped hood, Sigma will offer a ‘front mount conversion service’ that will replace it with a circular hood, which is preferable when capturing content intended for VR use.

Living up to its Art designation, the 14-24mm has been designed with 50MP sensors in mind. It claims to minimize distortion to 1% or lower when focused to infinity, and the Canon mount version of the lens works with Canon’s in-camera lens aberration correction. Each 14-24mm F2.8 comes from Sigma’s Aizu, Japan factory.

Pricing and availability information will be released at a later date.

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Press Release

Sigma Announces Brand New 14-24mm F2.8 Art Lens

February 9, 2018 – Sigma Corporation today announced the brand new 14-24mm F2.8 DG HSM Art wide aperture zoom lens. In addition to the new Global Vision full-frame lens model, Sigma also announced a new front conversion service for the 14-24mm F2.8.

Outstanding Art Lens Performance
Designed for 50-megapixel plus cameras, the 14-24mm F2.8 DG HSM Art achieves the legendary Art lens sharpness with three FLD glass elements, three SLD glass elements, and three aspherical lens elements, including one 80mm high precision molded glass aspherical element. With near zero distortion (less than 1%) and minimal transverse chromatic aberration, flare and ghosting, the new Sigma 14-24mm offers constant F2.8 brightness throughout the zoom range and delivers optimal image quality at every focal length and shooting distance. The high-speed, high-accuracy autofocus allows photographers to capture incredible, in-the-moment images.

Rugged Design
In addition to outstanding optical performance, the 14-24mm F2.8 DG HSM Art features the Sports line level dust- and splash-proof design with special sealing at the mount connection, manual focus ring, zoom ring and cover connection, allowing for the lens to be used during varying weather conditions.

Versatile Camera System Mount Support
The new Sigma 14-24mm F2.8 DG HSM Art lens supports Canon, Nikon and Sigma mounts and works with Sigma’s MC-11 Sony E-mount converter. The Nikon mount features brand new electromagnetic diaphragm, whereas the Canon mount is compatible with the Canon Lens Aberration Correction function.

Pricing and availability for the Sigma 14-24mm F2.8 Art lens will be announced later.

Front Mount Conversion Service for Sigma 14-24mm F2.8 DG HSM Art
Addressing the rising popularity of multi-camera productions, especially using ultra wide-angle lenses in shooting virtual reality (VR) content, Sigma has introduced its Front Conversion Service. Converting the petal-type hood of the 14-24mm F2.8 DG HSM Art to an exclusive round component allows for the lens to be used in various VR scenarios without the risk of interfering with other lenses in the VR rig or undesired shadows in the content.

The availability of this fee-based service for Sigma 14-24mm F2.8 Art will be announced at a later date.

Sigma 14-24mm F2.8 DG HSM Art specifications

Principal specifications
Lens type Zoom lens
Max Format size 35mm FF
Focal length 14–24 mm
Image stabilization No
Lens mount Canon EF, Nikon F (FX), Sigma SA Bayonet
Aperture
Maximum aperture F2.8
Minimum aperture F22
Aperture ring No
Number of diaphragm blades 9
Optics
Elements 17
Groups 11
Special elements / coatings 1 aspherical + 3 SLD + 3 FLD elements
Focus
Minimum focus 0.24 m (9.45″)
Maximum magnification 0.18×
Autofocus Yes
Motor type Ring-type ultrasonic
Full time manual Yes
Focus method Internal
Distance scale Yes
DoF scale No
Focus distance limiter No
Physical
Weight 1150 g (2.54 lb)
Diameter 96 mm (3.78″)
Length 135 mm (5.31″)
Materials Magnesium alloy
Sealing Yes
Colour Black
Zoom method Rotary (extending)
Power zoom No
Zoom lock No
Hood supplied Yes
Tripod collar No
Optional accessories Petal hood can be replaced with rounded hood via "front mount conversion service"

Articles: Digital Photography Review (dpreview.com)

 
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Full-frame showdown: Nikon D850 vs Canon 5D IV vs Sony a7R III

31 Jan

Dan and Sally Watson over at Learning Cameras recently put together a really useful comparison video that pits the Sony, Canon, and Nikon fanboys against each other in a series of real-world tests. Shooting with the Sony a7R III, Canon 5D Mark IV, and Nikon D850, Dan and Sally ran the cameras through a variety of tests that cover everything from skin tones, to low light, to dynamic range, to autofocus tracking and more.

We’ll let you dive into the full 20-minute video if you want to see all of the comparisons for yourself, but one that we found particularly interesting—maybe because it confirmed our own tests—was the autofocus tracking comparison.

The Sony and Canon were shot in Auto AF area mode—Sony at 8 fps with live view, Canon and Nikon at 7 fps—and Dan and Sally found pretty much what we did. At 8 fps live view, the a7R III sometimes just goes out-of-focus then snaps back, Canon’s iTR can be very jumpy, and Nikon’s 3D tracking is more or less perfect. For what it’s worth (since Dan and Sally didn’t test this) in our tests, the Sony performed more consistently at 10fps without live view.

For the full breakdown, check out the video for yourself above—it gets the DPReview stamp of approval for being both entertaining and informative. And if you want to see more from Learning Cameras, you can follow the channel on YouTube, or catch Dan on Facebook and Instagram.

Articles: Digital Photography Review (dpreview.com)

 
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Nikon claimed the #1 spot in the full-frame camera market for December 2017

24 Jan
Nikon says the jump to #1 was due to ‘exceptional demand’ for the D850.

Nikon made a major sales announcement today, revealing that the company achieved the #1 spot in the full-frame camera market for December 2017. More specifically, the company “attained the #1 position for both market share and revenue for December 2017, in the full-frame digital camera with interchangeable lens (DCIL) category in the U.S.” That DCIL term is what we refer to as just ILC here at DPReview, and yes, that includes full-frame mirrorless.

The numbers come from the US retail tracking group The NPD Group Inc., and the result is due largely to what Nikon calls “exceptional demand” for the Nikon D850 DSLR, which launched in August of last year and went on to be one of the most highly demanded cameras of the 2017 holiday season.

Admittedly, the result only covers a single month’s worth of sales, but Nikon is quick to point out that it is the most important sales month of the year.

“December is a significant month for sales because of the large volume of units sold during the holidays,” reads the press release. “Industry-wide, DCIL full-frame unit sales for the month of December 2017 were almost equal to unit sales from January through March of 2017.”

Interestingly, it’s not just the D850 that propelled Nikon into the #1 spot. According to the Japanese camera giant, the top two cameras in the full-frame ILC segment during December were the Nikon D850 at #1 and the Nikon D750 at #2.

This announcement comes hot on the heels of the 2018 BCN camera rankings that had Canon users so excited, and less than a year after Sony announced that it had claimed the #2 spot in the full-frame ILC market from Nikon for the period from January to February of 2017.

Correction: An earlier version of this article said that the D750 probably wasn’t the #2 best-selling full-frame ILC overall, since Nikon specifically used the term ‘DSLR’ in that section of the press release. However, Nikon has since confirmed that the D850 and the D750 were the #1 and #2 best-selling full-frame ILCs for December 2017.

Press Release

Nikon Inc. Achieves #1 Spot in full-frame Camera Market During Important 2017 Holiday Selling Season

Market Bolstered by Exceptional Demand for the Award-Winning full-frame (FX-format) D850 DSLR

Melville, NY (January 23, 2018) – Imaging leader Nikon attained the #1 position for both market share and revenue for December 2017, in the full-frame digital camera with interchangeable lens (DCIL) category in the U.S.1 The overwhelming success of the powerful new Nikon D850 DSLR as well as the acclaimed D750 DSLR helped contribute to the brand’s strong growth within the full-frame camera segment for December 2017. According to The NPD Group, Nikon achieved double-digit unit and dollar sales growth within the full-frame camera segment in December 2017 vs. December 2016.2

This market category comprises all full-frame digital cameras with interchangeable lenses (DCIL), including DSLR and mirrorless cameras. December is a significant month for sales because of the large volume of units sold during the holidays; industry-wide, DCIL full-frame unit sales for the month of December 2017 were almost equal to unit sales from January through March of 2017, according to The NPD Group.3

“Nikon has returned to an emphasis on high-end products for advanced and professional users. These users appreciate Nikon’s full-frame offerings because of their amazing image quality, reliability, low-light capability and high-speed performance,” said Bo Kajiwara, President and CEO, Nikon Inc. “Nikon is an innovative, diversified company with a clear, long-term strategy to thrive into 2018 and beyond.”

Since the beginning of 2017, the camera industry has seen strong growth in the full-frame segment, with consumers gravitating toward Nikon’s innovative offerings for advanced and professional photographers. The month of December alone saw an overall increase of 69% in units and 59% in dollars compared to the same period in 2016.2 Nikon specifically experienced an 81% increase in units, and 88% growth in dollars for this segment.2

For the month of December, the top two selling DSLR cameras in this segment were the Nikon D750 and the Nikon D850.4There has been exceptional demand for the extremely versatile, highly acclaimed D850, which is the ultimate combination of speed and resolution. This 45.7-megapixel full-frame DSLR is a tool for serious photographers with robust construction, unparalleled imaged quality and proven reliability. Both the D850 and the D750 have won a myriad of industry and consumer accolades, and both are perfectly complemented by the vast NIKKOR lens system, which offers the best in optical excellence.

“Premium segments are leading the imaging market, as consumer demand for features like full-frame are on the rise,” said Ben Arnold, executive director, industry analyst for The NPD Group.

Kajiwara also added, “We want to sincerely thank our customers and our fans for making this achievement possible.”

1- The NPD Group Inc., U.S. Retail Tracking Service, Detachable Lens Camera, full-frame, Based on unit and dollar sales, Dec 2017
2- The NPD Group Inc., U.S. Retail Tracking Service, Detachable Lens Camera, full-frame, Based on unit and dollar sales, Dec 2017 vs. Dec 2016
3- The NPD Group Inc., U.S. Retail Tracking Service, Detachable Lens Camera, full-frame, Based on unit sales, Dec 2017 vs. Jan- March 2017
4-The NPD Group Inc., U.S. Retail Tracking Service, Detachable Lens Camera, full-frame, Based on unit sales, Dec 2017

Articles: Digital Photography Review (dpreview.com)

 
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Rumor: Nikon’s full-frame mirrorless will sport an all new ‘Z-Mount’

13 Jan
Photo by Lilly Rum

Nikon Rumors has gotten wind of a very interesting bit of plausible speculation—at this point, we’re not comfortable calling it any more than that. According to the rumor site, the Nikon full-frame mirrorless people are hoping and praying for will sport an all-new so-called “Z-Mount”.

The name is probably still not final at this stage, but NR is reporting with some confidence that the Z-Mount will have an external diameter of 49mm and a flange focal distance of 16mm.

We obviously can’t know if these numbers represent a real mount in the works at Nikon, but we can confirm that the numbers add up. While 16mm is very short, if you have a camera with a wide enough diameter it kind of doesn’t matter. The back of the lens could be further forward than 16mm, so long as the mount doesn’t intrude.

For comparison’s sake, Sony’s E-Mount (the shortest to be used with a full frame sensor) sports an external diameter of 46.1mm and a flange distance of 18mm.

As always, we have contacted a Nikon representative for comment, and will update this post if and when we hear anything official from Nikon USA.

Articles: Digital Photography Review (dpreview.com)

 
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