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Posts Tagged ‘Flash’

Olympus announces weather-resistant FL-700WR flash

27 Jan

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Along with the announcement of the sports-oriented OM-D E-M1 X camera, Olympus has introduced a new wireless flash unit. The FL-700WR features a weather-resistant build that’s dustproof, splashproof and freezeproof (down to 14°F / -10°C). Sitting between the existing FL-600R and flagship FL-900R, it offers a guide number of 42 meters and claims a 1.5 second flash recycle time.

The flash also supports Olympus’ multi-frame modes such as High Res Shot, Focus Stacking and Focus Bracketing – though not the E-M1X’s Handheld High Res Shot mode. A Multi Flash mode makes it possible to fire the flashgun multiple times during a single shot, with adjustable intensity and frequency. The flash is also equipped with an LED light for constant illumination during video recording.

The FL-700WR will be available in February for $ 400.

OLYMPUS ADDS TO OM-D® SYSTEM WITH WEATHER RESISTANT WIRELESS FLASH FL-700WR, WIRELESS COMMANDER FC-WR, AND WIRELESS RECEIVER FR-WR

Flash System Designed for Wireless Radiowave Shooting

CENTER VALLEY, PA., January 24, 2019 – Olympus has today announced a new Electronic Flash, the FL-700WR, Wireless Commander FC-WR, and Wireless Receiver FR-WR, all coming in late February 2019 and designed to meet the growing demands of professional photographers. The electronic flash features dustproof, splashproof, and freezeproof (14°F / -10°C)1 performance, as well as wireless radiowave shooting compatibility with a maximum guide number of 422.

Designed for compatibility with the OM-D system, the FL-700WR wireless high-performance electronic flash offers radiowave-shooting capabilities. During wireless shooting, it functions as a commander or a flash with built-in receiver. The FL-700WR electronic flash, as well as the Wireless Commander FC-WR and the Wireless Receiver FR-WR, all feature dustproof, splashproof, and freezeproof (14°F / -10°C)1 performance. This durable construction makes it possible to control multiple flash units from the camera in various shooting conditions.

High-Intensity, Weather-Resistant Performance with a Maximum Guide Number of 42
This flash features a maximum guide number of 422 (ISO 100/m). The compact, lightweight design delivers excellent portability with high flash output. The weather sealed performance offers reliability when shooting in a variety of environments, including rain, when paired with the Olympus® OM-D E-M1X and other weather sealed body and lens combinations. The user can enjoy full flash power after charging for approximately 1.5 seconds3 for quick, comfortable and easy shooting. Because of the short charging time, sequential flash photography4 at 10 fps is possible.

Wireless Radiowave Communication
This product is equipped with a wireless radiowave communication function, which operates even in bright conditions, or when there are obstructions in the area. It can communicate up to a distance of 30 meters, making accurate communication possible even when the flash is set behind the subject.

The FL-700WR can function as a commander or a flash with built-in receiver. When used as a commander, it has the ability to connect to three groups and an unlimited number of flash units. The user can select which group they want to fire and not to fire, and configure the flash intensity compensation. It can also function in the conventional RC mode (optical communication) as a slave flash.

Equipped with Multi Flash mode5
Multi Flash mode5 makes it possible to express subject motion by firing multiple times during long exposures or bulb shooting. The intensity, interval (frequency), and number of shots can be configured to match the ideal settings for the subject.

Compatible with High Res Shot6, Focus Stacking, and Focus Bracketing
Features such as High Res Shot6, Focus Stacking, and Focus Bracketing, included on camera models such as the OM-D E-M1X and OM-D E-M1 Mark II, can function with this flash.

Other Available Features

  1. The super FP flash enables high-speed synchronization that exceeds the camera’s maximum sync speed.
  2. First-curtain and second-curtain sync fires when the shutter curtain opens or closes .
  3. TTL modes enable the pre-flash to measure the required intensity so the output automatically adjusts to the optimal level.
  4. An LED light for movies features a 77° angle of illumination and 100-lux brightness emittance from one meter away.
  5. The bounce angle can be adjusted within 180° horizontally and 90° vertically. It is equipped with a catchlight panel and wide panel. The firing angle covers the focal length of 7mm (14mm ) when using the wide panel.
  6. Equipped with auto zoom , the firing angle is supported by lenses with a focal length of 12-75mm (24-150mm10).
  7. The FL-700WR flash emits an electronic sound when charging is complete.

Wireless Commander FC-WR and Wireless Receiver FR-WR
The new wireless commander FC-WR and wireless receiver FR-WR offer the same dustproof, splashproof and freezeproof (14°F / -10°C)1 performance as the FL-700WR electronic flash. When combined with a weather sealed body and lens such as the OM-D E-M1X, users can enjoy shooting in even the harshest environments.

The FC-WR and FR-WR are compatible with a variety of items, such as the FL-900R, for wireless radiowave communication. The commander can connect to three different groups and an unlimited number of flash units. The user can also select which group they want to fire and not to fire, and adjust the flash intensity.

The FC-WR is equipped with independent buttons for groups A, B, and C, making it possible to quickly configure settings for each group as well as adjust the shooting mode and flash intensity while viewing the monitor. Groups and channels can easily be set and checked using the dials on the FR-WR. This design makes the unit intuitive, comfortable and easy-to-use during multi-unit shooting.

The FR-WR is equipped with a sync terminal that can connect to commercial flash units, such as a monoblock flash, and can be remotely fired using wireless radiowave communication. When flash11 charging is complete, the flash emits an electronic sound.

U.S. Pricing and Availability
The FL-700WR Electronic Flash, FC-WR Wireless Commander and FR-WR Wireless Receiver will be available in February 2019 with pricing as follows:

FL-700WR Electronic Flash $ 399.99 (U.S.), $ 449.99 (CAD)
FC-WR Wireless Radiowave Flash Commander $ 349.99 (U.S.), $ 399.99 (CAD)
FR-WR Wireless Radiowave Flash Receiver $ 229.99 (U.S.), $ 279.99 (CAD)

1 When using in a low temperature, please warm the battery by keeping it in a pocket etc.
2 Firing angle of 75mm / standard light distribution mode, ISO 100/m.
3 When using Ni-MH batteries. Approx. 2.5 seconds when using alkaline batteries.
4 Only when using OM-D E-M1X and OM-D E-M1 Mark II mechanical shutter. At a firing ratio of 1/16.
5 OM-D E-M1X, OM-D E-M1 Mark II, OM-D E-M10 Mark III, Olympus PEN® E-PL9 only (As of January 2019). Continuous firing of the flash may adversely affect human subjects. Caution is required.
6 Only when using manual settings. The flash is not available while using Handheld High Res Shot on the OM-D E-M1X.
7 When the shutter curtain opens. (First curtain sync)
8 When the shutter curtain closes. (Second curtain sync)
9 35mm equivalent.
10 When using a Micro Four Thirds® lens.
11 When connecting Olympus flash only.

Articles: Digital Photography Review (dpreview.com)

 
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Adorama releases non-TTL Flashpoint XPLOR 600 Pro HSS studio flash head

16 Jan

Adorama has announced the availability of a new studio flash head from its own Flashpoint range. Designed for photographers who don’t want TTL control, the XPLOR 600 Pro HSS offers 600WS of power with wireless triggering.

With the standard reflector fitted the head has a guide number of 87m / 285ft @ ISO 100. Users can expect 360 full power bursts from a single charge of the head’s 2.6Ah lithium ion battery pack. An optional AC adapter is available, but even when powered by the battery recycle-times are between 0.01 and 0.9 seconds. The head uses a 2.4GHz wireless system making the XPLOR 600 Pro HHS compatible with the Godox X radio triggers, which are available for all the main camera brands.

Wireless control works across 32 channels and x-compatible flashes can be separated into five groups. Two optical slave modes are offered, with all settings dealt with on the large side-mounted LCD panel. The HSS in the name refers to the head’s ability to sync with shutter speeds of up to 1/8000sec, and the output can be varied across 9 stops to 1/256th in 25 steps. A battery and charger are included in the kit, along with a standard reflector in the Bowens S mount.

The head is the non-TTL version of the XPLOR 600 Pro TTL, and is priced $ 749 against the $ 899 charged for the TTL model. It is also a version of the Godox AD600 Pro head that has TTL. For more information see the Adorama website.

Articles: Digital Photography Review (dpreview.com)

 
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Flash made easy: Two portrait photographers try out Canon’s 470EX-Ai smart flash

29 Nov

Canon’s new Speedlite 470EX-Ai flash is designed to do the hard work for you, automatically repositioning itself for the best results. In this video we gave the 470EX Ai to two portrait photographers – John Keatley and Chelsea Miller, to see what they thought.

John is a professional studio photographer, whose usual setups involve multiple external strobe lights. Chelsea, meanwhile, is a self-described ‘natural light snob’. Watch our video to see how they got on with Canon’s smartest accessory yet.


This is sponsored content, created with the support of Amazon and Canon. What does this mean?

Articles: Digital Photography Review (dpreview.com)

 
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Lexar’s new USB 3.0 flash drive uses your fingerprint to keep your photos safe

23 Oct

Lexar has announced a new flash drive that features a fingerprint reader to protect its content from unauthorised access. The JumpDrive Fingerprint F35 can record up to ten fingerprints to allow it to be shared between users, and it comes with the fingerprint software already loaded.

Lexar claims recognising a user’s fingerprint takes less than a second, and the drives have read speeds of up to 150MB/s. While normal memory is compatible with Mac, PC and Linux, the fingerprint software is Windows-only.

The JumpDrive Fingerprint F35 will be available in capacities of 32GB, 64GB, 128GB and 256GB and will cost €29.99/$ 32.99 (32GB), €44.99/$ 49.99 (64GB), €79.99/89.99 (128GB). The 256GB version will arrive later this year, and will cost €149.99/169.99. Each of the drives comes with a three-year limited warranty.

For more information see the Lexar website.

Press release:

Lexar Announces New JumpDrive® Fingerprint F35 with an Added Touch of Security

New USB 3.0 Flash Drive Securely Protects Files Using 256-bit AES Encryption

Key messages:

  • Up to 10 fingerprint IDs allowed
  • Ultra-fast recognition – less than 1 second
  • Easy set-up, no software driver needed
  • Securely protects files using an advanced security solution with 256-bit AES encryption

Lexar, a leading global brand of flash memory solutions, today announced the new Lexar® JumpDrive® Fingerprint F35 USB 3.0 Flash Drive.

One of the most secure USB 3.0 flash drives available, Lexar JumpDrive F35 uses an ultra-fast fingerprint authentication that allows you to protect your data against unauthorized users – in under one second so that you will have no discernible impact on workflow. The F35 can save up to 10 fingerprint IDs, making sure only you and your closest collaborators have access to your files. It also boasts an easy set-up with no software driver required*, so you can quickly start transferring your files with speeds up to 150MB/s**. And for added peace of mind, it also features an advanced 256-bit AES security solution to protect your valuable files.

“The F35 combines reliable and secure data storage with biometric technology to prevent unauthorized access to your files – adding an extra layer of security for your drive by using fingerprint authentication. It is ideal for business professionals and photographers who require high-privacy protection to meet their needs,” said Joel Boquiren, Director of Global Marketing.

The Lexar JumpDrive Fingerprint F35 USB 3.0 Flash Drive is compatible with PC and Mac®* systems and comes with a three-year limited warranty***. It will be available in 32GB, 64GB, 128GB and 256GB capacities with read speeds of 150MB/s**. The new Lexar JumpDrive F35 is available now at MSRP of €29.99 (32GB), €44.99 (64GB), €79.99 (128GB), and the 256GB version will be €149.99, arriving in Q4 of this year. For more information visit www.lexar.com

Lexar will be exhibiting new product demonstrations at this year’s PhotoPlus Expo held at Javits Convention Center in New York City, New York, from October 25th – 27th.

*Fingerprint registration software only compatible with Windows XP, Vista, 7, 8, 10. Software required to create/edit accounts and adjust partition size. Regular flash drive use compatible with Windows, Linux and macOS.
**Up to 150MB/s read transfer, write speeds lower. Speeds based on internal testing. Actual performance may vary.
***http://www.lexar.com/support/warranties/

About Lexar
For more than 20 years, Lexar has been a trusted leading global brand of memory solutions. Our award-winning lineup includes memory cards, USB flash drives, card readers, and solid-state drives. With so many options, it’s easy to find the right Lexar solution to fit your needs. All Lexar product designs undergo extensive testing in the Lexar Quality Labs with more than 1,100 digital devices, to ensure performance, quality, compatibility, and reliability. Lexar products are available worldwide at major retail and e-tail stores. For more information or support, visit www.lexar.com.

About Longsys
Longsys – a leader in consumer NAND flash applications, is committed to supporting Lexar in its quest to reach new achievements in high-performance, quality, and reliability while maintaining its position as a leading global brand in memory cards, USB flash drives, readers, and storage drives for retail and OEM customers.

Articles: Digital Photography Review (dpreview.com)

 
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Tips For Using a Grid in Off-Camera Flash Photography

15 Oct

An off-camera flash lets you create your own light, giving you new and powerful options for bringing your vision to life.

But one of the biggest challenges of striking out as an off-camera flash specialist isn’t getting the necessary equipment, or even learning how to properly expose a picture.

It’s learning how to control the light. You need to harness it, not to let it roam free.

Portrait taken using a grid

Firing a strobe into an umbrella or a softbox for the first time and instantly creating soft, even light you can use for flattering portraits is an awesome feeling. Unfortunately, the artificial light usually spills everywhere, including the places you don’t want it to go—all over your background, back into the camera to create lens flare, etc.

As we know from the inverse square law, light loses its intensity the further it travels. But if you’re lighting a portrait in a tight environment you may not have the luxury of the light falling off. Your carefully lit shot could be ruined by light bouncing here, there and everywhere.

Fortunately, a bevy of creative options are available for controlling and limiting how your flashes splash light across the image. And one of the more popular options is using a grid.

What is a grid?

A grid fits over your flash and, using a series of honeycomb tubes, restricts the direction of the light output. Grids come in a variety of sizes to give you either a narrower beam of light or a wider spread. A 10-degree grid casts a narrower beam of light, while a 40-degree grid creates a wider beam.

A grid modifier for speed light flashes

With this level of control over your light you can create the precise lighting setup for the picture in your head.

A grid modifier fitted over top of a flash unit

While other options are available for restricting light (such as snoots), a grid provides the best balance between controlling the light and providing a pleasing effect with a gradual light falloff.

When is the best time to use a grid?

As I mentioned earlier, the challenge is to stop the light where you want it to. That perfectly placed light that’s highlighting your subject might also be throwing light over other parts of your picture, ruining the delicate balance.

Where a grid really shines is in providing a precise and restricted beam of light. You can use it to highlight a detail, create intrigue, or add drama in any other way you can imagine.

An image shot with an umbrella modifier on the flash

This shot is lit using an umbrella. The light is soft and covers a wide area.

 

Image taken with a bare flash

This shot is lit with a flash but no modifiers. The light is harsh, but narrower than the umbrella.

 

Image taken using a grid

Finally, this image is taken using a grid. The light is still quite harsh, but it’s restricted to bring more focus to the subject.

Using a grid on your key light

A grid is a fun way to create drama or heighten contrast. This is typical for low key images where a grid is used to purposefully show or hide key details.

For example, you can use a grid to mimic a shadowy and dark “film noir” image. The grid restricts the light, keeping it from spilling all over the scene and helping to maintain that dark, low key effect.

A Low Key portrait taken using a grid modifier

Using a grid on a secondary light

In a multi-light setup, you may need to use a grid on your secondary lights so you don’t ruin the balance provided by your key and fill lights.

Let’s say you already have the lighting you need on your model, but you want to emphasize a background detail. A bare flash would send a lot of new light careening around the image, whereas a grid lets you achieve the look you want with the precision you need.

Lens flare from secondary light

The light from the secondary light behind and to the left of the subject is causing lens flare. Putting a grid on the light would restrict the beam and stop it from happening.

Another useful application for a grid is where your rim light is pointed back towards the camera. You may need it to separate your model from the background. But if that light spills into your lens you’ll have to deal with lens flare and lowered contrast when editing later on.

The solution? Slap a grid on your rim light. The light will be directed only where you want it to go, potentially saving you hours of post-processing work.

Give it a shot

A grid is a handy tool in any off-camera flash photographer’s bag. Their simple design makes them an affordable option and, as I said earlier, they can be used creatively on either your key or secondary lights.

Making the most of a grid is an excellent step to take towards becoming the best flash photographer you can be.

The post Tips For Using a Grid in Off-Camera Flash Photography appeared first on Digital Photography School.


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Phottix launches new multi-brand Odin Z OS, and a pair of Juno hotshoe flash units

30 Sep

Phottix hands-on at Photokina 2018

Phottix has launched a new operating system for its portable flash systems that it says automatically switches between different manufacturer’s TTL systems as it detects their presence from an on-camera flash unit or on-camera transmitter. The Odin Z operating system also offers an auto metering feature that suggests a manual power setting for the photographer to dial in, and now shows power settings in real time on the slave flash display as it is changed via the commander unit.

Along with the new OS the company has launched two new hotshoe flash units and a Lite version of its Odin transmitter.

We got some time with Phottix CEO Steve Peer who showed us around the new kit. Prices of all the released items have yet to be set. For more information see the Phottix website.

The first new flash (above) is called Juno TTL and seems pretty close to the Mitros + unit the company currently offers. It has a guide number of 60m at the 200mm zoom setting, while the Mitros + has a GN of 58m and a maximum zoom of 105mm. It is just as nicely made as the Mitros + and it about the same size.

Phottix hands-on at Photokina 2018

The new Juno TTL is compatible with the Elincrom Skyport system, as well as the collection of other Phottix communication protocols for older or less sophisticated units. The flash can command or be commanded, by the Odin studio flashes, and triggered by non-TTL Ares products by radio. Optical systems can also be controlled or used to control the Juno TTL.

Phottix hands-on at Photokina 2018

The Odin Z system, and the Juno TTL flash, will offer TTL control for Canon, Nikon, Pentax and Sony camera systems. Peer tells us he is ‘thinking about’ Panasonic/Olympus and Fujifilm systems, but that demand is much lower for users of those brands. The Odin Z system still works for the other camera brands, just not in TTL mode.

Phottix hands-on at Photokina 2018

As you might expect, the head swivels about 180 degrees in each direction and can tilt upwards by 90 degrees, and the zoom head can be controlled manually or automatically over a range of 20mm to 200mm. As you can see, the Juno TTL runs on four AA cells.

Phottix hands-on at Photokina 2018

The Odin Lite transmitter is designed to control a network of flash units and studio heads in manual mode, and doesn’t support TTL flash exposure. Steve Peers says that 70% of Phottix customers want to shoot with their flashes in manual mode the majority of the time, so this unit is for those for who TTL is inappropriate.

As it isn’t TTL it will work with any camera system – the central pin on the foot has been positioned so that it will still connect with the camera’s hotshoe system even when the trigger connector isn’t absolutely in the middle of the hotshoe. The Odin Lite offers 4 groups and 32 channels. Channels 5-32 use the Phottix Digital ID system for an extra secure connection.

Phottix hands-on at Photokina 2018

The Juno Li60 is another new flash unit that is almost the same as the standard Juno, but it only operates in manual mode and is powered by a lithium battery instead of AAs. It has the same 60m guide number as the Juno, and as it doesn’t operation with TTL it can be used with any camera system. This is a very pre-production unit that doesn’t have the name printed on it yet.

Phottix hands-on at Photokina 2018

The Juno Li60 takes a massive lithium ion battery instead of the usual AA batteries of the Mitros + models. The pack is rated 3200mAh, which compares well to the 2000mAh of the VB18 in the Godox V860 II that I used to shoot the pictures. Peer couldn’t say how many full power bursts we should expect per charge, but it I’d expect that sort of battery to last well.

Phottix hands-on at Photokina 2018

The rear of the Juno Li60 looks just the same as that of the regular Juno and the TTL version, but the display is simpler as it only shows manual flash settings. It doesn’t have the new flash exposure meter mode.

Phottix hands-on at Photokina 2018

Also on the stand were the company’s new Nuada LED panels. The R (left and right) and R3 (centre). The three have a heavily diffused surface and produce really very soft and attractive light. The R3 measures 428mm across, and is only 33mm thick/thin.

Phottix hands-on at Photokina 2018

The R3 runs on V-lock batteries, but comes with an adapter for NP batteries. And of course, it can be powered from the mains via the included AC adapter. The light puts out 1100Lux at 1m and allows its temperature to be varied between 3200 and 5600K.

Phottix hands-on at Photokina 2018

A new panel is the Nuada S3 from the square/rectangle series which outputs 850 Lux at 1m. The panel measures 2376x266x25mm and again produces a really soft light – as modeled here by CEO Steve Peer.

Phottix hands-on at Photokina 2018

The panel is also powered by NP batteries or via the AC adapter, but doesn’t take V-Lock batteries. As with the R3, the S3 has a variable temperature of between 3200-5600K, and a CRI of >95.

Articles: Digital Photography Review (dpreview.com)

 
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Chroma Chrono is a programmable RGB camera flash for colorful long exposures

18 Sep

A new Kickstarter campaign seeks funding for Chroma Chrono, a programmable RGB camera flash that emits multiple colors during long exposures. Users can program the flash using a web interface accessible on any device with a web browser and WiFi; the system enables users to choose the flash colors and the on/off duration for each color.

Sample image via Chroma Chrono

Chroma Chrono features a high-intensity RGB LED, a WiFi-enabled microcontroller, and three AA batteries. Users can connect the flash to a standard hot shoe or trigger it remotely via a Prontor-Compur adapter. The camera flash currently exists as a final production prototype with anticipated manufacturing if the Kickstarter is successful.

Backers are offered an early bird Chroma Chrono flash for pledges of at least £120 / $ 164.

Via: Kickstarter

Articles: Digital Photography Review (dpreview.com)

 
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Profoto launches compact 250Ws B10 studio flash

14 Sep

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After last week’s teaser, lighting manufacturer Profoto has announced its new ‘small big’ product. The B10 is designed to be used as studio flash head but in a very small body, and has a powerful continuous light source for videographers as well. The 250Ws unit is fully wireless with a removable lithium ion battery and output control via the company’s AirTTL system.

The B10 can also be controlled via the Profoto smartphone app that allows users to adjust flash power as well as the continuous light’s brightness and color temperature. A new Creative Capture feature that lets users preview a scene through the smaertphone’s camera and adjust lights at the same time to achieve the desired effect. The picture can then be captured through the app so the results can be inspected to check exposure and light positioning. The app also offers users the means to download and update firmware as it becomes available.

The lithium ion battery that powers the B10 can be charged while in use, and will provide up to 75 minutes of full power continuous lighting

The continuous LED light has a maximum output of 2500 lm and can be dimmed between 10 and a 100%, with temperature changed between 3000-6500K. The lithium ion battery that powers the B10 can be charged while in use in the head, and will provide up to 75 minutes of full power continuous lighting or 400 full power flashes. It is said to charge in less than an hour and a half.

The B10 measures 11cm / 4.3in wide, is 17.5 / 6.9in long and 10cm / 3.9in high – and it weighs 1.5 kg / 3.3 lbs including the battery. The stand clamp can be removed to fit the light on a tripod, and there are 12 OCF small light modifiers to fit the head, as well as 120 from the full-size range.

The Profoto B10 is shipping now and costs £1175 / $ 1595. For more information see the Profoto website.

Press release

The power of small

Profoto B10

Size matters, it does. Because how much gear you have to carry matters. How much space you have to set up and work in matters. Being able to move fast, getting in, getting out and nailing the shot matters.

Something else matters too; knowing that the equipment you have will push you forward rather than hold you back – that you’ll be inspired to grow and to express yourself creatively. To be you, at your best.

That’s why when Profoto set out to create the Profoto B10, their brand new cordless off-camera flash, the company first considered size. Or rather, a lack of it. “We designed the B10 to be small,” said Göran Maren, Product Manager at Profoto. “Just a little bigger than a medium-sized zoom lens. That means you can fit it in your bag with the rest of your gear and because it’s cordless and lightweight, it’s easy to bring and set up anywhere. That said, this is in every way a Profoto light, so the power and quality of light is essential.”

And while the B10 is small, it’s small without compromise. The B10 gives you five times more light than a speedlight; it’s a light that has a natural and beautiful soft fall off.

But this is more than just a flash; it’s also a highly effective continuous light that you can use for both stills and video. And like all Profoto lights, it’s easy to use. A separate dial on the sleek B10 interface allows you to adjust both brightness and color temperature until it blends perfectly with the ambient light.

The continuous light is just one example of the extreme flexibility contained within the B10. The stand mount and the battery are prime examples. The stand mount can be swiftly removed. As a result, you can mount the B10 on any camera tripod. It is just as quick to replace the battery too, and you can charge it while you’re using it.

Göran Marén continues: “every part of the B10 has been designed to help the photographer to be more creative with light on location. We felt that the more flexibility we built in, the more an image creator can adapt to any issues or opportunities that a location might offer.”

Better still, the possibilities don’t end there since your creativity can run riot with an enormous range of Profoto light shaping tools that are as flexible as the B10. There are a dozen light shapers in Profoto’s compact and lightweight OCF series to start with, and if they’re not enough, there are 120 more light shaping tools in the full Profoto range.

Controlling the B10 off-camera is also easy. You can trigger and control the B10 wirelessly from any Profoto AirTTL remote or the Profoto A1. From up to 300metres/1000ft you can point and shoot with TTL or switch to manual control at any time. AirTTL Remotes are available for all major camera brands.

To further capture the imagination, Profoto has added smart connectivity in the form of a unique and innovative smartphone app. With the B10 connected to the Profoto app you always have the latest B10 updates available at your fingertips. The app also gives you an ingenious remote control that lets you view and control all B10 settings from your smartphone screen.

But the most exciting part of the app might be the unique smartphone camera that brings smartphone photography and the creative use of light closer together than ever before. Göran adds: “we wanted to inspire new ways of being creative with light, and to give photographers a glimpse into the future of photography.” Ultimately the B10 is a big light in a small package. And that means the possibilities are enormous.

The final words belong to Göran. “It’s what we like to call, ‘the power of small.’ It’s the power to be creative with light in so many more ways. It’s the ability to take all those incredible images that live in your imagination – and make them real.”

The Profoto B10 is light unleashed. Actually, it’s more than that – it’s you unleashed.

Articles: Digital Photography Review (dpreview.com)

 
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Canon Speedlite EL-100 external flash is compact yet powerful

07 Sep

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Buried among its new full-frame mirrorless system and new lenses, Canon also snuck out a new external flash: the Speedlite EL-100. This compact flash, which weighs just 190g (6.7oz) has plenty of power, with a guide number of 26m (85ft) at ISO 100. The EL-100 runs on two AA batteries and has a minimum recycling time of 5.8 seconds.

The flash can be tilted both horizontally and vertically for bounce capability, and it also has a manual zoom head. In addition to a ‘set it and forget it’ Auto mode, stroboscopic and 2nd-curtain options are also available. Despite its $ 199 price tag, the EL-100 is able to serve as both an optical transmitter and receiver, supporting 3 groups and 4 channels.

As mentioned above, Canon’s latest Speedlite will cost $ 199 when it ships in October.

Press Release:

New Speedlite Series

Canon is also introducing a new compact and lightweight Speedlite, the EL-100. Designed for photographers who are just beginning to use an external flash or are in need of a secondary unit, the new Speedlite delivers both soft and natural lighting reproduction. In addition, the EL-100 can rotate upwards and to the left and right enabling photographers to bounce the flash off of nearby ceilings, walls or surfaces.

Additional Features of the Canon Speedlite EL-100 include:

  • Maximum Guide Number of Approx. 85 ft./26m at ISO 100
  • 24mm Wide-angle Coverage
  • Optical Wireless Flash Function (Sender and Receiver)
  • Flash Exposure Control Including Support for Stroboscopic Flash and Continuous Shooting Camera-linked Functions Including Interlocked External Flash Power On/Off
  • Mode Dial with AUTO Position

The Canon Speedlite EL-100 will be available for purchase in October 2018 for an estimated retail price of $ 199.99.

Articles: Digital Photography Review (dpreview.com)

 
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Tips for Using Flash for Beach Portraits

09 Aug

The beach is a beautiful location for any type of portrait session, however, you might find yourself competing with the sun if it sets behind the ocean. For this, you’ll need the use of reflectors and perhaps even a flash unit. Don’t be intimidated by using flash, it can instantly create beautifully lit portraits where you are able to see the sunset and its incredible colors.

Using Flash for Beach Portraits - family portrait on the beach

Use flash to fill in light during beach sessions.

Manual Mode

While TTL flash mode is okay for most scenes, during your beach portraits, you’ll want to have full control over your flash.

In TTL, the flash meters the light and gives enough power to light the scene, resulting in different flash outputs each time you take a photo. In manual mode (on the flash), however, you are able to set the power of the flash and maintain consistent output while you are photographing your client.

portrait of an elderly couple - Using Flash for Beach Portraits

Manual Mode on your flash can help you get the exact amount of light for different times of the day.

This means that in manual flash mode, you have full control over your flash and its output power. During your session, you can switch from different outputs to get the right mix of fill flash and ambient light so that both your client and background are evenly lit.

Using Flash for Beach Portraits - portrait of a couple

TTL Mode

TTL uses the internal meter on the flash to determine how much power it will fire when you take a photo. This also means that the power output can vary from photo to photo, which makes it less consistent than manual mode.

portrait of young family by the water - Using Flash for Beach Portraits

Use TTL to let your flash meter how much light your scene needs.

However, TTL is a great place to start because you can control the flash compensation but don’t necessarily have to worry about setting the exact power output.

For example, you can have your flash in TTL mode and put it at +1/3 to get an extra boost of light out of your flash. Or you can put it at -1 to tone down the power output (and underexpose the flash as compared to the ambient light).

wedding couple on the beach - Using Flash for Beach Portraits

The photo on the right doesn’t have flash fill. The photo on the left does. Use flash to fill in shadows especially during sunset.

It’s also great to use when you need to photograph quickly or don’t have a lot of time to set up your flash. TTL is especially useful during weddings or portraits with children.

Check the manual for your flash to see how to switch quickly from TTL to manual and back. This can be really useful when you have a mix of moving subjects, like children, and posed portraits, like a couple.

When to use your flash at beach sessions

It all depends on how much ambient light you have and if you are going to be competing with the sun, or lighting your subjects during a sunset. Perhaps you’ll need the flash to act as a fill light.

maternity photo on the beach - Using Flash for Beach Portraits

Competing with the sun is where the flash units are most useful. Midday sun can be harsh on a beach and can cause the backgrounds to wash out. First, get your exposure of the background. Then attach your flash onto your camera, or wireless trigger, and set the power to 1/4 power. Take a few test shots and adjust the flash so that you get the right amount of light that you need.

couple's portrait on the beach - Using Flash for Beach Portraits

Use your flash to fill in shadows and compete with the harsh light of the sun.

Using high-speed sync will allow you to operate the flash at a higher shutter speed. This means that you are able to photograph your clients at 1/300th of a second or faster and still have the flash fire and affect the image.

This option is mainly so that the flash acts as a fill light to the already existing light. Perfect for really bright days or if your clients are in a shady area and the beach is brightly lit.

wedding portrait on the beach - Using Flash for Beach Portraits
In the event that it is overcast, the flash acts as a fill light and can get rid of the high contrast that overcast days create. This helps to avoid washout of the background while still lighting your subjects. Overcast days also create shadows on the face (dark eyes) and a little pop of light can really create a difference.

family photo on the dock - Using Flash for Beach Portraits

Flash can be useful for overcast and cloudy days at the beach.

During sunsets, set your camera around 1/250th to 1/400th (set your flash to high-speed sync if you go over the sync-speed of your camera) shutter speed so that you are able to capture the colors of the sunset. Once you have the right settings for the sunset, set your flash to around 1/16th power and adjust your aperture accordingly as you photograph your clients to let in more light or less light until you have the look you are going for.

family in white on the beach - Using Flash for Beach Portraits
NOTE: It’s important to note that if you are using flash while you’re in the water at the beach, watch out for any reflections that the water might make from the light of the flash. This can create weird reflections on your client’s legs or other parts of their bodies.

Differences between flash positions

On-Camera

At beach sessions, especially during sunset and brightly lit scenes, you will have to position your flash straight at your clients so that it lights the whole scene evenly. Angling the flash will not allow enough light to fall onto the body of your clients and can create a division of light in your photograph.

bridal party photo of the ladies - Using Flash for Beach Portraits

Use the flash on the camera to spread light evenly onto all your subjects.

However, this doesn’t mean that you can experiment with the flash at different positions. Trying different angles will also give you a better look at what will work best for the type of session you’re having.

Use a bounce modifier to diffuse the light and light your clients evenly. You might need to increase the power of your flash so that you can get enough light.

couple at sunset - Using Flash for Beach Portraits

On-camera flash can work well when the sun is setting in the background.

Off-camera

Using your flash off-camera at beach sessions can give you more versatility and can create different types of lighting effects.

For example, a couple walking along the shore is lit with the flash perpendicular to the camera can give you perfect lighting on the couple with shadows that fall off into the background.

wedding couple on the beach - Using Flash for Beach Portraits

Off-camera flash at a 45-degree angle from the camera can give you shadows and more drama to the photo.

This creates more drama within the photo. Also allows you to be further away from the clients during the session while keeping the light the same. For this, you’ll need wireless triggers to remotely trigger the flash and a tripod or assistant to help with moving the light where you want.

wedding portraits by the ocean - Using Flash for Beach Portraits

Experiment with different angles and reflections of the water. Use a modifier to change the light and give you more range.

Using your phone flash or flashlight

Flash units and wireless triggers can be a little costly when you’re first starting out so your phone flash or a flashlight can give you that pop of fill light that you need to get a great photo.

couple in white - Using Flash for Beach Portraits
When you use either, the closer you are to your client, the sharper the light will hit them and be less spread throughout. The farther you are, the more dispersed the light is but it’s also less intense. You could use more than one phone flash or flashlight so you get more light.

Practice makes perfect

Practicing using your flash at the beach during different lighting situations can help you to get an idea of where to start when you do have a client session.

Taking the time to practice will help to get familiar with the power output of your flash and what look you like best. Then when you are at a paid session you aren’t taking too much time trying to get it right.


When you’re out practicing, take notes of what power output you used on which photos. Unfortunately, the metadata for flash only lets you know if the flash triggered, not the power output or if you used flash compensation.

With a little time and a lot of practice, you’ll be able to set your flash just by looking at the light.

Large groups like this, the flash is very subtle, however still useful in filling light across the entire frame.

Conclusion

wedding couple

Use flash to fill in on really bright days so the background doesn’t wash out.

Using a flash, whether on the camera or off, can be extremely useful during beach portrait sessions because the light is so harsh and you’ll need some fill light at some point.

At your next session, practice and experiment with different flash power outputs and angles for drama. Use your flash at midday to get rid of shadows or during sunset to be able to capture that beautiful setting sun in the background.

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