google+ plus.google.com Settings: ISO 100, 24FPS, Shutter speed: 1/50 (has to be double of the FPS to get film look – 1/50 is the only setting available on a DSLR) Aperture: f/8 (for DOF for swing but some background separation) Full frame mode on a 50mm f/1.4 nikkor prime lens. I shot several sequences and edited with Adobe Premier Elements – Recommended video editing software. On the editing I colour corrected and warmed the footage to give a pleasing result and changed nothing much else. Video Rating: 0 / 5
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Compilation of the Nikon Film Festival 2012. Joachim Ballaux wins the Jury Award (€10.000) with his shortfilm “Lèvres Amoureux” and “Suivant” from Julian Devos wins the Public Award (€5.000). More info: www.nikonfilmfestival.be
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We arrived at our hotel the night before our big wedding shoot. In an effort to test our newly rented Nikon D600s and get into filming mode, we quickly shot this short film. Everything was done on the spot, handheld, and we had to shoot each other because we were too lazy to grab a tripod in the room. This was all made to have fun with our new gear! Nikon D600 24-70 2.8 No Color Grading Audio Dubbed
This is a clip of a Narrowboat heading towards Harlow on the Stort Navigation filmed on Roydon bridge. The navigation flows from the River Lee at Hoddesdon .and continues to Bishops Stortford 15 locks away Video Rating: 0 / 5
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First developed by Ansel Adams and Fred Archer, the Zone System is one of the most enduring methods for understanding – and mastering – exposure. In the fifth edition of his well-regarded book ‘The Practical Zone System for Film and Digital Photography’ Chris Johnson explains why the Zone System, developed as paradigm for film shooters, can also be easily applied in the digital age. Adam Koplan takes a look.
Love At First Heist is a short film made of still images by director Elizabeth Anweis (Hung, Southland) and shot by Bryan Koss (Discovery Channel, Director of Photography)
The interview below was submitted by Guy Birtwhistle, producer of the film.
We tracked down actress, Elizabeth Anweis in Los Angeles to ask her about her new short film, ‘Love At First Heist’, which uses a blend of still photography and live footage.
You’re a working actress in Hollywood, where the heck did you learn how to edit?
A book. Books are amazing.
For our techie reeaders what did you shoot and edit on?
I think Bryan [Bryan Koss, Director of Photography] used the 5d and 7d. The video footage of the stabbing being shot on the 5d. Post consisted of PS 5 and FCP 7.
We associate LA with sunshine and palm trees, yet you chose to show us rain and downtown, can you talk about your reasoning behind this?
Downtown LA was written into the script almost as it’s own character. As for the rain, we were lucky with it.
Still from Love At First Heist
How many photos did you shoot?
Roughly 2600 photos. We were attempting to capture a lot in one day and moving quickly. It was incredible of Bryan to get all the coverage we needed in addition to the stylized experiments I wanted, most of which didn’t make the cut in the end.
What was the shooting photo count to editing photo count ratio?
2600 photos were shot of which 500 were then processed. I’m not sure how many ended up in the film as there were two different edits. The final one being scaled back and more simple.
Please talk about the process of editing all those photos, what was your criteria for selecting the photos in the video?
Pretty basic. The first pass involved separating out my favorites which were then edited in Photoshop to inspire the look and feel. Next came forming the skeleton of the story and then it was a matter of filling it in with the music in mind.
There is minimal sound design, no voiceover, can you talk about your decisions with respect to sound?
It’s good to hear that it sounds minimal as it’s not meant to stand out much and there’s actually quite a bit going on. I think the music acted as more powerful an agent than any true dialogue or voiceover could have in 3 min. It also, I think, allows a more individualized experience for a viewer to fill in who the characters are.
Still from Love At First Heist
Why did you chose black and white?
It’s less distracting and offers more control over the focus of an image. I didn’t want the difference between all the lighting situations to stand out and detract from the short story. Within the three minute time frame I think the black and white images provided a stronger and faster emotional impact.
Can you talk about the challenges of shooting on the street, were you hampered by weather, light, police?
We weren’t stopped or questioned at any point which was surprising to me. Security guards watched us but never said anything. At one point we were even standing in front of a jewelry store as I was pulling a knife from my bag while masked, and nothing. The weather was the biggest challenge for me. On the one hand it was great for lighting because it was overcast all day but on the other it was freezing with the added rain. Some burly men (ahem, Bryan and Guy [Guy Birtwhistle, actor/ writer/ producer]) might disagree but as the day progressed my limbs and hair froze with icicles, I was shaking uncontrollably and by the end I could barely communicate. The words were stumbling off my tongue and tripping over my lips. Thank god Guy and Bryan are both proficient mind readers.
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Learn more about the film at Guy Birtwhistle‘s website
If you could make your own photo hack, what would it be? Personally, we’d figure out a way to make CatPaint real life.
Over a hundred developers dreamed even bigger at Photo Hack Day Berlin last week!
With judges from Facebook, Getty Images, and EyeEm and participants like the Loopcam & InstaCRT team, competition was fierce and yielded some amazing apps that we actually wish we had on our phone right now.
These were the top three winners!
1.Helmut: The fastest scanner in the world! A simple box in which you place a film negative. The accompanying app shoots a photo of the film & inverts it into a positive image. We watched them scan a frame in under 5 seconds.
2. Tourist Eraser: Kinda like Photoshop’s Content-Aware Fill for your phone. It detects tourists in your photo and erases them without you having to do any work.
3. Visual Weather: Pulls together Flickr photos of what the weather looked like on a day similar to today’s. (To figure out what to wear & such!)
EXTRA COOL THING! We helped celebrate with an online photo challenge with EyeEm. See the winners’ photos, which were actually shown at Photo Hack Day!
The Best Photo Hacks from Photo Hack Day Berlin
p.s. Looking for even more of the best DIY photo ideas on the interwebs? Follow us on Pinterest!
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Just when you thought it was safe to turn away, those empty film rolls are back. Back from the dead!
You can put your shotgun away, though: these Recycled Film Roll Magnets don’t want to eat your brains, they want to hang your prints!
Handmade right here in America, these upcycled empty film canisters conceal powerful neodymium magnets that’ll stick with determination. Put those prints up with pride, you green genius, you.
Recycled Film Roll Magnets
Three for $ 15 at the Photojojo Store
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Start of 3D Video Playlist, www.youtube.com use 3D-Glasses, red/green red/blue or red/cyan. Very old Technology but still 3D fun! more 3D-Videos: www.youtube.com data protection: www.google.com Datenschutz: www.google.de Video Rating: 0 / 5
We have decided to give you a closer look of the Classroom scene. This is a flythrough animation which will give you a chance too see the classroom in greater details. Please notice, this is the stereoscopic 3D glasses version (red/cyan). Video Rating: 5 / 5
Digital cameras may have changed the face of Photography forever, but film still has a place in a hearts. In this video Photoshop expert, Gavin Hoey www.gavtrain.com walks you through the steps you need to make a film strip from scratch and give it a 3D twist. Video Rating: 4 / 5
This tutorial will give you the power to recreate a tiny 35mm film canister into a larger-than-life reminder of the good ol’ days.
Use it as a prop for photos, store unused rolls of film and other camera related goodies, or just make yourself feel really small!
This film canister will hold more than you ever thought could fit onto a 24-exposure roll.
Make a Giant Roll of Film!
p.s. Win an Instax Camera on Photojojo’s Pinterest today! Follow us & see how to enter at Brit & Co’s blog.
p.p.s. Photojojo’s seeking the world’s best web designer! Learn more.
Why it’s cool:
Imagine what kind of photographs you could make if this was an actual roll of film.
Talk about the big picture!
Leave the handle on it and use it to transport props to and from your photo shoots.
Or use it as a prop in an Alice in WonderCameraland scenario.
It can be an awesome way to organize your photos or store your film and batteries. Camera bags, lenses, harddrives…you can fit it all into this 35mm container.
No matter what you put inside, this is one roll of film that’s pretty darn functional.
Ingredients:
Get these at the Hardware Store:
5-Gallon Paint Bucket with Lid
4″ PVC pipe
9′ Rubber Garage Door Bottom
Spray Paint: black, silver, primer, and clear gloss
Blue Painter’s Tape
Yellow-gold Interior Paint
Clamps
5 minute Epoxy or Gorilla Glue
Dropcloth or Tarp
Get these at the Craft Store:
Acrylic Paint: Black and White
Paint Brushes: big and small
Black Poster Board
Xacto knife
Pencil
Your favorite Roll of Film
Stencil Letters (optional)
Magic Wand (optional)
STEP 1: Prep
First, prep all your surfaces.
Remove the handle from the bucket. Lay the bucket, lid, and PVC pipe outside on a tarp.
Give it a good coat of primer. This will make the painting steps easier, an ensure your paint will bond with the plastic surface.
Let it dry completely.
TIP: When picking out spray paint, make sure you choose one that will adhere to plastic. Most will say this on the bottle.
Step 2: Paint the Canister:
Use your magic wand large brush and put a coat of yellow-gold paint on the entire bucket.
Once dry, put a second coat on for a more even and consistent look.
TIP: Take your roll of film with you to the paint supply store. We found a paint chip that was almost identical to the color of our film canister. The 8-ounce sample size was just the right amount of paint for this project.
Step 3: Paint the lid:
While you’re waiting for the canister to dry, coat the bucket, lid and PVC pipe with a solid layer of black spray paint.
This will become the top portion of the film canister and film spool.
Let it dry. Check back and see if you need a second coat.
Step 4: Glue side piece:
Recreate the side tab that allows the film to move in and out of the canister.
We found a rubber garage door bottom to be easiest to work with. You should be able to find this at your local hardware store.
Measure the length of the bucket, and cut two pieces of equal lengths.
Use epoxy to glue the pieces together, back to back, with the short and long edges mirroring each other.
Use clamps to hold the pieces tight while the epoxy cures. This epoxy takes about 5 minutes to fully cure.
Step 5: Attach side panel:
Once the two pieces of weather stripping have been sealed together, attach them to your main film canister bucket.
There are two sides to your strip. One has a longer, sloping side. The other is short and more squared off. Place the long slope against the bucket for a gradual transition between the materials.
Using epoxy on the longer side, press it into place against the bucket. Clamp the ends to the bucket to add pressure while the epoxy is curing.
TIP: Cut two slits in the weather stripping to allow it to fit tighter over the grooves on the bucket.
Step 6: Paint Side Strip:
When the epoxy is dry, remove the clamps and paint the outer edges with the yellow/gold paint to blend it with the main canister.
TIP: You may need three coats to cover up the dark black of the weather stripping.
Step 7: Attach Top of Spool:
Center the painted PVC pipe on the bucket lid.
Use epoxy to attach these two pieces together.
When it has dried, put the lid on the bucket. It’s starting to come together now.
Step 8: Paint the bottom:
Measure the amount of black edge on the lid.
Use blue tape to mask off the same amount of space on the bottom of the canister.
Paint the bottom black to recreate the bottom of the roll of film.
Step 9: Add Details:
Now it’s time to put on the finishing touches. Accuracy can be great, but don’t be afraid to make your film unique.
Stencil letters, or hand draw them with pencil. Paint on all your film markings using acrylic paint.
Don’t forget about the silver codes on the back side.
Step 10: Clear Coat
Once you are sure everything is dry, take your film back outside to your tarp.
Give it a coat of clear gloss to protect it and add some sheen.
Step 11: Cut your Film
The last detail this canister needs is a piece of film. Use your pencil and Xacto to cut out squares on the top and bottom of the film tongue.
Put a little glue on the end, and slide it into the slot between your two weather strip pieces.
Step 12: Display:
TA-DA!
Just like that, you’ve turned a tiny roll of film into a gigantic one!
Take it further
Make a giant camera from old film and paper containers to keep that roll of film company.
If your Kodak is feeling a little lonely… Make it a Fuji, Ilford, or Arista buddy.
Follow Instructable’s guide to turn your giant film canister into a pinhole camera.
Thanks to Katie Elizabeth Photography for this amazing project idea! Check out her photostream.
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