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Posts Tagged ‘film’

Return of Film: Snowy Sunrise at Gates of the Valley

22 Apr

It’s been 10 years since I last took photographs with film. My backing a pinhole camera Kickstarter project, the Ondu camera, is what swayed me to take another stab at shooting film. The camera I chose from the project is a 6×12 medium format pinhole camera. It has an aperture equivalent to f/133 and a focal length of roughly 40mm (in 35mm camera terms).  I’ve never used a pinhole camera so it’s been quite an exciting exploration of a very primitive form of photography. No view finder, no glass lens, no CF cards, no histogram and being an extended piece of the camera as the human shutter (I open and close it) is a sure fire way to kick oneself into a new way of thinking and seeing.

Even with my digital camera I’ve been in a “slow photography” mode. Ironic considering I have been shooting a lot of time-lapse work. While my camera is running capturing a time-lapse I usually have a second camera in the wings where I very selectively take a dozen or so photos. To take that approach to another extreme I picked up the pinhole camera to capture a few frames here and there. I get 6 photos per roll with this camera so depending on the lighting conditions I’ll run through a roll quickly during the day or use the same roll of film over a few night shoots.

The photo above of a very foggy and snowy view of Gates of the Valley in Yosemite National Park was taken this past March. This brief window in the fog lasted but a minute. This was one instance when I was in the right place at the right time. Expect to see a few more pinhole photos in the future. As I venture around in the coming months we’ll see what other “right place at the right time” photos come about.

 

Copyright Jim M. Goldstein, All Rights Reserved

Return of Film: Snowy Sunrise at Gates of the Valley

The post Return of Film: Snowy Sunrise at Gates of the Valley appeared first on JMG-Galleries – Landscape, Nature & Travel Photography.

       

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Extreme X-Class Solar Flare Is Erasing Digital & Film Photos Worldwide

01 Apr

This mornings Solar flare corruption of my photography library

In a stunning event shocking NASA, the European Space Agency and the Russian Federal Space Agency the Sun flexed its power last night with an unprecedented X-Class solar flare (Update: some astrophysicists are contending it’s the first detected Z-Class solar flare). Unlike extreme solar events like the Carrington Event this solar storm has erased film and digital photos world-wide. Prints, film negatives and digital files have shockingly been affected equally being erased into oblivion. Neil deGrasse Tyson was quoted as saying,

iPhone Image Library Corrupted by Solar Flare

“The sun once again has humbled us with its power. With a single awe inspiring brush stroke of  projected radiation, the Sun has erased our visual history leaving us to remember moments of times past with only our heart and minds.”

Completely confused this morning seeing blank sheets of paper where my favorite family photos and wall prints once existed I rushed to my computer and phone to see the state of my digital libraries. Everything was gone. In a fit of amazement and cursing I rushed to check my slides and negatives from the 90′s and they too are now history being completely blank. In hindsight I now wish I savored the moments I photographed to better remember them verses my fuzzy memory of these moments as seen through a small view finder. Now that this fast moving storm of radiation has passed new photos are now again possible. Even though I am now again able to take photos seeing the fragility of our imaging technologies it begs the questions…

Is humanity’s creativity, existence & legacy what we see, feel, or leave behind?

 

Copyright Jim M. Goldstein, All Rights Reserved

Extreme X-Class Solar Flare Is Erasing Digital & Film Photos Worldwide

The post Extreme X-Class Solar Flare Is Erasing Digital & Film Photos Worldwide appeared first on JMG-Galleries – Landscape, Nature & Travel Photography.

       

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Animating Van Gogh: World’s First Fully-Painted Feature Film

24 Feb

[ By WebUrbanist in Art & Photography & Video. ]

animated-film-comes-alive

It is a fantastic endeavor and nearly finished – a movie made up of 56,800 stop-motion paintings, all presented in the style and told by the characters of the tale’s protagonist: Vincent van Gogh.

animated-van-gogh-film

The first full-length feature of its kind, Loving Vincent uses van Gogh’s own techniques to explore the life and death of the artist, “through his paintings and by the characters that inhabit them.”

van gosh painting studio

As its creators explain, “the intrigue unfolds through interviews with the characters closest to Vincent and through dramatic reconstructions of the events leading up to his death.”

van gogh character still

This production by Breakthru Films features 120 of the artist’s paintings and draws its plot from 800 letters, using them to flesh out a deeper picture of this often-misunderstood painter whose work goes well beyond his most famous Starry Night and Mona Lisa.

van gogh movie trailer

In van Gogh’s own words: “Well, the truth is, we cannot speak other than by our paintings” – these industrious filmmakers are taking him at his word, and animating his images and subjects to tell his story.

van gogh loving vincent

Breakthru was founded by Oscar award-winning animator Hugh Welchman. Unfortunately, the project did not raise sufficient funds on Kickstarter, but given how far they have come one can only hope the work does not end in tragedy.

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Posted in Creativity

 

Film ist so warm

27 Jan

Ein Beitrag von: Benedetta Falugi

Die Fotografie habe ich eher beläufig entdeckt, als ich Fotos für einen Möbelverkauf machte, um meiner Mutter mit ihrem Antiquitäten-Laden zu helfen. Als mir meine neugefundene Leidenschaft klar wurde, machte ich mich auf eine persönliche Suche. Besonders an meinen Lieblingsorten und bei den Menschen, die dort leben.

Ich liebe es, auf Film zu fotografieren und meine persönlichen Projekte sind allesamt analog. Film ist so warm und meiner eigenen Sensibilität sehr ähnlich. Außerdem finde es gut, dass ich meine Fotos nicht nachbearbeiten muss.

Seit zwei Jahren versuche ich, die Fotografie zu meinem Beruf zu machen. Was nicht wirklich einfach ist, wegen der durch Italien fegenden Wirtschaftskrise. Ich versuche aber, dranzubleiben.

© Benedetta Falugi

© Benedetta Falugi

© Benedetta Falugi

© Benedetta Falugi

© Benedetta Falugi

© Benedetta Falugi

© Benedetta Falugi

© Benedetta Falugi

© Benedetta Falugi

© Benedetta Falugi

Leider erlebe ich meine Leidenschaft mit Höhen und Tiefen, kreativen Momenten, zeitweise Gedankenlosigkeit, Krisen und Faulheit – was sich nicht gut anfühlt. Aber ich nehme an, dass ich damit nicht allein bin.

Mein Ziel ist es, rigoroser zu sein in den Dingen, die ich tue. Weiter will ich Veränderungen, wieder forschen und nicht steckenbleiben in den Dingen, die ich gut kann, sondern viel mehr experimentieren.

Dieser Artikel wurde von Martin Gommel aus dem Englischen ins Deutsche übersetzt.


kwerfeldein – Fotografie Magazin

 
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Smartphones versus DSLRs versus film: A look at how far we’ve come

04 Jan

strangecameras.jpg

Just how far have we come since film? One photographer sets out to try and find the answers by comparing the results of several DSLRS, two leading smartphones and some Fuji film in both bright sunlight and low light conditions. See the results and judge for yourself at connect.dpreview.com.

News: Digital Photography Review (dpreview.com)

 
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Color-Coded Cars: Time-Collapse Film Reorders Rush Hour

30 Dec

[ By WebUrbanist in Art & Photography & Video. ]

color sorted car art

There is no computer-generated imagery behind this surreal-seeming scenography, but rather a skillful remixing of reality to sort actual automobiles by color.

Artist and filmmaker Cy Kuckenbaker explains that his “aim is to reveal the color palette and color preferences of contemporary San Diego drivers in addition to traffic patterns and volumes. There are no CG elements, these are all real cars that have been removed from one sample and reorganized.”

color white black gray

Sure enough, the dominant colors are actually revealed to be anything but colorful – vehicles are mainly white, gray or black, with some reds and blues then very few oranges or yellows. Both lanes below and the overpass ahead are integrated into the artificial choreography.

color blue red cars

Shot in San Diego and reorganized in post-production, the seamless transitions in this film serve to make the piece simultaneously more realistic and implausible. Just imagine your reaction  if you saw something like this actually unfolding on the highway before you.

In a similar previous project, Kuckenbaker captured a series of landings at the San Deigo airport and then overlaid the results of hours of filming. The sky was effectively green-screened so that the planes could be overlapped in front of a seemingly-consistent background.

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Cinematic Structures: Illustrating Famous Film Architecture

23 Dec

[ By WebUrbanist in Art & Drawing & Digital. ]

classic poster set

Some cinematic experiences are defined by their built environments, be it the minimalist architectural plan outlines of Dogville or the lavish Mid-Century Modern estate from the Big Lebowski.

classic the fountainhead home

classic vintage poster remake

Illustrator Federico Babina has taken iconic structures from major motion pictures and rendered them in a way that both shows off the unique character of these charismatic buildings and ties them together aesthetically.

classic the party rendering

classic movie poster designs

This set of poster-worthy ARCHICINE prints features classics like Rear Window and Star Wars as well as contemporary sets including L.A. Confidential and The Incredibles.

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Cinematic Structures Illustrating Famous Film Architecture

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Cinematic Structures: Illustrating Famous Film Architecture

10 Dec

[ By WebUrbanist in Art & Drawing & Digital. ]

classic poster set

Some cinematic experiences are defined by their built environments, be it the minimalist architectural plan outlines of Dogville or the lavish Mid-Century Modern estate from the Big Lebowski.

classic the fountainhead home

classic vintage poster remake

Illustrator Federico Babina has taken iconic structures from major motion pictures and rendered them in a way that both shows off the unique character of these charismatic buildings and ties them together aesthetically.

classic the party rendering

classic movie poster designs

This set of poster-worthy ARCHICINE prints features classics like Rear Window and Star Wars as well as contemporary sets including L.A. Confidential and The Incredibles.

Next Page – Click Below to Read More:
Cinematic Structures Illustrating Famous Film Architecture

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Film vs. Digital in Large-format Photography: Which Is Better?

09 Dec

French photographer Marc Riboud said, “Taking pictures is savouring life intensely, every hundredth of a second.” Although astounding, the human ability to capture and store moments in image rich memory is limited. Visual encoding start with perception follows through to the moment when it is committed to memory and then reaches the period after in which the memory is retained. Continue Reading

The post Film vs. Digital in Large-format Photography: Which Is Better? appeared first on Photodoto.


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Short Film Explores Intersection of Fashion & Architecture

14 Nov

[ By Steph in Art & Installation & Sound. ]

Kaplinski Fashion Architecture Film 1
Fashion and architecture intersect in a short film called Kaplinksi, wherein models wear and then break out of architectural structures made of children’s wooden blocks. The film is a collaborative work between filmmaker Benjamin Seroussi and architect David Tajchman, and features abstract, geometric Constructivist design from the Soviet Union circa 1920.

Kaplinski Fashion Architecture Film 2

Kaplinski Fashion Architecture Film 3

The four-minute black and white film explores both the human body as a framework for architecture, and architecture as a cage. Abstract cities and skyscrapers form around the models, and begin to self-destruct. Constructivism inspired both the photography and the look of the film.

Kaplinski Fashion Architecture Film 4

Kaplinski Fashion architecture film 5

The blocks used in the film are ‘Kapla blocks,’ small pine rectangles of identical size and shape that are stacked rather than interlocking, so any structures made with them are temporary and rather fragile. The name of the film refers both to these bricks and to the Russian influence of the aesthetic.

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