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Long Exposure Photography 101 – How to Create the Shot

01 Mar

It’s easy to get caught up in the fast nature of photography, technology, instant results, presets, etc. But what happens when you slow your photography right down?

This tutorial will introduce you to the 101s of daytime long exposure photography and share the exact steps you can follow to create your very own long exposure photographs.

01 Long Exposure Photography 101 How to create the shot

Long exposure seascape.

What is long exposure photography?

long exposure photography can be defined in two ways. A traditional description would class it as taking photographs with the intent to deliberately capture the effect of time and display moving objects in a different way to how our eyes are used to seeing them.

But for those of a more literal-mindset, long exposure photography is a brilliant way of photographing atmospheric landscapes, whilst being able to enjoy a cup of tea and a biscuit – all at the same time.

Now, if that sounds like your type of photography, I encourage you to settle in and read on.

02 Long Exposure Photography 101 How to create the shot

Slow down

The very nature of long exposure photography is pretty slow paced. It forces you to take your time, which is excellent practice for your framing and compositional skills. And because you literally can’t rush the shot, it makes you think about the light, your subject, and your compositional techniques before you invest several minutes of your time capturing the image.

It’s worth noting that there is no specific shutter speed that defines the crossover from “typical photography” to long exposure photography. It’s not the duration of your shutter speed that defines your image as a long exposure photograph. Instead, it’s your intention to capture moving objects using longer exposure times than necessary that makes it a long exposure photograph.

03 Long Exposure Photography 101 How to create the shot

Generally speaking, long exposure photographs will use shutter speeds that can be measured in seconds or minutes instead of fractions of seconds.

Embrace the blur – add a sense of motion

“So, why should I take a photo using a slow shutter speed? Won’t that make it blurry?”

Yes, precisely. Using a long exposure technique is typically reserved for times when you want to selectively blur objects in your images. Common examples would be to capture flowing water, like the ocean or a waterfall. It’s also used to capture the movement of clouds or stars in the night sky.

04 Long Exposure Photography 101 How to create the shot

Long exposures are great for capturing motion and stillness in a single frame.

A long exposure photograph reveals the passing of time and conveys motion in a way that your eyes are simply unable to see at the time. Long exposures turn clouds into whispers, water into silky-looking glass, and people into otherworldly ghost-like beings.

Long exposure photography allows you to capture stillness and a sense of motion in a single frame. The contrast between these elements creates a sense of mystery and adds a surreal atmosphere to your images. It’s precisely this playful mix of the fluid and the still that makes long exposure photography beautiful, strong, and mildly addictive – or maybe that’s just the cup of tea.

Anyway, here’s what you need to know to take a long exposure photograph.

05 Long Exposure Photography 101 How to create the shot

Blocking out light with Neutral Density (ND) Filters

To capture those ethereal tones and silky motions in your images, you need to use a slow shutter speed. The trouble with using a slow shutter speed during the day is that it lets in a lot of light. So much light in fact, that it will inevitably overexpose your image.

To counter this, you will need to use a Neutral Density (ND) filter to make long exposure photographs during the day.

ND filters essentially sit in front of your lens and block out the light. Think of them as a fashionable set of sunglasses for your lens. And because the ND filters reduce the amount of light that hits your camera sensor, you can use shutter speeds up to several minutes long without overexposing your images – even in bright conditions.

06 Long Exposure Photography 101 How to create the shot

Rectangular ND Filters – otherwise known as “rectangular dark glass to block out the light”.

Using an ND Filter

The exact length of your exposure will depend on the lighting conditions and the strength of the ND filter you use. ND filters are typically measured by the stops of light they are able to block out and are usually available in increments of 3, 6, 10, or 16-stops.

Nisi, Lee Filters, and Formatt-Hitech are among the popular brands of ND filters, although there are many others available for a variety of budgets. ND filters come in either a circular format (these screw onto the front your lens) or a rectangular format, which requires the use of an additional filter holder to mount them to your lens.

As a general rule, the more light your ND filter is able to block out, the longer your exposure will need to be to achieve a balanced exposure. And the longer your exposure, the more dramatic the effect will be in your final image.

07 Long Exposure Photography 101 How to create the shot

Rectangular ND Filters attached to camera lens using a filter holder.

Don’t Move

You may be aware that when you use slow shutter speeds, the smallest bit of camera movement can throw your image out of focus and cause it to look a little blurry. This is especially true in long exposure photography.

Given that your camera will be taking several seconds or several minutes (if you’re using a 10 or 16 stop ND filter) to complete a single shot, it’s crucial to ensure it doesn’t move a millimeter during the exposure.

It would be nearly impossible to achieve this by hand. Therefore, it’s a good idea to get your hands on a sturdy tripod. This not only ensures your camera will remain still throughout the entire exposure but more importantly, it frees up your hands, so you can have a sip of your tea whilst your camera is hard at work.

In addition to your ND filters and tripod, here’s a checklist of essential equipment you’ll need for long exposure photography.

Essential Long Exposure Photography Equipment Checklist

08 Long Exposure Photography 101 How to create the shot

Essential long exposure photography gear – particularly #10.

  1. Your ND filters.
  2. A sturdy tripod.
  3. Camera with bulb mode function – bulb mode allows you to take exposures longer than the camera’s default 30 seconds.
  4. Fully charged batteries – try to avoid the heart-breaking moment when your battery cuts out in the middle of an exposure.
  5. Lens – wide-angle lenses work very well with landscapes, seascapes, and architecture photography. If you’re just getting started, any lens that is compatible with your ND filters will work just fine.
  6. A shutter release cable with a locking functionality. Using a shutter release cable (remote trigger) allows you to lock the shutter open without having to touch the camera body. This reduces camera movement during your exposure.
  7. A viewfinder cover – during long exposures, light has a habit of finding its way into your camera through your viewfinder and ruining your images. You can prevent this from happening by using a viewfinder cover, some sticky-tac or even duct-tape.
  8. A dark cloth or hat – perhaps the most peculiar item on this list, however, it’s arguably one of the most important. Believe it or not, light doesn’t just find its way into your camera via the viewfinder. It also leaks in via the lens/body connection and also from the connection points on the side of your camera. Placing a dark cloth or hat over your camera works well to prevent light leaks.
  9. Smartphone – this will serve two purposes. First, it will help you to calculate your long exposure times via a handy long exposure calculator app that I’ll introduce you to shortly. Its second function will be to keep track of your exposure time using a simple timer.
  10. A flask of tea and a selection of biscuits – and you thought I was joking! By far my favorite item on the list. long exposure photography will typically have you sitting in a beautiful spot for several minutes, taking your time and soaking up your surroundings. It’s good for the soul and a creates the perfect opportunity to enjoy a well-deserved treat, particularly on cold mornings!
  11. Chargers, USB cables, and lens wipes. Ideal if you need to recharge your gear or remove your fingerprints from your ND filters when you’re out and about.

Every item on this list plays an important role in capturing a long exposure photograph. Now here’s precisely how you can capture one.

Step 1: Prepare at Home

Unlike a typical day of photography, long exposures don’t afford you the luxury of being able to rattle off 1,200 images in a few hours. Instead, you’re likely to return home with only a handful of good photographs after a day of long exposure photography.

So, before you grab your gear and set off in search of ethereal landscapes and mind-bending architecture, it’s well worth investing your time. Research the location and environment so you can make the most of your time in the field.

Weather Conditions

If you’re planning on shooting a landscape, cityscape, or architecture, take a look at your local weather forecast to see what the cloud cover will be like. Anything over 40% cloud cover should give you ideal conditions to capture a silky sky.

04 Long Exposure Photography 101 How to create the shot

The low clouds help to create a surreal atmosphere.

Creating a long exposure seascape, on the other hand, doesn’t necessarily need a lot of cloud coverage (although, cloudy conditions over water often produce great results). It’s worth researching the water conditions because – like the clouds – the greater the movement of the water, the greater the effect of your long exposure photographs.

10 Long Exposure Photography 101 How to create the shot

Cloudy and stormy conditions create dramatic long exposure photographs.

Location Scouting

Use Google Maps and street view to go for a “virtual walk” around your location. Doing so helps you to familiarize yourself with the area and scout out potential compositions for your images. Essentially, you should know precisely where you are going, how you will get there, where you will park, how much daylight you will have and in which direction you need to walk to ensure you take full advantage of your time and the conditions.

11 Long Exposure Photography 101 How to create the shot

Using Google Maps and Street View can help you with composition ideas before leaving your house.

Prepare Your Equipment

There is nothing more heart-breaking than spending the time to scout out the perfect location and setting up your camera only to realize that you have left your ND filters at home or your camera battery is at 27%. Be sure to charge up all of your batteries (including your smartphone) and pack your camera bag using the equipment checklist above.

Shoot RAW

Set your camera to shoot in RAW format. Long exposures tend to have a blue or magenta color cast caused by the ND filters. Shooting in RAW allows you to easily correct the white balance in post-processing.

12 Long Exposure Photography 101 How to create the shot

Ensure that your camera is set to record your images as RAW files.

Install Long Exposure Calculator Smartphone App

Spending your time trying to calculate what your exposure length should be with a 16-stop ND filter might not sound like much fun to you. Long exposure photography is all about taking time out to soak up your environment and enjoying the views – not solving algorithms.

Installing a “Long Exposure Calculator” app on your smartphone will save you time and make calculating your shutter speed much easier when you’re out in the field. Here are a couple of popular suggestions for IOS and Android users.

  • Exposure Calculator – Android
  • Long Exposure Calculator – IOS

It’s a good idea to install the app on your smartphone at home before heading out – just in case you later find yourself in an area with no mobile coverage to download the app.

Step 2: Work the Scene

By the time you’ve prepared your gear, researched the area, and arrived at your location, you’d be forgiven for wanting to unpack and get shooting straight away. Instead, you’ll find that holding off for just a few minutes and allowing yourself to explore the scene often produces more favorable results.

Pick up your camera (without the tripod) and work the shot. Take note of the weather, light, and direction of the water, clouds, lights, or traffic. What are the characteristics of the scene? How does the mood feel? What angle best captures all of this? What are you going to include in your frame?

Step 3: Compose the Shot

Once you have decided on the perfect angle, it’s time to set up your tripod and mount your camera (without the ND filter) to compose and frame the shot. Ensure your tripod is locked in place and your camera is tightly secured. Now is also a good time to attach your remote shutter release cable to your camera.

13 Long Exposure Photography 101 How to create the shot

Secure your camera to your tripod and attach the shutter release cable.

Step 4: Aperture, ISO, and Focus

Switch your camera into Aperture Priority mode and set your aperture to somewhere between f/7.1 and f/11. As a rule of thumb, this range will fall close to your lens’s sweet spot and provide you with a deep depth of field to ensure your image is sharp throughout.

As I’ve mentioned, noise and camera shake can be problematic in long exposure photography. Therefore, adjust your ISO to 100 to minimize the amount of noise and turn off Image Stabilization on your lens to reduce the amount of internal camera shake.

14 Long Exposure Photography 101 How to create the shot

Aperture Priority mode, ISO 100, f/8.0

Focus your lens, ensuring your subject is sharp from back to front. When you are happy with your focus point, switch your lens over to manual focus. This essentially safeguards your focus point and prevents accidental re-focusing when you trigger the shutter.

15 Long Exposure Photography 101 How to create the shot

Switch your lens over to manual focus when you’re happy with your focus point.

Step 5: Test Shot

Use your viewfinder cover (duct-tape or sticky-tac will work) to cover up your viewfinder. This will prevent light from leaking into your camera and ensure that your camera gives you an accurate metering.

16 Long Exposure Photography 101 How to create the shot

Use a Viewfinder cover, duct-tape, sticky-tac or even some cardboard block out light leaks.

With your viewfinder covered and your camera still in Aperture Priority mode, take a test shot to obtain the base shutter speed. It’s the shutter speed from this test shot that will form the basis of your long exposure calculations.

It’s a good idea to review the test shot to ensure the exposure looks good and everything is perfectly in focus. When you’re happy with your test shot, check the metadata and make a mental note of the shutter speed.

17 Long Exposure Photography 101 How to create the shot

Aperture Priority test shot – In this case, the camera’s light metering used a shutter speed of 1/60th. This shutter speed will form the basis of the long exposure calculations.

Step 6: Bulb Mode

Switch your camera mode from Aperture Priority to Bulb Mode and set your ISO and aperture to mirror the exact same settings as your test shot.

18 Long Exposure Photography 101 How to create the shot

Bulb Mode – Set the ISO and aperture to match your test shot.

Bulb Mode allows you to keep your shutter open as long as you hold down your camera’s shutter button. However, standing next to your camera and keeping the shutter button held down with your finger isn’t ideal. Not only would this cause lots of camera shake, it would also make it nearly impossible to enjoy a cup of tea on the job (it’s clear where my priorities lie).

This is precisely why you’ll need a shutter release cable with a locking function. The lock plays the role of your finger and keeps the shutter button held down until you decide to release the lock, thus minimizing the possibility of camera shake.

Step 7: Calculate Your Long Exposure

Enter the shutter speed from your test shot into the long exposure calculator app you installed on your smartphone in step 1.

19 Long Exposure Photography 101 How to create the shot

Enter the shutter speed from your test shot into your Long Exposure Calculator mobile phone app.

You will then need to set the filter density to match your ND filter. For example, if you’re planning to use a 16-stop filter, you would enter 16-stops into the app.

The app will then calculate the length of your long exposure. It’s worth noting here that this time is approximate. It doesn’t account for a change in weather conditions during the exposure or the quality of your ND filters. I use Lee Filters and from experience, I find adding approximately 25% to the app’s suggested exposure time works well.

Step 8: Set a Timer

Load your long exposure time into your smartphone’s timer. You will trigger this at the same time you commence the long exposure to keep track of timing.

20 Long Exposure Photography 101 How to create the shot

With a 16-stop ND filter and a base shutter speed of 1/60th, The Long Exposure Calculator suggested that I will need an exposure time of 18 minutes. I added approximately 25% to allow for the changing light conditions and created a timer on my phone.

Step 9: ND Filters

Mount your ND filters to your camera. Be careful not to adjust the focus or zoom rings of your lens in the process. It’s a good idea to double check your lens is still set to manual focus.

21 Long Exposure Photography 101 How to create the shot

Mount your ND filters to the camera.

Step 10: Mirror Lock-up

If you’re using a DSLR, enable Live View or the mirror lock-up function. These features lock your camera’s mirror in the up position, which reduces internal camera vibrations when you trigger the shutter.

22 Long Exposure Photography 101 How to create the shot

Live View or the mirror lockup function will prevent camera vibration when you trigger the shutter.

Step 11: Cover the Camera

Carefully cover your camera with a dark cloth or a hat, being careful not to adjust the zoom or focus rings on your lens. This will help to prevent light from leaking into your camera during the exposure.

23 Long Exposure Photography 101 How to create the shot

Perhaps the most crucial step – use a dark cloth, hat, or an old pair of trousers to wrap around your camera to prevent light leaks.

Step 12: Trigger the Shutter

Now it’s time to create your ethereal masterpiece. The aim here is to simultaneously trigger your smartphone’s timer with one hand (this will keep track of your exposure time) and with your other hand, lock the shutter release cable to hold open your camera’s shutter. If you’re like me, and the mere thought of doing two things at once confuses you, you can simply trigger them one at a time.

All that’s left for you to do at this point is make yourself comfortable and enjoy that cup of tea! Finally! And because you set a countdown timer on your smartphone, its delightful little chime will alert you when it’s time to get up to release the lock on your shutter release cable. Thereby closing the shutter and completing your long exposure photograph.

The Result

So, what do you get after spending a leisurely afternoon in front of a beautiful scene sipping from your thermos and nibbling on a cookie? Well, it’s likely you’ll return home with an image that looks something like this.

24 Long Exposure Photography 101 How to create the shot

23-minute long exposure – processed in Lightroom and Photoshop.

Recap

The very nature of creating long exposure photographs is to slow down. It encourages you to step away from the rapid-fire approach and have fun creating something that you wouldn’t ordinarily be able to see. That’s what long exposure photography is all about.

By now, I’m hoping this article has you reaching for your ND filters and checking the weather forecast – I’m sure you’ll love giving it a try. In case you need a short reminder whilst you’re out in the field, here’s a snapshot of everything we’ve covered.

  1. Research your location, charge your gear and install the long exposure calculator app on your smartphone.
  2. Work the scene to find the best angle.
  3. Set up your tripod and compose your shot without the ND filters.
  4. Switch your camera to Aperture Priority mode. Set your aperture between f/7.1 – f/11.0 and your ISO to 100. Focus in on your subject and set your lens to manual focus.
  5. Cover your viewfinder and take a test shot.
  6. Switch your camera into Bulb Mode and set your aperture and ISO to match your test shot.
  7. Use the long exposure calculator app to calculate your exposure time.
  8. Set a timer on your smartphone.
  9. Mount your ND filters.
  10. Enable live view or your camera’s mirror lock-up feature.
  11. Cover the camera with a dark cloth or hat.
  12. Lock open the camera shutter and trigger your smartphone timer.

If you have any questions, please ask. And it would be great to see your long exposure photographs, so please share them in the comments below.

The post Long Exposure Photography 101 – How to Create the Shot by William Palfrey appeared first on Digital Photography School.


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Nikon D850 firmware 1.01 fixes long exposure green cast and other minor bugs

18 Jan

Nikon has released the first firmware update for its 45.7 MP full-frame D850 DSLR. Firmware version 1.01 comes with fixes for the following issues:

  • Users exiting the Clean image sensor menu entry after adding it to and entering it via My Menu would be returned not to My Menu but to Setup Menu.
  • Photos taken with On selected for Long exposure noise reduction would sometimes have increased noise or shadows with a greenish cast.
  • Slight aperture reset lag would sometimes occur after shooting at shutter speeds under 1/10 s (type E and PC-E lenses excluded).

These all sound like minor issues, but it is reassuring to know Nikon is taking the continuous improvement of its products seriously. If you own a D850 and want to update to the new firmware, you can find all information and download links on the Nikon website. If you are considering the D850 as your next camera, check out our full review bellow:

Nikon D850 Full Review

Articles: Digital Photography Review (dpreview.com)

 
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Choosing the Correct ND Filter for Your Desired Long Exposure Photography Effects

25 Oct

Long exposure photography has quickly grown to become one of my favorite styles of photography and it’s quite clear by looking through the images I’ve captured the last few years. More and more images use a shutter speed slower than half a second and it’s further between the handheld shots.

Which ND Filter to use?

One of the reasons I’ve grown to become such a big fan of long exposure photography is that it opens so many doors. You’re much less limited in your work and you have endless of options when it comes to how you want your image to look. However, it’s exactly this benefit which also becomes a challenge for many: how do you choose the right shutter speed and ND Filter? 

Choosing the Correct ND Filter for Long Exposure Photography Effects

I don’t believe that there’s one correct shutter speed or filter when it comes to landscape photography. A big part of the creative process is to do what you prefer and go for the look you want to achieve. However, if you want to be able to achieve the look you want, you’ll also need to know how to get there and that’s why it’s important to understand how each of the different ND filters will affect your image.

In this article, we’ll look at how each of three different (three, six and 10-stop) ND filters will affect your image and in what scenarios they are each most beneficial.

3-Stop ND Filter

If you’re familiar with Neutral Density filters you may already know that a 3-stop filter won’t have a huge impact during brighter hours. Compared to the six and 10-stop filters, the 3-stop is not particularly dark and it won’t allow you to use those extremely slow shutter speeds of several minutes.

That being said, the 3sStop ND Filter remains one of my personal favorites. I particularly enjoy working with it when photographing waves from a low perspective.

Choosing the Correct ND Filter for Long Exposure Photography Effects

The picture above was taken a couple hours after sunrise but due to the sun’s low position on the Arctic sky, it still wasn’t daytime-bright outside. However, without using a filter, the shutter speed would have been too quick to capture the motion I wanted in the water. So I knew that a 3-stop ND filter would do the job. Using it allowed me to lengthen the exposure time to 1/3rd of a second, which was just enough the get some motion in the rushing waves and to achieve the look that I wanted for this shot.

Had I used a 6-stop ND filter instead, the image would look quite different since the longer shutter speed would blur the water and lose the texture that I was aiming for.

6-Stop ND Filter

As the name indicates, a 6-stop ND filter lets you lengthen the exposure time by six stops (not six times – six stops is 2x2x2x2x2x2 = 64 times). If you’re already using a relatively slow shutter speed due to the sun’s low position in the sky, this means that you can achieve a very slow shutter speed when using this filter.

Choosing the Correct ND Filter for Long Exposure Photography Effects

For the image above, I used a 6-stop ND filter to blur the water and create an overall softer feel to the scene. Using the filter allowed me to lengthen the exposure time to 15 seconds, which was just enough to blur the water and create some motion in the sky. As you can see, however, the iceberg in the foreground is already blurring out when using a 15-second shutter speed.

Had I instead used a 10-stop ND filter and an exposure time of a few minutes, all the ice would be blurry due to them constantly moving. On the other hand, a 3-stop ND filter wouldn’t have allowed me to slow down the shutter speed enough to blur the water and I wouldn’t be able to achieve the look I wanted.

10-Stop ND Filter

The 10-stop ND filter is perhaps the most popular filter for many who are just getting started with long exposure photography. The effect is extremely visible and the images created with it can grab attention right away. Even though there are darker filters available (such as a 16 and 20-stop), the 10-stop filter is often what people think of when talking about long exposure photography.

Choosing the Correct ND Filter for Long Exposure Photography Effects

The image above is a typical example of how a 10-stop ND filter can create a surreal look to the image. With the filter placed in front of my lens, I was able to use a shutter speed of four minutes to completely blur the lake and get a soft, dramatic look in the sky as the clouds were dragged out.

While it does require some more planning and patience than the other two filters, it is also the one that has the biggest visual impact straight out of the camera.

Choosing the Right One

As I mentioned earlier in this article, there isn’t necessarily one correct filter that you should use. Instead, you should be aware of how the different filters will affect your image and then choose the one which will get you closest to your envisioned image.

Choosing the Correct ND Filter for Long Exposure Photography Effects

Conclusion

Long exposure photography opens many doors and gives you several new creative elements to work with. As with anything else, a big part of this technique is trial and error but as you continue learning you’ll also begin seeing what you need to do in order to capture the images you want.


If you want to learn more about Long Exposure Photography I’ve shared everything I know in my eBook The Ultimate Guide to Long Exposure Photography. This eBook is for those who are ready to take their images to the next level and expand their creative vision.

The post Choosing the Correct ND Filter for Your Desired Long Exposure Photography Effects by Christian Hoiberg appeared first on Digital Photography School.


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How to Use Soft Light Blend Mode in Photoshop to Improve Exposure and Contrast

19 Oct

Do you have an overexposed sunny side and an underexposed shadow on the other side of your image? Or maybe a well-exposed photo that needs more vibrancy? There’s a tool so versatile that can help you fix any of these problems and more: the Soft Light Blend Mode.

What are Layers?

Imagine your photo as a printed one. Then you take a sheet of acetate and draw on it. Then you take another sheet and you put it on top of the others and obscure a part of it; and so on, and so forward. Each acetate sheet is a layer and you can make as many alterations as you want on top of your original this way.

To create layers in Photoshop you need to go to Menu > Layers > New. A pop-up window will appear where you can name your layer, choose the color, the blending mode and the opacity. When you click OK the new layer will appear on the Layers panel window on top of the background, which is the original image.

Layers - How to Use Soft Light Blend Mode to Improve Exposure and Contrast

What is the Blend Mode?

The default setting of a new layer is normal blending mode. This covers the background or the layer underneath. However, Photoshop gives you the option of choosing a different Blend Mode, which changes the way your edit affects the pixels. You can change it in the pop-up window of the new layer.

Blending Modes - How to Use Soft Light Blend Mode to Improve Exposure and Contrast

In the case of the Soft Light blending mode it is similar to using the dodge or burn tool. In other words, every color that is lighter than 50% grey will get even lighter, like it would if you shine a soft spotlight to it. In the same way, every color darker than 50% grey will get even darker. However it will never reach pure black.

So, why not use dodge and burn instead?

First of all, when you work in layers you don’t lose any information. You can always discard the layer and start over because there is no damage to the original image.

With layers, you can change the opacity or transparency of each one, which allows you to control how evident your edit is in the final image. You will find the opacity tool on the Layers panel with a slider that goes from 0 to 100 %.

Note that there is another slider next to it called Fill. There are 8 blending modes in which these two sliders make a difference, however, Soft Light is not part of these “special 8” so the Fill opacity and Standard opacity have the same result when using this Blend Mode.

Opacity - How to Use Soft Light Blend Mode to Improve Exposure and Contrast

Another advantage is that you can change the blending mode of each of the layers. In this article, we are exploring the use of Soft Blend, however, each mode offers different possibilities. One blending mode can have different uses, here are three of them.

3 ways to use Soft Light Blending Mode

1. Add punch to your image

Increase the contrast and saturation to have more vivid colors and give a punch to your image. You can do this by duplicating the background layer: Menu > Layer > Duplicate Layer and changing the blending mode from normal to Soft Light. Finally adjust the opacity until you are happy with the result.

Duplicate Layer - How to Use Soft Light Blend Mode to Improve Exposure and Contrast

BeforeSoftLight - How to Use Soft Light Blend Mode to Improve Exposure and Contrast

AfterSoftLight - How to Use Soft Light Blend Mode to Improve Exposure and Contrast

2. Gradient tool to balance the lighting

If you have an image that is underexposed on one side and overexposed in the other you can easily even it out with a Soft Light blend layer. First go to Menu > Layer > New Layer. Pick the Gradient tool and draw a line from the brightest side to the darkest one. The gradient will look like this:

Gradient How to Use Soft Light Blend Mode to Improve Exposure and Contrast

Then change the layer blending mode to Soft Light and lower the opacity to find the best results.

Before Gradient - How to Use Soft Light Blend Mode to Improve Exposure and Contrast

Before gradient

After Gradient - How to Use Soft Light Blend Mode to Improve Exposure and Contrast

After gradient

3. Dodging and burning with a Soft Light layer

The past workflows altered the entire image, however, if you need to do a more precise job you can also do that using Soft Light. First, add a new layer with Soft Light blending mode like you did in the previous procedure. Only this time instead of the gradient tool, you are going to use the brush tool. When you select it you can choose the size of the brush on the top menu and the color on the bottom.

Brush How to Use Soft Light Blend Mode to Improve Exposure and Contrast

If you paint with black you will darken the image:

Darken - How to Use Soft Light Blend Mode to Improve Exposure and Contrast

Painting with white will lighten certain areas, and with different shades of grey, you can also control tones of your image.

Painting - How to Use Soft Light Blend Mode to Improve Exposure and Contrast

Keep going until you are happy with the contrast and exposure of your image.

Before Painting - How to Use Soft Light Blend Mode to Improve Exposure and Contrast

After Painting - How to Use Soft Light Blend Mode to Improve Exposure and Contrast

Conclusion

Now you know that blending modes have a lot of potential, so keep exploring. How do you use Soft Light Blend Mode? Please share your ideas and tips in the comments below.

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How to Use Bulb Mode for Long Exposure Photography

09 Oct

Most DSLR and mirrorless cameras have a feature called Bulb Mode. If you’re like me, you probably saw that in one of the menus or buttons when you first got your camera and have promptly ignored it ever since. Even the name sounds weird, and at first glance, you might think it has more to do gardening than photography. But it’s actually a very useful option that can unlock all sorts of creative possibilities with your camera.

Learning to use Bulb Mode does take a bit of practice though, and it helps to understand how it got its strange name in the first place. But I think you’ll find that the payoff is worth your time.

How to Use Bulb Mode for Long Exposure Photography

Lightning shot using Bulb Mode.

History Lesson

Way back in the early days of photography, long before digital image sensors existed, and autofocusing lenses were little more than science fiction, the act of taking a picture still worked in many ways like it does today. Hidden inside the sealed innards of a camera was a piece of light-sensitive film onto which an image would be projected when the camera’s shutter was opened, thus letting light pass through the lens and onto the film.

It’s the same principle that DSLRs use today. The only major change is how the shutter is constructed and the manner in which the timing is controlled. A hundred years ago there was no such thing as computer-powered cameras or precise mechanical actuators that could open the shutter for a long period of time (typically longer than one second). Instead, the photographer held a small bulb in his or her hand which was attached to the camera’s shutter by a piece of tubing.

Squeezing the bulb opened the camera shutter and releasing the bulb closed it, which meant the timing of the shutter was entirely up to the individual taking the photo. As long as the bulb was squeezed, the shutter would stay open. This method continued to be used on cameras for years to come, and it’s even possible to find bulb-style shutter releases for cameras today.

In short, think of Bulb Mode as Time Travel Mode. It basically makes your camera function like a camera from 100 years ago, when you had to squeeze a bulb to open the shutter, and then release the bulb to close it. The only major difference is that unless you literally have a bulb-style shutter release like the one pictured below, you will press the shutter button to open the shutter and release your finger to close it. Pretty neat, isn’t it?

How to Use Bulb Mode for Long Exposure Photography

Squeeze the bulb to open the shutter on this Pentax 35mm film camera. Release the bulb to close the shutter. Image courtesy of Wikimedia Commons.

Bulb Mode Today

Most modern cameras allow you to set the shutter speed anywhere from 1/4000th of a second and 30 seconds, which gives you an incredible range of creative photographic possibilities. These shutter speeds work in tandem with a camera’s light meter, as well as the ISO and lens aperture, to help you get properly-exposed images with little to no fuss or hassle. With that in mind, the idea of squeezing a bulb to keep the shutter open seems more than a bit anachronistic. Why would anyone want to hold the shutter open manually when you can just dial in a preset value for the shutter speed and not worry about anything else?

The benefit of Bulb Mode is that it lets you keep the shutter open for as long as you want. The timing is not specified by you, the camera, or anything else which means it’s entirely your decision whether to use a fast, slow or extremely slow shutter speed. Using Bulb Mode, it’s possible to leave your shutter open for one, five, 10 minutes or even longer. The only limitation is your camera’s battery and your own degree of patience, which opens the door for some amazing photographic opportunities.

How to Use Bulb Mode for Long Exposure Photography

Finding Bulb Mode

Shooting Mode Dial

Canon mode dial, B is Bulb.

The first step in using Bulb Mode involves figuring out how to access it on your camera, especially if you did not have even known it existed and have never tried to look for it. Because Bulb Mode involves controlling the shutter you might think that you need to first put your camera in Shutter Priority mode, but that’s generally not the case.

For most cameras, you actually need to use Manual Mode and then set your shutter speed to as low as it can go. You will likely see decreasing speeds of 5 seconds (your display may show that as 5″), 10 seconds, and so on, all the way down to 30 seconds at which point one more click of the dial will put your camera into Bulb Mode. If this doesn’t work for you it’s possible your camera simply doesn’t have Bulb Mode (most DSLRs and mirrorless cameras do have it, on some Canons, it is on the Mode dial as B). If you really aren’t certain just Google the brand and the model of your camera along with the words “bulb mode,” which will likely turn up some useful results.

How to Use Bulb Mode for Long Exposure Photography

Instead of showing a shutter speed along with a light meter, my camera’s LCD screen now displays the word “bulb” to indicate that I have entered Bulb Mode.

Understanding Bulb Mode

Once your camera is in Bulb Mode a couple of things go a little haywire and you may think your camera is broken. Before you send it in for service, just know that everything is fine…but different. Right away you’ll notice that your camera’s light meter no longer works, and there is no indication of what exposure settings you should be using to get a properly-exposed image.

This happens because your camera has no idea how long you want to leave your shutter open, and without that information, it doesn’t know whether to indicate if the final image will be overexposed, underexposed, or just right. This can make Bulb Mode positively primitive territory, and if you have ever wanted to know what your photographic forebears had to deal with when taking pictures 100 years ago you now know firsthand.

The best way to figure out which settings to use is to simply start experimenting. The more you use Bulb Mode you will start to figure out what settings like aperture and ISO might be appropriate given the scene you are photographing. However, there are some general tips that can be applied, which I will cover in the next section.

Holding the button

The other weird thing about Bulb Mode, which directly hearkens back to the earliest days of photography, is the manner by which the shutter is controlled. To open the shutter you press the shutter button (a sentence which is most likely eliciting rolled eyes due to how obvious it sounds). However, there’s a catch.

The shutter stays open only while your finger is pressing the shutter button. It’s just like squeezing a pneumatic bulb in the early days of photography. As you might guess by now, the way to close the shutter is to take your finger off the button. It’s a strange feeling, and if you have a DSLR handy I invite you to give it a try right now. Go get your camera, put it in Manual, spin the control dial until you’re in Bulb Mode, and take a picture. I’ll wait.

How to Use Bulb Mode for Long Exposure Photography

Using Bulb Mode

Did you snap a photo? I bet it felt kind of strange to have the shutter open and close only when you pressed and then released, your finger from the button. This, of course, brings up the next logical question of how do you actually use Bulb Mode to get good pictures? While each person will use it in their own way, there are a couple of guidelines to think about if you want to get good results.

Low light

Bulb Mode is most useful when you have little to no ambient light. It is almost worthless in daylight or in a well-lit room (unless of course, you are using really good ND filters to block some of the light) The best time to try it is at night when everything is pitch black except what you are hoping to photograph.

Setting up to use Bulb Mode

It’s important to keep your camera steady with a good tripod. You are typically dealing with really long exposures, and even the vibration from your finger pressing the shutter button can affect the resulting image. So the sturdier your tripod is, the better your images will turn out. If you have a cable release or some kind of remote shutter trigger for your camera, now is a great time to use it. Make sure you have one that either locks or counts the exposure for you (if you’re using the small wireless one that camera with your camera, you may need to click it once to open the shutter in Bulb Mode and click it again to close the shutter).

Note: You cannot use the 2-second self-timer in conjunction with Bulb Mode, it will not work.

Finally, try using a small aperture of f/8 or f/11 and a low ISO setting like 100 or 200 since the shutter speed is the independent variable in most Bulb Mode photography. This isn’t a requirement, but depending on your subject you might need a wider aperture or higher ISO, particularly if you want to shoot images of stars or capture star trails or other astrophotography phenomena.

How to Use Bulb Mode for Long Exposure Photography

I was able to capture a bolt of lightning by holding the shutter open, and the long exposure also shows movement in the clouds too.

When to use Bulb Mode

Now it’s time to experiment and really have fun with Bulb Mode. Everyone will use it in a different way, but here are a couple of ideas to get you started.

  • The next time a thunderstorm rolls in, use Bulb Mode to capture lightning strikes. The longer you leave the shutter open, the more lightning bolts you may be able to capture.
  • Try light painting, and experiment with using different kinds of light on familiar subjects you might already have just laying around.
  • Set up your tripod next to a road and shoot light trails as traffic passes by at the night.
  • For a variation on light trails, get a friend have some fun with fire spinning. Note that safety must always come first in these situations, so be sure to keep yourselves, your gear, and the environment around you safe from damage. The best place is a beach with no one around.
  • You don’t need fireworks either, and you can get great results with different sources of light from flashlights to sparklers to twirling glow sticks.
How to Use Bulb Mode for Long Exposure Photography

Using a long exposure helped me turn this ordinary jar of pasta into a surreal glowing work of art.

Conclusion

These ideas are just scratching the surface of what Bulb Mode can do. The best way to learn is to try it for yourself. If you have any particular tips for using Bulb Mode that you think others would enjoy, or some ideas to try that I didn’t mention here, please leave your thoughts in the comments below!

The post How to Use Bulb Mode for Long Exposure Photography by Simon Ringsmuth appeared first on Digital Photography School.


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As Seen on TV: Distorted Long Exposure Portraits

26 Sep

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Alien Skin unveils Exposure X3 raw editor and organizer, available this fall

14 Sep

Alien Skin is gearing up to launch Exposure X3, the next installment in its Exposure software line. Exposure X3 is a non-destructive raw image organizer and editor, and it will bring multiple improvements and new features over the previous version. Among the changes will be new “toning enhancements” for B&W and color images, as well as a side-by-side view that allows you to compare two images.

Though the product hasn’t yet been fully fleshed out for the public, Alien Skin has revealed that X3 users will have the option of creating virtual copies of images so that the same photo can be edited in different ways without using up extra hard drive space. The company also shared that X3 will bring radial and linear brush shapes, plus adjustable borders.

Alien Skin plans to launch Exposure X3 on both macOS and Windows this fall for $ 150, though existing Exposure users will have access to a $ 100 upgrade option. Alien Skin will also offer a $ 200 bundle that includes X3, Snap Art and Blow Up, and anyone who owns at least one of these apps can get the bundle for $ 120.

Articles: Digital Photography Review (dpreview.com)

 
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This crazy fire-and-water wedding portrait was shot in a single exposure

06 Aug

Photographer Markus Hofstaetter doesn’t shy away from challenging projects. Inspired by a previous fire-background hot-rod photo shoot he did, Hofstaetter had the idea to try this same technique with a portrait. There would just be one key difference: this one would be a single exposure.

A photo shoot like this is all about safety, and Hofstaetter did everything he could to ensure his subjects, assistants, and the backyard stayed nice and unburnt.

He got himself a heat-proof suit from the Muckendorf-Wipfing fire department, moistened the entire backyard, cut away stray branches to ensure he had enough room, had damp sheets at the ready, and actually built a little pond in his backyard. That last part did keep the couple a bit safer, but it was actually all about getting a killer reflection in the final photograph.

You can see how the photo shoot came together in the behind the scenes photos and video below:

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Once it came time to shoot the actual photo, he used a Canon 5D Mark IV and 35mm lens set to F22. The full exposure was 4.4 seconds long. The fire background was made by dipping a 6-foot-long Kevlar wick into one liter of lamp oil, hanging it on an aluminum stick, and setting it ablaze.

The exposure lasted as long as it took for the fire to cross the frame, with a nice burst from two Hensel strobes to light the couple.

The final photograph took 4 or 5 tries, as you can see from the BTS video above, but in the end Hofstaetter managed to capture the memorable portrait he was after:

The photo has made its way around the Internet over the past week, but something people don’t know is that Hofstaetter’s initial plan was to capture the shot on both digital and large format film (his specialty).

“You see there also a large format camera (Linhof Master Technika) in one photo,” he tells DPReview. “I wanted to shoot film too, but it was too stressful to handle both cameras, because I had to light the fire too. Plus, I couldn’t get the analog camera in a good position with the lenses I had available… next time I’ll try to shoot it on film too, and maybe get a wider angle lens for the Linhof.”

To see more of Hofstaetter’s work, head over to his website, follow him on Instagram, or follow along on his blog as he continues to experiment with all sorts of crazy ideas.


All photos © Markus Hofstaetter and used with permission.

Articles: Digital Photography Review (dpreview.com)

 
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Recommended Gear for Doing Long Exposure Photography at Twilight and Dusk

03 Aug

Have you ever come across beautiful cityscape photos captured at twilight and dusk (the so-called “blue hour”) with silky smooth water, like this Marina Bay (Singapore) photo below, and wonder how you could do that yourself? Assuming that you’ve already got your camera (a body and lens), let me go through some of the other gear that is required to do stunning long exposure photography at twilight and dusk.

Recommended Gear for Doing Long Exposure Photography at Twilight and Dusk

Marina Bay (Singapore), shot at 35mm, f/11, for 194 seconds (just over a 3-minute exposure).

Use a Tripod

A tripod is the single-most important piece of gear for photographers shooting at twilight and dusk. Photos shot at these hours require long exposures sometimes lasting for many seconds or even minutes. Therefore, a sturdy tripod is absolutely essential for keeping photos blur-free.

Unlike your camera body, a tripod isn’t something you will upgrade often. So, try to get the best possible tripod within your budget. A good tripod could last a lifetime! I own a Manfrotto MT190CXPRO3 Carbon Fibre Tripod (supports up to 7kg). If your tripod doesn’t come with a tripod head (like mine), get yourself a steady ball-head or 3-way style, whichever you prefer (I own Sirui K-20X Ballhead that supports 25kg).

Tripod - Recommended Gear for Doing Long Exposure Photography at Twilight and Dusk

Mini-Tripods

Mini tripods come in handy at locations where a full-size tripod isn’t allowed inside (e.g. The observation deck of a tower). I own a Joby Gorillapod Focus for DSLRs which supports up to 5kg. It has a dedicated ball head (Joby GorillaPod Ballhead X for Focus) that you can buy as a bundle, but I’m using my own ball-head (aforementioned Sirui K-20X Ballhead) as I feel it’s redundant to have two.

Mini tripod - Recommended Gear for Doing Long Exposure Photography at Twilight and Dusk

Clamp Tripod

A clamp tripod is another tool that comes in extremely handy when there is no appropriate space to set up a tripod. I own the Manfrotto 035 Super Clamp without Stud (supports up to 15kg). Into that, I plug the separately-sold Manfrotto 208HEX 3/8-Inch Camera Mounting Platform Adapter (or a cheaper alternative Manfrotto 037 Reversible Short Stud) into the socket in order to firmly mount a tripod head and camera on top of that. Then I clamp the whole setup onto handrails, etc. This setup is rock solid and is a game changer for us cityscape photographers aiming to take very sharp photos at twilight and dusk without using a full-sized tripod.

Clamp infographic - Recommended Gear for Doing Long Exposure Photography at Twilight and Dusk

This graphic shows how to mount a DSLR on Manfrotto Super Clamp by using a camera mounting platform adapter.

Steps:

  1. Plug a camera mounting platform adapter into a Super Clamp socket and secure it with the double lock system.
  2. Mount a tripod head with DSLR on the mounting platform adapter, just like you do with your regular tripod.

Clamp - Recommended Gear for Doing Long Exposure Photography at Twilight and Dusk

Neutral Density Filters

Neutral density (ND) filters help reduce the light that is coming through the lens, allowing your shutter speed to be extended much longer. This is a must have tool if you want to create the silky smooth water effect typically seen in long exposure photography.

ND filters come in different strengths such as; 3-stop, 6-stop or 10-stop. The bigger the number, the darker the filter and the less light that is let through. My favorite is 6-stop ND filter (I own a B+W 6-Stop ND Filter). With this attached to my lens, a base exposure of 2 seconds (i.e. when no filter is attached) can be extended to 128 seconds. Each “stop” of the ND filter doubles the required exposure time (2 seconds > 4 seconds [1 stop] > 8 seconds [2 stops] > 16 seconds [3 stops] > 32 seconds [4 stops] > 64 seconds [5 stops] > 128 seconds [6 stops]), which is long enough to create silky smooth water effects.

Filters come in two types, screw-on and square filters. If you’re getting screw-on filters, be careful with the size of filter you’re purchasing. It depends on the filter thread size of your lens (e.g. 77mm for Nikon 12-24mm, 67mm for Canon 10-18mm, etc. – look inside your lens cap for the filter size of that lens). If you have two or more lenses with different filter thread sizes that you’d like to use an ND filter on, get one that fits your largest lens (i.e. lens with the largest filter thread size). Then purchase a step-up adapter ring to make the single filter fit into other lenses with smaller thread sizes.

Filters - Recommended Gear for Doing Long Exposure Photography at Twilight and Dusk

Left: Screw-on ND filter. Right: Drop-in square filter (image courtesy of Tiffen).

Or, you can get a square ND drop-in filter instead, along with a holder and adapters (check out at these options we’ve reviewed and featured here on dPS). The advantage of square filters is that you only need one filter to fit all of your lenses. That said, I still prefer screw-on filters because they take up less space in my camera bag and I only own one lens that takes front filters (my trusty Nikon 18-35mm with 77mm filter thread), anyway.

Wireless Remote or Cable Shutter Release

This is another essential tool, as it lets you take photos without touching the camera and helps keep your photos sharp. No need to get a pricey one, though. I’m still using a Phottix IR-Nikon (wireless remote) that I bought years ago for $ 20 (it is available for Canon as well).

Wireless remote - Recommended Gear for Doing Long Exposure Photography at Twilight and Dusk

Long Exposure Calculator App

When you use a semi-manual mode (e.g. Aperture Priority), the shutter speed cannot exceed 30 seconds on most DSLRs. With a 6-stop ND filter used at twilight and dusk, much longer than a 30-second exposure is required. So this is where you’ll need to switch to Manual Mode and take the full control of the camera yourself.

But, how will you know the correct exposure time (shutter speed) to use when your camera no longer assists you? Well, there are a number of free phone apps that help you determine a correct shutter speed. I’m using Long Exposure Calculator app by Junel Corales (get it here for iOS devices or here for Android).

Long exposure calculator - Recommended Gear for Doing Long Exposure Photography at Twilight and Dusk

By setting your filter density (e.g. 6-stop) and base shutter speed (e.g. 2-seconds), the Long Exposure Calculator app automatically calculates the required shutter speed you will need to use (2 minutes and 8 seconds [128 seconds] in this case).

Lenskirt

A lenskirt is a handy tool when shooting through the glass window of an observation deck, hotel room window, etc., as it helps eliminate reflections (such as yourself, room lights) off of the glass window. It might catch the unwanted attention of other visitors due to its odd shape but it has worked quite well for me and has found a permanent place in my camera bag when I’m traveling.

Lenskirt - Recommended Gear for Doing Long Exposure Photography at Twilight and Dusk

Lenskirt in use on the 100th-floor observation deck of the Shanghai World Financial Center. By attaching it to the lens and its pushing suction cups onto the window, it shades the front element of the lens and cuts reflections from the glass window, leaving no chance for any stray light to get into the camera.

Conclusion

That’s all about it. I hope this will get you started with long exposure photography at twilight and dusk. For me, dusk is the most beautiful moment of the day. It ends in the blink of an eye, and that’s what makes it even more special. Try to capture the beauty of long exposure photography at twilight and dusk with this gear.

If you have any other pieces of gear you use for long exposures that you find indispensable, please share them in the comments below.

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How to Select a Subject for Long Exposure Photography

03 Jul

Get 53% OFF Kevin’s Long Exposure Photography eBook on sale now at SnapnDeals until July 11th.

First of all, I want to clarify for you what type of long exposure photography this article discusses.

You won’t be learning any techniques regarding the creation of photographs at night, or in the low light levels that you might experience with architectural interiors, (even though those examples do require longer exposures).

No, the type long exposure photography that this article refers to most often occurs in bright daylight.

How to Select a Subject for Long Exposure Photography

Perhaps, you’ve already studied up a bit on this genre of photography? Maybe you’re familiar with the streaking clouds and creamy waves of water, which are often depicted in long exposure photographs.

The reason that the long exposure technique is so awesome, is that it creates an illusion of motion in a still image. That look of motion creates a visual presence that is virtually impossible to mimic using post-processing software.

You may have even purchased gear for long exposure photography such as; neutral density filters, graduated neutral density filters, a camera release, and a good sturdy tripod. Once you know how to assemble all of that gear, it seems like the photo creation process should be pretty straightforward. Right?

Well, it’s not. And, you likely realize this if you’ve been disappointed in some of your results.

A photographic fail that often occurs in long exposure photography is because of the subject selection, and that’s what you will be learning about in this article. You’re going to get some important tips on how to evaluate and choose, a subject for the best long exposure photography.

How to Select a Subject for Long Exposure Photography

Selecting a subject for long exposure photography

Subject selection is extremely important to successful long exposure photography. In fact, the subject selection process is so important that it can radically alter the technical steps in your creation of the image.

First, and foremost, in the subject selection process is that something needs to be moving. It’s the motion that creates the tension in the composition. You probably already realize that there needs to be motion.

The second, and perhaps less obvious component is that some element of the photograph should be rock steady. This isn’t an absolute, and sometimes if everything is moving it can lead to some pretty cool results. However, in general, you will want some aspect of your photograph to be rock steady and sharp.

How to Select a Subject for Long Exposure Photography

The image above is an example of a long exposure photograph where everything is moving. It’s a pretty cool result. However, if you’re not interested in an abstract look something needs to be still and sharp in your image. Otherwise, your photograph will simply look out of focus.

How to Select a Subject for Long Exposure Photography

Look for contrast

The next important factor is to search for contrast.

With long exposure photography, you will often be pointing your lens at clouds, water, or moving crowds of people. The movement of these subjects, as they blend through the image (as a result of their motion), tends to fall into the highlight end of the histogram scale (very light tones to absolute white).

Look at the image above. You’ll notice that most of the movement is captured in the bright highlight to the upper mid-tone scale of the histogram.

If you don’t want your photograph to look flat you need some tones on the far shadow end of the histogram. Some good solid shadows, or dark objects, are needed to balance off the highlights. If you don’t include something on the dark end of the scale, your image may look lackluster.

How do you accomplish that? Primarily, through your choice of the angle between the camera point-of-view, the subject, and the light source. A proper angle creates shadowing.

How to Select a Subject for Long Exposure Photography

In lieu of that, you can also manipulate tones in post-production to create a full range of tonality.

The main point

If you’re looking at your scene, and you hold your arms out straight to the left and right, the light source should be coming from somewhere in front of your arms. If the light source is behind your arms, it will likely not provide you with the contrast that you’re looking for through shadowing.

There is one exception.

If the scene contains objects that are dark or very black, then the angle of the light becomes less important- as those photographic elements will provide the necessary contrast.

How to Select a Subject for Long Exposure Photography

In this image, there was almost no directional light for this long exposure shot. This resulted in very low contrast.

Although the image above could have been made using much shorter exposure time, it was important to give the water enough time to create the long sleek ribbons of highlights. This image was exposed for 30 seconds.

The original camera raw file was completely flat in contrast. There were plenty of highlights to work with (as a result of the long exposure technique), however, there were no contrasting shadows, and they had to be created in post-production.

Angle of view

Your next concern in subject selection is the angle of view from the camera to the source of the movement.

If you look at the left image below, the red arrows point toward the photographic elements that were intended to highlight the long exposure effect. Yet, you can barely see the effect.

How to Select a Subject for Long Exposure Photography

There are two factors that will control how well you will see the effect in your long exposure efforts.

The first issue is the length of time for the exposure. You may think to yourself, “If a 4-second exposure looks good then a 30-second exposure will look amazing!” This isn’t necessarily the case. An extended long exposure can actually wipe out the effect if it’s too long. Much depends on the overall scene.

The second issue is the one that’s depicted above, and that is the angle of view; from the camera point of view to the elements creating the motion. If the motion is lying in a plane that is too parallel to the camera point of view, then the motion becomes minimized.

Look at the image on the right above. In that example, the camera is looking down onto the movement. The angle between the plane of movement and the camera point of view has been increased resulting in a more dramatic capture of the motion.

When choosing your subject, keep in mind the angle of view between the camera and the motion.

Could the left image above been better? It could have worked out more successfully if the camera had been moved closer to the cliff.

Could a change in the lens focal length, say to a longer telephoto, have helped? That wouldn’t have helped much as the angle of view would still be too low.

How to Select a Subject for Long Exposure Photography

This leads to your final decision in the subject selection process for long exposure photography.

Lens selection

What focal length are you going to need for your shot?

Long exposure photography works best when using a focal length that falls somewhere between an ultra wide-angle to a very moderate telephoto lens.

Longer telephoto lenses don’t lend themselves well to long exposure photography because they accentuate camera movement. This is true, even if you’re using a sturdy tripod and a camera release. It doesn’t take much movement to soften an exposure of 20-seconds or longer. You may not even perceive the movement.

Vibration from the wind, or even the vibration of the ground beneath you, can ruin your images. For example, if you’re set up on a bridge deck, you may not even feel the very slight motion of the bridge in a wind or when cars pass. However, enough consistent movement of the camera will ruin a long exposure.

Working with lenses in the 14-85mm focal length range will help you get sharp pictures. Keep this in mind as well, it’s helpful to look for a windbreak if there are any near your intended camera angle.

Once, you’ve chosen a subject, using even slight variations on the focal length of your lens, or camera position can lead to some exciting and varied results.

How to Select a Subject for Long Exposure Photography

In the image above, an 18mm lens was used to capture an expansive looking landscape. The long exposure technique highlighted the waterfall, which becomes a major element of the composition, even though it is fairly small in the frame.

How to Select a Subject for Long Exposure Photography

After experimenting with several longer focal length lenses, and not being happy with the results, a simple camera move of about 100 meters resulted in a much different photograph while still using the same 18mm lens.

To summarize the key considerations for subject selection in long exposure photography:

  1. Something in the scene needs to be moving (most often clouds, water, or crowds).
  2. Unless attempting an abstract, something in the scene needs to be steady and completely in focus.
  3. Look for subjects that have natural contrast, or visualize how you will create the contrast in post-production.
  4. Select a subject, or subject angle, where the light source is not behind the camera to achieve good shadowing for contrast.
  5. Choose a subject, or camera to subject angle, that isn’t parallel to the camera point of view. You want the camera pointing downward or upward toward the subject.
  6. Choose a subject, or a camera to subject position, that allows you to use a focal length lens that falls between 14mm and 85mm. Be mindful that if you use a lens that is too wide, the effect might be pushed back and not very visible. On the other hand, if you use a lens that is too long, you may have issues with camera motion. Be experimental. Check your results right there on the camera LCD screen for sharpness and the motion effect.
  7. The Wind is always a concern in long exposure photography. When choosing your subject, look for a windbreak that you can use at the camera position.

Get 53% OFF Kevin’s Long Exposure Photography eBook on sale now at SnapnDeals until July 11th.

 

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