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6 of the Most Essential but Underused Camera Features

08 Apr

If you are just getting started in photography, you’ll be pleasantly surprised to find these six often overlooked features in the menu of your DSLR. While each one can be used to create professional quality results, extensive experience is not required to leverage their usefulness. Best of all, there’s no need to upgrade to a high end model. These settings are now found on even the most entry-level camera bodies. With the ability to take full control of your camera, you’re more likely to get the shot right at the time of the exposure.

1 roar

1) Flash Exposure Compensation

The pop-up flash gets a bad rap, and this is unfortunate as it’s actually a very useful tool when set properly. Out of the box, it simply provides too much light, resulting in a bright, washed-out appearance. The trick is to adjust the flash exposure compensation to a reduced output. As a starting point, bring it down to negative two (-2). This creates a soft quality of fill flash that’s immediately more pleasing. Should you need even less light, you can further reduce the flash to negative three. While it’s rarely necessary, you could even add intensity to the flash by raising it towards the positive. Just remember, effective use of flash is meant to soften, not eliminate shadows.

2 fill flash

2) Two Second Timer

This rarely used setting can open up a whole new world of creative possibility for you. It’s typically found in the “drive” menu, along with single shot, multi-shot burst mode, etc. If you’re in a place that doesn’t allow tripods, it’s still possible to take sharp photos, even with long exposure times.

Select the two second timer and rest the camera on a chair, or the ground. You can use the folded camera strap to angle the camera upwards if necessary. When you press the shutter, the camera will move initially. Don’t worry, you have two seconds for it to settle down before the camera actually fires. This is also helpful for tripods that are not as stable as they should be. If you don’t have a cable release, the timer is a terrific wireless alternative.

3 two second timer

3) Histogram

Think of the histogram as a visual cheat-sheet for photographing bright tones. To render a subject as true white, you want the data on the right hand side to be as close to the edge of the graph (histogram) as possible. This will indicate a crisp exposure rather than a muddy, grey appearance. As you change the exposure to let in more light, the histogram will inch towards the right. Keep adjusting your settings until it’s literally just a hair from the outer wall. You are now maximizing all of the wonderful dynamic range of which your camera is capable.

Once the data actually collides with the right hand wall of the histogram, you’ve technically overexposed part of your scene. This means there is no detail in the highlights, but rather a hotspot that is impossible to recover, even with sophisticated software. While this data is valuable, it doesn’t tell you exactly where the trouble spot is in your scene. This is where the “highlight alert” becomes a helpful aid.

4 histogram

4) Highlight Alert

By default, many camera models have the highlight alert turned off so you’ll need to enable it in the menu. Commonly referred to as “the blinkies”, this feature alerts you to the precise location that’s overexposed. With this knowledge, you can make a quick adjustment to the exposure, or even change your composition to eliminate the unwanted area. That translates to more consistent exposures with no washed-out areas. You’ll also be rewarded with less time in the digital darkroom, trying to fix problems that could have been prevented in the field.

5 waterfall

5) Live View

If you’ve ever struggled to achieve autofocus at night, or desire more accuracy for macro work, Live View will be your new favorite mode. With it, you can zoom in on a tiny portion of a subject at 5x and 10x magnification. This extreme close-up gives you the ability to carefully micro-focus on whatever is most important in your scene. Just note, the enlarged view on your LCD is not representative of your lens’ effective focal length. Upon pressing the shutter, the entire scene will still be captured in sharp detail. You’ll be amazed at the level of precision possible. For the ultimate in control, use this with manual focus and a sturdy tripod.

6 macro

Live View is not only useful for focus, but composition as well. For example, if your DSLR lacks a tilt or swivel screen, shooting from ground level can be a real challenge. With a live image on the LCD however, there’s no need to crane your neck for viewfinder access. The same idea can be applied to those crowded situations when you must raise the camera over your head. Instead of shooting blind, you can use Live View to better compose the shot.

6) Single AF Point

7 goose

Allowing the camera to automatically choose your focus point is one of the biggest causes of blurry photos. Don’t get me wrong, you can still use autofocus, but it works most consistently when you manually set the autofocus point. Otherwise, the camera will choose incorrectly, leaving the fence post sharp and your subject out of focus. While some cameras offer clusters of focus points, a simpler approach will often work to your advantage. By placing a single active AF point on what you want sharpest, you eliminate the guess work, and your percentage of keepers will soar.

Do you have any other hidden gems on your camera you’d like to share? What have you discovered in the menu of your camera?

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Essential Accessories for Landscape Photography

08 Jan

Have you ever hiked hours into the bush only to discover that you’ve left your tripod clip on your other camera? I confess I’ve done this and much worse. Many a choice swear word has been heard echoing in the valleys by all manner of wildlife. It’s a good thing there are no parrots where I go hiking.

Inside a Landscape Photograhers Camera Bag

Proper planning prevents disappointment

I’ll admit I’m not the tidiest person, but when it comes to my camera bags, I now pack them with a microscopic fastidiousness that you’d expect from the likes of Hannibal Lector.

I’ve learned the hard way that packing everything I need for a particular shooting environment will almost guarantee success – weather permitting of course.

What to pack for fun landscape photography

Let me share with you the essential gear that I usually pack into my camera bag. I think you’ll find it contains a few essential accessories you may not have considered before. I actually use three different bags for different occasions. I’ll use my largest bag for short hikes where I expect to be spending a lot of time shooting. I also use that large bag when I’m traveling internationally because I need to have ALL my stuff.

The big bag – Lowepro Pro Trekker 450 AW

Essential Landscape Photography Accessories

  1. Lens wipes
  2. Filters such as polarizers and neutral density filters
  3. Extra lens – in this case it’s the Samyang 14mm for shooting the stars
  4. Second camera – mine is the Sony A6000
  5. Third camera – this is the Gopro Hero 4 Black for quick and easy 4K video shooting
  6. Rain sleeve, or as I prefer to call them ‘camera condoms’
  7. Main camera – Sony A7R with a Canon 16-35mm lens
  8. Insect repellant – if I donate blood, it won’t be to those sodding mosquitoes
  9. Weather proof memory card holder
  10. Blower for lenses and sensors – this is essential if you switch lenses often
  11. Batteries for camera – as a Sony shooter I need three batteries to every Canon shooter’s one. I actually pack six
  12. Hand warmers – these handy little heat packs are a life saver. Just click the metal plate inside to trigger the chemical reaction and you have instant heat in your hand. They’ll probably be proven toxic eventually but until then I’ll remain in blissfully warm ignorance.
  13. Extra lens – in this case it’s the legendary Sigma 85mm 1.4 for those lovely bokeh shots
  14. Sensor cleaning kit for full frame and APS-C sensors. Absolutely essential
  15. (Image below) Battery grip for extended battery life. Most of the time I leave this off the camera. I use it for long duration time-lapse shooting
  16. Lens pen – for quick and easy removal of dust and water spots
  17. Headlamp (two) – avoid falling off cliffs or stepping in dung heaps during the night
  18. Battery chargers – I pack two chargers that I can plug into a wall socket or car
  19. Business cards – always be ready to promote your brand. You never know who you’ll bump into
  20. Battery pack – this device will charge/power my phone and battery chargers
  21. Spare tripod clips
  22. Extra storage for memory cards
  23. Tools – Allen wrenches for tripod maintenance
  24. Ear plugs are a life saver when you travel

Landscape Photography Essential Equipment

Not pictured

  • Laptop
  • Phone charger
  • Batteries for headlamps
  • Water bottle on the side of the bag

The medium sized bag – Case Logic

Medium Sized Camera Bag for Landscapes

My medium sized Case Logic shown next to the Full sized Lowepro bag. This is just my own approximation of the scale comparison.

If I’m planning on a large hike, I’ll actually use a medium sized bag that I strip down to the bare essentials. There’s no point dragging your entire kit list on a grueling 10 hour hike. In those cases you’ve really got to stop and think about exactly what you’re likely to need. Water is usually the most important. This bag is used for longer hikes and has a stripped down version of the big bag. I use a Case Logic bag which is about half the size of the giant camera bag show above. My medium sized bag weighs next to nothing empty and can fit most of the essentials needed for landscape photography.

  • Headlamps
  • Water
  • Camera batteries
  • Memory cards
  • Main camera with lens
  • Spare lens
  • Lens wipes
  • Blower
  • Lens pen
  • Rain sleeve
  • Filters
  • Insect repellant
  • Business cards
  • Ear plugs

The small bag – Roots Safari

Small Camera Bag

When you can get away with only the minimum of gear, this bag will save your back and shoulders. This is my standard night photography bag. To be honest it’s nothing special, not even waterfproof but I never take it out in the rain anyway.

  • Headlamps (two)
  • Camera batteries
  • Memory cards
  • Main camera with lens
  • Lens wipes
  • Blower

Safety first

Many years ago I hiked nine kilometres around Uluru (Ayers Rock) in scorching heat with only one little bottle of water. Not the smartest thing to do, but having learned that hard lesson, it’s absolutely vital that you plan according to your environment. Desert photography requires a different kit list to arctic photography. It’s not just about what you pack into your camera bag but also the smaller things that you carry in your pockets. Water, food, gloves, phones and ideally a SAT phone are all things that need to be considered if you plan on staying alive and getting amazing photographs when you’re out in the wilderness.

Whether it’s flash kits, ropes or umbrellas, I’d love to know what other essential accessories you’d bring on a landscape photography shoot.

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10 Essential Little Items To Help You Shoot On-Location

29 Dec

In the past, we have talked a lot about the big, important items of gear every photographer needs- like a Camera or a proper case to transport it. Today’s post however is dedicated to all the items that don’t seem like they can make a big difference. But trust me, they do. A Good Backpack I cannot stress enough about Continue Reading

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Essential Photography Business Kit: 5 Things to Keep Handy at All Times

27 Oct

Even if you don’t have a business plan, or much of a business to speak of, if you’re going to be or already are a professional photographer, there are certain things you will need and often will be asked for over and over again. Luckily, you don’t have to do extra work every time to meet these needs — instead, Continue Reading

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The Winner of $1000 from our Essential Guide to Black and White Photography eBook Competition is….

23 Sep

NewImageRecently we launched our Essential Guide to Black and White Photography. As part of the launch we put everyone who purchased a copy into the draw to win $ 1000 in camera gear.

The winner of this competition is…. Yves Wepadjuie!

Congratulations Yves – we’ve just emailed you with details of how we’ll get you your prize and can’t wait to see what you buy!

Thanks everyone else for picking up a copy of the Essential Guide to Black and White Photography – the eBook has received some amazing feedback and we appreciate you supporting dPS with your purchase – the sale of our eBooks is how we are able to keep producing 14 free tutorials each week here on the blog!

Our Next eBook is Just Around the Corner

For those looking forward to our next eBook – you don’t have to wait too long! We’ve got another exciting one for you very soon from our best selling author – Gina Milicia!

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8 Essential Tips for Travel Photographers

09 Sep

#1 Great travel photos are planned

Just think about what you are going to do, understand the scene, watch the light, the movement of people inside the image. When you take your pictures you have to consider all factors: from the time of day and the light, to the emotional preparation of the characters. It is true that luck exists, that someone at some time photographed just that smile, that you can collect stolen photos using a long lens. But few stolen photos have survived to become part of the history of travel photography.

DPS Plan your photos 8953

#2 The hair in your soup: An error for some people is something creative for others

A hair is a hair, but one thing is having it on your head and another quite different story is finding it in your soup. An error for some people is something creative for others.

Some questions customers usually ask me when traveling together are:

  • Is it okay if I use an aperture of f/8?
  • Hey, what is the right speed for this?
  • Does it matter if it comes out fuzzy?

My answer is always the same: It depends on what you want to do and what you want to highlight.

In sports photography you usually want to focus movement, and for this purpose you use high sensitivity (ISO) and high speed (shutter speed); but great photographers – specialists in their field – leave images fuzzy to emphasize movement, and get splendid results.

The important thing is that viewers of your photo understand the way you have used the error: if you intended to show movement, the viewer must understand it that way. Otherwise the result is just a blurred picture.

DPS  A hair 5636

#3 Eyes are the magnet of every photo

Look into people’s eyes, make personal contact. Eyes say a lot about people’s emotions, so much so that in many cultures people don’t want to look you in the eyes because they fear that you will be able to guess what they are thinking. Look for the light in the eyes – or total darkness. They are a magnificent photographic story line.

DPS  Eye contact

#4 One good photo a day – nothing else – nothing more

There is no rush. You don’t have to go off shooting like crazy. One photo a day is much more than the greatest photographers achieve when traveling. Don’t rush when shooting the photo. Take your time to take a good photo rather than waiting for luck to achieve what you are not capable of doing calmly.

#5 Forget about the long lenses if you are actually interested in real people on the street

The long lens is the perfect instrument to get away from people, and keep them at a distance. It isn’t the best method to create emotions and capture them in a photo. Get close. Look into people’s eyes. Create an emotion! The vast majority of Magnum’s photographers specializing in people prefer 24mm, 28mm or 35mm lenses.

If you want to grow as a photographer, use prime lenses: they force you to be fully aware of the frame and to take your time. If you are too far away, get closer. If you are too close, move away. I assure you that you will notice a tremendous improvement in your photos. If you don’t own fixed lenses, set your lens to the 35mm position using a band-aid.

#6 Many good pictures are made on your knees

Yes, on your knees. You’ll see how your whole concept of photography changes. I always get irritated by tourists taking pictures standing, from above, of a monk who is sitting on the floor. If you want people to have respect for you, the first thing you have to do is to show respect for others. Get down to their same height.

DPS  On your knees

#7 Find the best light and walk uphill or look for the worst light

Get up very early or wait for dusk. The best light appears with sunrise and lasts for the next 20 minutes or at nightfall. Walk where nobody else walks. In cities and villages, you will most certainly find more opportunities than most photographers, by going uphill, because most people look for what is easiest and requires less effort.

It always depends on what you want to show. Many great pictures are made at the worst moment: when the sun is at its zenith. This situation is exceptional for emphasizing shadows and highlighting hard heat conditions.

DPS  The worst Light 88

#8 Don’t act like a pro

Don’t work, just take photos. Many professional photographers who have lost their way in the struggle to create saleable images come to my courses. Try to keep up your freshness. Remember what it was that originally attracted you to photography. Don’t be afraid of taking photos your colleagues don’t like, and especially don’t be afraid of taking photos that don’t sell.

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3 Essential Photoshop Tools for New Portrait Photographers

29 Aug

Opening Photoshop for the first time is kind of like going on your first date; your hands sweat, your eyes glaze over, you completely lose all sense of direction and time. At least that was the scenario for me.

Portrait

Photoshop is an incredibly complex program that can be used as an artistic tool for positive enhancement, or gross distortion when it comes to portraiture. It’s all too easy to over-edit, get carried away with the sheer number of the tools at your fingertips, or attempt elaborate cover-up schemes for poorly shot images when first starting out. There are certain tools I grasped at the beginning of my learning curve, however, that were essential for editing clean and simple portrait images. Three years after my initial dumb-struck encounter, and countless hours of reading and practicing later, there are three tools that I still use in almost every photo I push through Photoshop. I’ve since discovered that users at every stage continually apply these tools to their photography workflow, as well.

Everyone has to start somewhere, so if you know nothing else about it yet, start by familiarizing yourself with these three Photoshop tools and you’ll build a solid foundation for taking your portrait photography editing to the next level.

1. Curves

The “S-curve” is one of the most common techniques in editing that packs an instant punch. I guarantee that a large majority of photographers working on everything from landscapes, to boudoir images, use this tool at some step in their Photoshop workflow. There are many different effects that you can achieve using the Curves tool, so the trick is to just play around with it a little to see what works best per image; there’s no specific settings within the tool that will always achieve great results. Much of it is about preference. You can achieve bold, colorful, contrast or a soft matte finish, simply by just readjusting the points on the curve. Extreme curves will give some strange discolorations, though, so for clean portrait editing, stick to small adjustments.

Curves

before-after-curves

2. Clone (stamp) Tool

Clonetool

This is especially helpful for fixing blemishes or small imperfections on skin, but has countless other applications as well. To use, just hover your mouse over the area you want to copy, press the Option key for Mac (Alt for Windows) and click. This “clones” the area you want to replicate. Release the option/alt key, navigate your cursor over the area you wish to fix, then click again. This will replace the “bad” area with the “good” area.

Lesson learned: don’t try to do all your skin smoothing with the clone tool. It will look way over-done and it’s far too time-consuming to match up every pixel. This was clearly not my smartest idea, I admit. Save yourself the trouble—there are better ways!

As I got better with my precision of this tool, I was able to use it for things like removing stray hairs, filling in patches of sand or grass, and other little pesky details as well. It really is a crucial tool to master.

Before after clone

3. Dodge and Burn

Dodge and burn

Dodge and Burn are technically two different tools but are often used in conjunction with each other. They are a power duo with subtle but impressive impact. I use it most commonly on eyes to give them that extra sparkle. To understand the function of each, think of it this way: when you “dodge,” you’re dodging the shadows in order to brighten your highlights and when you “burn,” you’re burning in the shadows and making them darker.

Befor eafter dodge burn

When I use these tools for eyes, I decrease the opacity to about 30% and “dodge” the iris, then I “burn” the shadows in the ring around it as well as the eyelashes. Again, make sure you don’t go overboard and give your client ghostly bright eyes, but a little adjustment goes a long way in those close-up shots! You can also use these tools to add color and contrast to skies, or add interesting light to specific areas of your image.

As with all the Photoshop tools, the successful edit hinges on the user knowing what to use when, and how to use in moderation. If you are a beginner, I hope this helps give you some direction about where to begin and rid you of the deer-in-the-headlights look for good!

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The Essential Guide to Black and White Photography

14 Aug

There has been a real buzz of excitement around dPS headquarters this past week because today we’re launching a new eBook that we’re really proud of – The Essential Guide to Black and White Photography – an eBook that will walk you through everything you need to know to take beautiful black and white images!

Blackandwhitephotographycover

My first love with photography was with black and white photography. It was in a high school. The class that I remember sitting in a darkroom with two friends, watching images appear in front of me on paper, sitting in a chemical bath.

At first they were faint grey outlines of the image, but as the chemicals did their work, tone, shade and contrast were added to the image until it had fully appeared.

While our family photos were all shot in colour from the time I was born, as a teenager I would spend hours gazing into those first black and white images that I’d shot and developed. I’m not exactly sure what it was about them but there was a timeless, classic and magical quality to them that I still love today.

It turns out that many of us here at dPS have similar memories and love for the black and white image, and so when we started to talk about putting together this new eBook on the topic we did so with real anticipation and energy.

We looked around for a photographer to author this guide 12 months ago and came across the work of David Nightingale. David not only shoots beautiful images but he’s the creator of one of the most successful courses on the topic so we knew we’d found our dream author and set out to convince him to partner on the project.

Thankfully he agreed and after many months of preparation today we’re excited to announce The Essential Guide to Black and White Photography is available for you to purchase with a very special Early Bird Offer.

The eBook walks you through everything from learning to ‘see’ and take beautiful black and white images, to advice on gear right through to processing your images to perfection.

NewImage

Early Bird Special

NewImageWhen you purchase The Essential Guide To Black And White Photography you’ll also receive a free copy of 10 Recipes for Amazing Black And White Photography.

This bonus eBook contains all the ingredients you’ll need for shots such as an Ansel Adams Landscape right through to vintage images and classic black and white portraits.

These recipes helps you take the amazing teaching in the essential guide, and put it into action in a variety of situations – it’s the perfect companion!

Normally this would cost you $ 9.99 USD, with our new essential guide it’s FREE – but for a limited time only.

Grab Your Copy Today

These two eBooks are yours today to download for just $ 19.99 USD.

They have straight forward explanations and tricks for all skill levels. Anyone wanting to take better black and white photos will get something out of this book.

Pick up yours here today.

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Essential Gear for the Landscape Photographer

03 Feb

Essential gear landscape photographer 06

A great landscape photo can capture the imagination and inspire the soul. It brings a static scene to life and reminds us why we’re drawn to nature’s cathedrals. And while you can clearly envision the kind of picture you’d like to make of your favorite vista, what may not be as clear is the gear that is essential to taking a great landscape photograph. So, let’s talk about that.

My list of essential gear for the landscape photographer . . .

What is the must-have equipment for capturing awesome landscape photos?

Camera body

We’ll begin with your camera body. Any camera will do for making a shot to share on Facebook. But to elevate your landscape game to the next level, it is essential to use a camera body that allows you to get off Auto and start shooting in Aperture Priority.

One of the keys to a great landscape photo is having tack sharp focus throughout your depth of field. In other words, everything from the leaf in the foreground to the distant mountain range should be in clear focus. To achieve this, you need to shoot at a focal ratio offering great depth of field. Shooting in aperture priority allows you to choose the right focal ratio for the scene. Something in the range of f/8 to f/16 should produce images with good depth of field and crisp focus throughout.

Another setting you’ll be able to select in Aperture Priority is ISO. This is the sensitivity of your camera’s sensor to light. Shooting with a low ISO delivers cleaner images having less noise or graininess. For better landscapes, try to shoot as close to your camera’s base ISO (100 or 200) as possible.

The combination of a large focal ratio (f/8 or higher) and a low ISO (100 or 200) means longer exposures will be needed to make a good image. If you shoot landscapes at midday when the sun is high in the sky, there is more than enough ambient light to make a good image with very short exposures. But truly dramatic landscapes, the kind you’re after, are typically captured in very different lighting conditions.

Essential gear landscape photographer 02

Many great landscape photos are taken during the golden hour; that all-too-brief window of time at sunrise or sunset when dramatic lighting paints the scene. Cloudy skies also add an element of drama which can transform a so-so view into a stunning image. Under such conditions, the available light is much lower and this creates the need for our next piece of essential kit: a photographic tripod.

Tripod

A tripod provides a stable platform for your digital camera. It allows you to take the time to carefully compose a shot and then lock down your camera in that position. Since you’ll be shooting in low light conditions, using a large focal ratio and low ISO, the length of the exposure needed to capture the scene will be fairly long. Too long to steadily handhold the camera. Mounting your camera on a tripod will keep it steady during very long exposures that record amazing detail.

Essential gear landscape photographer 05

Lenses

Of course, one of the most important pieces of equipment for a photographer is the lens through which a scene is captured. For landscape photography, your most versatile lens will be a wide angle. These are short focal length lenses that deliver wide, true fields of view. That wide field of view allows greater flexibility in composing a shot encompassing the full grandeur of a landscape. I recommend a minimum focal length of 12mm for APS-C bodies (cropped sensor) and 18mm for full-frame cameras.

Fortunately for your wallet, this does not need to be a fast lens which are designed to have focal ratios of f/2.8 or faster. They are consider fast because their large apertures collect enough light to keep exposures brief, even in low light conditions. Large apertures demand a large front lens element, which comes at a steep price. And while the performance can be well worth the investment, many photographers simply don’t have room in their budgets for such a purchase. Since you’ll be shooting at f/8 or greater, a lens with a maximum focal ratio of f/4 should more than meet your needs.

Essential gear landscape photographer 04

Filters

Let’s talk briefly about filters. They can be a great tool for the landscape photographer. Among the most useful are graduated neutral density (GND) filters and variable polarizing filters. However, as useful as filters can be, I don’t consider them essential gear. In the right lighting, filters are unnecessary. In situations where a GND filter would be of use, it’s often possible to compensate for significant differences in brightness in your photo editing software of choice. In short, filters are useful but not absolutely necessary.

Essential gear landscape photographer 01

Yourself

The last piece of essential gear we’ll discuss is, you. Your eye for composition is the most important asset in your photographer’s tool kit. Your ability to recognize good light is essential. If you look at a scene and your inner voice is saying, “Ooh, that’s cool,” that’s a good sign the lighting is outstanding. Listen to that inner voice, stop and compose a shot.

Walk around the scene. Look for a foreground element to include in the composition. One of the biggest challenges of landscape photography is conveying a sense of scale. Including a foreground element helps immensely. A bush, leaf, rock or person provides a sense of scale for the rest of the image. It also helps simplify the scene, making the resulting image more approachable to the viewer.

Essential gear landscape photographer 03

Summary

With a keen eye for composition, a camera body allowing you to shoot in Aperture Priority, a solid tripod and a sharp wide angle lens, you can take your landscape photography to the next level. Your images will convey the magic you felt while standing amidst a grand scene. The resulting “oohs” and “aahs” will be the reward feeding your satisfaction as a landscape photographer.
Now, get out there and shoot some great landscapes!

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10 essential time-saving Photoshop tips

24 Jan

thomaspark-polaroid.jpeg

Fashion and fine art photographer Thomas Park shares the shortcuts that he finds most useful, along with tips for combining them in a fast, fluent manner. While many of these shortcuts and techniques may be familiar to you already, they can be combined to minimize context switches for maximum efficiency. Learn more

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