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Posts Tagged ‘content’

Getty Images is phasing out rights-managed ‘creative images’ in favor of royalty free content

07 Nov

Getty Images has announced that in an effort to streamline the complexities of imaging licensing it will be phasing out rights-managed content in favor of royalty-free imagery for its creative image submissions.

According to the blog post, Getty Images will move to a royalty-free-only creative images offer ‘during 2020,’ with no specific date mentioned. Once the transition goes into effect, image buyers will only see royalty-free creative images.

In the meantime, Getty Images is in the process of a ‘phased retirement’ of rights-managed creative images. To kick off the transition, Getty Images contributors can no longer submit new rights-managed creative images to GettyImages.com (as of November 6, 2019) and by the end of January 2020, all rights-managed images will ‘be removed from single image licensing (sometimes called à la carte) on GettyImages.com.’

After being removed from the single image licensing option, photographers ‘will be able to distribute [their] RM images as [they] wish, with the exception that [they] must not license any rights-managed images (or similar) in a way that conflicts with any active, unexpired exclusive licenses.

A screenshot of the Getty Images creative content search with the search inquiry ‘mirrorless camera.’

Getty Images says in the announcement it’s ’confidently concluded that the [rights-managed] creative image licensing model no longer meets our [buyers] needs’ following ‘extensive customer research and testing on royalty-free versus rights?managed [content].’

Getty backs up these claims in an FAQ section at the bottom of the article, titled ‘What evidence do you have for customers rejecting rights?managed?’ saying it’s seen a steady ‘year?over?year decline in Creative [rights-managed] à la carte licenses over the last five years, with declines accelerating over time.

Without seeing the data Getty Images is referencing, it’s difficult to confirm or dispel its reasoning for the transition. The move to royalty-free licensing for creative images gives photographers less control over how their images are used, but should simplify the process for buyers, which in turn could make it more likely their photographs are licensed. Getty Images says ‘Licensing complexity has only led [image buyers] to other content, and in many cases, another provider as the broader industry is now essentially a royalty-free?only model.

Rights-managed licensing will still be available for Getty Images editorial stills and rights-ready video content, so for the time being it’s only creative images that are affected. If you currently have creative images submitted for inspection, Getty addresses how those images will be handled in the FAQ in the announcement post.

Articles: Digital Photography Review (dpreview.com)

 
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Canon releases ‘Content Creator Kits’ for its 90D, G7X Mark III and M200 cameras

24 Oct

Canon has announced new Content Creator Kits for three of its newest camera systems: the EOS 90D, the PowerShot G7X Mark III and the EOS M200. In addition to the camera (and kit lens, in the case of the EOS 90D and EOS M200), each Content Creator Kit will include a new Canon accessory and a 32GB SanDisk SD card.

For the EOS 90D, the Content Creator Kit will include Canon’s new Stereo Microphone DM-E100, which is powered directly through 90D, negating the need for additional batteries. The PowerShot G7X Mark III and EOS M200, on the other hand, will feature Canon’s new Tripod Grip HG-100TBR, which has built-in storage for Canon’s BR-E1 wireless remote. The new tripod grip swivels 360-degrees and tilts 90-degrees to make vlogging and vertical video easier.

Below is a list from Canon detailing what is included with each of the kits:

EOS 90D Video Creator Kit – For the Advanced Video Creator

– Kit Includes: EOS 90D, EF-S 18-55mm STM lens, Stereo Microphone DM-E100, 32GB SD Card
– Pricing: $ 1,449.00 (MSRP)
– Availability: December 2019

PowerShot G7X Mark III Video Creator Kit – For the Vlogging Enthusiast

– Kit Includes: PowerShot G7 X Mark III kit, Tripod Grip HG-100TBR, additional NB-13L battery, 32GB SD Card
– Pricing: $ 899.99 (MSRP)
– Availability: Late November 2019

EOS M200 Content Creator Kit – For the Social Media Maven

– Kit Includes: EOS M200, EF-M 15-45mm lens kit, Tripod Grip HG-100TBR, 32GB SD Card
– Pricing: $ 649.99 (MSRP)
– Availability: Late November 2019

The Content Creator Kits will be available through authorized Canon retailers for their respective prices. For more information, visit Canon’s online shop.

Canon Serves Up New Content Creator Kits

MELVILLE, N.Y., October 24, 2019 – It’s almost impossible to scroll through your social feeds or visit a website and not encounter a video catching your eye – some online video platforms can see 500 hours of video uploaded every minute1. With so many platforms for innovative vloggers and content creators to share their work, Canon U.S.A., Inc., a leader in digital imaging solutions, is making it easier for them to produce and distribute quality content with the introduction of creator kits for three of the Company’s newest cameras – EOS 90D, PowerShot G7X Mark III and EOS M200.

Included in each creator kit is a new Canon accessory. Small and mighty, the new Stereo Microphone DM-E100 doesn’t require a battery as it is powered when it’s plugged directly into the microphone jack of the EOS 90D. The new Tripod Grip HG-100TBR includes Wireless Remote BR-E1 that snaps directly into the tripod, providing the ability to release the shutter and start/stop recording video remotely. The grip can rotate 360 degrees for selfies as well as 90 degrees making it ideal for vertical video with both the PowerShot G7 X Mark III and EOS M200.

For more information and the full list of product specifications, visit http://shop.usa.canon.com/

Articles: Digital Photography Review (dpreview.com)

 
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Instagram says viral meme about new content ‘rule’ is a hoax

22 Aug

Instagram has dismissed another viral spam image that is circulating on its platform, this one claiming that, starting tomorrow, all user content will be made public (including deleted messages) and that the company will be able to use images against users in court. Instagram brand communications manager Stephanie Otway told WWD, ‘There’s no truth to this post.’

The image has gone viral thanks to, in part, accounts with large numbers of followers that reshared the claim, including ones belonging to musicians, actors and politicians. The image tells viewers that they must reshare the meme to prevent Instagram from using their images and other account details, but doing so is pointless and only helps surface the spam content.

This isn’t the first time claims related to user content have gone viral on social media. Facebook was forced to address similar claims in 2012 and again in 2015, for example. Instagram details the information it gathers on users and how it utilizes that information on its official Data Policy.

Articles: Digital Photography Review (dpreview.com)

 
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PhotoShelter launches FileFlow, a mobile app that lets clients access delivered content

21 Aug

PhotoShelter has introduced FileFlow, a new iPhone app that makes it easier for photographers and their clients to find, share, and download images.

In its current version, users and their clients can access and browse through shared content, search through image collections and galleries, batch download both original or JPEG versions of images, and directly share content using multiple methods, including email and various social media platforms.

PhotoShelter describes its new app as a way for photographers to access their content using mobile devices and for their clients to access delivered projects on mobile. The company plans to equip FileFlow with support for uploading content and setting permissions for accessing the content.

As well, FileFlow will offer a ‘Quick Send’ feature for sending images, plus ‘other actions you would take on your desktop.’ Clients will be able to view and download password-protected images, too. Android users will eventually get access to FileFlow, but it is only available on the App Store at this time.

Articles: Digital Photography Review (dpreview.com)

 
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Instagram is officially testing hiding like-counts to put focus on content

03 May

If you’ve ever listened in to a conversation among a bunch of keen Instagram users you’ll have noticed that the discussion tends to circle a lot more around likes and follower numbers than the actual images and content that is being posted.

It looks like Instagram has identified this focus on stats as a problem and it was recently revealed that the company is considering hiding the like count on images and other content.

Now a field-test has been launched with users in Canada who won’t be able to see like numbers on the photos of accounts they are following during the next several days. You can still see the likes on your own content, though.

At its F8 developer conference Instagram parent company Facebook confirmed that it is considering a roll-out to its entire platform. In the affected accounts a message is displayed to make users aware of the test.

‘We want your followers to focus on what you share, not how many likes your posts get. During this test, only you will be able to see the total number of likes on your posts.’

The fact that Instagram likes are an important currency in the social media influencer industry has likely contributed to the obsession with the metric and resulted in people trying to cheat the system and followers being offered for payment.

Instagram’s attempts to keep those kind of activities under control and put the focus back on content can only be a good thing but if the latest test will be expanded to all users will likely depend on the reaction of the users in Canada.

Articles: Digital Photography Review (dpreview.com)

 
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Instagram starts demoting ‘inappropriate’ content, even if it doesn’t violate its rules

12 Apr

In a meeting with journalists yesterday, Facebook detailed changes it is making to its family of products aimed at dealing with what it calls ‘problematic content.’ For Instagram, this change means a demotion of content Facebook refers to as ‘inappropriate,’ though the posts don’t violate the platform’s Community Guidelines.

Demoted content will not appear in Instagram’s Explore or hashtag pages, according to a new page on the platform’s Help Center. The demotion applies to posts that ‘might not be appropriate for our global community,’ even if those posts aren’t in violation of the Community Guidelines, the company explains.

Instagram’s Help Center page, seen in the screenshot below, doesn’t offer any visual examples of ‘inappropriate’ content, only providing ‘sexually suggestive’ as one category that will be demoted. This change doesn’t apply to the user Feed at this time, but there’s no word on whether Facebook will lower the Feed ranking of these posts in the future.

TechCrunch has published multiple images from Facebook’s press event that include visual examples of ‘non-recommendable’ content set for demotion on Instagram. Though dealing with certain posts, such as ‘likes’ spam and fake news, would obviously be a good thing for users, other categories encompass large, vague content segments with no clear definition of what is and isn’t ‘appropriate.’

Based on the images from Facebook’s press event, Instagram will demote posts that feature sexually suggestive, ‘graphic/shocking,’ and violent content. Examples include, among other things, images of someone being sprayed with pepper spray, a woman in a bikini and a skull.

The vague nature of Facebook’s sweeping ‘non-recommendable’ categories leaves many users in a state of uncertainty and may reduce the platform’s overall usefulness for certain creatives and brands. Though a user’s existing followers will still see the ‘inappropriate’ posts in their respective Feeds, being filtered from Explore and hashtag pages greatly limits the user’s ability to gain new followers.

Though Facebook didn’t go into details in its press release about the changes, TechCrunch reports that the company will use AI algorithms to determine which posts are demoted. Human content moderators have been tasked with labelling ‘non-recommendable’ content; Instagram will use those labels to train machine learning algorithms on identifying borderline content.

Instagram’s content demotion effort is now underway.

Articles: Digital Photography Review (dpreview.com)

 
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This music video is a lesson in why you pay the people who create your content

06 Feb

Editorial note: The music video contains strong language that may be NSFW.


Video company Ridge Production recently released a video it shot for American rapper Sheck Wes, who is accused of failing to pay the company for its work. The video’s publication resulted in a cease and desist letter from Universal Music; though Ridge Productions owns the footage, it doesn’t own the music. That has resulted in a second video release, this one with spoofed audio over the video.

In an interview with Highsnobiety, the company claimed it was informed Wes didn’t like the music video they had shot. Soon after, both Sheck and Universal Music reportedly stopped responding to Ridge Production’s messages. After weeks allegedly without payment, the company decided to publish the video regardless.

According to the interview, the original video resulted in a cease and desist letter from the label, prompting Ridge Production to take the video down. However, company owner Pat Ridge decided to replace it with an edited version that features amusing sounds and lyrics applied to the same video.

When asked what he hoped the outcome of publishing the video would be, Ridge said:

Last night I got some real traction by being authentic, doing what I believe, not succumbing to the fear of Universal [and] these corporations. There was a lot of fear in what I did, it was kind of scary […] I have a lot of artists on my team, and we’re having fun, but we should be getting paid for our work.

Articles: Digital Photography Review (dpreview.com)

 
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The Live Planet VR System is an end-to-end solution for creating, streaming 4K 360º content

23 Jan

Live Planet has announced the Live Planet VR System, an end-to-end solution to capturing, editing and delivering immersive 360-degree content to viewers.

The idea behind the Live Planet VR System is to launch an all-in-one product that makes it easy to get a full VR production up and running without the need to hassle with multiple products and programs. In Live Planet’s own words:

VR video has yet to take off as a medium because no one has focused on solving the full range of production and distribution challenges. As a result, it has been very difficult to easily, quickly, reliably, and affordably produce VR video experiences at scale, in particular for live distribution.

At the core of the Live Planet VR System is its 16-camera 360-degree video array. The camera system uses an Nvidia Jetson Tx2 module to instantaneously stitch the video from all 16 cameras to create 4K30p footage on-camera — no need to offload the footage to stitch it all together.

In addition to taking the video off of the device for post-production, the resulting video can also be streamed directly to viewers using Live Planet’s accompanying VR apps or platforms that support VR streaming including: Samsung Gear VR, Oculus, Google Daydream, YouTube and more. Live Planet also offers a cloud-based storage via its Live Planet VR Cloud platform.

The Live Planet VR System is available for $ 9.950 USD and includes the stereoscopic VR camera, $ 1,000 credit toward VR Cloud storage and delivery services, a premium monopod, app licenses, ‘platinum support’ and a custom camera case.

Live Planet’s Industry Changing VR System Now Shipping, Empowering Anyone to Expand The Boundaries of VR With Integrated Capture and Delivery of Immersive VR Video

Stereoscopic Camera Stitches Perfect VR in Real Time Paired with a Powerful Cloud and Apps for Picture-Perfect Optimized Delivery That Revolutionizes VR, Allowing Anyone to Capture, Manage, and Deliver Live and Recorded VR Video to All VR Headsets and 360° Platforms

LOS ANGELES and SAN JOSE —? January 22, 2019? —? ?Live Planet, Inc.?, creator of next-generation media technologies, today announced the full-system release of its game-changing, end-to-end virtual reality (VR) video solution, the Live Planet VR System. In development over the last three years, the system is a powerful, fully-integrated solution for creating immersive video experiences, enabling anyone to easily and quickly capture and distribute dramatically better stereoscopic VR video easier than any other method. This complete system includes the full integration of best-of-breed VR camera, cloud and applications, delivering VR video live or recorded to all VR headsets and 360° platforms (e.g., Samsung Gear VR, Oculus, Google Daydream, YouTube, etc.).

Live Planet’s VR System enables anyone to easily and quickly unleash their vision for immersive video experiences and define new categories of VR application, expanding the visual mediums within and beyond television and film. The system makes it simple, practical, and affordable to create and deliver stereoscopic VR and 360° video. Creators can:

  • CAPTURE? picture-perfect, real-time automatically-stitched stereoscopic footage optimized for comfortable viewing for livestream or later use with the Live Planet VR Camera.

  • STORE? and manage their uploaded VR video easily and affordably from anywhere with the Live Planet VR Cloud.

  • DELIVER ?on-demand VR video and live VRcasts to audiences publicly or privately, even over mobile networks, to both Live Planet VR apps and social platforms.

“The vision of “Live Planet VR” is as the name suggests: to allow instantaneous immersion in the experiences that catalogue being human,” said Halsey Minor, founder and CEO of Live Planet. “VR video is more than just a new medium and those who have tried VR instinctively know something extraordinary is afoot — the capacity to share our lives, the arts, sports, celebrations and tragedies in profound new ways that are not mediated by others but directly experienced. Where the power of television leaves off, VR begins. Until now, creating VR video has been hindered by poor quality and insane complexity. Live Planet has put the industry’s best VR experience in the hands of mere mortals, enabling the innovation and growth the industry has so far lacked. Just as pundits have written off VR for its experiential issues and complexity, along comes the Live Planet VR System to change the game.”

While VR point solutions — including various headsets and cameras — have been around for the last few years, VR video has yet to take off as a medium because no one has focused on solving the full range of production and distribution challenges. As a result, it has been very difficult to easily, quickly, reliably, and affordably produce VR video experiences at scale, in particular for live distribution. Technical hurdles the Live Planet VR System has now overcome include:

  1. Capturing footage at the highest possible visual quality, stereoscopically, and in a manner consistent with the natural characteristics of human vision, providing a comfortable experience with no dizziness or nausea so viewers may dwell in content experiences for long periods of time.

  2. Generating automatic, perfectly-stitched footage in real time on the capture device, critical for live applications.

  3. Delivering all footage, whether live or recorded, reliably and of the highest quality over dynamic network conditions — including mobile networks — to the myriad VR and 360° platforms, each of which has its own specifications.

Live Planet has invested in addressing these technological hurdles, creating innovations that handle them “under the hood”, enabling the VR video industry to move forward with push-button simple solutions.

Live Planet uses the ?NVIDIA Jetson TX2? supercomputer on a module to stitch together 16 different image sensors to output 4K video at 30 frames per second — all inside the camera,saving creators days and dollars? in post production time and expense. With its camera and cloud in beta with VR enthusiasts over the last year, the VR System now enables creators and application developers to “share their world,” from transporting audiences to the stage with their favorite band, witnessing a Hail Mary from the 50 yard line, or attending Tim Cook’s next Apple WWDC keynote — the creative potential of the VR video medium is now available to anyone.

“VR provides a unique opportunity to tell immersive stories, but creating and editing high-quality scenes comes with its own set of challenges,” said David Weinstein, Director of VR at NVIDIA. “With the NVIDIA Jetson TX2, Live Planet simplifies the process with a system that provides stunning immersive environments, delivering a VR experience like no other.”

The Live Planet VR System is available for purchase at ?www.liveplanet.net? for $ 9,950 USD. The purchase price includes the stereoscopic VR camera, $ 1,000 credit toward VR Cloud storage and delivery services (additional services are priced a la carte), a premium monopod, app licenses, platinum support, and a custom camera case.

About Live Planet, Inc.

Live Planet, Inc. develops infrastructural technologies to transform the world of video toward a more compelling, controllable future for consumer and business applications everywhere. The company was founded in 2016 by serial entrepreneur Halsey Minor, a technology visionary behind notable successes including CNET, Uphold, Salesforce, Google Voice, OpenDNS and Vignette. Live Planet’s initiatives include:

  • ? The Live Planet VR System:? the end-to-end solution for easily creating and delivering live and recorded picture-perfect stereoscopic VR video programming and applications. For more information on the Live Planet VR System, please visithttps://www.liveplanet.net?. Creative professionals and innovators seeking to shape the future of immersive media may join our partners program by contactinginfo@liveplanet.net?.

  • ? The VideoCoin Network:? video infrastructure for the blockchain-enabled internet delivering decentralized video encoding, storage, and content distribution. For more information, visit ?https://videocoin.io?.

Articles: Digital Photography Review (dpreview.com)

 
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So You Want to Build a Website? Part 4: Adding Website Content

21 Jan

The post So You Want to Build a Website? Part 4: Adding Website Content appeared first on Digital Photography School. It was authored by Carl Spring.

vintage typewriter

Patrick Fore

If you’ve been following along with this series (part one, part two, part three), you should now have a great portfolio to proudly display on your website. Next comes to what many think is the hardest part – writing about yourself and your photography. Whilst it may seem hard, there are some tips and tricks for adding website content.

Write for your audience

I cannot stress this enough. You need to know who you are talking to with your website. Are you talking to newly engaged couples looking for a wedding photographer? Are you talking to art directors who are looking for a photographer to shoot their next advertising campaign? Or, are you talking to family & friends, showing them your photography? You will speak to all of the people in these examples differently, therefore your website text must do the same. When you know who you are talking to, you know how to talk to them. Therefore, make sure you have an audience in mind before you start to write.

The fab five

The main pages on almost all websites are; the Home page, your Portfolio, an About page, a Contact page and a Blog. We’ve already covered the portfolio in a previous post, therefore if you’ve not read that, do it first. The Contact page is super easy, simply let people know how to get in touch with you, that’s all there is to it. However, the Home, About and Blog pages are a little more complicated. Let’s have a look at these in a little more detail.

The home page

DPS home page

A website you all know well. Straight away you see a relevant image and a call to action.

The home page is the introduction to you and your work and it is the first thing people see. For those of you who are art/commercial photographers, it is standard to lead with your portfolio. Therefore, if this is the field you are aiming for, it is best to stick with this format. Also, if your website is currently aimed at showcasing your work to family and friends, a portfolio is also a good option for your home page.

However, if you are setting up a website for selling photography services, things are slightly different. The main aim of your home page is to answer the three basic questions any potential customer will have within five seconds. Who are you? What do you do? Where are you based? If these questions can’t be answered in their first few seconds on a website, people will generally click back and look somewhere else. We live in a world where attention spans are shrinking all the time. You need to make sure that your website is geared toward this.

Your home page still needs to feature images to draw attention, therefore starting with a hero shot is the best idea. This is the main image for the page and can usually take up all/most of the screen when first viewed, therefore it is essential that this image should be your best work and relevant to your audience. This image will make the right people explore your site further and the wrong ones exit. Remember, you are not looking to please everyone. You need to attract your tribe. 

Adding a good headline can grab your readers attention and get them to further explore your site. Write it for your audience. Photography is a service industry. People come to you with a problem (they need photos) and you provide the service to help them fix their problem (you take their photos). Explain how can you help them. What can you do to make their life better? Make it short, snappy and always tell them the benefits of using you.

166 Photography Website Homepageomepage

This homepage passes the test. It shows the name, what they do & where they are based quickly. Also note the call to action.

The main text should be light in tone and friendly. It should tell the viewer about you, your site and services. Keep it focussed on your audience and include a Call to Action. A call to action tells visitors what you want them to do (for example, a click to contact button). You should try to have multiple calls to action on your page and preferably one that the user can do without scrolling down the page. Making it easy for the visitor to know what to do next is key. 

Lastly, add a couple of testimonials for happy past clients. Not only past clients but awards and competitions you have won. This shows viewers you are able to deliver great photos and can be trusted. Think about it, how many people check a hotel on Trip Advisor before booking? Social proof shows you mean business!

The About Page

This is where you get to show the real you. A list of facts will not interest anyone, neither will a simple list of how wonderful you are. This is the chance to showcase who you really are and what you believe in. This isn’t the place to brag about what cameras you own, this is the place to explain why you love photography. 

You can tell the story of your photography journey. How did you get into it? What do you love about your work? Again make it interesting and try to avoid listing facts. Show your passion. 

The about page is also a great place to add social proof. List any publications you have featured in, and showcase more reviews from happy customers. Remember, people want to know you can be trusted and social proof is the best way to show this on your site.

You should always write in the same way you speak on your about page. If your website speaks to people in a certain way, but when they meet you there is a disconnect it is never good. Don’t try to be something you’re not. Be you! Now, whether you write in first or third person is down to personal preference, but know your audience (and yourself) and write accordingly.

Lastly, you need a photo of you. A well-shot photo where people can see and connect with you is always worthwhile.

About page screenshot.

An example of an about page aimed at Art Directors. Short sweet and shows who I have worked with

The blog

I’ve saved the most important (and most daunting) until last. No matter what type of photography you do, your blog will be the reason people come back to your site. Think of your blog as a magazine for your audience. It shows your latest work (and progress) as well as letting you explain your thoughts behind your photography. 

I know some of you reading this now will be filled with dread. Not only do I have to write a load of stuff for my website, now you’re asking me to write all the time? However, like taking photos, writing becomes easier over time. 

Some examples of good blog posts include “Why I like this image”. Talk about a photo you love and then explain why you love it and possibly the technical stuff behind it. A blog about each photo shoot you do. Again, explain your thought process and how you approached the shoot. Another post idea could be showing your personality. Talk about films or records you love. The choice is endless, but the important thing is to write them. One other thing to remember is to aim for at least 350 words as this works great with SEO (search engine optimization). 

DPS posts

There are few better examples of a blog than Digital Photography School. Constant content that keeps us all coming back.

Get feedback

As with creating your portfolio, get others to give their opinion. When you have written your content, it is particularly important to check it thoroughly and get a couple of people to proofread your work before you go live. It is so simple to misread your work (trust me I do it often) and nothing gives off the impression of an amateur like spelling mistakes. 

For example, my wonderful wife proofs all my work. Just remember, if you do spot a spelling or grammar mistake in my articles, it is her not me! (dPS editor’s note: or me!)

On that point (and whilst my wife shouts at me for that last comment), it is time for you to take these tips and begin to craft your own website copy. In the final installment of this series, you’ll learn top tips to help your site rank well in Google. Until then, get writing your copy and let’s see the fruits of your labor in the comment section. 

The post So You Want to Build a Website? Part 4: Adding Website Content appeared first on Digital Photography School. It was authored by Carl Spring.


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Tumblr will remove and ban all ‘adult content’ from its platform starting December 17th

05 Dec

In a controversial move, social media website Tumblr has announced it will start removing all pornography and explicit content on December 17th, 2018 and subsequently ban adult content going forward.

The ban comes three weeks after Apple removed the Tumblr app from its iOS app store after it was discovered underaged content was slipping through an ‘industry database of child sexual abuse material,’ but it’s unclear if the move to ban all adult content is due to Apple’s decision.

For context of how much adult content there is on Tumblr, former Tumblr CEO David Karp said in June 2012 that roughly two to four percent of the content on Tumblr was related to pornography. A year later, in May 2013, web analytics firm SimilarGroup came out with its own analysis claiming 22,775 of the 200,000 most-visited Tumblr domains were pornographic in nature — roughly 11.4 percent. The discrepancies between those two statistics is stark, but regardless of how it’s looked at, there’s a great deal of adult content floating around the social network with more than 100-million blogs.

‘Posts that contain adult content will no longer be allowed on Tumblr, and we’ve updated our Community Guidelines to reflect this policy change,’ says Tumblr CEO Jeff D’Onofrio in a blog post on the Staff Tumblr. He goes on to say ‘Bottom line: There are no shortage of sites on the internet that feature adult content […] We will leave it to them and focus our efforts on creating the most welcoming environment possible for our community.’

Where things get interesting is how Tumblr is defining adult content. On Tumblr’s Help Center page, it defines it as follows:

Adult content primarily includes photos, videos, or GIFs that show real-life human genitals or female-presenting nipples, and any content—including photos, videos, GIFs and illustrations—that depicts sex acts.

Tumblr goes on to say on the same page what is allowed, which reads as follows:

Examples of exceptions that are still permitted are exposed female-presenting nipples in connection with breastfeeding, birth or after-birth moments, and health-related situations, such as post-mastectomy or gender confirmation surgery. Written content such as erotica, nudity related to political or newsworthy speech, and nudity found in art, such as sculptures and illustrations, are also stuff that can be freely posted on Tumblr.

In terms of photography, it appears as though nearly all nude photography will be removed and banned, regardless of how tasteful it is or isn’t. That is, unless it’s a male nipple or pertains to the other exceptions mentioned above.

Tumblr has started flagging content as inappropriate already and will continue to do so. In the event a piece of content was flagged unnecessarily, something that’s already happening, Tumblr has an appeal button alongside the post that can be used to protest the flag.

Articles: Digital Photography Review (dpreview.com)

 
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