RSS
 

Posts Tagged ‘Capture’

New flash storage standard opens the way for 8K video capture on smartphones

02 Feb
Photo by veeterzy

Storage speeds on smartphones, Chromebooks, VR headsets and automotive devices are about to make a huge leap forward. Standards group JEDEC has announced the new UFS 3.0 flash storage standard, which doubles the theoretical speed of the current UFS 2.1 standard to 2.9 GB/s, all while lowering power consumption and allowing for operation at a greater range of temperatures.

This theoretical maximum likely won’t be achieved by production devices, but the standard does require the host device to use hardware that supports these blistering fast transfer rates.

What does this actually mean for smartphone cameras? If you are only capturing still images, you won’t see much of a difference; but for video shooters, this could be huge. The new standard allows for 4K video capture at 60 frames per second or even 8K resolution without putting nearly as much stress on your device.

In combination with larger storage capacities—Samsung, for example, has promised to include 512GB modules in its upcoming smartphones—this new standard could make ultra high-resolution video recording on mobile devices standard. If you later want to transfer the recorded footage to another device or computer, the faster speeds help with that, too.

And, finally, the new standard also offers lower power consumption and increased reliability in a wider range of operating temperatures.

As usual, it’s not clear when we will see the first UFS 3.0 ready devices; the new standard will probably take a while to implement on a wider scale. But given Samsung is by far the biggest NAND memory module manufacturer, there is a good chance the Korean company will be among the first to offer the new standard in its smartphones. Something to look forward to in the Galaxy S10, perhaps?

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on New flash storage standard opens the way for 8K video capture on smartphones

Posted in Uncategorized

 

Fujifilm’s new X-A5 adds phase-detect AF and 4K video capture

31 Jan

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_1174829890″,”galleryId”:”1174829890″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

Fujifilm has introduced its budget-friendly X-A5 mirrorless camera – the follow-up to the X-A3. The 24MP APS-C sensor (which uses the traditional Bayer color filter, rather than X-Trans) X-A5 appears to address the weak spots of its predecessor, namely sluggish performance and a so-so autofocus system. The updated processor on the X-A5 is 1.5x times faster, according to Fujifilm, and its phase-detect AF system should do a better job with subject tracking.

Fujifilm boasts of better scene recognition and color/skin tone reproduction, and battery life has increased to an impressive 450 shots/charge (CIPA standard). The X-A5 also has Bluetooth for easy pairing and image transfer, up to 5 minutes of 4K video capture (albeit at 15 fps) and two new Advanced Filters: Fog Remove and HDR Art. A jack for an external microphone has also been added.

The X-A5 will be bundled with the new XC 15-45mm F3.5-5.6 OIS Power Zoom lens for $ 599 and will begin shipping in early February. Color choices include silver & black, silver & brown and silver & pink.

Press Release:

FUJIFILM ANNOUNCES THE NEW X-A5 – THE LIGHTEST CAMERA-ZOOM LENS COMBINATION IN THE X SERIES LINEUP

Featuring an enhanced sensor, newly developed zoom lens, the latest Bluetooth® technology, and 4K video recording, the X-A5 delivers outstanding image quality and ease of use

Valhalla, N.Y., January 31, 2018 FUJIFILM North America Corporation is excited to announce the new FUJIFILM X-A5 Digital Camera Body with XC15-45mm Lens Kit, the lightest camera-zoom lens combination within the X Series lineup. With a host of new and improved features, the X-A5 kit debuts the new FUJINON XC15-45mmF3.5-5.6 OIS PZ, the first electric powered zoom lens for X Mount digital cameras. Available in three colors of synthetic leather, the X-A5 is equipped with the latest Bluetooth® technology for quick and easy image transfer and allows for a broader range of video capabilities with its 4K output.

“The X-A5 packs Fujifilm’s renowned image quality and exciting fun features in a compact, lightweight body,” says Yuji Igarashi, General Manager of the Electronic Imaging Division & Optical Devices Division at FUJIFILM North America Corporation. “We are excited to bring a user-friendly camera that can capture great images, to the market at an affordable price.”

Featuring an Enhanced Sensor and Color Reproduction Technology

The X-A5 features a powerful 24.2MP APS-C sensor equipped with phase detection autofocus and a newly developed image processing engine with a processing speed 1.5 times faster than that of previous models. Combined with Fujifilm’s renowned color reproduction technology, the X-A5 achieves outstanding image quality and outperforms previous models in its scene recognition accuracy and skin tone reproduction, making it perfect for portraits.

The X-A5 is the first in the X-A series to feature phase detection pixels, and an intelligent Hybrid AF system that focuses twice as fast as previous models to ensure capture of swiftly moving subjects. With an ISO sensitivity range now up to ISO12800 and extended sensitivity range up to ISO51200, camera shake and noise are significantly reduced even in low-light conditions.

New Compact and Lightweight Electric Powered Zoom Lens

The new X-A5 introduces the first electric powered zoom lens for X Mount cameras, the FUJINON XC15-45mmF3.5-5.6 OIS PZ. With a minimum working distance of just 2 inches, this lightweight and compact lens is great for achieving clear close-up shots while making the photographic experience easy and comfortable. Capable of capturing crisp, intricate textures, the XC15-45mmF3.5-5.6 OIS PZ is ideal for food and macro photography. Starting at a wide angle, this smooth electric-powered zoom also allows for great freedom in composition framing.

The new XC15-45mmF3.5-5.6 OIS PZ lens will also be available for standalone purchase as a portable addition for existing X Series users.

Equipped with 4K Video Capabilities

The X-A5 features a variety of 4K video capabilities. Utilizing the Burst Function, users are able to shoot 15 frames per second in 4K image quality, ensuring that photo opportunities are never missed. Offering an HD video function to record videos up to quad speed for slow motion clips and a Multi Focus Mode which stacks 4K quality images and automatically changes the depth of field setting, the X-A5 is the perfect companion for a wide range of creative captures.

Bluetooth® Pairing Technology for Easy Image Transfer

Featuring the latest Bluetooth® technology, the X-A5 allows for automatic transfer of images and videos to paired smart devices using the free “FUJIFILM Camera Remote” app. The camera is compatible with Instax Share™ Printers to instantly transfer and print images directly from the camera.

Film Simulation Modes and Improved User Interface for Ease of Operation

The X-A5 allows for artistic expression through Fujifilm’s unique Film Simulation Modes that boast the company’s advances in color reproduction. Offering eleven different modes, users can add a creative twist to their images. In addition, the camera offers seventeen variations of Advanced Filters including the new “Fog Remove” and “HDR Art.”

An improved user interface allows for superior ease of use. The large LCD screen uses new touch-panel GUI, facilitating intuitive operation and is capable of rotating 180 degrees, making the X-A5 perfect for taking high quality self-portraits. When the panel is rotated 180 degrees, the Rear Command Dial switches to the Zoom and Shutter Release function and automatically activates the Eye AF function for sharp focus on the subject’s eyes. Additionally, the Portrait Enhancer Mode allows for users to select from three levels of skin tone enhancement with easy touchscreen operation.

FUJIFILM X-A5 Key Features:

  • 24.2MP APS-C CMOS sensor and newly developed processor equipped with phase detection AF system
  • FUJINON XC15-45mmF3.5- 5.6 OIS PZ wide angle electric-powered zoom lens with minimum working distance of 2”
  • 3” (approx. 1,040K-dot) high resolution LCD touchscreen using new touch-panel GUI can be tilted to 180°
    • Portrait Enhancement Level, Touch AF in Movie Mode, Advanced Filter Select
  • Standard output sensitivity of ISO200 – ISO12800
    • Extended output sensitivity: ISO100 – ISO51200
  • 4K video recording up to approx. 5 mins
    • Full HD 1920 x 1080 59.94p / 50p / 24p / 23.98p; continuous recording up to approx.14 mins
    • HD 1280 x 720 59.94p / 50p / 24p / 23.98p; continuous recording up to approx. 27 mins
    • High Speed Movie 1280×720 1.6x / 2x / 3.3x / 4x
  • Bluetooth® version 4.1 low energy technology
  • In-camera RAW processing
  • New Advanced Filters: “Fog Remove” and “HDR Art”
  • Wi-Fi® image transfer and remote camera operation
  • Improved battery life for still images – approx. 450 frames
  • Improved start-up period:
    • 0.4 sec., when High Performance mode set to ON
    • 0.8 sec., when High Performance mode set to OFF
  • Photos can be sent to instax SHARE printers using the free instax SHARE App (iOS and Android)
  • Accessories include:
    • Li-ion battery NP-W126S
    • AC power adapter
    • Plug adapter
    • USB cable
    • Shoulder strap
    • Body cap
    • Owner’s manual

Availability and Pricing

The new FUJIFILM X-A5 Camera Kit will be available on February 8, 2018 in the U.S. and Canada for USD $ 599.95 and CAD $ 749.99.

The new standalone XC15-45mmF3.5- 5.6 OIS PZ Lens will be available on March 15, 2018 in the U.S. and Canada for USD $ 299.95 and CAD $ 379.99.

Fujifilm X-A5 specifications

Price
MSRP $ 599 (with 15-45mm PZ lens)
Body type
Body type Rangefinder-style mirrorless
Sensor
Max resolution 6000 x 4000
Image ratio w:h 1:1, 3:2, 16:9
Effective pixels 24 megapixels
Sensor size APS-C (23.5 x 15.7 mm)
Sensor type CMOS
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Auto, 200-12800 (expandable to 100-51200)
Boosted ISO (minimum) 100
Boosted ISO (maximum) 51200
White balance presets 7
Custom white balance Yes (3 slots)
Image stabilization No
Uncompressed format RAW
JPEG quality levels Fine, Normal
File format
  • JPEG (Exif Ver 2.3)
  • RAW (Fujifilm RAF format)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Digital zoom Yes
Manual focus Yes
Number of focus points 91
Lens mount Fujifilm X
Focal length multiplier 1.5×
Screen / viewfinder
Articulated LCD Tilting
Screen size 3
Screen dots 1,040,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type None
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/4000 sec
Maximum shutter speed (electronic) 1/32000 sec
Exposure modes
  • Program AE
  • Shutter Priority
  • Aperture Priority
  • Manual
Built-in flash Yes
Flash range 5.70 m (at ISO 200)
External flash Yes
Flash modes Auto, flash on, flash off, slow synchro, rear-curtain synchro, commander
Flash X sync speed 1/180 sec
Drive modes
  • Single
  • Continuous
  • Self-timer
Continuous drive 6.0 fps
Self-timer Yes (2 or 10 secs)
Metering modes
  • Multi
  • Average
  • Spot
Exposure compensation ±5 (at 1/3 EV steps)
AE Bracketing ±3 (3 frames at 1/3 EV, 2/3 EV, 1 EV steps)
WB Bracketing Yes
Videography features
Resolutions 3840 x 2160 (15p), 1920 x 1080 (60, 50, 24, 23.98p), 1280 x 720 (60p, 50p, 24p, 23.98p)
Format MPEG-4, H.264
Microphone Stereo
Speaker Mono
Storage
Storage types SD/SDHC/SDXC card (UHS-I supported)
Connectivity
USB USB 2.0 (480 Mbit/sec)
USB charging Yes
HDMI Yes (mini-HDMI)
Microphone port Yes
Headphone port No
Wireless Built-In
Wireless notes 802.11b/g/n + Bluetooth 4.1 LE
Remote control Yes (Wired or via smartphone)
Physical
Environmentally sealed No
Battery Battery Pack
Battery description NP-W126S lithium-ion battery & USB charger
Battery Life (CIPA) 450
Weight (inc. batteries) 361 g (0.80 lb / 12.73 oz)
Dimensions 117 x 68 x 40 mm (4.61 x 2.68 x 1.57)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Fujifilm’s new X-A5 adds phase-detect AF and 4K video capture

Posted in Uncategorized

 

How to capture a classic perfume product shot with a single speedlight

27 Jan

Dustin Dolby, the photographer behind the workphlo YouTube channel, is great at breaking down product photography into the simplest possible bits. By using Photoshop to mask together multiple exposures, he’s able to capture professional looking product photos using extremely minimal gear.

In his latest episode, he shows how a single speedlight and some reflecting material can be used to capture a professional-looking photograph of perfume. What’s more, the exercise of capturing these exposures helps explain some basic lighting tenets when shooting products:

Lighting a perfume bottle in a studio setting, requires the photographer to understand the angles the light is coming from. The substance of a few key lighting techniques can be boiled down into a few tips. Backlighting is a great way to show the volume of a translucent object, which couples nicely with frontal lighting.

Here’s a look at the high-res final render, composited from a few different exposures you see him capture in the video above:

Photo by Dustin Dolby/workphlo, used with permission.

As Dustin explains in the video, you can do a lot more here—both compositionally and with different lighting techniques if you really want to have some fun—but this tutorial is more about explaining the basics and capturing a “classic” perfume shot with very little gear.

Check out the full tutorial up top, and if you want to see more of Dustin’s ‘workphlo,’ head over to his YouTube channel or follow him on Instagram and Facebook.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on How to capture a classic perfume product shot with a single speedlight

Posted in Uncategorized

 

How to Capture the Feeling of Color and Create More Compelling Images

14 Dec

How to Capture the Feeling of Color and Create More Compelling Images

I am an unashamed lover of color. I say this because when I first started out as a photographer, color photography was considered inferior to black and white. This attitude was especially prevalent in the photo-art world.

I found that confusing because to me, color can bring so much expression, feeling, excitement and vitality to an image. Don’t we want that? As my very favorite photographer, Ernst Haas said:

“Color is joy. One does not think joy. One is carried by it.”

I totally agree!

How to Capture the Feeling of Color and Create More Compelling Images

In this article, I’d like to talk to you about how to use color to create more feeling, more depth, and more energy in your images.

After all, if your images are not provoking an impact, a feeling for your viewer, then they will be easy to forget. And don’t we all wish to create memorable and unique images?

“Photography for me is not looking, it’s feeling. If you can’t feel what you’re looking at, then you’re never going to get others to feel anything when they look at your pictures.” – Don McCullin

How to Capture the Feeling of Color and Create More Compelling Images

Colour is a form of expression

“I found I could say things with color and shapes that I couldn’t say any other way – things I had no words for.”  – Georgia O’Keeffe

I agree with her! As a really visual person, I find it hard to express the feelings I have about the world with words. I’ve learned how, but it comes much more naturally to me to express my curiosity about the world through taking photographs.

Color evokes a spectrum of feeling, and it that is what we really want to capture in our photography.

How to Capture the Feeling of Color and Create More Compelling Images

Think about how you feel when you see the intense red of a flower, the soft azure blue of the sea, the warm yellows of morning sun in summer, the dark muddy browns of the earth in fall.

That is what I want you to think about today. Not only the photographing of color itself, as an element almost, but how you can use color to bring intense feeling into your photograph. Show the viewer more about how it felt to stand in the place where you were. To infuse your photographs with a feeling of atmosphere.

In this article, I will give you three techniques for using color in your images. They go from simple to pretty hard – but I hope you will try all three.

How to Capture the Feeling of Color and Create More Compelling Images - flowers

1. Using color as an element

The simplest way to start working with color in your photography is to use it as a key element within your image. Color can be used to provide contrast, shape, form, and texture.

The simple shape and form of color can be the subject of your photo. It can help you build elements within the photo.

I love to get inspiration for my photography from all kinds of sources. It’s important to me that I am not just stuck in the world of photography and image-making – because there is a stunning and unbelievable world out there for us to draw interesting and exciting ideas from. From philosophers to writers, musicians to scientists – I get ideas for photos from all kinds of places.

How to Capture the Feeling of Color and Create More Compelling Images

I love very simple, bold background for portraits. I’m always keeping my eye out for backgrounds like these.

I love how so many painters use color in big, bold ways to create powerful elements in their work. Painters such as Henri Matisse with his simple shapes and beautiful colors, Mark Rothko with his thick banks of color that seem to suck you into his paintings and Van Gogh with his heavy brush strokes of rich color.

Here is another quote from the painter Georgia O’Keeffe that explains a lot of what I am doing with my photography: drawing attention to things that most people miss

“When you take a flower in your hand and really look at it, it’s your world for the moment. I want to give that world to someone else. Most people in the city rush around so, they have no time to look at a flower. I want them to see it whether they want to or not.” – Georgia O’Keeffe

How to Capture the Feeling of Color and Create More Compelling Images

In this photo, I used the contrasting colors to make a simple and interesting composition with some abandoned chairs. For me turning simple things I find on the street, peeling off walls, at my feet, into something interesting is a favorite thing for me to do in my photography.

2. Using color to evoke a feeling

A more interesting way to use color – and one that takes more practice – is to use it purposely to create a feeling in your image. Color evokes all kinds of different feelings for people.

Painter Wassily Kandinsky developed many theories about art, one being that color created different feelings and states within the viewer.

How to Capture the Feeling of Color and Create More Compelling Images

“The deeper the blue becomes, the more strongly it calls man towards the infinite, awakening in him a desire for the pure and, finally, for the supernatural… The brighter it becomes, the more it loses its sound, until it turns into silent stillness and becomes white.” – Wassily Kandinsky

Kandinsky felt that colors evoked these feelings and states:

  • Yellow – warm, exciting, happy
  • Blue – deep, peaceful, supernatural
  • Green – peace, stillness, nature
  • White – harmony, silence, cleanliness
  • Black – grief, dark, unknown
  • Red – glowing, confidence, alive
  • Orange – radiant, healthy, serious

How to Capture the Feeling of Color and Create More Compelling Images

To use color to evoke feeling is a more sophisticated way to incorporate it into your images.

Now, where is a good place to start with this process?

Look at how the color you are seeing affects how you feel. Explore and examine color – almost in that state that toddlers do – with a sense of wonder and freshness. Then you can bring that into your images.

Of course, it doesn’t have to be big bold colors, it can be about the subtle, the evocative colors. I love playing with greys, browns, and blacks – and drawing out the subtlety in their range.

How to Capture the Feeling of Color and Create More Compelling Images

3. Capturing the inherent qualities of your subject using color

This has to be the hardest, most sophisticated technique of the three presented here – but it’s so worth trying it as you will create images with more complexity.

What I mean by capturing the inherent qualities of your subject using color, is to reveal the qualities of your subject using color. Pablo Picasso explained it even better than me when he is said:

“Some painters transform the sun into a yellow spot, others transform a yellow spot into the sun.”

How to Capture the Feeling of Color and Create More Compelling Images

So you are using the color to tell the viewer something of what that subject is. What it feels or looks like, what it is or how it is.

I love this photo below because to me it captures perfectly the browns, yellows, and oranges of autumn. I can feel autumn in this photo.

autumn image - How to Capture the Feeling of Color and Create More Compelling Images

The colors I am capturing here are not a compositional tool, but about revealing more about the subject itself.

I hope those were some interesting ideas to you. I love to know how you use color in your photography – and if you found some useful tips here that you can apply to your images.

Please let me know by commenting below.

 

The post How to Capture the Feeling of Color and Create More Compelling Images by Anthony Epes appeared first on Digital Photography School.


Digital Photography School

 
Comments Off on How to Capture the Feeling of Color and Create More Compelling Images

Posted in Photography

 

Phase One unveils Capture One 11 with ‘next level layers’ and more

01 Dec

Watch out Adobe. Early this morning, Phase One unveiled the next major update to Capture One. The new version, Capture One 11, promises improvements in every regard: from “new, highly responsive tools,” to “workflow enhancements” to a new “finely tuned processing engine.”

Here’s a quick introduction to what’s new in Capture One 11 straight from Phase One itself:

The major improvements can be broken down into three categories: layers, workflow, and performance.

Performance

When Phase One talks about ‘optimized’ performance, the company is not just talking about how quickly Capture One can open and edit your Raw files. Included in these improvements is ‘re-engineered’ color handling, as well as the addition of a LAB Readout option for “customers who wish to measure image output to critical values.”

‘Next Level Layers’

With this update, Phase One is now characterizing Capture One 11 as a ‘layer centric application.’ All of the program’s adjustment tools are now compatible with layers, masking tools have been improved with the ability to refine and feather masks after drawing, and you can now control the opacity of individual layers.

Workflow

Since Capture One 11 is trying to be “the professionals’ choice in imaging software,” several improvements have also been made on the workflow side.

You can now add annotations and graphics on top of your image as overlays, and export them as separate layers in a PSD file; crops can be added as a ‘Path’ when exporting to a PSD file, so you don’t lose any pixels if you transfer out to Photoshop; and, finally, you can now export watermarks as a separate layer in an exported PSD file as well.

As with all major Adobe competitors—and Capture One is arguably one of the best-known and most widely-used—the message Phase One wants to send loud and clear is, “we care about our customers’ needs.” In fact, you could say Phase One stopped just short of calling Adobe out by name in its announcement:

In keeping with Phase One’s commitment to its customers’ choice, Capture One 11 is available for purchase by either perpetual license or by subscription – whichever best suits the customers’ needs.

For photographers eager to escape Adobe’s subscription-only model, Capture One 11 represents a very tempting choice.

Capture One 11 is available now for both Mac and Windows at $ 300 for a brand-new perpetual license or $ 20/month on subscription (or $ 180 if you pay for a year in advance). If you already own Capture One Pro 9 or 10, you can get a perpetual license for just $ 120, and if you purchased Capture One Pro 10 on October 31st, 2017 or later, you can actually upgrade to Capture One 11 for free by using your same license key.

To learn more or download a fully-functional 30-day free trial, head over to the Phase One website.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Phase One unveils Capture One 11 with ‘next level layers’ and more

Posted in Uncategorized

 

Blackmagic unveils DeckLink 8K Pro capture card for ‘real time 8K workflows’

17 Nov

General opinion seems to be that 8K is a long way off, but it’s actually coming much faster than people think, and the industry is gearing up (literally) for it. Case in point: meet the new Blackmagic DeckLink 8K Pro capture card that ‘breaks new ground in high quality’ by supporting formats ranging from SD, to HD, Ultra HD, 4K, 8K and 8K DCI.

Oh, and it can also handle 64 channels of audio, stereoscopic 3D, and high frame rates… you know… just cause.

The card can do all of this because it’s the world’s first to feature quad link 12G?SDI bi-directional connections that Blackmagic says “can be used to either capture or playback quad link 8K, or for the simultaneous capture and playback of single or dual link SDI sources.” And as far as colors go, the DeckLink 8K Pro can work in 12?bit RGB 4:4:4 as well as Rec. 2020, which is, “a massive color space designed for high dynamic range Ultra HD and digital cinema work in 4K and 8K.”

All of this from this little powerhouse of a card:

Photo: Blackmagic

Of course, the bit Blackmagic won’t tell you is that you’ll need a monstrous computer to make any of this work… and an 8K monitor to boot. But if you were paying attention at the beginning of this article you’d already know: 8K is coming and it’s coming fast. Professional videographers and video editors may want to start preparing for it now.

And if that prep involves buying this monster of a card, you should know that the DeckLink 8K Pro will be available starting in early January for $ 645 USD. For more information, check out the full release below or visit Blackmagic’s website for a breakdown of all their DeckLink products.

Press Release

Blackmagic Design Announces DeckLink 8K Pro with Quad Link 12G?SDI

The world’s first quad link 12G-SDI capture and playback card designed for high resolution,?deep color high dynamic range 8K workflows!

InterBEE 2017, Tokyo, Japan – November 15, 2017 – Blackmagic Design today announced DeckLink 8K Pro, a new high performance capture and playback card featuring quad link 12G?SDI to allow real time high resolution 8K workflows. This new DeckLink 8K Pro breaks new ground in high quality as it supports all film and video formats from SD all the way up to 8K DCI, 12?bit RGB 4:4:4, plus it also handles advanced color spaces such as Rec. 2020 for deeper color and higher dynamic range. DeckLink 8K also handles a massive 64 channels of audio, stereoscopic 3D, high frame rates and more.

DeckLink 8K Pro will be available in early January for US$ 645 from Blackmagic Design resellers worldwide.

In addition, Blackmagic Design has also announced a new low price of US$ 895 for DeckLink 4K Extreme 12G.

DeckLink 8K Pro will be demonstrated at InterBEE in Japan on the Blackmagic Design booth 8211.

DeckLink 8K Pro is the ultimate digital cinema capture and playback card. Featuring four quad link multi rate 12G?SDI connections, DeckLink 8K Pro can work in all SD, HD, Ultra HD, 4K, 8K and 8K DCI formats and is compatible with all existing professional SDI equipment. The 12G?SDI connections are also bi-directional so they can be used to either capture or playback quad link 8K, or for the simultaneous capture and playback of single or dual link SDI sources.

When it comes to quality, DeckLink 8K Pro is better than any other solution because it lets customers work with both more pixels than ever before and better pixels than ever before. The 8K images have 16 times more pixels than a regular 1080 HD image, which lets you reframe or scale shots with incredible fidelity and precision. DeckLink 8K Pro also works in 12?bit RGB 4:4:4 as well as Rec. 2020, which is a massive color space designed for high dynamic range Ultra HD and digital cinema work in 4K and 8K.

The combination of higher resolution, a vastly larger color space and incredible dynamic range means that DeckLink 8K Pro delivers the sharpest and most vivid images customers have ever seen for editing, color and high end visual effects work.

DeckLink 8K Pro supports capture and playback of 8 or 10-bit YUV 4:2:2 video and 10 or 12?bit RGB 4:4:4. Video can be captured as uncompressed or to industry standard broadcast quality ProRes and DNx files. DeckLink 8K Pro lets customers work at up to 60 frames per second in 8K and supports stereoscopic 3D for all modes up to 4K DCI at 60 frames per second in 12?bit RGB.

The advanced broadcast technology in DeckLink 8K Pro is built into an easy to install 8 lane generation 3 PCI Express for Mac, Windows, and Linux workstations. Customers get support for all legacy SD and HD formats, along with Ultra HD, DCI 4K, 8K and DCI 8K, as well as Rec. 601, 709 and 2020 color.

DeckLink 8K Pro is designed to work seamlessly with the upcoming DaVinci Resolve 14.2 Studio for an incredibly seamless editing, color and audio post production workflow that lets you master full resolution high dynamic range projects in full 8K resolution. In addition, DeckLink 8K Pro also works with other professional applications such as Final Cut Pro X, Media Composer, Premiere Pro, After Effects, ProTools, Nuke and more. There’s even a free software development kit so customers and OEMs can build their own custom solutions.

“DeckLink 8K Pro is our most advanced PCIe capture and playback card ever,” said Grant Petty, Blackmagic Design CEO. “It’s exciting because the 8K images have so much clarity and detail that it’s as if you’re looking out a window. Whether it’s for the 2020 Olympics or the next generation of Hollywood blockbusters, DeckLink 8K Pro has the speed, quality and compatibility customers need to do their best work!”

Availability and Price

DeckLink 8K Pro will be available from Blackmagic Design resellers worldwide for US$ 645 in early January. DeckLink 4K Extreme 12G is available now from Blackmagic Design resellers worldwide for US$ 895.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Blackmagic unveils DeckLink 8K Pro capture card for ‘real time 8K workflows’

Posted in Uncategorized

 

How to Capture the True Nature of Indigenous Cultures with Sensitivity

09 Nov

This article is definitely going to be a switch from my normal contributions here on dPS, but it’s a topic that is quickly becoming relevant in today’s society. As more people travel and snap photos, it’s becoming increasingly popular to shoot photos of various indigenous cultures. Indeed many different indigenous groups offer travel packages where you can experience their culture and way of life.

Photographing Indigenous Cultures is Important

How to Capture the True Nature of Indigenous Cultures with Sensitivity

When you think of photos of indigenous people this image probably doesn’t come to mind but this is “us” too.

The additional attention is certainly not a bad thing. For far too long various indigenous groups throughout the world have suffered from racism and just plain poor treatment. As a member of an indigenous group, I see a lot of positives in the awakening and the growing awareness of the plight of these groups of people.

My mother’s side of the family is Algonquin. My ancestors and other members of the Algonquin nation inhabited a large territory that extended through the Ottawa area of Ontario, Canada into the province of Quebec. Algonquin Provincial Park (the largest Canadian Provincial Park) was established in the early 1900’s and essentially annexed my family’s traditional hunting grounds.

It’s a beautiful park, and many of my relatives were born on our family’s trap lines. After the creation of the park, my family members were considered poachers. (I only mention these facts to establish perspective.) So while the awakening of the public consciousness to the beauty of indigenous culture is definitely a positive occurrence, there are certainly some things to take into consideration.

How to Capture the True Nature of Indigenous Cultures with Sensitivity

Originally sewn by my great Aunt Helen. This is the fringe detail on a women’s dress.

We are friendly and welcoming

The first being that 100s of years of bad treatment cannot be erased in the blink of an eye. Hard feelings still exist. Canadian indigenous groups are slowly moving toward reclaiming their heritage and learning about the traditions that governments tried to erase. This holds true for so many other indigenous groups around the world. The indigenous groups of Australia have faced similar struggles to their counterparts here in Canada.

When attempting to make connections with various groups for photography, you may experience some skepticism. Sometimes people are suspicious. We are welcoming and loving people but when you’ve been beaten down as many times as most indigenous groups, you might experience some quiet reticence to requests to photograph various groups.

How to Capture the True Nature of Indigenous Cultures with Sensitivity

Photograph by Michelle Glassford Mackenzie

Educate yourself on the culture

My second recommendation would be to educate yourself about the people you wish to photograph before your visit. Become familiar with some of the language. For example, in the Algonquin language, you would say “Kwey” meaning “Hello”.

Knowing some words and showing respect for the culture may allow you to gain a more personal and friendly relationship with the people you wish to photograph. So look up the words. Ask questions of those who speak the language and try to greet people respectfully. Never just jump in and spout words without being sure you know how to use them properly. Generally, “Hello” and “Thank you” are enough.

How to Capture the True Nature of Indigenous Cultures with Sensitivity

Used for various ceremonies and during nation gatherings, my aunt also made this drum.

Get permission

Thirdly, and I make this point in very general terms, some ceremonies are very special and you always need to ensure you have permission before you photograph the event. In some cultures, photography is not allowed. There have been incidents where photographers have invaded very sacred events and angered the individuals involved.

Quite honestly, being ignorant and disrespectful just continues to create feelings of hostility and suspicion between indigenous groups and the general public. So please ask questions, be polite, and be respectful. The idea is to move on and repair the divisions created by years of colonial assimilation tactics.

Indigenous perspective

Finally, there’s just one other point I wish to make. I hope it doesn’t ruin your desire to learn about and experience an indigenous culture, but I hate to burst your bubble. We (all indigenous people) are regular people. We are not the romanticized “savages” of a bygone era. We get up in the morning and brush our teeth just like you do. Fellow indigenous photographer Nadya Kwandibens sums it up best in her mission statement.

“We, as Indigenous people, are often portrayed in history books as Nations once great; in museums as Nations frozen stoic; in the media as Nations forever troubled. These images can be despairing; however, my goal seeks to steer the positive course. If our history is a shadow, let this moment serve as a light. We are musicians, lawyers, doctors, mothers, and sons. We are activists, scholars, dreamers, fathers, and daughters. Let us claim ourselves now and see that we are, and will always be great, thriving, balanced civilizations capable of carrying ourselves into that bright new day.”

If you’re going to photograph our culture then, by all means, go ahead snap away, but please capture us as we are. We are living breathing human beings just like you. Don’t look for the past and the romantic notions of characters like Disney’s “Pocahontas”. (By the way, that whole story is so twisted the truth is buried in myth just like stories of King Arthur)

Never take that as the truth about the lives of indigenous people. Meet us, know us as humans and capture our heart and soul in the same way you would any other person you meet. Take the advice of my friend Michelle a fellow indigenous photographer.

How to Capture the True Nature of Indigenous Cultures with Sensitivity

Photography by: Michelle Glassford Mackenzie

“While photographing these public yet sacred events one must be both respectful and gracious. Despite being a public event it is best to ask permission to photograph individuals in their regalia, more than often the person will agree. For my photo of the gentleman (above), I asked if he would allow me to photograph him. He replied, only if he could return the favor and photograph me. So after I took this photo, he took my camera and photographed me. Sometimes, it is obvious when a person doesn’t want their photo taken and I will respect their wishes. Other times, you see the joy on their face, as in the female dancer. You don’t necessarily need to capture faces to tell a story, as seen in the photograph of the jingle dress. Also, during these ceremonies, there are Honour Songs and other sacred moments when Photography is not permitted….listen to the MC. Final words….Please be respectful.”

How to Capture the True Nature of Indigenous Cultures with Sensitivity

Another shot of the dress. This is a self-portrait.

Resources to help you

For those of you wishing to learn more and to explore photographing indigenous cultures, I’m leaving you with a list of resources. Ones which I hope will help you in your quest to capture amazing images and also help in capturing the true powerful nature of indigenous cultures and groups around the world.

It is my hope that this article helps to continue our journey. Indigenous people are moving towards a brighter future heading down the path towards the revitalization of our pride and our culture. Please don’t hesitate to ask me any questions. If I don’t know the answer, I will find those who do and share with you. This is not just about my family history but about the lives of millions of individuals who are moving forward in a modern society. We are still here, and we are amazing.

How to Capture the True Nature of Indigenous Cultures with Sensitivity

An indigenous mother and her children.

  1. The controversial book by Jimmy Nelson – I will let you decide how you feel about the photographs.
  2. Diego Huerto – Same thing with these images? What do you think?
  3. Aaron Huey’s Ted Talk – America’s Native Prisoners of War, a heart-wrenching account of the history of Native Americans from their perspective. Please note Aaron Huey is not an indigenous person.
  4. Matika Wilbur – Compare her photographs of indigenous women to the photographs by Jimmy Nelson and Diego Huerto. I think this difference speaks volumes, especially her Project 562.
  5. An example of the awakening and continued efforts to promote and reconnect with our culture from Windspeaker.
How to Capture the True Nature of Indigenous Cultures with Sensitivity

Photography by: Michelle Glassford Mackenzie

Note from the Editor

I have photographed a couple of Round Dances, which is a ceremony to celebrate the lives of those who have passed on. It is put on by a local charity organization; they provide the venue, food, and safe place. There were a few rules to doing photography such as no use of flash, and that at certain times no photos were to be taken. I was honored to capture this event and easily and happily abided by those rules. High ISO (12,800 in some cases) and a fast lens (f/1.8) did the trick. Respect is so important. Respect each other and gain understanding. I feel richer for having had these experiences and been allowed to photograph such a sacred event. Here are some of the images I captured – Darlene, dPS Managing Editor.










The post How to Capture the True Nature of Indigenous Cultures with Sensitivity by Erin Fitzgibbon appeared first on Digital Photography School.


Digital Photography School

 
Comments Off on How to Capture the True Nature of Indigenous Cultures with Sensitivity

Posted in Photography

 

Phase One introduces Capture One ambassador program

08 Nov

Phase One is forming partnerships with a group of pro photographers and retouchers under its new Capture One Brand Ambassador Program. Under this program, Phase One is teaming with some top talent from both the photography and retouching communities, giving them a platform through which “to share their talent and skills to inspire the photographic community.”

Translation: Capture One is a really impressive piece of post-processing software, and we want more people to know about it, especially now that everyone is pissed at Adobe.

Phase One currently has 13 brand ambassadors, a group comprised of professional retouchers and photographers with a variety of specialities including portrait, fashion, nature, cityscape, lifestyle and fine art. You can see a full list of the freshly minted ambassadors and their respective skills on the Phase One website.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Phase One introduces Capture One ambassador program

Posted in Uncategorized

 

Capture One Film Styles Pack tries to capture the ‘old analog feeling’ with 15 new presets

24 Oct

Phase One just released a new ‘Film Styles Pack’ for those Capture One users who, in the company’s words, “long to create the feel and texture from the days of analog photography.” Translation: you can now get several sought after ‘film looks’ within Capture One thanks to a fancy new preset pack.

The Film Styles Pack was launched this morning, and seeks to recreate the ‘colors, contrast and grain’ of analog photography through 15 different ‘looks’, each of which is available in three strengths for a total of 45 presets—33 in color and 12 in black & white.

This intro video gives you a good overview of the Pack and how these presets work:

And here is a before-and-after sample gallery for your perusing pleasure:

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_2397992062″,”galleryId”:”2397992062″,”isEmbeddedWidget”:true,”standalone”:false,”selectedImageIndex”:0,”startInCommentsView”:false,”isMobile”:false}) });

The Film Styles Pack is available today for $ 70 USD (70 Euro) from the Phase One e-store. To learn more about the presets or pick it up for yourself, click here.

Press Release

New Capture One Film Styles Pack Captures that Old Analog Feeling

COPENHAGEN, October 23, 2017 – Phase One today released The Film Styles Pack. This newest Styles Pack is designed for photographers who long to create the feel and texture from the days of analog photography. For artistic visions attracted to the colors, contrast and grain of these analog images, Capture One Film Styles help photographers get one step closer to creating this special atmosphere in their images.

This latest release delivers 15 different “looks,” each in three different strengths, from subtle to regular to strong, for a total of 45 different Styles. The pack includes 33 in color and 12 in black and white. The Capture One Film Styles may be the most versatile pack so far, given the wide variety of available options.

Capture One Film Styles give photographers a head start in the editing process, providing a solid foundation of adjustments for a faster workflow. Styles function as inspiration, providing a quick view of images, with a variety of editing options. The three-split-variation of each Film Style makes the pack easily applicable across various types of images and helps the photographer maintain full control of the editing process.

For Styles examples and usage guidelines, please see: phaseone.com/styles

View promotion video: https://youtu.be/s3p5xz9c0UU

Pricing and Availability

The Capture One Film Pack is available now for 69 USD / 69 EUR from the Phase One e-store: phaseone.com/styles-store. The pack contains 15 different “looks” in three different strengths (normal, plus and minus) for Windows and Mac operating systems.

A free sample pack composed of five Styles is also available, containing three versions of FL-07, one color style of FL-02, and one black and white style of FL-12. Download sample pack: https://go.phaseone.com/C1-EN-2017-10-04-FilmStylesSamplePack_EN01LP.html

Capture One version 10.2 or newer is recommended for the best user experience. Version 10.1.2 is necessary for Capture One Express (for Sony) users. The packs are simply installed with a double-click, importing via the new and improved Styles and Presets tool, or by dragging-and-dropping the Pack to the Capture One menu icon.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Capture One Film Styles Pack tries to capture the ‘old analog feeling’ with 15 new presets

Posted in Uncategorized

 

6 Simple Tips to Capture More Expressive Images of Your Children

22 Oct

Images of your children are probably THE most important images you will ever make, even if it doesn’t feel like it. But for the longest time what I did was make very superficial images of my kids, until I started applying a few of the tips below. Follow along to get more intimate and expressive images of your children too.

6 Simple Tips to Capture More Expressive Images of Your Children

1 – Ditch your portrait lens

The first thing to do, weirdly enough, if you have a go-to portrait lens that you use to photograph your family – is to ditch it. The reason is simple. Most of the time when we think of images of our children, we immediately think portraits.

I have nothing against portraits (there are a few on this page), but there’s more to your child than their portraits. At the end of the day, it’s really not about portraits, posing, making them pretty/handsome in the image, it’s about capturing snippets your child’s life as a whole.

6 Simple Tips to Capture More Expressive Images of Your Children

2 – Have a camera with you always

Life goes on whether you are ready to shoot it or not. One of the things I recommend is to get a small pocket camera that goes everywhere with you. Photographs present themselves

Photographs present themselves whether you have one with you or not, so having a small camera makes you ready for any situation. And let’s face it when you have enough bags (diapers, snacks, etc.) as-is you REALLY don’t want to be lugging around your DSLR.

6 Simple Tips to Capture More Expressive Images of Your Children

Great images can be made while going to the grocery store, at the wee hours of the morning, or just going to the park. In other words, when you least expect them. Like one time we had to call 911, my camera was with me. That is one of the times when you NEED your camera, it allows you to be present in the moment and yet detached enough not to lose your mind.

But besides those stressful times, the best images of my kids have been made when I least expected them.

6 Simple Tips to Capture More Expressive Images of Your Children

3 – Think in terms of LIFE

In order to make more intimate photographs of your kids, you need a mindset for it. Here is the question to ask yourself: “What are the images that only I could make?”

Imagine you just hired someone for a family shoot, what are the types of images that the hired photographer can’t get? If you think about it, these are the most intimate moments. Ones that can only be made in the process of living life itself.

6 Simple Tips to Capture More Expressive Images of Your Children

Photos of the kids sleeping peacefully, or that time where one was crying their eyeballs out…or when they finally scored a goal. It’s all about trying to find the majesty in the mundane parts of life when there are no special vacations planned, just plain old LIFE. Here are a few ideas to get your mind working:

  • Kids while playing
  • Kids recovering from sickness
  • When they are sad
  • When they are happy
  • While they are sleeping
  • What they look like right after waking up
  • Unwrapping a toy
  • Them being amazed at something

It’s all about photographing them while they are living their life. Capturing moments of intimacy that only YOU could capture because no one else is capable of getting that close to them.

The other part of the equation is to photograph your kids in this way as if you are doing a fine art project. That will help your mind find images that are not only intimate to you but also have inherent artistic value to them. Make art out of your family images.

6 Simple Tips to Capture More Expressive Images of Your Children

Why? Because between you and me, great photography outside of the home starts inside the home. So give your family photography the star treatment, and trust me, at the end of the day these images will have more value and be more meaningful to you than any other photographs you have created.

I would know, I once completely lost my hard drive. I was on the bed, tripped on the wire and BAM! Lost everything. I believed my best images were those of my street photography, that simply was not the case. I didn’t care at all about those images, all I wanted was to get my son’s birth pictures back. The hard drive is somewhere in storage, but I don’t know if I can ever recover the images.

6 Simple Tips to Capture More Expressive Images of Your Children

4 – Shoot for your eyes only

One way to make more personal images of your kids is to make photos that you will never show anyone. Images of their first shower, on the potty by themselves, you get the point. Of course, you will NEVER show them to anyone else ever, but it starts training your mind that not every image needs to be shared or have external thumbs up to be meaningful to you.

So start making the kinds of images you know will never be seen by any other set of eyes, maybe theirs when they grow up. If they are nice that is!

6 Simple Tips to Capture More Expressive Images of Your Children

5 – How to get them to be REAL

Let’s face it, when you deal with kids and children, they have already been spoiled rotten by the camera. You just point your camera towards them and you will hear “chhhhhheeeeeeese” with a fake smile to boot. That will only lead to uncomfortable looking kids in your images. So what do you do? Simple – you fake it.

Kids are themselves right before and right after you take the photo. So you either have to be quick and take the image BEFORE they start putting on their picture face. Or you have to do so after.

If your camera makes a CLICK sound, just wait for it, and say “Okay, done!” and about half a second later take another image. That one is always better because that’s when the kids let their guard down.

6 Simple Tips to Capture More Expressive Images of Your Children

Also sometimes it’s better to do two images, one for you and one more for them. For example, I like dark, moody, pensive images. My first son is all about smiles, fun, and giggles.

So sometimes what I do is direct him to make the image I have in my mind. Then once I have done that, I just tell him to do whatever he wants, and I usually end up with a grimace and shoot that. The first image would be more of a reflection of me and the second is more of a reflection of him. It’s win-win in my book.

6 – Give them the greatest gift ever

Imagine this: Your son (or daughter) is getting married. It’s your turn to make a speech. You can’t contain your emotions, and you want to cry. Yet you muster up the courage to give the speech and all of a sudden you take hold of the remote control and start a slideshow for everyone to see. It’s your son, his baby pictures, that time he was 6 and lost his tooth, times of sadness, happiness, and more.

6 Simple Tips to Capture More Expressive Images of Your Children

Make a photo project out of your children’s lives. And when it’s time…give them a book with the best images you’ve ever made of them. I think the greatest gift you can give them – besides the basics, like character – is an album of their life.

How important is this? Very! I can’t show my kids any photos of myself growing up. All of those images were lost to an earthquake that happened in Haiti a few years back. I can’t show them when I was sleeping with some spaghetti in my mouth, or my first tooth falling out.

6 Simple Tips to Capture More Expressive Images of Your Children

I think it makes it easier for our kids to relate to us when we can show them we were kids too. My kids? I’ll make sure each one gets an album of their life when the time is right…if they don’t make me lose my mind first that is!

6 Simple Tips to Capture More Expressive Images of Your Children

Conclusion

Your most important work as a photographer is family work. It may not feel like it now, but don’t wait until a hard drive crash to figure it out. Always have your camera at the ready and photograph their life as it happens.

When it’s time you will have a collection of impactful images you can give them and they, in turn, can share with their family. Be yourself, stay focused and keep on shooting.

The post 6 Simple Tips to Capture More Expressive Images of Your Children by Olivier Duong appeared first on Digital Photography School.


Digital Photography School

 
Comments Off on 6 Simple Tips to Capture More Expressive Images of Your Children

Posted in Photography