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Canon announces EF-M 18-150mm F3.5-6.3 STM and EF 70-300 F4-5.6 IS II USM lenses

15 Sep

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Canon has announced two new lenses ahead of Photokina, unveiling an updated EF 70-300mm with an LCD panel and a versatile EF-M 18-150mm for its mirrorless line.

The EF 70-300mm F4.5-5.6 IS II USM updates a lens from 2005 with a Nano USM motor, offering USM motor focusing for stills and a quieter STM stepping motor for video AF. It’s the second Canon lens to offer this type of motor; the first was the 18-135mm F3.5-5.6 IS USM introduced in February.

The 70-300mm II’s information panel can be used to display focusing distance, focal length and ‘shake amount’. The lens claims four stops of shake correction, uses one UD element to reduce chromatic aberration and offers a close focusing distance of about 1.2m/4ft.

The EF-M 18-150mm F3.5-6.3 IS brings a 29-140mm equivalent zoom to Canon’s mirrorless system. Its image stabilization also claims 4 stops of shake correction.

The Canon EF 70-300mm F4.5-5.6 IS II USM will go on sale in November for $ 550. The Canon EF-M 18-150mm F3.5-6.3 IS STM will sell for $ 500 in December in graphite and silver.

Press release

CAPTURE HIGH-QUALITY ACTION SHOTS AND VIDEO FROM AFAR WITH THE NEW CANON EF 70-300mm f/4.5-5.6 IS II USM lens

Affordable Lens Features NANO USM Technology, Enhanced Image Stabilizer and Information Display

MELVILLE, N.Y., September 15, 2016 – Having the right tool for the job has long been the mantra for professional photographers and hobbyists alike. Canon’s wide array of lenses provide users with a variety of creative options to help capture dynamic photos and videos with their DSLR cameras. Canon U.S.A., Inc., a leader in digital imaging solutions, announced today the new Canon EF 70-300mm f/4.5-5.6 IS II USM lens featuring NANO USM technology for high-speed and near-silent focusing in both still and video modes. The lens also features a new LCD information display and four-stop* image stabilization.

“To help photographers that are striving to create the most amazing pictures and videos possible, Canon is dedicated to developing the best tools to help them with their goal,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. “Having this new EF 70-300mm f/4.5-5.6 IS II USM lens in a photographer’s camera bag will surely help them achieve their creative vision.”

Designed with the user in mind, this affordable new lens includes technology to spark creativity and deliver excellent image and video quality from afar. This is the second Canon lens equipped with NANO USM technology, a focusing motor that combines the benefits of a ring USM (ultrasonic motor) for high-speed AF during still photo shooting and lead-screw type STM (stepping motor) for smooth and quiet video autofocusing (AF)

Features for the Canon EF 70-300mm f/4.5-5.6 IS II USM lens include:

  • High-speed autofocus for shooting stills and smooth, near-silent autofocus when shooting video is achieved by incorporating NANO USM technology.
  • New Lens Information Display shows focusing distance, focal length and shake amount.
  • One UD Lens helps reduce chromatic aberration and delivers outstanding high resolution and high-contrast results.
  • Image Stabilizer effect at up-to-4* stops of shake correction helps capture sharp images.
  • Circular aperture (9 blades) helps deliver beautiful, soft backgrounds.
  • Full-time manual focus allows manual focus adjustment while in AF Mode.

The Canon EF 70-300mm F/4.5-5.6 IS II USM lens is scheduled to be available in November 2016, for an estimated retail price of $ 549.99**. For more information: http://www.usa.canon.com/

* Based on CIPA (Camera & Imaging Products Association) standards. Testing performed using the EOS-1D X digital SLR camera at a focal length of 300mm.

** Availability, specifications and price are subject to change without notice. Actual prices are set by individual dealers and may vary.

Key Features of the Canon EF-M 18-150mm f/3.5-6.3 IS STM Lens Include:

  • Canon’s first EF-M high-zoom power lens covering a broad range of shooting scenes with a high-zoom ratio of up to 8.3x (29–240mm equivalent).
  • Compact and lightweight design allows for easy portability.
  • Optical design helps provide excellent image quality across a broad zoom range comparable to the EF-S 18–135mm f/3.5–5.6 IS USM lens.
  • Maximum magnification of 0.31x at focal length 150mm.
  • Image Stabilizer effect at up to 4 stops of shake correction helps capture sharp images.

Canon EF 70-300 F4-5.6 IS II USM / EF-M 18-150mm F3.5-6.3 IS STM specifications

  Canon EF 70-300 F4-5.6 IS II USM Canon EF-M 18-150mm F3.5-6.3 IS STM
Principal specifications
Lens type Zoom lens
Max Format size 35mm FF APS-C / DX
Focal length 70–300 mm 18–150 mm
Image stabilization Yes (4 stops)
Lens mount Canon EF Canon EF-M
Aperture
Maximum aperture F4–5.6 F3.5–6.3
Minimum aperture F32–45 F22–40
Aperture ring No
Number of diaphragm blades 9 7
Optics
Elements 17
Groups 12 13
Special elements / coatings UD element 2 aspherical + 1 UD element
Focus
Minimum focus 1.20 m (47.24″) 0.25 m (9.84″)
Maximum magnification 0.25× 0.31×
Autofocus Yes
Motor type Nano ultrasonic Stepper motor
Full time manual Yes
Focus method Rear
Focus notes Nano USM motor combines best of STM and ring-type USM
Distance scale No
DoF scale No
Physical
Weight 710 g (1.57 lb) 300 g (0.66 lb)
Diameter 80 mm (3.15″) 61 mm (2.4″)
Length 146 mm (5.75″) 87 mm (3.43″)
Sealing No
Colour Black Graphite or silver
Zoom method Rotary (extending)
Power zoom No
Zoom lock Yes No
Filter thread 67.0 mm 55.0 mm
Hood supplied No
Tripod collar No
Other
Notes Lens Information Display shows focusing distance, focal length and shake amount.

Articles: Digital Photography Review (dpreview.com)

 
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Canon EOS M5 elevates enthusiast appeal with 24MP Dual Pixel AF sensor and built-in EVF

15 Sep

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The Canon EOS M5 takes the company’s mirrorless line a big step forward with a 24.2MP CMOS sensor using Dual Pixel technology, a DIGIC 7 image processor and a built-in 2.36M-dot EVF. It jumps ahead of the M3 as the most enthusiast-focused camera in the lineup with added control points, burst shooting at 7fps and 1080/60p video that combines in-lens and digital IS for 5-axis stabilization for movie recording.

The M5’s 3.” 1.62M-dot touchscreen tilts up by 85° and downward by 180°, and supports touch-focusing even when using the EVF. Wi-Fi and NFC are offered along with low energy Bluetooth that provides a continuous connection. 

The Canon EOS M5 will go on sale in November 2016. It will sell for $ 979 body-only, with the EF-M 15-45mm F3.5-6.3 IS STM for $ 1099 or with the just-announced EF-M 18-150mm F3.5-6.3 IS STM for $ 1479 (that kit goes on sale in December). 

Read our Canon EOS M5 First Impressions Review

Press release

CANON U.S.A INTRODUCES THE LATEST MEMBERS OF THE EOS FAMILY THE EOS M5 DIGITAL CAMERA AND ITS FIRST EF-M HIGH POWER ZOOM LENS

EOS M5 Camera Provides The Fastest Autofocus (AF) speed of EOS M-Series and a built-in Electronic Viewfinder

MELVILLE, N.Y., September 15, 2016 – Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the latest additions to its EOS M series system – the new Canon EOS M5 Interchangeable Lens Digital Camera and compact EF-M 18-150mm f/3.5-6.3 IS STM lens. The EOS M5 camera features a 24.2 Megapixel APS-C sized CMOS sensor, DIGIC 7 Image Processor and the fastest AF speed in the EOS M-series , enabling photographers to capture clear, sharp, high-resolution images and Full HD videos. It is also the first in the EOS camera line to include the low energy Bluetooth® Smart feature that can maintain a constant connection with your compatible smartphone or tablet when you use the Canon camera connect application and both applications are active. The versatile EF-M 18-150mm f/3.5-6.3 IS STM lens is compatible with all Canon EOS M series digital cameras, and is a great option for photographers looking to capture scenic landscapes while traveling to close-up shots from afar.

“The new capabilities found in the Canon EOS M5 Camera and EF-M 18-150mm f/3.5-6.3 IS STM lens set a new standard for our EOS M series of cameras and lenses, showing that Canon is constantly incorporating performance enhancements desired by our customers,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. “When paired together, the new EOS M5 camera and EF-M 18-150mm f/3.5-6.3 IS STM lens provide image-makers of all levels with powerful tools that enable them to capture a variety of remarkable images and videos.”

In addition, advanced photographers will appreciate the improved operability of the EOS M5 camera. It has a built-in electronic viewfinder (EVF) and Canon’s Dual Pixel CMOS AF for capturing stills and shooting video with smooth and precise autofocus. This allows for Touch and Drag AF so users can easily switch the subject of their focus by dragging the AF frame directly on the LCD panel, even while looking through the camera’s EVF. Focus peaking allows users to highlight the area of the image that is in focus from within the EVF or LCD monitor. In addition to its touchscreen operability, the EOS M5 camera also has easily accessible dials that allow you to quickly adjust your settings on-the-go.

Key Features of the Canon EOS M5 Camera Include:

  • 24.2 Megapixel CMOS (APS-C) sensor, ISO 100–25600.
  • Fast and smooth Dual Pixel CMOS AF helps you capture stills and shoot video with quick and precise autofocus.
  • High-speed continuous shooting at up to 7.0 fps (up to 9.0 fps with AF Lock) and new DIGIC 7 Image Processor with improved AF tracking performance.
  • Full HD 60p helps capture fast-moving subjects and brilliant results in MP4 format.
  • Digital IS with 5-axis image stabilization when shooting movies plus increased image stabilization with both lens optical IS and in-camera digital IS when shooting with an IS lens.
  • Built-in high-resolution EVF (approx. 2,360,000 dots) with new Touch and Drag AF lets you manually move the AF frame displayed for more precise focusing in different shooting situations.
  • Intuitive touch screen 3.2 tilt-type (85° up/180° down) LCD monitor (approx. 1,620,000 dots) enables flexible positioning and clear viewing.
  • Easily customize functions while shooting using the Main Dial, Quick Control Dial, Dial Function Button and Exposure Compensation Dial.
  • Built-in Wi-Fi® and NFC allows for easy sharing and transferring of images and videos.
  • Equipped with Bluetooth®iii Smart for smooth pairing with a compatible smartphone by powering on both devices for easy photo sharing and remote control possibilities.
  • Shorter camera startup time and interval time between each image capture for a more efficient shooting experience.
  • Compatible with EF-M lenses as well as the full line of EF and EF-Sviii lenses and Speedlites for expanded creativity.

The Canon EOS M5 also features Combination IS with in-camera 5-axis image stabilization, while capturing video, a first in the Canon EOS series. With a compatible lens attachediv, Combination IS leverages optical IS and in-camera digital IS to help create tremendously smooth videos. The DIGIC 7 Image Processor makes the 5-axis IS possible even with lenses that do not contain IS, because the in-camera image stabilization functions independently to help reduce camera shake when shooting videos.

Additionally, the EOS M5 camera shoots impressive time-lapse videos. The EOS M5 camera also allows for easy panning by setting the optimal shutter speed after analyzing the camera’s panning speed and how fast the subject is moving.

The new Canon EF-M 18-150mm f/3.5-6.3 IS STM lens offers a high-zoom ratio, expanding the range of photographic possibilities for EOS M digital cameras. Its image stabilizer helps with reducing image blur and making image and video shooting easier at longer focal lengths. Along with the enhanced performance, the EF-M 18-150mm f/3.5-6.3 IS STM lens is compact and lightweight, making it a versatile and convenient lens to carry.

Key Features of the Canon EF-M 18-150mm f/3.5-6.3 IS STM Lens Include:

  • Canon’s first EF-M high-zoom power lens covering a broad range of shooting scenes with a high-zoom ratio of up to 8.3x (29–240mm equivalent).
  • Compact and lightweight design allows for easy portability.
  • Optical design helps provide excellent image quality across a broad zoom range comparable to the EF-S 18–135mm f/3.5–5.6 IS USM lens.
  • Maximum magnification of 0.31x at focal length 150mm.
  • Image Stabilizer effect at up to 4 stops of shake correction helps capture sharp images.

Pricing and Availability

The new Canon EOS M5 camera is scheduled to be available through authorized Canon dealers or through the Canon Online store at http://shop.usa.canon.com/ in November 2016, for an estimated retail price of $ 979.99 for the body only. It will also be sold as part of body-and-lens kits with EF-M 15-45mm/F3.5-6.3 IS STM zoom kit lens (estimated retail price of $ 1,099.00, scheduled to be available early November 2016 ), and with the new EF-M 18-150mm f/3.5-6.3 IS STM lens for an (estimated retail price of $ 1,479.00x, scheduled to be available early December 2016x)

In addition, the new Canon EF-M 18-150mm f/3.5-6.3 IS STM lens, available in graphite and silver colors, is scheduled to be available in December 2016 for an estimated retail price of $ 499.99x.

Additional optional EOS accessories include a Body Jacket (EM-E2) and Neck Strap (EH29-CJ) that come in black or brown. For more information please visit: http://mseriescameras.usa.canon.com

Canon EOS M5 specifications

Price
MSRP $ 979 (body), $ 1099 (w/15-45mm lens), $ 1479 (w/15-150mm lens)
Body type
Body type SLR-style mirrorless
Body material Metal
Sensor
Max resolution 6000 x 4000
Other resolutions 3:2 (6000 x 3368, 3984 x 2656, 2976 x 1984, 2400 x 1600), 16:9 (6000 x 3368, 3984 x 2240, 2976 x 1680, 2400 x 1344), 4:3 (5328 x 4000, 3552 x 2664, 2656 x 1992, 2112 x 1600), 1:1 (4000 x 4000, 2656 x 2656, 1984 x 1984, 1600 x 1600)
Image ratio w:h 1:1, 4:3, 3:2, 16:9
Effective pixels 24 megapixels
Sensor photo detectors 26 megapixels
Sensor size APS-C (22.3 x 14.9 mm)
Sensor type CMOS
Processor Digic 7
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Auto, 100-25600
White balance presets 6
Custom white balance Yes
Image stabilization No
Image stabilization notes 5-axis for video only
Uncompressed format RAW
JPEG quality levels Fine, standard
File format
  • JPEG (Exif v2.3)
  • Raw (Canon CR2, 14-bit)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Manual focus Yes
Number of focus points 49
Lens mount Canon EF-M
Focal length multiplier 1.6×
Screen / viewfinder
Articulated LCD Tilting
Screen size 3.2″
Screen dots 1,620,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder resolution 2,360,000
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/4000 sec
Exposure modes
  • Program
  • Shutter priority
  • Aperture priority
  • Manual
Built-in flash Yes
Flash range 5.00 m (at ISO 100)
External flash Yes
Flash X sync speed 1/200 sec
Continuous drive 9.0 fps
Self-timer Yes (2 or 10 secs, custom, remote)
Metering modes
  • Multi
  • Center-weighted
  • Spot
  • Partial
Exposure compensation ±3 (at 1/3 EV steps)
AE Bracketing ±2 (3 frames at 1/3 EV steps)
WB Bracketing No
Videography features
Modes
  • 1920 x 1080 @ 60p / 35 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 30p / 24 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 24p / 24 Mbps, MP4, H.264, AAC
  • 1280 x 720 @ 60p / 16 Mbps, MP4, H.264, AAC
Microphone Stereo
Speaker Mono
Storage
Storage types SD/SDHC/SDXC card
Connectivity
USB USB 2.0 (480 Mbit/sec)
HDMI Yes (micro-HDMI)
Microphone port Yes
Headphone port No
Wireless Built-In
Wireless notes 802.11/b/g/n with Bluetooth and NFC
Remote control Yes (Via smartphone or wireless remote)
Physical
Environmentally sealed No
Battery Battery Pack
Battery description LP-E17 lithium-ion battery & charger
Battery Life (CIPA) 295
Weight (inc. batteries) 427 g (0.94 lb / 15.06 oz)
Dimensions 116 x 89 x 61 mm (4.57 x 3.5 x 2.4″)
Other features
Orientation sensor Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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Modern Mirrorless: Canon EOS M5 First Impressions Review

15 Sep

The Canon EOS M5 is the most enthusiast-friendly EOS M yet. It’s a 24MP mirrorless camera built around a Dual Pixel APS-C sensor, giving it depth-aware focus across most of the frame. On top of this it adds a built-in electronic viewfinder, a good number of external controls and a well implemented touchscreen.

This level of direct control puts it in competition with Sony’s a6000 and a6300, and Panasonic’s GX85 (GX80) and GX8 enthusiast models. All of these cameras aim to offer stills and video capabilities in relatively small bodies but with a reasonable level of direct external control.

Key Specifications

  • 24MP Dual Pixel APS-C CMOS Sensor
  • 2.36M-dot OLED electronic viewfinder
  • 1.62M-dot tilting rear touchscreen
  • Electronic video stabilization combines with in-lens IS to give 5-axis IS
  • 7 fps continuous shooting (9 fps with focus and exposure locked)
  • Wi-Fi with always-connected Bluetooth

In fact it’s the implementation of this touchscreen that we’re most impressed with. Much like the system developed by Panasonic, the M5 not only lets you use the rear touchscreen to position focus, it also allows its use as a touchpad to move the focus point, when you’re shooting through the viewfinder. This, combined with decisive autofocus, should be really significant for both stills and video shooting.

The camera has four dials in total: two main dials on the top of the camera, a dedicated exposure compensation dial and a fourth dial encircling the four-way controller on the back of the camera. This is a much higher level of direct control than offered on the simpler EOS M-series models offered previously, suggesting Canon expects the user to take more hands-on control of the shooting experience.

Three of the four control dials on the M5 are on the top plate, giving users easy access to exposure parameters.

While the lack of 4K video capability is a disappointment, the ability to use the touchscreen to re-position the focus point with a high level of confidence that the camera will smoothly glide the focus to the right point is highly desirable. We maintain that, for many applications, easily-shot, good quality 1080 is just as valuable as poorly shot 4K, so we’re not too put off by this development.

The touchscreen-plus-Dual-Pixel-AF combination is also useful for stills shooting – you can not only use the touchscreen to drag the focus point around the screen but also use it to select between available faces if shooting or recording in face detection mode.

The other significant benefit of the M5 finally receiving Canon’s Dual Pixel AF system is that it should now be able to focus adapted EF and EF-S lenses effectively but without being limited to the small central focus area offered when using comparable Rebel / EOS x-hundredD DSLR models.

Compared with its peers

The enthusiast photographer has a good number of choices, when looking for a reasonably sized mirrorless camera with a good degree of direct controls. Sony offers the a6000 and a6300, depending on how much you need 4K video and how demanding your AF needs are. Meanwhile, Panasonic offers both the GX85 and GX8, with the more expensive model offering higher resolution and a better viewfinder. All four of these models are extremely capable, with ease-of-use being the Canon’s most obvious response to their broadly higher video specifications.

  Canon EOS M5 Sony a6300 Panasonic GX8
MSRP $ 1099 with 15-45mm lens $ 1149 with 16-50mm lens $ 1199 body only
Pixel count 24MP 24MP 20MP
Focus method ‘Dual Pixel’ on-sensor PDAF On-sensor PDAF Contrast detection*
EVF 2.36M dots 2.36M dots 2.36M dots
 Dials Two on top plate
Exposure Comp
Four-way/dial		 Top plate
Four-way/dial		 Two on top plate
Exposure Comp
Continuous shooting 9 fps
(7 with live view and C-AF)		 11 fps
(8 with live view)		 8 fps
(5.5 with live view)
Video specifications 1080/60p 4K/30p
1080/120p		 4K/30p
1080/60p
Peaking/Zebra Yes/No Yes/Yes  Yes/Yes
Touch focus in video Yes No  Yes
Battery life
Screen/EVF		 295/295 shots
(410 in Eco mode)		 400/350 shots 330/310 shots

* When using own-brand lenses the GX8 adds distance prediction based on the out-of-focus characteristics of the lens (A system Panasonic calls ‘Depth From Defocus’).

Articles: Digital Photography Review (dpreview.com)

 
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Striding Forth: Canon EOS 5D Mark IV Review

15 Sep

Introduction

The Canon EOS 5D series is arguably one of the most recognizable camera lines of the digital age and the Mark IV is designed to appeal to the same wide range of enthusiasts and professionals. Nearly identical-looking to its predecessor, it receives substantial upgrades under the hood, including: a higher-resolution sensor with Dual Pixel autofocus, 4K video capture, an upgraded AF system, a touchscreen, improved weather-sealing, built-in Wi-Fi/NFC, an interval timer and GPS. All this adds up to a camera that fits into Canon’s product line nicely as the all-around full-frame option.

It is built around a new 30.4MP CMOS sensor and uses the Digic 6+ processor. The AF system is from the flagship 1D X Mark II and contains 61 AF points (41 of which are cross-type) with up to 24% expanded vertical coverage compared with the system in the Mark III. The center point is sensitive to -3EV in One Shot (AF-S) mode (in Live View the sensor is sensitive to -4EV with a fast lens).

4K video capture is a welcome addition to this camera and users can record in either 24 or 30p, albeit with a 1.64x crop. All footage is captured as Motion JPEG. Additionally, the camera allows for 4K Frame Grabs, effectively giving users 30 fps stills shooting with (Dual Pixel) AF. We’ve seen that the camera suffers from some rolling shutter, but it may still have some merit for capturing the decisive moment when 7fps just isn’t enough.

While developing the IV, Canon says it sought feedback from 5D-series users and found that dynamic range, resolution, AF precision and AF speed were the four most important areas improvements were requested. On paper, the Mark IV seems to address these aspects nicely.

Canon 5D Mark IV Key Specifications

  • New 30.4MP CMOS full-frame sensor with Dual Pixel AF
  • DCI 4K 30/24p video using Motion JPEG + 4K Frame Grab
  • 61-point AF system with 41 cross-type sensors (center point sensitive to -3 EV)
  • Dual Pixel AF (sensitive to -4EV) for continuous Servo AF in stills (first for a full-frame Canon camera) and video
  • ISO 100-32000 (expandable to 102400)
  • 7 fps continuous shooting
  • Dual Pixel Raw (image microadjustment, bokeh shift, ghosting reduction)
  • 150,000-pixel RGB+IR metering sensor
  • 1.62M-dot 3.2″ full-time touchscreen
  • Wi-Fi w/ NFC + GPS
  • Built-in bulb timer interval timers
  • Improved weather-sealing

In terms of AF, the increased coverage area is definitely a big deal: after all, it’s the exact same AF system found in the company’s flagship sports camera. The 150,000-pixel RGB-IR metering sensor, which feeds scene information to the AF system, is borrowed from the original 1D X, bringing enhanced subject identification (including faces) and tracking (‘iTR’), as well as improved metering and flicker detection.

The 5D Mark IV is Canon’s first full-framer that can continuously focus in Live View during stills capture, and because of the way Dual Pixel AF works, focus is generally very accurate, even with fast lenses. It’s surprisingly good at sticking to the original subject (or face) you initiated focus on, and it’s easy to specify your subject by tappping on it on the touchscreen in ‘Face Detect+Tracking’ mode.

The 5D Mark IV also has some new tricks up its sleeve including Dual Pixel Raw, a nifty option that can prove useful in specific shooting scenarios. It works by recording two 30MP images, one from each of the ‘left-looking’ and ‘right-looking’ photodiodes at each pixel. Previous Canons have combined these two signals at each pixel, but Dual Pixel Raw gives you the option of keeping them separate. This results in a file that’s twice as large, but one that allows for ‘image micro-adjustment,’ ‘bokeh shift’ and ghosting reduction (more on this on our Features page) in Canon’s supplied Digital Photo Professional software.

Compared to its peers

Canon now offers a range of full-frame models. On the high end you have the Canon’s sports and action-oriented 1D X Mark II, with its 20.2MP sensor and 14 fps continuous shooting (with AF). The 5DS (and ‘R’ variant), with their 50.6MP sensors, are the company’s high resolution options. The 5D Mark IV splits the difference in terms of resolution and is positioned as Canon’s all-rounder. For those on a budget, the EOS 6D soldiers on, four years after its introduction.

So how does the 5D Mark IV stack up against its closest sibling and predecessor? Take a look for yourself:

  Canon EOS 5D IV
 Canon EOS 5D III
 Canon EOS 5DS
MSRP $ 3499 $ 3499 $ 3699
Sensor 30.4MP 22.3MP 50.6MP
ISO range
(expanded)		 100 – 32000
(expandable 50-102400)		 100 – 25600
(expandable 50-102400)		 100 – 6400
(expandable 50-12800)
AF points 61 (41 cross-type)
over expanded region		 61 (41 cross-type) 61 (41 cross-type)
Live view/video AF ‘Dual Pixel’ phase detection Contrast detection Contrast detection
RGB metering sensor resolution 150k pixels 63-zone dual-layer 150k pixels
LCD 3.2″ 1.62M-dot touchscreen 3.2″ 1.04M-dot 3.2″ 1.04M-dot
Burst rate 7 fps 6 fps 5 fps
Video DCI 4K/30/24p 1080/30p 1080/30p
Headphone socket Yes Yes No
Card format 1x Compact Flash
1x SD

1x Compact Flash
1x SD

 1x Compact Flash
1x SD
Built-in Wi-Fi/NFC Yes No No
GPS Yes No No

Obviously if you need the resolution, the Canon EOS 5DS is the more sensible choice. But in just about every other regard, the Canon EOS 5D Mark IV is the far more versatile camera and a worthy upgrade from the 5D Mark III.

Pricing and availability

The Canon EOS 5D Mark IV ships this September and will cost $ 3499 body only, $ 4399 with the 24-70mm F4L IS USM lens and $ 4599 with the 24-105mm F4L IS II USM lens.

Articles: Digital Photography Review (dpreview.com)

 
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‘Dark Magic’: Recording video of the Perseid Meteor Shower with the Canon ME20F-SH

13 Sep

Ben Canales of Oregon-based Uncage the Soul video production company has a few nice things to say about the Canon ME20F-SH. ‘It’s pretty much borderline dark magic,’ he tells DPR over email. I’ve gotten in touch with him to ask about the video you see above, a short film following 20 high schoolers studying the Perseids Meteor Shower as part of a summer astronomy camp. He used the camera and a Sigma 20mm F1.4 DG Art to record the kids as they joined the annual Oregon Star Party, a camp of more than 600 astronomers.

Canales has been on a quest for several years to find the ultimate low-light tool: something that would allow him to capture video of the night sky without using stop motion or time-lapse. ‘A couple years ago I got fixated on the question of “When will we be able to record video of the stars?” I saw the continual progress of sensor quality in my long exposures, and figured it wasonly a matter of time before ISO performance gets so good the shutter speed can be taken down to video frame rates.’

Naturally, he took interest in Sony’s a7S and a7S II, using them for a few low light projects. He calls the A7S series a game changer, ‘but its usable ISO ceiling was somewhere between 50k and 100k… We were close, but not yet close enough to shooting video of the stars. We were past the stop motion look, but the video just looked… kinda crappy.’

‘Hands down – nothing can currently touch this camera’s ability to shoot in low light. Trust me. I’ve obsessively tried them all.’

Then came the Canon ME20F-SH in late July 2015. It boasts pixels measuring 19?m – 5.5X larger than what’s found on high-end DSLRs and is capable of recording video at 75 Db – equivalent to more than ISO 4 million. Canales got ahold of one and found headed away from the city lights to test it out. His review? ‘Hands down – nothing can currently touch this camera’s ability to shoot in low light. Trust me. I’ve obsessively tried them all.’

In recording the video above, Canales found he could work with up to what equates to a 350-400k equivalent ISO. He hopes that with more experimentation he can push it even further. 

So what are some of the challenges of filming in almost total darkness? For one… well, the darkness. ‘Focus is tough,’ Canales says. ‘You need the lens completely wide open to get enough light, so operating in the dark with night vision continually being destroyed by the monitor, and then trying not to fall on the things around me while moving around… it gets comical.’

You’ve also got to work against your natural sleep rhythms. ‘The sleep deprivation and working in time of day we’re normally asleep is the biggest challenge. I made many stupid mistakes simply from exhaustion. But… that’s also the part of this pursuit I enjoy.’

‘We’ve seen this image before, but only in green night vision. To see these scenes resolved in color boggles the mind.’

And then there’s an all-too-familiar problem: curious and excited fellow photographers who want to know just what the heck you’re working with. ‘This thing begs for attention around people,’ Canales learned quickly.

‘Anyone who looks over my shoulder and sees the screen has no choice but to be stunned. We’ve seen this image before, but only in green night vision. To see these scenes resolved in color boggles the mind. We don’t have a baselines for this being possible. I actually had a hard time keeping the Q&A informal interviews with the video subjects not be interrupted by “Dude! How are you doing that!?” ‘

What do you think? Does this technology open up new possibilities for astro-videography? Tell us in the comments below. You can also see more of Uncage the Soul’s work on Vimeo.

Articles: Digital Photography Review (dpreview.com)

 
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Harder than it looks: LensRentals gets inside the Canon EOS 5D IV

10 Sep

LensRentals gets inside the Canon EOS 5D IV

Canon’s new EOS 5D IV is a formidable bit of hardware, boasting a 30MP full-frame sensor and 4K video. Our friend Roger Cicala over at LensRentals.com has taken one apart to see how it works. His verdict? It’s harder to disassemble than you might expect…

LensRentals gets inside the Canon EOS 5D IV

Lensrentals.com, 2016

We love it when LensRentals takes cameras to bits for two reasons. First, we’ve always wanted to see what these things look like on the inside, and second, it’s not the kind of thing that our friends at the major camera manufacturers would ever let us do. 

The screwdrive-happy nerds at LensRentals enjoy opening up Canon cameras particularly, it seems, because in Roger’s words ‘the engineering is always nicely laid out and usually pretty’. Ok then. 

LensRentals gets inside the Canon EOS 5D IV

Lensrentals.com, 2016

The 5D IV, however, seems not to be a typical Canon camera in that it proved very difficult to get into. According to the crew at LensRentals, ‘Until now Canon cameras have all been pretty straightforward in their disassembly: you take out screws, that part of the case comes off, repeat for another part of the case’. 

With the 5D IV, on the other hand… ‘to take off any part of the shell, other than the back assembly, you have to take off most of the shell because Canon has added lots of plastic pegs and latches to the various parts of the shell, making it much more interlocking than in previous cameras’. 

LensRentals gets inside the Canon EOS 5D IV

Lensrentals.com, 2016

Part of the reason for the additional latches could be to improve the durability and weather-sealing of the camera, which as you’d hope features ‘lots of foamed seals along doors and joints’

This view shows the inside of the 5D IV’s rear shell. According to Roger, ‘Inside it looks very much like other Canon back covers. There are aluminum shields over the button panel and LCD. The flexes running to and fro over the LCD are more complex than other Canons because of the extra processing for the touch screen.’

LensRentals gets inside the Canon EOS 5D IV

Lensrentals.com, 2016

This is the main LCD flex, which is unusually large. In Roger’s words ‘almost a circuit board’. 

LensRentals gets inside the Canon EOS 5D IV

Lensrentals.com, 2016

From the back, Roger found a couple of interesting things, looking at the EOS 5D IV: ‘First, there are more flexes connecting to the main PCB than most other models. Second, we were very pleased to see a thick, stiff, sheet of rubber covering the back of the PCB’.

LensRentals gets inside the Canon EOS 5D IV

Lensrentals.com, 2016

The EOS 5D IV benefits from the redesigned mirror assembly we first saw in the EOS 5DS/R, and here’s the mirror motor, tucked away to the left of the lensmount.

LensRentals gets inside the Canon EOS 5D IV

Lensrentals.com, 2016

Here’s the EOS 5D IV’s top assembly. And this is as far as Roger is prepared to go, because ‘we’ve learned from long, painful experience not to take these apart unless we absolutely need to. In general, if something is wrong with the top assembly, you just replace the top assembly’. 

LensRentals gets inside the Canon EOS 5D IV

Lensrentals.com, 2016

This is the EOS 5D IV’s main PCB. Unusual, because ‘there are a lot, a whole lot, of flexes connected to the board from every direction. They are thicker and more complex than previous cameras and a lot end up in thick ‘press in’ connectors instead of simple flex cables.’

LensRentals gets inside the Canon EOS 5D IV

Lensrentals.com, 2016

‘Underneath where the PCB was we now see the circuit board of the image sensor, and to the right of that the CF card assembly’.

LensRentals gets inside the Canon EOS 5D IV

Lensrentals.com, 2016

What did Roger and his team learn from taking the EOS 5D IV apart? 

  • ‘The weather sealing on the Canon 5d Mark IV appears pretty robust’
  • The multiple pins, clips and screws that hold the camera together might improve weather-resistance but make it ‘kind of a pain to get into’.
  • The extra technology inside the EOS 5D IV mean that ‘there are more chips, and more and heavier connectors moving electrons from board to board than even the Canon 5Ds cameras have’.
  • ‘there’s more air inside this camera than we’re used to seeing. […] In other words, this camera probably could have been a bit smaller but Canon wanted to keep the form factor the same.’
  • ‘Construction is at least as robust as the recent 5 series releases and better than the Canon 5D III’.

You can read the full tear-down, with Roger’s usual detailed analysis and plenty of additional images at LensRentals.com.

Articles: Digital Photography Review (dpreview.com)

 
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Canon EOS 7D Mark II firmware 1.1.0 now available

09 Sep

Canon has released the firmware update it promised for the EOS 7D Mark II when it launched the W-E1 ‘card-shaped’ wireless adapter. Outside of adding support for the adapter, firmware 1.1.0 is fairly minor, also making it possible to enable and disable automatic storage of three STM lenses when the camera is turned off.

Firmware v1.1.0’s changelog lists the following changes:

  1. Supports Wi-Fi adapter W-E1.
  2. Adds a setting to enable or disable automatic storage of the lens if it is extended out when a gear-driven STM lens*1 is attached, and the power switch is turned to [OFF].

    *1 EF 40mm f/2.8 STM, EF 50mm f/1.8 STM, or EF-S 24mm f/2.8 STM lenses

Via: Canon Rumors

Articles: Digital Photography Review (dpreview.com)

 
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Canon updates Pixma printer line with more compact models

07 Sep

Canon has announced four new inkjet home printers that it claims are much better looking than its previous models, as well as 40% more compact. The new models are the Pixma TS5050, TS6050, TS8050 and TS9050, each of which offers both printing and scanning functions. Canon has enabled wireless printing on all four models allowing users to connect smartphones and tablets via the Canon PRINT app through Wi-Fi Direct and Access Point Mode. The two top models, the TS8050 and TS9050, allow NFC connection as well, while the TS9050 features an Ethernet port for networking the machine to multiple PCs.

The LCD screen of the printers differ between models with the TS5050 offering a 3in panel with no touch function. The TS6050 has the same size screen but with touch control, while the touch screen of the TS8050 measures 4.3in and that of the TS9050 measures 5in.

Printer resolution differs too, from 4800x1200dpi in the TS5050 and TS6050 to 9600x2400dpi in the TS8050 and TS9050. The lower end models use a five-ink ChromaLife 100 system while the higher end models use 6 inks.

For more information visit the Canon website.

* PIXMA TS5050 Series – RRP £119.99
* PIXMA TS6050 Series – RRP £159.99
* PIXMA TS8050 Series – RRP £199.99
* PIXMA TS9050 Series – RRP £279.99

Press release

Enjoy high-quality prints with one of Canon’s stylishly compact three-in-one home printers

United Kingdom, Republic of Ireland, 6 September 2016 – Canon today unveils a newly designed PIXMA inkjet line-up with design, connectivity and creativity at their centre. No matter your needs, Canon offers something for everyone with its entry-level PIXMA TS5050 series, mid-range PIXMA TS6050 series, PIXMA TS8050 series and its top-of-the-range PIXMA TS9050 series – all of which are up to 40% more compact.

Seamless connectivity
Thanks to integrated Wi-Fi connectivity, each PIXMA offers wireless printing from PCs, smartphones and tablets via the improved Canon PRINT app for Android and iOS. Features such as Wi-Fi Directi and ‘Access Point Mode’ let you connect directly to the printer without needing a router or Wi-Fi password, making it easy to share your printer with visiting friends and family.

The PIXMA TS9050 series and PIXMA TS8050 series’ PIXMA Touch & Print feature, accessed via the Canon PRINT app on Android devices, allows you to simply connect your NFC-enabled smartphone or tablet and create a print or scan. The PIXMA TS9050 series’ Ethernet connection gives you the freedom to share the connection between multiple PCs on a network.

With the PIXMA TS9050 series, PIXMA TS8050 series and PIXMA TS6050 series, the LCD touch screens provide access to the PIXMA Cloud link, which connects to your favourite cloud services, so you can quickly print a photo or upload a document to read on the goii. If you love social media, the selected printersiii can connect to Instagram™, bringing your favourite photographs to life – even as 13x13cm (5×5”) prints on Canon’s new square glossy photo paper.

Modern, compact designs for stylish and connected homes
The compact, sleek designs are the most distinct and eye-catching yet, making your PIXMA a piece of art in the home. The contrasting mirror and matte finish of the PIXMA TS8050 series and PIXMA TS6050 series add instant shine in any room, while those wanting to make an artistic statement can with the PIXMA TS9050 series cutting-edge box aesthetic. The front tilt panel and large LCD screens, provide quick access to the all-new intuitive single screen home menu, mirroring the Canon PRINT app’s simple navigation and functionality.

Quick and easy quality home printing
The PIXMA TS5050 series and PIXMA TS6050 series’ five individual ink tanks provide fast, high-quality printing on both plain and photo paper. Using an additional grey ink tank and enhanced photo black ink, the PIXMA TS9050 series and PIXMA TS8050 series both improve photo print quality, with richer details in dark and shaded areas, making them ideal for photography enthusiasts. Optional XL cartridges across all models allow you to print more pages, whilst the single ink cartridges minimise waste, with each colour individually replaceable.

Get creative from the comfort of your home
From photos, to double-sided documents, or personalised birthday cards and a child’s artwork, the new PIXMA models are compatible with a wide range of paper types and sizes, thanks to the new rear paper feed. In addition to this a front cassette on the TS9050 series, TS8050 series and TS6050 series, mean users can simultaneously have plain paper for documents in the front cassette whilst having photo paper loaded in the rear tray making light work of printing both document and photos without having to switch paper between prints. Both the PIXMA TS9050 series and the PIXMA TS8050 series feature direct disc printing via the Canon PRINT app.

The PIXMA TS9050 series, PIXMA TS8050 series and PIXMA TS5050 series can also print your photos straight from an SD memory card, without the need for a PC. With SD card printing on the PIXMA TS9050 series, you can even add creative filters directly onto your photos from the large 12.6cm (5”) printer touchscreen itself, for inspiration at the touch of a button.

PIXMA TS5050 series key features:
* All-In-One printer that’s compact, elegant and affordable
* Print over Wi-Fi, from an SD card, or from the cloud
* 7.5 cm (3”) LCD display and simple user interface
* Print 10×15 cm (4”x6”) borderless photos at home in under 40 seconds
* Smartphone- and tablet-ready with the Canon PRINT app

PIXMA TS6050 series key features:
* Fast All-In-One document and photo printer
* Wi-Fi for cable-free printing, copying and scanning around the house
* Intuitive user interface with 7.5 cm (3”) touchscreen
* Access cloud features from the printer’s touchscreen
* Smartphone and tablet ready using the Canon PRINT app

PIXMA TS8050 series key features:
* Print your photos at home in stunning quality
* Compact design Wi-Fi printer with copy and scan functions
* Large 10.8 cm (4.3”) touchscreen and auto-tilting front panel
* Wi-Fi, NFC and SD card connectivity options
* Smartphone- and tablet-ready with the Canon PRINT app

PIXMA TS9050 series key features:
* Specialist printer that delivers stunning lab-quality photos
* Creative filters for SD card images using the large 12.6 cm (5”) touchscreen
* Compact form factor with elegant contrasting textures
* Smartphone-ready All-In-One with Wi-Fi and cloud connectivity
* Wi-Fi, NFC, Ethernet and SD card connectivity options

Articles: Digital Photography Review (dpreview.com)

 
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Canon announces new flagship EOS C700 cinema camera

02 Sep

Canon has announced a new addition to its Cinema EOS line of professional cinematography cameras, the EOS C700, which appears to be the first camera from Canon to leverage the global shutter CMOS sensor technology the company revealed yesterday. The camera will be available in three variants: the C700, C700 PL, and C700 GS PL.

The EOS C700 and EOS C700 PL feature a Super 35mm 4.5K sensor with wide dynamic range, which Canon says extends to 15 stops of latitude. The EOS 700 GS PL features a Super 35mm 4K sensor with global shutter. Global shutter is a desirable feature for filmmakers as it allows the camera to capture data from the entire sensor at one time. In contrast, most CMOS sensors capture data using what is known as a rolling shutter, in which data is captured line by line as it comes off the sensor, and which is responsible for the ‘Jello’ effect often seen in digital video.

All three cameras support Canon’s standard Log gamma profiles (Canon Log3, Canon Log2, and CanonLog), and support frame rates up to 4K/60p and 2K/240p. Canon has also added the ability to record footage straight to Apple ProRes, a common editing format, in addition to Raw data capture and Canon’s own XF-AVC compressed codec. Additionally, these are the first Cinema EOS cameras to include a de-squeeze feature for live monitoring when shooting with anamorphic lenses.

Owners won’t be locked into a lens mount or sensor; the C700 will allow users to switch between EF and PL mounts, as well as between the standard CMOS sensor and the global shutter CMOS sensor. (Though this work will need to be done at a Canon service facility.) Canon gives users incentive to pair the camera with EF lenses as these will make it possible to take advantage of Dual Pixel autofocus, however those who choose PL mount versions will get compatibility with Cooke/i metadata communication technology.

Finally, Canon has partnered with Codex to provide a fully integrated, no cable workflow option with the Codex CDX-36150 recorder.

These look like impressive tools, and they come with a price tag to match. The EOS C700 and C700 PL are expected to go on sale in December with a list price of $ 35,000, while the EOS C700 GS PL should be available in January (2017) with a list price of $ 38,000.

Press Release:

Canon U.S.A., Inc. INTRODUCES NEW FLAGSHIP EOS C700 CINEMA CAMERA*

Ideal for Major 4K Cinema, Television, and On-Demand Streaming Productions

MELVILLE, N.Y., September 1, 2016 – Canon U.S.A., Inc., a leader in digital imaging solutions, announced today the next step in the evolution of the Cinema EOS family of professional cinematography products with the new EOS C700, EOS C700 PL and EOS C700 GS PL cinema cameras 

Featuring a completely new, customizable, modular design, the EOS C700 meets the demands of today’s productions – from feature films to documentaries to episodic dramas. The EOS C700 and EOS C700 PL cameras feature a Super 35mm 4.5K sensor1 with wide dynamic range, and can be ideal for productions requiring 4K UHD TV or 4K DCI cinema deliverables. The EOS C700 GS PL features a Super 35mm 4K sensor with a global shutter to enable the distortion-free capture of subjects moving at high speeds. In addition to supporting the earlier XF-AVC2 recording format, the cameras also support Apple® ProRes.

Recognizing that customers today demand flexibility and the ability to respond to the changing needs of productions, the EOS C700 allows users to convert between EF mount and PL mounts, and between a standard CMOS image sensor and a global shutter CMOS image sensor at Canon service facilities3. The EF lens mount provides compatibility with Canon’s diverse lineup of over 70 interchangeable EF lenses as well as enabling use of Canon’s Dual Pixel CMOS AF technology. While the EOS C700 PL and EOS C700 GS PL allow use of industry-standard PL lenses and compatibility with Cooke /i metadata communication technology.

For those wanting to shoot and deliver High Dynamic Range (HDR)4 content, the EOS C700 and EOS C700 PL are ideal – providing 15 stops of latitude5, Canon’s proprietary Log Gammas (Canon Log3, Canon Log2 and Canon Log) and renowned color science. Additionally, these cameras seamlessly integrate with Canon’s professional 4K displays (DP-V2420, DP-V2410 or DP-V1770) for on-set color management and review that conforms to SMPTE ST 20846 standards of HDR display.

To complement these powerful new acquisition tools, Canon has turned to its trusted partner Codex to provide a fully-integrated (no cables) recording and workflow option. The combination of the EOS C700 camera with the optional Codex CDX-36150 recorder allows for high-speed 4.5K RAW recording at up to 100FPS, 4K RAW at up to 120FPS, 4K ProRes at up to 60FPS, 2K ProRes at up to 240FPS and XF-AVC at up to 60FPS.

Canon’s new EOS C700, EOS C700 PL and EOS C700 GS PL are the first Cinema EOS cameras to support anamorphic shooting by utilizing a “de-squeeze” function for monitoring7, making possible the creation of images with the 2.39:1 aspect ratio typical of cinema productions. Furthermore, enabling Full HD high-frame-rate recording at a maximum of 240 fps (crop8), the camera enables smooth playback, even when slowed down, for great emotional visual expression. 

Along with the announcement of these cameras, Canon is also introducing optional accessories OLED 1920×1080 Electronic View Finder EVF-V70, Remote Operation Unit OU-700, Shoulder Support Unit SU-15, Shoulder Style Grip Unit SG-1 and B4 mount adapters MO-4E/MO-4P. 

The EOS C700 and EOS C700 PL are currently expected to go on sale in December 2016, while the EOS C700 GS PL is currently expected to go on sale in January 2017. The EOS C700 and EOS C700 PL will have a list of $ 35,000.00 each** and the EOS C700 GS PL will have a list price of $ 38,000.00**.  

†Based on weekly patent counts issued by United States Patent and Trademark Office.

*This device has not been authorized as required by the rules of the Federal Communications Commission. This device is not, and may not be offered for sale or lease, or sold or leased, until authorization is obtained. 

**Availability, pricing and specifications are subject to change without notice. Actual prices are set by individual dealers and may vary.

1 4.5K RAW recording will be supported following a firmware update (currently scheduled to be released at the end of March 2017, see chart below).

2 Canon’s proprietary video format that efficiently compresses video data.

3 Conversions will incur a fee and will be handled by Canon service facilities.

4 High Dynamic Range refers to a technique that enhances the contrast between light and dark values (the dynamic range) of an image.

5 15 stops achievable in EOS C700 and EOS C700 PL models in Canon Log2 mode. EOS C700 GS PL achieves 14 stops.

6 The wide dynamic range imaging standard recommended by the Society of Motion Picture & Television Engineers.

7 A lens that enables shooting with landscape-orientation compression and makes possible a characteristic blur effect.

8 A shooting function that creates a pseudo-telephoto effect using a portion of the sensor area.

Articles: Digital Photography Review (dpreview.com)

 
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Canon announces the XC15 4K video camera

02 Sep
The Canon XC15 camera with included MA-400 microphone adapter, which provides support for XLR inputs.

Canon has announced the new XC15 camera, a 4K UHD camcorder in a compact body.

Though it’s clearly a follow-up to the company’s XC10 model, introduced in 2015, Canon is positioning the XC15 very differently. When the XC10 was announced Canon presented it as a camera that could bridge the gap for those who needed to shoot both video and stills, emphasizing its 12MP still capture capability. In contrast, the press release for the XC15 doesn’t even mention still photos, instead positioning the camera as a high quality, compact 4K camcorder oriented at news and video production, possibly as a B-camera to a Cinema EOS model. Canon hasn’t yet provided detailed specifications, but like the XC10 it uses a 1” CMOS sensor and a 10x optical zoom lens, which appears to be the same 24.1mm-241mm F2.8-5.6 (equivalent) lens found on the XC10.

It appears that Canon is making an effort to respond to one very specific area of feedback from many of its video users: the need for XLR microphone support. The camera ships with Canon’s MA-400 microphone adapter that provides XLR-input compatibility.

The XC15 will be available in September for $ 3000.00

Press Release:

Canon’s New Lightweight, Compact XC15 4K UHD Video Camcorder Ideal for News and Video Production

XLR Microphone Input Provides Audio Support in Addition to High-Quality 4K UHD Video Capture

MELVILLE, N.Y., September 1, 2016 – Canon U.S.A., Inc., a leader in digital imaging solutions, announced today the XC15 4K Video Camcorder, a 4K UHD digital video camcorder for professional use that achieves high-image quality with a lightweight, compact body.

The new Canon XC15, which builds on the XC10 4K UHD digital video camcorder announced in April 2015, enables shooting with an external microphone through an XLR input and features the selection of visual-expression “Look” modes, including modes that allow it to match the look of other Canon professional cameras, making it ideal for use as a “B”-camera as well as for media and video-content productions.

The Canon XC15 ships with the MA-400 microphone adapter that, when attached, enables shooting with XLR-input microphones used in a wide range of media and content-creation applications. As a result, the camcorder supports the production of content that combines both high-image quality and high-sound quality with reduced noise. The MA-400 is also compatible with the EOS C300 Mark II camera.

Thanks to its high-sensitivity one-inch CMOS sensor and DIGIC DV 5 image processing platform with high calculation-processing power, the new XC15 is capable of capturing high-image quality and low-noise 4K UHD video. Additionally, the camcorder features a compact, lightweight body design, measuring approximately 5.0 x 4.1 x 4.8 inches (WxHxD) and weighs approximately 2.1 pounds while also sporting a 10x optical zoom lens ¹, which facilitates shooting in confined spaces and environments that demand mobility.

The Canon XC15 4K UHD professional video camcorder is scheduled to be available in September 2016 for a list price of $ 3,000.00.* For more information, please visit usa.canon.com

† Based on weekly patent counts issued by United States Patent and Trademark Office.

* Availability, prices and specifications subject to change without notice. Actual prices are set by individual dealers and may vary.

All referenced product names, and other marks, are trademarks of their respective owners.

¹ Body and Lens Only

Articles: Digital Photography Review (dpreview.com)

 
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