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Posts Tagged ‘Canon’

The Canon EOS M200 goes to Oklahoma

09 Oct

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Canon’s new EOS M200 is an awful lot like its predecessor, the EOS M100. That means it’s tiny, beginner-friendly and generally takes nice photographs – but a new processor speeds things up, and unlocks (heavily cropped) 4K video.

And so, since attending far-flung weddings with entry-level cameras is apparently just what I do these days, I took the M200 with me to Oklahoma City for a wedding and some sight-seeing along the way. Check out how it did in our sample gallery.

See our Canon EOS M200 sample gallery

Articles: Digital Photography Review (dpreview.com)

 
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Canon 11-24mm F/4L Lens Review

04 Oct

The post Canon 11-24mm F/4L Lens Review appeared first on Digital Photography School. It was authored by Nisha Ramroop.

Following the release news of the Canon EF 11-24mm F/4L USM Lens, came countless sleepless nights of research and reading reviews. At the end of that process, all I could safely decipher was that it was the new dream lens of the landscape photographer in me.

Canon 11-24 mm F/4L Lens Review

The build

The moment you pick up this lens, the weight surprises you. It’s quite hefty and you notice every ounce of the approximate (just over) two-and-a-half pounds. The entire build of the lens screams quality too. Like other Canon lenses, the manual focus and zoom rings move smoothly and feel natural. Not a lens you want to be cumbersome with, so this was an important feature for me when working with such weight. You can make easy focal adjustments, as the zoom moves through the entire focal range with a small turn. When behind the lens, the AF/MF is also easily accessible.

Canon 11-24mm F/4L Lens Review

The bulbous front element blooms with authority and still makes me nervous enough to cover it almost immediately when not in use. I am not reassured by the presence of the fixed hood that is meant to protect the imposing glass. However, I am glad it is there. The signature red ring around the front always sets expectations of promised image quality and Canon has delivered.

Image: Size comparatives from left to right: Canon 85mm F/1.2 L, Canon 11-24mm F4 L, Canon 135mm F2...

Size comparatives from left to right: Canon 85mm F/1.2 L, Canon 11-24mm F4 L, Canon 135mm F2 L

What works

The Canon EF 11-24mm is benchmarked as the widest ultra-wide rectilinear lens compatible with full-frame DSLRs, since the Sigma 12-24mm F/4.5-5.6 lens. Thus barrel distortion is minimal throughout the range, and straight lines in your subject are not compromised (and appear straight). The most distortion you would find occurs at around 11mm and 12mm and compared to any other lens at this focal range, it is minimal. Of note, distortion seems non-existent between 15-24mm.

Canon 11-24mm F/4L Lens Review

By comparison, yes the Canon EF 8-15mm f/4L Fisheye is wider, but as is the signature of fisheye lenses, it outputs barrel-distorted images and your straight lines curve. The exception is if your line is directly center of your frame.

The lens is quiet and focuses quickly. Most impressively though, it is super sharp, even at the corners! Added to sharp images; the contrast is nice and balanced. If you have used other ultra-wides, you will admire the difference in the output. The image quality is simply amazing!

Canon 11-24mm F/4L Lens Review

The angle of view on a full-frame, coupled with the minimal distortion, makes it great for indoor architectural spaces. The need for a lens like this to be F/2.8 eludes me, as F/4 feels more than adequate.

What could be better

If you are looking at this beauty, the two major drawbacks may reside in price and weight. It is an expensive lens and certainly not in everyone’s price range. However, it’s a great investment if you do professional architectural and landscape photography. In these areas, the minimal distortion works in your favor. There is no other lens that performs like this lens at the wider end.

Canon 11-24 mm F/4L Lens Review

It is a large, heavy lens that will make you think twice before packing it for travel – you know you want it with you, oh but that weight! Even worse, it is front heavy, so you will want to be extra cautious when out in the field.

The front cap feels inadequate, as it struggles to cover the hood. There are also spaces where it clasps (when aligned) that leave room for dust to get into the front. After all the time they spent on this lens, the front cap feels like an afterthought.

Canon 11-24mm F/4L Lens Review

There is also a noticeable amount of vignetting at 11mm and also some color fringing. Both are easy to fix in post-processing, without loss of your image quality. For an ultra-wide lens though, the falloff (or darkened corners) is negligible.

Conclusion

The Canon EF 11-24mm F/4L is a truly magnificent lens for a landscape or architectural photographer. It is well-built, heavy, sharp, quiet and expensive. One thing for certain though, it is the only one of its kind and a signature Canon lens.

Have you used this lens? What are your thoughts? Share with us in the comments.

 

canon-11-24mm-f4-lens-review

The post Canon 11-24mm F/4L Lens Review appeared first on Digital Photography School. It was authored by Nisha Ramroop.


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Canon EOS 90D Review

01 Oct

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No Award

85%
Overall score

The Canon EOS 90D is a midrange DSLR that replaces the 3.5 year-old 80D and fits between the EOS 77D and the ‘yes, it still exists’ EOS 7D Mark II. It gains a new higher-resolution sensor with excellent Raw image quality, and offers competitive live view AF (with eye detect) as well as 4K video capture, all in a familiar package.

The 90D is essentially the DSLR version of the mirrorless EOS M6 Mark II, which was introduced alongside it. Since the specs are nearly identical, it looks like Canon is letting potential buyers choose what type of shooting experience they want: a midsize DSLR with an optical viewfinder and more physical controls, or a smaller and lighter mirrorless model with a removable electronic finder. And, of course, the difference in native lens lineups between the EF and M mounts could attract different types of users, as well.

Key features:

  • 32.5 Megapixel APS-C CMOS sensor
  • Dual Pixel autofocus (live view/video)
  • 45-point all cross-type AF (through the viewfinder)
  • 220k-pixel metering sensor w/face detection
  • 7 fps burst shooting w/continuous AF
  • Fully articulating 3″ touchscreen display
  • Optical viewfinder w/100% coverage
  • 4K/30p video capture with no crop
  • USB 2.0 port with Micro USB connector
  • Wi-Fi + Bluetooth

While the external design of the 90D doesn’t dramatically depart from the pattern set down by the 80D, the guts of the new camera are quite a bit different, which we’ll cover on the next page.

The 90D is available in several kits. The body alone is priced at $ 1199. When bundled with the EF-S 18-55mm F3.5-5.6 IS STM lens the price is $ 1349, while the kit with the more versatile EF-S 18-135mm F3.5-5.6 IS USM lens is $ 1599.


What’s new and how it compares

Find out more about the 90D’s new sensor, updated metering system and video capabilities.

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Body and controls

The design of the 90D has barely changed since the 80D, with one exception.

Read more

Is it right for you?

Whether you’re looking for a family camera, a portrait camera or something for fast action, we break down whether the 90D is right for you.

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Image quality

How does the EOS 90D stack up against other APS-C cameras? Take a look at our studio test scene.

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Autofocus

How does the 90D’s autofocus compare when shooting through-the-finder vs live view? Have a look.

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Video

The EOS 90D gains 4K video capture, but is it any good? See for yourself.

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Conclusion

The 90D is a compelling camera for a specific type of user. Here’s why.

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Sample gallery

See how the 90D’s photo quality looks in our sample gallery.

Read more

Articles: Digital Photography Review (dpreview.com)

 
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A Photography Shootout: the iPhone 11 Pro vs the Canon 5D Mark IV

28 Sep

The post A Photography Shootout: the iPhone 11 Pro vs the Canon 5D Mark IV appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

The iPhone 11 Pro has just been released, with a triple-camera setup (including a telephoto lens, a wide-angle lens, and an ultra-wide lens), a new Night Mode, and an upgraded front-facing camera.

A Photography Shootout: the iPhone 11 Pro vs the Canon 5D Mark IV

But despite all the new bells and whistles, iPhone image quality continues to lag far behind that of full-frame DSLRs and mirrorless bodies. And professional photographers simply don’t find iPhone photos up to their standards.

Right?

That’s what wedding photographers, Lauren and Jamie Eichar set out to test. They did a photoshoot with their new iPhone 11 Pro and their top-of-the-line Canon 5D Mark IV, then compared the images.

And the results are surprising.

In fact, this is relevant to anyone wondering about the future of smartphone photography.

So I suggest you watch the video to see the images, side by side. As you look at the images, see if you can tell the difference. Ask yourself:

  • How would I feel about my images if I were only shooting with an iPhone 11 Pro?
  • How would I feel if I had my wedding photographed by an iPhone 11 Pro?

?

I’ll admit:

I’ve never been a fan of iPhone image quality. Low light performance is, frankly, terrible, and even the noise levels in good light leave a lot to be desired. Plus, the tiny sensor makes good bokeh practically impossible to achieve, and Apple’s attempt to rectify that (Portrait mode) is frustrating and unpredictable.

That said, these photos left me pleasantly surprised.

For one thing, Apple seems to have given Portrait mode a significant upgrade. Portrait mode on the iPhone XS frequently failed to find the edges of the main subject, which resulted in strange spots of blur and other image inconsistencies. But in the hands of these professional wedding photographers, the iPhone 11 Plus Portrait mode performs well. Certainly better than on the iPhone XS – though you’ll notice that zooming in on the Portrait mode shots does reveal frequent problems along the subject’s edges.

Also, the Portrait mode blur looks more authentic. While the bokeh produced by the Canon 5D Mark IV setup is clearly superior, the iPhone blur isn’t as far behind as it once was.

As for noise and sharpness, I don’t notice any issues when viewing the photos at a normal viewing size. But viewing the images large (which can be done here) shows significant noise and lack of clarity in all of the iPhone images. While this might not seem like a problem when posting small files on the internet, it becomes more serious if you decide to print your photos, especially if you’re looking to print large.

Also, note that Lauren and Jamie tested the iPhone in good light. My guess is that noise levels would increase significantly if doing photography indoors.

So again, ask yourself the questions I posed earlier. How would you feel about your images if you were only shooting with an iPhone 11 Pro? How would you feel about the results if you had your wedding photographed by an iPhone 11 Pro?

And share your response in the comments!

The post A Photography Shootout: the iPhone 11 Pro vs the Canon 5D Mark IV appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Hands-on with the Canon EOS M200

25 Sep

Meet the Canon EOS M200

The Canon EOS M200 is a modest update to the M100 that was announced in August 2017. Most of the changes are courtesy of the new Digic 8 processor, which allows for 4K video capture, eye detection autofocus and improved battery life.

Canon didn’t change the design of the camera because, frankly, this entry-level, selfie-friendly camera didn’t need it. But more about that in the slides ahead.

The M200 will be available in October in your choice of white or black for $ 549/£499/€569, which includes the EF-M 15-45mm F4.5-6.3 IS STM lens.

Same ol’ sensor?

From what we can tell, the M200’s 24.1 effective Megapixel APS-C CMOS sensor is the same as the one on the M100. The M100 has very good image quality, with really nice color and Raw detail capture in-line with the competition, though noise levels were slightly higher in our testing. The Digic 8 processor may affect JPEG image quality, which we’ll evaluate once we get hold of a final sample of the camera.

While the M200 uses Canon’s familiar (and very good) Dual Pixel AF system, some improvements have been made since the M100 was released. First off, there’s now eye detection, which we found to be reliable on the EOS M6 II that we’ve been testing more recently.

The other change is the number of selectable AF points, which has increased from 49 to 123. This may be due to having better Dual Pixel coverage compared to the M100, and we’ve reached out to Canon to confirm.

Flip-up display

Being a lower-end, consumer-friendly camera means that, of course, the M200 comes with an LCD that can flip upward for selfies. The display is 3″ in size and sports 1.04 million dots: the same as before. When the screen is flipped all the way up, you can turn on a self-portrait mode, which lets you blur the background, brighten the image and retouch your skin.

The flash can be popped up with the LCD in this position, though it will block the right side of the LCD. Speaking of the flash, it can be manually bounced for softer light, if you’d like.

Light on controls

The M200 isn’t loaded with buttons, which is probably a good thing for those looking for an easy-to-use camera. You’ve got three buttons and the four-way controller on the back, a single control dial and a simple shooting mode switch on the top. M200 users can choose from fully automatic, program mode and movie mode – and that’s it. The camera can almost be controlled by the touchscreen alone.

Like most Canon cameras, there’s a Scene Intelligent Auto mode, which picks the right settings for the situation, or you can select a scene preset manually when in Program mode. By putting the camera into the ‘Creative Assist’ mode you can use sliders to adjust background blur, color, brightness and contrast.

Video

The M200 gains the ability to shoot 4K/24p video (23.98fps, to be exact), but there’s a catch: When shooting 4K there’s a 1.6x crop and, when combined with the 1.6x crop of APS-C, this adds up to 2.56x. The bundled 15-45mm zoom thus becomes a 38-115mm equivalent lens when you shoot 4K. The widest Canon EF-M lens is 11-22mm, which turns into 28-56mm equivalent. That’s still wide-ish, but be aware that if you’re vlogging, or just want to shoot wide-angle, you might find that compound crop effect very limiting.

If you drop down to 1080 the crop disappears, and frame rates of 30p and 60p become available. If you want to shoot at 120 fps you’ll need to shoot at 1280 x 720 resolution – which is still fine for sharing on social media.

One of the M200’s new party tricks is the ability to record vertical videos, much like the PowerShot G7 X Mark III. Unlike that camera though, the M200 cannot stream live video to YouTube.

Ins and outs

The EOS M200 has a minimal set of inputs and outputs: just micro USB and micro HDMI. The camera can be charged over the USB port, and Canon is kind enough to include an external charger with the camera.

Speaking of batteries, the M200 uses the familiar LP-E12 and can take up to 315 shots per charge (by CIPA testing) – up from 295 on the M100. Canon says that if you put the camera into Eco mode you can take 485 photos before you run out of juice. Unless you’re using the flash or Wi-Fi a lot, you should find that you can easily exceed those numbers.

The M200 offers Wi-Fi and Bluetooth, and Canon’s Camera Connect app supports auto image transfer, sharing location data with the camera and, of course, remote control.

Wrap-up

The Canon EOS M100 was one of our favorite entry-level mirrorless cameras when it was released, with an easy-to-use interface and solid image quality. While the EOS M200 isn’t a huge upgrade, nobody’s going to complain about improved autofocus and better battery life.

Some may complain about the M200’s 4K video feature though, due to the restrictive 2.56x crop (relative to full-frame) that puts wide-angle shooting out of reach with the bundled kit lens. That’s too bad, since crop-less 4K and a microphone input would make the M200 a pretty compelling vlogging camera. That said, 4K is nice to have, and 28mm equiv., from the (admittedly not bundled) 11-22mm zoom is still likely to be wide enough in a lot of situations.

That aside, if you’re after an accessible camera with robust underpinnings and don’t mind the 4K crop, we think that the M200 will be a good choice. For those who wish that the M200 had an electronic viewfinder, let us direct you to the EOS M50, which is essentially the same camera with an EVF.

Articles: Digital Photography Review (dpreview.com)

 
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DULENS APO 85mm F2 is a new manual prime lens for Canon EF, Nikon F camera systems

25 Sep

A new Chinese optics manufacturer has released the DULENS APO 85mm F2, a manual medium telephoto prime for Canon EF and Nikon F camera systems.

Although not much is known about DULENS itself, Newsshooter is reporting it’s been told that the optical engineer behind DULENS is the same who helped bring the NiSI F3 and MAVO prime lenses to life.

The lens, which is inspired by the Zeiss Sonnar series, is constructed of seven elements in six groups and includes an Apochromatic element to reduce chromatic aberration. It measures 5.8cm (2.28in) long, weighs 350g (12.35oz), features a 29-degree field-of-view, uses a 55mm front filter thread and has a minimum focusing distance of 90cm (35.43in).

Below are a number of high-resolution sample images shared on the product listing. These were shot with the lens on a Lumix S1 using an EF adapter:

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The lens is available to pre-order in black and silver varieties for Canon EF and Nikon F camera systems. It’s currently listed for ¥2999 (approximately $ 420) on Chinese retailer Taobao, but Newsshooter says the company intends to release the lens in the United States and Europe market for $ 599.

We have contacted the retailer for more information on the lens and availability and will update this article if and when we receive a response.

Articles: Digital Photography Review (dpreview.com)

 
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Yasuhara announces Anthy 35mm F1.8 lens for Canon RF, Nikon Z and Sony E mount cameras

24 Sep

Budget Japanese optics manufacturer Yasuhara has announced the Anthy 35mm F1.8 manual lens for full-frame mirrorless camera systems.

The Anthy 35mm F1.8 lens (translated) is constructed of nine elements in seven groups and features a nine-blade aperture diaphragm with an F1.8 to F16 range. The front filter thread is 52mm, it has a minimum focusing distance of 40cm (15.75in) and the lens weighs 409g (14.3oz).

The lens is entirely manual and doesn’t feature electrical contacts, meaning no metadata will be sent to the camera it’s attached to and, if applicable, the ‘release without lens’ setting will need to be turned on.

The lens is set for a fall 2019 release and will be available in Canon RF, Nikon Z and Sony E mounts. No pricing information has been given at this time. We have contacted Yasuhara and will update this article if we hear back about pricing information.

Below are three full-resolution sample images captured with the lens on a Canon EOS R:

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We haven’t heard much about Yasuhara in the past and its lens lineup is rather limited, so we can’t attest to the image quality or durability of its lenses, but the company recently celebrated its seventh year in business. Yasuhara also has Anthy-branded 50mm and 85mm lenses in development (translated).

Articles: Digital Photography Review (dpreview.com)

 
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Canon 1D X Mark III: Includes IBIS, Increased Resolution, and More

23 Sep

The post Canon 1D X Mark III: Includes IBIS, Increased Resolution, and More appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Canon 1D X Mark III: Includes IBIS, Increased Resolution, and More

The Canon 1D X Mark III may be the last of its kind, but it won’t go down without a fight.

Information has leaked regarding the Canon flagship camera, predicting a 2020 release. This follows on the heels of Nikon’s D6 announcement and its claim that the D6 will be Nikon’s “most advanced DSLR to date.”

The Canon 1D X series and the Nikon D6 series have been longtime competitors, aimed at professional photographers in need of rugged, high-performing camera bodies. Hence, it’s no surprise that the 1D X Mark III should come out in 2020, most likely in time for the Summer Olympics in Tokyo.

The leak also suggests that the Canon 1D X Mark III will have in-body image stabilization (IBIS), a feature traditionally offered by mirrorless models but kept out of DSLRs. This will be appreciated by low-light shooters who need to eke out every bit of stability they can get.

The Canon 1D X Mark III is also said to feature significantly increased resolution “for an EOS-1 series camera.” Note that Canon’s EOS-1 line is short on resolution but high on autofocus capabilities and shooting speed, which explains why the 1D X Mark II tops out at 20.2 megapixels, despite its ‘flagship’ label.

What would count as significant?

My guess would be a jump in the 4-megapixel range, to put the 1D X Mark III at 24 megapixels. But it could be less, considering the low bar for 1D X resolution.

Apparently, the Canon flagship will also include 6K video (without a crop) and an upgraded DIGIC processor, as well as dual CFExpress card slots.

As of now, the 1D X Mark III is looking on par with the Nikon D6, which is rumored to drop in 2020.

Both cameras will undoubtedly be pricey; the Canon 1D X Mark II retails at $ 5500 USD, and the Nikon D5 sits at nearly $ 6000.

But for the professional action photographer, the cameras will undoubtedly be worth the cost.

Are you looking forward to the Canon 1D X Mark III announcement? What specs are you hoping to see? Share your thoughts in the comments!

The post Canon 1D X Mark III: Includes IBIS, Increased Resolution, and More appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Canon EOS 90D sample gallery (DPReview TV)

21 Sep

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A new gallery from the Canon EOS 90D, shot by Chris and Jordan while filming this week’s episode of DPReview TV. As usual, it comes complete with reflected images in puddles.

Articles: Digital Photography Review (dpreview.com)

 
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DPReview TV: Canon EOS 90D review

21 Sep

The EOS 90D is Canon’s newest DSLR camera, sporting a new 32.5MP sensor and 4K video without a crop. As Chris and Jordan discovered during their testing, there’s a lot to like.

Make sure to visit our Canon 90D initial review for more information on this camera.

Also, subscribe to our YouTube channel to get new episodes of DPReview TV every week.

  • Introduction
  • Handling
  • Battery
  • Lenses
  • VLogging
  • Dynamic range
  • New features
  • Autofocus: optical viewfinder
  • Autofocus: live view
  • Video capabilities
  • Who's it for?
  • Duckies!!!

Sample gallery from this episode

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Articles: Digital Photography Review (dpreview.com)

 
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