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Posts Tagged ‘Canon’

Canon RF 70-200mm F2.8L and RF 85mm F1.2L DS will arrive before the end of the year

24 Oct

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Canon’s RF 70-200mm F2.8 and 85mm F1.2 DS were announced some time ago, but as of today they’re official. Canon has revealed full details and pricing for these new additions to its full-frame mirrorless lineup.

The RF 70-200mm F2.8L IS USM boasts an impressively compact design, measuring 146mm (5.8″) in length when at its widest zoom position. It extends when zoomed in towards 200mm, marking a departure from its EF-mount equivalents.

The RF 70-200mm F2.8 includes a floating focus lens element for reduced focus breathing, with a total of 17 elements in 13 groups making up the optical construction. Its image stabilization system is CIPA-rated to 5 stops.

Defocus Smoothing works thanks to a special coating to two of the lens’ thirteen elements

The 85mm F1.2L USM DS sits alongside the standard RF 85mm F1.2, but is differentiated by what Canon calls Defocus Smoothing (DS). Defocus Smoothing works thanks to a special coating to two of the lens’ thirteen elements. This gives out-of-focus highlights smoother edges compared to those rendered by the standard version of the lens.

The Canon RF 70-200mm F2.8L IS USM will be available in late November for $ 2700; the RF 85mm F1.2L USM DS is scheduled to arrive in December for $ 3000.

Press release:

THE RF FAMILY GROWS BY TWO: CANON RF 70-200MM F2.8L IS USM LENS IS THE WORLD’S SHORTEST AND LIGHTEST LENS IN ITS CLASS AND RF 85MM F1.2L USM DS IS THE FIRST LENS TO FEATURE DEFOCUS SMOOTHING

New RF L-Series Lenses Aim to Provide Impeccable Performance, Handling and Unique Features to Photographers Shooting with EOS R and EOS RP Cameras

MELVILLE, N.Y., October 24, 2019 – Completing the “trinity” of RF lenses for the EOS R Full-Frame mirrorless camera system, Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the RF 70-200mm F2.8L IS USM telephoto lens. Additionally, the company also announced its first lens to feature Defocus Smoothing lens coating, the Canon RF 85 F1.2L DS. The ninth and tenth lenses in the RF family are both powerful tools for photographers using the EOS R or EOS RP cameras, in particular, those shooting sports or wildlife photography with the RF 70-200mm F2.8L or portrait photography with the RF 85mm F1.2L USM DS.

Short and Light With All The Might: Canon RF 70-200mm F2.8L IS USM
The new lens features a large and bright f/2.8 aperture, which, along with the 70-200mm focal zoom ranges, presents an ideal workhorse lens for professional and amateur photographers shooting sports, wildlife, wedding and event action. The new RF lens is 27 percent shorter and 28 percent lighter than its EF counterpart with a large portion of the lens element arrangement closer to the camera body. This arrangement is designed to provide photographers with a more balanced feel and experience even at telephoto end of the zoom range. Additionally, the shorter and lighter design allows the lens to be more easily stowed away in a camera bag when not in-use.

A first for Canon lenses, the new RF 70-200mm F2.8L IS USM features two Nano USM motors providing an even greater level of high-speed autofocus for still image shooting and quiet and smooth autofocus for video shooting. The lens also incorporates a floating focus control, another Canon first, that drives the two lens groups individually while using the two aforementioned Nano USM motors. The floating focus lens element shortens focusing distance and help reduce breathing, providing users with fast, consistent and reliable performance.

Additional Features of The Canon RF 70-200mm F2.8 L IS USM Include:

  • Customizable control ring that allows photographers to adjust exposure compensation, shutter speed, aperture or ISO
  • 17 lens elements in 13 groups including two aspherical lenses, one super UD lens and four UD lenses, that help to reduce chromatic aberration
  • CIPA standard five stops of image stabilization (IS) including three IS modes with dual-sensing and combination IS
  • 12-pin communication system
  • L-Series dust and weather resistant build with fluorine coating
  • Subwavelength Structure Coating (SWC) helps minimize lens flare and ghosting

Teaching an Old Dog a New Trick: Canon 85mm F1.2L USM DS
Canon has a rich history spanning over 40 years of producing 85mm lenses with f/1.2 apertures, and the new Canon RF 85mm F1.2L USM DS is no different, or is it? The lens ushers in a new lens coating from Canon, Defocus Smoothing , designed to enhance the appearance of bokeh in the images captured with the lens. DS coating is a vapor-deposited coating technology that is applied to the front and rear surfaces of a specific lens element inside the lens. The coating allows off-axis flux to pass through the periphery of the lens that gradually decreases the transmittance of light, which results in images with beautifully blurred backgrounds.

In addition, the new lens features a bright f/1.2 aperture which, along with the 85mm focal length, encompasses an ideal lens for portrait photographers. 85mm is often the preferred focal length selected by photographers when shooting portraits because it provides an appropriate depth and perspective of the subject relative to the background, helping to capture high-quality imagery with beautiful and desirable bokeh. The focal length also allows for the photographer and subject to maintain optimum distance apart to support strong communication, while not being too close.

Additional Features of The Canon RF 85mm F1.2L USM DS Include:

  • Minimum focusing distance of 2.79 feet/0.85 meters
  • Customizable control ring that allows photographers to adjust exposure compensation, shutter speed, aperture or ISO
  • One Aspheric lens and one UD Lens, along with BR optics that help to reduce chromatic aberration
  • 12-pin communication system
  • L-Series dust and weather resistant build with fluorine coating
  • Air Sphere Coating (ASC) that helps minimize lens flare and ghosting

Pricing and Availability
The Canon RF 70-200mm F2.8L IS USM and RF 85mm F1.2L USM DS lenses are scheduled to be available late November 2019 and December 2019, respectively for an estimated retail price of $ 2,699.00 and $ 2,999.00 respectively . For additional information, please visit, usa.canon.com.

Canon RF 70-200mm F2.8L IS USM and RF 85mm F1.2L USM DS specifications

  Canon RF 70-200mm F2.8L IS USM Canon RF 85mm F1.2L USM DS
Principal specifications
Lens type Zoom lens Prime lens
Max Format size 35mm FF
Focal length 70–200 mm 85 mm
Image stabilization Yes No
Lens mount Canon RF
Aperture
Maximum aperture F2.8 F1.2
Aperture ring No
Focus
Autofocus Yes
Motor type Ultrasonic
Full time manual Yes
Focus method Internal
Distance scale No
DoF scale No
Focus distance limiter Yes
Physical
Power zoom No
Zoom lock Yes
Hood supplied Yes
Tripod collar Yes

Articles: Digital Photography Review (dpreview.com)

 
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Canon aims to please professionals with the EOS-1D X Mark III

24 Oct

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Canon has announced the development of its next flagship DSLR, the EOS-1D X Mark III. Sitting at the top of the company’s EF-mount lineup, the EOS-1D X Mark III will continue to prioritize speed, image quality and durability for the most demanding of professional photographers. We don’t have an enormous number of details just yet, but all signs point to this being a significant update for photographers that use the previous models day in and day out.

It’s no surprise that the heart of the new camera will be an all-new CMOS sensor with Dual Pixel AF and a new Digic processor. That combination will be able to produce not only standard JPEG and Raw files, but also 10-bit HEIF files for a greater tonal range than JPEGs are capable of. The Dual Pixel AF region of the sensor will cover 90% of the frame horizontally and 100% vertically, with 525 AF areas. We don’t yet know the sensor’s resolution, but Canon is touting “incredible low-light shooting capabilities,” so while we’re not anticipating a huge pixel count, you should expect high ISO performance to be very good (the older 1D X II was no slouch).

Canon has also updated the autofocus system used through the optical viewfinder – we don’t know how many AF points there will be, but we’re told that the central AF pixels have “28 times the resolution” of the 1D X II, and the ability to focus accurately in “even brighter and darker conditions than before.” New autofocus algorithms utilize deep learning.

This will be the most video-capable EOS camera Canon has yet released

Also interestingly (and cryptically), Canon is touting a new way to control autofocus points by using the AF-On button. We have no idea what this means, but we’ll bring you more details as they become available.

In terms of speed, the new camera will shoot at 16 fps through the optical viewfinder with autofocus, and 20 fps with AF when in Live View mode, whether you’re using the mechanical or electronic shutter. The camera will come with dual CF Express card slots, and the buffer has been increased by five times compared to its predecessor.

Canon told us that this will be the most video-capable EOS camera they’ve yet released, and we can confirm that it’s able to capture 10-bit, 4:2:2 video footage at up to 4K/60p. They’ve also built in a C-Log profile, to enhance users’ ability to grade the video files in post.

Other minor touches include the addition of backlit buttons, and though it uses the same LP-E19 battery as before, battery life is improved.

Details regarding pricing and availability aren’t yet available.

Press release:

POWERFUL, FASTER AND RUGGED: CANON ANNOUNCES THE DEVELOPMENT OF THE EOS-1D X MARK III CAMERA

MELVILLE, N.Y., October 24, 2019 – Canon U.S.A. Inc., a leader in digital imaging solutions, today announced that its parent company, Canon Inc. is developing the highly anticipated Canon EOS-1D X Mark III Camera – the successor to the world-renowned and award-winning EOS-1D X Mark II. Ideal for sports and wildlife, the flagship DSLR is being engineered and designed using feedback from the worldwide community of EOS-1D X and EOS-1D X Mark II photographers. Continuing Canon’s rich heritage of creating first-rate optical products, the EOS-1D X Mark III offers an enhanced autofocus system, with dramatically improved still and video image quality and communication. When using this camera, professionals will have the confidence they will get ‘the shot’ and can deliver it at a competitive speed – faster than ever before – ideal for the increasingly fast-paced industry.

“The innovations put forth by the new EOS-1D X Mark III will set the new standard for professional DSLR cameras and further cement Canon’s commitment to its professional photographers,” said Kazuto Ogawa, president and chief operating officer, Canon U.S.A., Inc. “In developing the new camera, Canon listened to extensive user-feedback from professionals out in the field. The result is a camera that has evolved from its predecessor and maintained the overall quality that professional photographers have come to expect from the Canon EOS-1D series.”

Need for Speed

The Canon EOS-1D X Mark III will be blisteringly fast – offering exceptional precision, reliability, high-performance autofocus and subject tracking – providing photographers with a tool that will help to capture the shot they are chasing. The camera’s new autofocus algorithm will improve stability and tracking when using both the Optical Viewfinder and in Live View shooting mode, using Deep Learning Technology and adapting to help facilitate accurate focus tracking for every shot.

When using the optical viewfinder the camera will use a new autofocus sensor, with approximately 28 times the resolution in the center of the EOS-1D X Mark II. Offering the ability to autofocus in even brighter and darker situations than before and with greater precision, the camera will have a range of autofocus capabilities, which will enable the photographer to get their shot. In Live View mode, users will be able to make use of 525 AF areas using the Dual Pixel CMOS AF system will cover approximately 90×100 percent of the image sensor. The camera will support significantly faster frame rates with full AF and AE, using either the optical viewfinder (up to approximately 16fps mechanical shutter) or Live View (up to approximately 20fps mechanical or electronic shutter). Additionally, the camera’s dual CFexpress card slots will enable more than five times the RAW burst depth of its predecessor.

Powered to Dominate

The development of EOS-1D X Mark III is a clear example of Canon’s commitment to pushing the boundaries of innovative imaging products featuring optically excellent technology. The camera will support an all new, Canon-developed, CMOS sensor and DIGIC processor, that will deliver greater image quality, at even higher ISOs, with the ability to capture stills in 10-bit using the HEIF (High Efficiency Image File) file format. HEIF produces wider dynamic range and greater color representation compared to JPEG. The power of 4K resolution brings stories to life – shoot 4K videos including 4K60p with 10-bit 4:2:2 Canon Log internal recording.

Conveniently Connected

For professionals, content delivery is just as important as image capture – the EOS-1D X Mark III will make it easy, featuring built-in Wi-Fi® and Bluetooth® low-energy connectivity in addition to GPS technology. To keep pace with ever-shortening deadlines, the camera will transfer data at more than twice[i] the speed of the EOS-1D X Mark II when using the built-in Ethernet connection, or the new optional wireless file transmitter – the WFT-E9, which is also compatible with Canon’s recently launched Cinema EOS C500 Mark II camera. Coupled with simpler network set-up the camera will greatly enhance the professional workflow.

A Familiar Feel with Improved Attributes

Existing EOS-1D series users will be familiar and comfortable handling the EOS-1D X Mark III allowing seamless navigation with trusted ergonomics – whilst the magnesium alloy body will offer the durability expected from Canon’s EOS-1D cameras. Professional photographers can trust the same impressive build-quality as the EOS-1D X Mark II – with phenomenal weather-sealing, standing up to harsh conditions, including wind, rain and humidity. With incredible low-light shooting capabilities, the camera will now feature select illuminated buttons that allow for precision operation in challenging, dark and dimly lit conditions.

The camera will also offer a new additional control for selecting AF points, built into the AF-ON button, allowing photographers to change AF points on-the-fly for the best composition – further helping to simplify their work. In addition, dramatically improved battery life – with the same LP-E19 – will allow professionals to shoot for longer periods of time, without having to change batteries, helping reduce the chance of missing a shot.

[i] Transfer speeds may be adversely affected depending on the usage environment.

Articles: Digital Photography Review (dpreview.com)

 
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The Canon 5D Mark V to Be Produced After All (in 2020)

23 Oct

The post The Canon 5D Mark V to Be Produced After All (in 2020) appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

The Canon 5D Mark V to Be Produced After All (in 2020)Professional DSLRs aren’t dead yet.

As was reported last week, Canon has plans to keep at least one of its DSLR lineups alive:

A photographer’s favorite, the Canon 5D line.

Rumors indicate that the Canon 5D Mark V will likely be announced sometime in 2020, probably at the end of the year.

The Canon 5D Mark IV is a popular choice among professional photographers; it’s particularly praised for its high-ISO capabilities, which blow most other cameras out of the water. But the Canon 5D Mark IV isn’t just a great option for low light shooters. It’s an all-around excellent piece of kit, offering good continuous shooting speeds (7 fps), impressive autofocus capabilities (including Canon’s Dual Pixel autofocusing), a rugged body, and dual card slots.

We can hopefully expect the Canon 5D Mark V to be more of the same, just with some key upgrades. Canon will undoubtedly retain the dual card slots and the rugged camera, though we’ll undoubtedly see expanded high-ISO capabilities and (probably) improved autofocus, not to mention resolution. If we’re lucky, we’ll get increased continuous shooting speeds, though 7 fps is very respectable, especially for a 30+ megapixel camera.

Given the overwhelming interest in mirrorless cameras, we can also expect some cross-pollination between mirrorless and DSLR lineups. While the Canon 1D X Mark III will likely be the first Canon DSLR to feature in-body image stabilization, the Canon 5D Mark V may be the second.

Note that the Canon EOS R II is also rumored to come out around the same time as the Canon 5D Mark V, and will probably have many of the same features. Hopefully, this will include dual card slots, a feature that was sorely missed by professional photographers who considered the Canon EOS R, as well as in-body image stabilization.

So I’d like to ask you:

Which camera would you be more interested in – the Canon 5D Mark V or the Canon EOS R II? And Canon 5D Mark IV users, might you consider switching to mirrorless?

Share your thoughts in the comments!

The post The Canon 5D Mark V to Be Produced After All (in 2020) appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Canon RF 24-70mm F2.8L IS USM sample gallery

21 Oct

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The RF 24-70mm F2.8 isn’t a showstopper like the RF 28-70mm F2. But it’s a lens that will appeal to a lot of EOS R photographers, with its bright, constant aperture covering a handy zoom range, and weather-sealing to help keep it protected from the elements. It became available at the end of September along with the nearly-identical RF 15-35mm F2.8, further expanding the range of options for full-frame Canon mirrorless shooters.

We snagged some time with the lens during what’s likely to be some of the last nice weather of the season – take a look.

See our Canon RF 24-70mm F2.8
sample gallery

Articles: Digital Photography Review (dpreview.com)

 
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Canon PowerShot G7 X Mark III sample gallery updated

20 Oct

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Our testing of the Canon G7 X III continues, which means we’ve brought along on plenty of day trips and adventures to get a feel for its performance in a number of situations. Take a look at some of the resulting images while we finish up our testing.

See our updated Canon PowerShot G7 X Mark III sample gallery

Articles: Digital Photography Review (dpreview.com)

 
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Which has the best lens? Sony RX100 VII vs Canon G5 X II vs Canon G7 X III

19 Oct

Now that we’re pushing through our full review of Canon’s G7 X Mark III and have published our full reviews of the G5 X Mark II and Sony’s RX100 VII, we wanted to take a look at how all three of their lenses stack up against each other.

Of course, there are some differences here in terms of zoom length and aperture range, but since these represent the latest pocketable zoom compacts on the market, we were curious as to how those differences impact the outright image quality each camera is capable of. So, let’s take a look.

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The first thing you’ll notice is that the Sony is much clearer in the central portion of the frame, at each camera’s widest focal length and aperture. Stopping down the Canon$ (document).ready(function() { $ (“#icl-4831-1065318710”).click(function() { ImageComparisonWidgetLink(4831); }); }) cameras to match the wide-open aperture of the Sony improves things somewhat, especially on the G7 X III. As we move out to the corners$ (document).ready(function() { $ (“#icl-4832–2128444560”).click(function() { ImageComparisonWidgetLink(4832); }); }), the Sony shows a clearer advantage$ (document).ready(function() { $ (“#icl-4833–1286349705”).click(function() { ImageComparisonWidgetLink(4833); }); }) over the Canon’s$ (document).ready(function() { $ (“#icl-4834–1324939535”).click(function() { ImageComparisonWidgetLink(4834); }); }).

As we move into the middle of the zoom range$ (document).ready(function() { $ (“#icl-4835-900509721”).click(function() { ImageComparisonWidgetLink(4835); }); }), all three cameras perform very similarly in the center of the frame, which is to say, quite good. Stopping down the Canon’s to match the Sony’s lens at F4$ (document).ready(function() { $ (“#icl-4836–1208563060”).click(function() { ImageComparisonWidgetLink(4836); }); }) does look to give the PowerShots a bit more contrast. The corners$ (document).ready(function() { $ (“#icl-4837–2128444560”).click(function() { ImageComparisonWidgetLink(4837); }); }) likewise look pretty good here, and again, stopping down the Canon cameras to match the Sony’s maximum aperture gives them a bit of a sharpness boost.

Next, at the G7 X Mark III’s maximum zoom length of 100mm$ (document).ready(function() { $ (“#icl-4838-1814621327”).click(function() { ImageComparisonWidgetLink(4838); }); }) equivalent, the Sony shows a bit less fringing right off the bat, but all look pretty decent in the center. It’s in the corners$ (document).ready(function() { $ (“#icl-4839–2128444560”).click(function() { ImageComparisonWidgetLink(4839); }); }) where it looks like G5 X II is really starting to fall apart, unfortunately. Once you reach its maximum zoom of 120mm equivalent, the G5 X II starts to look a little hazy$ (document).ready(function() { $ (“#icl-4840–1392152557”).click(function() { ImageComparisonWidgetLink(4840); }); }) next to the Sony across the frame$ (document).ready(function() { $ (“#icl-4841-1368515039”).click(function() { ImageComparisonWidgetLink(4841); }); }).

So from what we can tell from these copies, the Sony will give you more consistently sharp results regardless of where you find yourself in the zoom range, or across the image frame. But, and this is a big but, you’re giving up an awful lot of aperture (as well as zoom, to be fair) to get that sharpness. If you find yourself wanting to shoot in more dim conditions, the Canons may be a tad bit softer, but their faster lenses will keep your ISO values lower, and therefore noise levels lower. It’s up to you to decide which suits you best.

But poke around the rest of the scene and the other settings we’ve provided, and let us know what you think in the comments.

Articles: Digital Photography Review (dpreview.com)

 
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Tokina launches redesigned ATX-i 11-16mm F2.8 CF lens for Canon EF, Nikon F mounts

18 Oct

Tokina has announced the release of its new ATX-i 11-16mm F2.8 CF lens for Canon EF and Nikon F mount crop-sensor cameras.

The re-designed lens is constructed of 13 elements in 11 groups, including two aspherical elements, a ‘large’ aspherical P-MO element and two all-glass molded low dispersion (SD) elements.

Other features include an aperture range of F2.8-F22, a nine-blade aperture diaphragm, a 77mm front filter thread and a minimum focusing distance of 30cm (11in). Tokina has included its One-Touch Focus Clutch Mechanism for easy switching between autofocus and manual focus by snapping the focus ring forward (for autofocus) or backward (for manual focus).

The Tokina ATX-i 11-16mm F2.8 CF weighs 555g (19.58oz) and measures 84mm (3.31in) long. It is currently available for pre-order for $ 449 (Adorama, B&H) and will hit official retailers shelves on November 8, 2019.

Press Release:

Kenko Tokina announces release of the NEW ATX-i 11-16mm F2.8 CF lens

NEW ATX-i Series from Tokina updates the Best-Selling super wide-angle lens for crop-sensor DSLR cameras from Canon and Nikon.

Huntington Beach, CA, October 17, 2019: Kenko Tokina, Japan’s leading manufacturer of premium camera accessories, is releasing the Tokina ATX-i 11-16mm F2.8 CF super wide-angle zoom lens for crop-sensor DSLR cameras from Nikon and Canon. Distributed in the US exclusively by Kenko Tokina USA, this new lens is ideal for photographers and video content creators who specialize in landscape, architecture, documentary, environmental portraits, and night sky imagery.

The Tokina ATX-i 11-16mm F2.8 CF is re-designed for an improved user experience and better image quality. The constant- aperture lens provides excellent edge-to-edge sharpness and resolution. Reduces flare and ghosting, while maintaining excellent contrast and color. A new waterproof topcoat also makes it easier to clean.

Popular among cinematographers too, because the lens provides a wide cinematic feel, minimized breathing, no edge distortion while panning, and the overall weight and internal focus design makes it an ideal choice for gimbal work.

The One-Touch Focus Clutch Mechanism makes switching from AF to manual focus (MF) simple. While in AF mode the user only needs to snap the focus ring back toward the camera to engage “real” manual focus control. This gives photographers an authentic tactile MF feel with hard stops on either side of the focus range like traditional manual lenses. Additionally, the directional rotation of the focus ring matches the direction of proprietary Nikon and Canon lenses.

Tokina ATX-i 11-16mm F2.8 CF MACRO

“This lens offers technical advancements over the current ATX version,” said Yuji Matsumoto, President at Kenko Tokina USA. “It offers enhanced performance and a sleek new look that matches the cosmetics of today’s advanced DSLR cameras.”

“It is an excellent upgrade to one of Tokina’s most popular lenses.” said Greg Napoli, National Sales Manager for Kenko Tokina USA. “The original 11-16mm lens has been a staple of our line-up for years and this new version will continue to find its way into more camera bags.”

Kenko Tokina announces release of the NEW ATX-i 11-16mm F2.8 CF lens

The new Tokina ATX-i 11-16mm F2.8 CF incorporates a complex optical design, with 13 elements in 11 groups. Using 2 aspherical lenses including a large aspherical P-MO element and 2 all-glass molded Low-Dispersion (SD) elements, the lens effectively suppresses chromatic and spherical aberrations. The front element provides super-low distortion and low light fall-off for straight lines and minimal exposure vignetting. Perfect for architectural, landscape, astrophotographers, and cinematographers.

Worldwide sales of the Tokina ATX-i 11-16mm F2.8 super wide angle zoom lens will begin on November 8, 2019 with authorized Tokina USA retailers taking pre-orders October 17, 2019.

Price: $ 449.00

More information is available at https://tokinausa.com.

Articles: Digital Photography Review (dpreview.com)

 
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Canon announces upcoming public availability of its IVY REC clip camera

11 Oct

Following a successful Indiegogo campaign, Canon has publically launched its IVY REC clippable camera made for snapping images and recording videos in risky environments. As its name suggests, this model features a clip for directly attaching the camera to strap, loop, belt or similar item; the same clip also functions as a viewfinder, according to Canon.

The IVY REC Outdoor camera features a 13MP sensor, support for capturing 1:1 and 4:3 JPEG images in resolutions up to 3104 x 3104 and 4160 x 3120, video recording at 720p/30fps through 1080p/60fps in MP4 format, and a fixed 25.4mm F2.2 lens.

In addition to electronic image stabilization, the camera features a mono microphone, a memory card slot for saving content, a 660mAh rechargeable battery, and micro USB connectivity. IVY REC likewise features Bluetooth 4.2 and WiFi 802.11b/g/n, as well as support for the Canon Mini Cam, which provides access to image and video settings, battery life info, and remaining storage capacity.

The Canon Mini Cam app offers a live viewfinder mode and remote shutter with timer, plus there’s the ability to wirelessly transfer images from the camera to a mobile device. As indicated by Canon’s marketing, the model is also durable with a shockproof/waterproof design and support for operating temperatures from -10C to 40C (14F to 104F). The camera measures 110.5mm x 45.2mm x 18.5mm (4.4in x 1.8in x 0.7in).

The IVY REC Outdoor Camera will be available from Canon in Avocado (green), Riptide (blue), and Dragon Fruit (pink) colors starting next month for $ 129.99.

Press release:

The World Is Your Oyster and Now You Can “REC” It With New Canon IVY REC Clippable Outdoor Camera

MELVILLE, NY, October 10, 2019 – Your activity of choice should not limit you on your quest to #RECtheWorld – from jumping on a trampoline, biking down a mountainside, screaming on a roller coaster or feeling the beat at a music festival. Down for just about anything, Canon U.S.A., Inc., a leader in digital imaging solutions, is excited to announce the IVY REC Clippable Outdoor Camera. Made to go anywhere while capturing those larger-than-life moments – this new camera is made for adventure.

IVY REC Specs

Great for the outdoors, the clippable and wearable design allows users to wear it on a belt or bag and the clip doubles as a viewfinder – eliminating the potential to crack a screen. Simple to use with one click capture for both photos and videos, the IVY REC pairs with the optional Canon Mini Cam app1. When paired with a compatible mobile device2 such as a smartphone, you can keep informed about important settings including battery life of the IVY REC camera, remaining image capacity for the MicroSD card, video recording resolution (720p or 1080p)3, and image size. You can also use the app as a live viewfinder to capture photos and videos, and even use it as a remote shutter with a timer. For photos and videos, the app lets you wirelessly transfer them to your compatible mobile device to print and share. The go-anywhere camera is also waterproof4, shockproof5 and lightweight.

“We have learned a lot about the IVY customer since we launched our first IVY product over a year ago –their unique shopping habits and what’s important to them when it comes to consumer technology products,” said Kazuto Ogawa, president and chief operating officer, Canon U.S.A., Inc. “We’ve worked tirelessly to implement this knowledge into the next generation of IVY products, the IVY REC, offering the younger generation consumer the opportunity to go where the moment takes them and capture them in an instant.”

The Canon IVY REC comes in three colors: Riptide (Blue), Avocado (Green) and Dragon Fruit (Pink) and is scheduled to be available in October 2019 at an estimated retail price of $ 129.99*. For more information, please visit usa.canon.com.

About Canon U.S.A., Inc.

Canon U.S.A., Inc., is a leading provider of consumer, business-to-business, and industrial digital imaging solutions to the United States and to Latin America and the Caribbean markets. With approximately $ 36 billion in global revenue, its parent company, Canon Inc. (NYSE:CAJ), ranks third overall in U.S. patents granted in 2018† and was named one of Fortune Magazine’s World’s Most Admired Companies in 2019. Canon U.S.A. is dedicated to its Kyosei philosophy of social and environmental responsibility. To keep apprised of the latest news from Canon U.S.A., sign up for the Company’s RSS news feed by visiting www.usa.canon.com/rss and follow us on Twitter @CanonUSA.

†Based on weekly patent counts issued by United States Patent and Trademark Office.

1 Use of the optional Canon Mini Cam app requires compatible device to be connected to the Canon IVY REC via Bluetooth® and Wi-Fi®. The Canon Mini Cam app is available for free on the App Store and at Google Play. Data charges may apply with the download of the free Canon Mini Cam app. Compatible with mobile devices running iOS 11 or later, and Android devices running Android 5.1 or later.

2 Transfer of photos and videos requires Bluetooth and Wi-Fi to connect and pair with a compatible smart device, along with the use of the free Canon Mini Cam app, available on the App Store or Play. Compatible with iOS® versions 11 or above, Android™ smartphone and tablet versions 5.1 or above. Data charges may apply with the download of the free Canon Mini Cam app. This app helps enable you to upload images to social media services. Please note that image files may contain personally identifiable information that may implicate privacy laws. Canon disclaims and has no responsibility for your use of such images. Canon does not obtain, collect or use such images or any information included in such images through this app.

#Additional faceplates will be available later in 2019.

3 Default video setting is 720p at 30fps. Setting can be changed to 1080p through the Canon Mini Cam app. Note: 1080p video is not supported for Live View. Maximum continuous video length is 10 minutes.

4 Waterproof to 2m/6.6 ft. for up to 30 minutes, based on IP68 testing. Tested in freshwater only. If exposed to non-freshwater, rinsing immediately with freshwater is recommended.

5 Shockproof up to 6.6 ft./2m. The shock resistant testing methods are unique to this product and do not guarantee against damage or malfunction of the product.

*Availability, price and specifications are subject to change without notice. Actual prices are set by individual dealers and may vary.

Articles: Digital Photography Review (dpreview.com)

 
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Canon Korea promo video confirms the RF 70-200mm F2.8 lens won’t have internal zoom

10 Oct

A new video from Canon Korea gives us a closer look at Canon’s upcoming RF L F2.8 trinity and confirms what we’ve suspected from the get-go with the upcoming RF 70-200mm F2.8—it won’t be an internal zoom.

The 72-second video shows off sample images and specifications from each of the three lenses Canon showed off earlier this year: the RF 15-35mm F2.8 L IS USM, RF 24-70mm F2.8 L IS USM and RF 70-200mm F2.8 L IS USM.

As expected from the first time we saw the ridiculously compact 70-200mm F2.8 L IS USM, the lens will have an extending section for when shooting at longer focal lengths, as seen in the animated GIF above. This video marks the first time we’ve seen the extending section in action and as seen in the video, the zoom ring will have a rather short throw when going from 70mm out to 200mm.

Pricing and availability for these three lenses are still up in the air, but we expect to find out before the end of the year based on Canon’s own lens roadmaps.

Articles: Digital Photography Review (dpreview.com)

 
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Canon plans to add 24p recording to select EOS, PowerShot cameras via firmware update

09 Oct

The people have spoken and Canon has listened. In an email sent to DPReview Canon says it ‘plans to introduce 24p mode (23.98fps) for movie recording via a series of future firmware updates for select [EOS and PowerShot] models.’

According to the email, the move comes ’In response to feedback from our customers about some of our recently launched EOS and PowerShot models.’ Canon specifically says the first models to receive the firmware update with support for 24p (23.98 fps) shooting modes will be the EOS 90D and the EOS RP at the end of October. ‘The PowerShot G7X Mark III and G5X Mark II will follow at the end of 2019 and the EOS M6 Mark II during the first half of 2020,’ reads the email.

Once the firmware is released for the cameras, each supported model will be able to shoot 24p (23.98 fps) in 4K and Full HD.

Articles: Digital Photography Review (dpreview.com)

 
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