RSS
 

Posts Tagged ‘Camera’

This hacked Polaroid camera prints your photos onto thermal paper

24 Apr

If you enjoy DIY projects and don’t mind diving deep into programming, soldering, and otherwise hacking apart old cameras, this weekend project is right up your alley. Meet the thermal paper Polaroid.

Created by tinkerer Mitxela, this Frankenstein of a camera takes the shell of a Polaroid Sonar Autofocus 5000 and crams a webcam, thermal printer and Raspberry Pi Zero computer inside. The result is a digital instant camera that immediately prints your photographs onto thermal paper—the type of paper receipts are printed on.

The project isn’t for the faint of heart. It involves a good bit of cutting, soldering, wiring and programming, as meticulously detailed in Mitxela’s step-by-step guide on how he built the thing. The entire process was filled with a healthy bit of trial and error, but when all was said and done, it worked. And not barely worked… flawlessly worked, as though that’s how the Polaroid camera was designed to operate all along.

As explained in the above video, the camera uses a three-dollar webcam as the eye, catching the scene through the lens of the Polaroid. When the shutter of the Polaroid is pressed, a screenshot from the webcam is captured and processed by the Raspberry Pi Zero before being sent off to the thermal printer. As it prints, the paper is fed through the same area a normal Polaroid print would be expelled from.

The amount of work that went into the project is evident in how clean the camera looks even after all of the hacking, soldering and glueing. From the outside, the camera still looks almost identical to how it did when Mitxela started. Everything is packed inside the frame of the original Polaroid Sonar—it can even be booted up externally through the clever positioning of the serial port. which is hidden beneath where flash bars are placed when shooting with instant film.

To see the entire process and dozens of photos from throughout the building process, head on over to Mitxela’s site and check it out. And if you’re brave enough to take on this project yourself, be sure to share your results with us.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on This hacked Polaroid camera prints your photos onto thermal paper

Posted in Uncategorized

 

Video: Understanding the science of camera sensors

22 Apr

When we see a technical video posted online, purporting to explain some scientific concept that has to do with photography, we typically brace ourselves. More often than not, they fall into two categories: (1) oversimplified, or (2) blatantly incorrect.

That’s why this Filmmaker IQ episode on the science of camera sensors is such a breath of fresh air: not only is it factually solid, it goes into more detail and makes that detail easier to understand than just about any other technical breakdown of image sensor science we’ve seen… and they throw in a great explanation about how film works just to sweeten the pot.

The 13 minute video explains:

  • How photographic film uses a thin coating of silver halide crystals to capture light.
  • The science behind the photodiode that converts light into electrical current for all digital image sensors
  • How a Charged Couple Device (or CCD) sensor works, and its pros and cons.
  • How a Complementary Metal Oxide Semiconductor (or CMOS) sensor works, and its pros and cons.

If you’ve never bothered to dive into the science of image sensors or, every time you tried, the explanation was just too dense, give this video a look and let us know what you think in the comments below.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Video: Understanding the science of camera sensors

Posted in Uncategorized

 

You can own the world’s first single shot 8×10 digital camera for $106,000

22 Apr

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_1218001005″,”galleryId”:”1218001005″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

If you’re shooting digital, the largest image sensor you will find at your local camera store is the 53.4mm x 40.1mm medium format sensors inside something like the Phase One IQ3. But if that is just not enough for you… there is one, much larger option. Meet the $ 106,000 LargeSense LS911: a large format digital camera and purportedly the “world’s first 8×10 digital single shot camera for sale.”

The LS911 is the passion project of Bill Charbonnet, who left his desk job in 2014 to start LargeSense LLC and built these large-format digital cameras. Four years later, the LS911 is his first shipping product.

According to the press materials, LS911 features a 12-megapixel 9×11-inch monochrome CMOS sensor (that translates into massive 75 micron pixels), ISO that can be set at either 2100 or 6400, 900GB of internal storage, and the ability to output files to DNG, 16-bit TIFF, 32-bit TIFF, RAW and JPEG formats. There is no CFA, but the monochrome sensor can be used to produce color images (of non-moving subjects) using an in-built 3-shot system and color filters.

Oh, and the thing can also apparently shoot 4K, 3840 × 2160 video at 26fps using its electronic shutter.

Here is a video of the LS911 in action:

And here is how the size of the LargeSense LS911 sensor compares to some of the other image sensors out there:

Note: the LargeSense LS45 is a 4×5-inch digital back Charbonnet is working on, but has yet to release.

If the LS911 seems a bit bonkers, honestly, that’s because it is. We’ve been discussing it in the office for the past couple of days, trying to figure out how to put this camera in context for our readers, and here’s our take: it’s cool, but having a sensor this large may not be as advantageous as you think.

Science Editor Rishi Sanyal explains:

One of the main benefits of going to a larger sensor is that you can get more resolution as the larger pixels place less of a burden on the resolving power of the lens, but this camera does not take advantage of that.

What it does offer is the tilting, shifting and swinging ability large format cameras are known for, and if you can give the sensor enough light, the entire image has the potential for greater ‘tonality’ because the lower relative shot noise will yield very high signal-to-noise ratio for most tones. That makes the image more amenable to extreme sharpening without accentuating noise. That said, beyond a certain signal-to-noise ratio, tones are already clean enough – particularly with modern full-frame or medium format cameras – that it likely doesn’t matter.

So, are you guaranteed a noticeable improvement in overall quality of the photos just because of the 9×11-inch sensor? Not necessarily. This is probably more about the feel of large format where you can throw most of the image largely out-of-focus by tilting the focus plane, or keep a large amount in focus without stopping down if you align the focus plane with your subject(s).

If, after knowing all of this, you’re still interested in dropping $ 106K on the LS991 (hey – it’s guaranteed to be a conversation piece at parties if nothing else), head over to the LS911 product page on the LargeSense website or check out the full spec sheet at this link.

And do let us know: what would you use it for?

Press Release

LargeSense launches the LS911

It is the first full frame 8×10 digital single shot camera for sale!

Medium format has thus far been the limit as far as sensor size because large sensors are difficult and expensive to produce. With the LS911, photographers now have an option for high quality large format images other than film. Available now. The USA price is US$ 106,000 Check www.largesense.com for more information.

LS911 Specifications

  • Single shot 9×11 inch monochrome CMOS sensor
  • High base sensitivity of ISO 2100
  • Live view for focusing
  • Compatible with any large format lens with a sufficient image circle
  • Easy to use HTML-based WiFi control with any HTML5 browser
  • 4k Lossless video with audio up to 26fps
  • 900GB internal storage, CF cards and external USB 3.1 drives
  • User-generated curves to apply to the linear files
  • Integrated 3 shot tri-color images when using color filters
  • Designed for mounting on large tripods or custom camera stands

LS911 product page: http://largesense.com/products/8×10-large-format-digital-back-ls911/

LS911 spec and feature sheet: http://largesense.com/files/3415/2348/3451/LS911-Specs-And-Features-180411.pdf

Upcoming Products

A 4×5 inch digital back, the LS45, is expected at the end of 2018.

The color version of the LS911 is expected in 2020.

LargeSense was founded in 2014 by Bill Charbonnet to manufacture single shot, large format digital cameras. Inspiration was from Mitchell Feinberg’s 8×10 digital back. The issue for a business in this tiny market is keeping costs low while delivering a specialty product. After 3 years of development, we are proud to be the first to offer such camera, the LS911!

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on You can own the world’s first single shot 8×10 digital camera for $106,000

Posted in Uncategorized

 

Sony’s updated 3D Creator app can use your smartphone’s front camera to scan your face

21 Apr

Sony’s 3D Creator app with its 3D-face-scanning function was first introduced with the Xperia XZ1 and XZ1 Compact last year. Now the Japanese manufacturer is rolling out the update to version 2 of the app.

The most important upgrade of the new version is the ability to create 3D models of your face with your smartphone’s front camera. This means, unlike with the previous version, you don’t need the help of another person to create a 3D-model of your face and head. Of course, the option to use the main camera and get someone else to do the job is still available.

The updated app also lets you share the results straight to Facebook or order a 3D-printed copy of your model. And version 2.0 also comes with “post-scan cloud processing,” which allows you to render 3D models with 4K resolution textures for better detail and realism.

3D Creator 2.0 is compatible with the Xperia XZ1, XZ1 Compact, and XZ Premium. If you’re lucky enough to own one of these devices, you can download the newest version of the app from the Play Store now. If you are an iPhone X user, check out the Bellus 3D app for similar face scanning capabilities.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Sony’s updated 3D Creator app can use your smartphone’s front camera to scan your face

Posted in Uncategorized

 

Capture One update adds new styles workflow, updated camera support

20 Apr

Phase One has launched the first major update to Capture One Pro 11, the company’s Raw conversion and photo editing software. Capture One 11.1 brings along a few important new features, including improved import performance, an updated styles workflow, a new resource hub, enhanced LCC presets, and support for new cameras and lenses.

The most obvious changes in the update come in the form of new workflow adjustments that should speed up the importing and processing of large numbers of photos. Now, you can apply styles and presets directly to a photo or on top of it as a layer; for even more control, you can control the opacity to make sure the effect is as subtle or significant as you want it to be.

Capture One has also thrown in a new ‘Spring’ collection as part of its included styles packs.

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_1238844740″,”galleryId”:”1238844740″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

A new ‘Normalize’ tool has also been added to the workflow. This tool replaces the old ‘Skin Tone White Balance’ tab within the white balance module and, “is designed to make easier baseline corrections to images.”

And if you’re new to Capture One (or simply want to refresh your skill set) Capture One has dropped the learning curve by adding a new Resource Hub. You can now get instant access to free learning resources directly in the app, including: tutorials, webinars, news, and blogs, plus direct access to support and Capture One’s web shop.

Finally, Capture One 11.1 also includes updated support for eight new cameras and 16 lenses. Below is a full list of the cameras and lenses that have been added to the more than 400 cameras already supported:

Cameras

  • Sony A7 Mk III
  • Fuji lm X-H1
  • Leica CL
  • Leica M262
  • Leica TL2
  • Leica V-Lux Typ 114
  • Leica X-U
  • Olympus E-M10 mkIII
  • Olympus E-PL9
  • Panasonic G9
  • Panasonic GH5S

Lenses

  • Canon EF 24-105mm f/4L IS II USM
  • Leica Elmarit M 90mm f2.8
  • Leica Summicron M 90mm f2
  • Sony E 18-135mm f/3.5-5.6 OSS (SEL18135)
  • Sony FE 24-105mm F4 G OSS (SEL24105G)
  • Tamron 16-300mm F/3.5-6.3 Di II VC PZD MACRO B016 • Tamron 28-300mm F/3.5-6.3 Di VC PZD A010
  • Tamron SP 35mm F/1.8 Di VC USD F012
  • Tamron SP 70-200mm F/2.8 Di VC USD G2 A025
  • Tamron SP 90mm F/2.8 Di MACRO 1:1 VC USD F017

For owners of Capture One Pro 11, version 11.1 is available as a free update for both MacOS and Windows. If you don’t own the current version, Capture One 11.1 can be purchased for a one-time fee of $ 300 or used via subscription for $ 20 per month, or $ 180 per year if paid up front. There’s also a free 30-day trial if you want to test the waters before you commit.

To see what else is new and to purchase Capture One 11.1, head on over to the Capture One website.

Press Release

Phase One Releases Capture One 11.1

Update Provides New Resource Hub, Expanded Camera Support and Improved Workflow

COPENHAGEN, Apr. 19, 2018 – Phase One, the world’s leading manufacturer of high-end digital camera systems, today released Capture One 11.1, a feature release to the industry’s premier RAW conversion and image editing software. The release enhances the Capture One user experience, through a new support platform and functionality updates to ensure a faster, smoother workflow. Improved Styles and presets workflow, support for 11 new cameras, including Sony A7 Mk III and Fuji X-H1 and 10 new lenses, including Tamron lenses for both Nikon and Canon, and an all-new Resource Hub are among the latest updates.

“Capture One remains dedicated to the needs of ambitious photographers. These latest updates introduce an extension to camera and lens support, as well as an all-new Resource Hub. The Resource Hub is an in-app portal that allows users to easily access news, tutorials, updates and much more – all designed to inspire photographers and ensure the best workflow and user experience in Capture One,” said Jan Hyldebrandt-Larsen, VP Software Business at Phase One.

NEW FEATURES AND TOOLS IN CAPTURE ONE 11.1

IMPROVED STYLES AND PRESETS

A new workflow adds a much faster way to apply both Styles and Presets to a Layer on one or multiple images, offering a direct control of opacity, imperative to wedding and portrait photographers.

Furthermore, a new Spring Styles Pack is included, offering bright pastel color grading to images, particularly helpful to wedding, portrait and landscape photography.

RESOURCE HUB

The Resource Hub has been introduced to offer quick access to free learning resources via a dynamic on-screen portal. Tutorials, news, webinars, blog posts and much more are offered in one convenient location to improve the user experience and learning curve with Capture One.

NORMALIZATION TOOL

The normalization tool provides a reference point for exposure and white balance for batch adjustments, now allowing any color to be used when previously the only option was a neutral grey.

NEW CAMERA AND LENS SUPPORT

The Capture One R&D team, alongside our color scientists, analyze hundreds of images from each camera to provide photographers access to the best out of box experience with natural profiles. Below outlines the new camera and lens additions that Capture One 11.1 supports. A full list of supported cameras can be found here: http://www.phaseone.com/supported-cameras

New camera support includes:

  • Fujifilm X-H1
  • Leica M262
  • Leica CL
  • Leica X-U
  • Leica V-Lux Typ 114
  • Leica TL2
  • Olympus OM-D E-M10 Mk III
  • Olympus E-PL9
  • Panasonic G9
  • Panasonic GH5S
  • Sony A7 Mk III

New lens support includes:

  • Canon lens:
    • Canon EF 24-105mm f/4L IS II USM
  • Leica lenses:
    • Leica Elmarit M 2.8/90
    • Leica Summicron M 2/90
  • Sony lenses:
    • Sony E 18-135mm f/3.5-5.6 OSS (SEL18135)
    • Sony FE 24-105mm F4 G OSS (SEL24105G)
  • Tamron lenses:
    • Tamron SP 70-200mm F/2.8 Di VC USD G2 A025
    • Tamron SP 35mm F/1.8 Di VC USD F012
    • Tamron 28-300mm F/3.5-6.3 Di VC PZD A010
    • Tamron SP 90mm F/2.8 Di MACRO 1:1 VC USD F017
    • Tamron 16-300mm F/3.5-6.3 Di II VC PZD MACRO B016

CAPTURE PILOT 2.0

Capture Pilot 2.0 adds camera control support for Sony, allowing users to change camera settings of the tethered camera directly from your iOS device.*

AVAILABILITY AND PRICING

Capture One 11.1 is available now for the Mac and Windows operating systems online at www.phaseone.com/store and from Phase One authorized partners worldwide www.phaseone.com/partners.

Capture One Pro

Owners of Capture One Pro 11 perpetual and subscribers can update for free by downloading. New customers can purchase Capture One Pro 11 for 299 USD or 279 EUR. Capture One Pro 11 is also available by subscription. A single-user subscription is 20 USD/EUR per month for a 12-month plan or a 180 USD/EUR prepaid subscription, paid annually.

Owners of Capture One Pro 9 and 10 can upgrade for 119 USD/EUR

Capture One Pro Sony

Owners of Capture One Pro Sony 11 can upgrade for free by downloading. New customers can purchase Capture One Pro Sony 11 for 79 USD/EUR.

Owners of Capture One Pro Sony 9 and 10 can upgrade for 69 USD/EUR.

Download a 30-day trial

A fully functional version of Capture One is available for a 30-day trial. Download the trial here: www.phaseone.com/download

Please see all products and payment options at www.phaseone.com/store.

*Requires in app purchase.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Capture One update adds new styles workflow, updated camera support

Posted in Uncategorized

 

GoPro will now accept almost any digital camera for trade-in, even ‘destroyed’

19 Apr

GoPro has relaunched its Trade-Up program, this time as a permanent option for customers located in the United States. The program first launched last year, but only as a temporary promotion limited to previous-generation GoPro cameras exchanged for discounts on current-generation models. This time around, GoPro is accepting nearly any digital camera in any condition.

The company says it will accept any GoPro or non-GoPro digital camera under the program, and that any condition is acceptable, including “destroyed.” To participate, customers must use the Trade-Up website to purchase either a Fusion or HERO6 Black, where they’ll receive a $ 50 discount on the HERO6 Black (bringing the price down to $ 350) and/or a $ 100 discount on the Fusion (bringing the price down to $ 600).

GoPro provides the customer with a prepaid shipping label to send the company their trade-in camera; once the trade-in is verified, GoPro ships the newly purchased camera to the customer.

According to the program’s FAQ, the trade-in camera must have a new value of at least $ 100 USD, and while multiple cameras can be traded-in, only one discount can be applied per camera purchase. Customers have 45 days to ship the trade-in to GoPro; once received, the company will charge their payment card for the new device.

Explaining why it decided to expand the program to cover any digital camera, GoPro says, “It’s not so much that we want your old camera. We just want to make it easy for you to get your hands on the latest and greatest GoPro.”

Press Release

GoPro Launches Camera Trade-Up Program for HERO6 Black and Fusion Cameras

Send in Any Older-Generation GoPro – or Any Other Digital Camera – and Receive $ 50 off HERO6 Black and $ 100 off Fusion at GoPro.com

SAN MATEO, Calif., April 18, 2018 – GoPro, Inc. today announced the launch of its camera Trade-Up program, offering users in the United States the ability to trade up from any previous-generation GoPro, or any other digital camera, to experience its latest and greatest products. Starting today, anyone in the U.S. can receive $ 50 off a new HERO6 Black or $ 100 off Fusion by participating in the program at GoPro.com.

GoPro first introduced its Trade-Up program for a limited time in 2017, which only accepted previous-generation GoPro models in exchange for a discounted upgrade to a current model. Nearly 12,000 customers participated in the 60-day promotion. The new and improved Trade-Up program brings back the initiative with major enhancements, including the acceptance of any digital camera and making it an everyday offer.

“The Trade-Up program is a great way for our fans and customers to upgrade to our newest products and experience how fun and convenient GoPro has become,” said Meghan Laffey, senior vice president of product at GoPro.

To participate in GoPro’s Trade-Up Program, customers should visit the Trade-Up website, select the new camera of their choice, and follow the instructions to return their old GoPro or digital camera. Upon receiving the returned camera, GoPro will process the discounted order and ship the new HERO6 Black or Fusion to the customer. Returned cameras will be recycled responsibly via zero landfill and recycling methods appropriate to material type.

To learn more about GoPro’s Trade-Up Program, visit https://shop.gopro.com/tradeup.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on GoPro will now accept almost any digital camera for trade-in, even ‘destroyed’

Posted in Uncategorized

 

Nikon dominates World Press Photo 2018 camera breakdown

17 Apr
Photo by chuttersnap

Last week, the prestigious photojournalism contest World Press Photo announced its 2018 winning photos, and most of those winners included information about the gear used to capture their images. Taking advantage of this fact, Spanish photography website Photolari pulled that public data and created a series of graphs breaking down the equipment used by participating photojournalists.

Of the 129 winning images, 97 included gear details; though the graphs don’t represent the models were used by all participants, they do cover the majority. And the short version of the results goes something like this: Nikon dominated the brands, and the DSLR continues to dominate over mirrorless.

According to the breakdown, the Nikon D5, Nikon D810, and Canon EOS 5D Mark III tied for first place, with 11 winning photos each. Coming in second is the Nikon D800E and Canon EOS 5D Mark IV with seven units each. Finally, both the Nikon D4S and Nikon D700 tied for third place with six units each.

Nikon is the overall winner among gear use, representing a total of 51.5% versus Canon’s second place 29.9%. Other makers represented far smaller pieces of the pie, with Fujifilm taking 6.2%, Sony taking 5.1%, and both Pentax and DJI taking 2.1% each. Not represented in the percentage graph are three Leica models, two of them the M10 and the other a Leica SL.

Further revealing the type of gear used is another category: types of cameras. That breakdown reveals DSLRs comprised the majority of participants’ gear at 83.5%, with mirrorless taking second place at 11.3%, and other unspecified types representing a total of 5.2%.

This isn’t Photolari’s first breakdown of World Press Photo winner gear. Last year, the site found that Canon took the top three slots, with the 5D Mark III in first place, while the 5D Mark II and Mark IV models took second and third, respectively. Nikon wasn’t even represented until 7th place on last year’s breakdown. Photolari’s graphs also reveal an uptick in mirrorless popularity. In 2017, DSLRs claimed 88.8% of the “types” category, a figure that dropped to 83.5% in 2018. Mirrorless only claimed 5.55% in 2017, increasing to 11.3% this year.

That said, it’s important to note that Photolari’s 2017 graphs are based on only 36 out of 45 awarded photos. So while it’s nice to compare 2017 to 2018 and draw grand conclusions about the camera market, this is probably more an exercise in bragging rights than an accurate representation of camera company health.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Nikon dominates World Press Photo 2018 camera breakdown

Posted in Uncategorized

 

Don’t buy the phone with the ‘best camera,’ buy the phone you like as a phone

14 Apr

If your job entails giving people on the internet buying advice about photo gear, you field a lot of questions from friends who want to make a camera purchase. It sounds corny, but we at DPR actually love these questions – it’s a chance to put an otherwise somewhat useless store of knowledge to work. We get something out of the transaction too: a data point about the needs and wants of people who are actually buying cameras. It’s like a pop quiz we spend 40 hours a week studying for.

Lately, it’s not just cameras we’re asked about. Friends have seen plenty of advertising declaring this or that smartphone as having the ‘best camera.’ More and more, we see people treating their smartphone purchase as a camera purchase too, so it makes plenty of sense that these claims hold a lot of sway. People who seek our advice are now debating between a couple of flagship devices, sometimes within the same operating system, and sometimes not. But the question is the same – “‘Such and such phone’ has the best camera, should I buy it?”

Here’s the short answer: Not necessarily.

The flagship phones from the major manufacturers all have pretty darn good cameras at this point. Sure, there are slight advantages in image quality in different scenarios, but overall, any minor shortcomings are going to be easier to live with than an operating system you don’t like. This is especially true if you’re upgrading from a phone that’s several generations old. Manufacturers have been leaning hard into camera tech innovation for the past few years, so you’ll probably see plenty of improvement even upgrading from a device several years old to last year’s flagship.

You’ll probably see plenty of improvement even upgrading from a device several years old to last year’s flagship

There’s a slight caveat here: while quality from most smartphone cameras is good, a few of them do offer unique hardware-based camera features. The LG V30’s super-wide-angle lens is a good example – if a wider lens is something you really want, it’s worth checking the V30 out because it’s basically one-of-a-kind right now.

It’s also worth remembering that the demands on image quality in smartphones are, in most cases, much lower than on dedicated cameras. Photos taken with phones will likely only ever be viewed at lower resolution on another device screen or in smaller printed formats, like Chatbooks. In many situations, even the image quality benefits of a dedicated camera will be negligible when images are downsized for viewing on a 5″ screen.

So why even test phone cameras if they’re all good enough at this point? The same reason why we test cameras: so you can make an informed buying decision. We also fully expect them to eventually challenge more traditional cameras, but that’s another story for another day. Even if we could declare one traditional camera as the objective ‘best camera,’ that would be a pretty meaningless award. Size and cost, for example, are two huge factors to consider when buying a camera. It doesn’t matter if you bought the ‘best’ camera of all time; if it’s too heavy and you leave it at home most of the time then it wasn’t the best camera for you.

How you get along with your smartphone is an important consideration since many of us spend an embarrassing amount of our waking hours using them

How you get along with your smartphone is an important consideration since many of us spend an embarrassing amount of our waking hours using them. It has taken the place of a dedicated camera for lots of folks, but it’s not just our camera – it’s also our communication hub, media player, notepad, grocery list, bank, travel agent, the list goes on. How you like using it and how it feels in your hand should be given as much, if not more consideration than whether the camera scored three points higher than another.

We’ll keep testing smartphone cameras so we can help inform your decision and point out where there’s still room for improvement. In the meantime, if you’re debating upgrading to a new phone and you’ve got an eye on the one with the ‘best camera,’ consider heading to a wireless retail store and see if that’s the one you like best as a phone. You’ll be glad that you did.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Don’t buy the phone with the ‘best camera,’ buy the phone you like as a phone

Posted in Uncategorized

 

The RedRock DigiBoom is a gimbal-stabilized camera boom

13 Apr

Cinema and video accessory makers Redrock Micro have teamed up with Disney/ABC Television Group and Disney Research to design and develop the DigiBoom, a handheld gimbal-stabilized camera boom.

The DigiBoom is targeted at solo operators and small production teams who want to add unusual angles and smoothly stabilized footage to news, sports, and event video productions. The DigiBoom lets you place the camera anywhere from ground level to more than 8 feet (243 cm) up; 12 feet (365 cm) with the optional extension.

Redrock Micro says the DigiBoom is ideal for creating sweeping camera moves or unusual points of view. Key Features include complete control of operation and settings for both camera and gimbal from the grip, automated, manual, or hybrid control of camera aim and angle, and professional audio-connections and functions.

Additionally, the device comes with a single power source for camera, DigiBoom, and accessories, and the option to use an external power input. A high-resolution display allows for full-time monitoring. DigiBoom can be used with a wide range of cameras and displays but Redrock Micro recommends the Blackmagic Video Assist and Micro Studio Camera 4K recorder and camera for best performance.

The DigiBoom can be preordered for $ 500 on the Redrock Micro website, where you’ll also find additional product information. Target availability is Summer 2018.

Press Release

New DigiBoom Aims to Energize Location Shots, Breaking News, and Sports Footage

New Hybrid Camera Rig from Redrock Micro and Disney ABC Television Group/ Disney Research Merges Best of Gimbal, Jib, Drone, and Handheld to Achieve Cinematic Moves and Impossible Camera Angles

Dallas, TX and Hollywood, CA – Redrock Micro in collaboration with Disney/ ABC Television Group and Disney Research today announced DigiBoom® – a new gimbal-stabilized camera rig that merges the best of jib, gimbal, Steadicam®, drone, and handheld into a single highly mobile platform. DigiBoom is on display beginning today in the Redrock Micro and Blackmagic booths at the National Association of Broadcasters (NAB) conference in Las Vegas.

DigiBoom pushes content above the competition. DigiBoom is used by solo operators and small production teams to add eye-popping shots and premium cinema-style feel to live and pre-recorded news, sports, and events. DigiBoom can place the camera from ground level to over 8 feet (up to 12 feet with the optional extension) and everywhere in between while the full-time powered gimbal keeps shots smooth and steady. Use DigiBoom to create sweeping camera moves or place cameras into unusual point-of-views for maximum visual impact, including:

  • Reach any target, move quickly, and get angles that were previously unimaginable
  • Extend the pole to get shots of the tallest on the court, a crowded field and even places where tripods or handheld aren?t practical. Use the optional 3 foot extension for even higher and truly epic views
  • Get in front of, above, below, or around any obstacles with total control of camera angle and position
  • Create dynamic and premium cinema-style shots with smooth gimbal stabilization that will have people saying “How did they do that?”

Designed for Fast-Moving Productions and Small Crews

Key Features

DigiBoom is the only camera rig that delivers this wide range of creative shots while enabling full-time operator control over camera position and settings:

  • Versatility – that enables solo camera operators to be more productive and creative. The highly mobile rig means shots and angles can be easily improvised for breaking news or on-the-spot creative choices
  • Complete Control – of operation and settings for both camera and gimbal right
  • Dual Gimbal modes – for fully automated, fully manual, or hybrid control of camera aim and angle
  • Professional audio – including standard connectors and shielded wiring that is fully integrated into the DigiBoom for onboard camera audio, onboard mixer, or external sound mixer.
  • Professional power – with one power source for camera, DigiBoom, and accessories. Use the external power input for unlimited run time.
  • Full time monitoring – via the bright high resolution display mounted right where the operator needs it
  • Modular for many different setups – including jib, drone-like, Steadicam, and handheld all with one rig
  • Broadcast workflow and quality – whether live or pre-recorded, DigiBoom provides industry-standard video, audio and wireless with connectors and accessories
  • Minimal training – enables broadcast quality and delivery of totally unique content from day one

Redrock’s Cinema and Video Product Expertise Brings DigiBoom to Life

Redrock Micro has long been recognized as the premiere innovator for independent production equipment. Over the past decade, Redrock’s original designs and products have made high production value affordable and accessible for any budget level. DigiBoom joins Redrock’s existing family of over 400 rigs, automation, and camera accessories including the Eclipse™ the latest generation of networked camera-top accessories.

“Redrock has empowered small crews and solo operators to punch above their weight class for over a decade,” said James Hurd, President of Redrock Microsystems. “DigiBoom represents this kind of leap forward for location news, sports, and events. When we first saw DigiBoom we recognized this spark of an idea. With Redrock’s product expertise and injection of Eclipse™ technology, we are now delivering a finished product that is ready for the demands of full-time professional production.”

Powered by Technology from Disney

Core DigiBoom technology and associated patents were developed by Disney/ABC Television Group and Disney Research, and licensed to Redrock Micro to bring DigiBoom to market. DigiBoom has been field tested and refined over the past two years in organizations including Disney/ABC, ABC News, Marvel, and continues to be widely used at ESPN for live and recorded sports coverage.

“Over the past two years we have seen DigiBoom deliver tremendous value to Disney/ABC, ESPN and other subsidiaries within the Disney family,” said Anthony Accardo, Director, Research & Development, Disney/ABC Television Group. “Through our collaboration with Redrock, we are really pleased to see DigiBoom come to market and help elevate the state of the art for the industry.”

“DigiBoom gives us a distinctive look – delivering high-quality, cinematic images in a portable and versatile package,” said Brian Kennedy, vice president, Global News Gathering Operations & Planning. “At the 2017 Presidential Inauguration in Washington, D.C., DigiBoom provided incredible images and was the perfect tool allowing us to be live inside the story. No other tool could have delivered this type of coverage.”

“The Rose Bowl is one of the most beloved and most watched football contests in the US today,” said Lorenzo Lamadrid, ESPN Supervising Director, Rose Bowl. “Our use of DigiBoom for the 2018 Rose Bowl really enhanced the quality of the footage and sharpened the sense of ‘being right there in the action’ for our viewers. DigiBoom worked beautifully to create shots we couldn’t otherwise achieve.”

“DigiBoom allowed our camera operator to access high traffic spaces and deliver angles that wouldn’t have been possible with a traditional camera,” said John Vasallo, Sr. Coordinating Producer for ESPN.

Blackmagic Design Cameras Unlock DigiBoom’s Potential

DigiBoom can be used with any appropriate camera and display. To get the most from DigiBoom, the preferred recorder and camera are the Blackmagic Video Assist and Micro Studio Camera 4K, the world’s smallest broadcast quality live production camera.

The unique connectivity of the Micro Studio 4k Camera’s expansion port gives operators fingertip control over all camera functions directly from the DigiBoom handgrips. The Video Assist offers full-time operator monitoring, recording to internal SD cards and offering SDI pass-through for live broadcast.

“Blackmagic Design’s mission is to empower creative people. When we saw what Redrock and Disney were creating with DigiBoom, we wanted to make sure they could get the most from Blackmagic cameras,” said Grant Petty, CEO and Founder of Blackmagic Design. “We worked together to expand the Micro Studio Camera 4K and designed it to be versatile. It is incredibly exciting to think about how much more creative camera operators will be with DigiBoom, and with the combined solution DigiBoom essentially becomes a single integrated experience for the operator.”

Pricing and Availability

DigiBoom target availability is Summer 2018 and pricing has not yet been announced. In addition to the standalone product, DigiBoom will also be available as a Deluxe Field Broadcast kit and includes the most popular DigiBoom accessories. DigiBoom will be available from Redrock direct and Redrock’s Worldwide Authorized Resellers.

DigiBoom accessories and extensions

  • DigiBoom Jib adapter – mounts DigiBoom to your existing fluid head tripod for conversion to a more traditional jib
  • DigiBoom extension pole 3′ – extends DigiBoom for even higher shots while still retaining full operator control of gimbal and camera
  • DigiBoom body strap – supports the fulcrum of DigiBoom for additional support and easy operation
  • DigiBoom stand
  • DigiBoom hard case with fitted foam, ready for road and air travel

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on The RedRock DigiBoom is a gimbal-stabilized camera boom

Posted in Uncategorized

 

PolarPro expands into pro market with new QuartzLine camera filters

11 Apr

Lens filter manufacturer PolarPro is breaking into the professional lens filter market this week with the launch of its new QuartzLine Camera Filters for DSLRs, mirrorless and cinema cameras.

As the name suggests, PolarPro’s new filters are made of 99.9% pure fused quartz wrapped inside a brass frame. PolarPro says the use of quartz sets, “a new bar for light transmission and purity as the rare, fused quartz element delivers an extremely low refractive index compared to traditional filters.”

PolarPro QuartzLine ND Filter

QuartzLine Filters will be offered in ultraviolet, circular polarizing and multiple neutral density varieties. They come in 37mm, 46mm, 67mm, 77mm and 82mm thread sizes, with optional step-up rings available. Below is the entire collection of filter options and step-up ring sizes:

  • Filter Options: UV, CP, ND8, ND8/PL, ND16, ND16/PL, ND64, ND64/PL, ND1000, ND1000/PL, ND100000
  • Step-up Ring Options:
    • Step 52mm, 55mm and 58mm lens to 67mm filter
    • Step 62mm, 67mm and 72mm to a 77mm filter
    • Step 62mm, 67mm, 72mm and 77mm lens to an 82mm filter

PolarPro has also released a pair of Kanga Camera Filter Cases to keep either three or six filters safe and sound when traveling. They feature a soft microfiber lining and a magnetic opening for quick and quiet access. Like PolarPro’s filters, these come with a lifetime warranty.

PolarPro’s QuartzLine filters start at $ 60 and go up to $ 250, depending on the size and filter style. The three- and six-filter Kanga Camera Filter Cases retail for $ 40 and $ 50, respectively. You can find the full lineup of filters and cases on PolarPro’s website.

Press Release

PolarPro Leaps into Professional Lens Filter Market with Launch of QuartzLine Filters

PolarPro, long-trusted for its high-quality action camera and drone lens filters will bring new industry-leading glass to professional photographers and cinematographers with the full frame QuartzLine Filters.

Costa Mesa, C.A. – April 9, 2018 – PolarPro, developer of products inspired by adventure, announced today it is expanding its line of lens filters to professional photography and cinematography cameras. Well known for its industry-leading action camera and drone filters, PolarPro is continuing its tradition of quality with the new professional-focused QuartzLine Camera Filters for DSLRs, mirrorless and cinema cameras. The QuartzLine Filters range from $ 59.99 to $ 249.99 depending on size and filter style, for more information and specific pricing on the new PolarPro QuartzLine Lens Filters, please visit us here.

Constructed of 99.9% pure fused quartz, the QuartzLine Filters set a new bar for light transmission and purity as the rare, fused quartz element delivers an extremely low refractive index compared to traditional filters. A new optical coating method reduces surface reflectivity to less than one percent and increases surface hardness, all while maintaining a perfectly neutral color profile. The QuartzLine Filters will offer circular threaded UV, polarizers and neutral density filters from ND8 to ND100K, as well as hybrid single element ND/polarizing lens filters ranging from ND4/PL to ND1000/PL. With the filters running from 37mm, 46mm, 67mm, 72mm and 82mm, and an optional assortment of step-up rings, these stunning new optics will help adventure seeking creators capture perfection. All QuartzLine Filters can also be paired with PolarPro’s rugged construction Kanga Camera Filter Case to ensure they can go anywhere.

“As we have worked to establish PolarPro as the preferred option for drone cinematographers, we’ve also been working behind the scenes to make the QuartzLine Filters into an extremely precise and consistent filter for professional photo and video creators,” said Austen Butler, Co-Founder of PolarPro. “With QuartzLine, we wanted to create a rugged camera filter in line with our obsession over image quality. After testing 29 different materials we landed on a fused quartz glass element, with hyper neutral coatings to reduce reflectivity, increase scratch resistance, and most importantly, delivery a consistently neutral color profile.”

Ideal for professional photographers and cinematographers looking to ensure the most accurate representations of their creative vision, the QuartzLine Camera Filters combine PolarPro’s Death Valley-tested precision coatings with some of the most premium materials available.

Fused Quartz Glass At 99.9% pure, fused quartz is one of the purest glasses available. It’s this purity that allows the QuartzLine Filters to be extremely durable while delivering stunning optics and optimal clarity. The fused quartz glass also helps to ensure QuartzLine Filters have an extremely low refractive index of only 1.46 giving the filters increased stability and temperature resistance (from -50F up to 130F), so content creators can bring the true-life colors to their final product from the most extreme locations on the planet.

Color and Image Accuracy Light transmission in the QuartzLine Filters is perfectly neutral from the UV spectrum all the way across the IR spectrum, which gives photographers and cinematographers the confidence to stretch the boundaries of their creative vision while ensuring color and image accuracy. Unique among filter manufacturers, PolarPro leverages its new advanced coating technologies to eliminate any color cast or color inconsistency throughout the spectrum. The single-element QuartzLine Filters are available in a wide array of ND and ND/PL filters so photographers or cinematographers do not have to stack glass to achieve the desired effect, while also allowing wide-angle shots without fear of vignetting.

Precision Coatings The QuartzLine Filters rely on PolarPro’s advanced coating technologies to eliminate color shift, reduce flaring and ghosting, and to increase surface hardness for the already-durable fused quartz glass. Unlike other filters on the market, QuartzLine receives advanced coatings to eliminate color-casting or inconsistencies throughout the color spectrum. Each of the QuartzLine Filters feature:

• Neutral Density Coating – Precisely applied to reduce the desired light transmission without incurring color shifts, PolarPro’s ND coatings have been tested in the most demanding conditions possible from the workshop test bench to sun-blasted skies around the world.

• Anti-Reflective Coating – Reducing the reflectivity of the lens filter eliminates hot spots in the frame, and PolarPro’s coating technology allows the 3.45% native reflectivity of the fused quartz to be reduced to a negligible 0.455%.

• Anti-Scratch Coating – Protecting the coatings and base glass while hardening the filters surface, PolarPro’s anti-scratch coating has stood up to the demands of the most adventurous downhill thrashings possible.

• Hydrophobic Coating – Increasing surface hardness, while making for easy cleaning and water resistance, PolarPro’s hydroscopic coating provides the external layer on the QuartzLine Filters.

Durable Brass Frames The durable four-part frame which houses each QuartzLine Filter has been over-engineered to ensure it threads onto each lens perfectly. Wanting to use the absolute best materials possible, PolarPro eschewed the traditional aluminum frames in favor of the more durable, yet lightweight, brass frames. With the unique production demands of professional photographers and videographers in mind, the QuartzLine showcases the brass exterior portion of the frame while the interior is coated in a matte back to prevent unwanted reflections.

Comprehensive Product Range The QuartzLine Filters will be available for a wide array of lens sizes and a series of optional step-up rings will allow QuartzLine to accommodate most professional lenses. The range of UV, circular polarizing filters, traditional neutral density and hybrid neutral density/polarizing filters is detailed in brief below, or on the QuartzLine product page, here.

  • Filter Thread Sizes: 37mm, 46mm, 67mm, 77mm, 82mm
  • Filter Options: UV, CP, ND8, ND8/PL, ND16, ND16/PL, ND64, ND64/PL, ND1000, ND1000/PL, ND100000
  • Step-up Ring Options:
    • Step 52mm, 55mm and 58mm lens to 67mm filter
    • Step 62mm, 67mm and 72mm to a 77mm filter
    • Step 62mm, 67mm, 72mm and 77mm lens to an 82mm filter
  • PolarPro Kanga Camera Filter Cases: Available in 3-filter or 6-filter storage sizes, the PolarPro Kanga Camera Filter Case features a magnetic opening for quick and easy filter access, plush microfiber interior lining, and a pull-tab system for streamlined filter selection. The PolarPro Kanga Cases retail for $ 39.99 and can be purchased here.

For more information about the new PolarPro QuartzLine Camera Filters, retail availability and pricing, please visit our website.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on PolarPro expands into pro market with new QuartzLine camera filters

Posted in Uncategorized

 
« Older Entries
Newer Entries »