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Posts Tagged ‘Camera’

Nikon issues technical service advisory for VR issue in certain Z6, Z7 camera units

21 May

Nikon has issued a technical service advisory for a number of Z6 and Z7 cameras regarding an issue where Nikon’s Vibration Reduction (VR) technology ins’t fully functioning on particular units.

Nikon doesn’t elaborate on what’s causing the issue with the VR malfunction in the affected Z6 and Z7 cameras, but says it will repair affected devices free of charge, including the cost of shipping, even if the warranty on the camera has expired.

A screenshot of the Z7 serial number checker website.

To aid in determining if your unit is an affected one, Nikon has set up dedicated webpages where you can enter your Nikon Z6 and/or Nikon Z7 serial numbers and see if it’s affected and covered by the advisory. No specific serial number ranges have been presented, so the only way to find out is to use the dedicated webpages.

If your camera is affected, the webpage will provide instructions on how to get your camera(s) repaired. If your camera is experiencing VR issues and isn’t recognized by Nikon’s serial number checker, Nikon requests you go through its support platform to address the issue.

Articles: Digital Photography Review (dpreview.com)

 
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The Camera Store employees were attacked with bear spray during robbery

20 May

The Camera Store, located in Calgary, Alberta, has reported a camera theft incident that involved an attack on staff using bear (capsaicin) spray. The incident took place on May 16 at around 5PM local time, according to the company, which says the thief took off with a Sony A7R III camera and Sony 16-35mm F2.8 G Master lens.

The thief is described as a middle-aged man wearing a grey jacket, dark pants, sunglasses, and light running shoes. The Camera Store’s Evelyn Drake said in a post on the company’s blog, ‘We knew there was something ‘off’ about him since the moment he walked in, and our team was on high alert.’

As the security footage shared on YouTube shows, the man attempted to run away with the camera and the store’s employees took off after him. To evade them, the thief sprayed two of the employees with bear spray before fleeing in a black pickup truck.

‘Although it is not our policy to chase down thieves, the loyalty and bravery of the staff who risked their safety are commendable,’ Drake said.

The stolen Sony A7R III camera body has the serial number 3372445 and the stolen lens has the serial number 1803243. The Camera Store is seeking reports from anyone who finds the products for sale or who has knowledge about the theft.

Articles: Digital Photography Review (dpreview.com)

 
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Asus ZenFone 6 features rotating camera module

17 May

Asus has revealed its latest its latest high-end device, the ZenFone 6, and the new model comes with quite a unique design feature: a rotating camera module. This means there is no requirement for a front camera (and therefore no display notch), as the main module can simply be rotated to point towards the front.

It also means you get rear camera image quality when taking selfie images or recording selfie videos, which could be a real bonus for some users. The rotation angle of the module can be adjusted via the camera app, so the feature is also useful for capturing subjects that are located further down or higher up.

Asus says the camera module housing is made with Liquidmetal technology that is 4x stronger than stainless steel but lighter. It has been tested for 100,000 actuations and closes automatically when a drop is detected. In addition, the rotation mechanism can be used to automate panorama panning or to help with motion tracking to keep your subject in frame.

Inside the rotating module Asus has implemented a 48MP Sony IMX586 Quad-Bayer sensor that produces 12MP image output for a wide dynamic range and low noise. It is combined with an F1.8 aperture lens. There is also a 13MP ultra-wide-angle camera with a 125-degree field of view but, likely due to space constraints, no tele.

In video mode the camera can record 4K videos at 60fps with electronic image stabilization and like most recent high-end devices, the Asus also comes with a multi-frame-based night mode that offers better image quality in very low light.

Images can be viewed and composed on a 6.4” IPS LCD that covers 92% of the front. The device is powered by a Snapdragon 855 chipset and up to 8GB of RAM. Up to 256GB of storage is available and storage can be expandable via a microSD card. The 5,000mAh battery should provide plenty of usage time.

The ZenFone 6 will first be available in Europe for €500 (approximately $ 560). No information on pricing and availability in other regions has been released yet.

Articles: Digital Photography Review (dpreview.com)

 
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DJI hopes to take on GoPro with its new Osmo Action camera

15 May

DJI has taken a detour from drones and gimbals to release the Osmo Action, a robust action camera designed to compete directly with GoPro’s Hero lineup.

The compact, ruggedized action camera features the same 1/2.3-inch sensor found inside the Osmo Pocket and captures 12-megapixel Raw stills, as well as 4K HDR video. In front of the sensor is a three-element F2.8 glass lens with a 145 degree field-of-view.

As noted in our hands-on, the Osmo Action features DJI’s electronic image stabilization (EIS) technology it refers to as RockSteady, an tongue-in-cheek nod to GoPro’s HyperSmooth EIS technology. It’s worth noting though that DJI estimates an 18-22% crop factor when using RockSteady. DJI has also included a de-warp function to minimize the exaggerated perspective of the wide-angle lens.

One, er two, of the stand-out features of the Osmo Action are its dual displays. In addition to the 2.25in rear touchscreen that’s used to navigate the menu and compose shots, DJI has also added a 1.4in front-facing screen so you know what you’re getting in the shot when snapping a selfie.

Being an action camera, it shouldn’t come as any surprise the Osmo Action is designed to take a beating and keep on working; it’s dustproof, shockproof up to 1.5m (5ft) and waterproof down to 11m (36ft) as is. If more protection or underwater capabilities are required, DJI is also offering an external housing.

The device itself features three buttons: a power button, a record button and a dedicated button DJI calls the Quick Switch (QS) button. The QS button makes it easy to transition between shooting modes, flip what screen is active and change settings, even with gloves on. If the Quick Switch button doesn’t fit the bill, the camera can also be turned on and start recording with your voice thanks to integrated voice control.

On the photo front, the Osmo Action can capture 12MP Raw (DNG) or JPEG images in 16:9 or 4:3 ratios. It features an ISO sensitivity range of 100-3200 and shutter speeds between 120 seconds and 1/8000th of a second. In burst mode, the Osmo Action can capture shots at three, five or seven fps, and the self-timer mode can be set for three or ten second intervals.

When it comes to video, the Osmo Action can capture 4K/60p video at 100Mbps and 4K HDR video at up to 30 fps. For high frame rate video, the Osmo Action can capture up to 240 fps if the resolution is dropped down to 1080p.

The Osmo Action has built-in Bluetooth and Wi-Fi so it can be paired with Android and iOS devices via DJI’s Mimo mobile app. When connected, you can compose shots, change settings, capture images and instantly transfer content on the fly.

Media is stored on microSD/SDXC/SDHC cards up to 256GB. The battery, which DJI says can be fully charged via the onboard USB-C port in 88 minutes, can last 116 minutes when recording at 1080/30p or 91 minutes when recording 4K/30p with RockSteady enabled.

The DJI Osmo Action is currently available to pre-order at Adorama and B&H for $ 349. It comes with a camera frame, a flat adhesive mount, a curved adhesive mount, a quick-release base, the battery, a battery case, a locking screen and a USB-C cable. Additional accessories are also available.

Articles: Digital Photography Review (dpreview.com)

 
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Chinese camera cuts through smog to record details almost 30 miles away

15 May
In this illustration (a) shows the distance between the camera and the target on a map of Shanghai, and (b) shows what the target building actually looks like. Image (c) is the view of the target through the smog of the city, while (d), (e) and (f) show earlier technologies attempting to record the target. Image (g) is the result of the researcher’s improvements

Researchers in China have created a camera that can record through the atmospheric pollutants of Shanghai to pick out objects just 60cm (2ft) high at a distance of 45 kilometers (28 miles). The ‘camera’ uses laser technology to fire light of a specific wavelength at a distant object and then uses a sensor to record the light when it returns so it can produce a picture that shows shapes with some distance information.

The project is being carried out by scientists at the University of Science and Technology of China in Shanghai, who have so far been able to record the form of a distant building with enough resolution to show the windows. The picture is technically a photograph, but not quite as we would expect to record with a normal visible light camera. The idea of the research is to produce an instrument that can ‘see’ further than is possible using visible light, and to be able to see in conditions visible light can’t get through.

At top left you can see the actual set-up of the LiDAR camera mounted inside the telescope, while the diagram top right shows what’s going on inside.

The scientists mounted a LiDAR (Light Detection And Ranging) camera inside a Cassegrain mirrored telescope and fired a near-infared (1550nm) beam from the top of a building on Chongming Island in Shanghai towards the K11 skyscraper 45km away in the centre of the city. As the scientists knew the distance and the speed of the light they were using they were able to calculate when it would return and thus isolate the image forming light from any other stray light in the scene.

An illustration showing how different methods of image extraction can be used to yield a more detailed image.

The quality of the image recorded is hardly going to serve for holiday pictures, but outlines, shapes and forms can easily be seen even when the atmosphere was too thick for visible light. The technology will be useful for seeing when we can’t see – through clouds, atmospheric haze and smog and for security surveillance.

This shows how the researchers are using distance information from the LiDAR to create depth maps of scenes that can hardly be seen with the naked eye

The researchers say they can improve the resolution and the range of their invention, and that they will be able to create 3D images in the future. Already with the range defining abilities of the LiDAR system they can incorporate depth and distance information into their images.

You can read the research paper as a PDF online.

Articles: Digital Photography Review (dpreview.com)

 
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Video: Hasselblad H6D-100C medium-format camera paired with DIY anamorphic lens system

14 May

Through his YouTube channel GxAce, cinematographer Casey Cavanaugh has published a new video showcasing his homemade ‘GX-Pan’ anamorphic lens adapter used with the $ 32k Hasselblad H6D-100C medium-format digital camera.

According to Cavanaugh, Hasselblad saw the video in which he unveiled his DIY anamorphic lens adapter setup and offered to let him test it with the medium-format model. ‘I was absolutely blown away by how much my little anamorphic lens resolved on that 100MP sensor,’ Cavanaugh says in his video. ‘I was honestly worried that it wasn’t going to hold up to that scrutiny of 100MP.’

Cavanaugh explains that in addition to being an anamorphic lens created for a Super 16 projection, the unit also has a persistent fungus problem that has proven difficult to eliminate. In light of that, says Cavanaugh, the ‘insanely sharp’ images produced by the setup were ‘honestly very surprising.’ The demonstration also includes short video clips shot with the system.

Cavanaugh’s previous content includes tips on purchasing a film camera and a short award-winning film on the risks of photo obsession. A selection of his anamorphic still images are available on his website.

Articles: Digital Photography Review (dpreview.com)

 
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5 Camera Accessories You Shouldn’t Buy Cheap

12 May

The post 5 Camera Accessories You Shouldn’t Buy Cheap appeared first on Digital Photography School. It was authored by Suzi Pratt.

With each passing year, it seems that camera gear and accessories get progressively cheaper. Third-party brands now offer everything from lenses and flashes to batteries and tripods. This gear is typically priced at a fraction of the price of name brand manufacturers and the quality is often on par. Photographers have often said that “you get what you pay for” when it comes to camera gear, implying that cheaper goods offer less quality. But is that still true today?

In this article, I’ll highlight 5 camera accessories you shouldn’t buy cheap and should consider paying full price for. This isn’t to say that there aren’t cheap, third-party brands offering solid quality for less. But these are items that you’ll want to research extra hard to make sure you’re buying the best product for your camera.

Camera Strap

1. Camera strap

All cameras come with a stock camera strap that you can use to secure your camera on your shoulder. However, the quality and long-term durability of these camera straps are often questionable. Thus, it’s becoming more commonplace for photographers to purchase their own camera straps. Peak Design and Black Rapid are two popular brands offering sturdy and stylish camera straps. These straps are on the pricey side with the Peak Design Slide coming in at $ 64.95 and the Black Rapid Breathe at $ 68.99. Each strap also attaches to your camera differently, but their main benefit is being able to detach on demand if you need to remove the strap (ie. for use on a tripod or gimbal).

Are there cheaper camera strap alternatives? Certainly. But consider the fact that you are trusting the camera strap to hold hundreds or thousands of dollars of equipment and be sure to buy a camera strap that you can trust.

Manfrotto tripod

2. Tripod

Along the lines of keeping your valuable camera gear safe, it’s also wise to invest a little extra into a high-quality tripod. I’ve spent years buying cheap, compact tripods for travel only to have them fail on me sooner than expected. As a result, I’ve amassed a pile of broken tripods. Last year, I finally took the plunge and bought a more expensive Manfrotto tripod. Solid and reliable, I now wonder why I didn’t just buy this tripod in the first place.

When purchasing a tripod, it’s also important to buy a quality tripod head. Ball heads are popular and are often the default tripod head that you’ll receive. However, they tend to loosen over time. Luckily, there are many other tripod heads out there that offer more stability and precise control over your camera movement. My personal favorite tripod head is the Manfrotto MH804-3W, which I now use for all of my architecture and real estate photo shoots.

Camera batteries

3. Camera batteries

When buying a new camera, it’s always important to budget for a few extra camera batteries. You’ll always want spares just in case, and authentic spare camera batteries are generally not cheap. For example, a spare Sony Z-battery for the A7III costs $ 78. Similarly, a spare Fujifilm battery is $ 65. Third-party brands such as Wasabi Power offer cheaper battery knock-offs, but there’s a risk in using these.

Battery knock-offs may or may not offer the same amount of power as the original batteries. I’ve used third-party batteries for certain cameras such as my Canon DSLRs and not seen any difference in their power. However, camera brands are getting smarter and will sometimes detect knock-off batteries. For instance, my Fujifilm X-T3 flashes a warning sign if Wasabi Power battery is inserted, and it definitely does not last as long as an authentic Fuji battery.

It’s also said that using third-party batteries can void your camera’s warranty. I’m not sure how the camera brand would know if you were using a knock-off battery, but it’s still something to look into.

Memory cards

High-megapixel cameras come at a price as they eat up storage on your memory cards and hard drives.

4. Memory cards

All of your photos and videos are recorded onto memory cards, so it is very important to select quality memory cards. SanDisk is one of the biggest and most reputable memory card makers. There are other brands such as Lexar and PNY that also make quality memory cards. But I’d be wary of buying memory cards made by any other brands. With that said, even the most reputable memory card brands tend to fail and malfunction, so also be sure to use multiple memory cards if your recording device offers multiple card slots.

Hard drives

5. Hard Drives

Related to memory cards, hard drives are also important for storing and backing up your photos and videos. If you’ve ever had a hard drive fail, you know the importance of choosing a quality hard drive and making sure you have a backup for your backup.

Similar to memory cards, even the most high-quality hard drives can fail, so the best brand names are up for debate. Western Digital and Seagate are generally good hard drive brands, even though I’ve experienced hard drive failures from them both.

Lately, I’ve had the best luck with Samsung SSD hard drives. I use a 1TB Samsung T5 as my main working hard drive and a 4TB LaCie Rugged Mini as my secondary backup. This combo is great for working on the road, as well as in the office.

Conclusion

There you have it – 5 camera accessories that you’ll want to consider splurging for because in some cases, you still get what you pay for. Are there cheaper, high-quality alternatives for these items? Certainly. But when it comes to these 5 items, take the extra time to read customer reviews and make sure you’re buying the best gear for your camera.

Would you add or remove any items from this list? Let me know in the comments below!

The post 5 Camera Accessories You Shouldn’t Buy Cheap appeared first on Digital Photography School. It was authored by Suzi Pratt.


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How to Buy A DSLR Camera For Beginners

11 May

Thinking of buying your first camera? Congratulations! Upgrading to a DSLR or mirrorless camera is an exciting time, and will open up many opportunities for you to expand your photography. Maybe you’re thinking of upgrading from your camera phone –and are looking for a DSLR that’s up to the task. Regardless of whether you’re looking to take your photography to Continue Reading

The post How to Buy A DSLR Camera For Beginners appeared first on Photodoto.


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Google brings its impressive camera tech to new mid-range 3A, 3A XL smartphones

08 May

Google has unveiled the Pixel 3a and 3a XL, a pair of mid-range phones that put the best parts of its flagship devices—namely the cameras—into more wallet-friendly packages.

Announced today at Google I/O, the phones feature 5.6″ and 6″ 1080p OLED displays (respectively), Snapdragon 670 processors, 4GB RAM, 12.2-megapixel rear cameras and 64GB of storage. Both units have USB-C charging (no wireless charging), fingerprint readers, 3.5mm headphone jacks and Google’s Active Edge technology, which summons ‘Hey Google’ with a quick squeeze of the phone.

The two new devices look similar to Google’s more powerful Pixel 3 and Pixel 3 XL devices, but come in slightly taller, feature a downward-facing bottom speaker and feature a spot on the top for the 3.5mm headphone jack. There’s no notch on either phone.

Diving into the camera details, the Pixel 3a and 3a XL use the same award-winning main rear camera found inside the Pixel 3 and 3 XL, with a 12.2MP Sony IMX363 1/2.55″ (1.4?m pixels) dual-pixel sensor and an F1.8 lens (76-degree FOV, 28mm equiv.). Missing is the 19mm equiv. wide-angle ‘group selfie’ front camera found on the original Pixel 3 phones, but this is mitigated by the wider FOV (84-degree FOV, 24mm equiv.) of the traditional 8MP F2.0 (1.12?m pixels) front-facing camera on the 3a. All the smarts packed into the Pixel 3 camera, like Night Sight, Super-Res Zoom, and learning-based Portrait Mode, are all available on the new devices.

Video capabilities remain the same, with a maximum specification of 4K/30p, and steadycam-like footage thanks to a combination of optical and electronic stabilization.

What’s powering the cameras inside the 3a and 3a XL differs, for obvious cost-cutting reasons. Rather than the Qualcomm Snapdragon 845 and Adreno 630, the Pixel 3a and 3a XL use the older, less powerful Qualcomm Snapdragon 670 and Adreno 615. The Pixel 3a and 3a XL also lack Google’s custom Pixel Visual Core processor, meaning all image processing is done on just the CPU and GPU.

The Pixel 3A and 3A XL are available in black, white and a new color Google calls ‘purple-ish’ for $ 399 / £399 and $ 479 / £469, respectively.

Articles: Digital Photography Review (dpreview.com)

 
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Polaroid Originals launches ‘Upside Down’ Stranger Things OneStep 2 camera, I-Type film

06 May

In honor of Season 3, Stranger Things has teamed up with Polaroid Originals to release an ‘Upside Down’ Polaroid OneStep 2 and accompanying Stranger Things-branded film.

Officially named the ‘Polaroid Originals OneStep 2: Stranger Things Edition,’ there’s nothing notably unique about the OneStep 2, aside from its unique colorway and upside down branding, a nod to the ‘Upside Down’ realm in the Stranger Things universe.

Polaroid Originals says the camera features a fixed-focus lens, a built-in flash, USB charging and a self-timer. The battery life is rated for up to 60 days and the lens has a focusing range from two feet to infinity. It works with Polaroid Originals i-Type film as well as 600 instant films.

Speaking of films, Polaroid Originals is also selling a special edition film. The color I-Type film comes in packs of 8 and features 16 different designs inspired by various locations throughout Hawkins, the town where Stranger Things takes place.

The Color I-Type Film Stranger Things Edition is sold individually or in packs of three for $ 16.99 and $ 48.00, respectively. The Polaroid Originals OneStep 2: Stranger Things Edition is sold on its own for $ 109.99 or with a three-pack of film as a ‘Starter Set’ for $ 157.99.

Articles: Digital Photography Review (dpreview.com)

 
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