Camera « 360Photography

RSS

Posts Tagged ‘Camera’

TTartisan releases an $80 35mm F1.4 lens for APS-C mirrorless camera systems

01 Oct

TTartisan is back with its latest lens, an ultra-affordable 35mm F1.4 lens for APS-C mirrorless camera systems.

The fully-manual TTartisan 35mm F1.4 lens retails for just $ 80 and is available for Canon EOS M, Fuji X, Micro Four Thirds and Sony E mount camera systems. It’s constructed of seven elements in six groups, has an aperture range of F1.4-F16, uses a ten-blade aperture diaphragm and has a minimum focusing distance of 28cm (11”).

The front filter thread is 39mm and the lens measures in at 44mm (1.73”) long, 56mm (2.2”) diameter and weighs just 180g. Below is a sample gallery of images captured with the lens, provided by Photo Rumors, an authorized retailer of TTartisan gear.

Sample photos from the TTartisan 35mm f/1.4 APS-C mirrorless lens for Sony E, Canon EOS M and MFT mounts

You can purchase the lens over on Photo Rumors’ online shop or any other authorized TTartisan retailer.

Articles: Digital Photography Review (dpreview.com)

Comments Off

Posted in Uncategorized

Meyer Optik Görlitz releases Trioplan 50mm F2.8 lens for multiple camera mounts

30 Sep

Meyer Optik Görlitz has released the Trioplan 50mm F2.8 II, its third lens of the year, following the Lydith 30mm F3.5 II and Trioplan 100mm F2.8 II. Like both of the previous lenses, the 50mm F2.8 II isn’t just an incremental update—it’s entirely new, designed from the ground up.

The lens has a slightly faster maximum aperture of F2.8 compared to its predecessor, which maxed out at F2.9. The lens also features the signature ‘soap bubble bokeh,’ has a 52mm front filter thread and a minimum focusing distance of 40cm (15.75”).

Below are a number of sample photos captured with the Trioplan 50mm F2.8 II, provided by Meyer Optik Görlitz:

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_7924771151″,”galleryId”:”7924771151″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

The Trioplan 50mm F2.8 II is available in the following mounts: Canon EF, Nikon F, Fuji X, Sony E, Pentax K, M42, Micro Four Thirds, Leica M and Leica L. It’s currently available to purchase on the Meyer Optik Görlitz website for €876.34 (approximately $ 1,020), not including shipping.

OPC Optics, the new owners of the Meyer Optik Görlitz brand, says it has two more classic lens designs on the horizon: a Primoplan 75mm F1.9 II and a Primoplan 58mm F1.9. OPC Optics says the lenses are nearing completion and ‘will be released shortly.’

Articles: Digital Photography Review (dpreview.com)

Comments Off

Posted in Uncategorized

Film Fridays: Photographing Machu Picchu on a panorama film camera

26 Sep

Visiting Peru, specifically Manchu Picchu, was something I wanted to experience ever since I wrote a school report on it in the fourth grade. The idea that there was a civilization of Incans living in the mountains hundreds of years ago, having such a thriving existence was extremely mind-boggling for a young boy growing up in the suburbs of Chicago. A different civilization from mine, living not only in the jungle but the mountain jungle made me want to visit and see what it was all about.

For such a special trip I decided to pack not only my regular travel camera gear but also my Panon 120 camera

Fast forward about 50 years, when my wife and I were planning on going to see Machu Picchu and other areas of Peru. Our trip would take us to Lima first – we’d then take the train to Cusco for a few nights, then onto Machu Picchu. My wife thought it would be great to splurge, and she found Belmond Sanctuary Lodge just a few hundred feet from the gates of the park. It was considerably more expensive than staying down in Agua Caliente and taking the bus up to Machu Picchu, but we bit the bullet and did it. Photographically, the decision was well-worth the price.

The medium format panorama camera Dan lugged to Machu Picchu.

For such a special trip, I wanted to make photographic memories unlike those I’d seen before. I decided to pack not only my regular travel camera gear but also my Panon 120 camera, as I thought it would be great to get some panoramic shots of Machu Picchu. It would also be fun to shoot some 120 film. I took ten rolls of film to shoot specifically at Machu Picchu, five rolls of color and five rolls of black and white.

The camera produces six approximately 2″ x 4 3/8″ images on a 120 roll of film.

Let me give you a little background on the camera and how it operates. It was made by the Showa Company, which was started by Nakayama Shozo in 1952 in Tokyo, Japan. Showa’s best-known camera is the Widelux cameras, which began in 1958 and is, in my opinion, the standard in 35mm panoramic cameras.

The Panon is kind of a beast to use. It weighs in at 2.2kg (4.9lb) with the case. It measures 16cm wide (6.5″) x 14cm tall (5.5″) x 11cm deep (4.5″). On top of the camera are the main controls, the shutter speed dial, the shutter release, pop-up viewfinder, bubble level and winding knob. There is also a diagram of the angle of view you see printed on the top.

The camera comes with a 50mm F2.8 Konishiruku Hexon lens that rotates from the left side to the right when it is cocked and ready to go. To operate the camera, you manually pull the lens to the left, set your shutter speed, and pull up the pop-up viewfinder to get the approximate view. I always check the angle on the top before I press the shutter button. You have three speeds to choose from when shooting: 1/200, 1/50, and 1/2 sec. The aperture settings are inside the lens area, and you manually set that by rotating the dial from F2.8 to F11. There’s no meter, so you’ll need to use an external meter for exposure.

The busses taking the tourists back to Agua Caliente leave at 4:00 pm and the park is almost empty from 4:15-5:30pm when it closes. It’s magical.

Loading the film is a bit tricky. There’s a film insert that you take out once you take the bottom of the camera off (see photos of it in the gallery at the end). This is held on with locking knobs. On the side of the film insert is a diagram with arrows showing the direction of the film. Once you load the film onto the insert, you pop it back into the camera and put back on the bottom cover. If the film insert is in upside down, the plate won’t go back on the camera. I’ve done this several times while on the trip.

The camera produces six approximately 2″ x 4 3/8″ images on a 120 roll of film.

The park at Machu Picchu opens at 6:00 am, and people start to arrive by either walking up the trail or taking the bus from Agua Caliente at around 5:15 am. We got in line at around 5:45 am as there was a good crowd by then. We stayed for a while during the morning hours, then went back to the sanctuary for breakfast and rested. We headed back to the park in the afternoon.

Here is the best reason to stay at Belmond Sanctuary: The busses taking the tourists back to Agua Caliente leave at 4:00 pm and the park is almost empty from 4:15-5:30 pm when it closes. It’s magical. You almost have the whole park to yourself and maybe 50 other people. You can sit and see the wondrous site or snap photos, all with virtually no people in the sight.

I think I got some pretty fantastic images and recommend you take a special camera when you visit a once-in-a-lifetime spot.

For more of Dan Cuny’s analog work, head here.

Gallery

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_9554772805″,”galleryId”:”9554772805″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });
Articles: Digital Photography Review (dpreview.com)

Comments Off

Posted in Uncategorized

Canon announces the EOS C70, a Cinema EOS camera in a mirrorless body

24 Sep

Canon has announced the EOS C70, a digital cinema camera with a body that resembles a mirrorless stills camera. Notably, the C70 uses Canon’s RF lens mount, making it the first Cinema EOS camera to adopt the company’s newest lens system.

The EOS C70 features a Super35 sensor using Canon’s next-generation Dual Gain Output (DGO) technology. The DGO sensor reads each pixel at two different gain levels, with one prioritizing saturation and highlight protection and the other suppressing noise in the shadows.

When combined, Canon claims the camera can deliver 16+ stops of dynamic range at up to DCI 4K/60p or 2K/120p (using a Super16 crop). It can also capture 4K/120p and 2K/180p without extended dynamic range. Recording choices include both All-I and intra-frame options using Canon’s XF-AVC or MP4 (H.265) codecs.

Other features that should appeal to video shooters include dual-pixel autofocus, a motorized 10-stop ND filter, C-Log2/C-Log3, PQ and HLG gamma for HDR, two mini XLR mic inputs, thirteen customizable buttons, and custom in-camera LUTs.

An air intake system provides cooling, allowing the camera to record for extended periods. The cooling system is outside the sealed part of the camera to prevent dust or moisture from reaching the electronics.

The camera features a 3.5-inch 2.76M-dot rear LCD but not an electronic viewfinder. Presumably, Canon expects many Cinema EOS users to put the camera in a rig with their preferred EVF or external monitor.

Alongside the camera, Canon also announced the Canon Mount Adapter EF-EOS R 0.71x, which allows users to attach EF-mount lenses to the C70. Unlike Canon’s existing EF to EOS R adapters, the EF-EOS R 0.71x is an optical adapter that works like a speed booster, making it possible to use EF lenses on the smaller Super35 sensor at their intended focal lengths while increasing lens speed by one stop.

The EOS C70 will be available in November for $ 5499. The EF-EOS R 0.71x adapter will follow in December for $ 599.

READY FOR ACTION: THE CANON EOS C70 4K DIGITAL CINEMA CAMERA PACKS CINEMA EOS IMAGING FEATURES INTO STILL CAMERA ERGONOMICS

The First Cinema EOS Camera with an RF Mount, this New Compact and Lightweight Model Features a Super 35mm Dual Gain Output (DGO) Sensor, DIGIC DV7 Image Processor, ?and 16+ Stops of Total Dynamic Range

MELVILLE, N.Y., September 24, 2020 – Canon U.S.A., Inc., a leader in digital imaging solutions, is excited to announce the company’s first-ever RF mount Cinema EOS camera, the EOS C70 4K Digital Cinema Camera. When the Canon RF mount was first introduced, imaging professionals began to dream about the possibilities that this revolutionary mount system might provide them. One request that Canon consistently heard was to put an RF mount on a Cinema EOS camera so that future lens performance could capitalize on the short flange depth. Just two short years later, those wishes have come true with the new C70 camera.

The unique design of the EOS C70 camera puts a significant emphasis on operational convenience for the end-user. The small form-factor, weighing only 2.6lbs., allows the camera to be easily handheld and dramatically enhances a videographer’s mobility, providing a seamless bridge between the EOS and Cinema EOS families for cinematic applications. Cleverly designed, the camera features a slim, motorized ND filter unit – having a mere 6mm depth – that is built into the short flange back of the RF mount. The motorized 10-stop ND filter provides users with the flexibility to control exposure while keeping the desired depth-of-field and capturing images that feature the desired level of bokeh. Thirteen customizable buttons allow users to select from more than 80 functions to be assigned based on individual preferences.

“The Canon EOS C70 camera is truly a special tool that will undoubtedly satisfy and delight a variety of users on the search for a high-powered piece of video equipment,” said Tatsuro “Tony” Kano, Executive Vice President and General Manager of Canon U.S.A.’s Imaging Technologies & Communications Group. “In today’s fast-moving, ever-changing world of filmmaking and content creation, versatility is key, and the EOS C70 will provide a familiar form and feature set to our entire spectrum of imaging customers. We are eager to see how creatives use this tool and the projects that come from it.”

The camera features Canon’s innovative and next-generation Super 35mm DGO Sensor that further extends the high dynamic range and lowers noise levels by reading out each photodiode with two different gains. One gain prioritizes saturation – protecting detail in highlight areas – while the other suppresses noise in the shadows. The result is an image with up to 16-plus stops of total dynamic range, clean, rich shadows, and vibrant highlights in up to 4K/ 60p or 2K/120p in Super16mm Crop mode. The EOS C70 camera also features Canon’s recently developed DIGIC DV7 image processor that collects the extensive information captured from the DGO sensor and processes it into exceptional HDR imagery while offering choices between Canon Log 2 and 3, in addition to PQ and HLG gamma functionality. The C70 camera can also record 4K DCI or UHD up to 120fps and 2K DCI or HD up to 180 fps – with an important flexibility in the choice of codecs.

The camera supports XF-AVC format (in variable bit-rate) – both Intra and Long GOP with MXF file format. The intra-frame format compresses the data after analyzing each frame separately, while Long GOP format compresses data at a higher rate, creating an even smaller file size. A secondary choice is Long GOP 10-bit 4:2:2/4:2:0 MP4/HEVC (a next-generation HDR video recording compression standard) with an MP4 file format – a first in the Cinema EOS line.

The camera’s independent air intake system is separated from the electrical systems to protect the sensor from water, sand, and dust. In addition, the camera also features two air outlet vents that allow uninterrupted recording for extended periods of time.

Additional features of the Canon EOS C70 4K Digital Cinema Camera include:

New Direct Touch Menu System
Coordinated Electronic Image Stabilization
Two built-in Mini XLR inputs
Time-code input/output terminal
Custom picture processing via import of 3D LUTs and recording to Look Files
Dual-SD card slots
Built-in stereo mic
Support for optional Canon RC-V100 remote control

Canon Mount Adapter EF-EOS R 0.71x

The Canon Mount Adapter EF-EOS R 0.71x is a new optical adapter that allows users to tap into Canon’s extensive collection of superb full-frame EF lenses when operating the EOS C70 camera. The adapter implements two critically important functions – preserving the similar FF wide angle image onto the 4K Super 35mm image sensor while simultaneously elevating the lens camera sensitivity by one stop. The mount adapter preserves full electronic communication between the lens and camera, enabling optical lens corrections and transfer of lens metadata between the EOS C70 camera and select Canon EF lenses*. ?

Price & Availability?

The Canon EOS C70 4K Digital Cinema Camera is scheduled to be available in November 2020 for an estimated retail price of $ 5499.00. The Canon Mount Adapter EF-EOS R 0.71x is scheduled to be available in December 2020 for an estimated retail price of $ 599.99**. For more information please visit cinemaeos.usa.canon.com.?

* Compatible EF lenses are EF16-35mm F2.8L III USM, EF24-70mm F2.8L II USM and EF24-105mm F4L IS II USM. As of September 24, 2020. Firmware update provided free of charge, compatibility will be added for additional EF lenses in the future. Even if you do not update the firmware, you can use the EF lens, but it is recommended to use the firmware update in order to effectively use the function linked with the camera.

** Specifications, availability and prices are subject to change without notice. Actual prices are set by individual dealers and may vary.

Articles: Digital Photography Review (dpreview.com)

Comments Off

Posted in Uncategorized

MFT ‘Alice’ concept camera promises smartphone AI with interchangeable lenses

24 Sep

A team of engineers, data scientists and content creators have come together to produce a camera that it says marries the quality of Micro Four Thirds with the artificial intelligence of a smartphone to ‘change and challenge the concept of the digital camera for the next decade’. Alice is a camera that uses a MFT sensor and lens mount, and which is controlled by a smartphone app.

Similar to Sony’s QX10 camera announced back in 2013, Alice has no screen of its own, but uses a clamp on the rear to allow users to attach their phone for adjusting settings, previewing and reviewing images. The camera and phone will communicate using a 5GHz wireless connection while its creators say AI and computational drivers will offer ‘new capabilities and techniques for autofocusing, autoexposure, colour science and more.’

The idea was born out of an experience where a smartphone took a much better picture of a campfire scene on the beach than a professional photographer using a professional camera could manage. The project intends to combine the sort of image processing we see in smartphones with the technical quality achievable with the Micro Four Thirds system. The team behind the Alice Camera says the main camera manufacturers are losing ground to smartphones because they have failed to innovate and to introduce significant changes to their technology over the last ten years. This has left ‘content creators’ in an endless search for the perfect camera. The team conducted interviews will 1000 photographers and videographers to hear their gripes so that they could ensure the Alice Camera addresses them.

The app that controls the camera will allow your phone to be mounted with its screen facing the rear for normal control, or facing towards the back of the camera with a portion of the screen showing for selfies and vlogging. A Micro SD card will be used for storage and images can be transferred immediately for editing on the phone before posting online. The camera will be able to record 4K video at 30p or FHD at 60p, and will be able to stream live using the phone’s network connection.

Obviously a render of how the camera is expected to look in selfie/vlogging mode

The sensor chosen has only 11 million pixels, but those 4.63um pixels are claimed to offer better low light performance as well as an extended dynamic range.

The camera is still at the prototype stage at the moment, but pre-orders are being taken before an Indiegogo campaign begins next month. The full price of the Alice Camera will be £750 body only, but early birds and Indiegogo users will be able to pre-order at £450 and £550 with a deposit of £50. The finished camera is expected to be delivered in March 2021. For more information see the Alice Camera website.

And of course, with adapters, most full-frame and APS-C lenses will fit the MFT mount

Product Information:

Alice camera

Alice Camera™ is an AI-accelerated computational camera being built in Britain from the ground up for content creators. An interchangeable lens camera with a dedicated AI-chip that elevates machine learning and pushes the boundaries of what a camera can do. Alice is in concept prototype stage and will be available on Indiegogo in Autumn 2020.

Alice is a compact and low-profile camera which can be mounted onto the back of almost any standard smartphone. An ergonomic handle enables better hand placement and stability whilst capturing your scenes.

Alice uses the Micro Four Thirds lens mount, the most flexible and compact interchangeable lens system around, with over 50 professional-quality lenses available. Attach an adapter to use lenses with different mounts too!

Alice’s Micro Four Thirds sensor excels in low light conditions and allows you to capture high-quality 4K video with no crop. Large pixel sizes and an innovative Quad Bayer structure enable exceptionally low noise and high dynamic range.

Artificial Intelligence is transforming photography in the 2020s like digital technology did back in the 1990s. Alice has been designed from the ground up to harness AI and computational photography for modern content creators, offering you new capabilities and techniques for autofocusing, autoexposure, colour science and more.

The Alice Camera native app will provide you with a familiar smartphone user interface and experience. It will be easy to use and navigate with touchscreen interface and customisation. The camera system and firmware will improve with future software updates through our app.

We want to give creatives as much control as possible. We will be providing open-source software access to Alice allowing you to deeply customise your creative process, encouraging collaboration and software development. Regular software updates means Alice will stay up-to-date with the latest computational photography technology and features.

Fast wireless data transfer between camera and phone gives you a seamless real-time viewfinder on your smartphone. Instantly share your content to social media and live stream directly to your favourite platform. A selfie screen will appear when you turn your phone around so that you can view yourself at all times. Alice will even work when your phone is not attached. You can set up across the room and have your phone in your hand and content will still stream. Double whammy!

Disclaimer: Remember to do your research with any crowdfunding project. DPReview does its best to share only the projects that look legitimate and come from reliable creators, but as with any crowdfunded campaign, there’s always the risk of the product or service never coming to fruition.

Articles: Digital Photography Review (dpreview.com)

Comments Off

Posted in Uncategorized

The $20 film camera challenge part 2: Saved by the Minolta Maxxum 5 – Aaron Gold

19 Sep

Aaron ended up picking up a Minolta Maxxum 5 and 28-80mm kit lens for under $ 20.

Read: The $ 20 film camera challenge part 1: the hunt

A quick recap: In part one (see link above), I proposed a $ 20 film camera challenge, the goal being to find a working film camera for less than twenty bucks, shipping included. The search was fascinating: I found lots of point-and-shoot compacts, several intriguing vintage cameras and a surprising number of autofocus SLRs. I had been trolling the waters of low-end Minoltas and was just about to make an offer on a Maxxum 3xi and a zoom lens, when I saw… the camera.

Too good to be true?

It was a Minolta Maxxum 5, a camera that, quite frankly, I had never heard of. It came with what I assume was its kit lens, a Minolta AF 28-80 F3.5-5.6 painted in matching silver. The lens hood was present but the lens cap was missing. The seller was here in the Los Angeles area, so shipping was only six dollars.

Asking price: $ 12 or best offer.

The description didn’t indicate if it was working, just the standard Ebay ‘Used’ boilerplate, which does include the phrase ‘…is fully operational and functions as intended.’ I figured that was my out if the camera turned out to be broken.

The asking and shipping price were already within my $ 20 budget, but I am the son of a used car salesman, so I had to try to do a little better. I sent the seller a $ 10 offer, and it was accepted!

A high-feature camera for a super low price

While waiting for my new cheap camera to arrive, I fired up Google to figure out exactly what I’d just bought. I learned that the Minolta Maxxum 5 came out in late 2001 (well after I’d tuned out the 35mm SLR market, which explains why I’d never heard of it). The Maxxum 5 was part of that market’s last gasp. It sat in the middle of Minolta’s lineup, but the features sure made it look like a high-end camera to me. It was as if Minolta was shoveling every feature they could into their 35mm SLRs as film was on its way out the door. Retail price for the body was $ 403, which is $ 587 in today’s dollars. I wasn’t able to find any contemporary ads, but I imagine at the time, you could get it with the 28-80mm for just a bit more dough.

The Maxxum 5 was part of the 35mm SLR market’s last gasp. It sat in the middle of Minolta’s lineup, but the features sure made it look like high-end

I’ll spare you a laundry list of the Maxxum 5’s features, because it’ll waste too many words and no one will care, but the highlights include 14-segment exposure metering, off-the-film flash metering, 7-point switchable autofocus, and a shutter speed range of 30 sec to 1/4000 sec. It has a depth-of-field preview (yay!), 3-exposure auto-bracketing, and – especially important to me – automatic and manual ISO settings. (I bulk-roll my film, so if the camera has no DX override, I’m stuck.) And the film advances at the lighting-fast rate of three frames per second.

I stopped paying attention to the 35mm SLR market in the late 90s (after all, how could I need anything better than my Canon EOS Rebel 2000?), and frankly I was amazed at the Maxxum 5’s features and configuration options. Cripes, I thought to myself as I skimmed the 127-page manual, who needs a Nikon F100 when you can get one of these?

A sample from the Maxxum 5, shot on Ilford HP5+.

The realities of my sub-$ 20 camera

Two days later, my camera showed up, and it looked brand new. The lens cap was missing, but there was a UV filter installed, and the glass underneath was spotless. It still had batteries and they had just enough juice to turn on the camera on and fire the shutter. Everything seemed to work – but would it take decent pictures?

I loaded up a new pair of CR2 batteries and some film. I started with a roll of deep-discount Ultrafine Xtreme 100, then splurged on a roll of Kodak Ektar, and followed up with my old favorite, Ilford HP5+. It’s worth noting that these three rolls of film together cost more than I paid for the camera.

It’s worth noting that three rolls of film together cost more than I paid for the camera

Shooting with the Maxxum 5 is good fun. The body and lens barrel are made of plastic, as were many SLRs of the era, and the upside is a light weight. With a strap, cap, and no film, it weighs 612g (21.6 oz), a little heavier than my Sony a6000 and quite a bit lighter than my Pentax ME Super. The autofocus is quick and accurate and there’s minimal shutter lag. Aside from the clicks and whirrs of the autofocus and winding motors, the experience wasn’t entirely unlike shooting with my a6000 – no surprise, I suppose, since the Minolta is, technically, the Sony’s not-too-distant ancestor.

But were the photos any good?

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_9270722206″,”galleryId”:”9270722206″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

When I developed my B&W and picked up the color film from the lab, I was rather pleased with the results. I shot primarily in aperture-priority or program mode, and the Minolta’s built-in meter nailed the exposure on pretty much every shot. As for image quality, well, it’s what you would expect from a kit lens: reasonably sharp, but I’ve seen better. Actually, I’ve seen better from other Minolta AF lenses, which are ridiculously cheap – you can get some damn fine Minolta lenses in the $ 10 to $ 40 price range. (I was tempted to fit them to my new Maxxum 5, but that would go against the spirit of the challenge.)

The more I shot with the Maxxum 5, and the deeper I delved into its features, the more I realized that it is, by far, the most comprehensive, feature-rich film camera I own

The more I shot with the Maxxum 5, and the deeper I delved into its features, the more I realized that it is, by far, the most comprehensive, feature-rich film camera I own. Not bad for something that cost me sixteen bucks!

Yes, you can get a great camera for $ 20 – or less

I set out on this little experiment to see if it was possible to find a decent camera for less than $ 20. I was pretty sure the answer would be yes, but I never expected to find such an advanced camera in such good shape. Did I just get lucky? At $ 16, maybe a little. But it only took me a few days of shopping to unearth this gem, and as I speak there are a bunch more Maxxum 5s on eBayfor $ 30 or less. And I have no doubt there are even better bargains to be found.

Who’s going to take the $ 20 Film Camera Challenge next?

Articles: Digital Photography Review (dpreview.com)

Comments Off

Posted in Uncategorized

Sony announces plans to end camera sales and manufacturing in Brazil next year

19 Sep

Sony has announced plans to end its camera manufacturing and sales operations in Brazil by the middle of next year. Per Gizmodo Brazil, Sony will continue to sell its consumer electronics, including cameras, in Brazil until mid-2021. However, next March, its production plant in Manaus, Brazil will shut down. The plant has been in business for nearly 50 years.

In a statement to Brazilian employees, partners, retailers and suppliers, Sony said that its exit from Brazil is due to changing market conditions and expected business trends. Clóvis Letie, Sony senior operations manager in Brazil, has stated that operations in Brazil will continue to provide technical support and warranty service for products already sold. You can view an image of the statement in Portuguese by clicking here. Sony issued a follow up statement to Gizmodo as well, which can be seen here.

A screenshot from Sony Brazil’s website shows that the new Sony A7C, recent A7S III and A9 II cameras are featured in the interchangeable lens category. These cameras and the rest of Sony’s photographic offerings will no longer be on sale in Brazil starting in mid-2021.

In its analysis, Gizmodo Brazil states that the most surprising aspect of Sony’s announcement is that the Japanese company is closing multiple divisions at once. It is also worth considering the influence of currency exchange rates and, of course, the ongoing pandemic. Gizmodo notes that Sony’s strategy in Brazil has been to slash costs to any sector not generating significant profit, which after the middle of 2021 will result in the last vestige of Sony in Brazil being the PlayStation division.

While market conditions are surely challenging for Sony and other electronics companies, Brazil is a large market to exit. The large South American nation has one of the highest GDP in the world, both by nominal and purchasing power parity measures. Granted, on a per capita basis, the nation of over 200 million ranks much lower. Income is also not evenly distributed, perhaps making it challenging to generate a profit while producing and selling what are essentially luxury items.

The closure of the factory in Manaus will hurt locals. The closure will result in the loss of about 220 jobs, per PetaPixel. In addition to the loss of employment for over 200 people, Sony’s exodus from Brazil will certainly hurt photographers as well. This comes only a few short years after Nikon left Brazil.

Another screenshot from Sony Brazil.

A PetaPixel reader writes, ‘Personally, I receive this notice like a stab on my back. I invested a lot of money in Sony cameras and lenses, a lot of people too. Sony is already the standard for many professionals, live event, marriages, and advertising small producers…With Nikon already gone a few years, I made the move to Sony. Looks like a bad choice. Now, I will have to sell and buy everything new from Canon.’

This sentiment is likely echoed by many photographers in Brazil. Cameras and lenses are expensive photography is an expensive hobby for many and a way of life for others. Changing brands is not simple nor inexpensive. In the meantime, existing Sony owners can likely depend on ongoing product and warranty support, even after Sony stops making and selling most of its consumer electronics in Brazil.

Articles: Digital Photography Review (dpreview.com)

Comments Off

Posted in Uncategorized

Sony’s new HVL-F28RM flash uses camera face detection for better portraits

18 Sep

Sony has just announced the HVL-F28RM flash. It’s designed to be compact and easy to use, but also comes with features that more advanced photographers will appreciate.

When combined with Sony’s a7C, a7S III, a7R IV and a9 II, the F28RM will use face detection information from the camera to better balance its output with the ambient lighting of the scene, as well as adjust white balance for a more natural look.

The flash angle can be adjusted up to 120 degrees and it’s powered by two AA-sized alkaline or NiMH batteries. Other features include radio wireless communication, a stronger metal hot shoe and dust and moisture resistance.

The HVL-F28RM will be available this winter and will retail for $ 249 USD ($ 329 CAD).

Press release:

Sony Electronics Introduces Alpha 7C Camera and Zoom Lens, the World’s Smallest and Lightest[i] Full-frame Camera System

New HVL-F28RM Compact Flash is also Announced

SAN DIEGO, CA – September 14, 2020 – Today, Sony Electronics Inc. announced several additions to an already impressive imaging lineup — the Alpha 7C full-frame camera (model ILCE-7C), the FE 28-60mm F4-5.6 (model SEL2860) zoom lens and HVL-F28RM flash.

The Alpha 7C is the world’s smallest and lightest[ii] full-frame body with uncompromising performance, featuring advanced AF (autofocus), high-resolution 4K video[iii] capabilities and more. When paired with the world’s smallest and lightest[iv] FE 28-60mm F4-5.6 standard zoom lens, this versatile combination delivers an experience unlike any other, maximizing portability and versatility without sacrificing any of the power of full-frame imaging. The HVL-F28RM flash allows users to broaden their photo expressions with outstanding compactness, and an intelligent light intensity control linked to camera face detection[v].

“We are committed to creating the best tools possible, based on the needs of our customers,” said Neal Manowitz, deputy president of Imaging Products and Solutions Americas, Sony Electronics. “The new Alpha 7C camera and FE 28-60mm F4-5.6 zoom lens pack many of our most advanced imaging technologies in a brand new design that is the smallest and lightest full-frame camera and lens system in the world. This opens up a new world of possibilities for creators, giving them the uncompromised power of a full-frame system in the palm of their hand.”

…

New HVL-F28RM: Compact Flash with Light Intensity Control Linked to Camera Face Detection[v]

The HVL-F28RM is a compact flash designed to match Sony’s mirrorless cameras for a compact, manageable system, and offers the type of reliable, stable performance that only a genuine Sony product can provide. When compared to the HVL-F32M, the HVL-F28RM features a 12 percent reduction in volume and 7 percent reduction in weight. This compact, easy-to-use flash unit delivers the capabilities and dependability to meet the needs of both professional and advanced amateur content creators.

The HVL-F28RM offers consistent GN28[xxv] light output, optimized light distribution and continuous flash performance that won’t interrupt the user’s workflow, as well as stable radio wireless communication and multi flash radio control. The new flash also features Sony’s newly introduced flash control linked to camera face detection[v] advanced technology. When used with a compatible camera, the balance between the light falling on the subject’s face and ambient light is evaluated to automatically adjust accurate white balance so that the subject’s face is rendered with natural, lifelike color. In addition, flash compensation, light ratio, and other detailed flash parameters can be controlled directly from a compatible camera[xxvi]. A camera custom key can be assigned to call up the flash parameter display so that adjustments can be made while looking through the viewfinder and gripping the camera. Flash parameters are shown in the selected camera display language.

A newly developed “Metal Shoe Foot with Rugged Side Frame”[xxvii] that also houses the unit’s electrical contacts offers improved resistance to physical shock and impact from all directions. The Multi Interface foot is fabricated from metal for higher strength. The HVL-F28RM also features a dust and moisture resistant[xxii] design. When the HVL-F28RM is mounted and locked onto the Alpha 7C, Alpha 7S III, Alpha 7R IV and Alpha 9 II, durability to dust and moisture is improved, even when used in challenging outdoor environments.

The HVL-F28RM also features simple, intuitive operation with minimal controls including +/- light level buttons, pairing button, test button and lock lever. Plenty of light is available for bounce applications. The flash angle can also be set as required via 0, 20, 40, 60, 80, and 120 degree click stops for easy positioning. The new flash also features a built-in wireless radio trigger for reliable flash triggering when mounted on a compatible camera[xxvi] and paired with an off-camera unit. When used as a transmitter, the HVL-F28RM can control up to 15 flash and/or receiver units in 5 groups[xxviii] at distances of up to 114 feet (35 meters)[xxix] for extraordinary lighting control and versatility. The HVL-F28RM is powered by two AA (LR6) alkaline or NiMH batteries. A fresh pair of alkaline batteries can provide power for up to 110 continuous flashes (1/1 manual flash with alkaline batteries)[xxix].

Pricing and Availability

The HVL-F28RM flash will be available this winter and will be sold for approximately $ 249.99 USD and $ 329.99 CAD. It will be sold at a variety of Sony’s authorized dealers throughout North America.

Exclusive stories and exciting new content shot with the new camera, lens and Sony’s other imaging products can be found at www.alphauniverse.com, a site created to educate and inspire all fans and customers of Sony ? – Alpha.

[i] An Alpha 7C with an FE 28-60mm F4-5.6 lens mounted. Among full-frame interchangeable-lens digital cameras, in combination with an interchangeable zoom lens. As of Sept. 2020. Sony survey.

[ii] Among full-frame interchangeable-lens digital cameras with optical in-body image stabilization mechanism, as of Sept. 2020. Sony survey.

[iii] A Class 10 or higher SDHC/SDXC card is required for XAVC S format movie recording. UHS speed class 3 or higher is required for 100 Mbps recording.

[iv] Among interchangeable zoom lenses for 35mm full-frame format digital camera bodies, as of Sept. 2020. Sony survey.

[v] This function is only compatible with Alpha 7C as of Sept. 2020

[xxii] Not guaranteed to be 100% dust and water resistant.

[xxv] 50 mm, at ISO 100 in meters

[xxvi] Visit Sony support webpage for functional compatibility information.

[xxvii] Design registration application pending.

[xxviii] In group flash mode. 3 groups (A-C) in TTL or manual flash mode.

[xxix] Sony internal test conditions.

Articles: Digital Photography Review (dpreview.com)

Comments Off

Posted in Uncategorized

Sony announces compact, travel-friendly a7C 24MP full-frame mirrorless camera

15 Sep

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_8187429299″,”galleryId”:”8187429299″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

Sony has announced the a7C, a compact 24MP full-frame mirrorless camera. The company heralds it as the world’s smallest full-frame camera with image stabilization.

The a7C camera crams in most of the a7 III’s specifications, including 5-axis image stabilization, 10 fps shooting with autofocus, and oversampled 4K video into a body that’s smaller in every dimension than the existing camera. A one-piece magnesium alloy structure helps keep the weight down (22% less than the a7 III, at 509g / ~18oz).

Despite the size reduction, Sony has made room for a large NP-FZ100 battery, which powers the a7C to a rating of 740 shots per charge using the rear screen or 680 using the viewfinder.

The a7C camera crams in most of the a7 III’s specifications, including 5-axis image stabilization

The viewfinder is perhaps the most obvious area in which compromises to the specification have been made: the a7C uses a smaller-than-usual 1cm (0.39″-type) viewfinder panel. So although on paper, the 2.36M dot resolution is a match for the a7 III, the magnification ends up being a rather low 0.59x.

Alongside the a7C, Sony has announced a collapsible 28-60mm F4-5.6 kit zoom. It’s a manually extending zoom lens, that when retracted ensures a small camera/lens combination.

The a7C will be available in late October with a list price of $ 1799 body-only or $ 2099 with the new FE 28-60mm 4-5.6mm zoom lens.

Find out what we think so far in our
Sony a7C initial review

Sony a7C sample images

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_6941396376″,”galleryId”:”6941396376″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

Sony Electronics Introduces Alpha 7C Camera and Zoom Lens, the World’s Smallest and Lightest[i] Full-frame Camera System

New HVL-F28RM Compact Flash is also Announced

New Alpha 7C: Uncompromised Full-frame Performance in a Compact Design
The new Alpha 7C combines Sony’s full-frame image quality, advanced AF capabilities and versatile video shooting functions in a stunningly light and compact design. The new camera features a 24.2MP (approx. effective) 35mm full-frame back-illuminated Exmor R™ CMOS sensor and BIONZ X™ image processing engine, offering high sensitivity, outstanding resolution, 15-stop[vi] wide dynamic range and high-speed image data processing.

Measuring only 4.9 inches x 2.8 inches x 2.2 inches (124.0mm x 71.1mm x 59.7mm) and weighing just 18oz (509g)[vii], the Alpha 7C is similar in size and weight to an APS-C camera[viii], with only 1 percent more weight than the Alpha 6600. The Alpha 7C achieves the world’s smallest and lightest compact body[ii] through upgraded 5-axis in-body stabilization and shutter units, and the utilization of magnesium alloy monocoque construction, often used in the bodies of cars and aircraft. Even in this compact body, the Alpha 7C features a 5-step[ix] stabilization effect that allows for shooting snaps without a tripod. Moreover, despite the compact body, the high-capacity NP-FZ100 battery provides enough power for long shooting durations and to capture up to an industry-leading[x] 740 images[xi] when using the LCD monitor, or 680 images[xi] when using the viewfinder.

Outstanding Full-frame Image Quality

Sony’s new Alpha 7C combines high resolution with low noise for excellent image quality at all sensitivities, offering the user stunning image quality for shooting everyday photography and movies such as nature, portraits, sports, street photography and more. Standard ISO extends up to 51,200 and is expandable from ISO 50-204,800[xii] for low-light environment captures with low noise. The Alpha 7C also supports 16-bit processing and 14-bit RAW output[xiii] for natural gradations.

Advanced Autofocus

Using AI-driven functions, the Alpha 7C’s Real-time Tracking[xiv] maintains accurate focus automatically while the shutter button is half-pressed. In addition, “Tracking On + AF-On” is now assignable to a custom key and can be activated at once while the AF-ON button is pressed. Moreover, the intended subject can be specified just by touching it on the monitor when “Touch Tracking” has been turned ON via the menu and is available for both stills and movies. The Alpha 7C’s AF functions also feature Real-time Eye AF for both humans and animals to achieve fast and accurate focus[xvi]. When using Real-time Tracking while “Face/Eye Priority in AF” is ON with a human subject, the subject’s eye and face is detected and locked on in real-time with extremely high tracking precision.
The Alpha 7C provides wide, fast, reliable AF that locks onto the intended subject instantly without losing focus, thanks to its 693-point focal-plane phase-detection AF system covering approximately 93 percent of the image area, with an additional 425 contrast-detection points to ensure reliable focus, even in busy environments.

The Alpha 7C also features continuous shooting at up to 10 fps[xvii] with AF/AE (autoexposure) by using a newly developed shutter unit and refined image processing system. It is also possible to shoot continuously at up to 8 fps[xvii] in live view mode, with minimal viewfinder/monitor display lag for easy, stable framing, even with intense subject motion. The Alpha 7C allows up to approximately 223 JPEG (Fine L) images, 115 compressed RAW images, or 45 uncompressed RAW images to be captured in one continuous burst[xviii], and achieves highly accurate and reliable AF precision in light down to EV-4[xix]. These features make it easier to capture fast moving subjects in challenging environments.

Expanded Video Capabilities

Full-frame full-pixel readout without the need for pixel binning makes it possible to capture more than twice[xx] the amount of data required for 4K video (QFHD: 3840 x 2160)[iii], which is then oversampled to produce high quality 4K footage with exceptional detail and depth. In addition, the Alpha 7C supports HDR (HLG[xxi]) and S-Log/S-Gamut profiles, Slow & Quick motion, high-speed full HD recording at 120 fps[iii] and other advanced video features for additional creative freedom.

Furthermore, the Alpha 7C features Real-time Eye AF (human) for video shooting. The eye is automatically tracked with high precision and reliability so that the operator can concentrate on the content rather than focus operation. Users can also customize AF Transition Speed in seven settings, and AF Subject Shift Sensitivity in five settings, in their preferences. Touch Tracking functionality is also available for movie shooting.

The Alpha 7C features a side-opening vari-angle LCD monitor, making it easy to record selfies, overhead shots, low ground-level shots or whatever the user requires. The MOVIE button has been positioned on the top of the camera making it easier to operate while recording in selfie mode. The new Alpha 7C not only records high-quality video, but also high-quality audio. A digital audio interface has been added to the camera’s Multi Interface (MI) Shoe, allowing the ECM-B1M Shotgun Microphone or XLR-K3M XLR Adaptor Kit can be connected to input digital audio signals directly to the MI shoe for cleaner, clearer audio recordings. Like other MI shoe accessories, no cables or batteries are required, providing unrestrained freedom for Alpha system moviemaking. Headphone and microphone jacks are also provided to accurately monitor recorded sound, and metadata attached to movie footage shot vertically on the camera allows the footage after transfer to the smartphone or similar device, to also be replayed and edited in the vertical position.

Designed for Reliable Operation

The Alpha 7C is designed with the user in mind. The touch panel LCD monitor is a large touch-sensitive 3.0 type with approximately 921 thousand dots, providing optimal visibility even in bright outdoor conditions, and supporting touch focus, tracking and shutter operations. The Alpha 7C also features a high-quality view mode for finer, more natural detail in addition to a 2.35 megadot (approx.) XGA OLED Tru-Finder™ EVF. The Alpha 7C offers functions that simplify operation during and after shooting, such as Fn button customizations and more. It is also dust and moisture resistant[xxii] to support shooting needs in challenging environments.

To simplify workflow needs, Wi-Fi compatible wireless-communication functions allows images and movies to be directly transferred[xxiii] to a smartphone or tablet for convenient sharing, viewing or saving. In addition to the conventional 2.4GHz band, support for the 11ac standard allows transfer via 5GHz band (IEEE 802.11a/b/g/n/ac)[xxiv] so that users can select that stable and high-speed transfer with low interference. A USB Type-C® connector that supports SuperSpeed USB 5Gbps (USB 3.2) is also provided, allowing fast transfer of images during PC remote shooting and power supply from external mobile batteries.

New FE 28-60mm F4-5.6: The World’s Smallest and Lightest[iv] Full-frame Zoom Lens with High Image Quality

The new FE 28-60mm F4-5.6 offers the world’s smallest and lightest[iv] form factor in a standard zoom lens, delivering high optical performance that achieves the high-resolution depiction of full-frame everywhere in the image. Optimal arrangement of the three aspherical lens elements effectively suppresses aberrations throughout the zoom range and realizes high resolution from corner to corner. A minimum focus distance of 0.99 foot (0.3m) (wide-angle) to 1.48 feet (0.45m) (telephoto) delivers close-up capability, making it perfect for everyday use or vlogging with a gimbal or grip.

At 5.9oz (167g) and 2.6 inches dia. x 1.8 inches length (66.6 mm dia. x 45 mm length), along with its mechanical and optimal optical design that features a retracting structure, the FE 28-60mm F4-5.6 achieves unrivaled compactness and lightness, allowing users to easily carry it all the time. From everyday shooting to scenery, portraits and travel, it’s the ideal lens for any type of on-the-go shooting in a wide variety of environments. When combined with the Alpha 7C, the combination achieves uncompromising full-frame performance with the world’s smallest and lightest full-frame camera and lens system[i]. Even with its compact size and light weight, the FE 28-60mm F4-5.6 is dust and moisture resistant[xxii] and accepts a variety of 40.5mm filters.

The FE 28-60mm F4-5.6 delivers high-speed, high-accuracy AF allowing for Real-time Tracking and Real-time Eye AF, using a linear motor. In addition to Sony’s advanced AF capabilities, the FE 28-60mm F4-5.6 features an internal focus design which leaves the lens length unchanged with focus motion and close-up shots, enabling users to easily capture a wide variety of content from regular movie shooting to comfortable vlogging.

New HVL-F28RM: Compact Flash with Light Intensity Control Linked to Camera Face Detection[v]

Pricing and Availability

The new Alpha 7C compact full-frame camera will be available in late October and will be sold for approximately $ 1,799.99 USD and $ 2,399.99 CAD. It will be sold at a variety of Sony’s authorized dealers throughout North America.

The FE 28-60mm F4-5.6 zoom lens will be available in early 2021 and will be sold for approximately $ 499.99 USD and $ 649.99 CAD. It will be sold at a variety of Sony’s authorized dealers throughout North America.

A new kit featuring the Alpha 7C compact full-frame camera and FE 28-60mm F4-5.6 zoom lens will also be available in late October and will be sold for approximately $ 2,099.99 USD and $ 2,699.99 CAD. It will be sold at a variety of Sony’s authorized dealers throughout North America.

[i] An Alpha 7C with an FE 28-60mm F4-5.6 lens mounted. Among full-frame interchangeable-lens digital cameras, in combination with an interchangeable zoom lens. As of Sept. 2020. Sony survey.
[ii] Among full-frame interchangeable-lens digital cameras with optical in-body image stabilization mechanism, as of Sept. 2020. Sony survey.
[iii] A Class 10 or higher SDHC/SDXC card is required for XAVC S format movie recording. UHS speed class 3 or higher is required for 100 Mbps recording.
[iv] Among interchangeable zoom lenses for 35mm full-frame format digital camera bodies, as of Sept. 2020. Sony survey.
[v] This function is only compatible with Alpha 7C as of Sept. 2020
[vi] When shooting still images. Sony test conditions.
[vii] With battery and memory card included
[viii] Compared to the size of Alpha 6600, 120.0mm x 66.9mm x 59.0mm and a weight of 503g (With battery and memory card included).
[ix] CIPA standards. Pitch/yaw shake only. Planar T* FE 50mm F1.4 ZA lens. Long exposure NR off.
[x] Among full-frame mirrorless interchangeable-lens digital cameras with autofocus function, as of Sept. 2020. Sony survey.[xi] CIPA standards.
[xii] ISO expandable to 50 – 204,800 for stills, 100 – 102,400 for movies.
[xiii] Limited to 12-bit when compressed RAW is used for continuous shooting, BULB shooting, or when long-exposure noise reduction is [ON].
[xiv] “Tracking” in the menu.
[xv] Available on still images only.
[xvi] Accurate focus may not be achieved with certain subjects in certain situations.
[xvii] Up to 10 fps in continuous “Hi+” mode, and up to 8 fps in continuous “Hi” mode. UHS-II compatible SDXC memory card required. Sony test conditions. Maximum fps will depend on camera settings.
[xviii] Continuous “Hi+” mode. UHS-II compatible SDXC memory card required. Sony test conditions.
[xix] ISO 100 equivalent, F2.0 lens.
[xx] 24p recording. Approx. 1.6x at 30p.
[xxi] HDR (HLG) images can be viewed by connecting the camera directly to a Sony TV that supports HDR (HLG) playback.
[xxii] Not guaranteed to be 100% dust and water resistant.
[xxiii] Smartphone or tablet must have Imaging Edge Mobile installed. Please use version 7.2 or later.
[xxiv] Models sold in some countries/regions support IEEE 802.11b/g/n (2.4 GHz) wireless LAN only. 5GHz communication may be restricted in some countries and regions.
[xxv] 50 mm, at ISO 100 in meters
[xxvi] Visit Sony support webpage for functional compatibility information.
[xxvii] Design registration application pending.
[xxviii] In group flash mode. 3 groups (A-C) in TTL or manual flash mode.
[xxix] Sony internal test conditions.

Sony a7C specifications

Price
MSRP	$ 1799 (body only), $ 2099 (w/28-60mm lens)
Body type
Body type	SLR-like (bridge)
Body material	Magnesium alloy
Sensor
Max resolution	6000 x 4000
Image ratio w:h	1:1, 4:3, 3:2, 16:9
Effective pixels	24 megapixels
Sensor photo detectors	25 megapixels
Sensor size	Full frame (35.6 x 23.8 mm)
Sensor type	BSI-CMOS
Processor	BIONZ X
Color space	sRGB, Adobe RGB
Color filter array	Primary color filter
Image
ISO	Auto, 100-51200 (expands to 50-204800)
Boosted ISO (minimum)	50
Boosted ISO (maximum)	204800
White balance presets	7
Custom white balance	Yes
Image stabilization	Sensor-shift
Image stabilization notes	5-axis
CIPA image stabilization rating	5 stop(s)
Uncompressed format	RAW
JPEG quality levels	Extra fine, fine, standard
File format	JPEG (Exif v2.32) Raw (Sony ARW, 14-bit)
Optics & Focus
Autofocus	Contrast Detect (sensor) Phase Detect Multi-area Center Selective single-point Tracking Single Continuous Touch Face Detection Live View
Autofocus assist lamp	Yes
Digital zoom	Yes (2X)
Manual focus	Yes
Number of focus points	693
Lens mount	Sony E
Focal length multiplier	1×
Screen / viewfinder
Articulated LCD	Fully articulated
Screen size	3″
Screen dots	921,600
Touch screen	Yes
Screen type	TFT LCD
Live view	Yes
Viewfinder type	Electronic
Viewfinder coverage	100%
Viewfinder magnification	0.59×
Viewfinder resolution	2,360,000
Photography features
Minimum shutter speed	30 sec
Maximum shutter speed	1/4000 sec
Maximum shutter speed (electronic)	1/8000 sec
Exposure modes	Program Aperture priority Shutter priority Manual
Built-in flash	No
External flash	Yes (via hot shoe)
Flash X sync speed	1/160 sec
Drive modes	Single Continuous (Hi+/Hi/Mid/Lo) Self-timer (Std/Cont.) Bracket (Single/Cont.) WB bracket DRO bracket
Continuous drive	10.0 fps
Self-timer	Yes
Metering modes	Multi Center-weighted Highlight-weighted Average Spot
Exposure compensation	±5 (at 1/3 EV, 1/2 EV steps)
AE Bracketing	±5 (3, 5 frames at 1/3 EV, 1/2 EV steps)
WB Bracketing	Yes
Videography features
Format	MPEG-4, XAVC S, H.264
Modes	3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM 3840 x 2160 @ 25p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM 3840 x 2160 @ 24p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 120p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 60p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 50p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 30p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 25p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 24p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM
Microphone	Stereo
Speaker	Mono
Storage
Storage types	SD/SDHC/SDXC card (UHS-II supported)
Connectivity
USB	USB 3.2 Gen 1 (5 GBit/sec)
USB charging	Yes
HDMI	Yes (Micro HDMI)
Microphone port	Yes
Headphone port	No
Wireless	Built-In
Wireless notes	802.11ac (dual-band) + Bluetooth + NFC
Remote control	Yes (via smartphone or Bluetooth)
Physical
Environmentally sealed	Yes
Battery	Battery Pack
Battery description	NP-FZ100 lithium-ion battery & charger
Battery Life (CIPA)	740
Weight (inc. batteries)	509 g (1.12 lb / 17.95 oz)
Dimensions	124 x 71 x 60 mm (4.88 x 2.8 x 2.36″)
Other features
Orientation sensor	Yes
Timelapse recording	Yes

Articles: Digital Photography Review (dpreview.com)

Comments Off

Posted in Uncategorized

Canon is crowdfunding its monocular-style PowerShot Zoom concept camera in Japan

15 Sep

Last year, at CP+ 2019, Canon showed off a number of concept cameras with new and unusual designs. While some of those concepts are still just that, at least one more is well on its way into the consumer market — in Japan, at least.

The Canon PowerShot Zoom is a monocular-style point-and-shoot that’s being crowdfunded on Makuake, not unlike the approach Canon took with its Ivy Rec camera. Inside the almost cartoon-looking design is a 12.1-megapixel 1/3” CMOS sensor that works alongside a DIGIC 8 processor to capture stills and record Full HD video at 1080p.

In front of the sensor is a zoom lens that can toggle between 100mm and 400mm (full-frame equivalent) focal lengths. You can also double that to an 800mm (full-frame equivalent) focal length when combined with the camera’s digital zoom.¹ The device features built-in image stabilization, Canon’s Face AF technology, a USB-C port for charging and a microSDXC card slot.

The camera features three buttons on the top: power, menu and zoom, as well as three on the bottom: a dial, a capture button for stills and a capture button for video. Photos and video can be transferred via the microSD card or wirelessly when paired with Canon’s accompanying smartphone app.

The PowerShot Zoom is currently being crowdfunded in Japan through Majuake. The campaign has already raised over $ 280,000, far surpassing its initial goal. Japanese backers are able to secure the first units for around $ 300.

There’s no mention of whether or not the PowerShot Zoom will become available outside the Japanese market at this time.

¹Canon had previously said it hoped to have intermediary focal lengths during zoom, but it appears that feature isn’t available at this time.

Articles: Digital Photography Review (dpreview.com)

Comments Off

Posted in Uncategorized

360Photography

Posts Tagged ‘Camera’

TTartisan releases an $80 35mm F1.4 lens for APS-C mirrorless camera systems

Meyer Optik Görlitz releases Trioplan 50mm F2.8 lens for multiple camera mounts

Film Fridays: Photographing Machu Picchu on a panorama film camera

Gallery

Canon announces the EOS C70, a Cinema EOS camera in a mirrorless body

READY FOR ACTION: THE CANON EOS C70 4K DIGITAL CINEMA CAMERA PACKS CINEMA EOS IMAGING FEATURES INTO STILL CAMERA ERGONOMICS

MFT ‘Alice’ concept camera promises smartphone AI with interchangeable lenses

Alice camera

The $20 film camera challenge part 2: Saved by the Minolta Maxxum 5 – Aaron Gold

Too good to be true?

A high-feature camera for a super low price

The realities of my sub-$ 20 camera

But were the photos any good?

Yes, you can get a great camera for $ 20 – or less

Sony announces plans to end camera sales and manufacturing in Brazil next year

Sony’s new HVL-F28RM flash uses camera face detection for better portraits

Sony Electronics Introduces Alpha 7C Camera and Zoom Lens, the World’s Smallest and Lightest[i] Full-frame Camera System

Sony announces compact, travel-friendly a7C 24MP full-frame mirrorless camera

Sony a7C sample images

Sony Electronics Introduces Alpha 7C Camera and Zoom Lens, the World’s Smallest and Lightest[i] Full-frame Camera System

Sony a7C specifications

Canon is crowdfunding its monocular-style PowerShot Zoom concept camera in Japan

Pages

Archives

Categories