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Posts Tagged ‘Book’

Recovering Literature: Bold Classic Book Cover Redesigns

10 Apr

[ By WebUrbanist in Design & Products & Packaging. ]

classic power of books

It takes a powerful book to survive decades or even centuries and stay prominently in the public eye. This pair of classics are a rarity in that respect, but like any books, one thing does change over time: their covers.

classic book cover remodel

First, Fahrenheit 451, reintroduced by designer Elizabeth Perez. In her words, it is “a novel about a dystopian future where books are outlawed and firemen burn any house that contains them. The story is about suppressing ideas, and about how television destroys interest in reading literature.”

classic fahrenheit 451 redesign

And what would be more apt than a book cover and binding that reflects that horrific world? The one becomes a match, and the spine becomes a striking surface, powerfully reinforcing the core message of the novel.

classic penguin cover blacked

classic censorship cover concept

Then we have 1984,  part of a series of re-releases from Penguin designed by David Pearson – again, the message of censorship becomes boldly emblazoned right on the cover of the volume.

classic book smell perfume

But with physical books being, perhaps an endangered species, maybe you would like something new to swap into your collection but that also breaks traditional boundaries. Introducing: Paper Passion, a scent from Stiedl. It is a fragrance based on the smell of books – a powerful scent familiar with anyone who has revisited their childhood favorites.

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[ By WebUrbanist in Design & Products & Packaging. ]

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Portrait Photography: Secrets of Posing & Lighting [Book Review]

12 Mar

Portrait Photography.jpgPortrait photography, IMHO, is up there in degrees of difficulty with wildlife and sports/action photography … but at least, when faced with a tiger or a pole vaulter, you don’t have to face a possibly irate subject when you’ve finished the shot. Hopefully!
With portrait photography you not only have to face the sitter during and after the session but you also have to deal with that particular person if they’re also the client!

The book’s author Mark Cleghorn has been a pro photographer for over 30 years, specialising in ‘creative’ wedding and portrait photography. He is a member of a number of pro associations and has won a number of awards for his work as well as running many training workshops and seminars.

In Cleghorn’s view ‘Understanding the fundamentals of posing and lighting is crucial to successful portrait photography.’

You might also add the stricture — KISS! His own personal motto is ‘Natural light before reflector, reflector before flash, and flash as a last resort.’ He also suggests you should understand how to use and manipulate natural ambient light before you complicate things with technology …. Got me!

The chapter headings are informative:

  • So much equipment, so little money.
  • Poses and expressions.
  • Studio lighting made simple.
  • Creative lighting techniques.
  • On location.

First up, choosing a camera and lenses. The advice is that while a bulky, expensive medium format camera gives a better quality of image and delivers huge file sizes that are perfect for advertising, they are overkill for a simple portrait.

The DSLR is a preferable choice due to its comparatively reasonable cost, moderate size, along with access to a wide range of lenses and access to complete camera control.

This is followed by a rundown of the three types of flash available: accessory, shoe-mounted; power pack kits; monolights. Considerable detail is given on how to modify their flash output, the use of gels, metering, softboxes, reflectors, snoots and spotlights, diffusion, etc.

A key chapter covers posing and expression, which is where the human interface is at its most important and Cleghorn displays his extreme knowledge of the human figure and how to show it off at its best: ‘Every pose … starts with the feet, as it is the way in which the subject stands that determines whether or not he or she looks comfortable.’

His advice on how to photograph children is golden: keep things simple, allow the expressions to tell the story, work on the same level and, with very young children, encourage them to move around the studio, make it seem like a game.

And how to cope with problems like a subject’s bald head, spectacles, double chins, squinting and those who are obviously overweight, disabled subjects, those with ‘sleepy eyes’, big ears or noses and (with couples) differing heights. The advice is magic!

Moving on to lighting, there’s detailed discussion on how to place lights, control fill, hair and backlights and control their output. Low, mid and high key lighting is covered in considerable detail, with excellent examples shown.

Some off the wall techniques are demonstrated, like the projection of another image onto the subject, introducing a surreal effect. The use of a single light source and softlight are discussed as well as the role of the cross processing effect achievable in Photoshop.

Quite a few pages are given over to the searching for and use of suitable locations, natural exteriors and shooting in the home.

I often wonder, having read such a useful book, as to the sanity of such a high end and obviously successful photographer in this field in giving away such seriously useful hints, tips and advice.

This is the ‘go to’ book on the subject!

Author: M Cleghorn.
Publisher: pixiq.
Size: 28x22x1cm. 128 pages.
ISBN 978 1 4547 0243 6.
Price: get a price on Portrait Photography: Secrets of Posing & Lighting at Amazon (currently 36% off).

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

Portrait Photography: Secrets of Posing & Lighting [Book Review]


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Understanding HD Video [Book Review]

04 Mar

Understanding HD VideoAfter a careful read of Chiz Dakin’s book, I came to the conclusion that — for the right reader — her volume is the ant’s pants, the bees’ knees of ‘how to’ books in the video field.

The right reader? Well that comes down to those who are competent in stills photography, own a DSLR or a CSC camera and know how to work with different lenses, be savvy with ISO, histograms etc.

CSC? Compact System Camera or what could also be called a MILC (Mirrorless Interchangeable Lens Camera).

I also figure it would probably not be right for the hardened videographer, accustomed to video camcorders, as most of the info within its pages is aimed at the stills brigade … and how jump ship into the world of movies.

High end cameras such as Canon’s EOS MkII and MkIII and Nikon’s D800 are becoming increasingly popular with feature film and documentary makers due to their reasonable price (compared to high end video cameras) and ability to use lenses with focal lengths that image to a full frame 35mm area. Lenses of these focal lengths enable photographers to work with a reduced depth of field and produce that ‘film look’. The odd thing is that the true 35mm movie frame is roughly half the size of the 35mm still frame! Oh well!

The early chapters take the reader through the differences between camcorders and movie-enabled still cameras: their radically different ergonomics; limited recording time; tricky sound capture arrangements; challenging focus ergonomics etc.

Then we get into the language of video shooting: how to capture movement; framing the scene; managing or supplementing light; creating an acceptable storyline; selecting camera angles.

Quite a few pages are devoted to creating the story line, which may at first seem an odd subject in what could be seen as a techy book. But, different to stills photography, video making is a linear process: scene one comes before scene two etc.

It may seem overkill when there follows a chapter listing the personnel on a typical video crew but, as many festival entrants know, even on a simple, home made video you can often need a Director (of course!), a Producer, camera operator, lighting gaffer, grip, art director etc to produce something with more going for it than a simple home movie.

More about the basics: how to select locations; pick the right time of the day or even the right time of the year; choose camera angles; ‘crossing the line’ rules.

Then we get to discuss differing types of cameras, with an admission that even smartphones can have their place in the scheme of things, especially when ‘you need to record somewhere that you couldn’t (or wouldn’t) want to put a bigger camera.’

Lenses come into view with explanations of how effective focal length is affected by sensor size and the roles of prime lenses vs zooms, extreme wide angle lenses, macros, teles and shift lenses.

There is much essential and useful info on memory cards, transfer bit rates, the different file formats, NTSC vs PAL, bit rates, frame rates etc.

There is one piece of advice that is, to my mind, worth the book’s cover price alone: if you set the camera to auto exposure, when panning the camera from a dark area to a light one it will cause distracting exposure shifts. Better to switch to manual exposure so the lens aperture, shutter speed and ISO setting will all be locked.

Result: exposure stays the same wherever the camera is pointed.

Overall, an enormously useful book, full of all the stuff you need to make movies!

Author: C Dakin.
Publisher: Ammonite Press.
Distributor: Capricorn Link.
Size: 14.5x18x1.5cm. 192 pages.
ISBN: 978 1 90770 862 6.
Price: Get a price on Understanding HD Video (Expanded Guide Techniques) by Chiz Dakin at Amazon (22% off at present).

Post originally from: Digital Photography Tips.

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Understanding HD Video [Book Review]


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Plastic Cameras: Lo-Fi Photography in the Digital Age [Book Review]

27 Feb

Plastic camerasYears ago a cinematographer friend told me of a dinner he once had in Paris with a Mr Cooke. Mr Cooke of the famed British optical firm Cooke, Taylor and Hobson.

During the meal Mr Cooke explained that he spent most of his waking and working hours designing lenses to perform with maximum sharpness and minimum degrees of aberration to achieve the perfect capture of the photographic image. In spite of these heroic efforts he spoke with some level of bitterness that certain cinematographers persisted in covering his carefully crafted lenses with all sorts of rubbish, grease and diffusers to degrade, soften and generally muck up the performance of these precisely manufactured optics … all in the pursuit of artistic expression!

Just as the plastic cameras described in this book do today!

Author Gatcum is of the opinion that digital photography and the associated image editing software has made it so much easier to produce perfect shots … but there are many enthusiasts out there who don’t necessarily want ‘perfect shots’. It’s at this point in the argument that plastic cameras and their ‘lo-fi’ aesthetic enter the discussion.

You have only to flip through the images in the book to enjoy the thrills and spills that plastic cameras can create! Images with severe vignetting, extreme aberrations, uneven sharpness across the frame, colour that shows that things are definitely not right in the lenses’ colour capture. For not right, read very right in the vocab of the adventurous photographer!

From my own experiences with early Diana cameras and more recent LOMO replicas you have to take a chance, sometimes succeeding with a shot that stuns! Or that doesn’t! Perfection is not on the menu! Chance is the name of the game!

Diana F front

The story really starts with the original Diana, made by the Great Wall Plastics factory in Hong Kong in the 1960s and first sold for about a dollar. By the 1970s the resourceful and wise out there quickly saw the Diana’s potential and snapped them up from junk shops to began using them for creative photography. These days the original $ 1.00 Dianas sell on eBay for $ 50 plus.

By 2007 the Lomography company saw an opportunity and cleverly re-manufactured the Diana and its sub models, selling them for prices approaching $ 100, complete with all their imperfections.

These days we’re spoilt for choice. The book lists dozens of crazy models, all available from companies such as Lomo and the like.

Like the magnificent 120 format Holga and its variations. These include the Holga 120 TLR, the Holgaroid, the Holga 120 3D, Holga PC pinhole camera. Also in 35mm: Holga 135 TLR.

Lomo of course markets a wide variety of models: the 35mm based LC-A, the Lomo Smerna duet of models, with one sporting a flash socket. Plus many, many more.

And a long list from other makers: Blackbird; Recesky TLR; Halina Panorama; Twinkle 2; Split-Cam; Robot 3; Action 4; Agat 18k; Ikinimo 110 … the list goes on.

Then the game got clever: you can now buy Holga lenses that fit current DSLR models such as Olympus and Panasonic Four Thirds format models.

There are even apps that digitally replicate the look and feel of plastic cameras!
The book is a ball of fun and even if you never buy a plastic camera to pursue the path of erratic photographic capture you will enjoy the ride as you thumb through its pages.

Footnote: these days the name Cooke appears on high level lenses used still in feature film and TV series photography. They’re highly regarded and no doubt are frequently plastered with layers of Vaseline, parachute silk, ripstop nylon etc!

Author: G Gatcum.
Publisher: Ammonite Press.
Distributor: Capricorn Link.
Length: 192 pages.
ISBN: 978 1 90770 840 4.
Price: “Get a price on Plastic Cameras at Amazon (currently 22% off)

Post originally from: Digital Photography Tips.

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11 February, 2013 – Self Publishing a Photography Book

11 Feb

Lives there a photographer who doesn’t want to see a book of their work in print? Likely not. But publishers are reticent, book markets are contracting, and the costs of self-publishing are high. So how to finance such a venture?

Find out in Peter Cox‘s new essay Self-Publishing a Landscape Photography Book.

Win a New 128GB iPad with Retina Display
Including all Major Luminous Landscape Videos
– Pre-Installed –

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The Luminous Landscape – What’s New

 
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100 Clever Digital Photography Ideas [Book Review]

10 Feb

100 Digital Photography Ideas.jpgOne of my faves is lists of ‘clever’ ideas and hints on how to improve your digital photography, so this book hit home immediately.
Author Cope recalls that ‘there was a time, not so long ago, when photography was in serious decline …. Although cameras were becoming easier to use … people were just not buying them as they once had.” Digital cameras and photography arrived just at the right time.

Cope’s book is an absolute treasure house, beginning with a camera parade that identifies the various camera types (camera phones, compacts, bridge, DSLR etc) and their capabilities. For example: camera phones are not ideal if you need control over your picture making, whereas DSLRs are far from ideal if you want to be a discreet snapper.

Then follows single page helpers on such tasks as shooting for eBay auctions, making identity/passport photos, recording a car accident, making a home inventory, etc.

The tips keep coming: when shooting table top subjects (models etc), locate the camera at table top level, use the widest lens angle and smallest aperture; when shooting jewellery, especially rings, focus on the gem and let the band go out of focus; shoot kids at eye level, focus on their eyes, use the zoom’s mid range, blur the background, avoid flash etc; when shooting sports choose a fast shutter speed, move in close, follow the action, know the event.

A useful chapter on colour matching explains how you can colour match a house’s interior and its contents in the pursuit of the correct colour paint or furnishings. Digital cameras are far from perfect when it comes to precise colour rendering so the book suggests using a card colour checker containing colour swatches to help the paint mixer.

There are ideas on how to make a photo comic strip, shooting in the city, capturing landscapes, making atmospheric shots in low light, being aware of cultural sensitivities, finding your way home in a strange city by shooting a ‘photo trail’ … and here’s one hint that retail outlets will ‘love’: take a shot of the product you crave in-store so you can duck home and buy online with accuracy!

Then you can buy accessories to perform some unusual photo tricks: shoot ultra low angles with mini tripods or photo clamps, acquire a door spyhole lens, magnifying lens, Lensbaby or similar so you can shoot ultra closeups of bugs and the like.

Shoot the seasons: while a snowy landscape is entrancing, the high brightness can fool your camera’s auto exposure function: use the snow/sand setting; shoot rainbows by turning your back on the sun; summer time shots can be improved by using flash in people shots to fill in the heavy shadows; when shooting sunsets you can improve the rendering by slightly underexposing the shots.

Shoot a ‘flickback’ video by combining a sequence of stills that, when played back as movie, confer movement … a bit like a high speed slide show.

Some useful tips on future proofing your shots follow: shoot RAW as often as possible; shoot at the highest resolution; shoot lots!
Share your photo online via flickr or YouTube, etc: select your best shots; remember you don’t have to make your Web photo gallery public; some Web sites let you photo share so others can order prints.

There’s heaps more: add borders to some of your favourite shots; add a keyline or a frame; crop shots and straighten horizons of sloppily composed shots; create a scrapbook.

Overall, the book is chock full of information and, in one respect, is less of a book of tips and hints and more an encouragement on how to maximise your photo pursuits.

Top book!

Author: P Cope.
Publisher: David & Charles.
Length: 144pages.
ISBN 978 1 4463 0216 4.
Price: Get a price on "100 Clever Digital Photography Ideas: Getting the Most from Your Digital Camera and Camera Phone at Amazon

Post originally from: Digital Photography Tips.

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We ? Retro Media: Vinyl, VHS, Tapes & Film | Off Book | PBS

17 Jan

We live in a digital world that gives us all the media we could possibly dream of at the click of a mouse, yet many people miss the old school physical formats from our past. Listening to vinyl and cassettes allows us to connect with music in a different way than MP3s. VHS and 8mm create visual aesthetics and atmospheres that are difficult to replicate in digital video. And the surprises inherent to analog instant photography help embed an organic quality to the recording of our memories. The challenges these retro formats present to capturing and experiencing media actually enhance our appreciation for the sound or image, making the art we love a bit more intimate, and real. Here’s a list of all the art used in the episode! docs.google.com Featuring: Eilon Paz, www.dustandgrooves.com Prof. Al Nigrin, Rutgers University Ryan Martin, Dais Records Rebecca Cleman, Electric Arts Intermix David Bias, Impossible Project www.the-impossible-project.com Music: Professor Kliq – soundcloud.com PhatRecords Music – www.youtube.com Jason Day – soundcloud.com Diadainconsupertrafra – soundcloud.com Nic Bommarito – freemusicarchive.org Binarpilot – www.jamendo.com Duckett – ccmixter.org More Off Book: Our last video on The Effect of Color: youtu.be Our short documentary on The Creativity of Indie Video Games: www.youtu.be Taking a look at The Art of Web Design: youtu.be We asked Can Fandom Change Society?: youtu.be An examination of The Art of Animation & Motion Graphics: youtu.be Follow
Video Rating: 4 / 5

Terry White reviews the NEW iPad Camera Connection Kit for iPad, which allows you to download images from a memory card or your camera directly into the iPad. He even shows a tip for Compact Flash users! This video is in support of the written review to appear at terrywhite.com soon!

 

Seattle Street Art Graffiti Book Photos

10 Jan

A few nice visual art images I found:

Seattle Street Art Graffiti Book Photos
visual art
Image by atto11
Image from the book SEATTLE STREET ART. A Visual Time Capsule Beyond Graffiti (Volume 2)
By A. Tarantino
ISBN-10: 0988272008
SeattleStreetArt.com

"The Seattle Street Art Book Series contains over 300 original photos taken within city limits over many years to help preserve the mediums aesthetic in print."

Seattle Street Art Graffiti Book Photos
visual art
Image by atto11
Image from the book SEATTLE STREET ART. A Visual Time Capsule Beyond Graffiti (Volume 2)
By A. Tarantino
ISBN-10: 0988272008
SeattleStreetArt.com

"The Seattle Street Art Book Series contains over 300 original photos taken within city limits over many years to help preserve the mediums aesthetic in print."

 
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Seattle Street Art Graffiti Book Photos

08 Jan

Check out these visual art images:

Seattle Street Art Graffiti Book Photos
visual art
Image by atto11
Image from the book SEATTLE STREET ART. A Visual Time Capsule Beyond Graffiti (Volume 2)
By A. Tarantino
ISBN-10: 0988272008
SeattleStreetArt.com

"The Seattle Street Art Book Series contains over 300 original photos taken within city limits over many years to help preserve the mediums aesthetic in print."

 
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Seattle Street Art Graffiti Book Photos

08 Jan

A few nice visual art images I found:

Seattle Street Art Graffiti Book Photos
visual art
Image by atto11
Image from the book SEATTLE STREET ART. A Visual Time Capsule Beyond Graffiti (Volume 2)
By A. Tarantino
ISBN-10: 0988272008
SeattleStreetArt.com

"The Seattle Street Art Book Series contains over 300 original photos taken within city limits over many years to help preserve the mediums aesthetic in print."

Seattle Street Art Graffiti Book Photos
visual art
Image by atto11
Image from the book SEATTLE STREET ART. A Visual Time Capsule Beyond Graffiti (Volume 2)
By A. Tarantino
ISBN-10: 0988272008
SeattleStreetArt.com

"The Seattle Street Art Book Series contains over 300 original photos taken within city limits over many years to help preserve the mediums aesthetic in print."

 
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