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Panasonic Lumix DC-G95/G90 features a 20MP sensor, weather-resistant body and built-in V-LogL

06 Apr

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Panasonic has introduced the Lumix DC-G95 (known as the G90 in some regions), which sits just above the G85 (G80) that was introduced in 2016. The G95 offers mostly minor updates to its predecessor, including a higher resolution 20MP LiveMOS sensor, updated design, built-in V-LogL and a headphone socket.

The G95 is a larger camera than the G85, with a beefier grip and dedicated ISO, white balance and exposure compensation buttons. It has the same OLED EVF as the G85, and its fully articulating 3″ LCD has received a bump in resolution to 1.24M dots.

The other changes of note related to video. The G95 is the first non-GH Panasonic camera to have V-LogL built-in. The company has also added a headphone socket to go alongside the mic socket. The mic socket has been moved further up on the side of the camera, to keep it out of the way of the rotating LCD.

Video capture specs are similar. The G95 captures 4K UHD video at 30p or 24p, albeit with a 1.25x crop. A Full HD high speed mode has been added, with a top frame rate of 120 fps.

The G95 (G90) will include the Lumix G 12-60mm F3.5-5.6 Power OIS lens for $ 1199/£1079. In some regions, body-only and bundles with the 14-140mm lens will be available. Shipments will begin in May.

Press Release

Panasonic Announces New Rugged-Design Hybrid Mirrorless Camera Built for High Picture Quality

LUMIX G95 Featuring 5-Axis Dual I.S. 2 and 4K Video Technology

Newark, NJ (April 5, 2019) – Panasonic is pleased to introduce a rugged-design Digital Single Lens Mirrorless camera, the LUMIX G95, that features high mobility for field use and a host of functions and technologies for both photo and video.

The camera’s high-picture quality and 20.3-megapixel Digital Live MOS Sensor without low-pass filter attain maximum performance with both lens and Venus Engine to render natural, high-precision images. The 5-axis Dual I.S. (Image Stabilizer) 2 effectively suppresses blurring to enable a 5-stop slower shutter speed*1 by combining the O.I.S. (Optical Image Stabilizer, 2-axis) and B.I.S. (Body Image Stabilizer, 5-axis) to take full advantage of both stabilization systems. Users will enjoy blur-free photo and video shooting in both wide angle and telephoto, even in low-light situations.

The Contrast AF System features DFD (Depth From Defocus) technology and excels in both speed and accuracy by exchanging digital signals between camera and lens at a maximum of 240 fps*2, resulting in ultra-fast auto-focusing of approximately 0.07 sec*3. Burst shooting performance is also improved to achieve 9 fps (AFS/MF) / 6 fps (AFC) up to 600 (JPEG) / 30 (RAW) images or more. A variety of AF functions, including Face/Eye Detection AF, Pinpoint AF, One-shot AF and advanced Low Light AF enhance usability to comply with wide-ranging shooting situations.

External components of the LUMIX G95 have additionally been redesigned to enhance intuitive one-hand operation and quickly responds to the photographer’s intention. It integrates an OLED LVF (Live View Finder) with 2360K-dot high resolution in approximately 1.48x / 0.74x (35mm camera equivalent) magnification capability. The free-angle large 3.0-inch LCD rear monitor with approximately 1240K-dot resolution provides a touch control system, making shooting at high and low angles easier.

A host of advanced video functions make the LUMIX G95 a true hybrid camera. In addition to 4K video recording capability in 3840×2160 at 30p or 24p in MP4, it handles real-time image output to an external monitor/recorder via HDMI, while also recording video. High Speed Video lets users record slow motion video in Full HD at 120 fps (1/4x), 90 fps (1/3x) and 60 fps (1/2x). What’s more, 4:2:0 / 8-bit log recording is available with the pre-installed V-Log L. The 3.5mm microphone jack and newly added headphone socket accommodate sophisticated sound recording needs.

With LUMIX 4K PHOTO users can capture fleeting photo opportunities at 30 fps in 8-megapixel equivalent resolution to save as high-resolution images. Auto Marking and Sequence Composition are included in addition to Post Focus, Focus Stacking, Light Composition and 4K Live Cropping to help make 4K PHOTO more creative and easier to use.

The LUMIX G95 includes Bluetooth and Wi-Fi® connectivity to offer a more flexible shooting experience and easily share images instantly. Bluetooth 4.2 (called BLE: Bluetooth Low Energy) compatibility enables constant connection with a smartphone or tablet with minimum power consumption.

The camera’s battery can be recharged either via AC or USB according to the users’ convenience. The Battery Grip DMW-BGG1 (sold separately) empowers comfortable, longer-time shooting.

*1 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=140mm (35mm film camera equivalent f=280mm), when H-FSA14140 is used.]

*2 Contrast AF with DFD Technology works only with Panasonic Micro Four Thirds lenses.

*3 In AFS, at wide-end with H-FSA14140 (CIPA).

  1. High image quality with real-life detail and Dual I.S. 2

The LUMIX G95 lets users shoot vibrant, true-to-life high-quality images with excellent resolution, high contrast and impressive color reproduction. The 20.3-megapixel Digital Live MOS Sensor without low-pass filter enables maximum lens performance, and the Venus Engine renders natural, high-precision images. An optimum gradation setting, according to the characteristics of the sensor, provides a wide dynamic range for smoother gradation. Tuned Three-dimensional Color Control detects hue, saturation and brightness, and applies optimal control according to the value of each factor. This achieves rich color reproduction from dark to bright parts of the image, which especially improves the expression of skies, human skin and more. A Tuned Multi Process NR boasts high noise identification accuracy and preserves details even after the noise reduction process. This results in natural textures and precise detail, especially in middle-to-high sensitivity image recording. The combination of Digital Live MOS Sensor and the Venus Engine achieves clear image rendering with minimum noise, even in low-lit situations and at max. ISO 25600.

The LUMIX G95 incorporates 5-axis Dual I.S. (Image Stabilizer) 2 which boasts even more powerful and effective blurring suppression to allow the use of a 5-stop slower shutter speed. The combination an O.I.S. (Optical Image Stabilizer, 2-axis) and B.I.S. (Body Image Stabilizer, 5-axis) compensates for larger movements which were conventionally uncontrollable. Both O.I.S. and B.I.S. are finely controlled based on information detected by a high-precision gyrosensor, and are highly beneficial in wide angle, telephoto, and adverse situations, such as night or one-handed shooting.

The 5-axis Dual I.S. 2 works for both photo and motion picture recording, including 4K video. Panasonic LUMIX G series DSLM (Digital Single Lens Mirrorless) Cameras offer a wide variety of digital, interchangeable lenses, most of which will comply with the 5-axis Dual I.S. in the LUMIX G95.*2 The B.I.S. compensates for camera movement even when a lens without O.I.S. is used.

*1 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=140mm (35mm film camera equivalent f=280mm), when H-FS14140 is used.

*2 5-Axis Dual I.S. 2 works when attaching the lens that complies with it.

  1. High-speed AF to capture those unmissable moments

The DFD (Depth From Defocus) technology*1 in LUMIX G95 calculates distance to the subject by evaluating several images with different sharpness levels while consulting the data of optical characteristics of the current lens in a moment. As a result, the LUMIX G95 achieves high-speed AF of approximately 0.07 sec*2 and high-speed burst shooting at 9 fps (AFS) / 6 fps (AFC) to capture fast-moving subjects just in-focus.

Furthermore, the Venus Engine in the LUMIX G95 is more capable of tracking moving subjects, and it prevents out-of-focus shots even when the subject is moving quickly, or when an obstacle cuts in front of the subject. Newly added AF Sensitivity mode lets the user set the tracking sensitivity according to the shooting situation.

The LUMIX G95 incorporates Face / Eye Detection AF to automatically set focus on the eye of a human face to capture stunning portraits with crisp focus.. With Pinpoint AF, users can magnify the target area for more precise focus. The Low Light AF enables focusing on the subject more precisely, even without an AF assist lamp, thanks to the newly adopted algorithm optimized for low-light, low-contrast situations. It is effective in extremely low-lit situations down to -4EV, as dark as under moon light. A total of 49 focus detection areas enable more flexible composition, together with the Custom Multi AF mode, with which users can freely select the blocks to focus on. Focus peaking is also available for precision manual focusing.

*1 Contrast AF with DFD Technology works only with Panasonic Micro Four Thirds lenses.

*2 In AFS, at wide-end with H-FSA14140 (CIPA).

  1. Perfect mobility with careful design and control – optimized for handheld field use

The LUMIX G95 has been redesigned externally for intuitive one-hand operation that quickly responds to the photographer’s intention. Three newly-added buttons located in line on the top let the user adjust exposure, ISO and white balance. Buttons on the back are positioned centering on the wheel dial to provide quick access to the target item in both shooting and playback. The front/rear dual dial system with dial operation switch enables direct setting. The grip is also redesigned for a more stable and comfortable hold.

To withstand heavy field use, the LUMIX G95 boasts a rugged design with a front structure composed of a magnesium alloy full die-cast front frame. Seals at every joint, dial and button also make the camera splash/dust-resistant*.

The LUMIX G95 has a large LVF (Live View Finder) with a high-magnification ratio of approximately 1.48x / 0.74x (35mm camera equivalent). The high-precision, high-speed OLED (Organic Light-Emitting Diode) display features 2,360K-dot high resolution and 100% field of view. Adoption of OLED for the LVF achieves high-speed response with a minimum time lag of less than 0.01 second, as well as 10,000:1 high contrast for exceptional visibility. With an eyepoint of approximately 20mm, it offers high visibility with comfort for users wearing glasses. It is always sharp and clear from the center all the way to the corners.

Adopting a static-type touch control system, the large 3.0-inch LCD rear monitor with 1240K-dot high resolution features free-angle shooting. It tilts up and down by approximately 250-degrees, which makes shooting at either high or low angles even easier.

The LUMIX G95 features an electromagnetic drive in the shutter unit. The shock caused by shutter diaphragm movement is dramatically reduced and the shutter sound is minimized. This enables users to release the mechanical shutter even in situations where they previously had to use the electronic shutter.

*Dust and Splash Resistant does not guarantee that damage will not occur if this lens is subjected to direct contact with dust and water.

  1. 4K capability brings evolution to videography

Taking advantage of the high-speed signal readout capability of the sensor and high-speed signal processing, the LUMIX G95 is capable of recording 4K video*1*2. Despite its high performance, it boasts superior energy efficiency and size remains compact for high mobility. The LUMIX G95 records stunningly smooth, high-resolution 4K video in 3840×2160 at 30p or 24p in addition to the full-HD 1,920 x 1,080 60p videos with practical full-time AF.

As a camera from Panasonic that has continually exceeded the limits of video performance in digital cameras, a host of functions are available on the LUMIX G95. The High Speed Video lets users record slow motion video in Full HD at 120 fps (1/4x), 90 fps(1/3x) and 60 fps (1/2x).

The LUMIX G95 is also capable of real-time image output to the external monitor in 4:2:2 / 8-bit*3 via an optional micro HDMI cable while simultaneously recording video. Users can choose to output only recording content or content with the setting menus individually, depending on the display.

The V-Log L is pre-installed in the LUMIX G95. Log recording offers exceptional flexibility as well as a wider dynamic range for color grading in the post-production process, and V-LogL features log characteristics with 12 stops of dynamic range.

In addition to the 3.5mm microphone jack for high-quality audio recording using an external microphone, such as Panasonic External Stereo/Shotgun Microphone DMW-MS2, a headphone socket is newly added for sound output.

Thanks to 4K technology, users can engage 4K PHOTO to capture fleeting photo opportunities at 30 fps by extracting the frame with the best timing from a 4K burst file to save as a 8-megapixel equivalent photo. Choosing the best shot out of hundreds of frames recorded in 4K PHOTO is now easier with the newly added Auto Marking function. Auto Marking lets you jump to the nearest frame where differences are obvious between consecutive frames to minimize the time it would otherwise take to choose the best shot. Sequence Composition makes it possible to create a stromotion image by synthesizing multiple images shot at a fixed frame with 4K PHOTO. A unique image reflecting the subject’s motion can easily be produced in-camera without needing a special retouching process. Plus, the LUMIX G95 enables 4K Live Cropping in video recording that realizes stable panning or zooming in video recording. In panning shots, the user can simply set the viewing angle to start and end for smooth panning without using any special equipment, such as a slider. In zooming, you can set the after-zoomed viewing angle first, so that the subject is perfectly framed. Thanks to digital operation, zooming imagery is smooth because it does not physically move the zoom lens.

*1 About motion picture recording / 4K Photo recording

– Use a card with SD Speed Class with “Class 4” or higher when recording motion pictures.

– Use a card with SD Speed Class with “UHS-I UHS Speed Class 3 (U3)” when recording motion pictures with [MP4] in [4K] or [4K PHOTO].

(SD speed class is the speed standard regarding continuous writing.)

– MP4 motion pictures with [MP4] in [FHD/30p] [FHD] [HD]: You can continue recording without interruption even if the file size exceeds 4 GB or 30 minutes in length, but the motion picture file will be divided and recorded/played back separately.

– MP4 motion pictures with [MP4] in [4K]:

Motion picture file will be recorded and played back in separate files in the following cases.(You can continue recording without interruption.)

– When using an SDHC memory card: If the file exceeds 4 GB

– When using an SDXC memory card: If the continuous recording time exceeds 3 hours and 4 minutes or If the file exceeds 96 GB

  • The maximum available continuous recording- When the ambient temperature is high or continuous recording is performed, the camera may stop the recording to protect itself. Wait until the camera cools down.

*2 For [4K] video output, use an HDMI cable that has the HDMI logo on it, and that is described as”4K compatible”.

*3 4:2:0 8-bit recording on an SD Memory Card.

  1. A variety of features to enhance photographic experience

?Post Focus / Focus Stacking

The LUMIX G95 also comes with a Post Focus function to select the in-focus area even after shooting. This is helpful in situations like macro shooting where strict focusing is required or for changing expressions by changing the focused subject. This function was developed by combining the high-speed, high-precision DFD (Depth From Defocus) auto focus technology and 4K technology. The Focus Stacking function enables users to adjust the depth of field after shooting by combining multiple images shot with the Post Focus function in the camera. Users do not need to focus strictly while shooting as they can obtain the image with the defocus level that they want or pan-focus the image by simply selecting the focus area after shooting. This is beneficial when shooting macro shots of insects, small accessories, and more.

?L.Monochrome D in Photo Style

L.Monochrome D mode is newly added to Photo Style, making it possible to shoot dynamic monochrome photos with emphasized highlights and shadows while preserving the details. All three monochrome modes – Monochrome, L.Monochrome and L.Monochrome D – allow the user to adjust the grain effect between High/Standard/Low for more creative monochrome photo shooting.

?Exposure / WB / Focus / Aperture Bracket

In LUMIX G95, Focus Bracket and Aperture Bracket are additions to conventional Exposure Bracket and WB Brackets for users to choose their best shots later. In Focus Bracket, a maximum of 999 images can be shot with different focus points. The Aperture Bracket lets users have multiple shots with different depth of field.

?Live View Composite Recording

The camera releases the shutter at designated intervals of exposure time and synthesizes the parts with high luminosity to produce a single picture. While the total brightness of each consecutive image is accumulated in bulb shooting, only the target subject and the bright parts of an image are detected, and the user can synthesize them carefully while seeing the photo in live view. This is useful for capturing shots of fireworks or stars in the night sky where the background needs no gain-increase.

  1. Other features

?Bluetooth 4.2 and Wi-Fi 2.4GHz (IEEE802.11b/g/n)

The LUMIX G95 integrates Bluetooth and Wi-Fi® connectivity to offer a more flexible shooting experience and easily share images instantly. Once the camera is connected to a smartphone or tablet installed with Panasonic’s dedicated application software the Panasonic Image App for iOS / Android, users can shoot, browse and share images remotely. Compatibility with Bluetooth 4.2 (called BLE: Bluetooth Low Energy) enables constant connection with a smartphone/tablet with minimum power consumption. This enables the camera to activate by simply using a smartphone/tablet or to add a GPS geotag on the photos automatically.

?AC/USB Power Charging

The camera’s battery can be recharged either via AC or USB according to the user’s convenience.

?Power Saving LVF

The LUMIX G95 newly incorporates a power-saving function. To preserve power, the camera automatically enters sleep mode in designated time (selectable among 1/2/3/5/10 seconds) after detecting the eye is off the eye sensor. Users can quickly go back into shooting mode with a half-press of the shutter button. A long battery life of approximately 900* images per battery charge is achieved by this Power Saving LVF.

* Under the test conditions specified by Panasonic based on CIPA standard. When the time to get in the sleep mode is set to 3 sec.

?Battery Grip DMW-BGG1 (sold separately)

The LUMIX G95 is compatible with the newly introduced Battery Grip DMW-BGG1.*1 By using two batteries, one in the camera and the other in the grip, the DMW-BGG1 extends battery life for longer-time shooting. It also makes gripping more comfortable even in vertical angle shooting. The DMW-BGG1 perfectly matches the camera, boasting a rugged, splash/dust-resistant*2 design.

*1 A battery pack is included in DMW-BGG1.

*2 Dust and Splash Resistant does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water.

The Lumix G95 will be available at valued channel partners in May for $ 1199.99

Panasonic Lumix G95 (G90) specifications

Price
MSRP £899 (body only), $ 1199/£899 (w/12-60 lens), £1259 (w/14-140 lens)
Body type
Body type SLR-style mirrorless
Body material Magnesium alloy
Sensor
Max resolution 5184 x 3888
Image ratio w:h 1:1, 4:3, 3:2, 16:9
Effective pixels 20 megapixels
Sensor photo detectors 22 megapixels
Sensor size Four Thirds (17.3 x 13 mm)
Sensor type CMOS
Processor Venus Engine
Color space Primary color space
Color filter array Primary color filter
Image
ISO Auto, 200-25600 (expands down to ISO 100)
Boosted ISO (minimum) 100
White balance presets 5
Custom white balance Yes (4 slots)
Image stabilization Sensor-shift
Image stabilization notes IS system works together with stabilized lenses to improve shake reduction
CIPA image stabilization rating 5 stop(s)
Uncompressed format RAW
JPEG quality levels Fine, normal
File format
  • JPEG (Exif 2.31)
  • Raw (Panasonic RW2)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Number of focus points 49
Lens mount Micro Four Thirds
Focal length multiplier 2×
Screen / viewfinder
Articulated LCD Fully articulated
Screen size 3
Screen dots 1,240,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 1.48× (0.74× 35mm equiv.)
Viewfinder resolution 2,360,000
Photography features
Minimum shutter speed 60 sec
Maximum shutter speed 1/4000 sec
Maximum shutter speed (electronic) 1/16000 sec
Exposure modes
  • Program
  • Shutter Priority
  • Aperture Priority
  • Manual
Built-in flash Yes
Flash range 6.40 m (at ISO 100)
External flash Yes (via hot shoe)
Flash modes Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off
Flash X sync speed 1/200 sec
Drive modes
  • Single
  • Continuous
  • 4K Photo
  • Post Focus
  • Interval
  • Self-timer
Continuous drive 9.0 fps
Self-timer Yes (2 or 10 secs, 10 secs x 3 shots)
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation ±5 (at 1/3 EV steps)
AE Bracketing ±3 (3, 5, 7 frames at 1/3 EV, 2/3 EV, 1 EV steps)
WB Bracketing Yes
Videography features
Format MPEG-4, AVCHD
Modes
  • 3840 x 2160 @ 30p / 100 Mbps, MP4, H.264, AAC
  • 3840 x 2160 @ 24p / 100 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 120p / 20 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 60p / 28 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 60i / 17 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 30p / 24 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 30p / 20 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 24p / 24 Mbps, AVCHD, MTS, H.264, Dolby Digital
Microphone Stereo
Speaker Mono
Storage
Storage types SD/SDHC/SDXC card (UHS-II supported)
Connectivity
USB USB 2.0 (480 Mbit/sec)
USB charging Yes (can be charged from external power banks)
HDMI Yes (micro-HDMI)
Microphone port Yes
Headphone port Yes
Wireless Built-In
Wireless notes 802.11b/g/n + Bluetooth 4.2
Remote control Yes (via wired remote or smartphone)
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description Lithium-ion battery & charger
Battery Life (CIPA) 290
Weight (inc. batteries) 536 g (1.18 lb / 18.91 oz)
Dimensions 130 x 94 x 77 mm (5.12 x 3.7 x 3.03)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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Video: Old projector lens adapter to A7 III body surprisingly makes for beautiful photos, bokeh

24 Jan

In pursuit of something different Mathieu Stern, who runs the Weird Lens Museum website, has adapted an old projector lens to fit on the front of his Sony a7 lll.

The lens he used is a Rollei 90mm f/2.4 MC that would have originally been fitted to a 35mm slide projector. Mathieu says he found the lens without its projector in a yard sale, and paid $ 5 for it. In the three minute video above Mathieu shows the lens in action and a number of photos captured in the sun that seem to have well controlled flare and low contrast.

As the lens has no iris the aperture can’t be varied from F2.4, but based on the results he attained, that doesn’t appear to be a problem. Mathieu discovered the lens fit perfectly into a M52 helicoidal tube which then allowed him to vary the apparent length of the lens so he could focus at a normal range of distances.

The helicoidal tube has an M42 screw mount, so all he needed to do then was find an M42 to Sony E mount adapter so the whole kit would fit on his a7 lll. Sure, it’s not the most elegant solution, but it got the job done. Below is a gallery of images captured with the setup and shared with permission from Mathieu.

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To find more of Mathieu’s work, head over to his website and YouTube Channel.

Articles: Digital Photography Review (dpreview.com)

 
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DPReview TV: Crop sensor, pro body cameras

04 Nov

Not everybody wants or needs a full frame sensor, but that doesn’t mean you have to give up pro-level performance on your camera. In this episode, Chris and Jordan compare four of the top performing APS-C and Micro Four Thirds models currently on the market: the Fujifilm X-T3, Nikon D500, Panasonic G9, and Olympus E-M1 Mark II.

Whether your priority is landscapes, portraits, sports and wildlife, or street photography, we’ll help you figure out which of these models is right for you. Want more information? Check out our in-depth reviews and sample galleries for each of these cameras.

Also, make sure to get new episodes of DPReview TV every week by subscribing to our YouTube channel!

Fujifilm X-T3 review

Nikon D500 review

Panasonic G9 review

Olympus E-M1 II review

Fujifilm X-T3 sample gallery

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Nikon D500 sample gallery

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Panasonic G9 sample gallery

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Olympus E-M1 II sample gallery

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Articles: Digital Photography Review (dpreview.com)

 
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Nikon’s 3rd teaser video showcases the ‘Body’ of its upcoming full-frame mirrorless camera

09 Aug

Nikon has released the third teaser for its upcoming full-frame mirrorless camera. Following up on Travel of Light and Mount, the third teaser is called ‘Body: The Evolution of Nikon Quality.’

The video opens up with a few shots of cameras from Nikon’s past as a narrator says ‘all the expertise Nikon has acquired over the past 100 years has been poured into this camera.’ Of course, ‘this camera’ refers to the impending full-frame mirrorless system set to be announced on August 23rd.

A slightly-brightened screenshot from Nikon’s teaser video

After multiple detail shots of older Nikon cameras, the video teases yet another outline of the yet-to-be-seen mirrorless camera. The shot appears almost identical to that seen in the ‘Mount’ teaser video, but this time there seems to be an unrecognizable lens attached to the camera.

A screenshot from Nikon’s ‘Mount’ teaser video — note the absence of the Nikon branding on the viewfinder bump, something we now have a glimpse of in the ‘Body’ teaser.

The teaser also shows Nikon branding on the front of the viewfinder bump, a detail missing from past teaser videos.

Articles: Digital Photography Review (dpreview.com)

 
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Latest Nikon mirrorless teaser gives a closer look at body and lens mount

02 Aug

Nikon has published a new 30 second teaser video about its upcoming mirrorless system, which will be announced on August 23rd. As with most teasers there aren’t many details here (though there’s a nice tour of classic Nikon bodies), but at the end we get a good look at the DSLR-style design of the camera (complete with what looks like a very D850-style handgrip) and its new mount.

Of some possible significance is the fact that the D/SLR bodies featured in this latest teaser video are all professional models…

Given all of the ‘coming soon’ placeholders on Nikon’s website, it’s safe to assume that more videos are forthcoming. What do you make of the latest teaser? Let us know in the comments.

Articles: Digital Photography Review (dpreview.com)

 
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Canon drops flagship EOS-1v film body and projects end date for repairs

01 Jun

It’s a bad week for film lovers as Canon follows Leica with the news of the discontinuation of an important 35mm camera from its line-up. Earlier Leica reported the end of the M7, and now Canon has announced it has ceased production of its flagship film body, the EOS-1v. The fact that most of us didn’t even know it was still in production anyway hardly softens the blow, as the launch of this model in 2000 was truly one of Canon’s greatest moments.

The hard-as-nails professional body can shoot at 10 fps with the PB-E2 power pack attached, and can even manage 9 fps in AF servo. It has a 45-point AF array, a shortest flash sync of 1/250 sec, a top shutter speed of 1/8000sec and is claimed to be good for over 150,000 actuations. It can store the shooting data from 100 rolls of 36 exposure film to be read-out using Canon’s EOS Link ES-E1 software and matched to the roll using an ID number imprinted on the film leader by the standard camera back. Best of all, its 0.72x 100% viewfinder presents a huge, clear and bright view of the world even by today’s best standards.

When it was launched in 2000 the camera was priced at 270,000 yen ($ 2480 at current rates), and used models still fetch around $ 600 through online auction sites.

Canon says repairs will be carried out until October 31 2025, though after its statutory repair period in 2020 expires the company can’t guarantee it will have the necessary parts.
If this sad news is too much for you, reading the Google Translate version of Canon Japan’s statement might cheer you up. You can also read more about this fantastic camera in Canon’s fabulous Camera Museum.

Articles: Digital Photography Review (dpreview.com)

 
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The FlyJacket soft exoskeleton turns your body into a drone controller

19 Apr

Researchers with Switzerland’s École Polytechnique Fédérale de Lausanne (EPFL) have developed a soft exoskeleton that enables its wearer to control a drone using their upper body. Called FlyJacket, the exoskeleton is a human-robot interface (HRI) that offers “natural and intuitive control of drones,” according to the university, enabling inexperienced individuals to operate them.

Typical drone controls involve a touchscreen and/or joysticks, which researchers say are “neither natural nor intuitive” for operators. As an alternative, FlyJacket places motion sensors on the operator’s body, requiring them to spread their arms like wings (with supports to prevent fatigue) and move their upper body as if they’re flying to control the drone, while a VR headset provides a first-person perspective from the UAV’s camera.

Explaining the usefulness of the technology, the research paper states:

The development of more intuitive control interfaces could improve flight efficiency, reduce errors, and allow users to shift their attention from the task of control to the evaluation of the information provided by the drone. Human-robot interfaces could be improved by focusing on natural human gestures captured by wearable sensors. Indeed, the use of wearable devices, such as exoskeletons, has been shown to enhance control intuitiveness and immersion.

The team has tested FlyJacket using a Parrot Bebop 2 quadcopter. A smart glove expands the user’s abilities by recognizing certain finger gestures to trigger actions. Touching the thumb to the middle finger, for example, triggers the system to set a point of interest, which could be useful during search and rescue missions. The researchers are working to add additional controls to FlyJacket, including the ability to adjust the drone’s speed, according to IEEE Spectrum.

A paper detailing the technology is available from EPFL here.

Articles: Digital Photography Review (dpreview.com)

 
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Upgrading Your Camera – New Camera Body or a New Lens?

07 Apr

A point of contention amongst photographers everywhere who are budgeting for their new gear is one question, “What should I invest most in when upgrading my photography equipment, the camera body or the lens?” This can be a rather complicated answer, as it does depend on the type of photography that you’re interested in doing.

However, for the sake of a thoughtful article, we will be speaking in generalizations. To break it down, the image quality and ease comes from the lens but the capability comes from the camera body. Here is why.

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The Camera Body

The body of the camera contains all of the controls necessary to record digital pictures. The camera is basically a container to house the sensor and the lens along with the electronics and controls. Camera bodies come in all shapes, sizes, and weights. The sensor can be a full-frame or a crop which affects how your images are sized and cropped.

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The camera body you use will affect the dynamic range of your images, amount of noise in low light, a significant part of the autofocus, the frames-per-second, and the megapixel count (among many other things, but the aforementioned are the most commonly referenced). The camera body is what influences the number of pixels in a photograph and how fast you can shoot. It is also an integral part of the autofocus system.

From a physical standpoint, the camera body is what you’ll hold most in your hands and its comfort is very important when shooting for long hours. Higher end cameras also have better weather sealing than lower end cameras. From a logistics perspective, different camera bodies allow you to control more or fewer aspects of the picture taking process.

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The Lens

In laymen’s terms, lenses gather and focus light. Light strikes the front surface of the lens and passes through the glass element. Keeping this in mind, the difference between a good lens and a bad lens is that the former does a much better job at producing properly illuminated and sharp images. Lenses vary in focal length, aperture, type of glass, and so much more.

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The lens will make the biggest impact on the final outcome of an image. In regards to the artistic look of a shot, the lens will be in far more control than the camera body. This is because aperture, focal length (the perspective achieved due to the focal length), and sharpness are all dictated by the lens.

Lenses with a wide aperture are considered “fast” lenses because they can achieve the same exposure with a faster shutter speed.

Bonus question: What influences the autofocus, the camera or the lens? The electronic autofocus system is basically a motor. The motor housed inside of the lens will generally provide the greatest performance and highest accuracy. However, the focus motor in the lens is only one part of the process.

The camera body is what drives the motor. In addition to the mechanical components, the firmware in the camera body is what operates the autofocus system. The reason the lens is still the go-to even for autofocus is that it controls the accuracy, and the accuracy tends to be more important!

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Which Will Last You Longer?

Everyone will outgrow their equipment eventually, whether it be due to an improvement in skill, a desire for something better, or equipment dating itself too much. Essentially, interest in upgrading equipment comes from someone’s image-quality criteria.

Keeping this in mind, on the grand scale most camera bodies won’t differ in overall image quality unless you are shooting in difficult situations such as low light (in which case higher-end cameras have lower noise levels than others, as an example). The lens will make a significant impact on the final image result.

A good example of this is pairing a high-end lens with a low-end body and a high-end body with a kit lens. You will find that the audience will gravitate towards the photograph produced with the high-end lens / low-end body combination versus the opposite because the lens will impact the shot that significantly.

You’ll likely never be able to figure out what body is used in a shot, but you can often pick out the quality of the lens.

Which is the Better Investment When Upgrading - a New Camera Body or a New Lens?

A good lens will withstand the test of time as you try many different camera bodies (so long as it is compatible). The lens will travel with you from camera to camera. The lens will also help you create your specific style of shooting, as the aperture and perspective will mold to your personal preference.

Are you someone that prefers a shallow depth of field? Wide-angle fisheye? What about epic action shots with a tight zoom? All of the aforementioned are thanks to the lens, not the body.

Which is the Better Investment When Upgrading - a New Camera Body or a New Lens?

The Lens is a Better Investment

In my opinion, in regard to financial investment, a good lens is the better choice because it’ll last you much longer than the body (as you’ll generally be changing camera bodies faster than lenses). The lens also opens the door for you to create the images you dream of making.

That being said, the camera does determine if you’re capable of photographing what you want to photograph – but you can work around many limitations with an excellent lens. Cheap, low-quality lenses will affect both your shooting experience and the final product far more than the camera body will. This is because cheaper lenses tend to be slow, which results in a harder time capturing low-light scenes or achieving a super shallow depth of field.

Which is the Better Investment When Upgrading - a New Camera Body or a New Lens?

The lens will also retain more of its value (both from a monetary and photography standpoint) than the camera body when talking about resale value. This is because camera bodies are upgrading and advancing at a far faster rate, thusly, older bodies become obsolete quickly.

The same lenses, on the other hand, will likely still be used five to 10 years from now (if not even longer).

The best investment is the lens that lets you capture all of the pictures you want. You’ll find ways to work around body limitations, I guarantee it! Though when you do upgrade that camera body, you’ll appreciate the ease even more as you’ll no longer have to work around previous limits.

Which is the Better Investment When Upgrading - a New Camera Body or a New Lens?

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Powerful Body weight Decline Supplements

14 Mar

To possess extra weight and reside with it’s not an easy endeavor. Folks check out anything to lose weight but numerous situations they’re unsuccessful in accomplishing so. To shed pounds just one have to exercise continuously and you will discover lots of people who like to use choice techniques for dropping pounds. One this sort of system would be the http://pastillasparabajardepesorapido.com.mx/orlistat-lee-esto-antes-de-tomarlas/  decline capsules.

The extra fat burning capsules make you decrease weight without having any physically demanding work out or demanding dieting. There’s numerous types of supplements offered on the market. The pills can assist you shed weight, but just before getting them you’ve got for being quite mindful. You must browse the instructions of each and every pill diligently. You will also really have to consult your medical professional prior to getting any capsule.

One these types of form of body fat burning tablets aid to boost your rate of metabolism. If your metabolic process is not proper then you really will get pounds, so it’ll be very best for you personally to pick out a bodyweight decline tablet which has alpha lipoic acid, “L-Canitine,” and eco-friendly tea extracts which act as a fast metabolic rate products. All these ingredients endorse body weight decline due to an elevated rate of metabolism.

A further sort of excess weight decline tablets is individuals which suppress appetites. They don’t cause you to feel hungry and act as hunger suppressants. They curb your urge for food therefore you possess a tiny food. Once you consider these capsules you do not hold the urge to acquire treats between. Your stomach will always come to feel comprehensive therefore you will try to eat much less.

There are numerous other sorts of unwanted fat burning drugs such as calorie stoppers, metabolic enhancers, and drinking water retention products. So the pills are different and also to have a greater result you may have to mix it that has a good physical exercise program.

Lots of individuals just take these pills that have many positive aspects. The first edge is you are motivated to carry out a thing regarding your body weight. With these products you could recover from the pain of getting overweight. Any time you have experimented with many of the approaches to lose fat with no any accomplishment, you’ll discover the load reduction drugs to become the most effective option for burning fats.

There are many different types of these pills. Each of the capsules have distinct mixtures and various sorts of components. Some have organic parts like Hoodia or Acai Berry to guarantee that there is no damaging chemical component. Lots of products also have hormone modulators. Several hormonal adjustments come about while in the overall body with age and these hormonal variations bring on decreased the metabolic amount and forestall the correct absorption of food stuff taken. Therefore the hormone modulators strengthen the metabolic process on the overall body and a person has a tendency to drop some weight following that.

But, the most crucial position here is that the bodyweight reduction tablets have side results so it is greater to consider them only right after consulting a doctor and on his advice. For numerous people these supplements get the job done to be a motivator and the moment they slim down, they stay with their food plan and diet and their physical exercise plan and in order that they never get excess weight.

The post Powerful Body weight Decline Supplements appeared first on Photonovice.

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DJI unveils the Mavic Air: Mavic Pro specs in a Spark-sized body

24 Jan

DPReview was on hand in New York City as DJI unveiled its newest drone, the Mavic Air, which fuses enthusiast-oriented features and foldable design from the company’s Mavic Pro line of drones with the compact form factor if its Spark model. The Mavic Air also introduces some exciting new technologies that should make drone flying safer, easier, and more creative.

Key features include:

  • A 1/2.3″ CMOS sensor
  • 3-axis gimbal
  • 24mm (equiv.) F2.8 lens
  • 12MP still images w/ Raw support
  • 4K/30p video with 100 Mbps H.264 codec
  • Full HD video up to 120fps
  • 32-megapixel spherical panorama mode
  • HDR capture mode
  • 8GB internal storage in addition to MicroSD card
  • Foldable legs with integrated omnidirectional antenna
  • Updated flight autonomy system with 3D modeling
  • Improved ActiveTrack technology
  • New ‘Asteroid’ and ‘Boomerang’ intelligent flight modes
  • Obstacle-avoidance sensors in the front, back, and bottom
  • Advanced pilot awareness system (APAS)
  • Visual positioning system for better control, hovering and indoor flying
  • 2.5 mile range with controller
  • 42.5 Mph in Sport Mode
  • Flight ceiling of 16,404 ft.
  • 21-minute flight time
  • USB-C port
  • Compatible with DJI’s SDK for third party applications

DJI has clearly aimed the Mavic Air at travelers, outdoor photographers, and particularly adventurers who may go off the beaten track. It’s small size is impressive, as DJI’s Michael Perry demonstrated by pulling three of them out of his pockets on stage, and its rich feature set is sure to appeal to people like adventure filmmakers.

The Mavic Air is reminiscent of DJI’s tiny Spark drone, but packs in all the features found on the Mavic Pro.

With a weight of 430 grams, the Mavic Air is heavier than the diminutive Spark (300 grams), yet substantially lighter than the Mavic Pro (734 grams), demonstrating just how much technology DJI has been able to cram into a very small package.

It uses the same 12MP 1/2.3” CMOS sensor found in the Mavic Pro, so it’s fair to expect similar image quality. The camera is mounted on a compact 3-axis gimbal, a welcome improvement over the 2-axis gimbal found on the Spark.

Imaging features

Videographers will be happy to learn that the Mavic Air captures 4K/30p video at bit rates up to 100Mbps using the H.264 codec, though it doesn’t shoot 4K/60p as some rumors had suggested. Additionally, full HD capture is now supported at 120 fps.

In addition to 12MP Raw image capture, DJI has added new features for still photographers as well. In addition to vertical, horizontal, and 180º panoramas, the Mavic Air can create 32MP spherical panoramas by automatically shooting 25 still images and stitching them together in under 8 seconds. There’s also a built-in HDR function which should help to better capture scenes with high dynamic range.

Anyone who flies drones regularly has probably had at least one experience where they arrived on site only to realize that they left their memory card at home. In a nod to forgetful pilots everywhere, the Mavic Air includes 8GB of on-board storage – something that may be particularly helpful for adventurers far from the car.

Controls

Taking a popular gesture from the Spark, the Mavic Air includes gesture controls, allowing users to control the drone’s movements and certain functions (such as taking a photo) using their hands. This can be particularly useful to anyone trying to film themselves, such as a climber on a rock wall. Also, thanks to a rear obstacle avoidance system, the drone will sense if you’re trying to back it into an object.

In our review of the Spark we noted that its gesture controls were often far from reliable, however DJI tells us that the system on the Air has been ’significantly improved’ for more precision and reliability. Based on our hands-on experience with the Air at the launch event we’re inclined to believe this. The air seemed much more responsive to our gestures, and we didn’t notice any hesitation when directing it to move. Gestures will work up to a distance of 19 ft.

Also included is a compact controller that’s visually similar to that of the Mavic Pro, however it’s now possible to detach the sticks to make it as compact as possible for travel. Using the controller the Mavic Air can be controlled at a range of up to 2.5 miles, likely more than enough when operating with visual line of sight.

Obstacle avoidance and intelligent flight modes

A very useful feature on a drone is obstacle avoidance, and the Mavic Air is full of it. It includes seven onboard cameras for sensing and avoidance, including dual forward, downward, and backward cameras. Also included is a feature DJI is calling ‘Flight Autonomy 2.0’, which conducts real-time positioning by building a 3D map of the environment around the aircraft.

Thanks to this 3D mapping, the Mavic Air also includes an ‘advanced pilot awareness system’ (APAS) for advanced obstacle avoidance. Instead of simply stopping when an obstacle is detected, APAS will plan a path to bypass or go around obstacles, allowing the drone to continue on its course.

DJI has also added two new intelligent flight modes, ‘Asteroid Mode’ and ‘Boomerang Mode’. Asteroid mode creates a sort of hybrid clip in which a spherical panorama zooms into a short video clip. Boomerang does more or less what the name suggests, flying up and away from a subject before coming back to create an interesting cinematic effect. Additionally, DJI claims to have improved its ActiveTrack technology, giving it more precise tracking as well as the ability to detect multiple subjects simultaneously.

These animated GIFs illustrate the Mavic Air’s new ‘Asteroid’ (top) and ‘Boomerang’ (bottom) intelligent flight modes. (Courtesy of DJI)

Performance

There are some notable performance improvements as well. With a top speed of 42.5 Mph in Sport mode, the Air is the fastest Mavic to date, and it has an operational ceiling of 16,404 ft. Some drone users may be disappointed with the 21-minute flight time. We suspect it’s a necessary tradeoff in order to achieve the Mavic Air’s compact size, and it’s still 5 minutes more than you’ll get from the Spark.

DJI says the Mavic Air will also be compatible with a wide range of accessories including a car charger, ND filters, and DJI’s flight goggles for a first person view flying experience.

Price and availability

The Mavic Air will be available for $ 799. The standard package includes a protective case, propeller guards, and the newly designed remote control. A ‘Fly More’ combo that includes an additional set of propellers, 2 extra batteries, a folding charging hub that charges two batteries, and a shoulder bag will be available for $ 999. It’s available in three impressively descriptive colors: Arctic White, Onyx Black, and Flame Red.

Preorders begin today through DJI.com and other retailers, with shipments and retail availability beginning on January 28.

Editor’s note: This story is developing, refresh for updates.

Articles: Digital Photography Review (dpreview.com)

 
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