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dPS Roundup: The Best Photos of October

15 Nov

The post dPS Roundup: The Best Photos of October appeared first on Digital Photography School. It was authored by Sime.

Welcome to a new segment we like to call “dPS Roundup: The Best Photos of the Month,” which is exactly what it sounds like:

We share a handful of some fantastic photographs that you have submitted to our weekly challenge!

Don’t know what our weekly challenge is? You can find the current challenge, as well as all of our previous challenges, right here. Feel free to work your way back through the archive and try them all!

Our themes for October were Minimalism, Iconic, Bicycle, Silhouette, and Grey (if you missed them, you can still post a photo).

So let’s take a look at the best photos of the month!

A stunning photograph from our #dPSMinimalism challenge comes from Chris Roe. What is minimalism as applied to a photograph? Well, it’s subjective, I guess. But it’s generally described as such:

Minimalist photography is a form of photography that is distinguished by extreme, austere simplicity. It emphasizes spareness and focuses solely on the smallest number of objects in the composition process.”

dps photo of the month minimalism
dPS Minimalism | Photo by © Chris Roe

Iconic was our second theme for October. Again, that subjective phrase comes into play; I guess things can be iconic for different reasons to different people! There were some amazing images, but this is one that jumped out at us by Peter. Maybe because it’s “our city” #dPSIconic – Flinders Street Station.

dps photo of the month iconic
dPS Iconic | Photo by © Peter/Cdatar

I may have chosen the #dPSBicycle theme as I had just picked up my new bicycle (an attempt to regain some fitness!) and was (and still am!) inspired! We had some fantastic images submitted for this theme, but the one we’ve chosen for the round-up is from Stamatis Iliadakis and combines some great aspects: leading lines, slow shutter, and “silly walks!” (if you know, you know). Well done, Stamatis!

dps photo of the month bicycle
dPS Bicycle | Photo by © Stamatis Iliadakis

This stunning photograph for our #dPSSilhouette theme is by Piotr Plaskon, and was a stand-out for me! If you want to try silhouette photography but you’re not sure how, take a look at this post to get some tips.

dps photo of the month silhouette
dPS Silhouette | Photo by © Piotr Plaskon

Our last challenge for the month of October was #dPSGrey, and our stand-out photo comes from Paula Gallagher Brown in our Facebook group (join, it’s fun!). Well done, Paula!

dps photo of the month grey
dPS Grey | Photo by © Paula Gallagher Brown

There are so many well-thought-out, perfectly photographed images every week! Thank you for joining in the weekly challenge, and we hope to see your photographs up here for November!

The post dPS Roundup: The Best Photos of October appeared first on Digital Photography School. It was authored by Sime.


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The best Google Photo alternatives

15 Nov

The best alternatives for Google Photos

With news that Google will stop unlimited uploads to Google Photos starting June 15, 2021, many photographers are thinking about alternatives. While ‘free’ and ‘unlimited’ options are all but non-existent with Google Photos gone, there are plenty of options if you’re looking to get away from the Google ecosystem and don’t mind paying for either subscriptions or one-time purchases.

We’ve rounded up a few of the best alternatives, ranging from simple to sophisticated, and have summarized their features and functionality. While some of these services do offer free storage, most are limited by data or the number of files uploaded, and some require a subscription or purchase before you can even use them.

If there are other options we’re missing, leave us a message in the comments below and we’ll consider adding them to our list.

Apple iCloud Photos

Let’s get this out of the way first — iCloud Photos is clearly meant for people invested in the Apple ecosystem. While it is possible to use iCloud Photos to back up your images on Android and Windows devices, it’s not suggested. With that disclaimer out of the way, let’s continue.

Apple’s iCloud Photos service is effectively Apple’s version of Google Photos. It uses your iCloud storage space to automatically back up the Camera Roll on your iOS device to the cloud. Once uploaded, those images are accessible from all of your other iOS, iPadOS and macOS devices through the respective Photos apps, so long as you have iCloud Photos enabled.

Much like Google Photos, iCloud Photos will automatically recognize faces, intelligently tag your images for easy searching, show where images were captured on a map and even create ‘Moments’ that combine photos and videos together in easy-to-share collections. The best part is that it does all of this directly on-device, adding an additional privacy layer that Google Photos doesn’t offer.

The option to turn on iCloud Photos is inside the Photos section of the iOS Settings app.

As for determining how many photos and videos you can store, that will depend on how much iCloud storage you have. Every iCloud account is given 15GB, but beyond that is up to you, based on how much you’re willing to spend (and that 15GB is shared between all of your iCloud services). You can add an additional 50GB, 200GB or 2TB of storage for $ 0.99, $ 2.99 or $ 9.99 per month, respectively (Apple has a full support page dedicated to breaking iCloud storage prices down by region). Apple’s new all-encompassing Apple One subscription is another option for adding more storage to your iCloud account; and it even makes it possible to share storage across multiple iCloud accounts in the same family, which could help spread out the cost.

This isn’t the cheapest option by any means, but in terms of functionality, it’s about as close to Google Photos as you can get and if you’re already invested in the Apple ecosystem it should be an easy transition.

Photos (iOS/macOS app)

If you’re an Apple user, but prefer to keep your content local, another option is to use Apple’s Photos app without iCloud Photos turned on. The macOS Photos app will effectively work the same as if you were using it with iCloud photos, but this option would require you to store images on a harddrive connected to your computer. It also means that you won’t have access to all of your images on your iOS or iPadOS device when your storage fills up.

The workflow would look something like this: Capture as many photos and videos as you can on your iOS or iPadOS device, manually connect the device to your macOS computer and import the images from your mobile device into the macOS Photo app library. You would then have to remove the images from your mobile device to make space for more and repeat the process once your storage is once again full.

This isn’t the most convenient solution, as it doesn’t do everything behind-the-scenes as Google Photos and iCloud Photos does, but it is the most privacy-focused, as everything is local. It does still feature all of the same great tagging, location and ‘Moments’ functions as iCloud Photos though, and even has built-in services for making photo prints and books. Thanks to Apple’s extension integration, you can also edit photos using third-party software, such as Affinity Photo, Pixelmator, Skylum’s Luminar and more. Apple-focused website iMore has a great collection of the best photo apps that have support for Photos extensions.

Flickr

This one shouldn’t come as a surprise to anyone. Flickr has been around for 16 years and was arguably the go-to services for storing mobile images until Google spun off Google Photos from its Google+ social networking site in 2015. Flickr isn’t mobile-specific, but its mobile app — available for both Android and iOS — makes it easy to sync your photo library on-the-fly.

Flickr has seen plenty of ups and downs since Yahoo! purchased it back in 2005, but since being purchased by SmugMug in 2018, the photo-sharing site has seen a steady improvement in features and functionality. It lacks the automated tagging and fancy AI-powered collection features Google Photos and iCloud Photos offers, but it still has tools to manually create collections, add tags, share albums and more.

For a while, when it was owned by Yahoo!, Flickr offered an incredible 1TB of free storage to everyone who signed up for a free account. SmugMug reversed that decision, presumably to reduce costs, limiting it to 1,000 images in total.

While that’s enough to get most people started, you’re probably going to need more storage if you’re using it to replace Google Photos. For that, you can pick up Flickr Pro, a premium version of the Flickr experience which not only offers unlimited full-resolution photos, but also removes all ads, shows detailed analytics of images you’ve made public and offers discounts on other photo products and services, including Adobe subscriptions, Peak Design gear, Pixsy and more.

Flickr Pro has multiple subscription options, including monthly, every three months and annually. These plans cost $ 6.99 per month, $ 18.99 every three months and $ 60 per year, respectively.

Prime Photos

Amazon’s Prime Photos is included with an Amazon Prime membership. The service is similar to Google Photos in that you can upload unlimited full-resolution photos to the cloud, organize your content, search by tags/locations/people, share your albums and even create custom photo products, including prints, books, mugs and more. Prime Photos has apps for Android, iOS, macOS and Windows computers, making it easy to upload photos from essentially any device you own.

One of the limits of Prime Photos is that you’re capped at 5GB for video uploads. With more and more phones shooting 4K video at increasing data rates nowadays, that 5GB of storage could be used up pretty quickly, so if you want all of your videos backed up to the cloud as well, Prime Photos might not be the way to go.

Still, if you’re an Amazon Prime member, it’s a benefit that’s there for you when you need it. Amazon Prime memberships cost either $ 12.99 per month or $ 119 per year. There is a free 30-day trial and multiple discounts, including a student discount that offers six months of Amazon Prime for free and an annual subscription cost of $ 59 per year.


Note: DPReview is a wholly-owned but editorially-independant subsidiary of Amazon

Plex

Plex is a multimedia server that makes it possible to self-host music, videos, TV shows and photos that can be viewed and played back anywhere in the world so long as the computer or network-attached storage (NAS) device you’re using to store your content is connected to the internet.

Plex itself is free to download and use. The process might sound complicated, but it’s as simple as downloading the Plex server app to your computer or NAS and pointing it to the specific folders with your media in it. It’s a fantastic tool for those with large movie and music libraries, but it also works great for managing personal photos and videos on-the-go.

Once the Plex Media Server app (available for both macOS and Windows computers) is installed, you can create various libraries using individual folders on a harddrive connected to your computer or the NAS you have the Plex Media Server app installed on. Once the Plex Media Server has a new library of images to work with, it will put them into a timeline and even organize your subfolders into albums if you choose to do so. Plex also offers an option to automatically add tags to images by letting it upload a small thumbnail of the image for analysis; if you don’t mind the privacy implications of this, the functionality is quite impressive and makes searching for images much easier.

The Android and iOS Plex Mobile app even have a built-in camera upload feature that will automatically take images and video from your mobile device and upload it to your home server, similar to Google Photos, iCloud Photos, Flickr and others. This can be done manually or behind-the-scenes and can be limited to just upload when you’re on Wi-Fi or also on LTE/5G if you don’t mind hitting your bandwidth cap.

Setting up Plex isn’t for novice users looking for a hands-off approach with minimal interaction. But if privacy is a concern and you want full control over every facet of your content, it’s hard to argue with the benefits Plex offers.

While all of the features mentioned above are free, Plex does offer a Plex Pass, which adds a handful of premium features for viewing, downloading and syncing your other media, as well as improved access to analytics for when other people — whom you’ve shared certain media libraries with — are accessing your data. Plex Pass costs either $ 4.99 per month or $ 39.99 per year. There’s also a Lifetime Plex Pass for $ 119.99, which will give you all of these features in perpetuity, even if the price increases down the road (spoiler alert: they usually drop the Lifetime option a good bit during Black Friday/Cyber Monday sales).

NAS Solutions

If you have a network-attached storage (NAS) device, there’s a good chance you can install your own, self-hosted photo storage solution. Support varies from company to company, but QNAP, Synology and Western Digital all have dedicated photo management programs that can be installed onto their respective NAS units.

These self-hosted solutions tend to be less fleshed out than their more commercial-oriented counterparts and oftentimes require a more hands-on approach, but if you want to ensure privacy and like the granularity of managing everything yourself and have the compatible hardware, these are available options.

Below are the photo management solutions offered by the various manufacturers. If you notice we’re missing one, leave a note in the comments and we’ll be sure to add it to the list.

Synology

Moments — Aside from a similar logo to Google Photos, Moments offers similar features as well. It not only supports live photos, 360-degree photos and more, it also automatically tags and groups images based on subject matter, date and location.

Photo Station — Unlike Moments, which seems to be more focused on mobile photographer, Photo Station appears to be more of a professional-oriented storage solution, with an emphasis on metadata, watermarking features and even galleries which can be shared with friends, family or clients.

Synology has a great overview of the two programs and how they compare with one another.

QNAP

A look at the Synology QuMagie photo app.

QuMagie — Defined as an ‘AI photo manager,’ QuMagie works similarly to Google Photos in that you can automatically offload photos and video from your smartphone using an accompanying app and have the content automatically analyzed for facial and subject recognition. It offers a timeline view, smart album features and has multiple sharing options for sharing one-off images or full galleries with friends and family.

Photo Station — It’s the same app that’s available on Synology NAS units, although there might be a slight difference in version numbers based on how often either NAS manufacturer updates the app.

Western Digital

Camera Backups — Western Digital doesn’t go into detail about its Camera Backups NAS app, aside from saying it ‘[backs up] photos and videos from your camera to the My Cloud system.’

Articles: Digital Photography Review (dpreview.com)

 
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The Canon EOS R6 is the best camera for around $2000

13 Nov

The Canon EOS R6 is the most well-rounded camera in its class, and it’s our top pick if you’re looking to spend around $ 2000. For a budget-friendlier option, the also-excellent Fujifilm X-T4 is our recommendation.

Articles: Digital Photography Review (dpreview.com)

 
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The Top Best Photo and Video Tools for Beginners

05 Nov

The importance of post-processing and editing in photos and videos cannot be overemphasized. For every great photograph, great view, lighting, and aesthetics, there is a precise amount of effort that was put in place to achieve that result that has become a focus of all eyes. A bulk of these efforts come into play in the post-processing aspect, editing in Continue Reading

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The Sony ZV-1 is the best camera for vlogging

01 Nov

Whether you’re just sharing clips with friends or you’re launching an online on-camera career, vlogging matters. We looked at cameras with selfie-friendly screens, wide-angle lenses, microphone inputs and great video quality, and Sony’s compact ZV-1 came out on top.

Articles: Digital Photography Review (dpreview.com)

 
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DPReview TV: Best entry-level full frame mirrorless – Nikon Z5 vs. Canon EOS RP

24 Oct

What’s the best entry-level full frame mirrorless camera? We compare the Nikon Z5 to the Canon EOS RP to find out.

Subscribe to our YouTube channel to get new episodes of DPReview TV every week.

  • Introduction
  • Best handling
  • Best displays
  • Best image quality
  • Best lens lineup
  • Best autofocus
  • Our subscriber challenge!
  • Best video
  • Best price
  • Best overall

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm Instax Mini 11 review: the best easy-to-use Instax Mini model

16 Oct

Fujifilm Instax Mini 11
$ 60-70 | Instaxus.com

The Fujifilm Instax Mini 11 is a fresh entry-level instant camera from Fujifilm and a refinement of the Instax Mini 9 (there is no Mini 10). As the name suggests the camera makes use of the Instax Mini film format.

Improvements include a new ‘Selfie Mode’ and better auto exposure compared to its predecessor. But unlike its higher-end siblings, the Mini 25/26, Mini 70 and Mini 90, there are no additional creative exposure modes or special features to speak of. That said, the camera is simple to operate and capable of producing lovely images in a variety of lighting conditions.

Key specs:

  • Retractable 35mm equiv. F12.7 lens
  • Full-automatic exposure control (flash always fires)
  • Variable shutter speeds from 1/2 to 1/250 sec and slow synchro flash for low light
  • Selfie mirror on front of lens
  • Selfie/close-up mode
  • Auto frame counter
  • Powered by two AA batteries (100 shots / 10 packs per fresh set of batteries)
  • Available in: Blush Pink, Ice White, Sky Blue, Lilac Purple, Charcoal Black

Operation

The Mini 11 comes with two accessory buttons you can affix to the shutter release via double sided tape (included). I attached the glow in the dark button (shown above).

The Instax Mini 11 is really straightforward to use, making it a great choice for kids. Simply press the button next to the lens to pop it out, switch the camera on and hit the shutter button by the viewfinder to take a photo; there are no other buttons to fumble with. When you’re done, push the lens back into the body to turn it off.

The Instax Mini 11 is really straightforward to use, making it a great choice for kids

The camera does a have a selfie mode as well as a small selfie mirror on the front of the lens. To engage the mode, pull the very front of the lens outward until the words ‘Selfie on’ appear (see image below); it admittedly took some digging through the instructions to figure this out.

Usability

Selfie mode = engaged.

The camera is, by default, held in the vertical orientation, making it good for portraiture. The viewfinder is a bit small, but that’s par for the course with these Instax Mini format cameras.

In use, I found the shutter button can be easy to bump accidentally, and given the high cost of film, that’s a bummer. Fujifilm does include two accessory shutter releases that affix to the button via double-sided tape – one glows in the dark! Installation is tricky, but once attached, I did find my self less likely to pop off an unintended frame.

The shutter button can be easy to bump accidentally and given the high cost of film, that’s a bummer

Another note about usability: the selfie mode mechanism is a bit hard to engage and feels like it could be a fail point of the camera. It takes a good bit of force to yank the lens forward into selfie mode and retracting the lens after selfie mode has been engaged is a fiddly affair.

The Instax Mini 11 is held in the vertical orientation.

Image quality

Selfie shot in the camera’s standard mode. Focus is a little soft, but the exposure is on the money. Selfie shot using the selfie mode. The subjects are sharp but the exposure is hot.

Image quality from the Mini 11 is good through-and-through. The camera handles balancing ambient light with its flash output with ease, in most shooting scenarios. The addition of variable shutter speeds and slow synchro flash definitely seem to give it more versatility in tricky lighting than Mini 9, which has a fixed shutter speed of 1/60 sec.

When shooting in bright daylight, the inability to turn off the flash from firing can be annoying. There’s also no infinity mode, so shots in which the subject is far away can look a tad soft (see examples in the gallery below).

Using the selfie mode can sometimes result in blown highlights

Like most Instax Mini cameras, the Mini 11 produces its best images in good and moderate lighting conditions with subjects at relatively close distances (within the maximum flash range of 2.7 m / 8.85 ft). Shots in very low light tend to come out darker than desired. This is where some sort of exposure compensation would be useful. The Mini 25/26 and Mini 70, for instance, both offer a ‘High Key’ mode that adds +2/3rds exposure compensation.

I’m tempted to say skip the selfie mode all together. From my testing, a selfie in normal mode seems to produce a better exposure, though focus may be a tad soft. Using the dedicated selfie mode can sometimes result in blown highlights. That being said, I did have some success using the selfie mode for close-up subjects, like the pup shot leading the gallery below (which was shot in a very dark room).

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Conclusion

Ultimately, the Instax Mini 11 is for those seeking the easiest-to-use instant camera for the most popular instant film format. The addition of more reliable auto exposure is appreciated. And though I have hesitations about the selfie mode, my guess is most folks who didn’t read the instructions will never even find it. And that’s just fine.

The Instax Mini 11 is for those seeking the easiest-to-use instant camera for the most popular instant film format

For those desiring something with more creative control, we highly recommend spending a few more bucks and getting the Instax Mini 70, which is more feature-rich and our choice as the best Instax Mini camera, for the most people.

What we like:

  • Very easy-to-use
  • Powered by two AA batteries
  • Improved auto exposure over predecessor

What we don’t like:

  • No creative modes or exposure compensation
  • Easy to accidentally hit shutter before installing accessory button
  • Mechanism to engage ‘Selfie Mode’ feels fragile
  • Flash always fires

Articles: Digital Photography Review (dpreview.com)

 
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Nikon Z5 review: the best value stills-oriented full-framer

01 Oct

Introduction

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Gold Award

89%
Overall score

The Nikon Z5 is an entry-level full-frame mirrorless camera that looks and handles almost exactly like its higher-end Z-mount siblings, the Z6 and Z7. It’s built around a stabilized non-BSI 24MP CMOS sensor, which is likely more closely related to the generation of chip found in Nikon’s D750 DSLR, rather than the newer BSI sensor in the Z6.

Slightly stripped down and more stills-focused, the Z5 shares the same 273-point hybrid AF system, Expeed 6 processor and 3.69M-dot OLED viewfinder as the Z6. But niceties like a top plate display are absent. Likewise, the Z5’s max burst rate and video capabilities are considerably less than that of the Z6: 4.5 fps vs. 12 fps and heavily cropped 4K vs. un-cropped, oversampled 4K. But from an image quality and handling standpoint, the two cameras are quite similar.

Key Specifications:

  • 24MP full-frame CMOS sensor (not BSI)
  • Hybrid AF system with 273 phase-detect points covering 90% of the frame
  • 4.5 fps continuous shooting with AF
  • 5-axis in-body image stabilization
  • 3.69M-dot OLED viewfinder
  • Dual UHS-II SD cards
  • 4K/30p video capture (with 1.7x crop)
  • 1080/60p video capture (no crop)
  • Headphone and microphone ports
  • Dust and moisture sealed

The Nikon Z5 sells for $ 1399 body-only, $ 1699 kitted with the new 24-50mm F4-6.3 lens and $ 2199 kitted with the 24-200 F4-6.3 VR.


What’s new and how it compares

The Z5 is essentially a stripped down Z6. Here’s what Nikon changed in the camera to keep the price down.

Read more

Body, handling and controls

The Z5 is the same exact size, weight and shape as the Z6. But there are a few small differences between the two bodies.

Read more

First impressions

DPR’s Dan Bracaglia has been busy shooting with the Z5. Here’s why he thinks it’s such a tempting camera – and why he may buy one in 12 months’ time.

Read more

Image quality

How does the Z5’s 24MP sensor stack up against the latest BSI chips? Quite well, in fact.

Read more

Autofocus & Video

Autofocus performance from the Z5 is quite good, whether shooting moving or static subjects. But video performance is not the camera’s strong suit.

Read more

Conclusion

The Nikon Z5 is arguably the best bang-for-your-buck stills-oriented camera on the market, which is why it’s earns our gold award.

Read more

Sample gallery

Pups, mountains and summertime vibes. Check out our initial Z5 sample gallery.

View gallery

Articles: Digital Photography Review (dpreview.com)

 
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Gallery: 100 best lockdown portraits revealed from Duchess of Cambridge’s Hold Still project

18 Sep

100 best lockdown portraits revealed from Duchess of Cambridge’s Hold Still project

Kate Middleton, the Duchess of Cambridge, and the UK’s National Portrait Gallery have put together a digital exhibition of the 100 best portraits taken during the lockdown and submitted to the Hold Still photographic contest. The images, centered around the themes of Helpers and Heroes, Your New Normal and Acts of Kindness, will become a print exhibition later in the year and will tour the UK.

Set up to document aspects of life in England, Scotland, Wales and Northern Ireland during the global coronavirus pandemic, the Hold Still project was launched by the Duchess, a keen photographer herself, in May and was open for entries for six weeks.

Organizers say they received 31,598 entries which were judged by the Duchess alongside the Director of the National Portrait Gallery, a poet, a photographer and the Chief Nursing Officer for England. The judges said they selected the winning images based on the ‘emotions and experiences they convey rather than on their photographic quality or technical expertise’.

We’ve rounded up ten of the 100 images in the following gallery, but for more information and to see all 100 portraits visit the National Portrait Gallery website.

THE DUCHESS OF CAMBRIDGE AND NATIONAL PORTRAIT GALLERY LAUNCH HOLD STILL DIGITAL EXHIBITION

Final 100 images unveiled in landmark community project to create a photographic portrait of the nation

The Duchess of Cambridge and the National Portrait Gallery have today unveiled the Hold Still digital exhibition, featuring one hundred portraits selected from 31,598 submissions during the project’s six-week entry period. Focussed on three core themes – Helpers and Heroes, Your New Normal and Acts of Kindness – the images present a unique record of our shared and individual experiences during this extraordinary period of history, conveying humour and grief, creativity and kindness, tragedy and hope.

Launched by The Duchess of Cambridge and the Gallery in May, Hold Still invited people of all ages, from across the UK to submit a photographic portrait which they had taken during lockdown. The project aimed to capture and document the spirit, the mood, the hopes, the fears and the feelings of the nation as we continued to deal with the coronavirus outbreak.

The Hold Still judging panel included: The Duchess of Cambridge; Nicholas Cullinan, Director of the National Portrait Gallery; Lemn Sissay MBE, writer and poet; Ruth May, Chief Nursing Officer for England and Maryam Wahid, photographer

The panel assessed the images on the emotions and experiences they convey rather than on their photographic quality or technical expertise. The final 100 present a unique and highly personal record of this extraordinary period in our history. From virtual birthday parties, handmade rainbows and community clapping to brave NHS staff, resilient keyworkers and people dealing with illness, isolation and loss. The images convey humour and grief, creativity and kindness, tragedy and hope – expressing and exploring both our shared and individual experiences.

A selection of the photographs featured in the digital exhibition will also be shown in towns and cities across the UK later in the year.

International law firm Taylor Wessing are supporting the Hold Still project in partnership with the National Portrait Gallery. They are long-term supporters of the Gallery and have sponsored the Taylor Wessing Photographic Portrait Prize for the past 12 years.

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Making bread

Photographer: James Webb
Location: Colne, Cambridgeshire

This is me and my son Jake making bread together. Baking was something that I enjoyed but didn’t get to do very often. Lockdown gave me the opportunity to bake and enjoy this passion with my children. During this time we started off making flatbreads, cupcakes, muffins and the like, and then moved on to bread. Baking became a daily pleasure we were all able to enjoy together. We’ve continued to bake as a family and my children have enjoyed learning how to knead dough and the process of proving before baking. Making bread has become the new normal in our house and is a hobby now enjoyed by the whole family.

Glass kisses

Photographer: Steph James
Location: Cowfold, West Sussex

My 1-year-old little boy and his 88-year-old great grandma, who miss each other so much at the moment. I captured this beautiful moment between them whilst dropping off groceries. Kisses through glass.

This is what broken looks like

Photographer: Ceri Hayles
Location: Bridgend

This is what broken looks like. This is operating for 3 hours in full PPE. This is dehydration. This is masks that make your ears bleed because the straps have slipped and you daren’t touch them. This is fighting an invisible enemy that becomes more visible each day. This is a face I never thought I’d show the world, but one which I wear more and more. I took this photo to have as a reminder of how far I’d been capable of pushing myself when I needed to. I sent it to my family to tell them what a hard day it had been and they were all so shocked by it. The person they know as being so well put together, always wearing a smile, was not the person they saw that day. Looking back on it now, I feel immensely proud of the commitment shown by myself and my colleagues to provide safe care for patients, even in the depths of a pandemic. We still wear full PPE for all of our cases, and you never get used to it, but I know we’ll keep doing it for as long as it is needed.

Last precious moments

Photographer: Kris Tanyag and Sue Hicks
Location: Chicester, West Sussex

This portrait was taken by Kris, the clinical lead in the care home where Phil lived. Kris took the photograph for Phil’s daughter, Sue who submitted the work. Sue said: ‘As I approached the window my father’s smile lit up the world. Probably belying the fact that he couldn’t really comprehend why, after normally frequent visits and companionship in his twilight years, his daughter hadn’t been allowed to visit for the last three weeks. Easter Saturday 2020 and these precious, intensely emotional moments, will stay with me forever. One week later our wonderful dad, grandad and great grandad passed away peacefully. I can never fully express my gratitude to the carers who, sensing the situation and having looked after my father with love, care and compassion for seven years (as well as my mother for 3 of those years), made those moments possible.’

Kris explains: ‘We devised a plan for Phil to see his daughter Sue via a glass wall and communicate using mobile phones. Hearing our plan gave Phil a burst of energy to go in his wheelchair, hold a muffled conversation, reaching over to put his hand on the glass wall, convinced that he was touching Sue. Struggling to speak but hearing Sue made him so very happy. Their expression of emotion through tearful, smiling eyes and touching hands; the entire conversation was just one amazing moment!’

Funeral heartbreak

Photographer: Bonnie Sapsford and Fiona Grant-MacDonald
Location: Cockermouth, Cumbria

My brother, Barry, lives in the Lake District and could not travel to be with his family when our beloved Gran died of Covid-19 on 3 May 2020. Her cremation took place on 13 May in Edinburgh with only 8 people in attendance – and Barry had to watch it live online – but we were so proud he suitably dressed for the occasion. His wonderful partner, Bonnie took this powerful picture and sent it on to us. The family all missed him greatly and our hearts were shattered at the realisation that our grandmother’s first grandchild could not be with her on her final resting day.

At the end of a shift

Photographer: Neil Palmer
Location: Reading, Berkshire

This is a studio portrait of Tendai, a recovery and anaesthetics nurse, who was born in Zimbabwe, and now lives in my local town – Reading, Berkshire. I wanted to portray her caring side as well as a look of concern and uncertainty that many of us have experienced during this pandemic. It’s why I chose a lower than normal angle and asked her to look off camera, placing her half way down in the frame.

Justin, from the outside in

Photographer: Sara Lincoln
Location: London

Justin didn’t know about my project when I turned up at his window with a camera. I just so happened to be across the road, capturing his daughter Safi and her family, who had volunteered to be a part of my ‘Outside In’ project, which documents my community living life in lockdown, through the window. Safi asked if I wouldn’t mind popping over to capture a frame or two of her father and I am very grateful that I did. It was wonderful meeting this brilliant man albeit through the window. We spoke about this project, his art collection and how he manages to keep his plants so well. We talked about how surreal everything is right now, how the weeks have been for him isolating alone and his plans to jet off to France as soon as this madness is over. He finished up by telling me he had a spot of hay fever… A session that wasn’t meant to happen, happens to be one of my favourites.

We’re really lucky to have a garden

Photographer: Robert Coyle
Location: Sale, Manchester

The weekend is here, lockdown continues and Bernadette and Francis enjoy the garden. One Friday, as I finished emailing at the kitchen table, my wife had taken a chair and a drink outside to enjoy the evening sun. We were doing our best, like the rest of the country, with work, childcare and news of daily death tolls. Our son, had taken to relieving himself on the plants, much to our initial amusement and then slight frustration.

Everyday hero

Photographer: Arnhel de Serra
Location: London

When I drove past Richard I had to do a double-take, as I couldn’t believe he was out on his postman’s round in fancy dress. I asked if I could photograph him, and over a few days we got to know each other. Given the doomsday scenario that the media were portraying in the early days of the COVID-19 pandemic, I felt very strongly that here was a man who had something deeply personal and positive to offer his community. Is it an earth shattering news story? Probably not. As a human interest story however, I feel that his generosity of spirit should be celebrated, and I am delighted that he will be part of this very important project.

Never without her grandma

Photographer: Melanie Lowis
Location: Teddington, London

Millie (5 years old) made a cut out of her much loved grandma (73 years old). Millie sees Grandma almost daily and lockdown prevented the pair from seeing each other. As a retired teacher, Grandma would have made the perfect partner to help Millie with home schooling. The bond between this grandma and granddaughter is truly a special one and when lockdown ends, and the real grandma can return, it will be a very happy and emotional reunion.

Articles: Digital Photography Review (dpreview.com)

 
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Best video cameras for photographers

13 Sep

Most modern cameras will shoot video to one degree or another, but these are the ones we’d look at if you plan to shoot some video alongside your photos. We’ve chosen cameras that can take great photos and make it easy to get great looking video, rather than being the ones you’d choose as a committed videographer.


Focused on photos: Nikon Z6

The Nikon Z6 is an excellent stills camera that also does a good job of shooting video. The Sony a7 III is also a credible contender and has a bigger battery, but we tend to find the Nikon’s autofocus performs slightly better in video mode and that it offers better separation between stills and video settings, making it easier to jump back and forth between the two styles of shooting.

Another camera worth considering is the Canon EOS R6, which has great image and video quality, an excellent image stabilization system and very good ergonomics. Rolling shutter can be an issue though, and video record times can be unpredictable if you’re shooting stills as well.

A balance of both: Fujifilm X-T4

The Fujifilm X-T4 has a smaller sensor than the Nikon but offers a more extensive set of video features, if you’re equally interested in both disciplines. It can capture 10-bit video internally in a choice of modes including Log, HLG or the attractive and flexible ‘Eterna’ color profile. Built-in image stabilization and the option to totally de-couple stills and video settings make the X-T4 a great lightweight stills and video package.


We considered the cameras below when picking our winner, and even though we think the Nikon Z6 and Fujifilm X-T4 are the best choices overall, the cameras on our short list are also worth considering.

  • Focused on photos: Nikon Z6
  • A balance of both: Fujifilm X-T4

Also consider:

  • Canon EOS M6 II
  • Canon EOS R6
  • Olympus OM-D E-M5 III
  • Panasonic Lumix DC-G9
  • Sony a7 III
  • Sony a6600
  • Sony Cyber-shot DSC-RX10 IV
  • Sony Cyber-shot DSC-RX100 VII

Articles: Digital Photography Review (dpreview.com)

 
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