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Posts Tagged ‘Behind’

Behind the Shot: Spot the Shark

21 Sep

Nature photographer Erez Marom shares the story of his image ‘Spot the Shark’, taken at Breiðamerkursandur – ‘the ice beach’ in Iceland. In this article he explains how he set up and took the picture, and the post-processing steps required to get to the final result. Click through for the full story.

Articles: Digital Photography Review (dpreview.com)

 
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Behind the Shot: Flames of the North

11 Aug

Nature photographer Erez Marom had cold feet – literally – when he created this image. Standing (with thermal boots on) in the freezing waters of a glacier lagoon in Iceland, he saw an opportunity to capture a unique ice formation in the foreground, distant snow-capped mountains and the Aurora Borealis above it all. In this article he explains how he used focus stacking to get the look he wanted for his final image, ‘Flames of the North’. Learn more

Articles: Digital Photography Review (dpreview.com)

 
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Behind the Scenes with USAF Thunderbirds Official Photographer

10 Jul

Sergeant Larry Reid Jr. is an official photographer for the US Air Force’s Thunderbirds display team, covering everything from mechanics working on the team’s F16 fighter jets to air-to-air shots at high G-loads. A new video produced by Jaron Schneider takes a detailed look at Reid’s job, which has everyone here at DPReview insanely jealous (albeit a little queasy). Click through for a look – and hold on to your hat!

Articles: Digital Photography Review (dpreview.com)

 
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Lighting Tutorial: The Science Behind Light

05 Jul

Alana Tyler Slutsky image from Surrealia series as featured on Fashion Photography Blog (FashionPhotograpyBlog.com)

Light : The Science of it All

Hey FashionPhotographyBlog.com readers. Happy Independence Day!

Today we are going to be talking about:

Light. Learn to understand it, learn to see it and the better you’ll be able to manipulate it. After all, the whole science behind photography is based on the principles of light. Stick it out through these next three days and things will get a lot more interesting. Before you can learn to manipulate light (or if you’re a curious person like me,) it’s good to understand the “how” and “why” behind it.

So, welcome to the science of light.

(I know this is the boring part, just stick with me…)

Light and Color Science:

The human eye is only sensitive to the visible spectrum of the electromagnetic spectrum.  White light contains all colors.  We learned this when Newton split white light with a prism.

Electromagnetic Spectrum Chart

Electromagnetic Spectrum

Color Prism By Pink Floyd

(Thanks Pink Floyd)

Additive Primaries – Red, Green, Blue

When you add equal parts of the additive primaries together (Red, Green, and Blue), you create white light.  RGB is the color method used in today’s digital world.  Mixing just two of the additive primaries will result with one of the subtractive primaries.

RGB Color Light Chart

Subtractive Primaries – Cyan, Magenta, Yellow

The subtractive primaries absorb their compliments (RGB) and subtract them from white light.  CMYK is the color model for printing (K referring to Black).  When subtractive primaries are mixed, they subtract brightness from white, resulting in Black.

CMYK Color Light Chart

Each additive color has a subtractive color that is its compliment.

Red – Cyan

Green – Magenta

Blue – Yellow

Before you can learn to modify and use light, you need to understand how it works! The first things to be conscious of are the qualities of light which include direction, contrast, color, brightness, diffused, and specular.

Direction is where the light is coming from.  This controls the relationship between light and shadow.  Direction can also be understood as the position or placement of the light.

Contrast is the relationship between light and shade.

Color is the color temperature or actual color of the light source.  (We’ll get into this in a minute.)

Brightness is the intensity of the light.

Diffused light is a softer light typically produced by a larger light source.

Specular light, in short, is light from a source that is not modified. Most of you guys will refer to this as “harsh” or “hard” light.

How can you tell if something is diffused or specular?  Look where the shadow meets the lighted areas.  If the transition is gradual, it is diffused. If the transition is knife edge its specular.  Aka – Does the shadow end very abruptly? Think of high noon light and how the shadows cast by the sun are very crisp.  This is specular light.

Shadow Transition Examples

Pay attention to the transitions at the edge of the shadows

Source

The size of a light source (as relative to your subject) will greatly effect the type of light produced.  A small source will produce hard light, hard edges and harder shadows.  A large light source will produce a shadowless or softer light with softer shadows.

Distance also effects your light.  A light close to your subject will create a softer light, whereas the same light when placed farther away will create a harder light.  Think of the sun!  It’s far away, appears quite small but produces an extremely harsh light/shade relationship unless there are clouds to diffuse the light.  When the sky is overcast, it acts as a giant soft box for the sun.

We’ll dive a little further into distance and light tomorrow.

Until then –

Alana

IMAGE SOURCE:

Feature image & image 1: photography by Alana Tyler Slutsky from her Surrealia series. To view the rest of the photos from this series visit her website.

Image 2, 3, 4 & 5: Alana Tyler Slutsky

Image 6:  150m.com


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Behind the Shot: Shredded

06 May

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In the latest of his series of ‘Behind the Shot’ articles, landscape photographer Erez Marom shows us how he captured a dramatic image of Kirkjufell mountain, overlooking a frozen lake in Iceland. Marom talks about his equipment choice and exposure settings, and also gives a step-by-step look at the post-processing required to achieve the final result. Learn more

News: Digital Photography Review (dpreview.com)

 
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Behind the photo: Sports Illustrated’s ‘Boston Strong’ cover

24 Apr

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About a week prior to Monday’s running of the Boston Marathon, and a year after the bombing at the 2013 marathon, photographer Gregory Heisler addressed a crowd of thousands gathered at the finish line. The group included runners, first responders and Boston Mayor Marty Walsh, all ready to pose for Sports Illustrated’s ‘Boston Strong’ cover photo. Directing the crowd through a megaphone and standing on a raised platform, Heisler captured a portrait of 3,000 proud, resilient Bostonians. Take a peek behind the scenes of this large scale photo shoot. Learn more

News: Digital Photography Review (dpreview.com)

 
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Behind the scenes: Small lighting, big results with Joe McNally

17 Apr

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Nikon’s latest in a series of behind the scenes videos features photographer Joe McNally. An off-camera lighting wizard, McNally shares some useful tips from three different flash scenarios. No diffusion panel? No worries, McNally explains you can get the same results by placing a bed sheet between the flash and the subject. And as natural light began flowing through his studio, like any good photographer, McNally moved his model to make some pictures — without flash, this time. See video

News: Digital Photography Review (dpreview.com)

 
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Get the story behind the photograph

08 Apr

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Most photographs – especially photojournalistic work – exist in a void with little insight from the photographer that captured the image and what they were trying to achieve. ‘The Image, Deconstructed’ looks to turn this around. The website provides interviews with photographers, asking them about their techniques, their gear, their preparation, and their mindsets when they photograph. Learn more

News: Digital Photography Review (dpreview.com)

 
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Behind the shot: ‘Louisville in Motion’

24 Mar

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Making a time-lapse video isn’t trivial, but the end result is compelling. Photographer Eric Stemen explains how he made his tribute to Louisville, Kentucky. He talks about his shooting technique – everything from getting good exposures to using sliders. There’s also a look at all the gear he used and some post-processing tips. Learn more

News: Digital Photography Review (dpreview.com)

 
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Gear breakdown: Behind the scenes with Chase Jarvis

20 Mar

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Chase Jarvis has posted another show-and-tell video about the core gear he carries with him on shoots. In this video, you can see bag upon bag of photo and video gear sitting on industrial shelving in the background. Rather than going through every piece of equipment he owns, Jarvis presents his essential camera gear, the stuff he takes with him on every shoot. See video

News: Digital Photography Review (dpreview.com)

 
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