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Posts Tagged ‘Announces’

ON1 announces ON1 360 cross-device workflow solution, new ON1 Photo Mobile app

30 Jun

ON1, the creators of the ON1 Photo RAW editing software, has announced ON1 360, an all-new photography workflow solution designed to allow photographers to capture, edit and sync images across multiple computers and mobile devices. Alongside the new ON1 360 workflow solution, ON1 has also announced updates to ON1 Photo RAW 2020 and released the new ON1 Photo Mobile application for iOS, iPadOS and Android.

Alongside today’s announcement, ON1 hosted a live stream showcasing the workflow possibilities available with ON1 360, which can be viewed below. ON1 360 connects ON1 Photo RAW 2020.5 on macOS and Windows computers with the new, free ON1 Photo Mobile app. Via this connection between devices, users can sync files, control storage methods and access new managing and editing capabilities.

Using ON1 360, users can choose to sync their original Raw files, or alternatively, utilize ON1’s new compressed-Raw file format in order to save space without a noticeable loss in image quality. This feature, called Editable Previews, allows photographers to view, edit and share compressed Raw files without needing to take up cloud storage space with larger original Raw files.

In the new ON1 Photo Mobile app, users can capture Raw images. The app includes a camera mode, which ON1 states works similarly to the built-in camera application on your device. In addition to capturing images, you can also edit using the app. ON1 Photo Mobile uses the same proprietary Raw processing engine as the desktop ON1 Photo RAW application. Mobile users can adjust parameters such as exposure, contrast, shadows, midtones, highlights, whites, blacks, white balance, noise and sharpening. The app also includes built-in filters. ON1 Photo Mobile is available to all users and is free.

ON1 Photo Mobile includes ON1’s Raw processing engine in addition to numerous image editing tools. The application also allows users to capture images and organize their existing photos. Image credit: ON1

For those unfamiliar with ON1 Photo RAW 2020, it is a photo organizer, Raw processor, layered image editor and effects application. ON1 Photo RAW 2020 is available as a standalone application and as a plug-in for Photoshop, Lightroom Classic and Apple Photos. In addition to offering powerful Raw editing tools and a layers-based workflow, ON1 Photo RAW also leverages artificial intelligence for various features, such as generating masks, matching in-camera looks and styles, and automatically editing your photos.

Subscriptions for ON1 Photo RAW 2020.5 plus ON1 360 start at $ 7.99 USD per month with 200GB of storage. Image credit: ON1

ON1 360 is available via a subscription plan. ON1 360 plans are available with storage and ON1 Photo RAW 2020.5 combined or as a service add-on for existing ON1 Photo RAW 2020 users. The former option starts at $ 7.99 USD per month or $ 89.99 per year and includes 200GB of storage. For existing ON1 Photo RAW 2020 owners, ON1 360 can be added for as little as $ 5.99 per month or $ 59.99 per year. ON1 Photo RAW 2020 will continue to be available as a perpetual license product separate from ON1 360 as well. For additional information on plan options and pricing, head on over to ON1’s website.

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic announces vlogging-friendly Lumix DC-G100/G110

27 Jun

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Panasonic has introduced the Lumix DC-G100 (known as the G110 in some regions), a compact Micro Four Thirds camera targeted toward vloggers. To this end, it features a fully articulating (and very bright) touchscreen, easily visible record button, directional microphones with subject tracking and a number of other details.

While it uses the same 20MP Four Thirds sensor as many other Panasonic cameras, the G100 does not have in-body image stabilization. There is a ‘hybrid’ 5-axis IS system when recording video (4-axis for 4K), though it does add a noticeable crop. The 3″ LCD display is very bright and easy to see outdoors and it’s paired with a 3.68 million dots (equivalent) viewfinder. Is a field sequential EVF but Panasonic says it refreshes four times faster than, for less “color tearing”.

Video can be captured at 4K/30p and 24p for up to 10 minutes. There is a crop in 4K, made even larger when using image stabilization, thus reducing wide-angle shooting options. The G100 uses the ‘OZO’ directional audio system designed by Nokia, which allows you to select the direction in which sound is recorded, even using face detection in one mode. While the G100 has a external mic socket, there’s no headphone jack to be found.

Alongside the G100 comes the DMW-SHGR1 tripod grip ($ 99). It can be a small selfie stick (with still and video capture buttons) or a mini tripod. The grip is powered by the camera’s micro USB port.

The DC-G100 will go on sale in late July at an MSRP of $ 749 when kitted with the ultra-compact 12-32mm F3.5-5.6 power zoom lens. Adding the tripod grip increases the price to $ 799.

A special promotion for both kits (US only, through August 1st) includes a $ 50 instant rebate, extra battery and external charger. Other kits will be available globally.

Read our initial review

View our sample gallery

Press release

Panasonic Launches the LUMIX G100, its Newest Mirrorless Camera for Vlogging and Creative Video Content

The compact, feature-packed camera features high sound quality produced by OZO Audio by Nokia

Newark, NJ (June 24, 2020) – Panasonic today launched the LUMIX G100, a new Digital Single Lens Mirrorless camera designed and developed for creating high-quality, versatile content.

Intuitive controls, visually engaging images and excellent sound quality are hallmarks of the new LUMIX G100, raising the bar for content production and user experience in the vlog camera category. Usability is further enhanced by its remarkably compact and lightweight design that doesn’t skimp on functionality and creative options.

  1. The Logical Next Step from your Smartphone

With their limited sensor size and optics, a Smartphone can only take your creativity so far, the LUMIX G100 uses a smartphone crushing 4/3rds sensor that records smooth, high-resolution QFHD 4K videos in 3840 x 2160 resolution at 30p or 24p in MP4[1] and Full-HD at 60p. The five-axis hybrid I.S. (image stabilizer)[2] in the LUMIX G100 provides effective shake suppression essential for capturing stable, easy-to-see video in scenarios such as walking or in a moving vehicle. In addition, the new Video Selfie Mode easily captures both the videographer and background in crisp focus without adjustments of aperture that changes with the lens each time.

Adopting a static-type touch control system, the 3.0-inch free-angle rear monitor with 1,840K-dot high resolution makes it easy to compose selfies as well as shots from a high or low angle. Convenient shooting assist functions allow the Frame Maker to check the composition during recording in various popular aspect ratios such as 16:9, 4:3, 1:1, 4:5, 5:4 and 9:16. The REC Frame Indicator displays an eye-catching red frame so that videographers can recognize whether the camera is recording or not at a glance.

*1 Recording stops when the continuous recording time exceeds 10 minutes with [MP4] in [4K]

*2 When using an interchangeable lens (H-FS12032) released before this camera, update the firmware of the lens to the latest version.

  1. High Sound Quality Supported by OZO Audio Technologies

The LUMIX G100 integrates OZO Audio by Nokia for high-quality spatial audio recording, a first for a Digital Single Lens Mirrorless camera.* Engineered for universal playback and shareability across the world’s most popular social media platforms, the OZO Audio enables users to capture and edit the full richness of sonic life with vibrant accuracy and precision. It sets a new standard in innovative audio solutions for user-generated content. Three microphones record clear, vibrant sound with outstanding images, for example a dynamic landscape with immersive, realistic sound; interviews with clear speech; or easy, on-the-scene coverage by the videographer with easy mode selection. Combining Panasonic and Nokia OZO Audio technologies, the LUMIX G100 also offers a tracking feature that continues tracking the voice of the subject. Auto mode automatically recognizes the best setting and switches between tracking and surround modes.

* For a digital interchangeable lens system camera, as of June 24, 2020.

  1. High Potential and Unlimited Expression

The new LUMIX G100 integrates a 20.3MP MOS Sensor without Low Pass Filter, which features higher resolution and a larger size than found in smartphones. Realizing maximum ISO 25600 high sensitivity, even images captured at night or low light are clear. In addition, the large sensor enables beautiful defocusing in the background, and the Venus Engine assures high-speed, high-performance image processing. Impressive 4x*/2x slow and 8x/4x/2x quick FHD motion footage and time lapse shots are captured with ease.

Advanced videographers will appreciate the V-LogL recording capability; users can apply the LUT (Look Up Table) of their choice on the recorded V-LogL footage via a PC to create a differentiated video with subtle colors and moods.

Features such as the 4K technology, along with the 3,680K-dot equivalent center-aligned viewfinder, allow users to capture 4K PHOTO shots, excelling in performance and function for photo shooting. Able to save spontaneous shots by just selecting the frame out of a burst file sequence, users will never miss a moment.

*30p only

  1. Easy Connectivity via Bluetooth, Wi-Fi and HDMI

The LUMIX G100 integrates Bluetooth and Wi-Fi® 2.4GHz (IEEE802.11b/g/n) connectivity to offer a more flexible shooting experience and easy instant image sharing. A dedicated upload button controls video and photo transfer to a smartphone via Panasonic’s LUMIX Sync app for iOS / Android. Users can also use their smartphone as a remote control to capture video and photo.

Compatibility with Bluetooth 4.2 (called BLE: Bluetooth Low Energy) enables constant connection with a smartphone/tablet with minimum power consumption and can activate the camera by using a smartphone/tablet or automatically add geotagging photos.

HDMI[1] allows video output via The LUMIX G100, or it can be used as a webcam that provides exceptional image quality with rich depth of field and high quality sound for streaming in combination with an HDMI video capture device.[2]

*1 It is not possible to stream live in 4K. While using the HDMI output function, video cannot be recorded.

*2 A separate streaming software for PC is required.

  1. Compact, Lightweight Design Even with Tripod Grip

Despite its high performance and selection creative functions, the LUMIX G100 is portable, compact and weighs only 412 g, even with the LUMIX G VARIO 12-32mm / F3.5-5.6 ASPH. / MEGA O.I.S.(H-FS12032) lens. A new Tripod Grip DMW-SHGR1[4] makes it even easier to hold the camera or can be used as a compact tripod. Connecting with the camera via USB allows the user to start/stop video recording, release the shutter and enable/disable sleep mode. The camera’s battery can be recharged either via AC or USB according to the user’s convenience.

*4 Tripod Grip is bundled in DC-G100V kit. It is also sold separately.

Tripod Grip (DMW-SHGR1)

A compact, lightweight handgrip / mini tripod allowing start/stop video recording and shutter release via USB connection.

Compatibility: DC-G100, GH5*,GH5S*,G9*, G95* and G85*

*Firmware update of the camera is required. It connects to the remote terminal of the camera using a bundled conversion cable. Sleep button cannot be used.

The LUMIX G100 will be available for sale at the end of July.

Panasonic Lumix DC-G100 specifications

Price
MSRP $ 749 (w/12-32 lens), $ 799 (w/12-32 lens and tripod grip)
Body type
Body type SLR-style mirrorless
Body material Composite, metal
Sensor
Max resolution 5184 x 3888
Image ratio w:h 1:1, 4:3, 3:2, 16:9
Effective pixels 20 megapixels
Sensor photo detectors 22 megapixels
Sensor size Four Thirds (17.3 x 13 mm)
Sensor type CMOS
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Auto, 200-25600 (expands down to ISO 100)
Boosted ISO (minimum) 100
White balance presets 5
Custom white balance Yes (4 slots)
Image stabilization No
Uncompressed format RAW
JPEG quality levels Fine, standard
File format
  • JPEG (Exif v2.31)
  • Raw (Panasonic RW2)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Digital zoom Yes
Manual focus Yes
Number of focus points 49
Lens mount Micro Four Thirds
Focal length multiplier 2×
Screen / viewfinder
Articulated LCD Fully articulated
Screen size 3
Screen dots 1,840,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 1.46× (0.73× 35mm equiv.)
Viewfinder resolution 3,680,000
Photography features
Minimum shutter speed 60 sec
Maximum shutter speed 1/500 sec
Maximum shutter speed (electronic) 1/16000 sec
Exposure modes
  • Program
  • Aperture priority
  • Shutter priority
  • Manual
Scene modes
  • Expressive
  • Retro
  • Old Days
  • High Key
  • Low Key
  • Sepia
  • Monochrome
  • Dynamic Monochrome
  • Rough Monochrome
  • Silky Monochrome
  • Impressive Art
  • High Dynamic
  • Cross Process
  • Toy Effect
  • Toy Pop
  • Bleach Bypass
  • Miniature Effect
  • Soft Focus
  • Fantasy
  • Star Filter
  • One Point Color
  • Sunshine
Built-in flash Yes
Flash range 3.60 m (at ISO 100)
External flash Yes
Flash modes Auto, auto w/redeye reduction, on, on w/redeye redduction, slow sync, slow sync w/redeye reduction, off
Flash X sync speed 1/50 sec
Drive modes
  • Single
  • Burst
  • 4K Photo
  • Post Focus
Continuous drive 10.0 fps
Self-timer Yes
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation ±5 (at 1/3 EV steps)
AE Bracketing ±3 (3, 5, 7 frames at 1/3 EV, 2/3 EV, 1 EV steps)
WB Bracketing Yes
Videography features
Format MPEG-4, H.264
Modes
  • 3840 x 1920 @ 30p / 100 Mbps, MOV, H.264, AAC
  • 3840 x 1920 @ 25p / 100 Mbps, MOV, H.264, AAC
  • 3840 x 1920 @ 24p / 100 Mbps, MOV, H.264, AAC
  • 1920 x 1080 @ 120p / 28 Mbps, MOV, H.264, AAC
  • 1920 x 1080 @ 60p / 28 Mbps, MOV, H.264, AAC
  • 1920 x 1080 @ 50p / 28 Mbps, MOV, H.264, AAC
  • 1920 x 1080 @ 30p / 28 Mbps, MOV, H.264, AAC
  • 1920 x 1080 @ 25p / 28 Mbps, MOV, H.264, AAC
  • 1920 x 1080 @ 24p / 28 Mbps, MOV, H.264, AAC
Microphone Multiple
Speaker Mono
Storage
Storage types SD/SDHC/SDXC card (UHS-I supported)
Connectivity
USB USB 2.0 (480 Mbit/sec)
USB charging Yes
HDMI Yes (micro-HDMI)
Microphone port Yes
Headphone port No
Wireless Built-In
Wireless notes 802.11b/g/n + Bluetooth
Remote control Yes (via smartphone)
Physical
Environmentally sealed No
Battery Battery Pack
Battery description BLG10 lithium-ion battery and charger
Battery Life (CIPA) 270
Weight (inc. batteries) 352 g (0.78 lb / 12.42 oz)
Dimensions 116 x 83 x 54 mm (4.57 x 3.27 x 2.13)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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Sigma announces 100-400mm F5-6.3 for E-mount and L-mount, teleconverters and more

19 Jun

Sigma has announced the launch of its first ultra telephoto lens specifically for full-frame mirrorless cameras, as well as a pair of teleconverters, a new USB dock and a new mount options for three of its prime Contemporary lenses.

100–400mm F5–6.3 DG DN OS Contemporary

While this new lens might look similar to its previous 100-400mm lens, the 100-400mm F5-6.3 DG DN OS Contemporary has been designed ‘from the ground up for mirrorless camera systems.’ Specifically, the lens will be available in Sony E-mount and L-mount.

It’s designed to cover fulll-frame image sensors and is constructed of 22 elements in 16 groups including one low dispersion element (FLD) and four special low dispersion (SLD) elements. It uses a stepping motor for autofocus, has a nine-blade aperture diaphragm, a minimum aperture range of F22–29 and a 67mm front filter thread. At 100mm it has a minimum focusing distance of 112cm (44”) and at 400mm it has a minimum focusing distance of 160cm (63”). The lens measures in at 86mm (3.4”) diameter, 197mm (7.8”) long and weighs 1,135g (40oz).

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The Sigma 100-400mm F5-6.3 DG DN OS Contemporary is currently available to pre-order for Sony E-mount (Adorama, B&H) and L-mount (Adorama, B&H) for $ 950. The first units should start shipping on July 10.

Sigma Teleconverter TC-1411 and TC-2011

In addition to its mirrorless ultra-zoom, Sigma has also announced two new L-mount teleconverters: the TC-1411 (1.4x) and the TC-2011 (2x). Sigma says these two teleconverters are ‘Designed to complement Sigma’s renowned optical formulas’ and feature a dust- and splash-proof design ‘comparable to that of the Sigma Sports line lenses.’

The TC-1411 (1.4x) and TC-2011 (2x) are currently available to pre-order for $ 400 (Adorama, B&H) and $ 430 (Adorama, B&H), respectively, and should ship on July 10 alongside the 100-400mm F5-6.3 lens.

Sigma USB Dock UD-11

New lenses and teleconverters also mean new docks for updating firmware and adjusting settings. Sigma’s new USB Dock UD-11 models use a USB Type-C connection and are available for Sigma L-mount and Canon EF-M mount mirrorless lenses. As with Sigma’s other docks, the UD-11 models makes it possible to update firmware and customize settings on Sigma lenses with these mounts.

These EF-M and L-Mount docks are also available to pre-order starting today for $ 59 (Adorama, B&H) with an expected shipping date of July 10.

16mm, 30mm, and 56mm F1.4 DC DN Contemporary lenses

Sigma has also announced it’s made its three F1.4 mirrorless lenses available for L-mount camera systems. The 16mm, 30mm, and 56mm F1.4 DC DN Contemporary lenses are identical to their Sony E-mount, Canon EF-M mount and Micro Four Thirds predecessors, and are currently available to pre-order for $ 450 (Adorama, B&H), $ 340 (Adorama, B&H) and $ 480 (Adorama, B&H), respectively, with a July 10 shipping date.

It’s worth mentioning that the only current APS-C cameras that utilize the L-mount, and therefore would be most appropriate for this trio of lenses include Leica’s TL2 and CL mirrorless cameras released in 2017. But for full-frame L-mount users who primarily shoot video, these lenses do make for compact, affordable Super 35 lens options.

Sigma 100-400mm F5-6.3 DG DN OS specifications

Principal specifications
Lens type Zoom lens
Max Format size 35mm FF
Focal length 100–400 mm
Image stabilization Yes
CIPA Image stabilization rating 4 stop(s)
Lens mount Leica SL, Sony FE
Aperture
Maximum aperture F5–6.3
Minimum aperture F22–29
Aperture ring No
Number of diaphragm blades 9
Optics
Elements 22
Groups 16
Special elements / coatings FLD and SLD elements
Focus
Minimum focus 1.10 m (43.31)
Maximum magnification 0.71×
Autofocus Yes
Motor type Stepper motor
Full time manual Yes
Focus method Internal
Distance scale Yes
DoF scale No
Focus distance limiter Yes
Physical
Weight 1135 g (2.50 lb)
Diameter 86 mm (3.39)
Length 197 mm (7.76)
Sealing Yes
Colour Black
Zoom method Rotary (extending)
Power zoom No
Zoom lock Yes
Filter thread 67 mm
Hood supplied Yes
Tripod collar Yes

Articles: Digital Photography Review (dpreview.com)

 
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Tamron Announces First Mirrorless All-In-One f/2.8 Zoom

15 Jun

The post Tamron Announces First Mirrorless All-In-One f/2.8 Zoom appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Tamron f/2.8 zoom lens announced

Earlier this week, Tamron announced its brand new 28-200mm f/2.8-5.6 lens designed for Sony mirrorless cameras.

In addition to its massive range, the lens boasts a maximum aperture of f/2.8 at its widest focal length, making it officially the first all-in-one zoom lens to begin at f/2.8.

While the lens ultimately tops out at f/5.6 at the 200mm end, the wide-angle f/2.8 maximum aperture offers low-light shooters the opportunity to work with a fast, lightweight, compact zoom, one that also features significant reach on the long end.

In terms of weight and dimensions:

The Tamron 28-200mm clocks in at just 20.3 oz (575 g), while measuring 4.6 in (117 mm). This positions the lens as a comprehensive option for travel photographers, landscape photographers, and more; just slip the Tamron 28-200mm plus a Sony camera in your backpack, and you’ll be ready for anything.

Tamron 28-200mm zoom

Of course, none of this matters if the lens can’t deliver on image quality, and all-in-one zooms are known for their lackluster optics, especially at focal length extremes.

While we can’t definitively comment on sharpness, Tamron promises “liberal use of special lens elements…to greatly suppress chromatic aberrations, making it possible to achieve high image quality from edge to edge.”

Tamron also claims to have “concentrated all its all-in-one zoom technologies into achieving optical performance that sets a new standard among existing all-in-one zoom lenses.”

While we’ll have to wait a few weeks to confirm Tamron’s claims, the company’s other all-in-one zooms have been mediocre-to-great. If Tamron has taken this one a step further, then the rewards could be great.

The new lens also offers:

  • An impressive minimum focusing distance of 7.5 in (0.19 m) on the wide end and 31.5 (0.8m) on the long end, making for a close-up magnification ratio of 1:3.8
  • A fast, quiet AF motor
  • Moisture resistance
  • A reasonable price of US$ 729

Assuming the optics are good, this lens will be a steal for almost any shooter, but especially photographers looking to reduce the size of their kit for travel, outdoors, or walkaround photography.

At the time of writing, the lens will launch on June 25, though Tamron warns of potential COVID-related delays.

So if you’re interested in an all-in-one zoom for Sony with tremendous low-light capabilities, great optical potential, and much more, check out the new Tamron 28-200mm f/2.8-5.6 Di III RXD.

Now over to you:

What do you think of this new lens from Tamron? Do you expect it will separate itself from other all-in-one zooms in terms of optics? And if so, will you purchase it? Share your thoughts in the comments!

The post Tamron Announces First Mirrorless All-In-One f/2.8 Zoom appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Flashpoint announces wireless XPLOR Power 1200 Pro R2 flash, its most powerful flash

11 Jun

Flashpoint has announced a new flagship portable flash, the XPLOR Power 1200 R2. The flash is the newest member of Flashpoint’s R2 series of portable, wireless flashes.

The XPLOR Power 1200 R2 is Flashpoint’s most powerful flash unit and it offers multiple flash modes, including power recycling of less than two seconds and long flash duration for continuous shooting. The XPLOR Power 1200 Pro power pack and flash head combine to weigh just over 17 pounds. Of the wireless flash, Flashpoint Brand Manager, Solomon Leifer, said the following:

The Flashpoint XPLOR Power 1200 Pro is our most robust and powerful wireless flash, while remaining lightweight and portable for location shooting. With 1200W output and an excellent battery-powered system, the XPLOR Power 1200 Pro flash is perfect for ‘big event’ and outdoor photographers.

The Flashpoint XPLOR Power 1200 Pro includes a built-in Flashpoint 2.4 GHz R2 wireless flash system and offers wireless control for Canon, Fujifilm, Nikon, Olympus, Panasonic, Pentax and Sony TTL camera systems. The strobe offers nine steps of output power, ranging from 1/1 to 1/256. The flash includes a high-speed sync (HSS) mode that can work with shutter speeds up to 1/8000s. For stopping action, flash durations range from 1/220 to 1/10,860s.

Photographers need more than speed and power; they also need color stability with their lighting. The flash offers a Stable Color Temperature mode to better control temperature changes. Flashpoint states that this mode keeps temperatures ranges within +/- 75K throughout the entire power range.

Connectivity features include a pair of 3.5mm sync cord plug holes for wired connection, a wireless control port and a USB Type-C port for future firmware upgrades. For connecting light modifiers, the flash head is compatible with Bowens S-Type modifiers, resulting in compatibility with hundreds of light modifiers.

For extended shooting, the large-capacity lithium-ion battery in the power pack delivers 480 full-power flashes and can be fully recharged in two hours. The battery is 36V/5200mAh and it can be swapped out of the power pack in seconds. There is also an optional AC adapter to replace the battery chamber for a direct main connection when shooting indoors or in a studio environment. If photographers want to travel by air, there’s also a 36V/2600mAh rechargeable battery pack option.

Close-up image of the Power Pack.

Additional features include a 40W LED modeling lamp with three selectable modes, fan cooled flash head, three active flash modes (Manual, TTL and Multiflash) and a Stroboscopic Mode capable of delivering 100 continuous flashes at 1/16 power output.

The Flashpoint XPLOR Power 1200 Pro R2 flash comes with the flash head, power pack, reflector, glass lamp cover, lithium-ion battery, battery charger, power cable, carrying case and rolling case.

The Flashpoint XPLOR Power 1200 Pro R2 flash system is available now for $ 1,599 USD from Adorama and comes with a power pack, flash head, reflector, glass lamp cover, lithium-ion battery, battery charger, power cable, carrying case and rolling case.

As Adorama’s house brand in the United States, this flash is sold as a Flashpoint product. However, it can also be purchased as the Godox AD1200 Pro from other retailers and in other markets. As we noted in our coverage of the Flashpoint XPLOR 300 Pro, for customers in the United States, Flashpoint products are covered by a two-year warranty when purchased through Adorama.

Articles: Digital Photography Review (dpreview.com)

 
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Tamron announces versatile 28-200mm F2.8-5.6 zoom lens for E-mount

11 Jun

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Tamron has introduced the 28-200mm F2.8-5.6 Di III RXD zoom lens for full-frame Sony mirrorless bodies. This compact lens is just 11.7cm (4.6″) long and weighs in at 576g (20.3oz).

It features a total of 18 elements, including glass-molded aspherical, hybrid aspherical, extra low-dispersion (known as XLD) and low-dispersion elements. A ‘BBAR’ coating reduces flare and ghosting. The minimum focus distance is just 19.1cm (7.5″) at wide-angle and 80cm (31.5″) at telephoto.

The 28-200 uses a stepping motor for autofocus (‘RXD’ in Tamron-speak) that the company says keeps focus noise to a minimum, making it ideal for video. It is threaded for 67mm filters. The lens is moisture resistant, and the front element’s fluorine coating helps to repel oil and water.

The 28-200mm F2.8-5.6 Di III RXD is expected to go on sale in late June for $ 729, though Tamron notes that the ship date is subject to change due to possible supply chain issues related to COVID-19.

Press release:

Tamron Announces Launch of the World’s First[1] All-In-One Zoom Lens Starting at F2.8 for Sony E-Mount Full-Frame Mirrorless Cameras

28-200mm F/2.8-5.6 Di III RXD (Model A071)

June 10, 2020, Commack, NY – Tamron announces the launch of the 28-200mm F/2.8-5.6 Di III RXD (Model A071), an all-in-one zoom lens for Sony E-mount full-frame mirrorless cameras. The lens is scheduled to be available on June 25 at $ 729. Due to the spread of COVID-19, the release date or the product supply schedule could be delayed.

In 1992, Tamron demonstrated breakthrough innovation with the release of the AF 28-200mm F/3.8-5.6 Aspherical (Model 71D), a compact and lightweight all-in-one zoom lens. The amazingly compact size, light weight and reasonable price made the lens immediately wildly popular with photographers around the world. In the years since, Tamron has continued to be a pioneer in the category, releasing epoch-making all-in-one zooms tailored to each era, including the recent 18-400mm F/3.5-6.3 Di II VC HLD (Model B028) that boasts the world’s highest magnification of 22.2x [2] and which currently enjoys robust sales. The new 28-200mm F2.8-5.6 is a distillation of all Tamron’s accumulated all-in-one zoom expertise and has been specifically developed as an all-in-one zoom for daily use on a full-frame mirrorless camera. Tamron chose Model A071 as the model name in a nod to “71” representing the world’s original compact all-in-one zoom.

The 28-200mm F2.8-5.6 is the first all-in-one-zoom in the world [1] to achieve a maximum aperture of F2.8 at the 28mm wide-angle end. To assure superb optical performance, it features a precise arrangement of special lens elements that accommodate the increasingly high resolutions of today’s digital cameras. Enabling high quality image rendering throughout the zoom range, the lens responds to users’ photographic expressions in powerful style. Moreover, with its 4.6” length, 20.3 oz. weight, and filter diameter of a mere 67mm, the 28-200mm F2.8-5.6 offers excellent portability. When combined with a compact, lightweight full-frame mirrorless camera, it allows photographers to capture virtually every scene they encounter in daily use, travel, sports and nature.

The 28-200mm F2.8-5.6 takes the convenience of an all-in-one zoom (which incorporates various angles of view from wide to telephoto in a single lens) and adds a fast-maximum aperture of F2.8 and superb image quality to enhance the potential for photographic applications. Breaking conventional limitations and broadening the horizons of photographic possibilities, this zoom lens writes a new chapter in the history of the all-in-one zoom lens.

PRODUCT HIGHLIGHTS

1. The world’s first F2.8 all-in-one zoom lens for full-frame mirrorless cameras
A remarkable first for an all-in-one zoom lens: the 28-200mm F2.8-5.6 achieves a fast F2.8 aperture at the 28mm wide-angle end. Additionally, maximum apertures at intermediate zoom ranges are F3.5 at 50mm, F4.5 at 100mm, and F5.6 at 150mm through 200mm. As an unprecedented all-in-one zoom that combines fast aperture with compact size, the 28-200mm F2.8-5.6 delivers greater versatility and usefulness than ever before available.

2. Lightweight and compact size for superior mobility
Tamron’s series of full-frame mirrorless camera lenses, starting with the 28-75mm F2.8 (Model A036), has been developed with the overall goal of balancing high performance with convenience. In addition to the series-standard 67mm filter diameter, and leveraging the camera integrated image stabilization, engineers concentrated on achieving compact size and light weight. Length is just 4.6”, maximum diameter is 74mm, and the weight is a mere 20.3 oz. With a size that offers excellent portability, the lens lightens your load, allowing you to travel comfortably and shoot unencumbered.

3. Uncompromising image quality that lets you focus on creativity
This new zoom lens contains 18 elements in 14 groups. A generous assortment of special lens elements that includes GM (Glass Molded Aspherical), hybrid aspherical, XLD (eXtra Low Dispersion) and LD (Low Dispersion) lens elements is precisely arranged to effectively control chromatic and other aberrations, enabling high resolving power. Meanwhile, the BBAR (Broad-Band Anti-Reflection) Coating provides powerful anti-reflection properties to effectively reduce ghosting and flare, resulting in clear and crisp images. In-camera correction features are utilized to mitigate distortion and shading to achieve uniformly high image quality from edge-to-edge at all zoom settings. Tamron has concentrated all its all-in-one zoom technologies into achieving optical performance that sets a new standard among existing all-in-one zoom lenses. From casual snaps to serious photos, this single lens lets you enjoy a wide range of shooting situations with complete freedom of composition.

4. Superior up-close shooting performance
The 28-200mm F2.8-5.6 delivers superior close-up shooting performance for an all-in-one zoom. At the 28mm wide-angle end the MOD (Minimum Object Distance) is 7.5”, achieving a maximum magnification ratio of 1:3.1. This performance, combined with the fast F2.8 aperture, allows users to move in close so that the subject is large while simultaneously showcasing a beautifully blurred background. Close-up shooting is remarkable at the telephoto end as well, with an MOD of 31.5” and maximum magnification ratio of 1:3.8. Users can capture impressive images with highly blurred backgrounds and create exceptional compositions.

5. The RXD stepping motor unit is exceptionally quiet?
The AF drive incorporates a sensor that accurately detects the position of the lens while the RXD motor unit delivers optimized AF control. This achieves very fast and accurate autofocus operation, allowing users to maintain tack-sharp focus on continuously moving subjects or when filming video. The exceedingly quiet operation is an important advantage because it virtually eliminates extraneous sounds during video recording. In addition, the compact configuration of the RXD AF drive system contributes to the unprecedented size and weight reduction.

6. A full family of superb, compact lenses made especially for mirrorless cameras
The 28-200mm F2.8-5.6 zoom is based on Tamron’s stratagem of creating a series* of lenses for full-frame mirrorless cameras that leverage the characteristics of compact camera bodies. Consequently, photographers can more easily enjoy various combinations of interchangeable lenses. For example, when the Model A071 is combined with the 17-28mm F2.8 (Model A046), the combined weight of the two lenses is less than 35.1 oz. This lightweight, portable zoom set covers everything from wide-angle to telephoto with a zoom range of 17-200mm. Additionally, when combined with a lens from Tamron’s series of fixed focal lenses such as the 20mm F2.8 (Model F050) or 24mm F2.8 (Model F051), the weight is less than 28.2 oz., expanding the possibilities of shooting at the wide-angle end without adding excessive weight or bulk.

All lenses in the series share the common filter diameter of 67mm, thereby eliminating the hassle associated with using different size filters and lens caps. Costly filters (e.g., PL, ND, etc.) can be shared instead of buying separate units for each lens. In this way, Tamron has expanded its series of lenses to make it truly practical to carry multiple lenses at the same time.

7. Moisture-Resistant Construction, Fluorine Coating, and Zoom Lock switch
Seals are located at the lens mount area and other critical locations to deter infiltration of moisture and/or rain drops and afford Moisture-Resistant Construction. This feature provides an additional layer of protection when shooting outdoors under adverse weather conditions. Also, the front surface of the lens element is coated with a protective fluorine compound that has excellent water- and oil-repellant qualities. The lens surface is easier to wipe clean and is less vulnerable to the damaging effects of dirt, moisture or oily fingerprints, allowing for much easier maintenance. Additionally, the handy Zoom Lock switch prevents unwanted barrel extension during transportation.

8. Compatible with main camera-specific features* and functions

Tamron’s new 28-200mm F2.8-5.6 is compatible with many of the advanced features that are specific to certain mirrorless cameras. These include the following:
– Fast Hybrid AF
– Eye AF
– Direct Manual Focus (DMF)
– In-camera lens correction (shading, chromatic aberration, distortion)
– Camera-based lens unit firmware updates

1) Maximum aperture in zoom range among currently available all-in-one interchangeable zoom lenses with a zoom ratio of 7x or higher (As of May 2020: Tamron)
2) Among interchangeable lenses for DSLR cameras (As of May 2017: Tamron)

* Tamron lineup of lenses with 67mm filter diameter for full-frame mirrorless cameras: 28-75mm F/2.8 Di III RXD (Model A036), 17-28mm F/2.8 Di III RXD (Model A046), 20mm/24mm/35mm F/2.8 Di III OSD (Model F050/F051/F053), 70-180mm F/2.8 Di III VXD (Model A056)

Tamron 28-200mm F2.8-5.6 Di III RXD specifications

Principal specifications
Lens type Zoom lens
Max Format size 35mm FF
Focal length 28–200 mm
Image stabilization No
Lens mount Sony FE
Aperture
Maximum aperture F2.8–5.6
Minimum aperture F16–32
Aperture ring No
Number of diaphragm blades 7
Optics
Elements 18
Groups 14
Special elements / coatings Aspherical, hybrid aspherical, extra-low dispersion, low-dispersion elements + BBAR coating
Focus
Minimum focus 0.19 m (7.48)
Maximum magnification 0.32×
Autofocus Yes
Motor type Stepper motor
Full time manual Yes
Focus method Internal
Distance scale No
DoF scale No
Physical
Weight 576 g (1.27 lb)
Diameter 74 mm (2.91)
Length 117 mm (4.61)
Sealing Yes
Colour Black
Zoom method Rotary (extending)
Zoom lock Yes
Filter thread 67 mm
Hood supplied Yes
Tripod collar No

Articles: Digital Photography Review (dpreview.com)

 
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Cosina announces ‘Stills Edition’ version of its Nokton 40mm F1.2 lens for Sony E-mount

02 Jun

Cosina has announced the upcoming release of its latest ‘Stills Edition’ (SE) lens, the Voigtlander Nokton 40mm F1.2 SE lens for Sony E-mount camera systems.

The manual 40mm F1.2 SE lens is nearly identical to its non-SE version. It’s constructed of eight elements in six groups, features an aperture range of F1.2 – F22, has a 55-degree field of view and uses a ten-blade aperture diaphragm. The SE version also features the same built-in encoder for metadata and distance, which works alongside Sony’s in-body image stabilization to offer the best results.

As with other lenses in the SE series, the only notable difference compared to the non-SE version is a slightly changed external design, different groves on the rings and the removal of the aperture de-click button. Below are a few sample photos from Cosina, captured with the lens (the images feature borders and aren’t high-res):

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The lens weighs 340g (12oz), has a 58mm front filter thread and comes with a lens hood. Cosina’s website says the lens will be released on June 24 at a suggested retail price of 100,000 yen (~$ 930).

Articles: Digital Photography Review (dpreview.com)

 
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Samyang/Rokinon Announces 14mm f/2.8 and 85mm f/1.4 Series II lenses

01 Jun

The post Samyang/Rokinon Announces 14mm f/2.8 and 85mm f/1.4 Series II lenses appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

If you’re looking for a reasonably-priced but high-performing lens or two, then you’re in luck.

dps-samyang-series-II-lenses

Samyang/Rokinon has now announced an update for two of its most popular pieces of glass:

The Samyang 14mm f/2.8 Series II

The 14mm f/2.8 and the 85mm f/1.4.

The Samyang 14mm f/2.8 and the 85mm f/1.4 are already highly-regarded among photographers looking to get strong images while keeping prices low (and who don’t mind full-time manual focus). The ultra-wide focal length of the 14mm is perfect for astrophotography, especially when combined with an f/2.8 maximum aperture. And the f/1.4 aperture on the 85mm is a great way to produce that gorgeous, creamy bokeh that portrait photographers want.

All for under $ 650 USD.

But now, with the announcement of the 14mm f/2.8 Series II and the 85mm f/1.4 Series II, Samyang/Rokinon has taken their product lineup a step further.

The 14mm f/2.8 Series II offers the same optics of the original Samyang 14mm, but now sports a focus lock; this allows you to set your point of focus and hold it in place, which is great for maintaining perfect focus in astrophotography, time-lapse, or other difficult-to-focus situations.

the Samyang 14mm Series II lens offers a de-click and a focus lock function

The Samyang 14mm Series II also features a “de-click” option, so that you can manually change the aperture along a near-infinite spectrum (rather than being forced to work in increments, which is the standard for most lenses). This is a great way to fine-tune your apertures in the field, and it also benefits video shooters who want to subtly alter exposure throughout a recording.

As for the 85mm f/1.4 Series II:

You still get the same excellent sharpness and bokeh, but Samyang has added a “de-click” feature to match the 14mm f/2.8 Series II.

And both lenses now offer weather sealing, which will be appreciated by astrophotographers, landscape photographers, and other outdoor shooters, and will make both lenses an easier sell for photographers that work in adverse conditions.

But perhaps the most enticing thing about the new Samyang lenses is the price:

You’ll be able to grab the 85mm f/1.4 Series II for just $ 400 USD, while the 14mm f/2.8 Series II will come in at $ 500 USD.

Sure, constantly using manual focus may come as a bit of a shock, especially if you’ve never used it before. But you’ll become an expert before long and, at such impressively low prices, these two lenses are hard to pass up.

You can currently preorder both the 85mm f/1.4 Series II and the 14mm f/2.8 Series II for Canon EF, Nikon F, Fujifilm X, MFT, and Canon M mounts.

Now over to you:

Do you have any experience with the original Samyang 85mm and 14mm lenses? What do you think of them? And for those of you who are interested in the new lenses: What do you plan to use them for?

The post Samyang/Rokinon Announces 14mm f/2.8 and 85mm f/1.4 Series II lenses appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Samyang announces its AF 85mm F1.4 lens is now available for Canon RF mount

29 May

Last year, Samyang1 released the AF 85mm F1.4 FE prime lens for Sony full-frame mirrorless cameras. Now, the lens has been updated with a Canon RF mount to work with Canon’s line of full-frame mirrorless cameras, too.

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Aside from the new mount, the lens remains unchanged from its Sony FE predecessor. The lens is constructed of 11 elements in 8 groups, including one Extra-Low Dispersion (ED) element and four High Refractive Index (HRI) elements to help minimize chromatic aberration. The optical elements also use Samyang’s Ultra Multi Coating (UMC) to keep flares and ghosting under control.

Autofocus is driven by Samyang’s Dual Linear Sonic Motor (DLSM) and the sole button on the lens is the AF/MF button for switching between auto and manual focus. The lens features weather-sealing, a nine-blade aperture diaphragm and a 77mm front filter thread. Below is a sample photo, provided by Samyang:

The Samyang AF 85mm F1.4 RF is expected to ship in June for $ 800, with pre-orders opening up before then. The RF version comes in at $ 100 more than the Sony FE version was launched at and $ 200 more than what the Sony FE is currently selling for. We will update this page when pre-orders become available.


1 Samyang is also sold under the Rokinon and Bowens brand names, depending on your region and the retailer you purchase from.

Articles: Digital Photography Review (dpreview.com)

 
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Shutterstock announces new earnings structure and contributors are anything but happy

28 May

Stock photography company Shutterstock is taking heat after announcing in a post on its contributor forum that it’s putting a new earnings structure in place starting June 1, 2020.

Under the new structure, photographers and videographers will get compensated via a percentage of the sales price based on the ‘level’ their photo and/or video are rated, with the level being determined by the number of times their content is licensed. Previously, there were lifetime earnings tiers, which took into account total sales made during the lifetime of the contributor, but Shutterstock will do away with that and instead reset all contributors to ‘level 1’ for both images and videos every year on January 1.

Shutterstock breaks down what the various levels consist of in the two graphics below — one for photos and one for video, each of which are calculated independently of one another:

This effectively means that no matter how many sales a contributor has made, on January 1 each year, said contributor will always be demoted back to ‘Tier 1’ wherein they only receive a 15% commission on sales.

Shutterstock says it’s ‘making this adjustment in order to reflect changes in the market for creative content, help to create fair opportunities for all our contributors, and reward performance with greater earnings potential.’ But contributors aren’t convinced and are voicing their concerns and frustrations in the announcement forum post; especially members who have been long-time contributors with massive lifetime earnings numbers, as they will be most affected by this change.

Shutterstock member Richard Whitcombe, who’s been a member since 2010 and has posted more than 3,200 pieces of content, replied to the announcement post saying, ‘Just when you think Shutterstock couldn’t completely and utterly screw the contributors more you’ve gone and done it.’ He continues, ‘Effectively with a January reset everybody gets a cut of 20% or more of earnings to a new laughably tiny amount and it’ll take months to claw back the level they’ve been earning previously. So most people are going to go most of the year for half or less than they currently get.’

He shared in a later post that a Shutterstock team member sent him a private message suggesting they will be moderating his posts for his feedback. The private message read:

‘Hi Richard,

I know you have a lot of questions and you’re fighting for clarity. But you are refuting and questioning everything I post today, and not very constructively.

I’m going to start hiding your posts.

Thanks,

[Shutterstock team member]’

Other members have also chimed in on the changes, echoing Whitcombe’s concern and disbelief about the new earnings structure. As of publishing this article, there are 66 pages of replies to the original forum post, few of which are positive.

Articles: Digital Photography Review (dpreview.com)

 
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