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Posts Tagged ‘Announces’

Lenovo announces Moto Z Play Android smartphone

04 Sep

Lenovo has announced the Moto Z Play smartphone at IFA in Berlin. The new model slots in below the Moto Z Force and Moto Z in Lenovo’s current smartphone lineup and, like its sister models, is compatible with the Moto Mod range of detachable accessory modules, including the also newly announced Hasselblad True Zoom camera module.

With a 16MP CMOS sensor, F2.0 aperture, on-sensor phase detection, laser-assisted AF and dual-LED flash the rear camera specification sounds very similar to the Moto G Plus that was announced back in May but, unlike the G Plus, the Moto Z Play is capable of recording 4K video. At the front the new device features a 5MP camera with a 85 degree angle of view and LED-flash.

Android 6.01 is powered by a Qualcomm Snapdragon 625 chipset with  a 2 GHz Octa-Core CPU. The device comes with 3GB of RAM and 32GB of internal storage that can be expanded up to 2TB via a microSD slot. Images can be viewed on a 5.5″ 1080p Full-HD Super AMOLED display and a fingerprint reader below the screen provides extra security.

The device body comes with a water repellent nano-coating and a USB Type-C port is used for charging and connection to other devices. Lenovo claims the 3510 mAh battery is good for 50 hours of mixed use, and it also features the company’s TurboPower quick-charging which can give you up to 10 hours of usage in only 15 minutes of charging. 

The Moto Z Play will be available worldwide in September for €499/$ 408.

Articles: Digital Photography Review (dpreview.com)

 
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Lenovo announces Hasselblad True Zoom camera module for Moto Z smartphones

04 Sep

Lenovo offers a range of detachable smartphone accessory modules, called Moto Mods, for its Moto Z series smartphones. So far a power pack, a speaker and a mini-projector have been available. Now the company has launched a new addition at IFA in Berlin that is especially interesting to mobile photographers: the Hasselblad True Zoom.

As its name suggests the True Zoom camera module was developed in cooperation with Swedish camera maker Hasselblad, and with its 10x zoom lens and Xenon flash it converts any Moto Z device into a connected travel zoom camera. Like the other Moto Mods, the True Zoom is attached to the smartphone via magnetic force and can be used instantly – no need to restart the device or pair the phone. Communication between the devices takes place via a range of electronic contact pins.

The True Zoom’s body is made from a plastic material. Inside, images are captured on a 12MP 1/2.3″ CMOS sensor with a 1.55 um pixel size. The zoom lens offers an equivalent range of 25-250mm and a F3.5-6.5 aperture. Optical image stabilization is on board as well, and the module can record 1080p Full-HD video.

Currently compatible smartphone models are the Lenovo Moto Z, Moto Z Force and the just-announced Moto Z Play mid-range phone that comes with a 16MP camera, 5.5″ 1080p AMOLED display and a Qualcomm Snapdragon 625 octa-core processor. We have had the chance to test the Hasselblad True Zoom on a Moto Z Force for a few days – you can read about our experience with the module in our hands-on review.

The Hasselblad True Zoom will ship globally in September and will cost $ 299/€299, or $ 249.99 from Verizon in the US.

Lenovo’s Moto Mod range includes a power pack, a speaker, a projector and now the new Hasselblad True Zoom camera module.

Hasselblad True Zoom Moto Mod key specifications:

  • 12MP 1/2.3″ CMOS sensor with 
  • 25-250mm equivalent 10x zoom lens
  • 12MP
  • F3.5-6.5 aperture
  • ISO 100 to 3200
  • 1080p video
  • 2 built-in microphones
  • Physical two-stage shutter button and zoom lever
  • Xenon flash
  • 145g

Articles: Digital Photography Review (dpreview.com)

 
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Tamron announces new 1.4X and 2X teleconverters

03 Sep

Tamron has announced two new teleconverters, designed to be used with select telephoto Tamron lenses, starting with the company’s new SP 150-600mm F5-6.3 Di VC USD G2. The 1.4X and 2X converters are moisture and dust-resistant, and turn the 150-600mm into a 210-600mm or 300-1200mm equivalent zoom, respectively. Both teleconverters use Tamron’s BBAR (Broad-Band Anti-Reflection) coatings to reduce ghosting and flare, and the 2X converter uses a low-dispersion element to suppress aberrations.

The 1.4X and 2X converters will cost $ 419 and $ 439 respectively. They’ll be available in Canon and Nikon mounts starting September 23rd in Japan, with availability in the US soon after.

TAMRON ANNOUNCES TWO TELECONVERTERS

New models designed exclusively for Tamron lenses

TELECONVERTER 1.4x (Model TC-X14)
TELECONVERTER 2.0x (Model TC-X20)

September 1, 2016, Commack, New York – Tamron, a leading manufacturer of optics for diverse applications, announces the launch of two teleconverter models exclusively[1] for select Tamron lenses. These accessories make it easy to expand the versatility of the new SP 150-600mm F/5-6.3 Di VC USD G2 (Model A022) ultra-telephoto zoom lens. TELECONVERTER 1.4x (Model TC-X14) increases the focal length by a factor of 1.4x, while TELECONVERTER 2.0x (Model TC-X20) doubles the focal length. Delivery of the new teleconverters, each available in Canon and Nikon mounts, will start on September 23 in the Japanese market and soon thereafter in the U.S. market at a price of $ 419 for the 1.4X and $ 439 for the 2X.

PRODUCT HIGHLIGHTS

1. Increases maximum focal length
Although the maximum focal length is increased, the minimum object distance remains nearly the same, so the magnification ratio during close focusing is enhanced. Both teleconverters are carefully designed and constructed to preserve the original superior image quality of the lens. The 2.0x model uses one LD (Low Dispersion) lens element to suppress aberrations. BBAR (Broad-Band Anti-Reflection) coatings are deployed on both models to help minimize ghosting and flare.

2. Autofocus and VC features are retained with compatible lenses
Autofocus functions normally with compatible lenses (please refer to Compatible Tamron Lens List below). VC (Vibration Compensation) performance is maintained.

3. Moisture-Proof and Dust-Resistant Construction
The new teleconverters are ideal for use in outdoor photography when matched with any lens that has a Moisture-Resistant Construction because special seals that are dust-resistant and moisture-proof are used at every joint and seam.

4. Sturdy, durable barrel design
The barrel frame of the teleconverters are made of die cast aluminum, except for some parts of the exterior finish, to maintain extra strength when used with large lenses. The design utilizes a bayonet mount made of brass on the camera side and stainless steel on the lens side to ensure excellent durability even with repeated mountings and detachments.

Design Concept

These accessories embody Tamron’s new design that’s born from the pursuit of functional beauty and achieved by smoothly blending engineering and design enhancements. Meticulous craftsmanship is applied to every detail. The new teleconverters feature a metal lens barrel and share this same design concept. Both teleconverters provide remarkable ease of use-even the release lever offers a comfortable touch to the photographer’s finger.

Compatible Tamron Lens List (As of September, 2016)

SP 150-600mm F/5-6.3 Di VC USD G2 (Model A022)
For Canon and Nikon

Changes in zoom range when used with SP 150-600mm F/5-6.3 Di VC USD G2 (Model A022)

  Mounted on 35mm full-frame DSLR camera Mounted on APS-C format DSLR camera
 Without teleconverter  150-600mm  Approx. 233-930mm
 With 1.4x teleconverter  210-840mm  Approx. 326-1302mm
 With 2.0x teleconverter  300-1200mm  Approx. 465-1860mm

Changes in magnification ratio when used with SP 150-600mm F/5-6.3 Di VC USD G2 (Model A022)

  Maximum Magnification Ratio 
Without teleconverter 1:3.9
With 1.4x teleconverter 1:2.8
With 2.0x teleconverter 1:2

Available focusing mode when used with SP 150-600mm F/5-6.3 Di VC USD G2 (Model A022)

  When using viewfinder When using live view mode
 With 1.4x teleconverter AF*1*2/MF  AF*2/MF
 With 2.0x teleconverter MF   AF*2/MF

*1 Autofocus functions normally on any camera that offers F/8 autofocusing (see your camera’s instruction manual for your camera’s ability).
*2 Subjects with low contrast and/or luminosity values can sometimes result in out-of-focus images.

[1]Compatible model is SP 150-600mm F/5-6.3 Di VC USD G2 (Model A022) (As of September 1; Tamron)

Optical Construction:

SPECIFICATIONS

TELECONVERTER 1.4x

  • Model : TC-X14
  • Magnification : 1.4x
  • Optical Construction : 6 elements in 3 groups
  • Maximum Diameter : for Canon Ø70mm / for Nikon Ø62.6mm
  • Length[1] : for Canon, Nikon 0.8 in
  • Entire Length[2] : for Canon 1.3 in (34.1mm) / for Nikon 1.3 in (32.3mm)
  • Weight : for Canon 7.2 oz / for Nikon 6.3oz
  • Standard Accessories : Mount cap, Rear cap, Lens case
  • Compatible Mounts : Canon, Nikon

*Use of the TC-X14 tele converter reduces the effective aperture by one f/stop.

TELECONVERTER 2x

  • Model : TC-X20
  • Magnification : 2x
  • Optical Construction : 9 elements in 5 groups
  • Maximum Diameter : for Canon Ø69.8mm / for Nikon Ø62.3mm
  • Length[1] : for Canon, Nikon 2.1 in
  • Entire Length[2] : for Canon 2.6 in (66.8mm) / for Nikon 2.6 in (65mm)
  • Weight : for Canon 12.7 oz / for Nikon 10.8oz
  • Standard Accessories : Mount cap, Rear cap, Lens case
  • Compatible Mounts : Canon, Nikon

*Use of the TC-X20 tele converter reduces the effective aperture by two f/stops.

Specifications, appearance, functionality, etc. are subject to change without prior notice.

[1]Length is the distance from the front tip of the lens to the lens mount face.
[2]Entire Length is the distance between the tip of the lens and the tip of protrusion.

Articles: Digital Photography Review (dpreview.com)

 
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Canon announces new flagship EOS C700 cinema camera

02 Sep

Canon has announced a new addition to its Cinema EOS line of professional cinematography cameras, the EOS C700, which appears to be the first camera from Canon to leverage the global shutter CMOS sensor technology the company revealed yesterday. The camera will be available in three variants: the C700, C700 PL, and C700 GS PL.

The EOS C700 and EOS C700 PL feature a Super 35mm 4.5K sensor with wide dynamic range, which Canon says extends to 15 stops of latitude. The EOS 700 GS PL features a Super 35mm 4K sensor with global shutter. Global shutter is a desirable feature for filmmakers as it allows the camera to capture data from the entire sensor at one time. In contrast, most CMOS sensors capture data using what is known as a rolling shutter, in which data is captured line by line as it comes off the sensor, and which is responsible for the ‘Jello’ effect often seen in digital video.

All three cameras support Canon’s standard Log gamma profiles (Canon Log3, Canon Log2, and CanonLog), and support frame rates up to 4K/60p and 2K/240p. Canon has also added the ability to record footage straight to Apple ProRes, a common editing format, in addition to Raw data capture and Canon’s own XF-AVC compressed codec. Additionally, these are the first Cinema EOS cameras to include a de-squeeze feature for live monitoring when shooting with anamorphic lenses.

Owners won’t be locked into a lens mount or sensor; the C700 will allow users to switch between EF and PL mounts, as well as between the standard CMOS sensor and the global shutter CMOS sensor. (Though this work will need to be done at a Canon service facility.) Canon gives users incentive to pair the camera with EF lenses as these will make it possible to take advantage of Dual Pixel autofocus, however those who choose PL mount versions will get compatibility with Cooke/i metadata communication technology.

Finally, Canon has partnered with Codex to provide a fully integrated, no cable workflow option with the Codex CDX-36150 recorder.

These look like impressive tools, and they come with a price tag to match. The EOS C700 and C700 PL are expected to go on sale in December with a list price of $ 35,000, while the EOS C700 GS PL should be available in January (2017) with a list price of $ 38,000.

Press Release:

Canon U.S.A., Inc. INTRODUCES NEW FLAGSHIP EOS C700 CINEMA CAMERA*

Ideal for Major 4K Cinema, Television, and On-Demand Streaming Productions

MELVILLE, N.Y., September 1, 2016 – Canon U.S.A., Inc., a leader in digital imaging solutions, announced today the next step in the evolution of the Cinema EOS family of professional cinematography products with the new EOS C700, EOS C700 PL and EOS C700 GS PL cinema cameras 

Featuring a completely new, customizable, modular design, the EOS C700 meets the demands of today’s productions – from feature films to documentaries to episodic dramas. The EOS C700 and EOS C700 PL cameras feature a Super 35mm 4.5K sensor1 with wide dynamic range, and can be ideal for productions requiring 4K UHD TV or 4K DCI cinema deliverables. The EOS C700 GS PL features a Super 35mm 4K sensor with a global shutter to enable the distortion-free capture of subjects moving at high speeds. In addition to supporting the earlier XF-AVC2 recording format, the cameras also support Apple® ProRes.

Recognizing that customers today demand flexibility and the ability to respond to the changing needs of productions, the EOS C700 allows users to convert between EF mount and PL mounts, and between a standard CMOS image sensor and a global shutter CMOS image sensor at Canon service facilities3. The EF lens mount provides compatibility with Canon’s diverse lineup of over 70 interchangeable EF lenses as well as enabling use of Canon’s Dual Pixel CMOS AF technology. While the EOS C700 PL and EOS C700 GS PL allow use of industry-standard PL lenses and compatibility with Cooke /i metadata communication technology.

For those wanting to shoot and deliver High Dynamic Range (HDR)4 content, the EOS C700 and EOS C700 PL are ideal – providing 15 stops of latitude5, Canon’s proprietary Log Gammas (Canon Log3, Canon Log2 and Canon Log) and renowned color science. Additionally, these cameras seamlessly integrate with Canon’s professional 4K displays (DP-V2420, DP-V2410 or DP-V1770) for on-set color management and review that conforms to SMPTE ST 20846 standards of HDR display.

To complement these powerful new acquisition tools, Canon has turned to its trusted partner Codex to provide a fully-integrated (no cables) recording and workflow option. The combination of the EOS C700 camera with the optional Codex CDX-36150 recorder allows for high-speed 4.5K RAW recording at up to 100FPS, 4K RAW at up to 120FPS, 4K ProRes at up to 60FPS, 2K ProRes at up to 240FPS and XF-AVC at up to 60FPS.

Canon’s new EOS C700, EOS C700 PL and EOS C700 GS PL are the first Cinema EOS cameras to support anamorphic shooting by utilizing a “de-squeeze” function for monitoring7, making possible the creation of images with the 2.39:1 aspect ratio typical of cinema productions. Furthermore, enabling Full HD high-frame-rate recording at a maximum of 240 fps (crop8), the camera enables smooth playback, even when slowed down, for great emotional visual expression. 

Along with the announcement of these cameras, Canon is also introducing optional accessories OLED 1920×1080 Electronic View Finder EVF-V70, Remote Operation Unit OU-700, Shoulder Support Unit SU-15, Shoulder Style Grip Unit SG-1 and B4 mount adapters MO-4E/MO-4P. 

The EOS C700 and EOS C700 PL are currently expected to go on sale in December 2016, while the EOS C700 GS PL is currently expected to go on sale in January 2017. The EOS C700 and EOS C700 PL will have a list of $ 35,000.00 each** and the EOS C700 GS PL will have a list price of $ 38,000.00**.  

†Based on weekly patent counts issued by United States Patent and Trademark Office.

*This device has not been authorized as required by the rules of the Federal Communications Commission. This device is not, and may not be offered for sale or lease, or sold or leased, until authorization is obtained. 

**Availability, pricing and specifications are subject to change without notice. Actual prices are set by individual dealers and may vary.

1 4.5K RAW recording will be supported following a firmware update (currently scheduled to be released at the end of March 2017, see chart below).

2 Canon’s proprietary video format that efficiently compresses video data.

3 Conversions will incur a fee and will be handled by Canon service facilities.

4 High Dynamic Range refers to a technique that enhances the contrast between light and dark values (the dynamic range) of an image.

5 15 stops achievable in EOS C700 and EOS C700 PL models in Canon Log2 mode. EOS C700 GS PL achieves 14 stops.

6 The wide dynamic range imaging standard recommended by the Society of Motion Picture & Television Engineers.

7 A lens that enables shooting with landscape-orientation compression and makes possible a characteristic blur effect.

8 A shooting function that creates a pseudo-telephoto effect using a portion of the sensor area.

Articles: Digital Photography Review (dpreview.com)

 
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Sony announces Xperia XZ flagship device with triple-sensor camera

02 Sep

Sony has announced its new top-end device in the Xperia Z line at IFA in Berlin and in the camera department the new model comes with what the company calls ‘triple sensor’ technology. In practical terms this means that the Sony IMX300 1/2.3” 23MP image sensor with on-sensor phase detection is accompanied by a laser that measures the distance to the subject and improves AF speed and accuracy in low light; and an RGBC-IR sensor that measures the color values of a scene in order to fine-tune the white balance system. The hybrid AF-system is also predictive and can track subjects in motion.

The Sony G lens comes with a 24mm equivalent focal length and an F2.0 aperture. In video mode the camera can record footage in 4K resolution and the Xperia XZ is also the first device on which Sony has implemented 5-axis electronic video stabilization. At the front there is a 13MP 1/3″ sensor with F2.0 aperture and 1080p video, specifications that would have been worthy of a main camera not too long ago.

The Android 6.01 system is powered by a Qualcomm Snapdragon 820 chipset and 3GB of RAM. 32 or 64GB of internal storage are expandable via microSD card. Intelligent battery management means you are getting as much time as possible out of the 2900 mAh battery which also supports quick-charging. With a 1080p resolution and 5.2” diagonal the display specifications have not changed from previous high-end Xperia devices.

All the technology is wrapped up in an 8.1mm thin metal body with rounded edges, that is water and dust tight (IP65/68). A fingerprint sensor has been integrated into the power button for added security. The Sony Xperia XZ doesn’t offer any huge improvements over previous devices in the series but looks like a solid update. It will be available in Europe from October for €699 (approximately $ 780), there is no word on availability in other regions yet.

Articles: Digital Photography Review (dpreview.com)

 
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Canon announces the XC15 4K video camera

02 Sep
The Canon XC15 camera with included MA-400 microphone adapter, which provides support for XLR inputs.

Canon has announced the new XC15 camera, a 4K UHD camcorder in a compact body.

Though it’s clearly a follow-up to the company’s XC10 model, introduced in 2015, Canon is positioning the XC15 very differently. When the XC10 was announced Canon presented it as a camera that could bridge the gap for those who needed to shoot both video and stills, emphasizing its 12MP still capture capability. In contrast, the press release for the XC15 doesn’t even mention still photos, instead positioning the camera as a high quality, compact 4K camcorder oriented at news and video production, possibly as a B-camera to a Cinema EOS model. Canon hasn’t yet provided detailed specifications, but like the XC10 it uses a 1” CMOS sensor and a 10x optical zoom lens, which appears to be the same 24.1mm-241mm F2.8-5.6 (equivalent) lens found on the XC10.

It appears that Canon is making an effort to respond to one very specific area of feedback from many of its video users: the need for XLR microphone support. The camera ships with Canon’s MA-400 microphone adapter that provides XLR-input compatibility.

The XC15 will be available in September for $ 3000.00

Press Release:

Canon’s New Lightweight, Compact XC15 4K UHD Video Camcorder Ideal for News and Video Production

XLR Microphone Input Provides Audio Support in Addition to High-Quality 4K UHD Video Capture

MELVILLE, N.Y., September 1, 2016 – Canon U.S.A., Inc., a leader in digital imaging solutions, announced today the XC15 4K Video Camcorder, a 4K UHD digital video camcorder for professional use that achieves high-image quality with a lightweight, compact body.

The new Canon XC15, which builds on the XC10 4K UHD digital video camcorder announced in April 2015, enables shooting with an external microphone through an XLR input and features the selection of visual-expression “Look” modes, including modes that allow it to match the look of other Canon professional cameras, making it ideal for use as a “B”-camera as well as for media and video-content productions.

The Canon XC15 ships with the MA-400 microphone adapter that, when attached, enables shooting with XLR-input microphones used in a wide range of media and content-creation applications. As a result, the camcorder supports the production of content that combines both high-image quality and high-sound quality with reduced noise. The MA-400 is also compatible with the EOS C300 Mark II camera.

Thanks to its high-sensitivity one-inch CMOS sensor and DIGIC DV 5 image processing platform with high calculation-processing power, the new XC15 is capable of capturing high-image quality and low-noise 4K UHD video. Additionally, the camcorder features a compact, lightweight body design, measuring approximately 5.0 x 4.1 x 4.8 inches (WxHxD) and weighs approximately 2.1 pounds while also sporting a 10x optical zoom lens ¹, which facilitates shooting in confined spaces and environments that demand mobility.

The Canon XC15 4K UHD professional video camcorder is scheduled to be available in September 2016 for a list price of $ 3,000.00.* For more information, please visit usa.canon.com

† Based on weekly patent counts issued by United States Patent and Trademark Office.

* Availability, prices and specifications subject to change without notice. Actual prices are set by individual dealers and may vary.

All referenced product names, and other marks, are trademarks of their respective owners.

¹ Body and Lens Only

Articles: Digital Photography Review (dpreview.com)

 
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Tamron announces 2nd generation SP 150-600mm Di VC USD ‘G2’

01 Sep

Tamron has announced a new version of its popular 150-600mm telezoom – the SP 150-600mm F5-6.3 Di VC USD G2. The ‘G2’ stands for second generation, reflecting several improvements to the design.

These improvements include more effective image stabilization (to a claimed 4.5 stops of benefit), faster AF speed and compatibility with Tamron’s ‘TAP-in’ Console, for lens firmware updates and customization. A ‘Flex Zoom Lock’ mechanism has also been added to keep the lens barrel fixed at any focal length. Flourine coating has been added to the front lens element, and the entire lens barrel offers greater moisture resistance.

The SP 150-600mm F5-6.3 Di VC USD G2 will sell for $ 1399 and will go on sale in Japan starting September 23rd in Nikon and Canon mounts, arriving in the US soon after. A Sony A-mount version will follow later. A pair of new teleconverters designed for use with the 150-600mm have also been announced.

Press release

INTRODUCING THE PINNACLE OF ULTRA-TELEPHOTO ZOOMS WITH ADVANCED FEATURES, ENHANCED PERFORMANCE, AND IMPROVED ERGONOMICS

New generation “G2” lens boasts faster AF speed and enhanced VC

SP 150-600mm Di VC USD G2 (Model A022)

September 1, 2016, Commack, New York – Tamron, a leading manufacturer of optics for diverse applications, announces the launch of the SP 150-600mm F/5-6.3 Di VC USD G2 (Model A022). This second generation “G2” lens builds upon the success of the SP 150-600mm F/5-6.3 Di VC USD (Model A011), which launched in December 2013 and continues to successfully meet photographers’ needs in the ultra-telephoto category. The new G2 version was developed to provide superior optical performance with today’s high resolution DSLRs and to add improvements to several features including speed and accuracy of AF and VC (Vibration Compensation). Also, several new features have been added: FLEX ZOOM LOCK mechanism, Fluorine Coating and optional teleconverters. The new lens delivers outstanding performance and a luxurious, upscale appearance, including a metal lens barrel.

Delivery of the new lens in Canon and Nikon mounts will start on September 23 in the Japanese market and soon thereafter in the U.S. market (Sony A-mount to be delivered at a later date) at a price of $ 1399.

PRODUCT HIGHLIGHTS

1. Optical design refreshed to achieve even higher performance
Three LD (Low Dispersion) lens elements completely eliminate axial and transverse chromatic aberrations. The design also features an upgraded optical construction (21 elements in 13 groups) and leverages improvements in manufacturing technology. As a result, the lens delivers high resolution, improved sharpness and overall better performance.

2. Tamron’s sophisticated eBAND Coating for eliminating ghosting and flare
eBAND (Extended Bandwidth & Angular-Dependency) Coating is a nano-structured layer deployed on the lens element surface. In addition to regular anti-reflection coatings, eBAND Coating offers higher light transmission and significant improvement in anti-reflection characteristics, especially against angulated incident rays. Combined with BBAR (Broad-Band Anti-Reflection) coatings, flare and ghosting are reduced to imperceptible levels.

3. MOD reduced to provide optimum tele-macro photography
Tamron’s advanced manufacturing technology has made it possible to reduce the MOD (Minimum Object Distance) to 86.6 in (2.2m), compared to 106.3 in (2.7m) for Model A011, and has allowed for the wonders of tele-macro photography with its 1:3.9 Maximum Magnification Ratio.

4. AF speed is faster and much more responsive with moving subjects
The Model A022 is equipped with a USD (Ultrasonic Silent Drive) ring-type motor that delivers excellent responsiveness and control. AF speed is significantly improved from the current model, and it enables accurate high-speed focus even when capturing moving subjects. When shooting with AF, the Full-time Manual Focus override allows you to instantly make fine-focusing adjustments manually, without having to switch between modes.

5. VC performance is now 4.5 stops and offers 3 modes optimized for different situations
The VC (Vibration Compensation) effectiveness is equivalent to 4.5 stops, based on image stabilization performance levels established by CIPA (Camera & Imaging Products Association) when using VC MODE 3. Model A022 now has three types of VC modes, and it is possible to choose the optimum VC mode according to the situation for taking a photograph, such as when panning.

  • VC MODE 1 is the standard mode that strikes a great balance between the stability of the viewfinder image and the stabilization effects.
  • VC MODE 2 is exclusively used for panning.
  • VC MODE 3 prioritizes the stabilization of the captured images and forgoes the stabilization of the viewfinder image.

A new VC Mode can be programmed with the optional TAMRON TAP-in Console™. You can overwrite VC Mode 1 with a new VC Mode that allows stabilization to be engaged constantly for videography purposes. In this mode, the LCD screen is used.

6. New FLEX ZOOM LOCK mechanism enables locking of the zoom ring at any position
The FLEX ZOOM LOCK mechanism quickly locks or unlocks the zoom at any position simply by sliding the zoom ring. Photographers can shoot from any angle without the zoom extending unintentionally. Additionally, the lens features the conventional Zoom Lock switch to prevent unwanted barrel extension during transportation.

7. Fluorine Coating and Moisture-Resistant Construction for a more user-friendly lens
The front surface of the lens element is coated with a protective fluorine compound that is water- and oil-repellent. The lens surface is easier to wipe clean and is less vulnerable to the damaging effects of dirt, dust, moisture and fingerprints. For greater protection when shooting outdoors, leak-proof seals throughout the lens barrel help protect your equipment.

8. Electromagnetic diaphragm system now used for Nikon-mount lenses
An electromagnetic diaphragm system, which has been a standard feature for Canon-mount lenses, is now employed in Nikon-mount lenses[1]. More precise diaphragm and aperture control is possible because the diaphragm blades are driven and controlled by a motor through electronic pulse signals.

9. Lightweight and easy-to-hold tripod mount is compatible with an Arca-Swiss style quick release plate
A new textured grip and Arca-Swiss style tripod interface enhances both speed and utility. And because the tripod mount is made of lightweight magnesium, it is much easier to carry.

10. Compatible with TAMRON TAP-in ConsoleTM, an optional accessory product
The optional TAP-in Console provides a USB connection to your personal computer, enabling you to easily update your lens’s firmware as well as customize features including fine adjustments to the AF and VC.

11. Teleconverters exclusively for the Tamron lens now developed
Two exclusive teleconverters[2], which perfectly match the optics of the new SP 150-600mm G2 (Model A022), offer 1.4x and 2x magnification, and provide a maximum zoom range up to 1200mm. These new teleconverters extend focal length of the master lens, making it possible to take pictures in farther ultra-telephoto ranges.

Changes in zoom range when used with SP 150-600mm F/5-6.3 Di VC USD G2 (Model A022)

  Mounted on 35mm full-frame DSLR camera Mounted on APS-C format DSLR camera
 Without teleconverter  150-600mm  Approx. 233-930mm
 With 1.4x teleconverter  210-840mm  Approx. 326-1302mm
 With 2.0x teleconverter  300-1200mm  Approx. 465-1860mm

Changes in magnification ratio when used with SP 150-600mm F/5-6.3 Di VC USD G2 (Model A022)

  Maximum Magnification Ratio 
Without teleconverter 1:3.9
With 1.4x teleconverter 1:2.8
With 2.0x teleconverter 1:2

Available focusing mode when used with SP 150-600mm F/5-6.3 Di VC USD G2 (Model A022)

  When using viewfinder When using live view mode
 With 1.4x teleconverter AF*1*2/MF  AF*2/MF
 With 2.0x teleconverter MF   AF*2/MF

*1 Autofocus functions normally on any camera that offers F/8 autofocusing (see your camera’s instruction manual for your camera’s ability).
*2 Subjects with low contrast and/or luminosity values can sometimes result in out-of-focus images.

12. Based on the rigorous quality standards worthy of the SP series, this new lens is manufactured with thorough attention to details
For the SP series products in particular, Tamron has established rigorous design and quality standards. These standards apply to the optical design, mechanical design and the cosmetic appearance, as well as to such wide-ranging areas as the product’s robustness and improvements in various individual functions. Tamron thoroughly reviews of all of the design and manufacturing processes in order to offer products to customers with ever-higher precision and quality levels.

For the SP 150-600mm G2 (Model A022), the optical design was refreshed, mechanical parts were improved and a new exterior design was adopted. To maximize the optical performance intrinsic to this product, Tamron improved the accuracy of component parts and increased the precision of the overall zooming mechanism.

Design Concept
The new design adopted for the four SP series lenses already on the market is essentially the fusion of engineering and style, the pursuit of functional beauty and craftsmanship achieved by giving meticulous attention to minute details. Using metal as the exterior material creates a high-grade design based on the concept that emphasizes “Human Touch” characteristics, and significantly improves user-friendliness. The SP models feature a novel design for the switches, easy-to-read characters, an enlarged window over the distance scale and the adoption of organic forms easy for the photographer’s fingers to hold onto.

This design philosophy-the pursuit of functional beauty with a “Human Touch”-is applied even to the most minute details of the new SP 150-600mm G2 (Model A022) ultra-telephoto zoom. By using metal for the exterior material and adding new functions such as the FLEX ZOOM LOCK mechanism, the Model A022 achieves a size and weight that makes comfortable handheld shooting possible, with a slim and stylish appearance design to top it all off.

[1]Available only with cameras compatible with the electromagnetic diaphragm (D3100, D3200, D3300, D5000, D5100, D5200, D5300, D5500, D7000, D7100, D7200, D300, D300s, D600, D610, D700, D750, D800, D800E, D810, D810A, D3x, D3s, D4, D4s, Df, D500, D5). (As of September 1; Tamron)
[2] Additional information will be available on Tamron’s website at a later date.

Optical Construction:

MTF:

SPECIFICATIONS

  • Model : A022
  • Focal Length : 150-600mm
  • Maximum Aperture : F/5-6.3
  • Angle of View (diagonal) : 16°25′ – 4°8′ (for full-frame format): 10°38′ – 2°40′ (for APS-C format)
  • Optical Construction: 21 elements in 13 groups
  • Minimum Object Distance : 86.6 in
  • Maximum Magnification Ratio : 1:3.9
  • Filter Size : Ø95mm
  • Maximum Diameter : Ø108.4mm
  • Length[1] : for Canon 10.2 in / for Nikon 10.1 in
  • Weight[2] : for Canon 70.9 oz / for Nikon 70.2 oz
  • Aperture Blades : 9 (circular diaphragm[3])
  • Minimum Aperture : F/32-40
  • Image Stabilization Performance: 4.5 stops (using VC Mode 3) CIPA Standards Compliant (For Canon : EOS-5D Mark III is used / For Nikon : D810 is used)
  • Standard Accessories : Lens hood, Lens caps, Lens case
  • Compatible Mounts : Canon, Nikon, Sony A-mount[4]

Specifications, appearance, functionality, etc. are subject to change without prior notice.

[1]Length is the distance from the front tip of the lens to the lens mount face.
[2] Weight includes the weight of the detachable tripod mount
[3]The circular diaphragm stays almost perfectly circular up to two stops down from maximum aperture.
[4]The Sony mount model does not include VC, since the bodies of Sony DSLR cameras include built-in image stabilization functionality.

Tamron SP 150-600mm F5-6.3 Di VC USD G2 specifications

Principal specifications
Lens type Zoom lens
Max Format size 35mm FF
Focal length 150–600 mm
Image stabilization Yes (VC – Vibration Compensation)
Lens mount Canon EF, Nikon F (FX), Sony/Minolta Alpha
Aperture
Maximum aperture F5
Minimum aperture F32
Aperture ring No
Number of diaphragm blades 9
Optics
Elements 21
Groups 13
Special elements / coatings eBAND (Extended Bandwidth & Angular Dependency) Coating
Fluorine Coating
Focus
Minimum focus 2.70 m (106.3″)
Maximum magnification 0.2×
Autofocus Yes
Motor type Ultrasonic
Full time manual Yes
Distance scale Yes
DoF scale No
Physical
Weight 2010 g (4.43 lb)
Diameter 106 mm (4.16″)
Length 258 mm (10.15″)
Filter thread 95.0 mm
Hood supplied Yes

Articles: Digital Photography Review (dpreview.com)

 
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Canon announces full-frame EOS 5D Mark IV with 30MP sensor and Dual Pixel AF

26 Aug

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Canon has officially announced the EOS 5D Mark IV, the fourth generation of its full-frame DSLR for enthusiast and professional photographers. Built around a 30MP Dual Pixel AF sensor, it significantly extends the still and video capabilities the series has become known for.

The 30MP Dual Pixel CMOS sensor allows for fast phase-detection autofocus in video and—for the first time in a Canon full-frame body—continuous focus for stills shooting in live view. Video can be captured in the DCI (4096 x 2160) 4K format at up to 30p (and up to 60p in 1080, and 120p in 720). 4K video is captured in the high quality but inefficient Motion JPEG format.

The camera’s AF coverage, sensitivity and lens compatibility has been expanded in-line with the EOS-1D X Mark II and the maximum frame rate boosted to seven frames per second. The 5D IV also becomes the first model to capture separate data from the dual photodiodes that make up each pixel, enabling some innovative post-processing options to correct for minor focus errors or remove lens ghosting.

The EOS 5D Mark IV will go on sale in early September with an MSRP of $ 3499. Kits with the 24-70mm F4L IS will ship at around the same time for $ 4399, while a 24-105mm F4L IS II USM kit follows in late October for $ 4599.

Press Release

It’s Finally here: Canon u.s.a. announces the highly anticipated EOS 5D Mark IV DSLR camera and new L-Series Lenses

Developed for Professional Wedding, Portrait, and Nature/Wildlife Photographers as well as Filmmakers, the EOS 5D Mark IV Delivers Excellent Image Quality and 4K Video Recording

MELVILLE, N.Y., August 25, 2016 – Canon U.S.A., Inc., a leader in digital imaging solutions, is proud to announce the EOS 5D Mark IV DSLR camera, the next generation of the popular and versatile 5D series of Canon professional DSLR cameras. Building on this legendary legacy, the EOS 5D Mark IV propels the series forward with a fusion of features and enhancements targeted to please even the most discerning creative eyes. The camera’s 30.4 megapixel 35mm Full Frame Canon CMOS sensor offers stunning image quality while the DIGIC 6+ Image Processor delivers 4K 30P video and up to and seven frames per second (fps) continuous shooting. To make video shooting even easier, the camera also features Canon’s propriety Dual Pixel CMOS AF, even when shooting 4K to help ensure sharp focus and subject tracking.

In addition, Canon is also introducing two new L-series EF lenses – the Canon EF 16-35mm f/2.8L III USM Ultra-Wide Zoom Lens and EF 24-105mm f/4L IS II USM Standard Zoom Lens– offering fantastic edge-to-edge sharpness across the imaging plane, as well as improved durability and performance.

“Canon’s EOS 5D series of DSLR cameras has a history of being at the forefront of still and video innovation. And today, we add to this family of cameras the EOS 5D Mark IV– the first in our 5D series to offer 4K video and built-in Wi-Fi and NFC connectivity,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. “In developing this new DSLR camera, we listened to the requests of current EOS users to create for them a modern, versatile camera designed to help them create and share beautiful still and video imagery.”

“Outdoor photographers will really appreciate the new EOS 5D Mark IV, as it offers more resolution, better detail in the shadows, and improved speeds in autofocus and frame rate,” reported acclaimed nature photographer and Canon Explorer of Light George Lepp. “With the fabulous resolution of 4K video and the ability to make beautiful prints from a frame of that video as an added bonus, this camera sets a new mid-range standard for nature photography.”

EOS 5D Mark IV DSLR Camera Specifications:

  • New 30.4 Megapixel full-frame CMOS sensor for versatile shooting in nearly any light, with ISO range 100–32,000; expandable up to 50–102,400.
  • 4K Motion JPEG video (DCI cinema-type 4096 x 2160) at 30p or 24p; in-camera still frame grab* of 4K 8.8-Megapixel images; multiple video options include Full HD up to 60p, and HD up to 120p.
  • Superb Dual Pixel CMOS AF for responsive and smooth AF during video or Live View shooting; LCD monitor has full touch-screen interface, including selection of AF area.
  • Excellent performance — up to 7.0 fps** continuous shooting speed with high performance DIGIC 6+ Image Processor for improved speed and excellent image quality.
  • 61 AF points with expanded vertical coverage with 41 cross-points, and AF possible at all 61 AF points with many lens + extender combinations effective at f/8.
  • 150,000-pixel RGB+IR metering sensor helps provide precise exposure metering, helps detect flickering lights and allows for enhanced scene recognition and face detection capabilities.
  • Dual Pixel RAW***, in-camera Digital Lens Optimizer during JPEG shooting and Diffraction Correction technologies.
  • Built-in Wi-Fi®1 and NFC2 connectivity provide easy sharing to compatible smart devices, select social media sites and the Canon Connect Station CS100 device.
  • Built-in GPS3 provides geotag information including auto time syncing with Universal Time Code (UTC) via satellites.

“I have owned every camera in the 5D line, so the new EOS 5D Mark IV feels like an old friend in my hands, only better” exclaimed renowned wedding photographer and Canon Explorer of Light Clay Blackmore. “It has everything a professional photographer needs to create outstanding, quality images every time. Between its ability with still images and video capture, it is the complete package and—in my opinion—the best wedding camera on the planet.”

“When working with macro beauty photography, I need fast and precise autofocus. With each breath of the subject I need to be able to check the exact placement of focus, whether on the tips of the eyelashes, the pupils or other detail of her face. The EOS 5D Mark IV gave me exactly the speed and precision required to capture the detail and stunning color that is a signature of my beauty work,” remarked celebrated fashion and beauty photographer and Canon Explorer of Light Lindsay Adler. “I’m always looking for ways to create visuals that help me stand out from the competition. Cinemagraphs, also known as ‘living images,’ allow me to combine still frames and video to create captivating images. Because of the EOS 5D Mark IV’s 4K and slow motion capabilities, I now have the ability to create high quality and visually compelling cinemagraphs without having to invest in an expensive cinema camera!”

The Next Generation of EOS 5D Cameras

In addition to the new Full Frame sensor, the new EOS 5D Mark IV includes a 61-point High-Density Reticular AF II system, similar to the one found in the flagship EOS-1D X Mark II, with all AF points selectable by the user (and up to 41 cross-type points depending on the lens in use). The AF system, improved over previous Canon 5D series models, includes expanded coverage across the frame that supports AF at maximum apertures up to f/8 with all 61 points for high-precision autofocus even when using EF super-telephoto lenses with an EF extender. Standard ISO range for the EOS 5D Mark IV is ISO 100-32,000 and is expandable to 50-102,400.

The EOS 5D Mark IV also introduces a new 150,000 pixel RGB+IR metering sensor with enhanced precision and performance compared to its predecessor, improving upon facial recognition and tracking as well as nature and sports scenes with fast-moving action. AF sensitivity in low light is EV-3 and EV-4 when in Live View mode. The EOS Scene Detection System can detect and compensate for flickering light sources that are often used in gymnasiums and swimming pools. When enabled, this anti-flicker system automatically adjusts shutter release timing to help reduce disparities in exposure and color especially during continuous burst shooting.

Following the groundbreaking video recording capabilities introduced in the EOS 5D Mark II and EOS 5D Mark III, the EOS 5D Mark IV takes the next leap forward offering DCI 4K video recording. Adding to the versatility of capturing 4K video, is Canon’s Dual Pixel CMOS AF. This proven autofocus system allows for continuous focus tracking of subjects, and can be customized by the user for optimal performance. Dual Pixel CMOS AF technology not only enhances 4K video recording, but also helps create crisp focus for 4K Frame Grab extraction of 8.8 megapixel still JPEG images, all done in camera.

Mobile Connectivity

For the first time in an EOS 5D series DSLR camera, the EOS 5D Mark IV features built-in Wi-Fi®1 and Near-Field Communication (NFC)™1 providing for the easy transfer of images and MP4 movies to compatible mobile devices, as well remote shooting when using the Canon Camera Connect App2. The EOS 5D Mark IV also includes a built-in GPS3 receiver with compass for precise geo-tagged information of latitude, longitude, and elevation. This is especially valuable to wildlife photographers and photojournalists who need to track their locations, as well as providing sports and wedding photographers the ability to sync a multiple-camera setup with extreme accuracy and precision. The camera’s built-in GPS can also be used to sync the camera’s time to the atomic clock, an invaluable feature when multiple photographers are covering the same event.

Pricing and Availability

The Canon EOS 5D Mark IV DSLR is currently scheduled to be available in early September 2016 for an estimated retail price of $ 3,499.00 for the body only††. It will also be sold as part of body-and-lens kits with the EF24-70mm f/4L lens ($ 4,399.00, scheduled to be available early September)†† and the EF24-105mm f/4L IS II USM lens ($ 4599.00, scheduled to be available late October)††.

For an exclusive, hands-on preview, the camera will be available at the customer support centers shown below. Visitors can experience the camera firsthand while Canon technical experts demonstrate new product features, answer questions, and spotlight the benefits of Canon products and service.

Footnotes

1Compatible with iOS® versions 7.1/8.4/9.0, AndroidTM smartphone and tablet versions 4.0/4.1/4.2/4.3/4.4/5.0/5.1. Data charges may apply with the download of the free Canon Camera Connect app. This app helps enable you to upload images to social media services. Please note that image files may contain personally identifiable information that may implicate privacy laws. Canon disclaims and has no responsibility for your use of such images. Canon does not obtain, collect or use such images or any information included in such images through this app.

2Data charges may apply with the download of the free Canon Camera Connect app. This app helps enable you to upload images to social media services. Please note that image files may contain personally identifiable information that may implicate privacy laws. Canon disclaims and has no responsibility for your use of such images. Canon does not obtain, collect or use such images or any information included in such images through this app.

3In certain countries and regions, the use of GPS may be restricted. Therefore be sure to use GPS in accordance with the laws and regulations of your country or region. Be particularly careful when traveling outside your home country. As a signal is received from GPS satellites, take sufficient measures when using in locations where the use of electronics is regulated.

* Saving a still image from a single movie frame does not result in the same image quality as a normal still image.

** Continuous shooting speed may vary depending on the shutter speed, the aperture, the lens being used, the battery charge and various camera settings.

*** When lens diaphragm setting is fully open, adjustment volume and compensation effect are emphasized. Sufficient adjustment volume and compensation effect may not be achieved, depending on lens in use and shooting conditions. Adjustment volume and compensation effect vary depending on camera position (landscape or portrait). Sufficient adjustment volume and compensation effect may not be achieved depending on the shooting conditions.

††Availability, prices and specifications are subject to change without notice. Actual prices are set by individual dealers and may vary.

Canon EOS 5D Mark IV specifications

Price
MSRP $ 3499 (body only), $ 4399 (w/24-70 F4L lens), $ 4599 (w/24-105 F4L IS USM lens)
Body type
Body type Mid-size SLR
Body material Magnesium alloy
Sensor
Max resolution 6720 x 4480
Image ratio w:h 1:1, 4:3, 3:2, 16:9
Effective pixels 30 megapixels
Sensor photo detectors 32 megapixels
Sensor size Full frame (36 x 24 mm)
Sensor size notes sRaw suppoorted in all aspect ratio. Size between 5 and 7.5 megapixel.
Sensor type CMOS
Processor Digic 6+
Color space sRGB, AdobeRGB
Color filter array Primary color filter
Image
ISO Auto, 100-32000 (expands to 50-102400)
Boosted ISO (minimum) 50
Boosted ISO (maximum) 102400
White balance presets 6
Custom white balance Yes
Image stabilization No
Uncompressed format RAW
JPEG quality levels Fine, normal
File format
  • JPEG (Exif v.2.3)
  • Raw (Canon CRW, 14-bit)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Manual focus Yes
Number of focus points 61
Lens mount Canon EF
Focal length multiplier 1×
Screen / viewfinder
Articulated LCD Fixed
Screen size 3.2″
Screen dots 1,620,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Optical (pentaprism)
Viewfinder coverage 100%
Viewfinder magnification 0.71×
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/8000 sec
Exposure modes
  • Program
  • Shutter priority
  • Aperture priority
  • Manual
  • Bulb
  • Scene Intelligent Auto
Built-in flash No
External flash Yes (via hot shoe or flash sync port)
Flash X sync speed 1/200 sec
Drive modes
  • Single shooting
  • Continuous hi/lo
  • Silent single shooting
  • Silent continuous
  • 2/10 sec self-timer / remote control
Continuous drive 7.0 fps
Self-timer Yes (2 or 10 secs, custom)
Metering modes
  • Multi
  • Center-weighted
  • Spot
  • Partial
Exposure compensation ±5 (at 1/3 EV, 1/2 EV steps)
AE Bracketing ±3 (2, 3, 5, 7 frames at 1/3 EV, 1/2 EV steps)
WB Bracketing Yes
Videography features
Resolutions 4096 x 2160 (29.97p, 24p, 23.98p), 1920 x 1080 (59.94p, 29.97p, 24p, 23.98p), 1280 x 720 (119.9p)
Format MPEG-4, Motion JPEG
Videography notes 8.8MP stills can be grabbed from 4K video; camera supports ALL-I, IPB and IPB Light compression.
Microphone Mono
Speaker Mono
Storage
Storage types CompactFlash + SD/SDHC/SDXC card (UHS-I enabled)
Connectivity
USB USB 3.0 (5 GBit/sec)
HDMI Yes (mini-HDMI)
Microphone port Yes
Headphone port Yes
Wireless Built-In
Wireless notes 802.11b/g/n + NFC
Remote control Yes (wired, wireless, or smartphone)
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description LP-E6N lithium-ion battery & charger
Battery Life (CIPA) 900
Weight (inc. batteries) 890 g (1.96 lb / 31.39 oz)
Dimensions 151 x 116 x 76 mm (5.94 x 4.57 x 2.99″)
Other features
Orientation sensor Yes
GPS Built-in

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Tamron announces SP 90mm F2.8 Di Macro and TAP-in console for Sony A-mount

20 Aug

Japanese optical manufacturer Tamron has announced it is to launch its exiting 90mm macro lens in a Sony A-mount, and that Sony users will now be able to update and customise some of their Tamron lenses using the company’s TAP-in lens console. The Sony version of the SP 90mm f/2.8 Di Macro 1:1 USD will be the same as the versions produced for Canon and Nikon users, but will not feature Tamron’s Vibration Correction system as Sony cameras have their own in-body stabilization.

The TAP-in console allows customers to tune focus, update firmware and customize features such as focus limiters and full-time manual focus in those lenses that offer them. The console is compatible with the latest batch of Tamron fixed focal length lenses, including the 85mm f/1.8 which the company has yet to launch in Sony mount.

The SP 90mm f/2.8 Di Macro 1:1 USD and the TAP-in console will be available from 25th August. Although the press release doesn’t mention prices, the console for Canon and Nikon users currently sells for $ 60/£55 and the lens for $ 749/£579.

For more information visit the Tamron website.

Press release:

Tamron announces the launch of the SP 90mm F/2.8 Di MACRO 1:1 USD (Model F017) for Sony mount

August 18, 2016, Saitama, Japan – Tamron Co., Ltd. (President & CEO: Shiro Ajisaka), a leading manufacturer of optics for diverse applications, announces the launch of the SP 90mm F/2.8 Di MACRO 1:1 USD (Model F017) for Sony mount.

Model F017
MACRO 1:1 USD (Model F017) for Sony mount*
Date of Launch: August 25, 2016

*The Sony mount model does not include VC (Vibration Compensation), since the bodies of Sony DSLR cameras include built-in image stabilization functionality. The name of the Sony mount model is “SP 90mm F/2.8 Di MACRO 1:1 USD” without the VC designation

Product Highlights

Built upon the outstanding optical performance of the legendary Tamron 90mm Macro

Inheriting the optical design of the previous 90mm Macro lens (Model F004), the new Model F017 delivers the same excellent resolving power and remarkably soft background blur effects (bokeh). The advanced construction includes one LD (Low Dispersion) glass element that maximally limits the dispersion properties of light and two XLD (eXtra Low Dispersion) glass elements that correct dispersion properties to an even greater extent. The special elements optimally compensate for on-axis and lateral chromatic aberrations from macro shooting range to infinity. Furthermore, the design ensures the best imaging performance at any range by adopting the Floating System which shifts the location of a group of elements to the best possible position as the focusing group travels relative to shooting distances. From 1:1, life-size close-ups to the most distant horizon, this new 90mm Macro lens achieves outstanding image quality.

Optimized for spectacular background blur effects (bokeh)

Earlier models of Tamron’s 90mm macro lens received high acclaim for their spectacular blur effects, and the new 90mm macro builds upon this legacy. To continue this commitment, thorough optical simulations were conducted. Careful examinations were performed to minimize any blurring with a doubled image appearing for a single line because that phenomenon has a considerably negative impact on background image quality. As a result, the lens achieves both sharp, vivid images and spectacular background blur effects. This combination is highly prized by portrait photographers.

Moisture-Proof and Dust-Resistant Construction

Areas of possible ingress surrounding switches and the boundary between the focus ring and the lens barrel are protected by special seals. These provide stronger protection against the intrusion of dirt, dust and moisture compared to the Moisture-Resistant Construction used previously. This additional protection assures even more wide-ranging opportunities for using this lens.

A durable Fluorine Coating on the front element repels water and fingerprints

The water and oil repellant coating applied to the front element surface allows instant removal of dirt or smudges with ease. The coating also provides a reasonable level of durability, and will sustain its effectiveness for years. The Fluorine Coating technology that Tamron developed for use in industrial optics applications was first used on the SP 15-30mm which was introduced in 2014.

USD actuator maximized for macro photography is fast, accurate and quiet

The control software program for the USD (Ultrasonic Silent Drive) actuator has been revised to provide substantially improved focusing speed and accuracy when using AF. The USD quickly addresses any out-of-focus condition caused by back-and-forth camera movement (which commonly occurs during macro photography) ensuring better results when shooting at close range.

Advanced coating technology reduces flare and ghosting

Two advanced coating technologies, both providing outstanding anti-reflection performance, are applied to critical element surfaces for maximum light transmission. eBAND (Extended Bandwidth & Angular-Dependency) Coating boasts outstanding anti-reflection performance across nearly the entire range of visible rays, and BBAR (Broad-Band Anti-Reflection) Coating utilizes traditional multi-layered, anti-reflection technology. This combination virtually eliminates extraneous reflections and substantially reduces ghosting and flare which enables the lens to achieve flawless, crystal clear images.

Use of circular aperture to achieve beautiful, rounded blur effects (bokeh)

When shooting a scene that includes a point-source of light in the subject background, marvelously tuned blur (bokeh) can be obtained without generating undesirable polygonal shapes of aperture patterns thanks to the circular aperture. The 9-blade diaphragm retains a nearly perfect circular opening even when stopped down by two stops.

Focusing options perfectly suited to a macro lens

The new 90mm macro has a focus limiter that makes it possible to shorten the time for accurately focusing on a subject when the working range is known. The lens also features an Internal Focusing system, so the overall length of the lens never changes, not even when focusing. As a result, the user is assured of a comfortable working distance of at least 139mm (5.5 in) from the front of the lens. In addition, the lens is equipped with a Full-time Manual Focus override mechanism which makes it possible to flexibly choose focal points. Even with the AF driving system in action, it is possible to instantaneously override it to make manual fine focusing adjustments without switching the AF-MF mode back and forth.

Compatibility with TAMRON TAP-in Console™

Always as new as tomorrow: You can update firmware, customize autofocus positions and adjust the mechanical setup and preferences of the 90mm lens by simply attaching it to the TAMRON TAP-in Console and connecting it via USB to a personal computer. (The TAP-in Console is an optional accessory.)

TAMRON TAP-in Console™ (Model TAP-01)
Sony mount model launched

Tamron Co., Ltd. (President & CEO: Shiro Ajisaka; Headquarters: Saitama City), a leading manufacturer of optics for diverse applications, announces the launch of the TAMRON TAP-in Console (Model TAP-01), a lens accessory that enables firmware updating and customized setups for selected Tamron lenses, for Sony cameras (Sony A mount model).

For the first time, customers can update firmware in selected Tamron lenses and customize various lens functions to meet their needs simply by attaching a TAMRON TAP-in Console and running the TAMRON TAP-in Utility software on their PC or Mac.

Previously, firmware updates could be performed only at a TAMRON Customer Service Center. Using the new accessory and an internet connection, customers can access a dedicated website and update firmware themselves anytime, anywhere. In addition, selected lenses can be customized by changing various settings (described below) to match the customer’s preferences based on how they like to use the lens, making it even more versatile and user-friendly.

Custom Options

With a TAMRON TAP-in Console, customers can do the following things.

  • Update firmware
  • Update the firmware of compatible lenses
  • Update the firmware of the TAP-in Console itself
  • Customize functions of selected lenses
  • Focus adjustment
  • Focus distance limiter customization (only for lenses that have the Focus Limiter feature)
  • Full-time Manual Focus override customization (only for lenses that have the Full-time Manual Focus feature)
  • Save customized data files

Because Tamron lenses compatible with Sony cameras are not equipped with the VC (Vibration Compensation) system, the Customize function for VC adjustment, which is available for the Nikon and Canon mount models, is not available for the new Sony mount model.

TAMRON TAP-in Utility Software
 
Customers download the free TAMRON TAP-in Utility and install it on their Mac or PC. Updating firmware and customizing various lens functions is as easy as connecting the TAP-in Console with a USB cable and making selections. An internet connection is required for firmware updates.

Updating Firmware
Customers can update firmware of selected Tamron lenses using this utility software. Additionally, the firmware in the TAP-in Console unit can be updated as needed. Using an internet connection and the utility software, users can access a dedicated website and easily confirm that the lens attached to the TAP-in Console—and the Console itself—have the most up-to-date firmware. If a newer version is available, updating is quick and secure.

Customization of Selected Tamron Lenses
Various lens functions can be customized, depending on the lens model and built-in features.

(1) Focus adjustment
Focus can be adjusted in three distance regions: close, intermediate, and far ranges. For zoom lenses with variable focal length ranges, adjustments can be made for up to eight segments, which means that focus adjustment for a combined total of up to 24 regions is possible. Fixed-focal length lenses have only one segment, so customization for the three distance regions is possible. The conditions and range of possible adjustments may differ according to the lens model.

(2) Focus distance limiter customization
For lenses equipped with a Focus Limiter switch, it is possible to adjust the autofocus drive range by setting the near and far limits according to user preferences. If the Focus Limiter switch has three positions, setting the middle position is also possible. Only lens models equipped with the Focus Limiter function can be adjusted. The conditions and range of possible adjustments may differ according to the lens model.

(3) Full-time Manual Focus override customization
For any lens with a Full-time Manual Focus override system, you can set the mode to ON or OFF. In addition, you can optimize the sensitivity of the focus ring to your preference relative to its angular rotation anywhere between High and Low, when setting the manual focus mode menu button to ON.

Compatible Tamron Lenses (As of August 2016)

  • SP 85mm F/1.8 Di VC USD (Model F016) for Sony: To be launched soon
  • SP 90mm F/2.8 Di MACRO 1:1 VC USD (Model F017) for Sony: To be launched on August 25, 2016
  • SP 45mm F/1.8 Di VC USD (Model F013) for Sony
  • SP 35mm F/1.8 Di VC USD (Model F012) for Sony

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Brooks Institute announces closure

16 Aug

The California-based Brooks Institute, which offered degrees in photography, media and visual arts for 70 years, announced that it will close its doors this fall. In a statement released by the institute, the for-profit college cites the negative impact of recent stricter guidelines on career college programs introduced in 2011.

The guidelines require that at least 35% of for-profit institution graduates be repaying their student loans, in addition to meeting debt-to-earnings requirements. Colleges that operate for profit are targeted in particular, as students who attend them represent a disproportionally high number of student loan borrowers, and in 2011 they accounted for 46% of student loan dollars in default.

As of January of this year, Brooks Institute calculated the cost of its 3-year professional photography Bachelor’s degree at $ 81,330 for tuition and fees, with an additional $ 10,000 in books and supplies. Brooks stated that the median amount borrowed for the program was $ 15,584 in Federal loans, and that the job placement rate was 80%.

For the time being, classes continue at Brooks for currently enrolled students, and the college says it will continue offering administrative support through the end of October. 

Articles: Digital Photography Review (dpreview.com)

 
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