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Posts Tagged ‘Announces’

Kipon announces five ‘Elegant’ F2.4 prime lenses for Canon RF and Nikon Z mounts

11 Dec

Lens and lens adapter manufacturer Kipon has announced a new series of lenses for the latest Canon and Nikon full-frame mirrorless cameras.

The Elegant series, as it’s called, consists of five prime lenses in the following focal lengths and apertures: 24mm F2.4, 35mm F2.4, 50mm F2.4, 75mm F2.4 and 90mm F2.4. Each lens comes in both Nikon Z and Canon RF mount options and is entirely manual. The lenses features a focus ring, a physical aperture dial, and focus guide markings. The exact optical construction of each lens remains unknown, as the press release is vague and short on details.

The lenses will be available by the end of December 2018 with the following pricing:

• 24mm F2.4 — $ 499 USD
• 35mm F2.4 — $ 468 USD
• 50mm F2.4 — $ 325 USD
• 75mm F2.4 — $ 355 USD
• 90mm F2.4 — $ 386 USD

Although not currently available for purchase, the lenses will be listed on Kipon’s Adorama and eBay shop when they become hit shelves later this month.


Update (12/10/2018 247pm EST): As pointed out by diligent readers, these five lenses are effectively rebranded and re-mounted versions of the IBE-Optics HandeVision IBERIT 24, 35, 50, 75 and 90mm f/2.4 lenses available for Fujifilm X, Leica L, Leica M and Sony E mounts.

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Sigma announces pricing and availability of its 70-200mm F2.8 DG OS HSM Sport lens

11 Dec

More than two months after first showing it off at Photokina 2018, Sigma has announced its 70-200mm F2.8 DG OS HSM Sport lens will be available by the end of December 2018.

The lens, which rounds out the signature F2.8 trio alongside Sigma’s 14-24mm F2.8 and 24-70mm F2.8, will be available in Canon EF, Nikon F and Sigma SA mounts. It’s constructed of 22 elements including one Special Low Dispersion (SLD) element and nine F Low Dispersion (FLD) elements alongside an 11-blade aperture diaphragm and 1.2m (1.31yds) minimum focusing distance.

Following suit with most of Sigma’s other lenses in its Global Vision lineup, the 70-200mm F2.8 DG OS HSM Sport lens comes in at a discount compared to its Canon and Nikon counterparts. Sigma has set the retail price at $ 1,499 USD, a full $ 600 cheaper than Canon’s 70-200mm F2.8L IS III USM lens and exactly a thousand dollars cheaper than Nikon’s 70-200mm f/2.8E FL ED VR lens.

The 70-200mm F2.8 DG OS HSM Sport lens is available for pre-order on B&H (Canon EF, Nikon F, Sigma SA).

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Instagram announces new features for visually impaired users

30 Nov

Instagram has announced it’s making changes to its platform in order to make it more accessible to the more than 285 million people in the world who have visual impairments.

The first new feature is automatic alternative text. This will allow visually impaired users to hear image descriptions through their readers while using Instagram’s Feed, Explore and Profile sections.

Automatic alternative text uses object recognition to automatically generate photo descriptions for screen readers, so users can hear a list of items that photos may contain while navigating the app.

Given Instagram’s parent company Facebook has already developed an AI-powered object recognition system (trained using Instagram images) this new feature is likely using the same technology, although this hasn’t been confirmed.

Custom alternative text is the second new feature designed to make things easier for visually impaired users. Uploaders can now provide a more detailed description of images while posting. This description will be read out to users of screen readers.

Instagram says these are only first steps, so we’ll likely see more accessibility features in the near future.

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Samyang announces 35mm F1.2 ‘XPert’ lens for EF mount cameras, due out in January

29 Nov
Product photo provided by Samyang

Third-party lens manufacturer Samyang has discreetly announced its new XP 35mm F1.2 manual focus lens for Canon EF mount cameras.

The XP 35mm F1.2 lens joins Samyang’s XP 14mm F2.4, XP 50mm F1.2 and XP 85mm F1.2 lenses to round out its ‘XPert’ lens lineup.

Samyang claims it’s built with 50 megapixel photos and 8K video in mind. It’s constructed of 12 elements in 10 groups and includes one extra-low dispersion, two aspherical and three high refractive elements.

The lens offers an aperture range of F1.2 to F16 and features a nine-blade aperture diaphragm. The front filter thread measures in at 86mm and the minimum focusing distance is 0.34m/1.115ft. The lens weighs 1,106g/2.2lbs.

The Samyang XP 35mm F1.2 lens for Canon EF mount lens is set to ship in January 2019 with a suggested retail price of $ 999 USD.

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DJI announces the Osmo Pocket, ‘the world’s smallest 3-axis gimbal’ that shoots 4K60p video

29 Nov

DJI has announced the DJI Osmo Pocket, the world’s smallest three-axis stabilized camera system.

The Osmo Pocket features a 1/2.3″ sensor that captures 12-megapixel photographs and 4K60p video at 100Mbps. It also captures slow-motion footage at 120 fps when shooting 1080p. Audio is recorded with two buiilt-in microphones (one on the bottom of the camera and one on the rear of the camera) that feature noise-cancelling technology for reducing unwanted background noise.

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To compose shots, review media, navigate the menu, and select the various shooting modes DJI included a 1″ integrated touchscreen onboard the Osmo Pocket. The integrated shooting modes include ActiveTrack, which tracks a subject within the frame; FaceTrack, a more advanced version of ActiveTrack that will follow a particularly persons face when visible; Timelapse & Motionlapse, modes that speed up time and integrate motion into timelapse videos; FPV Mode, a locked shooting mode that follows the movement of the users hand while keeping the footage steady; and Panorama modes, which enables the capture of multiple images for stitching together in post-production.

For times when the onboard screen isn’t enough — and to unlock a slew of other features — users can also attach a mobile device using the onboard USB Type-C port. Using the included adapters, Android and iOS mobile devices can be connected to the DJI Osmo and operated with the dedicated DJI Mimo app. In addition to live-view and image review, DJI Mimo also adds Story Mode and Pro mode.

Story Mode simplifies the entire video creation process by offering ten templates that automatically control the camera movement and include music, transitions and color grading presets in post-production. After shooting is finished, the DJI Mimo app constructs an entire video that’s ready to share.

Pro Mode, which is available on numerous other DJI products, gives complete control of almost every camera setting imaginable. As its name suggest, it’s oriented more towards professionals, but when auto modes just aren’t enough, Pro Mode is there to fill in the gaps.

The DJI Osmo Pocket battery life is rated for two hours when shooting 4K30p video. The battery is built-in, so there’s no swapping out batteries on the fly, but it’s possible to charge on-the-go with an external battery pack.

DJI has also announced a range of nine accessories for the Osmo Pocket to expand creative possibilities, including an accessory mount, wireless module, controller wheel, expansion kit, ND filter set, waterproof case, extension rod, charging case, and a 3.5mm adapter.

The DJI Osmo Pocket retails for $ 349 and is available for pre-order at DJI.com and through other DJI Authorized Retailers, including B&H.

Capture Life’s Moments With Ease Using The DJI Osmo Pocket Stabilized Camera

The world’s smallest three-axis stabilized camera is made for your travels, family events and adventures

November 28, 2018 – DJI, the world’s leader in creative camera technology, today announced Osmo Pocket, a highly compact three-axis stabilized camera created for everyone. Designed to be incredibly easy to use, Osmo Pocket offers a host of intelligent features to help capture creative videos and photographs in a portable form factor.

“Innovation is at the heart of every product we create and DJI Osmo Pocket is here to change the way photos and videos are captured, not just by professionals but by parents, couples, adventurers, travelers, and everyone in between,” said Roger Luo, President at DJI. “Osmo Pocket is a portable personal camera crew and we can’t wait to see how people use it to capture their stories and share them with the world.”

Small yet powerful

At just over 4 inches tall, Osmo Pocket is DJI’s smallest three-axis stabilized camera. It redefines DJI’s family of handheld gimbals offering features never before seen in a product this compact. A 1/2.3-inch sensor records 12-megapixel photographs and 4K video up to 60fps at 100Mbps in stunning detail. Osmo Pocket also uses built-in dual microphones and advanced noise-canceling algorithms to ensure you capture high quality audio to match your footage. Furthermore, a battery life of up to two hours shooting video in 4K, 30fps means you can always rely on Osmo Pocket to capture your story no matter where you are at the very best quality.

Smooth, stable video

Building on DJI’s experience creating gimbal technology, Osmo Pocket helps capture stable video for all of life’s moments. The state-of-the-art three-axis mechanical gimbal compensates for movements and smooths these motions so you can focus on composition and subject matter. Whether you are taking videos of your vacation or documenting special holiday moments, Osmo Pocket helps ensure your video comes out smooth.

Simple and smart

Designed with ease of use in mind, Osmo Pocket doesn’t just let anyone shoot cinematic footage; it empowers creativity. The gimbal camera uses a 1-inch integrated touch screen that provides a high quality live view as well as the ability to toggle through the various shooting modes, adjust settings, review footage and gain access to a full suite of creative features including:

  • ActiveTrack- DJI’s image recognition algorithms allow Osmo Pocket to recognize and follow subjects of your choice, perfect for capturing family moments easily with the tap of your finger.
  • FaceTrack– FaceTrack takes ActiveTrack one step further. With enhanced ActiveTrack algorithms, FaceTrack automatically recognizes a human face and locks the subject in center of the frame at all times. It does not identify individual faces, but keeps the camera centered on one. To initiate FaceTrack, simply select selfie mode and the camera will detect your face.
  • Timelapse & Motionlapse– If you’re looking to turn minutes into seconds, Timelapse is perfect for capturing unique content with the effect of the world moving faster around you, while Motionlapse adds the dynamic element of camera movement to your Timelapse.
  • FPV Mode– FPV Mode lets you capture your greatest adventures by recording video from your perspective. Instead of locking the gimbal to maintain the horizon, FPV tells the camera to follow your every tilt and lean, shooting dynamic footage exactly as you experienced it.
  • 3×3 & 180° Panorama– For capturing breathtaking wide-angle photos, Osmo Pocket offers two Panorama modes. 3X3 takes an expansive 9 images in total while 180° mode captures 4 images. Osmo Pocket software stitches them together automatically so you can focus on the framing of the scene.

Unlock the full power of Osmo Pocket

A universal port under the touchscreen allows users to connect their mobile devices that use iOS Lightning or USB-C. Upon connection, the new dedicated DJI Mimo app will automatically open and serves as a monitor, while in-app menu offers a variety of intelligent features and recording modes:

  • Story Mode – Bring creative editing to your video with a host of preset music, video transitions and coloring. Choose one of 10 fun templates and Mimo will handle the camera movement for you. After finishing, Mimo automatically generates your very own short story, ready to be shared.
  • Pro Mode – If you want even more control over your content, “Pro mode” gives you access to camera setting adjustments and exposure settings to let you create exactly how you want, from rich video in bright conditions to a perfect handheld long exposure photo at night. Whatever you want to shoot, Osmo Pocket and DJI Mimo let you explore and expand your creativity. Osmo Pocket automatically detects and illuminates low-lit scenes into bright photos. This helps eliminates the need for a tripod, and you can rely on the gimbal to keep the camera still for a shutter speed of up to three seconds. Illuminate the dark, or capture the movement of light in a “light painting.” You’re only limited by your imagination.

A versatile tool with a range of accessories

An ecosystem of accessories unlocks the potential of Osmo Pocket:

  • Accessory Mount- The accessory mount makes Osmo Pocket compatible with action camera accessories so you’re able to capture your adventure footage, such as when mounted on a helmet, backpack or your wrist.
  • Wireless Module- The wireless module supports Wi-Fi and/or Bluetooth transmission between Osmo Pocket and your smartphone, providing remote access to the camera feed and control of Osmo Pocket; perfect for setting up a Timelapse or Motionlapse on a busy city street.
  • Controller Wheel- The wheel allows you to precisely control gimbal movement (left-right or up-down) enabling you to easily adjust the composition of your shot. Re-center the gimbal or switch to selfie mode easily with dedicated buttons on the handle.
  • Expansion Kit- The expansion kit includes the Accessory Mount, Wireless Module and Controller Wheel.
  • ND Filters Set**- Specifically designed for Osmo Pocket, ND filters attach to the front of the camera to reduce the amount of light entering the sensor. The ND Filter Set offers several levels of filter darkness and allows for more control over the camera’s aperture, exposure time, and sensor sensitivity settings.
  • Waterproof Case**- Bring a unique underwater perspective to your footage using the Waterproof Case which can be placed at a depth of 60 meters.
  • Extension Rod**- The Extension Rod attaches to the Lightning or USB-C port and provides 31 inches of reach to Osmo Pocket, opening a world of new creative angles that are normally difficult or impossible to get. A gimbal control joystick and camera button on the handle were designed for remote control when using the Extension Rod and a tripod was added to the bottom for expanded use cases
  • Charging Case**- This dual-purpose case not only protects Osmo Pocket while in transit but charges it as well. Dedicated sections were added into the case for your MicroSD card and ND filters so you can quickly grab your Osmo Pocket and know you’re ready to capture those moments and adventures.
  • 3.5mm Adapter**- The 3.5mm Adapter allows you to connect an external microphone if you prefer to capture audio using a separate device.

**coming soon

Price and Availability

Osmo Pocket retails for $ 349 USD and will be available for pre-order at store.dji.com, DJI Flagship Stores, DJI Authorized Retailers and additional retailers beginning today, November 28th 2:15 PM EST. Pre-orders will start shipping in December. For more information on all the new features and capabilities of Osmo Pocket, please visit www.dji.com/osmo-pocket.

OSMO Shield

OSMO Shield offers comprehensive two-year protection coverage, doubling your DJI warranty from one to two years. Customers also get an additional free accidental coverage service.

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Leica announces the D-Lux 7, a 17MP camera with 4K video and a 24-75mm equiv. F1.7-2.8 lens

20 Nov

Leica has announced the D-Lux 7, the latest iteration of its compact camera that’s effectively a Panasonic Lumix DC-LX100 II wrapped up in a prettier frame just in time for the holiday season.

The D-Lux 7 uses a 17 megapixel Four Thirds MOS sensor, a decent bump up from the 10.1 megapixel sensor used inside its predecessor, the D-Lux 6. The D-Lux 7 captures up to 7 fps in burst, features a maximum sensitivity of ISO 25,600 and features a 4K photo capture mode and ‘post focus’ mode, the latter of which enables focus adjustments in post-production with compatible programs. On the video front, the D-Lux 7 captures 4K30p footage at 100Mb/s in the MP4 format.

The optically stabilized lens has also changed from a 24-90mm equivalent F1.4-2.3 lens inside the five-year-old D-Lux 6 to a new 24-75mm equivalent F1.7-2.8 Vario-Summilux lens. In addition to the physical aperture ring, the top of the lens features a dedicated physical switch for swapping between shooting ratios, including: 3:2, 16:9, 1:1 and 4:3. On the side of the lens is a matching switch for selecting the different focusing modes.

The electronic viewfinder has a 2.76M dot display and the rear screen uses a 3″ 1.24M dot LCD touchscreen display. The camera relies on Leica’s 1025 mAh BP-DC15 lithium-ion batteries and can be charged through an outlet, computer or a USB battery pack via the onboard Micro USB port.

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Built-in Bluetooth and Wi-Fi work together to provide iOS and Android connectivity using Leica’s FOTOS app. In addition to sharing images on-the-go, the FOTOS app also enables remote control of the D-Lux 7 and live view display. Leica also includes a CF D Flash Unit with the camera.

The Leica D-Lux 7 retails for $ 1,195 and is available for pre-order on Adorama and B&H. Leica has a video introduction for the D-Lux 7, but it can only be played on Vimeo.

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Fujifilm announces new firmware for GFX 50S, X-T3, and X-H1

15 Nov

Fujifilm has announced the impending arrival of new firmware updates for its GFX 50S, X-T3, and X-H1 mirrorless cameras. The updates bring improved in-body image stabilization on the X-H1, 4K HDR and F-Log video for the X-T3, and a new 35mm format mode for the GFX 50S.

GFX 50S

The new firmware for the Fujifilm GFX 50S, version 3.30, is due out by the end of November 2018. Fujifilm says the update adds support for a new 35mm Format Mode when using GF- and H-mount adapters, which crops the center of the sensor to a size of 36mm x 24mm, a makes for a 30.5-megapixel image. The update also improves upon the eye-sensor responsiveness, adds simultaneous deletion of Raw and JPEG files, and supports color adjustments for the EVF and LCD displays.

X-T3

The new firmware for the Fujifilm X-T3 is version 2.00. Set to be released in December 2018, the firmware update brings 4K HDR recording in Hybrid Log Gamma (HLG). HLG footage should simplify the capture of HDR content and should improve post-production capabilities. Fujifilm notes it’s only compatible with the camera’s 10-bit H.265 (HEVC) mode, and works best when viewed on displays and TVs with HLG format support.

Firmware version 2.00 for the X-T3 also brings simultaneous output of Film Simulation and F-Log footage, meaning it’s possible to record in F-Log while viewing the Film Simulation image on an external monitor. Fujifilm says this capability isn’t compatible with ‘59.94P/50P, FHD high speed recording, 4K interframe NR, and HDMI output info display mode.’

Continuing on, the X-T3 will now be compatible with All-Intra and maximum bitrate recording with H.264, up to the maximum bitrate of 400Mbps. Also, movie files will no longer be split when the file reaches 4GB so long as it’s being stored to an SD card with at least 64GB of storage. It’s also now possible to display color temperature on the EVF and LCD displays in Kelvin.

Newsshooter has shared a video showing off some of the new features of firmware version 2.00 for the Fujifilm X-T3.

X-H1

Last up is the Fujifilm X-H1, which is set to receive firmware version 2.00 in December 2018. The defining feature of this firmware update is the improved image stabilization. Fujifilm says in-body image stabilization will now work better with optical image stabilization in lenses to improve overall stability.

‘With an XF or XC optical image stabilized lens, in-body image stabilization worked with 3 axis (up and down / optical axis rotation). The remaining 2 axis (right and left pitch, yaw angle) was controlled by optical image stabilization in the lens,” says Fujifilm in its press release. “[Firmware version 2.00] has a new image stabilization algorithm to allow the in-body image stabilization to work in all 5 axis and to achieve more than five-stops (up to the equivalent of 5.5 stops) image stabilization by cooperative control according to the types of frequency and blur amount.”

Fujifilm notes lenses must also be updated to their latest firmware to get this compatibility. You can find a full list of up-to-date lens firmware on Fujifilm’s website.

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Lexar announces ‘the world’s largest’ A2 microSD card

01 Nov

Longsys has announced the world’s largest A2 microSD card under the Lexar brand name.

The impending 512GB Lexar High-Performance 633x microSDXC UHS-I card meets the Application Performance Class 2 (A2) requirements, meaning it has a minimum write speed of 2000 input/output operations per second (IOPS) and a minimum read speed of 4000 IOPS. In the case of this particular Class 10 card with a V30 rating, that means it can read up to 100MB per second and write up to 70MB per second.

This particular card is designed more for smartphones and tablets, but can also be used in various action cameras and drones that use microSD cards for storage. Based on the speed, this particular card should handle 4K/30 video and 1080p/120 video without any hassle.

Lexar says the card has been tested in the “Lexar Quality Labs with more than 1,100 digital devices, to ensure performance, quality, compatibility, and reliability.” It claims an operating temperature range of 0°C/32°F to 70°C/158°F, storage temperature range of -25°C/-13°F to 85°C/185°F, and a humidity range of 5-95 percent.

Lexar said the card is expected to hit shelves by the end of October for an MSRP of $ 299.99, and has the card up on its website, but the 512GB version isn’t yet available from any retailers.

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Samsung announces two new 1/2-inch sensors likely destined for future Galaxy devices

31 Oct

Recent flagship smartphones have shown the newest arms race in the world of mobile photography is how many lenses you can stick on a device, but Samsung isn’t giving up on the megapixels yet. Samsung has announced a new pair of half-inch image sensors destined for future smartphones: the 48-megapixel GM1 and 32-megapixel GD1.

Both the 48MP ISOCELL Bright GM1 and 32MP ISOCELL Bright GD1 have 0.8?m pixels and are backside illuminated (BSI) CMOS sensors that use Samsung’s latest pixel isolation technology, nicknamed ISOCELL Plus. They also use Samsung’s Tetracell technology, which merges four pixels together to create a single pixel that’s more effective in low-light environments. Samsung claims “the GM1 and GD1 can deliver light sensitivity equivalent to that of a 1.6?m-pixel image sensor at 12MP and 8MP resolution, respectively.”

Both sensors support gyro-based electronic image stabilization and the 32MP GD1 supports real-time HDR image capture.

Samsung expects the ISOCELL Bright GM1 and GD1 to be in mass production by the end of 2018, which would likely pave the way for an appearance in future Samsung Galaxy devices in 2019.

Samsung Introduces Two New 0.8?m ISOCELL Image Sensors to the Smartphone Market

Ultra-small pixel size combined with ISOCELL Plus and Tetracell technologies enhance sharpness and detail in smartphone photos

Samsung Electronics, a world leader in advanced semiconductor technology, today introduced two new 0.8-micrometer (?m) pixel image sensors – the 48-megapixel (Mp) Samsung ISOCELL Bright GM1 and the 32Mp ISOCELL Bright GD1.

“Demand for ultra-small, high-resolution image sensors are growing as smartphones evolve to deliver new and more exciting camera experiences for users,” said Ben K. Hur, vice president of System LSI marketing at Samsung Electronics. “With the introduction of our cutting-edge 0.8?m-pixel Samsung ISOCELL Bright GM1 and GD1 image sensors, we are committed to continue driving innovation in image sensor technologies.”

As cameras are becoming a key distinguishing feature in today’s mobile devices, smartphone makers are faced with the challenge to fit multiple cameras into the sleek designs of their latest flagships. At a reduced pixel size, the new sensors provide greater design flexibility, enabling camera module manufacturers to build smaller modules or pack more pixels into existing designs, and consequently allowing smartphone makers to maximize space utilization in slim, bezel-less smartphones.

The GM1 and the GD1 sensors are based on the company’s latest pixel isolation technology – the ISOCELL Plus* – which optimizes performance especially for smaller-dimension pixels, making them the ideal solution for today’s super-resolution cameras. In addition, thanks to Tetracell technology, where four pixels are merged to work as one to increase light sensitivity, the GM1 and GD1 can deliver light sensitivity equivalent to that of a 1.6?m-pixel image sensor at 12Mp and 8Mp resolution, respectively. The sensors also support Gyro-based electronic image stabilization (EIS) for fast and accurate image capture.

A real-time high dynamic range (HDR) feature is added to the GD1 to deliver more balanced exposure, richer color and detail when filming selfie-videos or streaming live video content even in low-light, high-contrast environments.

The Samsung ISOCELL Bright GM1 and GD1 are expected to be in mass production in the fourth quarter of this year.

*Samsung first announced its ISOCELL technology in 2013, which reduces color-cross talk between pixels by placing a physical barrier, allowing small-sized pixels to achieve higher color fidelity. Based on this technology, Samsung introduced the industry’s first 1.0um-pixel image sensor in 2015 and 0.9-pixel sensor in 2017. In June 2018, Samsung introduced an upgraded pixel isolation technology, the ISOCELL Plus.

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Panasonic announces first 8K camera with its organic image sensor inside

30 Oct

Panasonic has announced its first camera to use the organic film sensor it announced in February. This comes five years after announcing a collaboration with Fujifilm and seven years after the technology was patented. The AK-SHB810 uses the technology to offer 8K resolution at 60p and ‘global’ shutter.

The camera comes in the form of a ‘head unit’ that attaches via fiber-optical cable to an offboard processing unit. It should be available in 2019 with the Japanese press release talking about providing an 8K broadcast system in time for 2020, when Tokyo will host the Olympic Games. Panasonic also mentions feature film production, which explains the use of the industry-standard ‘PL’ mount.

In a conventional CMOS sensor, the silicon acts as the light-sensitive medium, charge storage and readout circuitry: reading out the pixel ends the exposure, so the shutter behavior is determined by the readout rate. In the organic film/CMOS chip, the two processes are independent, so the exposure can be stopped for the whole sensor to give a global shutter, with readout occuring in the background.

As well as avoiding any ‘rolling shutter’ skewing effect, Panasonic highlights that a global shutter means that flashguns fired while recording won’t cause partial bright bands across the image (something that could be distracting in broadcasts of indoor sporting events).

In addition, the sensor design allows the sensitivity of the capture medium to be varied to give a continuously variable virtual ‘ND Filter’ effect. The company also promises wide dynamic range capture, though puts no figures on this.

This figure shows the stepless, electronically-controlled ‘ND filter’ effect of the Panasonic sensor.

All these features stem from a fundamental aspect of the new sensor: the separation of the light gathering function of the sensor from the readout process and its circuitry.

The global shutter can be achieved because the light sensitive layer can be turned on and off (or its sensitivity varied) by varying the charge applied to it. This means that the whole film layer can capture a frame and then be made inactive while the CMOS circuitry underneath reads-out. In turn, this means the capture pattern doesn’t have to be defined by the sensor’s readout rate: progressively working down the frame.

The ability to vary the sensitivity of the organic film layer by adjusting the charge applied to it provides the virtual ‘ND filter’ affect, which can mimic ‘whole stop’ NDs or be continuously variable.

Pricing is not mentioned in the press release.

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