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Posts Tagged ‘Announces’

Panasonic announces new Lumix TZ95, FZ1000 II cameras

18 Feb

Panasonic has announced it’s adding two new zoom cameras to its Lumix lineup: the Lumix TZ95 compact camera and the Lumix FZ1000 II bridge camera.

Lumix TZ95

First up is the Lumix TZ95, the latest camera in Panasonic’s Travel Zoom (TZ) series. At the heart of the TZ95 is a 20.3-megapixel 1/2.3-inch sensor. Beyond stills, the TZ95 can capture 4K30p video. In front of the sensor is an optically stabilized 24mm (35mm equivalent) Leica lens with 30x optical zoom, giving it a maximum focal length of 720mm (35mm equivalent).

The TZ95 can capture Raw photos and features a maximum burst rate of 10 frames per second (fps). On the rear of the camera is a three-inch 1040k-dot tilting touchscreen and a 2,330k-dot equivalent Live View Finder (LVF).

Panasonic’s signature 4K Photo mode makes an appearance in the TZ95 and adds a new Auto Marking feature that makes it easy to pick out individual frames within a 4K video file.

The TZ95 includes both Bluetooth and Wi-Fi for connecting to and transferring images to smartphones or tablets and tagging the GPS location information within images.

Panasonic says the TZ95 can capture approximately 380 shots per charge and in the event the battery does die, USB charging is possible.

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The Panasonic Lumix TZ95 will be available at the end of April 2019 in black and silver for £399.99 (UK) / €449.99 (Ireland).

Lumix FZ1000

The new Lumix FZ1000 II features a 1-inch 20.1-megapixel sensor behind a 16x optical zoom Leica lens with a 25-400mm (35mm equivalent) focal length range and F/2.8-4.0 aperture range. The lens features Panasonic’s 5-axis hybrid Optical Image Stabilizer (O.I.S.+) with a Level Shot function that automatically detects horizontal lines within an image and keeps it level while shooting.

In addition to stills at up to 12fps, the FZ1000 II can capture 4K30p video in the MP4 format at 100Mb/s with the option for 120fps recording at 1080p. Like the TZ95, the FZ1000 II features Panasonic’s 4K Photo mode with the new Auto Marking feature.

The rear of the camera features an articulating three-inch 1.24m-dot touchscreen as well as an OLED 0.39-inch 2.36m-dot EVF.

The FZ1000 II includes built-in Bluetooth and Wi-Fi for wireless connection to mobile devices. The rechargeable lithium-ion battery is rated for 440 shots per charge when working with the rear LCD and 290 shots when using the EVF (430 shots per charge when using the EVF in the ‘eco’ setting, which limited it to 30fps).

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The Panasonic Lumix FZ1000 II will be available at the end of March 2019 for £769.99 (UK) / €849.99 (Ireland) / $ 897.99 USD.

Articles: Digital Photography Review (dpreview.com)

 
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Nikon announces Z 24-70mm F2.8 S – a new standard zoom for mirrorless

17 Feb

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Nikon has taken the wraps off a new standard zoom lens for mirrorless – the Z 24-70mm F2.8 S.

The Z 24-70mm F2.8 S has been on Nikon’s Z-series roadmap since the mount was announced last August, and is being pitched by Nikon as a perfect fast standard lens for the Z6 and Z7, offering a faster maximum aperture and more robust build quality than the more compact Z 24-70mm F4 S.

Compared to the AF-S 24-70mm F2.8 for F-mount, the new lens is 25% smaller and 18% lighter, with a totally redesigned optical formula comprising 17 elements in 15 groups. Two of the elements are Extra Low Dispersion (ED) glass, and four are aspherical. As well as Nikon’s Nano Crystal coating, the 24-70mm introduces a new ‘Arneo’ coat, which is promised to further reduce flare and ghosting. Fluorine coating on the front and rear elements is designed to help make it easier to clean oil and moisture from the outer surfaces of the lens.

Initial sample images from photographer Ami Vitale

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An customizable ‘L-Fn’ button is joined by an OLED panel, which can display various information, including focus distance, aperture and focal length. Also new, a third customizable ‘control ring’ joins focus and zoom rings to provide direct control over various exposure parameters (if desired).

The new Z 24-70mm F2.8 S will ship later this spring, at an MSRP of $ 2299.

Press release:

NIKON UNVEILS THE NIKKOR Z 24-70MM F/2.8 S, A FAVORITE ZOOM LENS REBORN FOR THE Z SERIES

The NIKKOR Z 24-70mm f/2.8 S Implements the Latest Nikon Optical Technologies to Reinvent One of Nikon’s Most Coveted Zoom Lenses for the Full-Frame Mirrorless Z System

MELVILLE, NY (February 13, 2019 at 11:01 P.M. EST) – Today, Nikon Inc. announced the NIKKOR Z 24-70mm f/2.8 S: a much-anticipated, fast-aperture zoom lens that’s ideal for professional and advanced photographers who capture portraits, landscapes, weddings and events, as well as content creators who shoot video using Nikon’s revolutionary new Z Mount System. Designed to take full advantage of the wider, brighter and faster Z Mount, this new S-Line lens delivers stunning sharpness all the way to the corners of the frame, even when used at its maximum aperture.

The NIKKOR Z 24-70mm f/2.8 S is the first NIKKOR lens to use the all new Nikon-designed ARNEO coat, which is used in conjunction with Nikon’s Nano Crystal Coat to significantly minimize flare and ghosting. The lens also includes Nikon’s new Multi-Focus System to help ensure fast and accurate autofocus even when shooting close-up subjects. Additionally, the 24-70mm f/2.8 S is the first NIKKOR Z lens to feature a dedicated manual focus ring independent of the customizable control ring, a Function (L-Fn) button, and an Organic EL Lens Information Panel for quick reference of key settings such as focus distance, depth-of-field, aperture and focal length.

“The NIKKOR Z 24-70mm f/2.8 S is the lens that Z Series users have been waiting for, a lens that many photographers and videographers would never leave home without,” said Jay Vannatter, Executive Vice President, Nikon Inc. “Lightweight and tack sharp, the 24-70mm f/2.8 S is a great example of the outstanding performance and portability that is possible with our next-generation Z Mount System.”

NIKKOR Z 24-70mm f/2.8 S – Performance, Precision and Optical Superiority
The NIKKOR Z 24-70mm f/2.8 S builds on a century of Nikon optical heritage by harnessing the technical advantages of the Z Mount. This type of lens is known as a photographer favorite due to its versatility, useful zoom range, fast aperture and sharpness. Nikon was able to redesign this all-around zoom lens to achieve a new standard of performance, while making it both smaller and lighter—approximately 24.7% lighter and 18.4% shorter than the popular AF-S NIKKOR 24-70mm f/2.8E ED VR lens.

The NIKKOR Z 24-70mm f/2.8 S takes advantage of the latest optical technologies to ensure exceptional control of aberration, ghosting and flare. Featuring an optical construction of 17 elements in 15 groups—including two ED glass elements and four aspherical elements—the lens delivers sharp, virtually vignette-free performance from edge-to-edge across its entire zoom range, even at maximum aperture.

Additionally, the NIKKOR Z 24-70mm f/2.8 S is the first NIKKOR lens to feature Nikon’s all-new ARNEO coating: a multi-layer coating that is used in conjunction with Nano Crystal Coating for superior anti-reflective performance. While Nano Crystal Coat suppresses ghosting and flare coming from backlight at diagonal angles, the ARNEO coat compensates for light entering the lens from vertical angles. This expanded field enables the lens to capture exceptional contrast and sharpness even when the light source is visible inside the frame.

To help ensure fast, accurate and silent autofocus, the NIKKOR Z 24-70mm f/2.8 S combines a powerful stepping motor (STM) with Nikon’s new Multi-Focus System. This system uses two actuators to move two focus groups at once, enabling the lens to achieve critical focus rapidly from nearly any distance, including close-up shooting.

The 24-70mm f/2.8 S is the most customizable NIKKOR Z lens yet. The lens features an Organic EL Lens Information Panel that allows for quick confirmation of aperture and focal length or focus distance and depth-of-field without looking at the viewfinder. For enhanced versatility, the addition of a L-Fn button allows you to set over 20 custom functions when shooting stills. The lens is also the first to feature an independent focus ring in addition to the customizable control ring found on all S-Line lenses, giving professional photographers and videographers more comfortable and convenient control over their shooting experience.

Finally, the NIKKOR Z 24-70mm f/2.8 S was designed to excel at video in addition to stills capture, taking full advantage of the industry-leading video features found in the Nikon Z 6 and Z 7. Its design minimizes focus breathing, preventing the angle of view from changing when the focus is adjusted; the stepping motor and Multi-Focus System ensure fast, accurate and quiet focusing; full compatibility with the built-in 5-axis VR of the Nikon Z System ensures users can capture super-smooth video hand-held; and the customizable control ring, independent focus ring and Organic EL panel give filmmakers even more control over this exceptional lens on-set.

The NIKKOR Z 24-70mm f/2.8 S is destined to be an instant classic—a must-own lens for Nikon Z Series creators of all types.

Key Features:

  • An indispensable standard zoom lens for professionals, advanced photographers and video creators—ideal for environmental portraits, landscapes, weddings, events, studio and street photography.
  • Constant f/2.8 aperture throughout the zoom range delivers the subject separation, speed and gorgeous bokeh professionals demand.
  • Exceptional optical performance achieves edge-to-edge sharpness and minimal aberration in an incredibly lightweight and portable package, thanks to the revolutionary new Z mount.
  • All-new ARNEO coating works in conjunction with Nikon’s Nano Crystal Coat to minimize ghosting and flare when the light source is within the frame.
  • Fast, accurate and quiet autofocus throughout the zoom range, thanks to Nikon-designed Multi-Focus System and Stepping Motor.
  • Built-in Function (L-Fn) button, Organic EL Lens Information Panel and independent focus ring give creators more control over their shooting experience.
  • Fully compatible with in-camera 5-axis VR found in the Nikon Z 6 and Z 7, providing up to 5 stops1 of image stabilization without adding to the size or weight of the lens.
  • Optimized for video, with reduced focus breathing, a quiet stepping motor, customizable control ring, and the ability to take advantage of the in-camera 5-axis VR + eVR of the Nikon Z 6 and Z 7.
  • Designed with consideration to dust and drip resistance, and featuring a fluorine coat that effectively repels dust, water droplets, grease and dirt.

Price and Availability:

The NIKKOR Z 24-70mm f/2.8 S will be available in spring 2019 at a suggested retail price (SRP) of $ 2,299.952.

For more information about this lens, as well as the latest Nikon products including the full Nikon Z Mount System, please visit www.nikonusa.com.

1. Based on CIPA Standard. This value is achieved when FX-format compatible lenses are attached to a FX-format digital SLR camera and zoom lenses are set at the maximum telephoto position.
2. SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

Nikon Nikkor Z 24-70mm F2.8 S specifications

Principal specifications
Lens type Zoom lens
Max Format size 35mm FF
Focal length 24–70 mm
Image stabilization No
Lens mount Nikon Z
Aperture
Maximum aperture F2.8
Minimum aperture F22
Aperture ring No
Number of diaphragm blades 9
Optics
Elements 17
Groups 15
Special elements / coatings Four ED and two aspherical elements + Arneo and Nano Crystal coatings
Focus
Minimum focus 0.38 m (14.96)
Autofocus Yes
Motor type Stepper motor
Full time manual Yes
Focus method Internal
Distance scale No
DoF scale No
Physical
Weight 805 g (1.77 lb)
Diameter 89 mm (3.5)
Length 126 mm (4.96)
Sealing Yes
Zoom method Rotary (extending)
Power zoom No
Filter thread 82 mm
Hood supplied Yes

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm announces the FinePix XP140, its latest ruggedized point-and-shoot

16 Feb

Fujifilm has announced the impending release of the FinePix XP140, its latest rugged point-and-shoot that adds new automated features and improved durability against the elements.

The compact camera is waterproof to 25m / 82ft, shockproof up to 1.75m / 5.9ft, freeze-proof to -10°C / 14ºF and dustproof. Compared to its predecessor, the XP130, this is an improved waterproof depth of 5m / 17ft, with all of the other stats staying more or less the same. The XP140 also includes a more pronounced grip for better handling in rough environments.

At the heart of the XP140 is the 16.4 megapixel 1/2.3-inch backside illuminated (BSI) CMOS sensor with a maximum sensitivity of ISO 12800, a stop higher than the XP130. In front of the sensor is an optically stabilized Fujinon 5x optical zoom lens that starts at 28mm (35mm equivalent). With Fujifilm’s Digital Zoom technology, the camera reaches 10x zoom.

An example of a scene using Fujifilm’s Eye Detection mode.

New to the XP140 is Fujifilm’s evolved Scene Recognition Auto mode, which ‘can detect a main subject within a scene and automatically optimize the camera setting[s].’ Also included is an ‘Eye Detection’ feature that focuses on subjects’ eyes and other auto-intelligent modes including a timer mode that automatically triggers the shutter when the camera detects a smile.

Fujifilm has also included 17 of its ‘Advanced Filters’ including its Rich & Fine and Monochrome (NIR) presets.

On the connectivity front, Fujifilm has included Bluetooth for easy connection to smartphones via its Fujifilm Camera Remote app and Instax printers.

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The FinePix XP140 will be available at authorized Fujifilm retailers in yellow, blue in the United States and yellow, blue, lime, white and dark silver in Canada. It’s expected to be released in March 2018 for $ 229.95 USD / $ 239.99 CAD.

FUJIFILM EVOLVES ITS RUGGED XP SERIES FURTHER WITH THE LAUNCH OF THE NEW FINEPIX XP140

Developed for adventure, the latest camera in the XP series boasts a variety of updated automatic shooting functions in a compact and lightweight design, with added protections to combat the elements.

Valhalla, New York, February 14, 2019 – FUJIFILM North America Corporation today announced the launch of the FUJIFILM FinePix XP140 (XP140), the latest rugged camera in the XP series. The newest addition includes upgrades to the construction of former models in the XP series, making it waterproof to 82 feet, shockproof from up to 5.9ft1, freeze-proof to 14°F and dustproof– the ideal accessory to capture any adventure.

The compact camera weighing in at only 7.3oz2 (207g) also features powerful image quality made possible with its FUJINON lens, which incorporates Fujifilm’s renowned color reproduction technology and 16.4 megapixel back-illuminated CMOS sensor. The XP140 also comes with variety of automatic functions such as main subject recognition and an easy-to-use interface, making it an ideal choice for a wide variety of shooting situations with ease-of-use for photographers of all levels

Four Rugged Features: Waterproof, Shockproof, Freeze-proof and Dustproof The XP140 complies with waterproof and dustproof protection standards of products, stipulated by IEC (International Electrotechnical Commission). The XP140 is waterproof to 82 feet, which is 25% improvement from its predecessor XP model. With its stylish design enhanced, the XP140 is easy-to-use during outdoor activities with features including a grip and a double-locking mechanism for the battery compartment. With the XP140, users are able to enjoy capturing their adventures without worrying about water, sand or dropping the camera — making it the perfect camera for users looking for their first, serious camera experience as well.

High-Performance Sensor and Lens for Premium Image Quality Equipped with a CMOS sensor and FUJINON’s 5x optical zoom lens with the zoom range starting from 28mm (35 format equivalent) on the wide-angle side, the XP140’s optical zoom range will reach up to 10x with Fujifilm’s Intelligent Digital Zoom technology. The camera also has an optical image stabilization mechanism and output sensitivity as high as ISO12800 (one stop higher than the XP130 model) to produce sharp images free of noise even in low light conditions. Fujifilm’s years of experience are reflected within its color reproduction technology, which ensures beautiful colors in any condition.

Versatile Automatic Shooting Functions to Support Your Photography Experience With evolved ‘Scene Recognition Auto’ mode, the XP140 can detect a main subject within a scene and automatically optimize the camera setting. The ‘Eye Detection’ feature helps to capture portraits easily by automatically focusing on the eyes of the subject. A variety of other auto-intelligent features such as the self-timer mode – which automatically releases the shutter when detecting a smiling face– helps capture instant moments. The camera also features 17 variations of ‘Advanced Filters’ including the new “Rich & Fine” and “Monochrome (NIR)”. These selections are fully assisted with an implemented unique live-view interface.

Bluetooth® Pairing and Wireless Connectivity for Automatic Photo Transfer and INSTAX® Printing Bluetooth® compatibility allows automatic and instant image transfer to smartphones and tablet devices by easy paring registration. The technology also syncs the time and location information from your device and attaches it to images, as well as enables remote shooting function via application. To utilize this feature, users can download the free “FUJIFILM Camera Remote” app to their smartphone or tablet device and easily transfer photos and videos in the camera to the device and download directly. For INSTAX SHARE SP printer users, images can be transferred from the camera directly to the INSTAX SHARE SP printer for quick printout.

Availability and Pricing The FinePix XP140 will available in yellow or sky-blue in the U.S and available in sky blue, lime, yellow, white and dark silver in Canada. It is anticipated to be released in March 2019 for USD $ 229.95 and CAD $ 239.99.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm announces firmware version 2.00 for its X-T100 and X-A5 camera systems

15 Feb

In addition to a barrage of product announcements, Fujifilm has also updated the firmware for its X-T100 and X-A5 camera systems.

Both cameras will receive firmware 2.00 sometime this month, which will include three new and improved features.

The first of the three major features in the updates is a new ‘Bright Mode,’ which Fujifilm says ‘provides a brighter and more vivid image when using the Advanced SR Auto mode.’ If the feature isn’t wanted, it can easily be turned on and off with a tap on the LCD touchscreen on either camera.

Fujifilm has also added its Portrait Enhancer Mode to the X-T100 and X-A5 in these updates, which makes it easy to select from three levels of skin tone enhancement using the touchscreen.

The last major addition is a new Night+ Setting. This new setting automatically adjusts ISO, brightness and vividness of the picture to better render the image in low or poor light situations.

Firmware version 2.00 for the X-T100 and X-A5 and instructions on how to install it can be found on Fujifilm’s website.

Articles: Digital Photography Review (dpreview.com)

 
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Kamlan announces new 7.5mm F3.2 fisheye lens for Micro Four Thirds systems

12 Feb

Chinese optical manufacturer Kamlan Optical has announced its next lens will be a 7.5mm F3.2 fisheye for the Micro Four Thirds system. The lens joins an existing line-up of manual focus primes for APS-C and MFT systems, and will be shown at the CP+ show later this month.

The FS 7.5mm f/3.2 will provide an angle of view of 160° with a construction that consists of seven elements in six groups. It will focus as close as 10cm and will have a minimum aperture of F16. The manufacturer says the lens will measure 48x58mm, will weigh 250g and it will be impossible to mount a filter in the conventional way because of the shape of the built-in hood.

According to DC Watch, the price in Japan will be about 25,000 yen, which is approximately $ 230. For more information see the Kalman website

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm announces FW 3.0 for X-T3 coming in April: Improved AF and face/eye detection

11 Feb

At its X-Summit event in Dubai, Fujifilm announced a major firmware update for the X-T3, coming in April. Firmware 3.0 will bring improvements to Eye-AF, and should provide faster AF tracking performance and face detection. Face selection will be added, and ‘touch operability’ will also be improved.

You can see a preview of the changes in the video above, which will start playing at the relevant point in the presentation.

Read our review of the Fujifilm X-T3

Articles: Digital Photography Review (dpreview.com)

 
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Ricoh announces Pentax 35mm F2 and 11-18mm F2.8 K-mount lenses

31 Jan

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Ricoh has announced a pair of Pentax K-mount lenses: the HD PENTAX-FA 35mm F2 and HD PENTAX-DA* 11-18mm F2.8 ED DC AW.

The full-frame 35mm F2 is based on the smc PENTAX-FA 35mm F2 AL from the film era and features HD and SP coatings, with the former reducing reflections and the latter repelling water from the front element. The lens has six elements in five groups and a six-blade aperture. It’s remarkably compact, despite having both an aperture ring and distance scale, and weighs in at just 193 grams. The lens will be available in February for £399.

The PENTAX-DA* 11-18mm F2.8 ED DC AW was introduced way back in the Fall of 2017 and was supposed to ship the following summer. After a bit of a delay, this APS-C lens is finally read to ship next month. The weather-resistant 11-18mm F2.8, equivalent to 16.5-27mm when mounted on an APS-C body, has 16 elements, a nine-blade aperture and an HD coating. There’s also a clamp to lock focus at a desired point and the ‘ability to accommodate the addition of a dew heating strip to prevent condensation without affecting focus-ring operation.’ The lens will be priced at £1399.

Pentax-FA 35mm F2 official sample photos

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Pentax-DA* 11-18mm F2.8 official sample photos

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Press Releases:

HD PENTAX-FA 35mm F2

A single-focus, wide-angle lens for use with K-mount digital SLR cameras, featuring latest lens coatings to further upgrade image quality

London, 30 January 2019 ?RICOH COMPANY, LTD. and RICOH IMAGING EUROPE S.A.S. are pleased to announce the launch of the HD PENTAX-FA 35mmF2. Despite its compact dimensions, this high-performance wide-angle lens covers the full-frame image circle of PENTAX K-mount digital SLR cameras.

This new lens is based on the smc PENTAX-FA 35mmF2 AL — a very popular multi-purpose, wide-angle lens used on film-format SLR cameras and is introduced following a thorough review of lens coatings. The high-grade, multi-layer HD Coating applied to the optical elements produces high-contrast images with edge-to-edge sharpness, free of flare and ghost images. Whilst, the highly stain-repellent SP Coating applied to the front surface improves the lens’ usability outdoors. The redesigned exterior matches the design of latest PENTAX K-mount digital SLR models, while its compact, portable body makes it perfect for everyday use.

Price & Availability

HD PENTAX-FA35mmF2 ? RRP: £399.99
Available: February 2019

HD PENTAX-DA* 11-18mm F2.8 ED DC AW

An ultra-wide-angle, Star-series zoom lens for use with K-mount digital SLR cameras, with a large F2.8 aperture over the entire zoom range providing exceptional optical performance

LONDON, 30 January, 2019 ?RICOH COMPANY, LTD. and RICOH IMAGING EUROPE S.A.S. are pleased to announce the launch of the HD PENTAX-DA* 11-18mm F2.8 ED DC AW. This high-performance, ultra-wide-angle, Star-series lens features a large F2.8 maximum aperture over the entire zoom range to deliver exceptional optical performance.

The HD PENTAX-DA*11-18mm F2.8 ED DC AW ultra-wide-angle zoom lens is the latest model in the new-generation Star (*) series — a lens that provides exceptional image quality to be able to accommodate the super-high-performance digital cameras of the future. It delivers high-resolution, high-contrast images without blurring at the edges, and guarantees excellent imaging performance in high-grade digital photography. With the introduction of this lens, the high quality, high-performance Star series now provides a wide angle-of-view coverage —from ultra-wide angle to telephoto compact models featuring a large F2.8 maximum aperture, exclusively designed for use with PENTAX APS-C-format digital SLR cameras.

In addition to an outstanding dustproof, weather-resistant construction, the lens provides a Focus Clamp Mechanism to lock focus at the desired focal point. It also provides useful features to improve performance and dependability in challenging outdoor conditions. These include a space specifically designed for holding a heating device to prevent condensation, and a metallic frame structure, which more effectively transmits the heat of the device to the lens. These greatly improve the lens’ operability when shooting in outdoor situations including star-lit skies.

Price & Availability

HD PENTAX-DA* 11-18mm F2.8 ED DC AW Lens

RRP: £1,399.99
Available: February 2019

Articles: Digital Photography Review (dpreview.com)

 
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Lomography announces 120 version of its B&W Potsdam 100 Kino Film stock

31 Jan

Lomography has announced it’s bringing its recently released black and white Potsdam 100 Kino film to 120 medium format rolls.

The 120 rolls, which will be cut from the same sheets as the 35mm stock, which itself is ‘cut from old stocks of a cinematic emulsion produced by a legendary German company.’ In Lomography’s own words, the ‘B&W 100 120 Potsdam Kino Film combines gorgeous antiquated aesthetics with the quality and professional capabilities of medium format photography.’

Below is a gallery of images taken with the 35mm variant of Potsdam Kino Film. Lomography notes ‘you can expect similar results’ from the 120 variety since it’s cut from the same jumbo.

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The B&W 100 120 Potsdam Kino Film is available exclusively for pre-order on Lomography’s online shop for $ 8.90 a roll and is expected to hit Lomography Gallery Stores in May 2019.

Articles: Digital Photography Review (dpreview.com)

 
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Olympus announces weather-resistant FL-700WR flash

27 Jan

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Along with the announcement of the sports-oriented OM-D E-M1 X camera, Olympus has introduced a new wireless flash unit. The FL-700WR features a weather-resistant build that’s dustproof, splashproof and freezeproof (down to 14°F / -10°C). Sitting between the existing FL-600R and flagship FL-900R, it offers a guide number of 42 meters and claims a 1.5 second flash recycle time.

The flash also supports Olympus’ multi-frame modes such as High Res Shot, Focus Stacking and Focus Bracketing – though not the E-M1X’s Handheld High Res Shot mode. A Multi Flash mode makes it possible to fire the flashgun multiple times during a single shot, with adjustable intensity and frequency. The flash is also equipped with an LED light for constant illumination during video recording.

The FL-700WR will be available in February for $ 400.

OLYMPUS ADDS TO OM-D® SYSTEM WITH WEATHER RESISTANT WIRELESS FLASH FL-700WR, WIRELESS COMMANDER FC-WR, AND WIRELESS RECEIVER FR-WR

Flash System Designed for Wireless Radiowave Shooting

CENTER VALLEY, PA., January 24, 2019 – Olympus has today announced a new Electronic Flash, the FL-700WR, Wireless Commander FC-WR, and Wireless Receiver FR-WR, all coming in late February 2019 and designed to meet the growing demands of professional photographers. The electronic flash features dustproof, splashproof, and freezeproof (14°F / -10°C)1 performance, as well as wireless radiowave shooting compatibility with a maximum guide number of 422.

Designed for compatibility with the OM-D system, the FL-700WR wireless high-performance electronic flash offers radiowave-shooting capabilities. During wireless shooting, it functions as a commander or a flash with built-in receiver. The FL-700WR electronic flash, as well as the Wireless Commander FC-WR and the Wireless Receiver FR-WR, all feature dustproof, splashproof, and freezeproof (14°F / -10°C)1 performance. This durable construction makes it possible to control multiple flash units from the camera in various shooting conditions.

High-Intensity, Weather-Resistant Performance with a Maximum Guide Number of 42
This flash features a maximum guide number of 422 (ISO 100/m). The compact, lightweight design delivers excellent portability with high flash output. The weather sealed performance offers reliability when shooting in a variety of environments, including rain, when paired with the Olympus® OM-D E-M1X and other weather sealed body and lens combinations. The user can enjoy full flash power after charging for approximately 1.5 seconds3 for quick, comfortable and easy shooting. Because of the short charging time, sequential flash photography4 at 10 fps is possible.

Wireless Radiowave Communication
This product is equipped with a wireless radiowave communication function, which operates even in bright conditions, or when there are obstructions in the area. It can communicate up to a distance of 30 meters, making accurate communication possible even when the flash is set behind the subject.

The FL-700WR can function as a commander or a flash with built-in receiver. When used as a commander, it has the ability to connect to three groups and an unlimited number of flash units. The user can select which group they want to fire and not to fire, and configure the flash intensity compensation. It can also function in the conventional RC mode (optical communication) as a slave flash.

Equipped with Multi Flash mode5
Multi Flash mode5 makes it possible to express subject motion by firing multiple times during long exposures or bulb shooting. The intensity, interval (frequency), and number of shots can be configured to match the ideal settings for the subject.

Compatible with High Res Shot6, Focus Stacking, and Focus Bracketing
Features such as High Res Shot6, Focus Stacking, and Focus Bracketing, included on camera models such as the OM-D E-M1X and OM-D E-M1 Mark II, can function with this flash.

Other Available Features

  1. The super FP flash enables high-speed synchronization that exceeds the camera’s maximum sync speed.
  2. First-curtain and second-curtain sync fires when the shutter curtain opens or closes .
  3. TTL modes enable the pre-flash to measure the required intensity so the output automatically adjusts to the optimal level.
  4. An LED light for movies features a 77° angle of illumination and 100-lux brightness emittance from one meter away.
  5. The bounce angle can be adjusted within 180° horizontally and 90° vertically. It is equipped with a catchlight panel and wide panel. The firing angle covers the focal length of 7mm (14mm ) when using the wide panel.
  6. Equipped with auto zoom , the firing angle is supported by lenses with a focal length of 12-75mm (24-150mm10).
  7. The FL-700WR flash emits an electronic sound when charging is complete.

Wireless Commander FC-WR and Wireless Receiver FR-WR
The new wireless commander FC-WR and wireless receiver FR-WR offer the same dustproof, splashproof and freezeproof (14°F / -10°C)1 performance as the FL-700WR electronic flash. When combined with a weather sealed body and lens such as the OM-D E-M1X, users can enjoy shooting in even the harshest environments.

The FC-WR and FR-WR are compatible with a variety of items, such as the FL-900R, for wireless radiowave communication. The commander can connect to three different groups and an unlimited number of flash units. The user can also select which group they want to fire and not to fire, and adjust the flash intensity.

The FC-WR is equipped with independent buttons for groups A, B, and C, making it possible to quickly configure settings for each group as well as adjust the shooting mode and flash intensity while viewing the monitor. Groups and channels can easily be set and checked using the dials on the FR-WR. This design makes the unit intuitive, comfortable and easy-to-use during multi-unit shooting.

The FR-WR is equipped with a sync terminal that can connect to commercial flash units, such as a monoblock flash, and can be remotely fired using wireless radiowave communication. When flash11 charging is complete, the flash emits an electronic sound.

U.S. Pricing and Availability
The FL-700WR Electronic Flash, FC-WR Wireless Commander and FR-WR Wireless Receiver will be available in February 2019 with pricing as follows:

FL-700WR Electronic Flash $ 399.99 (U.S.), $ 449.99 (CAD)
FC-WR Wireless Radiowave Flash Commander $ 349.99 (U.S.), $ 399.99 (CAD)
FR-WR Wireless Radiowave Flash Receiver $ 229.99 (U.S.), $ 279.99 (CAD)

1 When using in a low temperature, please warm the battery by keeping it in a pocket etc.
2 Firing angle of 75mm / standard light distribution mode, ISO 100/m.
3 When using Ni-MH batteries. Approx. 2.5 seconds when using alkaline batteries.
4 Only when using OM-D E-M1X and OM-D E-M1 Mark II mechanical shutter. At a firing ratio of 1/16.
5 OM-D E-M1X, OM-D E-M1 Mark II, OM-D E-M10 Mark III, Olympus PEN® E-PL9 only (As of January 2019). Continuous firing of the flash may adversely affect human subjects. Caution is required.
6 Only when using manual settings. The flash is not available while using Handheld High Res Shot on the OM-D E-M1X.
7 When the shutter curtain opens. (First curtain sync)
8 When the shutter curtain closes. (Second curtain sync)
9 35mm equivalent.
10 When using a Micro Four Thirds® lens.
11 When connecting Olympus flash only.

Articles: Digital Photography Review (dpreview.com)

 
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Apple announces it will pay licensing fee to ‘Shot on iPhone’ contest winners after complaints

25 Jan
Shot on iPhone 7 by Erdem Summak

Recently we reported on the launch of Apple’s 2019 ‘Shot on iPhone’ photo contest and the complaints some professional photographers were having about the small print. Trevor Mahlmann for example, shared his thoughts in a post on Reddit.

Essentially photographers were handing over exclusive commercial ownership of their images in exchange for photo credit.

It seems the complaints have not gone unnoticed, however, resulting in Apple clarifying its position. In an updated press release the company today announced it is planning to pay the winning photographers of its competition.

“Apple believes strongly that artists should be compensated for their work. Photographers who shoot the final 10 winning photos will receive a licensing fee for use of such photos on billboards and other Apple marketing channels.”

The PDF with the official rules has been updated accordingly as well. We still don’t know how much the licensing fee will be but Apple recognizing that an image worth putting on a billboard is an image worth paying for is a step into the right direction.

Apple’s “Shot on iPhone” contest will run through February 7. Read our previous post to find out how to enter.

Articles: Digital Photography Review (dpreview.com)

 
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