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Posts Tagged ‘50mm’

Nifty Fifties – Why I Love 50mm Prime Lenses

16 Oct

This article was written by Andrew S Gibson, the author of Understanding Lenses: Part II, and is part of a series of lessons about camera lenses. Links to the others are at the bottom of the article.

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Before zoom lenses became the norm most cameras came with a 50mm lens as standard. Since then, the humble 50mm prime has fallen somewhat out of favour. Which is a shame, because 50mm prime lenses can give you high quality and versatility at a low price point. On an APS-C camera it’s one of my favourite focal lengths. Let’s take a look at why.

50mm prime lens vs. kit lens

If you own a kit lens or zoom that covers the 50mm focal length you may be wondering why you would buy a 50mm prime. After all, you already have that focal length covered. The answer is that 50mm lenses have some advantages that kit lenses don’t:

Better image quality

50mm lenses are simple beasts from a design point of view. Lens designers figured out a long time ago how to make a good quality 50mm lens, and the result is that the optical performance of even the least expensive 50mm prime outshines many zooms.

I used a Canon EF 50mm f1.8 II lens (Canon’s cheapest) on a full-frame camera to take the photo below, my first time using it for photographing architecture, and I was amazed at the detail it captured when I enlarged it to 100%.

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Price

50mm lenses are simple. They tend to have six to eight elements inside – zoom lenses may have more than double that. That means manufacturing costs are lower. It is likely that the cheapest lens in your camera manufacturer’s range is a 50mm prime. Most 50mm lenses represent excellent value for money.

However, when making a purchase (of any lens, not just a 50mm) it is wise bear in mind that more expensive models of the same lens have better build quality, autofocus performance, weatherproofing and maybe a wider maximum aperture.

Canon, for example, has three 50mm prime lenses (plus a 50mm macro lens) in its current range. You may not notice much difference in image quality between the 50mm f1.8 II and 50mm f1.2L – but you will notice the difference in build quality and autofocus performance. I opted for the middle option and bought the mid-range 50mm f1.4.

Wide maximum apertures

For me this is the most exciting aspect of 50mm primes (indeed, any prime lens). If you have a kit lens the long end (around 55mm) has an aperture of f5.6 or thereabouts. A prime 50mm lens has an aperture of f1.8 or wider. That’s over three stops. It makes a difference when shooting in low light as you can open up the lens rather than increasing ISO. It also helps you take photos with shallow depth-of-field.

This photo was taken at f1.8 with a 50mm lens:

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Getting the best out of a 50mm prime lens

Once you have a 50mm prime lens the next step is learning to get the best out of it. These are the things that I use my 50mm lens for:

Walk-around lens

A 50mm lens is a nice walk-around lens to take on a day out. I took these photos with my 50mm f1.4 lens in China. On a full-frame camera it’s a convenient focal length for this very casual style of photography. On an APS-C camera it will help you close in on interesting details.

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Portraits

On an APS-C camera a 50mm prime lens effectively becomes a short telephoto lens, ideal for portraits. It works well on a full-frame camera as well, as long as you don’t mind a little distortion. The photos below show a couple of portraits taken with an 85mm lens.

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Close-up photography

You can use a close-up lens or extension tubes with a 50mm lens to take close-up photos. You can also reverse mount it onto another lens to take macro photos (the techniques are covered in detail in the linked articles). This greatly increases the versatility of the lens. If you already own a 50mm lens these are cheaper options than buying a macro lens.

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Previous articles

These are the previous articles in the series:

Why your Kit Lens is Better than You Think

7 Ways to Get More Out of a Wide-angle Lens

Why Lens Quality Doesn’t Matter Quite as Much as You Think it Does

How to Prevent Lens Flare

How a Humble 85mm Lens Became my Favourite

Understanding Lenses: Part II

10

If you liked this article then take a look at my latest eBook, Understanding Lenses: Part II – A guide to Canon normal and telephoto lenses. If you hurry, you’ll get a discount – scroll down for details.

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

Nifty Fifties – Why I Love 50mm Prime Lenses



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Fast, Light, Sharp and Cheap – The Canon 50mm f/1.8 EF II Lens

02 Aug

www.robnunnphoto.com The EF 50mm f belongs in the camera bag of every Canon photographer – it’s Canon’s cheapest lens, yet this great little prime offers sharp images, great low-light capability and fantastic selective focus options. The 50mm is more like the 35mm equivalent of an 80mm on a crop sensor camera, it’s slightly telephoto, so you’ll find yourself moving back a little if you’re into landscapes – but it’s a great portrait focal length. Build quality isn’t the best – but what do you expect for £100? Get one, stick it on your camera and have some fun. Cheers, Rob. Oh, and did I mention it’s cheap? 😉

 

Nikon 50mm f/1.4 G VS 1.8 D – hands on review

20 May

That Nikon Guy (Matt Granger) introduces and reviews the Nikkor 50mm 1.4 AF-S G. The lens is compared to the 50mm 1.4D – full crops, focus speed and image quality comparisions. www.mattgranger.com https
Video Rating: 4 / 5

I just received my brand new Nikon D3100 today, so I thought I might use my pet Ben Ben as a model to test out the lens and the full HD movie recordings. This demo was filmed with Nikon D3100 18-55mm AF Nikkor lens in 1080p 24fps.
Video Rating: 4 / 5

 
 

SLR Magic announces HyperPrime CINE 50mm T0.95 M-mount lens

02 Jan

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Hong Kong lens maker SLR Magic has announced the HyperPrime CINE 50mm T0.95 lens for the Leica M mount. The lens, which can be easily adapted for Micro Four Thirds or Sony NEX cameras, is designed for low light and shallow depth-of-field videography and available-light photography. The lens features 12 elements in 7 groups and, the company says, is optimized to be shot with the aperture wide open. The lens won’t be available until September 2012. In the meantime, the company has also announced a spotting scope that mounts directly to Micro Four Thirds cameras.

News: Digital Photography Review (dpreview.com)

 
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Nikon D5000 Video Recording via Nikkor 50mm 1.8G Lens

26 Sep

testing Nikon D5000 Video Recording via Nikkor 50mm 1.8G
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Just Posted: Nikon AF-S Nikkor 50mm f/1.8 samples gallery

14 Jul

Just Posted: Our AF-S Nikkor 50mm f/1.8 G sample gallery. We’ve had access to Nikon’s latest inexpensive 50mm prime lens for a couple of weeks and have put together a 41-image sample gallery to show some of what it can do. The AF-S G version means there’s finally an inexpensive Nikon 50mm lens that will autofocus on the company’s entry-level bodies, such as the D40, D60, D3100 and D5100. Here we’ve shot it using both the DX D7000 and the FX D3S to show how it performs on both formats.
News: Digital Photography Review (dpreview.com)

 
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Aperture 3 Demo Slideshow [1080p @ 30fps] Taken on Nikon D300 with Nikkor 50mm ƒ/1.8D lens

29 Jan

All photos © Brian Quintos/ Images Studio 2010 Taken on Nikon D300 with Nikkor 50mm ƒ/1.8D lens. Edited in Aperture 3. Slideshow MADE IN APERTURE 3. Music is from Aperture 3’s music catalog.

More details & Discount link: www.amazon.com
Video Rating: 0 / 5

 
 

Why you need a 50mm lens – Canon 50mm f/1.8, 1.4 and 1.2

03 Nov

Discussing the various 50mm lens options for Canon cameras, and why everyone needs one. This short photography ramble is meant for lens junkies and new camera buyers, but eventually would like to grow it into a regular netcast, discussing photography.
Video Rating: 4 / 5

 

25 June, 2010 – Voigtlander Nokton 50mm f/1.1 – A Field Report By Nick Devlin

28 Aug

Back in the day – when ISO 400 was fast – high speed lenses were something to be lusted after. But now, with ISO 1600 delivering excellent quality, and some cameras capable of greater than ISO 100,000, they have lost their luster. Or have they?

For some the appeal of ultra-fast lenses is not so much their light gathering power, but rather their shallow depth of field. One of the fastest lenses currently available at affordable prices for the Leica M9 is the Voigtlander Nokton 50mm f/1.1.

Today Nick Devlin provides us with his field report on this lens, based on a shoot in Olympic National Park this past May.

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Lumix DMC GH1 Nikkor 50mm F1.4 NightShot01.mov

11 Aug

Lumix DMC GH1 Nikkor 50mm F1.4 NightShot Test Studio Azurite azurite.jp
Video Rating: 5 / 5