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Archive for February, 2020

RawTherapee 5.8 update adds new Capture Sharpening feature, CR3 support and more

06 Feb

Free, open-source software RawTherapee has been updated to version 5.8, the team behind the product has announced. This is a relatively small update, at least as far as general users are concerned. RawTherapee 5.8 brings a new tool called Capture Sharpening that automatically recovers the detail lost due to diffraction/lens blur.

The RawTherapee team explains that Capture Sharpening can be used with Post-Resize Sharpening in order to produce ‘detailed and crisp results.’ The tool is found within the ‘Raw’ tab.

In addition, RawTherapee 5.8 adds support for Canon’s CR3 raw image format. The team says that at this point in time, RawTherapee can decode the image data so that users can process these image files; it cannot, however, retrieve the metadata. Though it’s not explicitly stated, it appears the team plans to add metadata support for these files in the future.

Those two features aside, the new update brings various improvements to camera models, optimizes tools, speeds up the application, improves its memory management and fixes a number of unspecified bugs. RawTherapee 5.8 can be downloaded for Windows, Mac and Linux from the software’s website.

Articles: Digital Photography Review (dpreview.com)

 
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Moondog Labs launches a 52mm filter holder for smartphone cameras

06 Feb

If you’d like to use your collection of lens filters not only with your DSLR or mirrorless lenses but also your smartphone camera, Moondog Labs’ latest product might be worth a closer look: the company’s new Multi-Camera Filter Mount lets you attach photo filters, for example neutral density or polarizing filters, with a standard 52mm diameter to your smartphone.

The holder works with any phone for which bayonet mount cases from manufacturers such as Moment, Rhinoshield or Sirui are available. The Moondog filter holder then clips onto the bayonet mount and, with a filter attached, covers all lenses in a multi-lens array, allowing for use with smartphone ultra-wide, standard-wide and tele lenses. Larger filters can be attached using a step-up ring.

The Moondog Labs Multi-Camera Filter Mount is available now for $ 35 on the Moondog Labs website.

Articles: Digital Photography Review (dpreview.com)

 
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Twitter will start labeling manipulated and deepfaked content

06 Feb

Twitter plans to crack down on ‘deceptively edited’ and deepfaked media content by labeling tweets that contain these images and videos. According to Reuters, the company also plans to remove edited or computer-generated content in cases where it may put someone’s privacy or safety at risk, suppress voters or cause ‘widespread civil unrest.’

Twitter’s decision comes ahead of the contentious 2020 presidential election season, which is expected to include huge quantities of manipulated and deepfaked content intended to shape the outcome of the election. Other major online platforms have enacted similar rules about deepfaked content, though some critics say they aren’t taking a hard enough stance against such content.

Facebook, for example, likewise labels fake or otherwise altered images as ‘false,’ but won’t remove this type of content unless it is a video generated using AI to make it appear that someone is saying something they never said. According to Reuters, Twitter will take into account the text in a tweet and ‘other contextual signals’ to decide whether a post will be labeled as false or removed entirely.

It remains unclear how Twitter’s platform will detect manipulated and deepfaked content.

Articles: Digital Photography Review (dpreview.com)

 
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Qualcomm shows off the first 8K footage captured with its Snapdragon 865 chipset

05 Feb

One of the defining features of Qualcomm’s new Snapdragon 865 chipset, which we covered back in December, is its ability to shoot 8K video. We’re yet to see a device make the most of the 865 Snapdragon, but Qualcomm has shared a teaser video showing the 8K resolution in all its glory.

The device Qualcomm used to capture the video is a prototype smartphone with a Sony Sony IMX586 image sensor inside. It was captured back in November 2019 at various locations around Arizona, including the Grand Canyon, Horseshoe Bend and the Petroglyphs near Antelope Canyon. It’s suggested, of course, to view this in a compatible browser and on the highest-resolution screen you can find to make the most of the footage.

Below are a few BTS shots shared with DPReview:

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You can read more about the video capture and Snapdragon 865 5G Mobile Platform on Qualcomm’s blog post.

Articles: Digital Photography Review (dpreview.com)

 
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YouTuber upscales classic film to 4K/60p resolution using neural networks

05 Feb

Chances are you’ve seen the famous short film ‘Arrival of a Train at La Ciotat (France),’ by the Lumière Brothers at some point in your life. If not, the original 57-second clip, created in 1895, can be viewed above.

YouTube creator Denis Shiryaev used neural networks to upscale and resound the original black and white clip. His efforts resulted in a 4K/60p clip that is quite astounding. The absence of jerkiness and artifacts makes the arrival of the train that much more impactful and shows just how powerful machine learning has become. Watch Shiryaev’s updated version, below:

You can find more of Shiryaev’s work on his YouTube Channel.

Articles: Digital Photography Review (dpreview.com)

 
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How Practicing Abstract Photography Can Influence Your Photography

05 Feb

The post How Practicing Abstract Photography Can Influence Your Photography appeared first on Digital Photography School. It was authored by Megan Kennedy.

practicing-abstract-photography

Also known as experimental, non-objective or conceptual photography, abstract photography depicts imagery removed from the immediately identifiable subject matter. Gaining momentum at the hands of photographers like Alvin Langdon Coburn and Paul Strand, practicing abstract photography explores the bare bones of image-making.

Abstraction has performed a critical role in pushing the boundaries of the photographic medium. In this article, we’ll look at ways in which abstract photography can inspire your creative approach to all photographic genres.

Practicing abstract photography slow shutter speed

f/18.0, 1/25, ISO 400, Canon 5D Mk II with a Canon EF 24-105mm f/4L IS USM lens

Focusing on detail

One of the most predominant ways to create abstracted imagery is through isolation.

Isolation in abstraction involves zooming in on detail, creating a study of subject matter that may otherwise go unnoticed. Through isolation, context is replaced with an emphasis on intimate detail. By elevating detail, the unnoticed subject matter is given a new visual significance.

Abstraction places a great deal of importance on details. As a result, many abstract photographers develop a strong sense of detail in any situation.

Naturally, an eye trained for subtle details proves useful in other facets of photography too. It allows a photographer to pinpoint interesting elements of a scene with greater efficiency.

By practicing abstract photography, the photographer becomes attuned to the visual weight of unique subject matter. This translates to deeper, more engaging photography as a whole.

Image: f/7.1, 1/400, ISO 100, Canon 5D Mk II with a Canon EF 24-105mm f/4L IS USM lens

f/7.1, 1/400, ISO 100, Canon 5D Mk II with a Canon EF 24-105mm f/4L IS USM lens

Experimentation

Abstraction expands on our understanding of the photographic medium through re-invention.

Of course, experimentation is not limited to abstraction. However, abstract photography emphasizes alternative approaches to subject matter. This stimulates creative thought which then flows through to other areas of photography.

Alternative processes, in-camera techniques, image manipulation…abstraction emphasizes the expression of fresh creative possibilities through constant experimentation.

Photographers like Andrew S. Gray, Wolfgang Tilmans and Barbara Kasten all push the boundaries of photographic art. Their work, and the work of countless other abstract photographers, is proof that practicing abstract photography expands the creative horizon of photography as a whole.

Practicing abstract photography experiment

f/1.8, 1 second, ISO 100, Canon 5D Mk II with a Canon EF 50mm f/1.8 II lens

Creating something unique

Abstract photography is highly subjective – every photographer approaches abstraction from a unique perspective.

This means that individual emotions, experiences, and ideas are embedded in abstract visual responses. The more you practice abstract photography, the easier it will be to identify abstract subject matter that fascinates you. It will open up more and more opportunities to hone your skills.

There is no right or wrong way to create your own abstract photography.

In fact, you may not even need a camera.

Because of this, practicing abstract photography provides a free space to forge a unique aesthetic that inevitably carries through to other facets of photography.

Practicing abstract photography blue unique

f/4.0, 1/40, ISO 500, Canon 5D Mk II with a Canon EF 24-105 f/4L IS USM lens

Pressing the reset button

Adhering to the more formal qualities of photography can sometimes culminate in creative fatigue. Abstraction tends to relax the grip of the photographic convention, adhering instead to the instinctual responses of the photographer.

This means that practicing abstract photography can provide a much-needed reset button for photographers suffering from creative weariness.

Abstraction beckons the photographer to capture subject matter that resonates on a personal level. Satisfying lines, intriguing textures, ephemeral colors…Practicing abstract photography reconnects a photographer with the basics of photography and creativity.

Practicing abstract photography color

f/2.2, 1/800, ISO 100, Canon 5D Mk II with a Canon EF 50mm f/1.8 II lens fitted with a 36mm Kenko extension tube

Honing in on composition

Although lacking in objective subject matter, abstraction still relies on the principals and elements of design to cultivate imagery. Elements like form, line, color, and texture are as relevant to abstract photography as they are any other genre. Likewise, precepts such as the rule of thirds or leading lines can also shape the way an abstract image is digested.

Practicing abstract photography coaxes out reflexive responses to image-making, revealing gaps in compositional knowledge and introducing new approaches to subject matter.

Compositional instincts honed within the bounds of abstraction spill over to other types of photography too, revealing practical insights into your own image-making process.

Practicing abstract photography composition pattern

f/4.0, 1/15, ISO 1250, Canon 5D Mk II with a Canon EF 25-105 f/4L IS USM II lens

Conclusion

Abstract photography is sometimes approached with confusion or trepidation. However, in practice, abstract photography is often a liberating and invigorating undertaking.

Though lacking in specific subject matter, abstract photography operates on creativity, critical thinking, and personal growth. Without the freedom that abstract photography affords, photography would be a much more rigid and prescriptive undertaking.

Abstract photography encourages a focus on detail, experimentation, and skill. It can also be a welcome respite from creative fatigue. Availing itself to the unique inclinations of the individual photographer, practicing abstract photography builds on the foundations of the photographic process.

Share with us your abstract photography in the comments!

The post How Practicing Abstract Photography Can Influence Your Photography appeared first on Digital Photography School. It was authored by Megan Kennedy.


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Sony’s image sensor business may be ‘enormously’ hit by coronavirus outbreak

05 Feb

Sony, which has four large factories in China, has expressed concerns that the ongoing outbreak of a novel coronavirus in the country may negatively impact its image sensor business. It remains unclear just how infectious the coronavirus is, making it difficult to estimate how extensively it may spread and how it may impact a variety of industries.

Sony CFO Hiroko Totoki warned that the coronavirus outbreak may ‘negate our revised earnings outlook,’ referring to the high demand the company has experienced. According to Nikkei Asian Review, Sony is concerned that the outbreak may disrupt its supply chains, potentially disrupting its image sensor and electronic businesses, both of which could be ‘affected enormously,’ according to Totoki.

In addition to impacting its image sensor business, Nikkei reports that disruption caused by the coronavirus outbreak may also impact Sony’s PlayStation 4 production, though this ultimately depends on which plants may be affected. Beyond that, Sony Pictures and Sony Music Entertainment may also take hits if the outbreak results in movie and concert cancellations.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm X100V: why it feels like missed opportunity

05 Feb

I was intrigued to discuss the X100V with my colleague Carey as he wrote his initial impressions. Intrigued because, while I completely understand his perspective and recognize the things he likes about the new camera, I found myself having the opposite impression.

We’ve both owned original X100s (though with its somewhat Germanic styling, I think of it as the Ur-X100, rather than the O.G), and we both love the look, the feel and the pictures they produce.

I don’t dislike the additions

I completely agree with him about the appeal of the tilting rear screen. I was never part of the faction clamoring for one but it’s something I felt was missing on the wide-angle Panasonic LX100 II, so I’m certainly not against it being added.

If you’re going to try to satisfy a group that screaming for a touchscreen and another being equally adamant that ‘an X100 has to have a fixed screen’ then this is the way to do it: with a piece of engineering that means you can ignore it if you prefer

Likewise the touchscreen. I think the joystick that appeared with the X100F did everything I might want to achieve with a touchscreen, but I’m not put-out at all that Fujifilm’s added one. Sure, I find its behavior a little annoying (or perhaps just unfamiliar: it’s early days, after all), but I can always turn it off, if I don’t get used to it.

The best (and worst) of the X-Pro3

Two things that irked me about the X-Pro3 have been directly carried over: the loss of infinity focus indication in the optical viewfinder that’s really hard to work around, if you’re an existing X100 user, and the almost-very-good Face/Eye detection implementation.

As I detailed in the X-Pro3 review: the camera’s Face/Eye detection mode arguably works best in ‘Face Selection’ mode: letting you select the face you want it to focus on, but making it quick and easy to drop back to single AF point mode. The only downside being that you have to re-engage Face Selection every time you turn the camera on, and there’s no menu option for it, so it has to tie-up one of the camera’s function buttons.

I’ve never been a fan of Fujifilm’s combined ISO/Shutter Speed dial, but having it click into the ‘up’ (ISO) position and adding subtle detents so you can feel how much you’ve rotated it is a subtle but significant improvement. It makes it much more usable when you’ve got the camera to your eye.

It’s this, rather than the loss of function buttons that comes from the deletion of the four-way controller, that struck me. Even without using the swipes on the touchscreen I found I had plenty of ways to get direct access to the things I want.

Ultimately, both these things could be fixed with firmware, if Fujifilm believe enough people agree with me.

So what’s your problem?

Ultimately, I think my glass half full perspective comes because this is the first redesign of the lens in nearly ten years, and it hasn’t addressed the thing I care about most. And any improvements not made in the X100V won’t now be addressed for the foreseeable future.

Any improvements not made in the X100V won’t now be addressed for the foreseeable future

Above all, the thing preventing me upgrading my X100 was focus responsiveness. With the important caveat that this is a pre-production unit, my impression is that the X100V’s autofocus isn’t significantly faster than the F’s. And, for the shooting I do, and the shooting I imagine myself doing (isn’t the X100 romance partly about the photographer you imagine yourself becoming?), I would really welcome something a little more snappy.

The Mark II lens is the same dimensions as the old one and maintains compatibility with existing accessories. But for my own use, it doesn’t address my biggest hang-up about the previous design.

All the early signs point to Fujifilm living up to its promises of sharper corners and better close-focus performance. Which are things I know a lot of X100 users wanted to see fixed. But they never really mattered to me. Like the flip-up screen or touch-capability they were more ‘nice to haves’ rather than essentials. Faster focus, to me, felt necessary.

I’d personally be disappointed if it turned out they’ve tied their hands when designing the new lens, in order to maintain backwards compatibility with adaptors I don’t have

My suspicion is that this, along with the need to mount a filter on an adaptor to get complete sealing, is a side-effect of trying to make sure the existing wide- and tele- conversion lenses remained compatible. This will no-doubt come as welcome news to people who had bought these accessories.

I’d personally be disappointed if it turned out they’ve tied their hands when designing the new lens, in order to maintain backwards compatibility with adaptors I don’t have (and don’t want: if I wanted a 28mm equiv. camera, I’d buy a Ricoh GR, rather than trying to mod an X100 into one). And personally is the key word in all of this.

Conclusion

It’s true that I’m a little more glass half full than Carey is, but I do recognize that there’s a delicious-looking half pint sitting in front of me. Every previous version of the X100 has included a series of small but significant improvements. They haven’t necessarily been compelling enough to prompt an upgrade version-to-version, but each has been better than the last. Even with my downbeat view, the X100V appears to comfortably reach that bar.

The X100V adds a tilt screen and touch-sensitivity in a way that shouldn’t alienate existing users, which is a delicate tightrope for Fujifilm to walk.

More than that, it appears Fujifilm has found a way of addressing both the ‘no tilt-screen, no buy’ crowd and, perhaps, the ‘add weather sealing, then we’ll talk,’ brigade. And has found a way of doing so without alienating the existing audience.

And therein is a hint at the challenge they faced: how do you push forward a series of cameras that so many people already feel personally invested in?

As me and Carey’s differing perspectives show: even that existing group isn’t homogenous. The X100 series has a surprisingly diverse user base, each of whom wants Fujifilm’s next iteration to be their perfect camera. So perhaps it’s forgivable, even if it transpires that the X100V isn’t mine.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm X100V pre-production sample gallery

05 Feb

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Fujifilm has made some substantial upgrades in this evolution of its popular X100 series. Like its predecessors, the X100V aims to be an ideal daily companion, and when a pre-production sample arrived at our office we happily started putting it to work in exactly that way.

See our Fujifilm X100V pre-production sample gallery

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Mastering Lightroom Keywords in a Flash

05 Feb

The post Mastering Lightroom Keywords in a Flash appeared first on Digital Photography School. It was authored by Simon Ringsmuth.

mastering-lightroom-keywords

As your collection of photographs grows, it’s important to have a way to manage all those images. Lightroom keywords can help you tame your ever-increasing photo library, but mastering them can take a bit of practice. Whether you’re a Lightroom veteran or completely new to the software, these tips and tricks will save you plenty of time and a few headaches too.

Image: Nikon D750, 95mm, f/3.3, 1/250 second, ISO 250

Nikon D750, 95mm, f/3.3, 1/250 second, ISO 250

Understanding keywords

Lightroom keywords are like tags on a social media post. They help categorize your pictures according to specific elements contained therein, as well as broader themes you can’t necessarily see.

For instance, let’s say I post the following picture of a mockingbird on a social media site. The caption contains text I might share with the image, along with a few hashtags.

lightroom keywords

I shot this mockingbird on a chilly November morning. So fun to get out and enjoy the great outdoors! #Nature #Bird #Mockingbird #Outdoors #Oklahoma #Nikon #Sunshine #Happy

Each of those hashtags could be considered a keyword: they help describe and categorize the image. You can’t see that I shot the picture with a Nikon camera. And yet I used the #Nikon hashtag in case people are searching for images taken with that type of gear. I also added the hashtag #Happy because this is a picture that makes me feel joy.

Keywords in Lightroom work in the same way. When you apply them to your images, you are helping make sure you have a way to organize and locate your pictures later on. It might take a bit of work (but not much!) to apply keywords, but that work can pay huge dividends down the line.

Image: Nikon D750, 125mm, f/4, 1/180 second, ISO 180

Nikon D750, 125mm, f/4, 1/180 second, ISO 180

Adding keywords on import

The process of adding Lightroom keywords is pretty straightforward. Lightroom has a number of tools to help you with this step in the process in order to make your job as easy as possible.

You can add keywords to pictures at any time, but the best way is to apply them when you initially import your images.

I usually shoot in batches, so all the photos from any given import operation generally have similar subjects and themes. That makes adding keywords en masse quite practical as opposed to entering them later, but you can certainly do that too.

Lightroom keywords

You can add keywords during the import phase.

In the above photo, you can see the import dialog with thumbnails of several pictures I shot on a foggy morning. Applying keywords when importing them into Lightroom will help me later when I want to find these same images.

On the right side of the Import screen is a panel called Keywords. You can use this to type in a set of words that describe the pictures, just like you would add hashtags to the pictures on social media. For the images above, I would use keywords such as Morning, Fog, and Sunrise.

lightroom keywords

Lightroom keywords are kind of like social media hashtags. Use them to describe your image as well as non-visual aspects – like how it makes you feel.

You can also create a Metadata Preset that applies a specific set of keywords. Choose the “New…” option under the Metadata section of the Apply During Import panel.

Then navigate to the Keywords section and enter the keywords you want to apply.

Save it as a new Metadata preset, and you can apply these keywords as a batch to a group of images on import.

Lightroom keywords

You can create a metadata preset that includes a set of Lightroom keywords to apply during import.

If you don’t want to apply keywords when importing, you can do it in the Library module after finishing the import. In some ways, this process is even easier than applying on import, but I find that if I don’t do it right away (i.e., when importing), I tend to forget. I can sometimes end up with a huge backlog of photos to keyword, so I prefer to get it done right away and not worry about it later on.

Adding keywords in the library module

In the Library module, select the photos to which you want to apply keywords. Then you can add keywords using a few different methods.

lightroom keywords

You can also add keywords after importing using the Library module.

The most obvious way to enter Lightroom keywords is to just type them in the text entry box in the Keywording panel.

Separate each keyword with a comma and add as many keywords as you want.

Lightroom will offer keyword suggestions based on what it thinks you might want to use, but I don’t find these to be particularly helpful.

lightroom keywords

Use the Keywording panel to enter keywords for your images, and separate each keyword with a comma.

If you have several keywords you find yourself using consistently, you can store them in a Keyword Set. This is a collection of Lightroom keywords that are particularly useful for certain shooting situations, such as Outdoor Photography, Portrait Photography, or Wedding Photography.

Click the drop-down menu to select a set, and then click individual keywords to add them to an image or a batch of selected images.

Lightroom keywords

Lightroom has a few existing Keyword Sets, but you can create your own as well.

Scrolling down below the Keywording panel brings up another panel called Keyword List. As its name implies, this is a list of every single keyword you have ever used in Lightroom. It also shows a number indicating how many photos to which that keyword has been applied.

Select one or more photo thumbnails and then click the checkbox next to one of the existing keywords to apply them to the images.

If you have hundreds of keywords, you can narrow the list by searching for specific keywords using the search box at the top of the Keyword List panel.

Lightroom keywords

The keyword list can be used to quickly add existing keywords to images

One other way to add keywords is to use the spray-can icon near the bottom of the Library module.

Click the icon and then select Keywords from the drop-down menu.

Enter any keywords you want to apply and then click the pictures on which you want to apply them.

Lightroom keywords

Use the spray paint icon to add keywords to images with a single click, or multiple images by clicking and dragging

I don’t find the Painter tool to be especially useful, but plenty of photographers use it in their workflows. Your own usage will vary, but the bottom line here is that there are many ways to add Lightroom keywords to your pictures. The important thing is to find a solution that works for you.

Searching and sorting

After you have keywords applied, you can use them in a variety of ways to organize and search through your pictures.

If you just want to find images with one specific Lightroom keyword quickly, you can click the arrow icon next to a word in the Keyword List panel.

Lightroom keywords

If you want to revert to showing all your pictures, select the Library menu, and then un-check the “Enable Filters” option. You can also press Ctrl-L (or Cmd-L on a Mac) to do the same thing.

Another way to use Lightroom keywords for finding specific images is to use the Filter bar.

In the Library module, choose the View menu and then “Show Filter Bar,” or press the “\” key. This brings up a search interface that lets you filter your photos according to hundreds of individual criteria.

Lightroom keywords

The filter bar lets you search for a wide variety of image data, including keywords.

Type the keyword you are looking for in the search bar, and Lightroom will instantly pare down your images to show just the ones you need.

You can also adjust the criteria from “Contain All” to more than a half dozen other options such as Contain, Starts With, or Are Empty.

Lightroom keywords

My favorite use of Lightroom keywords is in conjunction with smart collections. These are collections of images populated on the fly according to the criteria you set.

Every time I do a photo session, I assign the keyword “PhotoSession” on import. These are automatically sent to a Smart Collection containing, as you would expect, every photo from a session.

I also have smart collections for my personal photographs. Since I keep everything in the same Lightroom catalog, I use keywords to sort it all out.

Lightroom keywords

Smart Collections are a great way to use Lightroom keywords to organize your photos.

This means that I never have to think about which photos are from my formal sessions and which ones are not. Lightroom keywords and Smart Collections handle this task for me, which means I have more time to focus on editing instead of sorting.

Lightroom keywords

Nikon D750, 180mm, f/2.8, 1/500 second, ISO 1800

Conclusion

If you haven’t used Lightroom keywords, I think you will be surprised at how helpful they can be. It takes just a small amount of work on your part to apply keywords, but the end result is a library of images that is much easier to tame.

Do you have any tips or tricks for mastering lightroom keywords? Leave your thoughts in the comments below.

The post Mastering Lightroom Keywords in a Flash appeared first on Digital Photography School. It was authored by Simon Ringsmuth.


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