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Archive for May, 2019

Voigtlander Nokton Classic 35mm F1.4 II lens for Leica M-mount will be released in June

08 May

Following a leak last week claiming the lens would soon be announced, the Voigtlander Nokton Classic 35mm F1.4 II wide-angle prime lens with single coating and multi-coating options has been announced. The updated model features ‘the latest optical material,’ according to Cosina Japan, while retaining nearly the same size and design as the original.

The Nokton Classic 35mm F1.4 II for Leica M-mount features 8 elements in 6 groups, an F1.4 to F16 aperture range, 10-blade diaphragm, 43mm filter size and 63° angle of view, mirroring the original model. The weight has been slightly reduced in the updated model, dropping from 200g (0.44 lb) to 189g (0.41 lb).

Cosina says it brought ‘the latest optical technology’ to the Nokton Classic 35mm F1.4 II lens, explaining that its new product:

Reproduces the unique depiction of the classic lens. At the open aperture, a gentle and gentle bokeh creates a three-dimensional effect. If you focus on it, it will be a sharp depiction, and a variety of expressions are possible with one lens … a gentle and beautiful bokeh when the aperture is open and a sharp notch when it is narrowed widens the width of the photographic expression.

The lens is offered in two variants: single coating (SC) for classic color reproduction and multi-coating (MC) for neutral color reproduction. The company will also sell the LH-6 lens hood for the new model as an optional accessory.

The Voigtlander Nokton Classic 35mm F1.4 II lens will be available starting in June for 75,000 JPY ($ 680 USD, £523, €607). The model isn’t yet listed on B&H Photo or Adorama, but can be pre-ordered in Japan through Yodobashi.

Articles: Digital Photography Review (dpreview.com)

 
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B&H effectively cancels out internet sales tax in US with its new ‘Payboo’ credit card

08 May

Just shy of a year ago, the United States Supreme Court ruled that out-of-state retailers are required to collect sales tax on internet sales. B&H has long been known for the absence of sales tax outside the state of New York and to account for the ruling, it’s decided to take a unique approach to effectively cancelling out the sales tax for B&H customers.

It’s called Payboo, and it’s a credit card B&H has created in partnership with Synchrony Bank that will automatically reward you, instantly, with the amount sales tax would effectively cost at checkout. As explained on B&H’s FAQ page about the new Payboo card, ‘B&H issues instant Payboo Card Savings on all non-tax-exempt purchases shipped to eligible states paid for with the Payboo Card in the form of a reward concurrently issued and redeemed directly on your order during checkout.’

B&H further explains the process under the question ‘How does the Payboo Card benefit really work?’

‘When you pay for B&H purchases with the Payboo Credit Card, B&H will charge the total of merchandise plus applicable fees and taxes; but we instantly issue and apply a reward on orders made in our SuperStore or shipped to eligible states right in checkout as a form of customer payment. Then, the amount charged to the Payboo Card is net of the benefit applied.’

In other words, consumers won’t notice any difference in the cost, as B&H effectively takes on the cost of the sales tax. Better yet, since B&H collects and disburses state sales tax in accordance with state sales tax laws and regulations, nothing needs to be done on the consumer’s end come tax season.

B&H says there will be no upper-limit on how much you can save using this benefit and notes that the savings will vary based on the zipcode products are being shipped to. To apply for the B&H Payboo Card, which doesn’t require an annual fee, you must have a valid Social Security Number (SSN) or Individual Tax Identification Number (ITIN) and a U.S. billing address. Of course, applying doesn’t guarantee a card, which is subject to credit approval.

B&H addresses further questions on its Payboo page and has a dedicated page for signing up.

Articles: Digital Photography Review (dpreview.com)

 
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Instagram posts will soon be screened by Facebook fact checkers

08 May

The amount of fake news and conspiracy theories on Facebook and Twitter is troublesome, but by no means limited to those two social media platforms. Instagram users have to deal with a fair share of general misinformation as well.

The company has already been working to reduce the reach of posts containing false information, but is now taking things one step further. Soon potentially misinforming posts will go through parent company Facebook’s fact checking procedures.

Posts that are identified as false will not necessarily be removed but won’t appear on the Explore page or hashtag search. Talking to Poynter, a company spokesperson said: ‘Our approach to misinformation is the same as Facebook’s — when we find misinfo, rather than remove it, we’ll reduce its distribution.’

The newly introduced measures now ensure the fact checkers also find images on Instagram that have not previously been flagged on Facebook.

According to reports Instagram has been working closely with Facebook’s fact checking teams since the US midterm elections. When images with misinformation are identified on Facebook, an image recognition algorithm can search for the same image on Instagram. The newly introduced measures now ensure the fact checkers also find images on Instagram that have not previously been flagged on Facebook.

According to Poynter, Instagram is also considering the option to add pop-ups that alert users who are searching for misinformation. It’s good to see the platform and its parent company Facebook taking a stronger stance against misinformation in social media but for many the measures to counteract fake news and hate messages are still not going far enough.

Articles: Digital Photography Review (dpreview.com)

 
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Olympus OM-D E-M1X review

08 May

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Silver Award

85%
Overall score

The Olympus OM-D E-M1X is a dual-grip Micro Four Thirds mirrorless camera aimed at pro sports and action photographers. It’s designed to be rugged, durable, fast and capable, and has a price tag to match that ambition.

The EM1X uses fast readout and fast processing both to provide high-level AF performance and fast burst shooting as well as a range of novel modes and features. It also promises new levels of performance in terms of weather resistance.

Key Specifications

  • 20MP Four Thirds sensor
  • 121-point autofocus system with deep learning-based subject recognition
  • Hand-held high-res shot mode
  • Up to 60 fps Raw + JPEG capture (up to 18 fps with autofocus)
  • Pro Capture mode records frames before you hit the shutter
  • Up 7.5EV of image stabilization (CIPA-rating) with supported lenses
  • ‘Live ND’ multi-shot mode simulates ND filters
  • Large 2.36M-dot LCD viewfinder able to work at up to 120 fps
  • Dual BLH-1 batteries giving 870 shots per charge (CIPA)
  • Dual UHS-II SD memory card slots
  • Extensive direct control, dual AF joysticks, articulating touchscreen
  • UHD 4K/30p video and DCI 24p at up to 237Mbps
  • Extensive, IPX1-rated weather sealing
  • USB charging

To a degree the E-M1X resembles a twin-grip E-M1 II with more powerful processors and two batteries. What makes the camera interesting is what it does with that extra power.

The E-M1X is sold body only at an MSRP of $ 2999, CAN $ 3899, €2999 and £2799.


What’s new and how it compares

The E-M1X brings improved AF, a hand-held high res mode and Live ND as the headline updates.

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Body and Handling

The E-M1X is the first Olympus digital camera to offer the dual-grip design favored by pro sports cameras. It’s also one of the few to receive a formal rating of its environmental sealing.

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Controls and Operation

There are plenty of direct control points on the E-M1X but also a lot that can be customized.

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Is the E-M1X right for you?

The E-M1X’s primary use cases are sports, action and wildlife photography. But that doesn’t mean the camera isn’t fit for other disciplines.

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Shooting Experience 1

Carey Rose was impressed by the performance of the E-M1X at a pre-launch shooting event, but there are some things he’d like to see improved.

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Shooting experience 2

When it comes to tennis, the E-M1X is faster than a Nikon D5, but its autofocus is less reliable.

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Image quality

The E-M1X likely uses the same sensor as the E-M1 II and image quality is top notch for a Four Thirds chip.

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Autofocus

The E-M1X offers impressively sticky AF tracking. However, AF-C performance falls behind the competition.

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Performance

Two processors give the E-M1X a decent amount of buffer depth. They also play a part in the camera’s stabilization, which is on par with the E-M1 II, but behind the Panasonic G9.

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Video

Video quality doesn’t blow us away, but the E-M1X just might have the smoothest in-camera video image stabilization around, but it comes with a slight crop.

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Conclusion

After all our testing and real world shooting, here’s the final takeaway.

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Sample gallery

We’ve spent a ton of time shooting with the E-M1X, here’s all our samples, including Raw conversions.

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Articles: Digital Photography Review (dpreview.com)

 
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Twitter now supports adding images and other media to retweets

08 May
Image by Twitter via The Verge

Twitter has announced support for adding images, as well as videos and GIFs, to retweets and quoted tweets. Users had requested this feature for years, but Twitter explained to The Verge that it was tricky enabling media comments on retweets and quotes while maintaining a logical design that viewers could readily parse.

The new support, which is currently rolling out Twitter’s mobile apps and mobile website, allows users to add an image, video, or GIF after tapping the ‘Retweet with comment’ option on an existing tweet.

The company has chosen a design that nestles the original tweet with a timestamp and thumbnail under the full-width media published by the user who responded to the original tweet. This design only appears on mobile at this time, however, and The Verge points out that GIF comments on retweets look clunky on desktop.

It’s unclear when the feature and mobile-like nesting design will arrive for desktop users. The new option is rolling out on Android and iOS now.

Articles: Digital Photography Review (dpreview.com)

 
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The FAA predicts the commercial drone market could triple in size by 2023

08 May

The Federal Aviation Administration (FAA) recently released its two-decade Aerospace Forecast for fiscal years 2019-2039. While they’ve successfully predicted steady growth in the drone industry over the past five years, this latest annual update reveals that they’ve underestimated the phenomenal rate of adoption for unmanned aerial vehicles.

‘A comparison of last year’s data with this year’s (2018) shows that the annual growth rate to be around 13 percent,’ reads the report. ‘This continues to be substantial growth as anticipated from the introduction of drones as a recreation activity facilitated by falling equipment prices and improved technology, such as built-in cameras and relatively easy maneuvering.’

Last year, predictions put roughly 452,000 commercial (non-model) drones in the sky by 2022. Now it appears that the industry will reach that landmark around the beginning of next year. According to the latest data collected, if trends continue, the FAA foresees market growth tripling in size over the next five years, topping off at 835,000 drones by 2023 – an average annual growth rate of 24.7 percent.

The FAA has registered more than 116,000 remote pilots through the end of 2018. Officials expect that number to reach roughly 350,000 pilots with Part 107 certification by 2023.

The FAA has registered more than 116,000 remote pilots through the end of 2018. Officials expect that number to reach roughly 350,000 pilots with Part 107 certification by 2023. In this category, “the pace of monthly registration, almost 15,000, is nearly 3-times higher than the pace at which non-model aircraft owners registered their craft during the same time last year.”

Despite the significant growth, the FAA acknowledged that as with all technologies, model aircraft (non-commercial drone) sales will inevitably slow as ‘the pace of falling prices diminishes and the early adopters begin to experience limits in their experiments or simply eagerness plateaus.’

Since the FAA’s online registration system went into effect on Dec. 21, 2015, more than 900,000 owners have registered their drones through September 2018. The agency estimates 1.25 million drones are currently in use across the U.S. with growth projected to reach 1.4 million by 2023. Monthly owner registration for model aircraft averaged around 8,000 – 9,000 per month from January – December, 2018. The overall pace of registration has decreased to about half compared to the same period the year before.

As the commercial industry continues to grow, new sectors and uses for drone technology will continue to emerge. Google’s Wing recently received permission to deliver small commercial goods to consumers, a first for the FAA to grant any company. A kidney was transported, via drone, to a transplant patient this past week.

Articles: Digital Photography Review (dpreview.com)

 
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Four of the Latest Updates to Lightroom Classic CC

08 May

The post Four of the Latest Updates to Lightroom Classic CC appeared first on Digital Photography School. It was authored by Adam Welch.

When it comes to the world of photography it seems as if change is an everyday occurrence. New cameras, new lenses and new ways to make your photographs better, give the feeling that we are never quite standing still. One of the biggest testaments to this fluidity comes from the recent changes made to Adobe Lightroom Classic CC. It seems as if Adobe has been extremely busy over the past year by introducing new features and settings to Lightroom.

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It’s impossible to list all of the changes here, so I’ve picked four of the biggest and freshest new features to be introduced into Lightroom Classic CC. These range from somewhat complex to some very simple tweaks that might leave you thinking “hey, why didn’t I think of that?!”

Here’s a short list of the new features which are currently available in Lightroom Classic CC v8.2 which was the most current build at the time this article was written.

Customize Develop Panels

To kick things off, we’ll take a look at a very simple yet interesting new feature introduced to Lightroom in December of 2018. Until now the only choice of customization for our Develop panels was to switch to “Solo” (highly recommended) mode. With the release of Lightroom Classic CC v8.1, we can now choose the order we want the Develop panels to appear and even decide which panels we want to have listed at all.

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I know, right? Looks a little odd to see all the panels in a different order and a few missing! To customize your Develop panels all you need to do is right-click on the title bar of any panel.

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This opens up the customizer dialog box.

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From here it’s just a matter of checking or unchecking the panels and/or dragging and dropping them into the order you like.

Show/Hide Develop Presets

Moving over from the far right to the far left side of Lightroom Classic CC, we’ll find another new feature added to the v7.4 (seems so long ago) update which dropped in June of 2018. Beginning with this build, we can now control which Develop Preset groups appear in our Preset panel. This feature is called “Manage Presets,” and it is accessed by right clicking on any Develop Preset group or by clicking the dropdown icon at the top right of the panel.

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We are then met with this preset management window.

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This is where you can check or uncheck the preset groups you want to appear in the Develop presets panel. Remember, you can always select “Reset Hidden Presets” should you ever decide you want to restore everything to the default configuration.

Preset Compatibility

While we’re on the topic of Develop presets, it’s worth mentioning another brand new aspect to grace the halls of Lightroom Classic CC in 2018. Starting with the v8.1 update, we have the option to determine which presets appear in our Develop Preset folders even more judiciously than before with the ability to hide or show partially compatible presets.

Now, you might be wondering what a partially compatible preset is? Simply put, any Develop Preset that contains a setting not compatible with your current version of Lightroom will now be italicized or hidden depending on your preferences.

Here, let me show you.

First, let’s say this preset was made with a creative profile which you don’t have installed. You’ll notice that its name appears in italics. This means that the preset is still usable, however, it only offers limited functionality.

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Alternatively, we can choose to not have that preset appear at all. To do this, we first select ‘Edit’ and then ‘Preferences’

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Next, click on the ‘Presets’ tab and then set the preset visibility checkbox to your desired preference. If left unchecked ANY of your presets that feature settings not fully compatible with your version of Lightroom will no longer appear in your presets folder.

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This of course can be undone at any time by simply checking the presets visibility box once again.

Single-step HDR Panorama Photo Merge

Don’t worry, just because the title is lengthy doesn’t mean this next feature is overly complicated. For years we’ve been able to tell Lightroom to stitch together our panoramic and HDR images for us. Now, the folks at Adobe have given us an incredibly easy way to combine the best of both worlds with the release of Lightroom Classic CC v8.0 back in October of 2018. We can now merger multiple bracketed photos into a high dynamic range (HDR) panorama in, you guessed it, just a single step. Well, maybe a little more than that – but it is still incredibly easy.

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The majority of the work involved in making use of this new feature happens before you ever import your images into Lightroom.

Namely, your photos need to be correctly bracketed and meet a few other criteria. It will be helpful to read the full release notes from Adobe to learn more about how to make sure your images are compatible with Single-step HDR Pano Merge.

In any case, once you have selected the bracketed images for your HDR pano, the actual process is remarkably straightforward. So go ahead and select them first.

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Then right-click on any image and select ‘Photo Merge,’ and then ‘HDR Panorama’.

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From here, Lightroom will create a smart preview of your HDR Panorama.

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You then have options to control the way the final photograph gets cropped as well as how the images combine. This new “single-step” approach to creating high dynamic range panoramas is light years ahead of previous methods. Instead of first needing to merge individually bracketed image sets into separate HDR photos, only then to require further stitching into the final panorama, we can now eliminate virtually half of the effort involved. If you’re an avid landscape photographer, you will absolutely fall in love with single-step HDR Panorama Photomerge.

And that’s not all…

Of course, this is just a taste of the new flavors Adobe has added to Lightroom in the last year or so. It’s nearly impossible to include all of the new features constantly added – and that’s a good thing. There are many more fresh features to be found in Lightroom Classic CC.

Do you have any favorites? Feel free to let us know in the comments!

 

The post Four of the Latest Updates to Lightroom Classic CC appeared first on Digital Photography School. It was authored by Adam Welch.


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Google brings its impressive camera tech to new mid-range 3A, 3A XL smartphones

08 May

Google has unveiled the Pixel 3a and 3a XL, a pair of mid-range phones that put the best parts of its flagship devices—namely the cameras—into more wallet-friendly packages.

Announced today at Google I/O, the phones feature 5.6″ and 6″ 1080p OLED displays (respectively), Snapdragon 670 processors, 4GB RAM, 12.2-megapixel rear cameras and 64GB of storage. Both units have USB-C charging (no wireless charging), fingerprint readers, 3.5mm headphone jacks and Google’s Active Edge technology, which summons ‘Hey Google’ with a quick squeeze of the phone.

The two new devices look similar to Google’s more powerful Pixel 3 and Pixel 3 XL devices, but come in slightly taller, feature a downward-facing bottom speaker and feature a spot on the top for the 3.5mm headphone jack. There’s no notch on either phone.

Diving into the camera details, the Pixel 3a and 3a XL use the same award-winning main rear camera found inside the Pixel 3 and 3 XL, with a 12.2MP Sony IMX363 1/2.55″ (1.4?m pixels) dual-pixel sensor and an F1.8 lens (76-degree FOV, 28mm equiv.). Missing is the 19mm equiv. wide-angle ‘group selfie’ front camera found on the original Pixel 3 phones, but this is mitigated by the wider FOV (84-degree FOV, 24mm equiv.) of the traditional 8MP F2.0 (1.12?m pixels) front-facing camera on the 3a. All the smarts packed into the Pixel 3 camera, like Night Sight, Super-Res Zoom, and learning-based Portrait Mode, are all available on the new devices.

Video capabilities remain the same, with a maximum specification of 4K/30p, and steadycam-like footage thanks to a combination of optical and electronic stabilization.

What’s powering the cameras inside the 3a and 3a XL differs, for obvious cost-cutting reasons. Rather than the Qualcomm Snapdragon 845 and Adreno 630, the Pixel 3a and 3a XL use the older, less powerful Qualcomm Snapdragon 670 and Adreno 615. The Pixel 3a and 3a XL also lack Google’s custom Pixel Visual Core processor, meaning all image processing is done on just the CPU and GPU.

The Pixel 3A and 3A XL are available in black, white and a new color Google calls ‘purple-ish’ for $ 399 / £399 and $ 479 / £469, respectively.

Articles: Digital Photography Review (dpreview.com)

 
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Gear Review: The Lastolite Halo Compact Reflector

08 May

The post Gear Review: The Lastolite Halo Compact Reflector appeared first on Digital Photography School. It was authored by Sean McCormack.

The Halo Compact is a new reflector/diffuser design from Lastolite (a Manfrotto company). In January, at The Societies Convention in London, I got a glimpse of the first batch on the Manfrotto stand. It looked great on display, and in the demo, it packed down really small. It was also attached to standard light stand fitting on display. As the owner of a few Lastolite products, I’m quite aware of how innovative they are, and that they do make quality products. Some of these are used day in and day out in the studio (e.g. the Hilite and the Triflector).

The Halo Compact on the Lastolite/Manfrotto stand at The Societies Convention.

Now I own a lot of reflectors. From large 5-in-1 disc reflectors to the already mentioned triflectors, to 6’X3’ frame reflectors; I even have a California Sunbounce. I’m not exactly in need of a new one, least of all something that’s well on the way to being €100 with shipping.

However, I was still interested in one major selling point – how compact it is when it is packed down. Seeing as I’d flown to the convention, I knew it would be a perfect travel reflector. I went to buy one. No luck. The small amount of stock that was in the shop at the convention was gone, so I left empty handed.

My next look at the Halo Compact in person was at The Photography Show in March. I happened to chat with one of the folks at the stand, and it turned out to be Matt Bailey. Matt had taken over from Gary Astil as a product designer, so we got chatting about the Halo, and how it solved quite a few problems.

Needless to say, I bought the diffuser version with the frame and a silver/white reflector cloth as well, to give me the best variety for shooting situations. I could have gotten the reflector with frame and the diffuser cloth if I preferred.

The Lastolite Halo Compact Reflector setup

The blue containing pouch

The Lastolite Halo Compact Reflector comes in a small, dark blue, zipped pouch. It has a carabiner to attach to a clips, belts or even belt loops. The material and finish are far better than the old royal blue material Lastolite formerly used, which tended to fray behind the zip, rendering the zip useless.

When you open the zip, it reveals what looks like a tent pole rods (but pre curled), and a fabric. You’ll also a find ¼” 20 screw back to back in the pouch so it can screw to a magic arm.

The rods are similar to tent pole, but curved.

You’ll find assembly is straightforward. Attach all the rods together. Finish the frame by pushing the two sides of the handle together in a kind of dove tail joint fashion.

The handle pushes together to make the frame rigid. It also houses a tripod fitting.

A quick glance at the handle and you’ll see the inbuilt ¼” 20 hole for a light stand in the handle. This is one of the great features of the Halo.

That’s it. It’s sturdy and firm.

To get either fabric on, you click a clip in place on either side of the handle and then clip them all on at even spacing around the frame.

The grip on the handle is great and I found it reasonably easy to hold outdoors, despite holding it in my left hand on my right side in the wind.

I’m not saying it’s not a kite, but it was far better than the floppy eBay reflector I’d used earlier that day.

Why do you need this?

So why would you bother with having this at all?

The answer is simple.

You want to have control of the light.

Here’s what undiffused evening sun looks like.

While it’s not as harsh as midday sun, it still has hard shadows and causing squinting.

By using the diffuser, the light is spread, making is softer.

Obviously it’s also lower in intensity, so you have to open your shutter to compensate.

Another typical way of shooting with evening sun is to use backlighting.

Here you can lose the direction of the light, but adding a silver reflector can bring back contrast and shape.

 

You could also opt for a more subtle white reflector.

Pros and Cons

Pros

  • Sturdy
  • Good modifier options with reflection and diffusion
  • Compact, perfect for travel
  • Reliable brand with known quality
  • Built in stand adaptor

Cons

  • Longer setup time than a popup
  • More expensive, but still not the most expensive

Conclusion

While a little on the expensive side compared to the eBay popups, the Lastolite Halo Compact Reflector is still an affordable product. Despite the longer setup time, I feel the compact pack means this product will live in or on my camera (via the carabiner) permanently, vs the pops that are left behind when I’m travelling more compactly.

I’ve included the downside of the price and longer setup time in my rating, but in truth, I’m delighted with this product.

Now to sell some of my other reflectors!

Have you used the Lastolite Halo Compact Reflector? What are your thoughts? Share with us and our readers in the comments below.

 

The post Gear Review: The Lastolite Halo Compact Reflector appeared first on Digital Photography School. It was authored by Sean McCormack.


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5 Attributes of a Great Product Photo for Your Online Store

07 May

As an online store owner, you are constantly striving to design your shop in the most appealing way to your customers. And the first step to success is to make your product photos shine bright like a diamond. Why Exactly You DO Need Great Product Photos for Your Online Store People don’t buy before they see. Some of them even Continue Reading

The post 5 Attributes of a Great Product Photo for Your Online Store appeared first on Photodoto.


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