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Archive for May, 2019

Weekly Photography Challenge – Birds

11 May

The post Weekly Photography Challenge – Birds appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

This week’s photography challenge topic is BIRDS!

Image by Jaymes Dempsey.

Go out and capture those little feathered friends doing those awesome things they do. They can be close-ups, in flight, perched on a branch, in a cage, or eating insects. They can be color, black and white, moody or bright, motion blurred or creatively edited. You get the picture! Have fun, and I look forward to seeing what you come up with!

Image by Jeremy Flint.

sharp images reddish egret

Image by Jaymes Dempsey.

Check out some of the articles below that give you tips on this week’s challenge.

Tips for Shooting BIRDS

5 Secrets for Stunning Creative Bird Photography

5 Ways to Photograph Birds

10 Surefire Tips for Photographing Birds in Flight

5 Unforgiving Post-Processing Mistakes Every Bird Photographer Must Avoid

5 Tips for Better Forest Bird Photography

A Guide to Photographing Birds and Wildlife in a Wetland Area

5 Ways to Get Frame-Filling Shots in Bird Photography

How to Photograph Hummingbirds

Weekly Photography Challenge – BIRDS

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge.

Share in the dPS Facebook Group

You can also share your images in the dPS Facebook group as the challenge is posted there each week as well.

If you tag your photos on Flickr, Instagram, Twitter or other sites – tag them as #DPSbirds to help others find them. Linking back to this page might also help others know what you’re doing so that they can share in the fun.

The post Weekly Photography Challenge – Birds appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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Adobe Creative Cloud no longer offers most older Lightroom and Photoshop versions

11 May

Adobe Creative Cloud no longer offers customers access to most older versions of Lightroom and Photoshop. The company announced its decision to limit Creative Cloud download availability via its Adobe Blog this week, stating that subscribers can now only download the two most recent major versions of both Lightroom and Photoshop.

The direct download access is provided through the Adobe.com website and Creative Cloud desktop app. According to the company, the ‘vast majority’ of Adobe CC customers are already using the two most recent major release versions of both applications.

By forcing the remaining users to make this transition, Adobe says it can ‘ensure peak performance and benefits across Windows and Mac operating systems.’ This change means Adobe CC subscribers can only download Photoshop versions that start with ’19.x.x’ and ’20.x.x,’ and Lightroom versions that start with ‘7.x.x’ and ‘8.x.x.’

Articles: Digital Photography Review (dpreview.com)

 
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Users can now appeal Instagram’s post blocking decisions

11 May

Earlier this week Instagram announced it will take fact-checking more seriously and remove or reduce the visibility of posts that include misinformation. However, if a post does get removed for misinformation, or any other kind of violation of Instagram terms and conditions, users have now the opportunity to appeal that decision.

A new app interface that is being rolled out starting today will let you get your post reviewed by a second moderator. If they disagree with the original moderator’s decision your post will be reinstated into your profile.

The company also says it will begin blocking vaccine-related hashtag pages when those pages contain a proportion of verifiably false content above a certain threshold. If false information is posted but remains under the threshold, Instagram will reduce visibility by not showing recent posts. The company says now that health agencies like the Center for Disease Control and World Health Organization have confirmed that vaccines do not cause autism in children it is comfortable taking these measures.

Instagram is using the vaccine subject to test this approach. If it is successful the methodology might be applied to other problem topics in the future. The automated system scans new posts and checks them against problematic elements of posts that have previously been banned. Optical character recognition is used to find text in images and the company is working on the same function for video content.

If the system is confident it has identified a violation, the offending post is removed and counted as a strike against any hashtag included. If a hashtag reaches a certain proportion of violating content it will be blocked.

Articles: Digital Photography Review (dpreview.com)

 
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Wacom expands Intuos Pro tablet and pen line with new ‘Small’ option

11 May

Wacom has expanded its creative pen and tablet product line with the new Intuos Pro Small. This model joins the existing Medium and Large size options to offer professionals a less expensive, more portable alternative. The Intuos Pro Small includes a Wacom Pro Pen 2 and pen stand.

The Wacom Intuos Pro tablet line is designed for photographers, designers, and other graphics professionals. As with the larger sizes, the new Small variant sports a TouchRing and ExpressKeys, though there are only six keys instead of the eight found on the two larger sizes.

Bluetooth connectivity enables the Intuos Pro tablets to connect with both PC and Mac systems. The companion Wacom Pro Pen 2 offers 8,191 levels of pressure, lag-free tracking, and tilt recognition; the company includes 10 replacement nibs with the pen and pen stand.

The Intuos Pro Small size option is now available from Wacom and retailers through which its products are sold, including B&H Photo and Adorama, for $ 249.95 USD. In comparison, the Intuos Pro Medium costs $ 379.95 USD and the Large costs $ 499.95 USD.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm Japan to increase color film prices by 30%

10 May

Fujiifilm Japan has announced that from the beginning of June it will increase the price it charges distribution companies for some of its color films. Fujifilm says the it has tried to absorb rising material and distribution costs itself, but has been forced to raise prices by 30%.

A list of the films that will be affected by the price increase.

The films that will be subject to the price rise include color negative and positive emulsions, in roll and cut sheet formats. The rises in Japan will come into force on 1st June, but the statement suggests prices rises have already been made in other parts of the world. How these manufacturer price increases will feed down to the consumer is still up in the air.

Manufacturer information:

About price revision of photographic film products

FUJIFILM Corporation (President: Kenji Sono) will carry out a price revision of the photographic film products provided to distribution companies, including photo studios, on June 1, 2019 in Japan (* 1).

While raw materials and distribution costs for photographic films continue to rise, Fujifilm has endeavored to absorb costs such as improvement in production efficiency and cost reductions in order to stably supply high-quality photographic films to the market.
However, it will be difficult to absorb only by corporate efforts, such as further increases in distribution costs and rising prices of some raw materials, and we will raise prices for photographic film products as described below.

1. Target product:
2. Details of price revision: 30% increase in price planned
3. Implementation date: June 1, 2019

* 1 Overseas, prices are being raised gradually from April 1 this year in each country.

Articles: Digital Photography Review (dpreview.com)

 
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Nikon firmware updates add direct Wi-Fi connectivity to D850, D5600 and D7500

10 May

Nikon has released firmware updates for its D850, D5600 and D7500 cameras that adds new and improved features, including direct Wi-Fi connectivity, a feature found in Nikon’s Z6 and Z7 full-frame mirrorless cameras.

Firmware version 1.10 (for all three cameras) now supports direct Wi-Fi connectivity for devices running SnapBridge 2.5.4. Inside the menu system of each of the three cameras is a new option titled ‘Establish Wi-Fi connection.’ When selected and set up via an ad-hoc Wi-Fi network, the D850, D5600 and D7500 cameras are able to connect with smartphones and tablets, as well as third-party remote control apps.

Aside from the new Wi-Fi capabilities, Nikon has also addressed a few issues for each of the cameras. On the D850, Nikon has fixed an issue where the camera would struggle to focus on subjects near the edge of the frame. On the D5600, Nikon addressed an issue where the Touch Fn would sometimes be unavailable. Lastly, Nikon has fixed a dial mode issue with the D7500, as well as an obscure issue that could occur when zooming in and out during live view movie shooting.

You can download firmware version 1.10 for the D850, D5600 and D7500 on Nikon’s Download page.

Articles: Digital Photography Review (dpreview.com)

 
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How to Create Dramatic Portraits with Shadow Photography [video]

10 May

The post How to Create Dramatic Portraits with Shadow Photography appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

In this video by Shutterstock Tutorials, Robbie Janney shows you how to create dramatic portraits with shadow photography by using everyday objects to create those shadows.

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Shadow portraits

If you are after something different to do with your portraits, using shadows can create dramatic effects and make your photos stand out.

Shadow photography is an interesting niche to explore. You can achieve it by doing the following:

What you need:

  • A hard key light
  • A backlight (like a Quasar or similar)
  • Backdrop
  • Some cool household items that light can pass through (colanders, wicker baskets, film strips etc.

When shooting through the objects, the light can become softer instead of the hard light you are trying to achieve. This problem can be attributed to the light source’s aperture. Similar to your camera, when you want an image with nice sharp edges, you close your aperture to one of its smallest settings.

It’s the same with your light source. Just in this instance, you’re limiting the amount of light being put out, not absorbed. This limits the amount of diffraction that your light projects creating a harsher shadow when passing through your opaque object.

Most lights won’t have an aperture setting, so to cut down the beam of light, cut a hole in a piece of black cardboard and put that close to your light source using a stand to narrow the light beam. You can even change the shape of the hole in your cardboard for different effects.

Once you have your studio setup, and light ready, get creative with your shots by changing up the angle of light, subject, or the type of object you are sending the light through.

Experiment to get your best shots.

Have fun and share your shots in the comments below.

 

You may also find the following helpful:

  • 4 Beginner Tips for Creating Dramatic Portraits with One Flash
  • How to Create Dramatic Portraits in Your Garage
  • 5 Tips How to Set Up a Home Studio for Dramatic Portraits
  • How to Create Dark and Dramatic Backgrounds Using High-Speed Sync
  • How to Make a Dramatic Portrait with Light Painting Using Items Found in Your Home

 

The post How to Create Dramatic Portraits with Shadow Photography appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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Canon Rebel SL3 (250D), Sony a6400 and Fujifilm X-T30 buying guides updated

10 May

We’ve updated a trio of buying guides, adding our final thoughts about the Sony a6400 and Fujifilm X-T30, along with our initial impressions of Canon’s EOS Rebel SL3 (EOS 250D).

While neither the a6400 or X-T30 came out on top in the guides below, we think they’re both well worth considering. Since the SL3 is yet to be reviewed, it’s not eligible for an award.

Best cameras under $ 1000

Best cameras for beginners

Look for more buying guide updates in the weeks ahead, including a look at the latest waterproof cameras.


View all buying guides

Articles: Digital Photography Review (dpreview.com)

 
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Venus Optics announces pricing, availability of its Laowa 100mm F2.8 2:1 macro lens

10 May

Venus Optics has announced that the Laowa 100mm F2.8 macro lens it first showed at Photokina last year will cost $ 449 and will begin shipping at the end of this month. The 100mm Ultra-Macro APO lens can achieve 2:1 magnification and joins the company’s 60mm F2.8 with the same magnification ratio to create a unique line-up of macro optics.

The version designed for Canon EF mount has electronic contacts to drive aperture control and EXIF data

The lens will be available for Canon EF, Nikon F and Sony FE mounts, and will come with slight variations depending on the mount version. The Canon model is chipped and has an aperture motor to enable body-controlled aperture changes and for EXIF data to be stored in the image. The Canon version will also has a nine-bladed iris, while the Nikon model features a seven-blade aperture diaphragm. The Sony FE version of the lens will has a 13 blade aperture diaphragm.

Below are a few sample photos provided by Laowa:

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Laowa says it has worked hard to suppress chromatic aberrations, not only in focused areas but also areas not covered by the depth-of-field – which it points out is a problem for many other lenses.

A tripod collar is available for an additional $ 30. For more information see the Venus Optics website.

Press release:

Venus Optics announces availability and pricing for Laowa 100mm f/2.8 2:1 Ultra Macro APO

Featuring a 2 times life-size reproduction with no visible CA, the new Laowa Macro is a high quality and versatile macro and portrait lens.

China, 7 May 2019 – Venus Optics, the camera lenses manufacturer who had previously launched a number of unique Laowa camera lenses, is proud to announce the availability and pricing of the new Laowa 100mm f/2.8 2X Ultra-Macro APO lens.

Followed by the success of the Laowa 60mm f/2.8 2:1 Macro, the 100mm f/2.8 2:1 Macro is the 2nd member of Laowa 2:1 macro line-up. This new 100mm lens can cover full frame sensor and focus from 2:1 magnification to infinity. 100mm is a more popular focal length for macro photographers. However, all of the current 100mm macro lenses in the market can only achieve 1:1 (life-size) or even smaller magnification. Shooting with smaller bugs is usually a challenge for macro photographers. The wider magnification range of the new Laowa Macro allows photographers to capture subjects at any size, making it one of the most versatile macro lens in the market. Despite having the wider range, Venus Optics manage to compress the size of the lens to the minimal and it is similar to other 1:1 macro lens in the market.

Laowa 100mm 2:1 Macro lens also features an apochromatic (APO) characteristic that chromatic aberration is invisible. Chromatic aberration (CA) is one of the most challenging topic for optics designer as it can usually ruin a perfect image. Some of the macro lenses in the market controls the chromatic aberration at the ‘in-focus’ area really well but the CA is uncontrollable in ‘out-of-focus’ rendition. The Laowa 100mm, however, delivers an exceptional performance on chromatic aberration suppression, both at the ‘in-focus’ area as well as ‘out-of-focus’ area. The subject in the image will not be polluted of any unwanted color fringing.

The Canon version of the Laowa 100mm f/2.8 2:1 Macro lens is integrated with a CPU chip and aperture motor. Photographers can now control the aperture and exposure through the camera itself and record the EXIF data into the photos. A focus indicator will also be shown in the camera to assist focus. This new feature also benefits macro photographers when composing at smaller f-stop as the aperture will only close when shutter is released, making the viewfinder so much brighter.

Not only it is an exceptional macro lens, the Laowa 100mm f/2.8 is also a very decent portrait lens when focus to infinity. The 12 elements in 10 groups optics design delivers a crystal sharpness image in both macro and infinity distances. The bright f/2.8 and circular aperture renders softly diffused bokeh and isolates the subject from its background. The lens has an internal focusing structure that will not extend when focus is changed. A multi-layer coating has also been applied to reduce lens flare and ghosting for increased contrast. Canon EF, Nikon F and Sony FE mounts are currently available.

Pricing & Availability

The suggested retail selling price in US of the new Laowa 100mm f/2.8 2:1 Ultra Macro APO lens is USD 449/pc (ex-VAT). Pricing varies in different countries.

The lens is now available to order from Venus Optics authorized resellers and official website (http://www.venuslens.net/) . Shipping is expected to start from late May onwards.

Articles: Digital Photography Review (dpreview.com)

 
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6 Advantages of Using a Tripod in Your Photography

10 May

The post 6 Advantages of Using a Tripod in Your Photography appeared first on Digital Photography School. It was authored by Jeremy Flint.

Tripods are a wonderful accessory to have and can assist you greatly with your photography. There are a large variety of tripods available on the market at present in different shapes and sizes, ranging from compact to full-size devices. Tripods are available to suit all kinds of budgets and come in a range of materials from aluminium to carbon fibre.

With the high ISO functionality and faster shutter speed capabilities of modern cameras, you may be asking why do I even need a tripod? Depending on your genre of photography, tripods can be a versatile and beneficial support. If you don’t already have one, and are considering adding one to your photography kit bag, here are 6 reasons why a tripod can be beneficial to your photography.

1. Ability to photograph in low light

Tripod 01

The Giant’s Causeway, Northern Ireland © Jeremy Flint

Whatever your preferred type of photography, a tripod is an essential tool for photography, particularly in low light. In these situations, there comes a time where you can no longer hold the camera steady in your hand. Using a tripod will greatly assist you.

2. Ability to photograph long exposures

A tripod allows you to capture a longer exposure by using a slower shutter speed of up to several seconds. This helps to minimise the risk of any movement. While capturing a long exposure the use of a tripod will allow much more light to enter the camera than would be possible if you were taking a picture hand held.

Tripod 02

Guernsey © Jeremy Flint

This way you are also capable of capturing movement in your images which would not be possible if you are holding the camera in your hands. Examples of which include movement in cloud formations or light trails.

3. Better stability

One of the most beneficial reasons for using a tripod is that it provides stability to the camera. It also avoids camera shake by the operator, especially in those situations where longer exposure times are necessary. If you are shooting anything from a sunset to starry nights, fireworks or the moon, you will need the stability that a tripod provides, particularly to keep the camera in position.

Tripod 03

The Lake District © Jeremy Flint

A tripod can also be advantageous in extreme weathers such as heavy winds. By having your camera mounted on a tripod, you can achieve a steadier shot as the tripod provides much needed stability in blustery conditions.

4. Sharper images

Tripods are a great bit of kit to help you get sharper images. One of the biggest mistakes I see newbie photographers make when shooting in low light is that they try to take too many shots hand held and end up with blurry images. A tripod will assist you in achieving more accurate mages.

5. More time to create shots

Tripod 04

Corfe Castle, UK © Jeremy Flint

The whole photography process takes a lot longer when you are using a tripod. Instead of taking instant handheld shots, the process of setting up a tripod and placing your camera on it slows you down and effectively allows you more time when taking pictures.

Using a tripod in photography forces you to take your time when setting up a shot and subsequently gives you more time to compose your image. The additional time spent on getting your tripod ready can be an investment as it helps you to focus more on your image-taking. This can, in turn, result in better pictures.

6. Ability to frame and adjust shots with ease

Once the camera is mounted on the tripod, you will find you can make subtle changes to your framing with ease. When doing this, by moving the camera in any direction, up and down or left and right, there will also be limited movement.

Tripod 05

Ljubljana, Slovenia © Jeremy Flint

In addition to these camera related benefits, another blessing with having a tripod is that the weight of the camera is literally lifted off your shoulders when placed on one. As well as holding your camera, a tripod can also double up as a stand for lights or reflectors if required.

Whether or not a tripod is right for you depends on what type of photography you do and your photographic needs. If you enjoy taking pictures of landscapes and architecture, a tripod is a must-have accessory. If you find tripods are generally too heavy to carry around or don’t necessarily need them for low light photography, a monopod is a great substitute that is lighter and can also be used as a walking stick.

Conclusion

In summary, tripods are a wonderful addition to our camera equipment and should be used to your advantage in low light and when photographing longer exposures.

They will help you by providing more stability, slowing you down when taking pictures and facilitating minimal movement when framing and capturing your shots.

 

The post 6 Advantages of Using a Tripod in Your Photography appeared first on Digital Photography School. It was authored by Jeremy Flint.


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