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Archive for March, 2019

Leica Q2 boasts 47.3MP sensor, 4K video and weather-sealing

08 Mar

Leica has introduced the Q2, updating its predecessor with a higher resolution full-frame sensor, splash and dust resistance on par with the SL’s and an updated OLED viewfinder. The Q2 offers a 47.3MP full-frame sensor capable of DCI and UHD 4K video recording, and sticks with the stabilized 28mm F1.7 offered on the first Q.

The built-in viewfinder has been upgraded from a field-sequential LCD to an OLED panel with 3.68M dots. The Q2 is the same size as the Q but boasts the same IP52 weather-resistance rating as the SL, with a new internal structure to support weather sealing. The camera’s controls have been somewhat simplified, and drive mode options have been removed from the power switch.

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The Q2 continues to offer 35mm and 50mm in-camera crop functions, along with a new 75mm mode. Wi-Fi connectivity is now offered alongside Bluetooth Low Energy, a handy means of connecting camera to smartphone without constant re-pairing. The Q2 also uses a higher-capacity battery than the Q, bumping it up to 370 shots per charge.

The Leica Q2 begins shipping today for $ 4995.

Leica Q2: The Highly Anticipated Sequel to a Modern Milestone from Leica Camera

Achieve unparalleled photographic results in the most accessible way with Leica’s latest innovation

March 7, 2019 – Leica Camera raises the bar with the introduction of the Leica Q2 camera. Keeping consumer feedback top of mind following the immensely successful Leica Q, the Leica Q2 offers photographers expanded creative freedom via unprecedented imaging quality, added weather protection, an upgraded viewfinder, supremely precise autofocus and more. The Leica Q2 is the quintessential tool for available light photography, rain or shine, that promises to carry the torch of its predecessor forward to new heights and possibilities without making sacrifices.

Superior Imaging Quality Meets Unmatched Versatility
As with any Leica Camera, exceptional image quality reigns supreme, allowing photographers to consistently capture show-stopping imagery. The new Leica Q2’s full frame sensor is the highest resolution sensor in its class at 47.3 megapixels, offering users more resolution than the original Leica Q, and captures both impeccably detailed still pictures and 4K video. Together with its Leica Summilux 28 mm f/1.7 ASPH. lens, the Q2 ensures all-around exceptional imaging performance. This top-tier Leica optic guarantees optimum picture quality with exquisite bokeh characteristics in even the most difficult lighting scenarios.

With its high resolving power matched to its high-resolution sensor, the Leica Q2 goes beyond the conventional use cases of a 28 mm focal length via its built-in crop functions for equivalent focal lengths of 35 mm, 50 mm, and the newly available 75 mm – bringing with it more possibilities in the world of portraiture and close-up work. Thanks to the software design ingenuity of Leica engineers, when shooting cropped DNG files the full sensor image is still recorded, allowing photographers to undo or change the crop after the fact.

The Leica Q2 also adds 4K UHD and Cine4K video recording to its arsenal of features, with myriad frame rate options across 4K and 1080p, giving users impressive video recording from such a large sensor on the go to document memories or record short films.

Exceptional Quality and User Handling
The design of the Leica Q2 carries forward the Leica tradition of reduction to the essentials. The ‘Made in Germany’ seal of quality guarantees that only the finest and most resilient materials are employed in its construction. The distinctive thumb rest of the new Leica Q2 and the sophisticated diamond pattern of its leather trim ensure optimum grip and highlight the symbiosis of function and form.

Also new is the camera’s uniquely intuitive handling concept, following refined design language cues established from its brethren in the Leica M10 and Leica CL families – such as the single-stage On/Off switch, simplified three-button interface on the rear of the camera and programmable button within the thumb wheel dial. A new highlight of the Leica Q2 layout is the push-button diopter compensation dial on the back of the camera that locks and prevents accidental changes to the user’s desired setting. Every refinement, both large and small, pushes Leica’s design forward without losing sight of the core philosophy of the camera.

Following in-tune with impeccably intuitive user handling, in combination with the Leica FOTOS App, the camera’s integrated Wi-Fi module makes it possible to quickly and easily share pictures and video via social media. Bluetooth LE (Low Energy) enables a permanent connection to be established between camera and smartphone, making it possible for user to remotely wake the camera and connect any time when in range.

Make It Your Own With Accessories
A comprehensive and stylish range of optional accessories is also available for the Leica Q2. These include matching camera protector cases and carrying straps in premium-quality classic black and brown leather, and more vibrant versions in red and pink. The elegant new ‘Ettas’ line of soft, coated canvas pouches for various Leica camera models will also be launched at the same time as the Leica Q2. The pouches will initially be available in midnight blue, stone gray and red colorways, with more still to come. The accessory selection also includes technical equipment for the Leica Q2 such as the Leica SF 40, SF 60 flash units, the SF C1 remote flash control unit and an additional add-on thumb rest and handgrip. All accessories are functionally designed for easy handling, perfectly matching the quality and design of the camera and are manufactured from only the finest materials to ensure reliability for a lifetime of use.

An exhibition of Leica Q2 photography is on view at the Elga Wimmer Gallery in New York City for a limited engagement of 24-hours on March 7th featuring the works of Hiram Garcia, President of Production of Seven Bucks Production and film/television producer. The series, titled ‘Behind the Seen’, is a diverse collection of images that strive to highlight the beauty and intrigue of the movie industry and marks Garcia’s debut photographic gallery exhibition. Garcia’s ‘Behind the Seen’ is the first and only exhibition worldwide shot exclusively on the new Leica Q2 camera.

The Leica Q2 is on sale beginning today at Leica Stores, Boutiques and Dealers. The camera will be sold in black paint finish for $ 4,995.

Leica Q2 specifications

Price
MSRP $ 4995
Body type
Body type Large sensor compact
Body material Magnesium alloy
Sensor
Max resolution 8368 x 5584
Other resolutions 28mm: 6000 x 4000, 4272 x 2848 | 35mm: 6704 x 4472, 4800 x 3200, 3424 x 2288 | 50mm: 4688 x 3128, 3360 x 2240, 2400 x 1600 | 75mm: 3136 x 2096, 2240 x 1496, 1600 x 1072
Image ratio w:h 3:2
Effective pixels 47 megapixels
Sensor photo detectors 50 megapixels
Sensor size Full frame (36 x 24 mm)
Sensor type CMOS
Color space sRGB, Adobe RGB, ECI RGB
Color filter array Primary color filter
Image
ISO Auto, 50-50000
White balance presets 5
Custom white balance Yes
Image stabilization Optical
Uncompressed format RAW
File format
  • JPEG
  • DNG
Optics & Focus
Focal length (equiv.) 28 mm
Optical zoom 1×
Maximum aperture F1.7
Autofocus
  • Contrast Detect (sensor)
  • Multi-area
  • Center
  • Selective single-point
  • Single
  • Continuous
  • Touch
  • Live View
Digital zoom Yes (1.2x (35mm equiv), 1.5x (50mm equiv), 2x (75mm))
Manual focus Yes
Normal focus range 30 cm (11.81)
Macro focus range 17 cm (6.69)
Number of focus points 49
Screen / viewfinder
Articulated LCD Fixed
Screen size 3
Screen dots 1,040,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 0.76×
Photography features
Minimum shutter speed 60 sec
Maximum shutter speed 1/2000 sec
Maximum shutter speed (electronic) 1/40000 sec
Exposure modes
  • Program
  • Aperture priority
  • Shutter priority
  • Manual
Scene modes
  • Sport
  • Portrait
  • Landscape
  • Night portrait
  • Snow/beach
  • Fireworks
  • Candlelight
  • Sunset
  • Digiscoping
  • Miniature effect
  • Panorama
Built-in flash No
External flash Yes (via hotshoe)
Flash X sync speed 1/2000 sec
Continuous drive 20.0 fps
Self-timer Yes (2 or 12 secs)
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation ±3 (at 1/3 EV steps)
AE Bracketing ±3 (3 frames at 1/3 EV steps)
Videography features
Resolutions 4K/30/24p, 1080/120/60/30/24p
Format MPEG-4
Microphone Stereo
Storage
Storage types SD/SDHC/SDXC
Connectivity
USB charging No
HDMI No
Wireless Built-In
Wireless notes WiFi and Bluetooth Low Energy
Remote control Yes (via smartphone)
Physical
Environmentally sealed Yes (IP52 rated)
Battery Battery Pack
Battery description BP-SCL4
Battery Life (CIPA) 370
Weight (inc. batteries) 718 g (1.58 lb / 25.33 oz)
Dimensions 130 x 80 x 92 mm (5.12 x 3.15 x 3.62)
Other features
Timelapse recording Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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Android TV ‘Photos’ feature disabled after bug reveals hundreds of user accounts

08 Mar

Following reports of a bug on Twitter, Google has temporarily disabled the Photos feature on Android TV. The decision was made in light of complaints from some Android TV users who say hundreds of strangers appeared under the platform’s ‘Linked Accounts’ menu. Though those users’ photos weren’t accessible, impacted Android TV owners could view their names and profile pictures.

The issue was first reported by Android Police, which points to a video shared by Twitter user ‘Prashanth.’ In the video, hundreds of Google Photos accounts are listed under the Google Home app’s Ambient Mode, which allows users to display a feed of their Google Photos images on an Android TV or Chromecast.

As part of the Ambient Mode feature, Google makes (made) it possible to enable displaying images from other Google Photos users by linking their accounts. This feature was intended to be used with other known users — friends and family, for example — but this surprise bug had apparently linked hundreds of unknown accounts.

Android Police has identified complaints related to the Vu LED TV 55SU134, which has Android TV built-in, as well as another related to the iFFalcon 32F2A Android TV from a TCL subsidiary. Prashanth told the site that he wasn’t able to replicate the bug on a Xiaomi Mi Box 3 running Android 8 Oreo; the Vu TV was still running the older Android 7 software.

The problem may only impact older hardware that hasn’t received the latest security updates.

Though he was able to view users’ names and profile pictures under Linked Accounts and the Ambient Mode feature, Prashanth did say in a tweet that wasn’t able to view the other users’ actual Google Photos images. Google is expected to bring back the feature with a bug fix in the future.

Articles: Digital Photography Review (dpreview.com)

 
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Repair site ifixit gives us a closer look at the Samsung Galaxy S10 cameras

08 Mar
Galaxy S10 triple-camera, image: ifixit

Gadget repair site ifixit has torn down the new Samsung Galaxy S10 and S10e smartphones, allowing us to get a closer look at the devices camera modules.

The S10 comes with the same main triple-camera as the S10+, featuring a 12MP primary module with 1/2.55″ sensor, 26mm equivalent focal length and a variable f/1.5-2.4 aperture. A 12MP tele lens comes with a 52mm equivalent focal length and F2.4 aperture lens in front of a 1/3.6″ sensor and the 16MP super-wide-angle has an equoivalent focal length of 12mm. S10e has to make do without the tele lens.

Galaxy S10 fron and main cameras (left) next to the equivalent S10e components, image: ifixit

In the teardown we get a close look at the triple-module which is encased in a yellow ABS or nylon plastic frame. Both tele and main camera come with optical image stabilization. ifixit says any further teardown of the camera components would have been too destructive but an X-ray image of the tele-camera shows the sensor and OIS electromagnets.

If you are thinking about repairing your S10 – camera or other components – yourself, you should probably think twice. ifixit gave the S10 a fairly low 3/10 repairability score. The good news is that a single Phillips driver takes care of all the screws and many components are modular and can be replaced independently but the charging port soldered to the main board and battery replacement is quite difficult.

X-ray of the Galaxy S10 tele-camera, image: ifixit

The ifixit team also says that glued-down glass at both front and back of the device increases the risk of breakage and makes any repairs more difficult to start with. Head over to ifixit.com for the full report.


Images used with permission from ifixit

Articles: Digital Photography Review (dpreview.com)

 
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Watch out Profoto, the Godox V1 round head flash is just around the corner

08 Mar

At Photokina 2018, Godox revealed plans to release a round head speedlight designed to compete with the Profoto A1. That product, the Godox V1, has finally arrived under Adorama’s Flashpoint brand and is expected to launch under the Godox name through B&H Photo soon.

The Flashpoint Zoom Li-On X R2 / Godox V1 features a round zoom head with both automatic and manual zoom control, a magnetic head rim for light modifiers, backlit matrix LCD, support for 330-degree rotation and 120-degree tilt, and a guide number of 92 ft / 28 meters at ISO 100 (50mm). The model’s removable Li-ion polymer battery can power up to 650 full-power flashes per charge with a full-power recycle time of less than 1.5 seconds.

Photographers can use the Godox V1 as an on-camera standalone TTL flash and as a ‘wireless command center’ for the company’s other monolights and speedlights. As well, the new model is fully compatible with the Canon E-TTL system with support for EXIF inscription, HSS, flash value lock, and exposure compensation.

When used as a master, the Godox V1 is able to control four wireless groups, and as a slave, this flash supports both intelligent and regular optical modes.

Other features include the promise of a ‘stable’ color temperature held at 5600±200K across the full power range, HSS shutter speeds up to 1/8000s, front and rear curtain sync, laser AF assist lamp, SMD LED modelling lamp, and the inclusion of multi-purpose buttons.

The Godox V1 is currently listed as pre-release by Adorama. Neither price or availability date are provided, though it is expected to be cheaper than the Profoto A1.

Articles: Digital Photography Review (dpreview.com)

 
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100 Things to Photograph When You’re Out of Ideas

08 Mar

The post 100 Things to Photograph When You’re Out of Ideas appeared first on Digital Photography School. It was authored by Mat Coker.

Sooner or later we all run out of things to photograph. Or we think we have. In reality, there are countless things right in front of you worth photographing. It’s easy to get stuck in a rut photographing the same thing over and over, eventually leaving your camera in the bag for weeks at a time.

To help you figure out what to photograph when your mind is blank, I’ve compiled a list of more than 100 ideas. You can even combine items on this list to create hundreds of combinations of things to photograph.

There are several categories to choose from and I recommend trying a category you don’t have much experience with.

I normally just walk right by windows. But the light, frost and paper crane caught my eye.

Nature

There is a whole world waiting to be explored by you and your camera. And it’s not just what your eyes can see but what is hidden underneath and behind or inside.

You walk right over the surface of the earth every day, but everything you see has it’s own surface to be explored. Pull out your macro lens and inspect the surfaces of the natural world.

  • Flowers
  • Trees, branches, bark
  • Vines
  • Leaves
  • Fruits and vegetables
  • Driftwood
  • Tall grass

Consider photographing places such as:

  • Fields
  • Orchard (in bloom or full of fruit)
  • Pumpkin patch
  • Sunflower field

When I first got my camera, I would take pictures of flowers. I was never happy with the photos but didn’t understand why. One evening I photographed this garden and loved the way this photo looked. Once I learned about light, I realized why I love this photo. It’s incredibly soft light produced by the last 5 minutes of light before the sunset.

If you choose to photograph flowers, don’t just go for the typical flower shot. Focus on the petals, leaves, stems, and even dig down to the roots. Light is essential to plant life. Photograph them in harsh noon light, golden hour, and play with backlight to make silhouettes. Crack open seeds and nuts to explore their inner world. Don’t forget to photograph them after it rains.

Then keep exploring water.

  • Water (sprinkler, hose)
  • Rain
  • Creek, pond, lake, ocean
  • Waves
  • Ice
  • Snow
  • Steam

There is no need to limit nature photography to daylight hours. When the moon is bright it is a wonderful light source. This is especially true when the landscape is covered in snow because it reflects the light.

Even “the ground” is a worthy subject.

  • Rocks
  • Sand
  • Gravel
  • Soil

If you’re more of a people photographer than a nature photographer, consider bringing people along with you to have in the photos. Especially when it comes to:

  • Pathways
  • Trails
  • Dirt roads

People

There are many ways to photograph people. Yes, they could be posing. But you can also capture candid moments. Don’t pressure yourself to try something as big as portrait, street, or wedding photography. Just find somebody you can take pictures of. You don’t have to know what you’re doing, just do it and something interesting will emerge.

Families (yours or a friends):

  • Newborn
  • Toddler
  • Child
  • Teen
  • Siblings
  • Twins, triplets
  • A whole family
  • 3+ generations

If you’re going out with friends to a park bring your camera along and tune into candid moments.

Kids:

One single child could provide you with an infinite number of possible photos:

  • Playing with bubbles
  • At a playground
  • Riding bikes
  • Playing sports
  • Swimming
  • Balancing

Photograph your friends with:

  • An interesting job
  • Hobby
  • Music
  • Farm
  • Sports
  • Artist
  • Chef
  • Tools
  • Business

You could expand your skills or even produce an entire portfolio just by committing to photograph a few people over the course of a month or two.

Animals

  • Pets
  • Friend’s animals
  • A farm
  • A vet
  • A shelter
  • Pet store (offer them social media photos)
  • Zoo
  • Aquarium
  • Bugs
  • Birds
  • Fish, water creatures

Remember to turn off your flash when photographing through glass so that it doesn’t create a reflection.

Events

When it comes to events you’re automatically combining people, places, food, animals and interesting activities. You can find plenty of events listed on your city’s website.

  • Sports
  • Public event/festival
  • Street photography
  • Parade
  • Contact a media network to see what photos they need
  • Local charity event
  • Animal shelter
  • Farmer’s Market
  • Fishers/Boaters/Marina
  • Air show
  • Car show
  • Dance
  • Concert

Stroll around with your camera at public events and photograph little details. This was at a car show.

Photography contests

Contests are a great way of generating ideas of things to photograph. Let somebody else think of the subject matter and then take up the challenge to photograph it in the most interesting way possible.

Search for contests in:

  • Your city website
  • Local paper
  • Photography magazine
  • Online
  • DPS challenges

Look around your home town or city and pay attention to icons that you normally just pass by. Or flip through tourist pamphlets and then photograph icons in new ways.

Architecture

  • Old buildings
  • Ruins
  • Modern buildings
  • Glass buildings
  • Interiors
  • Exteriors
  • Barns

I’m not normally one to photograph architecture, but I had been watching this house as it dilapidated over the years. I wanted to create a picture that captures the way it feels when I drive by.

Meaningful objects

  • Products for a small business
  • Crafts for friends Etsy store
  • Family heirlooms
  • Museum artifacts
  • Junkyard (rusty, textured items)
  • Food

Look for texture in the objects that you photograph.

Seasons and time of day

Don’t just photograph something and then move on. Consider what photos you might make of nature, people, animals, and events in each unique season.

  • Winter
  • Spring
  • Summer
  • Fall

I played baseball as a kid and feel nostalgic about it every autumn. One year I took a beat up old ball out to an abandoned ball diamond and photographed it. It allowed me to play with golden hour light for the first time and practice bringing my vision to life.

Remember that every season brings variety with each new day.

  • Sunrise
  • Midday
  • Sunset
  • Night
  • Moonlight
  • Cloudy day
  • Stormy day

This scene caught my attention because of the time of day. The golden sunrise reminds me of when I started work at sunrise for my first job out of high school.

Technique

In addition to all the possibilities mentioned above, consider what technique you might use to capture your images.

  • Black and white
  • Silhouettes
  • Close up, macro
  • Shadows
  • Reflections

Also, consider the unique possibilities when you focus on:

  • Angles
  • Background
  • Light

I knew when I took this photo of footprints in tire treads that it would be a black and white photo. The texture made me think black and white.

Choose something you always look at but never see.

Right now, there are likely 100 things in front of you just waiting to be photographed. Choose one thing to practice with.

Please, add to this list in the comment section below.

 

The post 100 Things to Photograph When You’re Out of Ideas appeared first on Digital Photography School. It was authored by Mat Coker.


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How to Develop Better Black and White Photos in Lightroom

08 Mar

The post How to Develop Better Black and White Photos in Lightroom appeared first on Digital Photography School. It was authored by Darina Kopcok.

Achieving great looking black & white images in Lightroom is not about converting your colour images to grayscale with the click of your mouse and calling it a day.

Black & white photography is subtle, and it takes experience to see and understand its nuances. Lightroom has a fantastic set of tools to help you create stunning black & white images.

Here are some tips and some mistakes to avoid.

Develop Better Black and White Images in Lightroom-Darina Kopcok-DPS

Converting to black and white

There are several ways to convert your color images to black & white in Lightroom.

You can use one of Lightroom’s presets or completely reduce the color saturation.

Or you can convert your color image to grayscale in Lightroom by simply hitting “V” on your keyboard, or clicking on Black & White under Color Treatment in the Basic panel.

Whatever you decide to do, know that you will have to make some tweaks in Lightroom to get the best possible result.

Develop Better Black and White Images in Lightroom-Darina Kopcok-DPS

Using Black and White Mix

Once you  have converted your image, a panel called Black & White Mix will appear under the Tone Curve panel.

The sliders here give you control over the way colors are translated into grey tones in Lightroom. When you convert to grayscale, all the colors will be at zero.

Develop Better Black and White Images in Lightroom-Darina Kopcok-DPS

Making some simple adjustments in this panel can make a dramatic difference in the quality of your photos.

For example, if you’re working on a landscape image, using the blue sliders will help you adjust the sky.

If you’re new to black and white processing in Lightroom, play around with the sliders to see how each of them affect your photo. With a bit of experimentation, you’ll get a feel for which sliders alter the various tones in your image in a way that helps you achieve the look you’re going for. You’ll also develop your signature black and white editing style.

Develop Better Black and White Images in Lightrppm-Darina Kopcok-DPS

Boost Tonal Contrast

In addition to tweaking the Black & White Mix sliders, you should make other manual adjustments in Lightroom to adjust the tonal contrast in your photograph.

Tonal contrast is the differences in brightness throughout your image. If there are stark differences between your tones – say, a very light subject against a dark background, then we would say the photo has a lot of tonal contrast.

One benefit of actually shooting in black & white is that you don’t have to ignore color and try to understand your scene in terms of light or dark tones. Shooting with your DSLR camera in Monochrome Mode will help you with your composition, especially if you’re new to black & white photography.

Develop Better Black and White Images in Lightroom-Darina Kopcok-DPS

Boost texture in your images

A key way to enhance your black & white photographs in Lightroom is to boost texture. Bringing out the texture emphasizes the details in a photograph.

One of the easiest ways to enhance texture in your black & white images is with the Clarity slider.

Clarity increases the contrast in a photograph, but not as drastically as the Contrast slider does.

You have more leeway with clarity in black & white than you do with color.

In Lightroom, there are to ways to work with clarity. One is to use the Clarity slider in the Basic panel. This is a global adjustment that affects the entire photo. You can also selectively add Clarity with the Adjustment Brush.

You want to do this when it makes sense to boost the texture in a certain part of the photo.

If you have an image where the subject is in focus but the background is blurred out, there is no point in adding clarity to the whole image. Focus on the area that you want to enhance. This will increase sharpness. Since the eye tends to go to sharper areas first, it makes sense to boost sharpness selectively. Adding clarity is one way of doing that.

Develop Better Black and White Images in Lightroom-Darina Kopcok-DPS

Mistakes to avoid

Common mistakes that photographers make are related to misuse of texture and contrast.

If you’re converting your color images to grayscale, you’ll notice that they look a little flat. You need to add some contrast, but the problem is that it’s easy to go too far and lose details in the highlights and shadows.

Look closely at your images. Are they too dark in the darker areas? Do they look muddy, or even “crunchy”–with angular rather than blurred edges?

This gives images an over-processed HDR look, which is not desirable in most cases.

Do add contrast and clarity, but fine the right balance for each particular image. The same goes for clarity.

Develop Better Black and White Images in Lightroom-Darina Kopcok-DPS

Again, the amount you add will really depend on the photograph. For example, you may want to add clarity to a portrait of a male to bring out the textures in the skin and hair, but use negative clarity to smooth the skin in a female portrait. Clarity can bring out wrinkles and imperfections in the skin and make the subject look older if not applied with care.

Another mistake photographers make when editing their black & white photos is to over-sharpen them.

When sharpening, I recommend using the Sharpening Mask.

To do this, choose the sharpening level you desire in Lightroom. Hold down the Alt/Option key and slide the Masking slider. You’ll see the image change to look something like an x-ray. This is showing you where Lightroom is intelligently sharpening your photograph.

Developing Black and White in Lightroom-Darina Kopcok-DPS

In most photographs, you don’t necessarily want every single bit of the image sharpened, the same way you don’t need texture in every part of the image. By using Sharpening Mask, you can apply the sharpening to the most important part of the photo. I often leave mine in the range of 70-90.

Plug-Ins

There are a host of plug-ins available for Lightroom that can really enhance your images and your editing process, such as Topaz Black & White, or Perfect B&W.

However, a lot of black & white photography photographers say the gold standard of plug-ins for black & white photography is Silver Efex Pro.

Silver Efex Pro has a tool called Structure, which works in a similar way to Clarity in Lightroom, but has four sliders that help you tweak your tones with a great deal of control. If you shoot a lot of black & white photography, or plan on doing so, this is definitely one plug-in I would recommend that you purchase.

Develop Better Black and White Images in Lightroom-Darina Kopcok-DPS

In Conclusion

To achieve better black & white photos in Lightroom takes a subtle hand and training your eye to look at tones instead of color.

The good thing about Lightroom is that your files are non-destructible, so feel free to tweak your images to your heart’s content. Everything is undoable with the click of your mouse.

With a bit of practice and experimentation, you’ll be developing brilliant black and white images in no time.

If you have any other tips or black and white photos you’d like to share, please do so in the comments section.

The post How to Develop Better Black and White Photos in Lightroom appeared first on Digital Photography School. It was authored by Darina Kopcok.


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Yongnuo shares more details about its upcoming YN450 Android-powered mirrorless camera

07 Mar

Last October, Yongnuo teased the impending launch of a 16-megapixel Android-based mirrorless camera it called the YN450. Since then, not much has been heard about the device, but Yongnuo made an appearance at CP+ and brought along the unreleased device to show off in more detail.

In the video above, Cinema5D takes a closer look at the unreleased device to see just what Yongnuo has managed to pack inside the YN450 and what their goal is with the unique device.

The camera uses a 4/3 sensor and relies on a Canon EF mount for lenses. It’s powered by Android 7.1, features an 8-core Qualcomm processor and includes a 5-inch 1080p multi-touch display. The secret weapon, however, is an integrated 4G SIM card slot that will ensure the camera is as connected as a smartphone would be, with Wi-Fi and GPS to boot.

Based on the current information available, the camera will have 32GB of internal memory as well as a MicroSD card slot. However, Cinema5D believes that slot could be limited to 32GB cards and won’t support SDXC cards.

In addition to 16MP stills, the camera will shoot 4K/30p video, but details on the codec and other information are still unannounced. There’s also a front-facing 8MP camera that’s hidden next to the display. The device will feature a removable 4,00 may battery that’s said to power the camera for up to 4 hours of continuous use.


Photos by Cinema5D shared with permission

Articles: Digital Photography Review (dpreview.com)

 
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Leica Q2 first impressions review

07 Mar

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The Leica Q2 is a fixed-lens, full-frame camera sporting a new 47.3MP sensor and a sharp, stabilized 28mm F1.7 Summilux lens. It’s styled like a traditional Leica M rangefinder and replaces the hugely popular original Leica Q (Typ 116), launched in 2015.

The Q2 looks essentially the same as its predecessor, but under the hood notable improvements have been made including the addition of weather-sealing, better battery life, a new processor and an improved electronic viewfinder. Sensor resolution has also nearly doubled.

Key Specifications:

  • 47.3MP full-frame sensor
  • 28mm F1.7 Summilux stabilized lens
  • 3.68MP OLED EVF with 0.76x magnification
  • 3″ fixed touchscreen LCD with 1.04 million dots
  • Fast autofocus and smoothly damped manual focus ring
  • Native ISO range of 50-50,000
  • 4K video capture
  • Leaf shutter up to 1/2000 sec
  • E-shutter up to 1/40,000 sec
  • IP52 rated dust and water resistant
  • Magnesium-alloy body
  • Wi-Fi and Bluetooth
  • Improved battery life

While the Q2 will replace the original Q in Leica’s lineup, the Leica Q-P – a stealthy version of the Leica Q – will remain available for some time, according to the brand. The Leica Q2 ships March 7th for $ 4995.

Raw photo processed to taste in Adobe Camera Raw.
ISO 250 | 1/80 sec | F2.8

What’s new and how it compares

The Q2 and original Q look pretty similar, but there are a lot of upgrades under the hood. Here’s the nitty gritty.

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Body and controls

How’s it feel in hand? How’s the new electronic viewfinder? Find out here.

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First impressions

We’ve been shooting around with the Leica Q2 – here are our initial thoughts based on that time.

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Sample gallery

Puppies and landscapes and portraits, oh my! Check out our full sample image gallery for out-of-camera JPEGs and Raw conversions.

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Specifications

You’re a gear nerd, we get it. Here’s where you’ll find all the juicy details about the Q2 listed out.

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Articles: Digital Photography Review (dpreview.com)

 
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Canon EOS RP added to studio test scene comparison, sample gallery updated

07 Mar

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The Canon EOS RP is an impressively small camera considering the large full-frame sensor inside. That sensor gives you 26MP of resolution, and is closely related to the unit in Canon’s existing EOS 6D II DSLR. We’ve had it out and about for some sunshine and soul music in Seattle, and have also put it in front of our test scene to see what it can do. Take a peek through our updated sample gallery and around our studio scene to see how Canon’s new baby full framer fares.

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Articles: Digital Photography Review (dpreview.com)

 
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Video: Behind the scenes at CP+

07 Mar

Over the past few days we’ve been sharing news and interesting products from the annual CP+ trade show in Yokohama, Japan. However, there’s also a lot that goes on behind the scenes at a show like CP+. We’ve put together a short video that lets you join us here – at least in a virtual sense.

Articles: Digital Photography Review (dpreview.com)

 
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