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Archive for July, 2018

DPReview TV: where to place a microphone to record great audio

08 Jul

There’s an old axiom in filmmaking which states that an audience will forgive a poor quality picture, but not poor quality sound. This week, Chris and Jordan bring in an audio pro to discuss different types of microphones, how to position them, and to demonstrate how a cheap microphone positioned correctly will outperform an expensive model placed incorrectly.

Make sure to subscribe to our YouTube channel to get new episodes of DPReview TV every week.

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Articles: Digital Photography Review (dpreview.com)

 
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How to Survive Portrait Sessions with Difficult Children

08 Jul

In this article, you’ll get some tips on how to survive photo sessions with difficult children.

When you imagine photographing your client’s family session, you envision taking beautiful photographs in a pretty location and getting all of those great photos that will make your clients happy. However, you never imagine walking into a session only to find that the child, or children, are protesting, throwing tantrums, or simply not willing to cooperate.

Don’t freeze up and don’t give up, these helpful tips will keep you moving along during the session so that you can get those beautiful expressions and give your clients the best experience.

How to Survive Portrait Sessions with Difficult Children - boy in a white shirt

This little boy kept saying no the entire session. After exhausting all of my tips, I started playing hide and seek and exploring looking for treasure. He was all smiles afterward!

Set client expectations

Preparing your client for what to expect and giving them tips on how to help can make all the difference during their session.

One of the main tips you can give your clients to plan the session to coincide with the time of the day when their children are in the best mood. This means, if their child is the best right after a nap, schedule their session then. Children get tired quickly and you don’t want to have a sleepy cranky child at your session, which will be nearly impossible to bring back to the side of contentment.

How to Survive Portrait Sessions with Difficult Children - girl with toys

Bringing toys and snacks can really help the children take a break and reset for a little bit. I photographed this little one playing with her favorite toys.

Have your client bring snacks for their children that can be used to help get the smiles and good behavior during the session. I would caution you not to bring candy unless you have already spoken to the parents ahead of time and they’ve approved it. Best to have them bring appropriate snacks their kids love.

Water or juice is also recommended. Even if you schedule the session after a mealtime, those snacks always come in handy.

Children during portrait sessions

Letting kids play keeps them busy and happy.

A very important tip that is also helpful is telling your client that the word “no” is off limits during the session. In other words, parents cannot say “no” to the children during the session.

Letting children play and explore is part of the fun and giving children a little bit of time to get a feel for their surroundings can make all the difference in their participation. The word “no” usually makes children shut down or protest, both behaviors you want to avoid.

How to Survive Portrait Sessions with Difficult Children - boy in the grass

Having mom or dad tickle and play with the children helps the kids to focus on them and not so much on the photographer.

Play, explore, and enjoy

Part of the session should allow for some playtime and exploration. Children are incredibly curious and playing to that curiosity is going to help you get those in-between moments. This is especially helpful when the child is protesting or doesn’t want to cooperate but just do their own thing. Go along with it.

Tell your clients to play and draw their child’s attention to a particular tree or place where you’d like to photograph them. Ask them to walk together hand in hand. Have your clients make silly faces or tell jokes, and singing their favorite nursery rhymes or songs also helps to relax the children.

Exploring during portrait sessions with difficult children

Walking around and exploring the location can help smaller children to enjoy the session and find it interesting.

Their experience during the session is what they’ll remember. Make sure it is fun and that they enjoy themselves. With that, have your clients bring extra clothing for the children as well.

playing in the leaves - How to Survive Portrait Sessions with Difficult Children

Playtime is very important during sessions and helps children to enjoy the process!

Crying and shutting down

Sometimes, you’ll come across children that are simply not willing to cooperate and participate. You’ve tried exploring, you’ve sung their favorite songs and nothing is working.

Sometimes giving them a break from the session and focusing your camera on the parents can make the kids come around. Focusing on the parents can often lead the children to want to get their attention and they usually end up walking into the frame. When that happens, tell your clients to go ahead and interact with their child.

How to Survive Portrait Sessions with Difficult Children - family on the beach

We focused attention on the parents during this session and the boy ended up wanting to walk with his mom and dad and we were able to get these photographs.

Interactions between children and parents make for the most intimate and meaningful photographs of the entire session. Letting the children and the parents be themselves without too much direction helps to relieve some nerves. It also helps you to build rapport with the children as you explore and play with them as well.

How to Survive Portrait Sessions with Difficult Children - playtime

Playing with the children during a session can lead to real emotions and interactions between all family members.

Be aware that children under the age of 10 are usually willing participants for about 45 minutes. After that, they either get bored, want to play, or are hungry.

Try and anticipate this time frame and get the full family portraits done quickly and early on if you can. Afterward, you can choose to take individual portraits or just capture the family being a family.

Acting out and being overly silly

Portrait sessions with children acting silly - How to Survive Portrait Sessions with Difficult Children

This silly boy had so much fun jumping and making silly faces and playing along helped to get the portrait on the left. The right makes for a nice memory of his personality as well!

There will be times when one or more of the children are acting overly silly and makes it difficult to get a portrait of them where they are smiling nicely for the camera. When this occurs, don’t allow the parents to try and wrangle their children into doing what is expected. Instead, turn it into a game. 

For example, tell the child(ren) that you love their silly faces and they are very good at making them. So you’re going to take two silly photos and one serious one. Change up the faces they are supposed to make and mix in the one you want by saying, “Okay, now I want you to smile like mommy wants and then we can make a funny face, deal?”

Once they agree, which they usually do, be quick to take the good photo and then continue with the game for a couple more photos. Then move on.

funny faces - How to Survive Portrait Sessions with Difficult Children

Being silly helps to let the children be children.

This helps the children enjoy the session and display their playful personalities while still getting the photos that mom and dad will want. It also helps to not force the children to do anything which can lead to crying or shutting down, both of which you want to avoid.

Tweens and teens

Tweens and teens are also important during a session and usually, because of their age, can be the least cooperative. Here, I would suggest asking the parents for a little information on what they like or what school they go to before the session. This can help start conversations and get them to open up and relax a little.

Portraits with tweens and teens brothers - How to Survive Portrait Sessions with Difficult Children

These brothers had a completely different vibe than my usual style but I went with it in order to get who they were at this stage in their lives.

Taking the individual portraits in a part of the location where the parents are not too close by helps teens to relax. Tweens and teens are very aware of themselves, often more than adults, especially now with social media, therefore, taking their portraits should be done quickly. 

Showing them the photographs can also spark more interest and help to boost their confidence during the session.

Tips for portraits with teens - How to Survive Portrait Sessions with Difficult Children

Sometimes the awkward sibling hug can bring out real smiles. Let tweens and teens be themselves.

Tweens and teens are notorious for not wanting to smile. Ask another sibling to say something funny or ask their parents to remind them of an inside joke. If they aren’t willing to smile despite all of your attempts, it’s okay. Take some photos of them with serious expressions.

Sometimes, the serious photos are more striking than smiling ones. Reassure them that they don’t have to smile if they don’t want to. Letting them know that they have an option makes them active participants in the session and gives them the green light to also make suggestions.

Don’t be afraid to reschedule

If you feel like you are trying everything in your power to turn the session into a positive experience but it just isn’t happening, there is always the option of rescheduling the session. This can give both your clients and yourself a break so that you can attempt the session at a different location and perhaps at a different time when the children are feeling more awake and energized.

Surviving portrait sessions with difficult children

The left photo is at the beginning of the session and the younger girl didn’t want to participate. The right is at the end when I connected with her talking about her favorite show and she smiled.

It is very important during the session, however difficult, to keep calm and reassure the parents that their children are doing great. This helps to keep the stress levels down and even if you offer to reschedule, do it in a positive tone.

For example, “We got some great shots and everyone looks great, however, I think if we reschedule for a different time, we can get better photos.”   

Family portraits tips with children - How to Survive Portrait Sessions with Difficult Children

Sometimes grouping the older siblings first can help the younger children to go along with the photo session.

Always keep the photos from the original session, you might have taken some really great photos before a meltdown. Sending a preview to the family will keep their confidence up and not leave them feeling like they didn’t do a great job. Instead, they’ll be eager for the rescheduled session to get even more great photos.

Conclusion

Portrait session with difficult children tips

Exploring and letting children get a little dirty or messy can help them stay in the moment of the session.

When you specialize in portraiture, having non-cooperative children at the sessions is inevitable. However, these tips will help you to smooth out tantrums and give your clients the best experience. That is what will keep them coming back to you.

Remember, you don’t have to force it and a quick reschedule can sometimes do the trick. Let me know if you’ve tried any of these tips or have found them useful.

The post How to Survive Portrait Sessions with Difficult Children appeared first on Digital Photography School.


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Quick Beginner’s Guide to Processing RAW Files in Photoshop Adobe Camera Raw

07 Jul

Do you shoot RAW but then open it without processing? When you take a photo in RAW format, regardless of the name each brand gives to it, what you’re doing is saving a bunch of data without processing it inside your camera. This way you have more information to work with during your post-production stage.

But having too much of something can sometimes seem daunting when you don’t know how to approach it and as a result be a limiting factor instead of opening up your possibilities.

Adobe Camera Raw – Processing Raw Files in Photoshop

This quick introduction guide explores the basic tools of Adobe Camera Raw (ACR) so that you can step into post-processing this digital “negative” and understand its possibilities but also its limitations, as not all can be fixed.

ACR Raw Post-processing Photoshop Basic Adjustments

Whenever you open a RAW file in Photoshop it won’t open in the interface that would normally go to when opening a JPG or a TIF file. It will open it in a window known as Above Camera Raw (ACR). Here you’ll see a lot of options that can look intimidating and give you the impulse to just click open and work directly on Photoshop.

However, if you do so then you’re missing out on a lot of opportunities, most importantly its non-destructive qualities. Please note, that I’m not going to explain the tools in the order you’ll find them in the ACR panel because some of them are related to each other and therefore it’s clearer to explain them together regardless of their position.

Quick Guide to Processing RAW Files in Photoshop Adobe Camera Raw

EXPOSURE

The first slider you will see is Exposure. This would be the equivalent of changing your shutter speed or f-stop settings up to five steps up or down. What this does influence the brightness of your entire image. Look at the example below to see how far you can push it in either direction.

Quick Guide to Processing RAW Files in Photoshop Adobe Camera Raw - exposure

CONTRAST AND CLARITY

The next slider you’ll find is Contrast, this refers to the relationship between the lighter and darkest areas of your photo. If you slide it to the right you will increase the contrast which is why a plus sign (+) will appear next to the amount. Moving it to the left will decrease contrast, therefore a minus (-) sign appears. This will flatten the image as there will be less tonal range in between dark and light tones in your image.

A few sliders below Contrast you’ll find Clarity. This is a tool I really like because it gives a nice punch to your photos but it’s easy to overdo it and having them look unnatural, so just be careful. I am mentioning it here because it also adds contrast but this is only to the mid-tones (technically it finds and enhances edges in the image), plus it gives a sharp/unsharp effect to the image.

Note: Clarity is not an actual sharpening tool.

Here’s an example pushing both tools to the limit in either direction so you can see that even if they are related, the result is not the same.

Quick Guide to Processing RAW Files in Photoshop Adobe Camera Raw - contrast and clarity

HIGHLIGHTS AND WHITES

Then there is the Highlights slider which I’ll explain together with another one, Whites. I’m doing this because they are closely related. The names are actually quite accurate but somehow their use is still difficult to grasp. Having said that, I’ll try to make it more clear.

The Highlights slider controls the tonal range from the lighter parts of your image, like this:

Quick Guide to Processing RAW Files in Photoshop Adobe Camera Raw - highlights slider

The Whites slider should have its name in the singular to make it more clear because what it does is set the white point of your image, in other words, the brightest pixels.

Quick Guide to Processing RAW Files in Photoshop Adobe Camera Raw - whites slider

So if you move the white point of the image, it will have an effect on the range of the highlights. Let’s see them work together.

Quick Guide to Processing RAW Files in Photoshop Adobe Camera Raw - highest highlights

Quick Guide to Processing RAW Files in Photoshop Adobe Camera Raw

SHADOWS AND BLACKS

In between those sliders you’ll find one called Shadows which together with Blacks works the same way as Highlights and Whites, but in the other side of the light scale.

Therefore, the Blacks slider sets the black point of the image and affects a wider tonal range than the one affected by shadows that refers to the darkest parts. Check the example below to have an illustration of how they work.

Quick Guide to Processing RAW Files in Photoshop Adobe Camera Raw

SATURATION AND VIBRANCE

Saturation is the next slider on the list. It has an impact on all the colors of your image so keep an eye on the entire image while you are applying it and not just on a detail or a zoomed-in portion. If dragged completely to the left you’ll lose all color and leave your image black and white. Dragged all the way to the right, Saturation can reach very intense colors.

However, if you only want to affect the colors that are dull, to begin with instead of the entire image, then you should use the Vibrance slider. This one can also have a big effect, to the point of reaching unnatural colors so be careful. Look at the difference:

Quick Guide to Processing RAW Files in Photoshop Adobe Camera Raw

When you’re happy with your image, you can just save the changes and leave it as is or you can open the image in Photoshop to continue working on it.

However, if you’re choosing the latter I suggest that instead of just clicking Open Image, press the shift key so that the button changes to Open Object. This way you’ll open your image on Photoshop as a Smart Object and you can come back to these ACR options and make some more adjustments later if you need to.

To learn more about it I invite you to check my tutorial How to Create with a Good Workflow Using Smart Objects in Photoshop.

Conclusion

I hope this makes it more clear for you. Remember that ACR offers other menu possibilities and there are various menus and tools that were too much to cover in this quick, beginner’s guide. So use this as a base and then keep exploring!

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PinBox is a DIY 120 format pinhole camera made from cardboard and an acid-etched aperture

07 Jul

Not all Kickstarters need to be overly-ambitious projects with goals reaching six figures. Sometimes, they can be humble, affordable, and downright fun. Case in point is PinBox, a DIY pinhole camera from the Hamm Camera Company.

The PinBox is a do-it-yourself 120 format 6×6 pinhole camera designed specifically to teach you how to make your own.

This is the second crowdfunding effort from Hamm Camera Company. The first was a Kickstarter for NuBox 1, a modular box camera that blew away its funding goal and started shipping out March 2018.

The PinBox kit, which is still available as a ‘super early bird’ special for $ 20, comes with pre-cut sections of cardboard for the frame of the camera, four film winding keys (two flat and two raised) and a precision-made acid etched aperture disk.

PinBox has a focal length of 30mm and a variable aperture, depending on the disk you choose from. Hamm Camera Company suggests going with the F120 or F200 aperture disks, but says it’ll have ‘a whole range of apertures to choose form in the backer survey’ for ‘about’ $ 6 a piece and available in sets at a discount.

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Similar to the NuBox 1, the PinBox is meant to be tinkered with and altered. In Hamm Camera Company’s own words:

Our unique design changes the playing field of conventional cardboard pinhole camera. Our approach is to create a camera from cardboard that you can rapidly iterate. Want to double your focal length? Go for it.

Each kit comes with a digital PDF with layout and instructions so you can tweak and adjust your PinBox as you see fit. All photographs currently show the PinBox camera as plain cardboard, but the Kickstarter notes the team is still working on various finishes, including color options such as red, blue, yellow, grey and maybe more.

PinBox is set to ship ‘around the end of August 2018.’ Once the early bird specials are gone, it’ll cost you $ 27 for a complete PinBox kit, as well as an additional $ 7 for shipping in the United States and $ 14 for international shipping.

To find out more details and to pre-order your PinBOx, head on over to the Kickstarter campaign.

Articles: Digital Photography Review (dpreview.com)

 
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Sony Cyber-shot RX100 VI sample gallery updated

07 Jul

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With enough reach to land itself in ‘travel zoom’ territory, the Sony RX100 VI is well suited for a wide range of shooting situations. We’ve tested the 1″ compact with a 24-200mm equiv. zoom both in the office and out on summertime excursions, and our full review is imminent. In the meantime, take a look at our expanded gallery – now with converted Raw files.

Articles: Digital Photography Review (dpreview.com)

 
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Weekly Photography Challenge – Peaceful

07 Jul

This week your photography challenge is one that can be difficult to find in today’s busy and hectic world – peace! Your mission, should you choose to accept it, is to photograph something that represents what it means to be peaceful to you.

The perfect mirror image in the water says peaceful to me!

Does this look peaceful to you? Sure does to me.

First of all, think about what means to you to be peaceful, at rest. This could involve another human, or it could be a solitary scene in nature. Whatever it is for you, photograph that and share your image with us.

Weekly Photography Challenge – Peaceful

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge. Sometimes it takes a while for an image to appear so be patient and try not to post the same image twice.

Share in the dPS Facebook Group

You can also share your images in the dPS Facebook group as the challenge is posted there each week as well.

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US Postal Service ordered to pay $3.5m after using photo of Statue of Liberty replica

07 Jul
Robert Davidson’s replica Statue of Liberty sculpture in Las Vegas, Nevada. Photo by ADTeasdale, used under CC license 2.0.

The US Postal Service has been ordered to pay $ 3.5 million to sculptor Robert Davidson after a mixup resulted in the issuance of a Forever Stamp featuring the wrong Statue of Liberty. According to the lawsuit, USPS issued a new Forever Stamp design in December 2010 that features the Liberty Statue replica in Las Vegas created by Davidson rather than the original statue in New York.

The lawsuit explains that an official with the Postal Service began work on creating a new Forever Stamp design by acquiring stock images of the Liberty Statue. Options were narrowed down to three images, two featuring the original statue and one featuring the replica, though officials were unaware of the difference.

PhotoAssist was utilized to acquire digital files of the three final images, and the image of the replica statue was ultimately selected for the stamp design. USPS acquired a license to use the image from Getty Images for $ 1,500. Unaware that it was an image of the replica, the Postal Service failed to get Davidson’s permission or to attribute the work to him.

Davidson became aware of the issue after his wife purchased a book of stamps featuring the new design

Another stock photo agency informed USPS in March 2011 that its Forever Stamp featured an image of the replica statue rather than the original work. According to the lawsuit, the revelation started an internal evaluation at USPS as it determined how to respond. The Forever Stamp design remained in use until it was phased out in 2014.

Davidson became aware of the issue after his wife purchased a book of stamps featuring the new design. A copyright application for the replica statue was filed in January 2012 and issued in November 2013. That same month, Davidson sued USPS for its use of the image.

Though the government argued that the replica was too similar to the original to warrant protection, the court sided with Davidson, finding his statue was sufficiently original enough for copyright protections. The court stated:

We are satisfied that plaintiff succeeded in making the statue his own creation, particularly the face. A comparison of the two faces unmistakably shows that they are different. Although the record does not contain many pictures of the original, the magazine cover provided by plaintiff which bears a picture of the original Statue of Liberty’s face is sufficient. The differences are plainly visually observable, can be articulated, and are not merely “ideas.” … Mr. Davidson’s statue, although invoking an existing world-famous statue, is an original, creative work, and as such is the subject of a valid copyright registration.

The Postal Service sold 4.9 billion stamps, bringing in $ 2.1 billion in revenue and more than $ 70 million in profits. In its ruling, the court determined that Davidson is owed $ 3,554,946.95 in actual damages for the unauthorized use. USPS has not issued a statement on the ruling.

Via: NPR

Articles: Digital Photography Review (dpreview.com)

 
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Fit2Paddle Paddling Photography on Instagram

07 Jul

Every day I am posting pictures on Instagram. My Instagram feed is dominated by paddling, especially, SUP, but also includes images from other outdoor activities: mountain biking, hiking, inline skating and drone flying. Recent pictures were shot mostly with Sony […]
paddling with a camera

 
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Rumor: Samsung Galaxy S10 triple-cam to offer super-wide-angle and 3x tele

07 Jul

We’ve already heard rumors about Samsung launching three models for its upcoming Galaxy S10 flagship smartphone generation, including one featuring a triple-camera on the back.

Now more information has surfaced about the specifications of the Samsung triple-camera and if the rumors turn out to be true, mobile photographers will have something to look forward to.

According to German website AllAboutSamsung, the South Korean manufacturer’s upcoming flagship will be the first smartphone to combine a super-wide-angle and a tele-lens with the primary camera. The super-wide-angle is expected to come with a 123-degree angle of view, the tele lens with a 3x magnification, offering a wider zoom range than any other smartphone.

If the rumored specs are close to the real thing… the new Samsung could be the smartphone for photography in 2019

The only current smartphone with triple-camera on the market, Huawei’s P20 Pro, doesn’t come with a super-wide-angle option and instead opts for a monochrome sensor for increased low light capabilities and a native monochrome shooting mode. The main options for smartphone users who want a built-in super-wide-angle, LG’s recent models, have to make do without a tele-zoom.

The rest of the rumored Samsung specifications sound promising, too: the super-wide-angle is expected to come with a 16MP resolution and F1.9 aperture, the primary camera will supposedly feature a 12MP sensor and dual aperture, and the tele uses a 13MP imager and F2.4 lens. No OIS or autofocus will be available on the super-wide-angle but given the angle of view those features might not be missed.

If the rumored specs are close to the real thing and Samsung’s engineers manage to merge image information from all three sensors in an efficient way, the new Samsung could be the smartphone for photography in 2019. We will know more in a few months time.

Articles: Digital Photography Review (dpreview.com)

 
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Video: 6 in-camera video transitions in 120 seconds

06 Jul

Whether you’re filming a camera review or working on your latest vlog, one of the easiest ways to take your video to the next level is to have clever transitions. To help you do just that, Rachel and Daniel of Mango Street have created a video showcasing six in-camera video transitions you can do with little more than a bit of planning.

The video summarizes six different methods in just 120 seconds: through the door, back in shot, whip tilt up and down, below ground, strafe blocking and prism wipe. Each method is detailed with a how-to shot and and a final result shot to show both how to get it done and what the final result looks like.

At the end of the video, all of the techniques are put together to create a seamless flow of footage using all six methods. It’s a short, simple video that manages to pack a punch in just under two minutes.

As noted by Mango Street in the description of the video, don’t forget, ‘focus on the story first. Transitions should only serve to enhance your story.’

Articles: Digital Photography Review (dpreview.com)

 
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