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Archive for January, 2018

Canon accidentally shared a composite photo shot with a Fuji all over social media

15 Jan

Well… this is awkward. Fstoppers has caught Canon Italy and Canon Spain sharing a photo to all of their social media accounts—Facebook, Twitter, and Instagram—the majority of which wasn’t even taken with a Canon camera. In fact, it was shot using a Fuji X-T1, by popular landscape and travel photographer Elia Locardi.

You can compare the two photos for yourself below, but there is little doubt that large parts of Elia’s photograph were used to create the one Canon shared:

The original photo, captured by Elia Locardi. Used with permission.
The image Canon Italy and Canon Spain have shared all over social media.

As you can see the entire sky, parts of the water, and some foreground elements as well were lifted directly from Elia’s original. In fact, as Fstoppers points out, there’s even a few-pixel-sized bird in Elia’s photo that was copied directly into the new shot.

We spoke to Elia this morning, and he told us that after a bit of sleuthing he was actually able to uncover the source of the image: a royalty free photograph on Unsplash that was allegedly taken in October of 2017 with a Canon 1D Mark IV. Elia has asked that we not “out” the photographer, but you can see the EXIF data in this screenshot:

From there, it doesn’t take an advanced degree to figure out what happened. A social media team at Canon Europe took to Unsplash to find a royalty free picture to share. They probably searched for “Canon 1D Mark IV” and “Italy,” and when they stumbled across this shot they had no idea that it was, in fact, not a single image but a composite of (at least) two photos… one of which was taken with a Fujifilm camera.

It’s embarrassing, sure, but probably an honest mistake. As of this writing, the post is still live on Canon Italia and Canon Estana’s Facebook and Instagram accounts, but we don’t expect that to last much longer as this story gains traction in the blogosphere.

The photo as seen on the Canon Italia Instagram account this morning.

We’ve reached out to Canon for comment, and will update this post if and when we hear back.

Articles: Digital Photography Review (dpreview.com)

 
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Canon defends embarrassing photo sharing gaff, photographer fires back

14 Jan

Yesterday, we reported on an understandable if embarrassing mistake by Canon Italy and Canon Spain. The two branches of Canon had shared a composite photo that contained stolen elements from a photo by travel photographer Elia Locardi all over their social media accounts; to make things worse, those elements were shot with a Fujifilm camera.

The reasonable response would have been to admit the mistake, apologize, and move on. This morning, however, Canon responded through social media and managed to somehow make things worse.

In its response, the company confirmed our assertion that it had pulled the photograph from the royalty free photo sharing website Unsplash, but claimed that it was not the same photo, pointing to “seasonal variation” between the two shots and completely ignoring the fact that parts of the photograph are exact clones.

Here is the response in full, posted as a comment on the Canon Italia Facebook share:

This answer, for obvious reasons, has photographers shaking their heads. There is no denying that the photograph uses stolen elements from Locardi’s—the same exact sky and water patterns don’t just repeat themselves willy nilly, making sure that the same bird is flying through the shot at the exact same time for good measure.

But the fact that Canon shared a composite with part of his work isn’t what bothers Locardi. Speaking with him yesterday and this morning, it was obvious that this was just an odd and funny moment for him. What does bother him about Canon’s response is something else entirely, as he explained on Facebook this morning:

Guy takes part of my Fujifilm photo, uploads it to a copyright free website. Then Canon shares it all over their social media. And now, Canon’s official response is that it’s not my photo? And the differences are just a “seasonal variation.”

LOL, really? As if this story couldn’t become more awkward.

But seriously, the greater part of this story and by far the largest issue here, is the fact that Canon is using a free image resource like Unsplash to fuel their social media rather than tapping into their large community of photographers. That’s incredibly insulting to both their own consumers and to the photography community itself.

Speaking with me directly this morning, Elia repeated the last part of his Facebook post before he continued on to say that this kind of thing, “encompasses almost everything that’s wrong with our industry today.” To really drive home the point, he also posted the comment as a response to Canon Italia’s comment on Facebook.

Here’s one last look at these two photos, just for good measure:

The original by Elia Locardi
A composite from Unsplash that obviously takes the sky and parts of the foreground directly from Elia’s image.

We have not received a response to yesterday’s request for comment from Canon, but we will update this post if and when we hear back.

Articles: Digital Photography Review (dpreview.com)

 
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How to do Tilt-Shift Style Photography with the Lensbaby Edge 50

14 Jan

Professional architectural and landscape photographers use tilt-shift lenses to avoid converging vertical lines and to get the entire scene in sharp focus. Portrait and food photographers use them to create interesting effects using blur and shifts in the plane of focus. Tilt-shift lenses are exciting creative tools, but they are also specialist items. That means they’re expensive to buy, especially for hobbyists.

Lensbaby Edge 50 lens - How to Lens Tilt-Shift Photography with the Lensbaby Edge 50

But there is a way you can apply a tilt-shift style effect (although there are no shift movements) with a relatively inexpensive camera lens – the Lensbaby Edge 50.

The Edge 50 is a 50mm lens attachment that fits in the Lensbaby Composer Pro II. The two are sold together, or you can buy the Edge 50 separately if you already have a Composer Pro II. It’s available for all major camera mounts.

How to Lens Tilt-Shift Style Photography with the Lensbaby Edge 50

The Lensbaby Edge 50 (with an inexpensive lens hood that I bought on Amazon) and Composer Pro II mounted on a Fujifilm X-T1 camera. The Edge 50 lens is tilted down in this photo.

On my APS-C Fujifilm camera, the Edge 50 is a short telephoto lens ideal for portraits and many other subjects. If you own a full-frame camera then you’ll get the same field of view and a similar effect with the Edge 80 optic.

How to Lens Tilt-Shift Style Photography with the Lensbaby Edge 50

The Edge 50 lens lets you tilt the plane of focus so that it runs in any direction across the frame you like.

How to Lens Tilt-Shift Style Photography with the Lensbaby Edge 50

The red lines show the direction of the plane of focus in the photos above.

Why buy a Lensbaby Edge 50?

So, why buy the Lensbaby Edge 50 optic? For me one of the driving factors was curiosity. I had so many questions. Could I make interesting photos with this lens? Is it any good for portraits? What happens if I add an extension tube to make close-up photos? The images in this article will provide some answers.

What I didn’t expect is that I would love using this lens. There’s something strangely fascinating about viewing the world through a lens that has tilt movements. The Edge 50 is so much fun to use there’s a genuine danger that you use it all the time and forget about your other lenses!

How to Lens Tilt-Shift Style Photography with the Lensbaby Edge 50

The Edge 50 can help you make photos with a miniature effect created by tilting the lens. These work best when you have a high viewpoint overlooking the subject.

Practicalities of using the Edge 50 lens

There are some differences between the Edge 50 lens and regular camera lenses that you need to know about before you buy one.

The Edge 50 is a manual focus lens

This is not an autofocus lens and you need to take great care when focusing for accuracy. It’s easier to focus with cameras that have electronic viewfinders and focus peaking. Or you could use Live View.

How to Lens Tilt-Shift Style Photography with the Lensbaby Edge 50

The Edge 50 lens is perfect for fine art black and white photos like these.

The Edge 50 doesn’t come with a lens hood

This is disappointing as it means you can’t point the lens anywhere near the sun without getting lens flare. I bought a metal lens hood from Amazon for a few dollars. The lens hood reduces lens flare and protects the front element from accidental damage when the camera is hanging at your side.

How to Lens Tilt-Shift Style Photography with the Lensbaby Edge 50

You can experiment with shifting the plane of focus, photographing the same scene in multiple ways.

Depth of field is very narrow at the widest aperture of f/3.2

I’ve learned to stay away from the widest aperture setting and stop down to f/4 or f/5.6 to get the best results. You will also have to use a higher ISO to get the correct exposure in low light than you would with a regular 50mm prime lens.

How to Lens Tilt-Shift Style Photography with the Lensbaby Edge 50

The Edge 50 lens with an extension tube can create close-up photos like this.

You can shift the plane of focus in all directions

With this lens, you can position it so that the plane of focus lies horizontally, vertically or at any angle in between. This allows you to get creative and experiment with different focusing effects.

For example, portraits are very effective when the plane of focus is horizontal, as you can focus on the model’s eyes and throw the rest of the scene out of focus.

How to Lens Tilt-Shift Style Photography with the Lensbaby Edge 50 - portrait

The Edge 50 is great for close-ups when combined with an extension tube

I use a Fujifilm MCEX-16 extension tube with this lens for taking close-ups of flowers. It lets me shift the plane of focus around and create interesting effects in a way that you can’t do with a conventional 50mm lens.

How to Lens Tilt-Shift Style Photography with the Lensbaby Edge 50

Conclusion

The Lensbaby Edge 50 lens is a great addition to my camera bag and one that I’m very happy to have made. If you like creative photography, interesting bokeh, and blur effects, or if you’re looking for something a little different for your portraits, then the Edge 50 could be just what you need.


Would you like to learn more about lenses and your camera? My ebook Mastering Lenses teaches you everything you need to know. The buying guide alone will save you many times the cost of the ebook!

The post How to do Tilt-Shift Style Photography with the Lensbaby Edge 50 by Andrew S. Gibson appeared first on Digital Photography School.


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Gallery Update: Panasonic Lumix DC-G9

14 Jan

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Since initially publishing our G9 sample gallery late in 2017, we’ve had the chance to spend substantially more time shooting with it. Now that the full G9 review is live, we wanted to revisit that gallery and update it with additional ACR conversions, out of camera JPEGs, and high-res mode samples. Without further adieu, the updated G9 sample gallery…

See our Panasonic Lumix DC-G9 gallery

Articles: Digital Photography Review (dpreview.com)

 
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Kodak Scanza is a portable, budget film scanner that turns negatives into JPEGs

14 Jan

Kodak has launched a new budget scanner that digitizes film and slides. The scanner, called the Kodak Scanza, is compact at just 12cm x 12.7cm (4.7in x 5in), and features: a 3.5-inch color screen, an integrated SD card slot for saving scanned content, adapter trays for different types of film, and an HDMI port for viewing scanned content directly on an external display.

Kodak Scanza, which was introduced at CES 2018, supports 35mm, 110, Super 8, and 8mm film negatives and slides via inserts and adapters. Content is scanned as 14MP JPEGs, though users can enlarge the resolution up to 22MP.

The integrated screen, which is hinged for tilting, provides access to pre-scanning options, such as exposure and color adjustments.

Both Windows and macOS are supported out-of-the-box, and scanned content can either be saved to a compute, or directly to an SD card inserted into the scanner’s built-in card reader. Kodak Scanza will be available to purchase from Amazon for $ 170 USD. Availability and pricing in other regions is unclear at this time.

To learn more about the scanner, visit the Kodak Scanza landing page.

Articles: Digital Photography Review (dpreview.com)

 
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6 Tips for Better Engagement Photos

14 Jan

When doing engagement photos, it is very important both to you and to the couple that everyone feels relaxed so that you can capture them being their truest selves. When your clients are relaxed and comfortable in front of your camera, it makes a huge difference in the images you capture and ultimately the client’s experience.

Engagement photos tips 0008

Here are a few tips that can help settle your nerves and your clients’ so that you rock the session and are able to photograph them at their best.

1 – HAVE A CONSULTATION BEFORE THE SESSION

Have a simple meeting, either in person or via email, where you and the couple can talk about what the session will entail. The who, where, what, when, and how of their engagement photos. A few questions can help you narrow down the location, or locations if you’re up for doing more than one, clothing changes, and perhaps special information about the couple.


Start this conversation by asking how their wedding is coming along and how they met. This gives you great insight as to who they are as a couple. In addition, it conveys to the couple that you are interested not only in the session but in them as people. Let the conversation flow between topics and session details.

Ask questions like, “What do you envision for the feel of your engagement photos? Something more earthy or perhaps a more urban feel?” This will help you get an idea of what kind of surroundings they want for their photographs as well as where they’d feel most comfortable for their session. Another great idea is to offer shooting at a location that is special to them, so ask about that too.

Add something special just for them

Engagement photos tips 0002

Perhaps the place where they met, or where they went on their first date might be great locations if they are local and accessible. If they do reveal a place that is feasible, offer it up as one of the locations. They will love that you took interest in finding out such a place and recreating a special memory for them. If not, then go with the previous ideas and
narrow down some places where you like to shoot that go along with what they are envisioning for style and feeling.

Any additional details you can get during the consultation are key to helping you be more confident on the day of the shoot. Knowing a little more about the couple helps to have a few conversation starters as well, which will become important on the day of the engagement photo shoot.

Engagement photos tips 0017

Each couple is different, so it helps when you can get to know them on a more personal level rather than showing up at the location and having an awkward beginning. It isn’t unheard of for clients to turn into friends after photo sessions!

2 – PREP YOURSELF BEFORE THE SESSION

Now that you have the details of the session planned out and a little insight as to the personality of the couple, it’s time to begin preparing yourself for the session.

Aside from the obvious gear preparations, it’s good to go over some inspirational photos that you would like to try. Have at least 10 on your phone so that you can look at them during the session when you need a refresh or want to try something new. Having a set of images to help you with ideas for posing or lighting will make you more confident on the day of the session in the event you get stuck with a pose or need to change it up.


It’s a good idea to confirm with the couple a few days before the session and ask them if they have any questions for you. Being accessible reassures the couple that they have chosen a friendly photographer, which in turn helps them to feel more comfortable when the time comes to be in front of your camera.

Get to the chosen location early, even if it’s a place where you have shot before. Going early can help you make a plan of where you want to start shooting and move through your session. Having a plan makes the session run smoothly without losing momentum.

Engagement photos tips 0012

3 – BE A FRIEND, NOT JUST A PHOTOGRAPHER

You’ve already set the groundwork for being friendly during the pre-session consultation and the confirmation and now it’s time to really be genuine.

When the couple shows up, don’t start shooting right away. Spark up a conversation with them. You will have much more relaxed clients this way and it will also relax you a bit if you’re nervous. Which, by the way, is completely normal! Plenty of seasoned photographers still get nervous before big shoots.


During the entire session, keep the conversation going. In between locations, clothing changes, and through the entire session. It relieves a little bit of the awkwardness between the clients and the professional, you. It speaks volumes when you can give your clients more of a personal experience by finding common interests, discussing the news, or even sports, anything. When your client has a good time, especially if they are nervous during the session, talking about common interests will aid in getting genuine expressions.

4 – KEEP THE SESSION MOVING

Each session and each couple is different. It’s important to keep the session moving smoothly throughout or the couple could tire quickly or become bored. This is why getting to the location and making a plan of where to shoot is so handy. Try different places within the location to shoot, offer clothing changes when you feel you’ve got enough with what they arrived wearing.

Engagement photos tips 0014

If a pose isn’t working, don’t say so, otherwise, you could make the couple feel like they’re doing something wrong. Keep going and try a different pose. Make sure that when you get a great shot, show them! This can build their confidence quickly and help them be more engaged during the session.

5 – BE IN CHARGE BUT ALLOW YOUR CLIENTS TO BE PART OF THE PROCESS

Whether this is your first engagement session or you’re worried because sessions sometimes go in a different direction than you hope – you simply need to take charge.

Direct the couple by showing the poses you’d like for them to do by demonstrating them first. Allow yourself to direct the flow of the session.


It sounds scary, however, you are the photographer. You’re the one who knows what to do and taking charge of the session speaks to the couple that you are confident in your work. Over time, it will become natural to you.

Once your clients become more relaxed in front of your camera, they will offer ideas, poses, and locations. Always allow them to be part of the creative process, as it makes them more confident and offers up more shooting opportunities where they are just being themselves.

6- HAVE FUN


You got into photography because it was fun for you, so why not have fun during your session as well? You should enjoy the shoot as much as the couple.

If you feel nervous that the session tends to go stale, have the couple do actionable poses. For example, have them dance, walk, tell each other a secret, or whisper something funny into their loved one’s ear. This will unwind them and you’ll be able to capture their real expressions.

Conclusion


Engagement photos tips 0004

All of these tips are here to help calm your nerves and allow the clients to be themselves in front of your camera. Being prepared, friendly, having a good momentum during the session, and most importantly, having fun all contribute to real expressions and real moments. Your clients will appreciate how real and relaxed you made them feel during their session and in turn, refer you to more people!

The post 6 Tips for Better Engagement Photos by Jackie Lamas appeared first on Digital Photography School.


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Leaked photo hints at Samsung Galaxy S9 with variable aperture lens

13 Jan

Samsung has confirmed its upcoming new flagship smartphone, the Galaxy S9, will be launched at MWC in Barcelona, so we’ll have to wait until late February to know for sure what features and specifications the new model will have to offer. That said, Reddit users have found an image of an alleged S9 retail box that is already giving us a good idea of what to expect from the new flagship.

From a photography point of view, the most interesting information on the box is the “F1.5 / F2.4” aperture specification, indicating that the Galaxy S9 might come with the same stabilized variable aperture 12MP camera as the China-only W2018 flip-phone.

On that phone, the camera switches between F1.5 and F2.4 when it senses there’s enough light around in an attempt to capture the background as much in focus as possible. Whether or not that really makes a lot of sense, given the small image sensors in smartphones, is for you to decide. In any case, the F1.5 aperture value is the fastest on any current smartphone, which should be appealing to any low-light shooter.

Source: Reddit

If the specifications on the box are true, the S9 camera will also record super slow-motion videos, hopefully at similarly high frame rates as the latest Sony devices. In addition, there is a pair of AKG-powered stereo speakers, and we’d expect the S9 to come with Qualcomm’s latest Snapdragon 845 chipset.

Most most of the additional information on the retail box is quite similar to the current S8 model: the S9 screen will have a Super AMOLED panel with Quad HD+ resolution (1440 x 2960 pixels), 18:9 aspect ratio, 4GB of RAM, 64GB of internal storage, and an 8MP front camera, all wrapped up in an IP68 water and dust resistant body.

Articles: Digital Photography Review (dpreview.com)

 
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Huawei Mate 10 Pro camera review

13 Jan

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The Mate 10 Pro is Huawei’s new flagship smartphone and the latest in its line of Leica-camera equipped devices. The dual-cam setup combines a 12MP RGB sensor with a 20MP monochrome chip. Like on previous high-end Huaweis, the latter allows for a native black-and-white mode, and Huawei claims that the combination of captured image data from both sensors leads to improved dynamic range and lower noise levels.

Both of the dual-cam lenses feature a fast F1.6 aperture, and optical image stabilization is on board as well. The high-resolution setup allows for what Huawei calls a 2x lossless zoom, and PDAF combined with laser and depth sensors enables fast and precise autofocus. The Mate 10 Pro is capable of recording 4K video at 30 fps and the front camera captures images at an 8MP resolution.

Huawei isn’t relying on hardware alone though—AI and neural networking are applied to improve the quality of the fake bokeh mode, and object recognition for automatic scene selection also relies on some AI magic. Finally, motion detection is being used to reduce motion blur in low light conditions.

Find out how Huawei hardware and software play together and the Mate 10 Pro shapes up in our testing on the following pages.

Key Photographic / Video Specifications

  • Leica-branded dual-camera
  • Dual 12MP RGB / 20MP Monochrome
  • F1.6 aperture
  • OIS
  • 2x lossless zoom
  • 4-in-1 AF with depth, contrast, PDAF and laser
  • dual-LED flash
  • 4K video
  • 8MP front camera

Other Specifications

  • 6″ 2160 x 1080 OLED HDR display, 18:9 aspect ratio
  • Corning Gorilla Glass
  • EMUI 8.0 / Android 8.0 (Oreo)
  • Hisilicon Kirin 970 CPU Octa-core
  • 128GB storage, 6 GB RAM or 64GB storage, 4GB RAM
  • microSD, up to 256 GB
  • Hi-Res 32bit audio
  • 4000 mAh battery with fast charging

Articles: Digital Photography Review (dpreview.com)

 
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Apple Photos: An Under-Appreciated Post-Processing Software Powerhouse

13 Jan

As the market for digital cameras has intensified in recent years, the options available for post-processing software has exploded as well. There are dozens of great options for casual, enthusiast, and professional image-makers who are looking to get the most out of their images.

Programs like Lightroom, Luminar, CaptureOne, Affinity Photo, GIMP, DarkTable, and AfterShotPro, are all highly capable photo editors. It can be a daunting proposition to try and pick one that’s right for you.

Fortunately for Mac users, there is a fantastic option already available to you for free sitting right on your own computer. Apple Photos is a program you might have overlooked in the past, but with steady improvements over the years, it is now a serious contender when it comes to post-processing your pictures.

Apple Photos: An Under-Appreciated Post-Processing Software Powerhouse

A Brief History

The story of Apple Photos starts in 2002 with Apple’s late CEO Steve Jobs introducing an all-in-one program to let users catalog, edit, and share their digital pictures. This new software called iPhoto was revolutionary at the time, giving casual users a way to manage all their digital imaging assets in a way that was fast, simple, and easy to understand.

I used iPhoto from the first version that was released and even now it’s kind of amazing how well that initial offering worked, though it was clearly lacking many features we take for granted today. A few years later Apple waded into the professional photo editing market with Aperture, a program that was like iPhoto on steroids and was seen as a direct competitor to Adobe Lightroom.

Merger of Aperture and iPhoto

As the decade wore on and Apple saw how much people were using their mobile phones for taking and editing pictures it decided to kill off Aperture and iPhoto and replace them with a single program called Photos. This new application offered users a way to manage, edit, and share their photos much in the same way iPhoto and Aperture functioned, but also gave people the ability to sync their photo collections and even individual photo edits across all their devices.

With Photos, it was possible to crop a picture on your iPhone and then have that same cropped version of the picture show up on your Apple desktop a few seconds later – a syncing nightmare that was virtually impossible using the panoply of programs previously available from Apple.

Apple Photos: An Under-Appreciated Post-Processing Software Powerhouse

Evolution of Photos

One significant tradeoff when consolidating apps and enabling cross-device editing with Apple Photos was a lean feature set that, compared to Aperture, was downright anemic and even came up short when compared to iPhoto. Photographers hopeful for a fresh new program with all of their favorite features were dismayed and abandoned Apple Photos in droves only to rush headlong into the welcoming arms of Adobe, Macphun (now called Skylum), Corel, and other developers.

However over time, Apple has delivered on its promise to improve Photos and with each iteration, the program becomes more capable, not to mention speedier, than ever before. It can now hold its own against many of the other post-processing software options available on the market. It’s safe to say that if you haven’t used Apple Photos in a while you might be surprised at how good the current version is, and if you have never even tried the program you are in for a real treat.

Sunflower photo processed in Apple Photos app.

Photo management simplified

The core principle of Apple Photos has always been simplicity. Even back to the original days of iPhoto, Apple’s philosophy has been to make their image-editing programs as easy to use as possible. I can personally attest to this with my dad as an example.

He is a retired railroad mechanic who prefers working on small engines in his garage instead of tinkering on the computer. But he is perfectly capable of connecting his Canon Rebel T4i to his Mac, offloading his images into Photos, and post-processing them using the tools provided. Underlying that simplicity is a powerful set of editing tools that started out all too basic but have grown to be quite competent over time.

One library

The Photos app is built around the concept of a unified photo library, such that any photos you take on your phone automatically sync with your computer and vice versa. Because of that, the interface looks much the same whether you’re on a desktop, laptop, iPad, or iPhone.

Your pictures aren’t stored in the cloud per se, but Apple does use its cloud-based infrastructure to sync all your pictures while keeping the actual image files stored on your individual devices. To enable this all you have to do is click a checkbox in Apple Photos on your desktop and flip a slider on your iPhone and the program will take care of the rest.

Apple Photos: An Under-Appreciated Post-Processing Software Powerhouse

Organization

Photos organizes your images based on time data and does its best to group pictures into what it calls Events based on time and location data. Scroll through your library and you will see images grouped by categories such as People, Places, Favorites, and Memories as well as Albums which are collections of photos that you create manually or automatically using metadata (i.e. all photos with the keyword “Vacation” and “Kansas”.)

Unlike Google Photos and some other cloud-based services, none of your images are analyzed by Apple for the purpose of gathering data that can be used in advertising. A boon to privacy advocates and others who just want to keep other companies away from their pictures.

Apple Photos: An Under-Appreciated Post-Processing Software Powerhouse

Sorting and viewing images

However, some degree of machine learning is present in Photos, as the software attempts to group your images automatically with Memories based on time and location data. It also automatically looks for faces which it uses to populate the People category.

If you have ever scrolled through your near-endless Lightroom Library you might be surprised at how well Photos handles the presentation element of photo management. You can use the options buttons at the top of the screen to organize your images by Photos, Moments, Collections, or Years. All your images are available in each view, but the Photos app groups them dynamically so as you scroll up and down you will see them grouped together in specific ways. If you click Moments your images are grouped almost like day-to-day activities, whereas Collections shows photos in larger groups and Years literally displays an entire year’s worth of images at once.

Apple Photos: An Under-Appreciated Post-Processing Software Powerhouse

Grouping options for how to display your thumbnails – Moments, Collections or Years (shown here).

All this is fairly simple and intuitive, and if you have a trackpad on your Mac you can mimic the pinch-to-zoom feature found on iPhone and iPad devices to zoom in and out of your entire photo library. Longtime Lightroom users will note several deficiencies in this design methodology, though, and a host of missing features like Compare, Survey, and fine-grained sorting criteria not to mention Lightroom’s far superior Library Filter.

This illustrates the point that Apple Photos is not intended to be a full-on replacement for Lightroom. Nevertheless, it can be a good starting point for amateurs or even enthusiasts looking to get a little more control over their image organization.

Powerful post-processing editing features

Image management is one thing, but post-processing or editing is a whole other matter entirely. Unfortunately, this is where Apple Photos has traditionally fallen flat. The first version of Photos had an editing feature set that was positively anemic and downright infuriating to longtime users of Aperture. They felt they had been hung out to dry by Apple, and it was not even worth comparing to programs like Lightroom, Photoshop, and others.

But like the fabled tortoise racing against the hare, Apple has steadily injected an ever-growing list of editing tools into Photos. It’s now not only competent but worth considering for anyone who wants to dive deeper into more professional-style editing.

Basic and advanced tools

Select a photo and click the Edit button to open up a cornucopia of editing tools. They cover all the basic options you would expect to find in any prominent image editor and even a few surprises. Of course, you can perform basic edits like Crop, Red Eye Removal, and White Balance and if that’s all you want then you’re good to go.

There are also highly advanced tools like RGB Levels and RGB Curves in which individual color channels can be edited, Selective Color that lets you adjust Hue, Saturation, and Lightness for Red, Yellow, Green, Cyan, Blue, and Magenta colors. Also present is a Noise Reduction option that allows for Luminance and Color noise, and even a Lightness tool with the freedom to adjust seven different parameters including Exposure, Brilliance, Highlights, Shadows, and Contrast.

Apple Photos: An Under-Appreciated Post-Processing Software Powerhouse

Filters

Apple Photos also has a nice array of filters. They work just like those in Instagram or other programs like Luminar, with one-click presets such as Vivid, Dramatic, Mono, Noir, and more. Add to this a pretty good auto-enhance option and the ability to undo edits one at a time or revert to the original with one click, and you can see how this program might be worth a second look. I remember using it when it first launched and was immediately put off by its overly-simplistic workflow and lack of features. But now I would honestly recommend it to anyone who is considering buying a subscription to Lightroom or investing in any other image editing post-processing software options on the market.

Apple Photos is not perfect, but it could suit your needs better than you might realize. The best part is it’s absolutely free if you own a Mac computer, iPhone, or iPad. There’s something special about editing a picture on your desktop, picking up your phone and seeing all your changes automatically synced, and then realizing it’s all happening without any monthly fee or another type of additional payment.

Apple Photos: An Under-Appreciated Post-Processing Software Powerhouse

Caveats and Limitations

All of this editing and organizational finesse comes with a rather large asterisk or two, as there are some significant drawbacks to Apple Photos that savvy photographers need to be aware of.

The most important is that this is an Apple-only program, so if you use Windows or Linux you’re out of luck. The mobile version is firmly ensconced in Apple’s infamous walled garden which means it never has been, and never will be, available for Android phones.

Also despite the lack of a subscription model, if you want to take full advantage of the iCloud-based storage options you will need to shell out some cash for iCloud Drive. Apple only gives users a paltry 5GB for free. Fortunately, iCloud plans are quite reasonable, and I am perfectly happy with my 50GB plan that only costs 99 cents per month.

Apple Photos: An Under-Appreciated Post-Processing Software Powerhouse

If you want to take full advantage of Photos’ cloud-based options, you might want to purchase additional storage. Fortunately, this is optional and it’s entirely up to you whether you want to do this, and how much storage to buy.

What’s missing

Finally, there are some notable features missing from Apple Photos that users of Lightroom, Luminar, and other apps will likely bemoan – and rightly so. There’s no history panel, no brush adjustments, no radial or graduated filters, no way to share presets, no plugin architecture for third-party expandability, no way to sync edits across multiple photos, and the list goes on.

Even simply exporting a photo can be frustrating. You only have a few options available by default like sharing to online social media sites or setting an image as a desktop background. These can be customized albeit not nearly to the same level as many other programs. It’s safe to say that if you want to give Apple Photos a chance it’s best to keep your expectations in check.

Apple Photos: An Under-Appreciated Post-Processing Software Powerhouse

Unless you want to post images directly to Facebook or Flickr, you might get a little frustrated with the default sharing options.

Conclusion

I hesitate to make a solid recommendation regarding Apple Photos because it really is dependent on the needs of each individual user. Other than to say a once low-end unimpressive program without much going for it has now been transformed to the point that I think it could really be useful for a lot of people.

While it’s still not up to par with its Aperture ancestor and continues to lag behind a lot of other options on the market in terms of features and capability, it’s a free, powerful, highly effective photo manager and editor that just might surprise and delight you if you give it a chance.

The post Apple Photos: An Under-Appreciated Post-Processing Software Powerhouse by Simon Ringsmuth appeared first on Digital Photography School.


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Rumor: Nikon’s full-frame mirrorless will sport an all new ‘Z-Mount’

13 Jan
Photo by Lilly Rum

Nikon Rumors has gotten wind of a very interesting bit of plausible speculation—at this point, we’re not comfortable calling it any more than that. According to the rumor site, the Nikon full-frame mirrorless people are hoping and praying for will sport an all-new so-called “Z-Mount”.

The name is probably still not final at this stage, but NR is reporting with some confidence that the Z-Mount will have an external diameter of 49mm and a flange focal distance of 16mm.

We obviously can’t know if these numbers represent a real mount in the works at Nikon, but we can confirm that the numbers add up. While 16mm is very short, if you have a camera with a wide enough diameter it kind of doesn’t matter. The back of the lens could be further forward than 16mm, so long as the mount doesn’t intrude.

For comparison’s sake, Sony’s E-Mount (the shortest to be used with a full frame sensor) sports an external diameter of 46.1mm and a flange distance of 18mm.

As always, we have contacted a Nikon representative for comment, and will update this post if and when we hear anything official from Nikon USA.

Articles: Digital Photography Review (dpreview.com)

 
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