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Archive for November, 2017

7 Tips to Get More Creative Photos of Well-Known Landmarks

02 Nov

Photographing landmark buildings when you visit a new place, or even places closer to home is a great way to get stand out photos. Often the architectural beauty of the natural or man-made landmark will make the image dramatic, you simply need to compose the photo well.

In this article, you’re going to see the standard photo, and then how to make more creative images of well-known landmarks. You’ll see a case study of how to shoot one particular landmark in many different ways.

7 Tips to Get More Creative Photos of Well-Known Landmarks

This photo was taken from the Trader’s Hotel in Kuala Lumpur. It shows the Petronas Twin Towers.

1 – The standard photo

Ahead of photographing more creative images of landmarks the aim is to make the best standard photograph you can. Chances are that a quick search on a photo sharing site like 500px.com will reveal this, so there is no need to re-invent the wheel here.

Once you know which landmark you want to photograph, the next step is to find out where that photo was taken from, if the same image has been taken many times there will likely be a viewing platform.

Once you are in position it’s time to compose your photo. It’s better if you can use a slightly different composition to those used before, perhaps try a vertical shot.

The last step is to ensure you have good images to process once you return home. Bracketing your images when the sky is brighter than the foreground will allow you to use creative post-processing techniques like digital blending. Alternatively, you can use graduated neutral density filters, and get your photograph exposed correctly in camera, with a single frame.

2 – Paint with light for creative images of landmarks

7 Tips to Get More Creative Photos of Well-Known Landmarks

This photo shows how light painting can be used to create your own image.

One of the most creative things you can do in photography is light painting. There are several forms of this technique and each can give you dramatic results.

This is innovative in that the results will be your own, and difficult for someone else to replicate. Let’s take a look at the different forms of light painting that you could try.

  • Light painting – Most people know light painting as writing their name with a torch (flashlight) in front of the camera. How about light painting around a landmark to add a creative edge? Those really interested in should look into buying the pixelstick.
  • Kinetic light painting – This refers to moving the camera, as opposed to moving the light source. Examples of kinetic light painting are camera rotation and zoom bursts.
  • Lighting up an object – You can light up a landmark using a strong flashlight, providing it’s not too far away. Using lights to brighten a landmark can make it stand out even more in the frame.
7 Tips to Get More Creative Photos of Well-Known Landmarks

Camera rotation is a good way to make a creative image of a landmark.

3 – Infrared photos of landmarks

Make creative images of landmarks by using infrared photography! There are several avenues to achieving this look, and you have a choice of in-camera or post-processing.

The classic infrared photos show lots of foliage, sky, and usually a water element. The effect creates a dreamscape image by turning the sky black, and the foliage white. Infrared photography is best done on a clear sunny day, with a few clouds to create more interest.

The following are the three avenues open to you to create these photos when shooting with a digital camera.

  • Take a normal photo, and use post-processing to give the image the look of an infrared photo.
  • Add an infrared filter to the front of your lens. To get the infrared look you will need to take your file and process it on the computer.
  • Convert your camera body so that it’s usable for infrared photography, again further processing will be required.
7 Tips to Get More Creative Photos of Well-Known Landmarks

Though this photo uses the same composition of a previous one above, the mood is changed by using an infrared technique.

4 – Get those detail photos!

It’s always a good idea to take some detail photos of a landmark, these are texture images that often use repeating patterns. When photographing a landmark building, whether it’s old or new, you can use bricks or glass windows to create these texture photos.

Photos of natural formations will also have good details. Cliff faces may, for instance, have good lines and textures in them. The aim with this type of photo is to show detail, but at the same time make it obvious which landmark you are photographing. This could be structures that are unique to that particular landmark.

When shooting glass windows, is there a reflection in those windows that will give the photo context? When photographing landmarks always try to get detail photos to add more variety to the set of photos.

7 Tips to Get More Creative Photos of Well-Known Landmarks

Creative images of landscapes can be achieved using detail photos. The metallic structure of the tower and the Malaysian flag lend context.

5 – See another world with refraction

An alternative way of producing a unique landscape image is through using refraction. A transparent spherical object will be needed for this, there are several options available. The best objects for producing this effect are a wine glass filled with water, a crystal ball, or perhaps a clear marble.

This is a great way of capturing a large area of your scene, with the effect in the refracting object being similar to a fish-eye lens. The image inside the ball will be upside down, so managing this aspect of the photo is important. This technique is a lot of fun, though the need to carry around a heavy glass ball can be taxing.

7 Tips to Get More Creative Photos of Well-Known Landmarks

Refraction is a great method of producing a unique image, this one also shows a reflection.

6 – Long exposure for artistic effect

A great way to produce creative images of landmarks is to play around with long exposures. This is a variable that can be used in different ways to great artistic effect. It’s more common to carry out long exposure at dusk, or during the night; however using an ND filter will allow you to take long exposures during the day.

Here are three ways you can use long exposures:

  • Car light trails – This is a form of light painting. In this case, the car headlights will paint their way through your frame, along the road you’re photographing.
  • Cloud movement – If there are clouds in the sky, and they’re moving fast enough, you can use a long exposure to capture this motion.
  • Moving water – Similar to the above cloud movement, but with water! The main subject is, of course, your landmark, but if that landmark has water near it, then use that to your advantage.

All good landscape photographers carry a tripod, and anyone planning this type of photo will need one. Your exposures will be anywhere from one second to several minutes long.

7 Tips to Get More Creative Photos of Well-Known Landmarks

Long exposure photos of car light trails are a staple of photography. Here the road leads up to the Petronas towers on the horizon.

7 – Change your vantage point

The angle that you photograph a landmark at can have a dramatic effect on the type of photo taken. Today the sky literally is the limit, as drones allow for the overhead photos that were previously out of reach.

But a drone is not the only way to achieve a good photo by changing your vantage point. The standard photo is that at street (eye) level, so any variant on that changes the type of photo.

  • Bird’s eye view – This type of photo is taken from a high vantage point, where you will photograph downwards. The most extreme example would be a drone, or perhaps an airplane.
  • Worm’s eye view – The opposite of a bird’s eye view, this is taken from street level looking upwards. You will need to be close to the landmark you are photographing.

The challenge with this is finding a good location that allows a view of your landmark. In the city, this will mean getting access to a rooftop, or viewing platform. In a more rural setting, it means climbing a mountain!

7 Tips to Get More Creative Photos of Well-Known Landmarks

A worm’s eye view can give you a different style of photo.

How will you make creative images of landmarks?

There are many ways to photograph a famous landmark in your own unique way. How do you go about putting your own stamp on a location that has been photographed many times before?

Have you tried any of the above suggestions? Can you revisit one of your previous photo locations, and photograph it totally differently? We’d love to see the results of your work past and present, please share with the community in the comments area below.

7 Tips to Get More Creative Photos of Well-Known Landmarks

The Petronas Towers in Kuala Lumpur has been photographed many times. It can be a challenge to find a unique photo.

The post 7 Tips to Get More Creative Photos of Well-Known Landmarks by Simon Bond appeared first on Digital Photography School.


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How to Show a Sense of Scale in Your Photography

02 Nov

Picture this: You’re standing in front of an awe-inspiring natural wonder, a giant mountain or an extraordinary monument. Eagerly, you raise your camera to your eye and *click* you snap a shot.

There, on the LCD screen on the back of your camera, you see that all the majesty of the scene has disappeared.

How to Show a Sense of Scale in Your Photography

A photo of Skogafoss waterfall in Iceland, taken to show the scale and majesty of the scene.

In its transition from reality to the screen on your camera, your subject has lost its grandeur and sense of scale – there’s no true representation of how impressive the scene is. Has this happened to you?

Photography works with only two dimensions, for the most part. The world, on the other hand, is viewed in three dimensions. Missing that extra dimension can be a big deal.

Without giving a bit of thought to your composition, you can lose a lot of the sense of scale – making even the most remarkable subject matter look completely unremarkable on camera.

Understanding lens distortion

A camera doesn’t necessarily see the same thing our eyes do. Depending on your type of lens, and how much zoom you are using, there can be quite a difference between the image and reality.

Wide-angle lenses can make a real mess of perspective, making objects close to the camera seem significantly bigger than ones farther off. This can be used to your advantage for creative shots, but it will completely ruin the sense of scale.

How to Show a Sense of Scale in Your Photography - gnome

From up close and seen with a wide-angle lens of 17mm, this gigantic-looking gnome looms over the fence it is sitting on.

A gnome photographed from a distance to show how lens distortion influences scale

A gnome photographed from a distance to show how lens distortion influences scale.

A gnome telephoto - How to Show a Sense of Scale in Your Photography

At a focal length of 55mm, the sense of scale is restored and we can see that the gnome is actually quite small compared to the fence.

The more you zoom in (use a longer focal length), the less distorted your object will appear. Unfortunately, if you are taking pictures of large buildings or natural wonders, this has fairly limited application. It isn’t always possible to jog several hundred meters down the road in order to have room to zoom into 200mm when photography a tall building.

If we want to get the entire object in the frame, we’ll need to make some compromises with lens distortion, which leads us to our next trick for properly showing scale.

Provide a reference

So how can we tell if something is big?

Well, it’s not usually a problem in real life to know if an object is big or not. But in photography, we don’t always have the same opportunity to glance around and get a sense of proportion. This bothersome little detail can mean that even a huge, incredible wonder in real life can look insignificant.

How to Show a Sense of Scale in Your Photography

A photo of a mountain, with a reference point of a village below to show scale.

So how can we make sure that immense size is properly appreciated? Provide a familiar reference point to define scale. By including people or common objects in a scene, the viewer can quickly understand the scale.

Skip giving that reference point and your mighty mountains could just as well be macro shots of pebbles, for all your viewer knows.

An image showing the scale of the Gullfoss waterfall - How to Show a Sense of Scale in Your Photography

This is the incredible Gullfoss in Iceland, but without a clear point of reference, we don’t have a strong idea of its scale.

Image showing hikers on the Gullfoss waterfall - How to Show a Sense of Scale in Your Photography

Use of a longer lens helps us to see that those tiny specks on the rock are actually hikers – and helps us to understand that this waterfall is massive!

Showing Distance

How can we tell if something is far away?

Again, it isn’t difficult to recognize distance in real life. Once again, two-dimensional pictures have a habit of looking extremely flat without paying a bit of attention to what is included in the frame.

Well, for starters, you can use depth-of-field to provide a sense of depth. When the background drops off into a blur, it helps the viewer to more easily recognize distance.

Depth-of-field refers to the amount of area that is in focus in a picture. You can make sure that the background falls out of focus by using one or combining multiple of the following methods:

  • Selecting a wide lens aperture
  • Zooming in on your subject
  • By having a significant distance to the background behind your subject
How to Show a Sense of Scale in Your Photography

A man exploring the mountain photographed to show a narrow depth of field.

But you’ll need to do more than just shoot with a wide aperture if you want a mountain range to look imposing.

Another good technique you can use is to layer your background elements. This is easiest to recognize with mountains.

A man taking a photograph in a mountain range - How to Show a Sense of Scale in Your Photography

Including the whole scene

Sometimes showing the true scale of a scene requires a bit of give and take – you need to make a few compromises.

Zooming in and capturing expressions or the human element can cause you to lose the sense of scale. On the other hand, zooming out can cause your image to lose any interaction or interest.

A man sitting in the rocks on the edge of a mountain - How to Show a Sense of Scale in Your Photography

The hiker is sitting on the edge of a cliff – but without zooming back the viewer has no idea how big the drop is.

The best way to account for this is to simply be aware of it as you set up your shot. Balance the objects in the frame and decide what is the priority and purpose of the shot. If you want to show the scale of a scene, you probably won’t be able to take a tight shot that shows reactions or emotions.

A hiker in the mountains, photographed to show the scale of the cliffs - How to Show a Sense of Scale in Your Photography

By pulling back a bit, we can see the entire cliff – but now we can’t see the hiker’s expression!

Changing up your perspective

Sometimes capturing the majesty of a scene requires a creative perspective. Many photographers forget to explore the potential that comes from mixing up the camera’s point of view.

Taking a low shot can help add emphasis or might to a scene.

 How to Show a Sense of Scale in Your Photography

A low angle shot of a waterfall, showing its grandeur

Using a drone to cruise overhead and look down over an area can also be a fun way to show scale. The bird’s eye view perspective can be used to discover new angles of looking at otherwise familiar landscapes.

How to Show a Sense of Scale in Your Photography

Drone – image by dPS author Suzi Pratt.

Using Lines

Lines have always been an important element of any composition. They give an image a sense of movement and can direct the viewer’s eye around a shot, especially when they all tend towards a single vanishing point on the horizon.

A group of hikers photographed using leading lines to show distance - How to Show a Sense of Scale in Your Photography

The strong lines in this image help us to understand the size of this mountain trip.

Using leading lines is also a way to provide a sense of depth and show distance. You get a quick comparison of the distance between objects in the frame, giving you a quick point of reference to work with for the rest of the picture.

Recognizing and using natural lines in a scene is a surefire way to create a dynamic and interesting composition.

A deliberate approach to photography

By having the different techniques that can be used to show a sense of scale top of mind when you are out exploring with your camera, you can increase your chance of coming back with some real keepers.

It’s a common complaint of beginner or casual photographers that they can’t quite seem to make their pictures look as impressive as real life. But with a bit of practice, you can shoot pictures that leave your audience in awe!

The post How to Show a Sense of Scale in Your Photography by Frank Myrland appeared first on Digital Photography School.


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YI releases much-needed firmware update for Yi-M1 mirrorless camera

02 Nov

When we got our hands on Chinese camera maker YI’s first mirrorless camera, the YI-M1, we didn’t have a lot of positive things to say. Despite a great sensor, the camera was… unrefined. But the company just released a new firmware version for the M1 that promises to smooth out some of its rougher edges.

Key updates include (much-needed) improved AF speed, the addition of a RAW+JPG shooting option, exposure control in P, A, S and M modes when shooting video, AF/MF control during video capture, and the addition of a histogram in live view while shooting both stills and video.

We’ve updated our review model to the latest firmware and are taking it for another spin to possibly update our review, but in the meantime, check out the release notes below to see what all YI has improved and fixed on the M1 with this newest update.

Release Notes

{PressRelease}

Firmware Version 3.0-int Update Logs

New

  1. Added exposure control in the mode P/A/S/M for video capture
  2. Added AF/MF control for video capture.
  3. Added RAW+JPG format for still capture
  4. Added still image option in Time Lapse
  5. Added the option to shoot 1-3 images when using the self-timer function with an initial 2 second or 10 second timer settings
  6. Added a histogram in live view mode for both still and video capture
  7. Added new focus viewing modes with improved image quality including: 6x, 8x and 10x magnification in MF mode
  8. Added 2 ways to show the Metering mode in the UI
  9. Added the user guide (Restoring factory settings to view)
  10. Added multiple selection of images for deletion.
  11. Added 2 new options for the display grid
  12. AE algorithm optimization
  13. Master Guide template display logic optimized
  14. Improved AF speed

Fixed

Fixed some known bugs, and improved the overall stability of the system.

Changed

Change the thumbnails in each screen from 9 to 12 images.

{/PressRelease}

Articles: Digital Photography Review (dpreview.com)

 
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The new BenQ SW271 27″ 4K monitor gives photographers full color control

02 Nov

BenQ has launched a new monitor designed for professional photographers who need both high resolution and extremely accurate colors: the 27″ SW271. This model builds upon the company’s previous SW2700PT display, offering support for HDR10 alongside a 4K 3840 x 2160 resolution and the maker’s AQCOLOR technology.

With the AQCOLOR tech, users are given total control over the display’s color via hardware calibration and the maker’s Palette Master Elements software. The inclusion of advanced hardware color calibration helps enable the SW271 to meet strict color accuracy standards, according to BenQ, which says its display is ideal for “color-critical applications.”

Users have the option of viewing content simultaneously in different color spaces via GamutDuo, plus there’s a Hotkey Puck for toggling between the monitor’s various modes, including: 99% Adobe RBG coverage, 100% sRGB/Rec. 709 coverage, 93% DCI-P3 coverage, plus a Black & White option.

Monitor connectivity includes DisplayPort 1.4 and HDMI 2.0; there’s also an SD card reader, USB-C, and a USB 3.1 port. The shade featured in the above image is included with the monitor and can be removed. The monitor is available now for $ 1,100 USD.

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Press Release

BenQ’s Dynamic SW271 Monitor Offers Professional Photographers Picture-Perfect Performance

New 4K HDR-Enabled Color-Accurate Display Comes Equipped With BenQ’s AQCOLOR™ Technology and USB-C™ Connectivity

COSTA MESA, Calif. — Nov. 1, 2017 — BenQ America Corp., an internationally renowned provider of visual display solutions, today introduced a new 27″ 4K UHD (3840×2160) monitor that offers professional photographers unprecedented color accuracy through new AQCOLOR technology, high specifications and picture-perfect performance.

Building on the success of its award-winning predecessor the SW2700PT, the SW271 sets a new benchmark for image quality. The HDR10-enabled monitor allows users to see their images and videos in a wider dynamic range than a typical monitor. The sleek display is user friendly and offers colors so true that it brings out the fine detail and creative essence of every photo, whether it’s been taken by a seasoned professional or an amateur hobbyist.

BenQ’s AQCOLOR technology allows users to have complete color control over images. AQCOLOR uses a combination of hardware calibration, BenQ’s signature Palette Master Elements software and Technicolor® Color Certification, which ensures the monitor meets the strict color accuracy standards used in Hollywood and the entertainment media.

“We are proud to present the SW271, which joins our full line of professional monitors developed for photographers,” said Steve Yang, Senior Director at BenQ America Corp. “The SW271 brings users specialized tools and advanced hardware calibration for color-critical applications. It also has USB-C™ connectivity for transmitting video and data signals using just one cable for convenience.”

With 99% Adobe RGB, 93%DCI-P3 and 100% sRGB/Rec. 709 coverage, users are given an unrivalled image performance for visual perfection in professional photo editing. The SW271 also features Delta E?2, with its true 10-bit IPS panel and advanced 14-bit 3D lookup table (LUT). GamutDuo enables users to view content simultaneously in different color spaces side-by-side, and a Hotkey Puck allows users to effortlessly switch between a variety of modes, such as Adobe RGB, sRGB and Black & White modes.

The monitor also features an SD card reader, USB 3.1, USB Type-C, HDMI 2.0, and DisplayPort 1.4 ports. A detachable shading hood is also included to reduce the monitor’s screen glare.

The BenQ SW271 monitor retails at $ 1,099. For more information on the SW271, see http://www.benq.us/product/monitor/sw271 and to view the full line of BenQ creative class monitors, visit http://www.benq.us/product/monitor/creative_class/.

Articles: Digital Photography Review (dpreview.com)

 
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AI-based upsampling tech creates high-res versions of low-res images

01 Nov

Upsampling image and video files usually leads to pixelation and soft textures, simply because algorithms are not capable of replacing non-existing image detail. But scientists at the Max-Planck Institute for Intelligent Systems in Germany have come up with a clever solution that is capable of producing better results than anything we’ve seen so far.

The team has developed a tool called EnhanceNet-PAT, which is capable of creating high-definition versions of low-resolution images, using artificial intelligence. It’s not the first attempt at solving the super-resolution task but the approach is a new one.

Talking to Digital Trends, Mehdi M.S. Sajjadi, a member of the research team said

“Before this work, even the state of the art has been producing very blurry images, especially at textured regions. The reason for this is that they asked their neural networks the impossible – to reconstruct the original image with pixel-perfect accuracy. Since this is impossible, the neural networks produce blurry results. We take a different approach by instead asking the neural network to produce realistic textures. To do this, the neural network takes a look at the whole image, detects regions, and uses this semantic information to produce realistic textures and sharper images.”

To train the technology, large image libraries were fed into the AI-based system to accumulate knowledge of textures. The neural network is then given the task of upsampling previously downsized images. Finally, the research team compares the results to the original high-resolution image and modifies the algorithm to correct for errors or inconsistencies—this way, the algorithm keeps improving and after some time can work without any human help.

According to the team, photographic applications for the network include upsampling old movies to 4K resolution or restoring old photographs. However, the system could also be used to enhance object detection, for example in image search or mobility applications, such as self-driving cars. It seems that cheesy “Enhance!” trope from CSI is about to become reality…

To learn more about this technology, check out the full research paper here.

Articles: Digital Photography Review (dpreview.com)

 
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The free Focos app brings more professional looking bokeh to your dual-cam iPhone

01 Nov

Apple’s ‘Portrait Mode’ on the company’s dual-camera iPhones is a cool feature that produces some neat photos. But if you’re not a fan of the fake bokeh Apple’s standard camera app generates, you might want to check out a free new app called Focos.

Created by the same indie developer behind the apps Colorburn and MaxCurve, Focos takes your iPhone 7 Plus, 8 Plus or X’s Portrait Mode shots and makes them look more ‘professional’ by adding more realistic and customizable bokeh effects.

Focos allows you to pick custom bokeh ‘shapes’, generate more professional-looking bokeh by selecting options like ‘creamy’ or ‘swirly’, import your current Portrait Mode photos and re-edit the background, and re-focus Portrait Mode photos after the fact. And since it’s already capturing 3D data, the app allows you to access that data and apply filters based on depth.

The results should ostensibly look better than what Apple is generating with its own Camera app, but at the very least they’ll be more customizable so you can find a more appropriate effect for every photo.

To learn more about Focos or pick up the free app for yourself, head over to the Focos website or go straight to the iTunes App Store.

Articles: Digital Photography Review (dpreview.com)

 
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Canon 85mm F1.4L IS USM sample gallery

01 Nov

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The Canon 85mm F1.4L, announced at the end of August, updates the company’s series of 85mm primes with a useful new feature: image stabilization. The lens isn’t as fast as the 85mm F1.2L II that came before it, but should offer the ability to shoot handheld at slower shutter speeds.

True to its L-series branding it’s dust- and weather-sealed, and it ships this month for $ 1600. DPR staffer Carey Rose and friend of the site Michael Bonocore have been shooting with it on the road and closer to home – take a look at some sample shots.

See our Canon 85mm F1.4L IS USM
sample gallery

Articles: Digital Photography Review (dpreview.com)

 
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Leica Q in Silver brings a new look to the compact camera

01 Nov

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Leica has announced a new silver version of the Leica Q camera, giving customers the option of buying a model featuring a silver top plate, baseplate, and silver lens. The back of the new Leica Q Silver model is black, giving the camera what Leica describes as a ‘modern take’ on the two-tone color arrangement.

This rendition of the Leica Q features control elements that have been given the silver touch, while the lens sports red engraved focal length numbers and distance scale. All of this is rounded out by the same high-grip pattern found on the regular model’s black leather trim. The Leica Q in Silver is otherwise identical to the standard model, including its 24MP full-frame sensor.

Leica stores, boutiques and dealers will begin offering the Leica Q in Silver late next month for $ 4,495 (the all-black Leica Q retails for $ 4,250).

Press Release

Leica Camera Announces the Leica Q in Silver

A new look for the ground-breaking compact camera complements its innovation and classically elegant style

Leica Camera reimagined the photographer’s everyday camera with the Leica Q, featuring a trailblazing design, full-frame sensor, the fastest lens in its class, and an interface for easy and intuitive handling. Today, Leica Camera announces a new style for the same innovative technology that many photographers now call their favorite Leica camera yet – the Leica Q (Typ 116) Silver Anodized.

DESIGN

A silver top plate, silver baseplate and silver lens create a striking appearance for this new version of the Leica Q, while the rear of the camera is a sleek and refined black – achieving a modern take on the classic silver and black two-tone look. The characteristic, high-grip pattern of the standard Leica Q black leather trim has been maintained, while the control elements are redesigned with a silver finish. Red engravings of the distance (feet) scale and the focal length numbers on the lens add a colorful accent to the classic look of the camera.

Functional elements within the Leica Q are designed clearly and logistically, for optimum efficiency. For example, the Leica Q control menu provides rapid access to all essential controls and enables users to program personalized settings.

TECHNICAL SPECIFICATIONS

The technical specifications of the silver Leica Q are identical to those of the standard black model. Its incredibly fast lens (the Leica Summilux 28 mm f/1.7 ASPH.) and full-frame sensor (24 megapixels) make the Leica Q a perfect tool for street photography and low light, as well as architecture and landscape shots. An integrated high resolution electronic viewfinder (3.68 megapixels) offers photographers reliable control of their composition. These features, full HD video capabilities, Wi-Fi integration and more ensure that even the finest details of every subject are captured in a snap, and easily accessible at all times.

The Leica Q in Silver will be available at Leica boutiques, stores, and dealers at the end of November 2017.

Articles: Digital Photography Review (dpreview.com)

 
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Lexar responds to rumors: will continue making XQD memory cards

01 Nov

Almost 2 weeks ago, Nikon Rumors reported that B&H Photo had discontinued Lexar’s line of XQD cards. In light of Lexar’s recent acquisition by Chinese flash storage manufacturer Longsys, people assumed the worst—for once, they shouldn’t have.

Yesterday, Lexar responded directly to Nikon Rumors on Twitter, assuring the publication (and everyone else) that the it will continue producing XQD cards, which are currently used by some high-end Nikon DSLRs like the Nikon D5 and Nikon D850. Here’s the response in full:

Exactly what Lexar’s future looks like, we still can’t say. Longsys has been quiet except to say that “the innovative solutions and excellent support that they have experienced from Lexar will continue.” For now, that apparently extends to XQD cards.

Articles: Digital Photography Review (dpreview.com)

 
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Behind the scenes: Capturing creepy Halloween wet plate portraits

01 Nov

While most people will be out experimenting with a little chemical called Ethanol on Halloween, at least one photographer decided to use some Ethyl Ether and Silver Nitrate instead. Markus Hofstaetter—whose work we’ve featured in the past—decided to take a few wet plate collodion portraits this Halloween, and documented the entire process in a creative 360° video.

The main shot Hofstaetter was after is actually not the hard-core looking skull portrait in the GIF at the top. Instead, he wanted to take a self-portrait in the style of Walter White “Heisenberg” of Breaking Bad.

“I feel always like him when I prepare the chemicals for my collodion wet plate process,” Markus writes on his blog. He also went for an imperfect look. By not cleaning the edges of the plates after the silver bath and not cleaning the plate holder. “It’s not always about perfection.”

Here are a few BTS shots, the final images, and a couple of high res crops from the wet plate scans Markus sent over:

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Speaking to DPReview, Markus explained some of the particulars of his process:

I like to use trays for sanitizing my plates much more than typical silver bath tanks. That’s because mamut plates are easier to handle, the alcohol (that comes from the collodion coating into the silver bath) can easier evaporate in a tray and it’s so much easier to fill 2 Liters of nitrate back in a bottle with a tray.

All Chemicals I use are self-made and the collodion is typically done on the day before the shooting to get the plates more sensible to light. I make developer and fixer occasionally – these are very stable. The silver bath is Maintained two to three times a year.

As you can see in the video, I forgot to wear my glasses when I put the plate into the silver bath tray the first time – this is very dangerous!!! Because one drop of silver nitrate in your eye will blind you. Never happened before – but I was kind of busy with the 360 cam 🙁

Normally I wear masks too (the Ether in the Collodion is unhealthy), but I didn’t want to get indents on my face from the mask. You would have seen that in the picture.

To see more from Markus, be sure to visit his website, check out his blog, or follow him on Facebook, Twitter, and Instagram.


Photos, GIF and Video by Markus Hofstaetter and used with permission.

Articles: Digital Photography Review (dpreview.com)

 
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