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Archive for March, 2016

A Journey From Novice to Natural Light Portrait Photographer

01 Mar

I’m here to share my photography journey that started few years ago as a novice, to where I stand today. As am amateur or hobby photographer, you may relate.

The journey from novice to advanced photographer

About two years ago, I bought an entry level DSLR, to use it as an expensive point and shoot camera. The camera decided the fate of most of my pictures. On innumerable occasions, the pictures were blurry, under or overexposed, and were of poor quality.

The urge to work on my photography skills blossomed, when I was blessed with a little girl. An utmost desire to take only the best pictures of my angel, had taken roots in me. As you may also do, I started searching the internet fervently, for ways to capture the best shots.

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This is the kind of natural light photography I do now, but that’s not where I started. Read on to find out how I got here, and you can too.

I realized, other than going through basic photography tutorials on YouTube, the thing that helped me the most was Flickr’s discussion groups. It has large community of knowledgeable professionals, and semi-professionals, who love to take a look at your picture and provide valuable feedback. Positive suggestions and encouragement I received on the forums, helped me to experiment further, and escape out of automatic mode. If you are in the same mode as I was two years ago, I strongly recommend getting feedback for your photos, through the online forums.

Moving out of auto mode and kit lens limitations

The very first step towards improvement for me, was shifting to Aperture Priority (Av/A) mode. Initially, pictures were blurry even in Av mode, but I could see that inside my home, my kit lens at f/4.5, ISO 6400, was still unable to shoot faster than 1/30th of a second. Such a slow shutter speed caused the motion blur. Shooting outdoors normally helped me to avoid blurry pictures, but I was not sure why my images didn’t have a blurry background like I saw online. Eventually, I understood the limitations of my kit lens, in not being able to shoot at a larger f-stop, to achieve shallower depth of field.

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This image is very noisy, focus is on her dress rather eyes/face, the out of focus raised hand actually distracts the viewer a lot.

One thing I would realize after many months of shooting, is that the exposure triangle (aperture, shutter speed and ISO) is easy to comprehend theoretically, but really hard to apply in the field. I went out for a shoot almost every day, and started experimenting with aperture and shutter speed to get a more desired shot. On returning home, I always got an impression I should have used a different aperture or shutter speed for a better shot. The ability to learn through your mistakes is a major milestone in your journey.

Branching out

Once you are bit confident in your understanding of the basics, you start enjoying it – which is what I experienced. I started devoting time to reading topics such as composition, photography tips, and subscribed to sites like Digital Photography School. Another thing that helped me a lot, was connecting to local events and activity pages via Facebook. I started showing up at many local events and offering free photography to the organizers.

The experience of shooting events was quite chaotic and challenging, especially when there were far more people posing in front of the camera, and many arbitrary things happening – kids running around, or folks dancing to tunes of the festivities. Every such shoot gave me lot more insight into concepts of understanding concepts like plane of focus, controlling focus points, exposure compensation, tips to hand hold the camera firmly, etc.

One of my early event photos. The face and overall image is poorly lit and the face looks orange. Overall image is noisy and the eyes are not in focus. The person behind her is very distracting.

One of my early event photos. The face and overall image is poorly lit, and the face looks orange. Overall, the image is noisy, and the eyes are not in focus. The person behind her is very distracting.

Upgrading gear

It’s very easy to get overwhelmed when reading about, or watching, the type of gear that pros are using in the field. My advice would be to start with minimum possible gear, and upgrade only when you clearly understand the limitations of your existing gear. Be it body, lens, tripod, or anything. After understanding that I couldn’t shoot with very low noise in ambient light during evenings, or achieve huge shallow DOF with my canon T3i and a kit lens, I moved up to a 6D after few months, and bought a prime lens. Though I love to shoot 100% natural light, I added a flash to my gearbox as well, to use as a fill light in some situations.

Here are few things I learned so far, that you can also apply in your photography. Then I will move on to what kind of work I produce these days, and some explanation about how the results are achieved.

Understand the basics:

Read a lot about aperture, shutter speed, ISO, and other beginner tutorials. Apply them as much as you can. These concepts are simple but take a lot of hands-on practice to start making some sense.

Very noisy, Focus is on the shoulder, a very bright area in the background is a huge distraction, very messy environment.

Very noisy, Focus is on the shoulder, a very bright area in the background is a huge distraction, very messy environment.

Participate:

Do share your everyday shots and learning, to online discussion groups and forums, without worrying about the quality of your work. Google knows a lot. Give it a try by typing the question the way you would ask someone in person. Once you get some clue, make sure to try it out, to experiment and confirm your understanding. As I said earlier, do volunteer photography for local charity or non profit, etc., as that is a sure way to learn, and it is much more fun.

Avoid GAS (Gear Acquisition Syndrome):

Avoid the mindset that you cannot do good photography without expensive gear. In the beginning, your cheapest camera is enough to get you started. Photography is not 100% driven by expensive gear. There are way many areas to catch up like composition, understanding of light, angle of shooting, etc. Learn the basics and how to use the gear you have first.

Shoot, shoot and shoot:

There is no shortcut to get good at photography. You have to keep shooting to learn, and learn more to confirm your understanding and get better.

Understand Light:

Taken in the middle of the day when sun was overhead with caring about harsh shadows. From composition point of view the image has a very busy background and viewer will be completely distracted at other elements of the image.

Taken in the middle of the day, without caring about harsh shadows when sun was overhead. From a composition point of view, the image has a very busy background and viewer will be completely distracted by other elements of the image.

It doesn’t matter what genre of photography you shoot; you need a firm understanding of light. This is a key ingredient for a good picture. So, read about the direction and quality of light, and how it affects the shape, size, shadows, and contour of objects it falls upon.

Master your camera:

This tip is especially important if you aim to shoot events, happening at fast pace like kids photography, birds, action, sports, etc. You will really miss opportunities if you are unable to change settings quickly on the fly, without looking at the controls.

Go Manual:

This needs to be your ultimate destination in terms of shooting modes. It’s true that 80% or more time you may be happy with Av mode, but ideally you should have no hesitation in switching to the manual mode in a blink.

Depth of Field:

Technically, in simple terms, aperture controls the depth of field. However, this is the area that took me the longest time to get a good grip on. It’s very hard to stop the desire to shoot at f/1.2, if you own a lens capable of that. However, lenses are not the sharpest at so small f-numbers, plus the depth of field is so thin, that it could be unusable if you are not at the right distance from the subject.

Though there is a nice catch light but looking at the distance it has been shot the f stop should have been chosen higher. The face is not completely in focus and the image does not appeal the viewer. The subject should have been moved a bit to get rid of uneven shadows.

Though there is a nice catch light, but looking closer, it has been shot with an f-stop that should have been higher. The face is not completely in focus, and the image does not appeal the viewer. The subject should have been moved a bit, to get rid of uneven shadows on his face.

Positioning the Subject:

Another key point I have seen even very mature photographers lacking, is realizing the importance of where you should ask the subject to stand. Key mistakes are: placing subject in front of a very busy background, having undesired points of interest in the frame, a brighter large light source behind the subject, etc.

I hope you find the above tips useful. In the final part, I would like to show some images, and a bit about my thoughts on post-processing. All the below images have been published in one or the other magazine.

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85mm, f/1.6, 1/1600, ISO 800

Location: Milwaukee, WI. This was taken at golden hour, with the sun facing the subject. The trees with some fall colors, are very far behind her.

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85mm, f/3.2, 1/400, ISO 400

Location: Redwood Shores, CA. This was taken at golden hour with sun facing her. The intensity of the light was low, as only partial light was passing through the tree. It was shot from above at about a 45-degree angle.

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70mm, f/2.8, 1/320, ISO 800

Location: Los Angeles, CA. This was taken in the middle of the day, in an apartment, where model was facing window light.

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135mm, f/2.8, 1/400, ISO 400

Location: Palace of fine arts, CA. Taken in the middle of the day, where plenty of ambient light was available. Behind the subject is a little darker area, due to trees and pillars. I positioned her at a spot where light was just right to avoid on her face which were too dark.

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85mm, f/1.8, 1/6400, ISO 100

Location: Fremont, CA. Again taken during golden hour, with a bit of shade from the door structure.

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85mm, f/2.8, 1/2000, ISO 800

Location: San Jose, CA. Taken in the middle of the day, using the shade from the ceiling above the model, and avoiding sunlight falling directly her.

Importance of Post-Production:

As a beginner you will surely hear or read a lot something similar to these statements, “I love straight out of camera pictures” or “I hate editing pictures”. However, I have found that you can delay getting into the post-processing of images, but cannot avoid it.

The extent you go to post-processing an image, is totally a different debate. Some do it to enhance the existing elements of an image, and others do it to make it into a totally different image. I am in the first category, and spend time doing things that improves the overall image appeal.

For beginners, I would advise that you stay away from it until you are comfortable with your gear and the basic concepts of photography. Always aim to get the image right in the camera.

The first step for post-processing, you can start with Adobe Lightroom, which is a great piece of software to enhance your images. Spend time in achieving mastery with Lightroom, and, once you understand its limitations, then start exploring Adobe Photoshop on a need only basis. In my typical workflow, all the images go through Lightroom, then for some final touches in Photoshop.

Your journey

So where are you in your photography journey? Did you just pick up a camera and can relate to my early experiences? Have you been practicing for a while? What is your experience, please share in the comments below.

Author Bio

Vik (Vivek) Kumar is a photographer and a software engineer. Hi started his photography a couple of years ago as an amateur landscape photographer. The hobby became serious portrait photography fun. His images are used by reputed hotel brands like Hyatt. He has been published numerous times in various fashion magazines like ICON, PUMP, Surreal Beauty Magazine, etc. See more of his work on his website or on his Instagram profile. His landscape photography work can be explored on 500px.

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The post A Journey From Novice to Natural Light Portrait Photographer by Vik Kumar appeared first on Digital Photography School.


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Nazi Playground: Cult Compound Now a Twisted Tourist Trap

01 Mar

[ By Steph in Culture & History & Travel. ]

colonia main

A former haven for Nazi war criminals, child molesters and their sympathizers, Villa Baviera is now a bizarrely whitewashed German-themed tourist attraction tucked into Chile’s Andean foothills. Established in 1961, the cult compound formerly known as Colonia Dignidad (Dignity Colony) hosted infamous concentration camp doctor Josef Mengele, known as the ‘Angel of Death,’ and served as a special torture center and illegal arms cache. Now you can drink beer and watch people stomp around in lederhosen as if none of those terrible things ever happened.

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The insensitive nature of the transition of the 54-square-mile compound’s use is just the beginning, considering that an investigation in the ‘90s found evidence of decades of child abuse, torture and mysterious disappearances. Founder Paul Schäfer, a fugitive wanted in Germany for pedophilia, served as the authoritarian leader of 300 residents. Children were separated from their parents and siblings, all media from the outside world was banned, and sex was forbidden without Schäfer’s approval.

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In the ‘70s, dictator Augusto Pinochet made use of the compound to detain political dissidents. Schäfer was finally apprehended in 1997 and died in prison in 2010, and though 20 colony elders were convicted of aiding him in his abuses, the roughly 120 remaining residents were allowed to keep the property and do what they wanted with it, which was to turn it into a money-maker. Rather than making it a memorial to the Holocaust or the crimes that were carried out on the compound, they decided everybody would rather feign collective amnesia.

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The result is a 21-room hotel, swimming pool, playgrounds, wedding tents and restaurants along with all the German food and beer you can consume. A guard tower once used to spot escapees still looks out over the property, and the perimeter is still edged with barbed wire fencing, but hey, those hot tubs will help you relax away the memories of the atrocities committed there, right?

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Catch more on the history of this twisted tourist attraction at Bloomberg and in the upcoming Hollywood film ‘Colonia’, starring Emma Watson.

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[ By Steph in Culture & History & Travel. ]

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Tamrac Goblin gear pouches protect lenses, cameras and memory cards

01 Mar

Tamrac has a new line of Goblin gear pouches designed for individual lenses and cameras, as well as a couple larger accessory pouches for storing multiple items together. The product line includes half a dozen lens pouches, all with drawstring enclosures, three body pouches, two accessory pouches and one memory card wallet. 

The Goblin pouches feature ripstop nylon exteriors and quilted interiors. The lens pouches span bag models 0.3 to 2.4, with the smallest model (0.3) having an interior space of 6 x 8cm/2.25 x 3 in, and the largest (2.4) having an interior space measuring 12 x 21cm/4.75 x 8 in. The camera body pouches are similar, with the smallest model (0.4) offering 3 x 5.5 x 2 in/8 x 14 x 5 cm of interior space, and the largest model (1.4) offering 4.25 x 5 x 3.5 in/11 x 13 x 9 cm of interior space.

Unlike the lens and body pouches, the two accessory pouches, models 1.0 and 1.7, feature YKK zippers and mesh windows to offer a view of what’s in the bag while it’s closed. The Goblin line is rounded out with a memory card wallet with a micro mesh window and three difference size options, one that fits 6 SD cards, another that fits 4 Compact Flash cards, and a third option that fits all ten cards at once.

The Goblin line of pouches is available now through Tamrac’s website. Prices start at $ 12.95.

Via: Fstoppers

Articles: Digital Photography Review (dpreview.com)

 
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Olympus ‘Fox Brown’ limited edition OM-D E-M10 II launched worldwide

01 Mar

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A brown and chrome version of the OM-D E-M10 II compact system camera, first announced in January, has been launched worldwide by Olympus. The new version is a limited edition, of which only 3500 will be made and distributed, and Olympus hopes the unique coloration and grained texture of the finish will attract collectors. 

The camera is the same as the standard OM-D E-M10 II, but comes with a brown leather-effect cover, a premium leather strap and a silver-colored lens cap. It will only be available in a kit with the company’s 14-42mm F3.5-5.6 EZ Pancake standard zoom lens. 

Olympus has also launched a pair of messenger-style bags made from brown leather and grey canvas that it says complement the new ‘Fox Brown’ edition. They come in ‘standard’ and ‘mini’ sizes. 

The Olympus OM-D E-M10 II Fox Brown costs $ 899/£699/€899. For more information visit the Olympus website. 


Press release:

Fox-Brown Limited Edition collectible celebrates OM-D heritage

Hamburg, 02/25/2016 • In the new OM-D E-M10 Mark II Limited Edition, retro design meets world-first technology – When Olympus announces a new Limited Edition OM-D, design enthusiasts know they’re in for an exceptional visual treat. The OM-D E-M10 Mark II Limited Edition offers all the high-tech fireworks of the awarded OM-D E-M10 Mark II, but stands out from its near-namesake with a striking new design. The unique Fox Brown colour and texture alone make this camera a collector’s item. The Limited Edition also comes with a premium leather strap and a matching silver-coloured lens cap to complement its compact, lightweight frame. Worldwide, only 3,500 OM-D E-M10 Mark II Limited Edition cameras will be available. They are on sale as of February 25, 2016 as part of a kit that includes the M.ZUIKO DIGITAL ED 14-42mm 1:3.5-5.6 EZ Pancake Zoom lens for €899*.

Brown is back

The original OM-D E-M10 Mark II set the standard – making imaging practical, portable and affordable for a new generation of hobbyist photographers. The remarkable styling of the Limited Edition takes this standard to a new level. The special Fox Brown colour sets off the glinting chrome and milled edges of solid dials beautifully. The On/Off switch and the central finder further enhance the impression of a hands-on shooting experience to be enjoyed by the talented connoisseur.

Form fits function

The design highlights of the OM-D E-M10 Mark II Limited Edition have a traditional flavour, but for this camera segment the technology is cutting-edge. Beneath the elegant switches, dials and contours of its all-metal body, the Limited Edition inherits some of the most powerful technology OM-D has to offer. It features the 5-axis in-body Image Stabilization that enables blur-free still and smooth hand-held filming on the move, even in low light. 5-axis IS works irrespective of the lens attached and compensates admirably for up to four steps of shutter speed**. For shooting with a large telephoto lens, an optional quick-release camera grip adds another layer of stability. Another bonus for moviemakers is 4k time-lapse recording, which allows you to capture and play back normally imperceptible movement in ultra high-resolution.

The full EVF

Like the E-M10 Mark II, the Limited Edition has a large, high-speed, 2,360K-dots OLED Electronic Viewfinder with an unrivalled 100% field of view. The EVF displays the full range of manual settings and optional effects in real time, for full control over the impact of manual adjustments. Again there’s a large, tilting, 3-inch touchscreen LCD with a pad control for setting the focus point using your finger, while looking through the viewfinder. The fingerprint-resistant coating helps preserve the camera’s extraordinary aesthetic.

Matching lenses and accessories

Owners of the Limited Edition can enhance the stand-out look of their OM-D with several accessories that complement the brown optic and leather haptic. The premium OM-D messenger bag made of brown leather and grey canvas is every bit as stylish as the Limited Edition itself, and the new OM-D messenger bag Mini has been released just in time for the Limited Edition launch. Of course, there are also more than 40 high-grade Micro Four Thirds lenses available that cover the full range of focal lengths and budgets, from hobbyist to pro.

Like every new Olympus camera, the OM-D E-M10 Mark II Limited Edition comes with a free six-month warranty extension, on top of the statutory warranty in the country of purchase, when registered via the MyOlympus online platform***.

Recommended accessories:

* OM-D Messenger Leather Bag – Tailor-made for OM-D cameras and lenses, with the two-tone panache of a classic urban bag. Includes a matching shoulder strap.

* OM-D Messenger Bag Mini – Same style as the larger version. In grey canvas and brown leather, with room for the camera body and one lens.

* ECG-3 Grip – Makes it easier to hold the camera securely, especially when using a larger telephoto lens. The quick-release means it can be put on and taken off fast on the move.

For the full range of OM-D E-M10 Mark II Limited Edition features and accessories, visit the Olympus website.

Articles: Digital Photography Review (dpreview.com)

 
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