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Archive for June, 2014

Animating Architecture: Real Facades Remixed, Spun & Stacked

06 Jun

[ By WebUrbanist in Art & Photography & Video. ]

architecture animaiton herzog de meuron

Taking building concepts to their illogical conclusions, this series of surreal animations provides a tour of impossible architectural structures and facades, each taken to a fresh visual extreme.

architecture facade shifting shapoe

architecture animation david chipperfield

Created by French architect Axel de Stampa, Architecture Animée inverts our expectation of solid structures (with people moving past and through them), instead creating a static backdrop and fixed surroundings against which iconic buildings come to life.

architecture animation estudio spinning

architecture animation tetris blocks

Each work ends up looking (abstractly) like an extension of the original architectural intent or some sort of motion implied within it, such as the above game of god-scaled Tetris that seems to play out in realtime.

architecture animation deconstructed facade

architecture animation la morphosis

This initial set shown here was created as part of 1Week1Project, organized by Ecole d’Architecture de Paris-Belleville graduate Sylvain Macaux to generate 52 spontaneous architecture projects over the space of a year (with over 25 completed to date).

architecture animated absolute towers mad

Structures subject to these whimsical deconstructions include the following: Vitrahaus by Herzog & de Meuron, Memory Museum by Estudio America, Theatre Agora by UNStudio, Emerson College Los Angeles by Morphosis, Mirador Building by MVRDV and Blanca Lleo, Americas Cup Building by David Chipperfield, New Museum by SANAA, Absolute Towers by MAD.

architecture animation building deconstruction

Spinning, twisting and deforming, the pieces play on something intrinsic to each subject – almost as much a natural extension as an artistic interpretation. Participating photographers include: Nicolas Saieh, Christian Richters, Iwan Baan, Luis Garcia, James Ewing and Tom Arban with more yet to come.

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[ By WebUrbanist in Art & Photography & Video. ]

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Hoffnungslose Wanderer

06 Jun

Wenn sich 24 junge Fotografen zusammentun, denkt man zunächst vielleicht an einen Fotokurs, aber diese bunte Truppe formte sich nicht durch einen gemeinsamen Klassenraum. Sie fanden sich durch ihre Bilder und den gemeinsamen Stil im Internet. Und nachdem die ersten Planungen für ein gemeinsames persönliches Treffen liefen und die Vorfreude darauf zu groß und die Zeit bis dahin zu lang waren, entstand ein gemeinsames Fotoprojekt.

Ich bin sehr froh, Teil dieses Projekts sein zu dürfen, denn wir beschlossen, das Lied „Hopeless Wanderer“ von Mumford & Sons zu illustrieren. Jeder Fotograf bekam eine Zeile und setzte diese auf seine persönliche Art in einem Portrait, meist sogar in einem Selbstportrait, um.

Eine Frau liegt im Wasser. Aus ihrem Mund quillt ein rotes Tuch, das um sie herum schwimmt.

You heard my voice © Sina Domke

Eine Frau steht am Waldrand. Ihr langer Umhang liegt über dem Waldboden zwischen den Bäumen.

I came out of the woods by choice © Laura Zalenga

Ein Mann sitzt in einer sonnenbeschienenen Ecke und raucht. Der Rauch steigt dicht auf.

Shelter also gave their shade © Curtis Spahl

Eine Frau mit wehendem Gewand steht in einem nebligen Wald.

But in the dark I have no name © Paula Ohmann

Ein Mann und eine Frau sitzen am Tisch und halten sich an den Händen.

So leave that click in my head © Nikolas Brummer

Eine Frau, versteckt hinter braunem Laub, trägt im Mund grüne Blätter.

And I will remember the words that you said © Jonas Hafner

Eine Frau steht mit vor der Brust gekeuzten Armen auf einer Wiese. Wolken liegen tief auf der Wiese und verdecken ihr Gesicht.

Left a clouded mind and a heavy heart © Petra Holländer

Eine Frau tanzt auf einem Steg über dem Wasser.

But I was sure we could see a new start © Andrea Peipe

Ein Mann steht mit ausgebreiteten Armen auf einem Feld. Erde fliegt um ihn herum weg.

So when your hope’s on fire © Normen Gadiel

Vier Arme von unten strecken sich nach oben zu einer weiteren Hand.

But you know your desire © Moritz Aust

Ein Junge steht mit einer Kerze schützend unter einem Baum.

Don’t hold a glass over the flame © Melf Mayer

Ein Mann sitzt nachdenklich auf einem Felsen und blickt ins Meer.

Don’t let your heart grow cold © Jennifer Köhler

Eine Frau sitzt betend in der Kirche.

I will call you by name © Lisa-Marie Kaspar

Zwei Frauen stehen Hand in Hand im Wald und sehen in unterschiedliche Richtungen.

I will share your road © Charlotte Grimm

Eine Frau ist halb alt und halb jung und zieht mit einer Hand die alte Haut von ihrem Gesicht ab.

I wrestled long with my youth © Ines Rehberger

Ein Mädchen, das sich eine Hand in etwas Abstand vor das Gesicht hält.

We tried so hard to live in the truth © Hanna Fasching

Ein Mann steht mit dem Rücken zur Kamera und zieht Tapetenbahnen ab, die den Wald zeigen. Darunter kommt abgeholzter Wald zum Vorschein.

But do not tell me all is fine © Jan Plähn

Eine Frau lehnt sich rücklings über eine weiße Brüstung.

When I lose my head, I lose my spine © Sabah Syed

Eine Frau in einem Kleid aus Buchseiten rennt weg. Die Buchseiten fliegen um sie herum.

And I won’t remember the words that you said © Foufinha

Ein Mann liegt auf einem Holzboden im Staub von einer Decke umhüllt.

You brought me out from the cold © Chris Hieronimus

Eine Frau sitzt in einem leeren Gewächshaus auf dem staubigen Boden.

Now, how I long, how I long to grow old © Katja Kemnitz

Eine Frau liegt in grünen Zweigen und umarmt sich selbst.

Hold me fast © Anna Heimkreiter

Ein Mädchen steht allein auf einem Berg und sieht in die Ferne.

Cause I’m a hopeless wanderer © Paulina Metzscher

Ein Mann liegt mit dem Rücken nach unten und ausgebreiteten Armen im Wasser, auf dem sich Wolken spiegeln.

I will learn, I will learn to love the skies I’m under © David Uzochukwu

Und was für eine Freude war es immer, wenn wieder ein Bild fertig war und gezeigt wurde. Viele fertigten sogar Videos ihrer Shootings an und es war großartig, das kleine Projekt wachsen zu sehen. Ich freue mich schon auf das nächste!


kwerfeldein – Fotografie Magazin | Fotocommunity

 
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New forums! DIY Photo Projects and Underwater Photography

05 Jun

DPRlogo.png

We’re pleased to announce the creation of two new forums. ‘DIY and Photo Experiments’ is the place to show off your photography-related DIY projects, discuss homemade solutions to hardware problems and share photo experiments with other dpreview users. If it’s safe, legal, and you figured it out yourself, this is the place to show it off. Meanwhile, ‘Underwater Photography’ is the place to share and discuss – yes, you guessed it – all things related to taking pictures underwater. Click though for more information

News: Digital Photography Review (dpreview.com)

 
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5. Juni 2014

05 Jun

Ein Beitrag von: Sebastian Freitag

© Sebastian Freitag


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A GoPro Hero’s journey into a dishwasher

05 Jun

gopro.jpg

The inside of a dishwasher isn’t the most likely place you’d think of putting a rugged action camera, but that’s exactly what one GoPro Hero 3 owner has done. The camera, along with a couple of light sources and an assortment of dishes, made the trip through a full wash cycle. The resulting video is surprisingly entertaining. See video

News: Digital Photography Review (dpreview.com)

 
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Loop Portraits:Romain Laurent Reveals His Tricks

05 Jun

When we see a photo that just makes us say, “How in the world?!” we just have to stop talking out loud to our computer screen, hunt down the genius behind said stunner and ask them…

“How in the world?!”

Turns out it’s Romain Laurent who crafts the mind bending, perfectly looped portraits that had us agog.

So, we tracked him down and bombarded him with “hows,” “whys” and “you’re so cools.”

Check out his answers and see more of his loop portraits over on our blog.

Romain Laurent Reveals The Tricks to His Trade

(…)
Read the rest of Loop Portraits:
Romain Laurent Reveals His Tricks (753 words)


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Contest – Win One of THREE Photography Courses from New York Institute of Photography

05 Jun

Over the last few years here at dPS, wNYIP Logoe’ve run some incredibly popular competitions with one of our partners – the New York Institute of Photography – to give away to lucky dPS readers some of their great photographic teaching.

Due to popular demand – we’re doing it again this week.

For this competition, NYIP is giving away THREE prizes.

Each will be won by a different dPS reader. Here’s what you could win:

Complete Course in Professional Photography – worth $ 1,499

This is NYIP’s most popular course. It teaches everything an aspiring photographer needs to know about the art, technique, and business of photography. Want to become a better photographer? Then this course is for you.

NYIP spread Light Direction

All courses include comprehensive and illustrated lesson books, CD audio guides, DVD video training, photo projects, professional evaluation and personal student advisers.

How to Win

To win this competition you’ll need to:

  • Watch the video below
  • Leave a comment below and tell us why you’d like to enrol in New York Institute of Photography. Please note: there is a limit of 1 entry per person.
  • Do this in the next 8 days and on June 12th, 2014, the team at NYIP will choose the best three answers and we will announce the winners in the following days.

Deadline is June 11th, Midnight PDT. Comments left after the deadline will not be considered.

By “best” – we’re looking for people who have an understanding of what NYIP is, what the course offers, and how it suits their needs. There’s no need to write essay length comments to win – but we’re looking to hear what you like about NYIP, the course and how it would help your development as a photographer.

This competition is open to everyone around the world no matter where you live, but there is only one entry per person please. To enter – simply leave your comment below.

Don’t forget to share this post with your friends! Like NYIP on Facebook for special offers and announcements on all of the NYIP Courses!

Disclaimer: NYIP is a paid partner of dPS.

The post Contest – Win One of THREE Photography Courses from New York Institute of Photography by Darlene Hildebrandt appeared first on Digital Photography School.


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Sony World Photography Awards 2015 open for submissions

05 Jun

130458532585410000_SophieGamand.jpg

The Sony World Photography Awards are now accepting entries for 2015. The contest is open to professionals and amateurs alike, from anywhere in the world. Submissions will be accepted until early January 2015 for four different competitions: Open, Professional, Youth and Student Focus with a number of categories in each group. Winners receive cash prizes and Sony gear. Read more

News: Digital Photography Review (dpreview.com)

 
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8 Tips to Get You to Take Better Smartphone Pictures

05 Jun

Sometimes the best camera is the one you have with you, and most of the time, this will be your phone camera.  This doesn’t mean your photos have to be terrible; it just means you must work on your picture-taking process a little more, as smartphones have limited capabilities. Besides accessibility, one of the main advantage smartphones have is that Continue Reading

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Phottix Mitros+ Review – the Best Flash System You Have Never Heard of

05 Jun
First dance

Photo taken using the Phottix Mitros+ system

As a professional wedding and portrait photographer, I would say the most important accessory in my kit bag besides my main camera and lenses would by my flashes. So when it came to making a decision on what flash system use, I did a lot of research and in the end I opted for the Phottix Mitros+/ Odin system. I don’t normally write gear reviews as I think the internet has enough top quality content. I realized however in my research that the Phottix Mitros+, although sold internationally, is comparatively less well known and not well documented on the web.

Phottix Mitros 107

Phottix Mitros+ – comes with carrying case and accessories

I am a big fan of using off-camera flash and as a Canon shooter and have previously been using Canon 580 EX II / Pocket wizard combination for the last 4 years. The Canon 580 EX IIs in all fairness have served me well. They have been dropped many times, and rained on, but never skipped a beat. The problem occurs when I take them off camera. Using the PocketWizard Mini TT1 and TT5 trigger and receiver I have experienced a whole host of reliability problems that eventually was the catalyst for me to look for alternate solution.

I started by looking at the Phottix Odin TTL triggering system, which I have used before and has had excellent reviews. That was when I realized Phottix also sells the Mitros+ flash, that includes the wireless transceiver built into the unit. The “+” denotes that it has radio transceiver built in as they also do a non “+” version with no transceiver. The Mitros+ flash is great for a number of reasons;

  • It’s one less piece of equipment to buy and worry about
  • There is so need to carry more batteries or worry about connection issues between your radio receiver and your flash
  • The Phottix Odin trigger system is also a tried, tested, reliable market leader and so I was confident it would work well

Review – Phottix Mitros+ Flash System

First impressions when you take the Mitros+ out of the box; it comes in a nice pouch and feels solidly built to take a few bumps, which is essential as I will put it though the rigours of professional use. The first thing you notice is that it makes a beep, like studio lights, to tell you the flash is recycled and ready for use. This is especially useful if you are firing at full power, and can be turned off using the custom functions if you don’t like it. I fired off a few successive frames and it seems extremely quick to recycle. This is by no means a scientific test but I set the flash in manual mode 1/2 power and fired consecutive bursts. It seems to recycle at least as fast, if not faster, than a Canon 580 EX II. In the real world, it holds up very well; I tested it all day in different lighting situations and the ETTL worked consistently. The battery consumption seems about the same as the 580 EX II, I did a full day shoot and didn’t need to change batteries, so all in all I am very happy.

The real benefit of the unit however, is taking it off camera. It’s an absolute joy to use; no having to set up the PocketWizard receivers, and no misfires. I don’t have to do my usual five minutes of troubleshooting if the flashes aren’t firing. It just works like it is supposed to. With this system you can also control everything directly from my Odin transmitter, or using another Mitros+ flash. You can alter settings remotely such as TTL exposure compensation, manual power, high-speed sync and even flash zoom level. You can configure three groups of flashes and adjust each one individually. This basically allows you to control everything you need from the camera so no need to walk up and down making adjustments.

Phottix Mitros 101

Hands on it’s a quite a large flash as you can see here next to the Canon 580EX II

Features (as listed on the Phottix website)

  • E-TTL, M, Multi (Stroboscopic) modes
  • Auto/Manual Flash Head Zoom with 180 degree rotation and 97 degree tilt
  • High Speed Sync and Rear Curtain Sync
  • Flash Exposure Compensation: Manual, Bracketed
  • Fast Flash Mode: with 0.1-2.5 sec. recharge times
  • USB port for upgrades
  • 3.5mm Sync port
  • Canon-compatible IR Wireless Triggering with Master and Slave mode
  • Optical Slave Sync Mode
  • Uses 4 AA batteries
  • Port for external battery pack
  • Compatible with Phottix Odin TTL Flash Triggers for Canon
  • Battery Compartment for 4 AA batteries (below left)
    Phottix Mitros 103 Phottix Mitros 102
  • Rubber seals around metal hot-shoe for weather sealing (above right)
  • Mine also came with a plastic diffuser and 1/2 CTO which will come in handy (below left)
    Phottix Mitros 104 Phottix Mitros 100
  • Swivel and tilt head great for bouncing in all directions (above right)
  • Connections for USB power, 3.5mm jack for sync and external power the kit also comes with an adapter to convert the head for Canon’s CP-E4
  • The display a the back is large backlit and clear
    Phottix Mitros 106 Phottix Mitros 108
  • Menu System identical to Phottix Odin when set to Trigger Mode

Phottix Mitros 109

The litmus test for me to judge how intuitive a menu system is; if I need to read the manual, it’s probably not that intuitive. I very quickly figured out how switch from ETTL to Manual, activated high-speed sync and got the radio trigger system working. I actually think the menu system is better than the Canon 580 EX II, which took me a long time to figure out. Like the Canon speedlite, you can also control flash exposure compensation from the Canon 5D Mark III’s menu, although this is not recommended by Phottix. An advantage of the Mitros is that it has an indicator to see how much battery life left, which is absent in the Canon 580 EX II.

I recently took the Mitros+ system for an intensive four day shoot on Tinian Island and I am glad to report it has been flawless. I was asked to do a beach shoot at 1 p.m. in the blazing afternoon heat and managed to overpower the sun with three of Mitros+ flashes set up in cluster.

Mitros 100

Final image

Mitros 101

Lit with three Phottix Mitros+ flashes

The determining factors for choosing the Phottix system were twofold

Firstly, it is an open system. Odin can be used to trigger not just the Mitros+ but other studio lights as well. In comparison the latest Canon 600EX–RT flash and Canon ST-E3 trigger are only compatible with each other. I have also bought Phottix Odin receivers to bolt onto my old Canon 580s, so can use them with the Mitros+/Odin system together.

Another positive for Phottix is that it’s more backwards compatible than the Canon 600 EX-RT, which is not fully compatible with pre-2012 models, such as Canon 5D Mark II, which I also own. I read reports that you lose features like HSS, (High Speed Sync) and the sync speed is lowered to 125th/sec but I haven’t tested it myself. It seemed very odd to me that a third party company can get their flash working with older Canon cameras but Canon can’t. I have tested the Mitros+ system with both the Canon 5D Mark II and 5D Mark III. It works fine and it is even compatible using infrared with the Canon 580 EX IIs, so you can use the Mitros+ to trigger the Canon flashes and vice versa. The Mitros+ also has optical slave which is something Canon never put on the 580 EX for unknown reasons.

The final factor is the Phottix retails at $ 399 USD, which offers a significant saving to the Canon equivalent. At time of print, the Mitros+ is $ 150 USD cheaper than the Canon 600EX–RT flash.

I talked about comparisons with Canon in my review as I am a Canon user, but the Mitros+ is available for Nikon now also. It should be quite attractive to Nikon shooters as I think Nikon have yet to release a flash with a built-in radio transceiver.

Conclusion

Things really have moved on for third party flash manufacturers in the last few years. When I first researched into non-proprietary flash systems, they were generally cheaper, but vastly inferior product to the brand name equivalents. The Mitros+ is a great quality product, at a great price. It’s well built, easy to use and packed with features. Phottix as a company feels like they are selling products designed by photographers, and have really listened to their customers. Looking back at reviews of the original Mitros when it came out, customers were just saying “if only it had the Odin radio system built in that would be fantastic”, not long after the Mitros+ was released.

The Phottix Odin radio trigger system fully deserves all the praise it gets. PocketWizard, which has historically commanded such a market dominance in this sector, should be well aware of the new competition – which I think is a good thing. I remember paying nearly $ 500 USD for a PocketWizard TT1 Trigger and TT5 receiver, but had to as there was just no competition at the time. I experienced range issues, reception/connection problems, broken hot-shoe and general unreliability which is unacceptable for such a premium priced product.

The Mitros+ / Odin combination so far has been solid as a rock in terms of reliability. Time will tell if the build quality is as good as it looks but at least Phottix shipped with a two year warranty peace of mind. For those of you looking to either buy your first flash, or add to existing flash system, it’s worth keeping an eye out for products from third party manufacturers such as Phottix. Light is light at the end of the day, and I don’t care what brand name it says on the side as long as it gives me consistently good results and so far my Mitros+ has done exactly that.

Here are a few more images created with the Phottix Mitros+

Buggy 100

Food

Outdoor off camera flash

The post Phottix Mitros+ Review – the Best Flash System You Have Never Heard of by Garry Chung appeared first on Digital Photography School.


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